Knowledge (XXG)

Hans Gál

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cannot be derived from any single influence, one can nevertheless identify particular affinities, especially with the 18th century Viennese composers whose clarity, plasticity and playful humour are basic constituents. His works combine romantic intensity with emotional restraint, and the chromatic harmonies and extended tonality of the pre-serial early moderns with a
247:(Rich Claus, Poor Claus), which was to have received a double première in Dresden and Hamburg, was cancelled and the piece was not performed until an English translation was presented by York Opera in 1990. He and his family returned to Vienna, but the shadow of the German Reich was already evident there, and he found no permanent position. 40: 325:. His output was considerable: over 150 published works in virtually all genres, including, in addition to his four operas, four symphonies, four string quartets, two large-scale cantatas with orchestra, other orchestral works, chamber music, sets of 24 preludes and 24 fugues for piano, and vocal works of various kinds. 1675:(Three Intermezzos for Flute and Piano, op. 103; Sonata for Two Violins and Piano, op. 96, Three Sketches for Piano, op. 7, Huyton Suite for Flute and Two Violins, op. 92) Ulrike Anton (flute), Russell Ryan (piano), Cornelia Löscher (violin), Wolfhart Schuster (violin); Gramola (Vienna) 98896, 2010 316:
Gál's style is rooted in the Austro-German musical tradition, but from the early 1920s he had developed his own musical language, to which he remained true throughout his long career. He never followed prevailing fashions, nor abandoned his belief in the importance of tonality. Though his style
258:, who invited him to come to Edinburgh, where Tovey taught at the university. There were no permanent openings for professors, but Tovey found him some work in late 1938, and when the war broke out in 1939, the Gáls moved to Edinburgh permanently. In 1940, he was interned as an 1663:(Concertino for organ op. 55, Toccata op. 29, 2 Sacred Songs op. 21, Prelude & Fugue, Phantasia Arioso & Capriccioso) István Mátyás (organ), Adrineh Simonian (soprano), David Pennetzdorfer (cello), Orchester Wiener Akadenie/Martin Haselböck; Membran NCA 60162, 2007 164:
In 1915, Gál was the first recipient of the new Austrian State Prize for Composition for his first symphony, though he later discarded this work and its successors, as well as a large number of works composed up to that time. During World War I he served in Serbia, the
1468:, for piano and strings (op. 43); for violin and strings (op. 52); for cello and strings (op. 87); Serenade for Strings (op. 46). Nina Karmon (violin), Justus Grimm (cello), Oliver Triendl (piano), Sinfonietta Riga/Normunds Šnē. Hännsler Classic HC23049, 2024 341:. As the years passed, and Gál's advocates ceased working, his music fell into near-complete neglect. This process was accelerated by a shift in the BBC's programming policy: from the 1960s onward, the national broadcaster explicitly favoured music from the 1619:(Suite Concertante for Viola and Orchestra, op. 102a, Divertimento for Violin and Viola, op. 90, No. 3, Sonata for Viola and Piano, op. 101, Trio for Oboe, Violin and Viola, Op. 94, Hanna Pakkala, Ostrobothnian Chamber Orchestra, Toccata TOCC0535, 2019 1687:(Gál: Concerto for violin & small orchestra, op. 39; Gál: Triptych: Three movements for orchestra, op. 100; Gál: Concertino for violin and string orchestra, op. 52) Annette-Barbara Vogel (violin), Northern Sinfonia/Kenneth Woods; Avie AV2146, 2010 2319: 1448:(Quartet No. 1 in F minor op. 16, Quartet No. 4 op. 99, Quartet no. 2 op 35, Quartet no. 3 op. 95, 5 Intermezzi op. 10, Improvisation, Variations and Finale on a theme by Mozart op. 60b). Edinburgh Quartet, Meridian Records CDE 84530/1, 2005/2007 2284: 1508:(Gál: Serenade op. 41 for violin, viola and cello; Gál:Trio in F-sharp minor op. 104 for violin, viola and cello; Krása: Tanec (Dance) for violin, viola and cello; Krása: Passacaglia and Fuga for violin, viola and cello), Avie AV2259, 2012 242:
to an abrupt end on account of his Jewish ancestry. When the Nazis took over Mainz in March 1933, he was instantly dismissed from his post and performance and publication of his works in Germany were prohibited. His fourth opera,
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After his release, he returned to Edinburgh, where he remained for the rest of his life. He had continued to compose throughout this time, publishing his Second Symphony in 1942. He became a lecturer in musical education at the
2093: 1717: 1669:(Piano Trio in E Major, op. 18; Variations on a Heurigen Melody, op.9; Piano Trio in G Major, op. 49b) Doris Adam (piano), Karin Adam (violin), Christoph Stradner (cello); Camerata (Japan) CMCD-28149, 2008 2334: 1433:(Piano Quartet in B-flat major, op. 13, Three Sonatinas for violin and piano, op. 71, Sonatina in F major). Cressida Nash, Katalin Kertész, Nichola Blakey, Sarah Beth Briggs, Toccata TOCC0433, 2018 184:
After World War I, the political situation in Austria was extremely difficult, exacerbated by runaway inflation. Gál was appointed to the (initially unpaid) post of Lector for music theory at the
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Since the early 2000s, Gál's music has started to be recorded on a significant scale. Recordings made during this period include a set of the four symphonies on the Avie label, under conductors
1693:(Concerto for violin and small orchestra, op. 39, Sonata for Violin and Piano, op. 17, Sonata for Violin and Piano in D (1933)) Thomas Albertus Irnberger (violin), Evgeni Sinaiski (piano); 1458:(Three Sketches op. 7, Suite op. 24, Sonata op. 28, Two Sonatinas op. 58, Three Small Pieces op. 64, Three Preludes op. 65, Twenty-four Preludes op. 83, Twenty-four Fugues op. 108). 1613:(Sonata for Solo Cello op. 109a; Suite for Solo Cello op. 109b; Sonata for Cello and Piano op. 89) Alfia Nakipbekova (cello), Jakob Fichert (piano); Toccata Classics TOCC0043, 2012 2329: 1427:(Clarinet Quintet op. 107, Trio for Violin, Clarinet and Piano, op. 97, Serenade for Clarinet, Violin and Cello, op. 93). Shelley Levy, Ensemble Burletta, Toccata TOCC0377, 2016 2314: 2339: 1536:
Hans Gál & Robert Schumann (Gál: Symphony No. 4, op. 105 (Sinfonia concertante); Schumann: Symphony No. 2, op. 61) Orchestra of the Swan, Kenneth Woods; Avie AV2231, 2012
2344: 202:(The Sacred Duck), received its première in Düsseldorf in April 1923 under Szell and was performed with continued success in 20 theatres. Together with his third opera, 405:
has preserved the composer's musical estate as well as comprehensive private and professional correspondence with publishers, radio stations, colleagues, and friends.
2324: 402: 493:(Music behind Barbed Wire), edited by Eva Fox-Gál. Bern: Peter Lang, 2003. (Hans Gál's internment diary from summer 1940. In German – includes CD of the 369:), the complete string trios (Ensemble Epomeo), concertos and concertinos for violin, cello and piano (soloists Annette-Barbara Vogel, Matthew Sharp and 298: 94: 29: 1681:(includes Gál's Divertimento for Violin and Viola op. 90 no. 3) Annette-Barbara Vogel (violin), Daniel Sweaney (viola) Blue Green Recording BGR269, 2013 1442:
and Caroline Clemmow (Three marionettes op. 74, Serbische Weisen op. 3, Concertino op. 43, Three Impromptus, A Pastoral Tune). Divine Art DDA25098, 2012
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in 1938, Gál fled to London, with the intention of emigrating to the United States. But he remained in Britain, where he met the musician and scholar
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Gál's music continued to appear regularly in concert in the years immediately following World War II thanks the advocacy of colleagues like
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the previous year at the debut concert of the Edinburgh Chamber Orchestra, one of the oldest amateur orchestras in Edinburgh, founded by
2309: 1703:(Sonata in B-flat minor, op. 17 (1920); Suite in G major op. 56 (1942); Sonata in D, op. posth. (1933)) Annette-Barbara Vogel (violin), 357:
The beginning of the 21st century has seen a revival of interest in Gál's music. The Gál discography now includes the four symphonies (
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Hans Gál & Wolfgang Amadeus Mozart (Gál Concerto for Piano and Orchestra op. 57; Mozart Piano Concerto No. 22 in E-flat, K. 482)
2294: 2159: 1973: 282: 1566: 2154:. Continental Britons. Mandelbaum Verlag, Vienna 2004. Exhibition at the Jewish Museum, Vienna, 25 February – 2 May 2004. 1936: 206:(The Song of the Night), it established his wider reputation. In 1928 he won a Columbia Schubert Centenary Prize for his 1845: 223: 1773:
Hans Gál zum 100. Geburtstag. Zu einer Austellung im Mainzer Rathaus mit Dokumenten zu seinem Leben und Wirken in Mainz
321:-like love of melody, integrated with a polyphonic texture that derives from his lifelong engagement with the works of 1963: 134: 1490:(Gál: Symphony No. 1, op. 30; Schubert: Symphony No. 6 in C) Northern Sinfonia / Thomas Zehetmair; Avie AV2224, 2011 1039: 374: 334: 294: 2354: 2206:. Musiksammlung der Österreichischen Nationalbibliothek. Institut für Österreichische Musikdokumentation, 1987. 1694: 192:). Despite the financial difficulties he married Hanna Schick (a relative of the philosopher and psychologist 158: 1596: 378: 275: 338: 2122: 1989: 1035: 211: 1512: 1062:(Of Eternal Joy) cantata for four female voices and double female choir, with organ and two harps (1912) 362: 346: 322: 150: 1084:
for alto solo, female choir, clarinet, horn, harp (piano) and string quartet (string orchestra) (1919)
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Konter, Astrid: "Hans Gál (1890–1987) als Direktor der Musikhochschule Mainz von 1929 bis 1933". In
1175:(Night Music). (Grimmelshausen). For soprano solo, male voices (TTBB), flute, cello and piano (1933) 668:
Op. 105 Symphony No. 4, sinfonia concertante for flute, clarinet, violin, cello and orchestra (1974)
210:, later retitled his First Symphony. The next year, with the support of such important musicians as 157:, and with whom he later edited ten volumes of the Complete Edition of Brahms's works, published by 2098: 1081: 281:
In Edinburgh, he was a respected member of the local musical scene, and one of the founders of the
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A Comparative Analysis of the First and Second Symphonies of Émigré Composer Hans Gál (1890–1987)
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Op. 82 Concertino for treble recorder/flute and string quartet (string orchestra or piano) (1961)
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for mixed choir (SATB) a cappella (Nos.1, 2, 3 also for female choir a cappella Op. 51a) (1939)
2155: 1969: 1704: 1558: 1540: 1480: 1439: 1418: 936: 888:
Op. 78 Quartettino for recorder quartet (2 descant, treble (or tenor), tenor (or bass)) (1960)
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Op. 78 Quartettino for recorder quartet: 2 descant, treble (or tenor), tenor (or bass) (1960)
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cantata to German barock poems, for four soloists (SATB), mixed choir and orchestra (1936–7)
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for soprano solo, flute and string quartet (flute, mandolin and string trio) to Browning's
145:, who published Gál's doctoral dissertation on the style of the young Beethoven in his own 1565:. (includes Gal's Concertino for violin and string orchestra, op. 52). Erez Ofer (violin) 1136:
lyrical suite for 3-part female choir with (mezzo)soprano solo and string orchestra (1951)
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for descant, treble and tenor recorders, two violins and cello (double bass ad lib) (1958
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Op. 22 Divertimento for Flute, Oboe, two Clarinets, Trumpet, two Horns and Bassoon (1924)
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Hans Gál & Robert Schumann (Gál: Symphony No. 1, op. 30; Schumann: Symphony No. 3)
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Hans Gál & Robert Schumann (Gál: Symphony No. 3, op. 62; Schumann: Symphony No. 3
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Hans Gál & Robert Schumann (Gál: Symphony No. 2, op. 53; Schumann: Symphony No. 3
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Rubinstein, William D.; Jolles, Michael; Rubinstein, Hilary L. (22 February 2011).
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Op. 103 Three Intermezzi for treble recorder/flute and harpsichord or piano (1974)
117:, just outside Vienna, the son of a doctor, Josef Gál. In 1909, his piano teacher 1849: 1364:(Biedermeier Dances). Four pieces in 3/4 time for large mandolin orchestra (1954) 2130: 2057: 1797: 826:
Op. 104 Trio in F-sharp minor for violin, viola d'amore (viola) and cello (1971)
631:(Biedermeier Dances) four pieces in 3/4 time for large mandolin orchestra (1954) 395: 342: 259: 226:. The next three years were among the happiest and most productive of his life. 215: 166: 142: 773:
Op. 103 Three Intermezzi for Treble Recorder/Flute and Harpsichord/Piano (1974)
1098:(Autumn Songs) five songs for 4-part women's choir (SSAA) a cappella (1918–25) 235: 174: 2094:"Little-known composers get their due in the studio if not the concert hall" 2053: 1801: 1150:
for 3- and 4-part Male-Voice Choir with piano (or small orchestra) (1910–11)
967:(Night Music) for soprano solo, male voices (TTBB), flute, cello and piano ( 684: 251: 98: 770:
Op. 102a/b Suite for Viola/Alto Saxophone and Piano or Orchestra (1949–50)
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Op. 102a/b Suite for Alto Saxophone/Viola and Piano or Orchestra (1949–50)
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Recipients of the Austrian Cross of Honour for Science and Art, 1st class
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Mitteilungen der Arbeitsgemeinschaft für mittelrheinische Musikgeschichte
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Op. 81 Sinfonietta No. 1 for mandolin orchestra, guitar & bass (1961)
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Op. 81 Sinfonietta No. 1 for mandolin orchestra, guitar & bass (1961)
101:, musicologist, and author, who emigrated to the United Kingdom in 1938. 2054:"Composer of the Week, Hans Gal (1890–1987), Teacher, Scholar, Composer" 953:(Two sacred songs) for soprano, organ and viola da gamba or cello (1923) 2285:
Jewish emigrants from Austria after the Anschluss to the United Kingdom
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Op. 82 Concertino for treble recorder (flute) and string quartet (1961)
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Op. 98 Divertimento for 3 recorders (descant, treble and tenor) (1970)
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Op. 68b Six two-part inventions for descant and treble recorder (1957)
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Quartet in A for violin, viola, violoncello and piano (left hand) for
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Op. 68b Six two-part inventions for descant and treble recorder (1957)
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Cultural Heritage and Prisoners of War: Creativity Behind Barbed Wire
1775:. (Centenary Exhibition). Kulturdezernat der Stadt Mainz, Mainz, 1990 1168:(Wilhelm Busch). For 4-part male-voice choir (TTBB) with piano (1934) 263: 1870: 1816: 1202:(Three German folksongs) arr. for male-voice choir (TTBB) a cappella 39: 239: 1603:) includes Gál Five Songs (op. 33); Christian Immler (baritone), 1543:(piano) Royal Northern Sinfonia, Kenneth Woods; Avie AV2358, 2016 1373:
Op. 86 Sinfonietta No. 2 (E minor) for mandolin orchestra. (1966)
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for three female voices or 3-part women's choir with piano (1928)
1073:) for alto solo, six-part female choir and small orchestra (1916) 1739:. Vienna: Elisabeth Lafite (Österreichischer Bundesverlag), 1965 1122:(Songs of Youth) five songs for female voices a cappella (1959) 850:
Op. 18 Piano Trio (E major). For Violin, Cello and Piano (1923)
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de Souza, Christopher.: "The Continentals – Second Phase". In
1115:(Stille Lieder) four songs for women's choir a cappella (1935) 720:
Op. 82 Concertino for Treble Recorder/Flute and string quartet
433:. Frankfurt am Main: Fischer, 2nd edn. 1980. English edition: 1306:
Op. 68c Divertimento for 2 treble recorders and guitar (1957)
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for baritone, 2 choirs (SA, SATB), organ and orchestra (1922)
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for middle voice and piano (or harp nos. 4 & 5) (1917–21)
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Op. 68c Divertimento for 2 treble recorders and guitar (1957)
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Op. 49b Trio for violin (flute, oboe), cello and piano (1949)
621:(Caledonian Suite). Scottish tunes for small orchestra (1949) 2182:: "Hans Gal (1890–1987). A personal tribute and memoir". In 2176:. Doctoral dissertation, University of South Carolina, 2012. 1189:
four aphorisms for 4 male voices (TTBB) a cappella (1937–58)
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and Italy. He returned from the war with a completed opera,
149:. From 1909 to 1911, Gál studied composition privately with 133:) appointed Gál as a teacher when he became director of the 97:(5 August 1890 – 3 October 1987) was an Austrian composer, 1685:
Violin Concerto, Violin Concertino, Triptych for Orchestra
1501:)) Northern Sinfonia / Thomas Zehetmair; Avie AV2225, 2011 1196:
six songs for male-voice choir (TTBB) a cappella (1966/67)
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Op. 80 Divertimento for mandolin with harp or piano (1957)
417:. Vienna: Philharmonischer Verlag, 1923. English edition: 161:
in 1926. Mandyczewski became a "spiritual father" to him.
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Lloyd, Thomas: "The vocal chamber music of Hans Gál". In
1533:) Orchestra of the Swan, Kenneth Woods; Avie AV2230, 2011 1526:) Orchestra of the Swan, Kenneth Woods; Avie AV2232, 2013 1355:
Improvisation, Variations and Finale on a theme by Mozart
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Improvisation, Variations and Finale on a theme by Mozart
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Improvisation, Variations and Finale on a theme by Mozart
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Op. 17 Sonata in B-flat minor for Violin and Piano (1920)
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Schönzeler H.-H.: "Hans Gál. The man and his music". In
1939:(in German). Österreichischer Kunstsenat. Archived from 1497:(Gál: Symphony No. 2, op. 53; Schubert: Symphony No. 9 ( 1405:, as well as recordings of concertos and chamber music. 1328:
Op. 110a Four Bagatelles for treble recorder solo (1983)
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Op. 52 Concertino for Violin and string orchestra (1939)
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He died at Edinburgh in October 1987, at the age of 97.
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Gál was born to a Jewish family in the small village of
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Op. 55 Concertino for organ and string orchestra (1948)
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Op. 43 Concertino for piano and string orchestra (1934)
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Op. 7 Drei Skizzen (Three sketches) for piano (1910–11)
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arr. for mixed choir (SATB) a cappella (English/German)
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5 madrigals for mixed choir (8 parts) a cappella (1926)
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for flute, clarinet, violin, cello and orchestra (1974)
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Op. 87 Concertino for Cello and string orchestra (1966)
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Op. 55 Concertino for Organ and string orchestra (1948)
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Op. 43 Concertino for Piano and string orchestra (1934)
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in 1945, where he taught until his retirement in 1960.
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Austrian composer, musicologist and pianist (1890–1987)
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People interned in the Isle of Man during World War II
1657:, op. 91. Toccata TOCC0509 (2020) and TOCC0644 (2023). 932:
Op. 107 Quintet for clarinet and string quartet (1977)
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Op. 80b Divertimento for flute, viola and harp. (1967)
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Op. 86 Sinfonietta No. 2 for mandolin orchestra (1966)
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The Musician's World. Great Musicians in their Letters
137:. From 1909 to 1913, Gál studied music history at the 2129:, London: Oxford University Press. With a preface by 1475:(Gál: Cello Concerto, op. 67; Elgar: Cello Concerto) 917:
Op. 93 Serenade for clarinet, violin and cello (1935)
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Op. 39 Concerto for Violin and small orchestra (1932)
459:. Frankfurt am Main: Fischer, 1970. English edition: 447:. London: Gollancz / New York: Stein & Day, 1976. 443:. Frankfurt am Main: Fischer, 1963. English edition: 437:. New York: Knopf, 1963 / London: Severn House, 1975. 2169:. Master's dissertation, University of Vienna, 2007. 1091:
for 3- and 4-part women's choir with Piano (1910–13)
985:(Motet) for mixed choir (SSAATTBB) a cappella (1914) 767:
Op. 101 Sonata in A major for Viola and Piano (1941)
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Op. 71 Three Sonatinas for Violin and Piano (1956–7)
475:. Ed. by Hans Gál. Frankfurt am Main: Fischer, 1979. 293:
and her sister Norma. His later honours include the
1697:, Roberto Paternostro; Gramola (Vienna) 98921, 2011 907:
Op. 90(1) Divertimento for bassoon and cello (1958)
81: 73: 57: 49: 23: 1319:for treble recorder/flute, violin and cello (1966) 1042:, for 4 soloists, mixed choir and orchestra (1955) 1006:(Three songs) for mixed choir a cappella (1929–30) 904:for treble recorder/flute, violin and cello (1966) 817:Op. 90(3) Divertimento for Violin and Viola (1969) 814:Op. 90(2) Divertimento for Violin and Cello (1967) 804:Op. 41 Serenade for Violin, Viola and Cello (1932) 785:Two Scottish Rhapsodies for Cello and Piano (1960) 738:Works for solo instrument with or without keyboard 926:Op. 97 Trio for violin, clarinet and piano (1950) 717:Op. 67 Concerto for Cello and orchestra (1944–49) 467:Drei Meister – drei Welten. Brahms, Wagner, Verdi 2136:Fox-Gál, Eva & Fox, Anthony: "Hans Gál". In 1367:Op. 80 Divertimento for mandolin and harp (1967) 1216:(Serbian Dances) for piano duet (4 hands) (1916) 1161:). For 4-part male voice choir with piano (1929) 860:for 2 violins and cello (piano ad lib.) (1947–8) 795:Op. 10 Five intermezzi for string quartet (1914) 609:Lilliburlero. Improvisations on a martial melody 1965:The Palgrave Dictionary of Anglo-Jewish History 1921:"Edinburgh Chamber Orchestra A First Concert". 1899:, edited by Eva Fox-Gál. Bern: Peter Lang, 2003 2152:Musik des Aufbruchs: Hans Gál und Egon Wellesz 2030:. The British Music Society, 1986. pp. 115–116 1263:Op. 108 Twenty-four Fugues for piano (1979–80) 1237:Op. 57 Concerto for piano and orchestra (1948) 929:Op. 98 Divertimento for three recorders (1970) 923:Op. 96 Sonata for two violins and piano (1941) 879:Op. 68a Suite for recorder and violin (1964–5) 714:Op. 57 Concerto for Piano and orchestra (1948) 583:(The Magic Mirror). Suite for orchestra (1930) 403:University of Music and Performing Arts Vienna 222:, he was appointed to the directorship of the 1763:. Peter Cornelius Conservatorium, Mainz, 1982 1344:Op. 56a Partita for mandolin and piano (1935) 1182:for 4-part male-voice choir a cappella (1954) 1034:(Life Cycles). Symphonic cantata to poems by 920:Op. 94 Trio for oboe, violin and viola (1941) 752:Op. 56a Partita for Mandolin and Piano (1935) 8: 2330:Recipients of the Grand Austrian State Prize 2127:Cobbett's Cyclopedic Survey of Chamber Music 2017:. Edinburgh: Hans Gál Society, 2010, pp. 5–8 1357:For mandolin, violin, viola and liuto (1934) 1260:Op. 83 Twenty-four Preludes for piano (1960) 1067:Vom Bäumlein, das andere Blätter hat gewollt 876:for mandolin, violin, viola and liuto (1934) 838:Variationen über eine Wiener Heurigenmelodie 303:Austrian Cross of Honour for Science and Art 2315:Officers of the Order of the British Empire 1240:Op. 58 Two Sonatinas for piano (1951, 1949) 758:Op. 84 Sonata for Clarinet and Piano (1964) 692:, Suite for orchestra, arranged by Hans Gál 652:four movements for small orchestra (1958–9) 604:Op. 46 Serenade for string orchestra (1937) 285:in 1947. He conducted the premiere of his 2340:Academic staff of the University of Vienna 1243:Op. 64 Three Small Pieces for piano (1933) 847:Op. 13 Piano Quartet (B-flat major) (1914) 844:melody) for Violin, Cello and Piano (1914) 801:Op. 35 String Quartet II in A minor (1929) 299:Officer of the Order of the British Empire 38: 20: 2249:International Music Score Library Project 1747: 1745: 1129:for double female choir a cappella (1959) 1069:(The Tree that Wanted Different Leaves) ( 798:Op. 16 String Quartet I in F minor (1916) 624:Op. 62 Symphony No. 3 in A major (1951–2) 614:Op. 53 Symphony No. 2 in F major (1942–3) 173:, which was performed in Breslau (modern 85:Composer, pedagogue, musicologist, author 2345:Academics of the University of Edinburgh 2147:. Berlin: Hentrich & Hentrich, 2012. 764:Op. 89 Sonata for Cello and Piano (1953) 749:Op. 56 Suite for Violin and Piano (1942) 461:Franz Schubert and the Essence of Melody 431:Johannes Brahms. Werk und Persönlichkeit 1728: 1376:Capriccio for mandolin orchestra (1973) 1347:Op. 59a Sonatina for 2 mandolins (1952) 866:Op. 59a Sonatina for 2 mandolins (1952) 782:Sonata in D for Violin and Piano (1933) 761:Op. 85 Sonata for Oboe and Piano (1965) 638:(Meanders) suite for orchestra (1954–5) 569:Op. 30 Symphony No. 1 in D major (1927) 441:Richard Wagner. Versuch einer Würdigung 401:Since 2016, the Exilarte Center at the 2325:Recipients of the Austrian State Prize 1299:Suite for recorder and violin (1954–5) 1287:Three Impromptus for two pianos (1940) 1246:Op. 65 Three Preludes for piano (1944) 743:Op. 6 Suite for Cello and Piano (1919) 1506:Complete String Trios Ensemble Epomeo 1284:Prelude and Fugue in A-flat for organ 1080:(Fantasies): three songs to poems by 776:Op. 109a Sonata for Solo Cello (1982) 398:'s Composer of the Week in May 2014. 373:with conductor Kenneth Woods and the 7: 2204:Musikalische Dokumentation: Hans Gál 2150:Haas, Michael and Patka, Marcus G.: 2043:, 52.1, Winter/Spring 2010, pp. 1–16 1691:Violin Concerto & Violin Sonatas 1350:Op. 59b Suite for 3 mandolins (1952) 869:Op. 59b Suite for 3 mandolins (1952) 779:Op. 109b Suite for Solo Cello (1982) 665:three movements for orchestra (1970) 453:. London: Thames & Hudson, 1965. 295:Grand Austrian State Prize for Music 1990:"Reply to a parliamentary question" 1897:Hans Gál, Musik hinter Stacheldraht 1718:List of émigré composers in Britain 1018:Four Madrigals to Elizabethan poems 487:. Frankfurt am Main: Fischer, 1982. 469:. Frankfurt am Main: Fischer, 1975. 266:near Liverpool and Central Camp in 238:in Germany brought Gál's career in 2186:, 97, March 2003, pp. 369–74. 2015:Newsletter of the Hans Gál Society 1887:edited by Gilly Carr, Harold Mytum 1607:(piano); C-Avi-Music 8553229, 2011 1573:. Hanssler Classics HC19020, 2019. 566:(Overture to a puppet play) (1923) 14: 2198:Music and Musicians International 2143:Fox-Gál, Eva & Fox, Anthony: 1483:, Claudio Cruz; Avie AV2237, 2012 1027:for mixed choir a cappella (1953) 545:(Rich Claus, Poor Claus) (1932–3) 153:, who had been a close friend of 2305:20th-century classical composers 2191:Österreichische Musikzeitschrift 2167:Die Mandolinenwerke von Hans Gál 1761:100 Jahre Mainzer Conservatorium 820:Op. 95 String Quartet III (1969) 538:(The Song of the Night) (1924–5) 501:. English translation in press.) 435:Brahms: his Work and Personality 283:Edinburgh International Festival 2200:, January 1988, pp. 22–23. 2189:Schmidtgen, O.: "Hans Gál". In 2145:Hans Gál. Ein Jahrhundert Musik 1567:Berlin Radio Symphony Orchestra 1493:Hans Gál & Franz Schubert: 1486:Hans Gál & Franz Schubert: 1279:Phantasia, Arioso and Capriccio 1275:for harpsichord or piano (1962) 1228:Op. 29 Toccata for organ (1928) 823:Op. 99 String Quartet IV (1970) 457:Franz Schubert oder die Melodie 2184:The British Music Society News 1563:Works for Violin and Orchestra 1225:Op. 28 Sonata for piano (1927) 914:for flute and 2 violins (1940) 564:Ouvertüre zu einem Puppenspiel 177:) in 1919 under the conductor 1: 2300:Austrian male opera composers 2140:, August 1985, pp. 12–13 1625:, Volumes 1 and 2. (includes 1471:Hans Gál & Edward Elgar: 1452:Complete Works for Solo Piano 1421:. Pan Classics PC510141, 2001 1269:for piano (6 hands) (1953–54) 1222:Op. 24 Suite for piano (1922) 680:for mandolin orchestra (1973) 365:), the complete piano music ( 147:Studien zur Musikwissenschaft 2280:Musicians from Lower Austria 2275:People from Mödling District 2241:, musicweb-international.com 2013:Interview with Hans Gál, in 1848:. York Opera. Archived from 520:(Sobeide's Doctor) (1917–18) 419:Directions for Score Reading 2350:20th-century male musicians 2290:Austrian Romantic composers 2028:British Opera in Retrospect 1925:. 14 March 1946. p. 4. 1909:Musical Visitors to Britain 1504:Hans Gál & Hans Krása: 1431:Chamber Music, Volume Three 1273:Kleine Suite (Little Suite) 1157:(Three Portrait Studies). ( 485:Giuseppe Verdi und die Oper 415:Anleitung zum Partiturlesen 230:World War II and later life 2371: 2310:Jewish classical composers 2226:Works by or about Hans Gál 1937:"Staatspreisträger: Musik" 1707:(piano); Avie AV2182, 2010 1701:Works for Violin and Piano 1425:Chamber Music for Clarinet 1053:Vocal works – female choir 976:Vocal works – mixed voices 840:(Variations on a Viennese 643:Music for String Orchestra 529:(The Sacred Duck) (1920–1) 375:English Symphony Orchestra 297:(1957), appointment as an 1978:– via Google Books. 1846:"Past productions (1990)" 1200:Drei deutsche Volkslieder 811:for string quartet (1934) 790:Chamber music for strings 594:: intro. to Act 3. (1933) 491:Musik hinter Stacheldraht 479:Schumann Orchestral Music 463:. London: Gollancz, 1974. 270:, from May to September. 37: 2295:Austrian opera composers 2239:Margaret Moncrieff Kelly 1995:(in German). p. 324 1695:Israel Chamber Orchestra 1446:Complete String Quartets 1141:Vocal works – male choir 1103:Three Songs to poems by 944:Vocal works – solo voice 674:for military band (1926) 574:Ballet Suite Scaramuccio 425:The Golden Age of Vienna 2245:Free scores by Hans Gál 2123:Cobbett, Walter Willson 1597:Alexander von Zemlinsky 1046:Four British folk-songs 951:Zwei geistliche Gesänge 729:Op. 105 Symphony No. 4 559:(Serbian Dances) (1937) 427:. London: Parish, 1948. 381:), the Cello Concerto ( 379:Royal Northern Sinfonia 276:University of Edinburgh 135:New Vienna Conservatory 2041:American Choral Review 1968:. Palgrave Macmillan. 1751:Hans Gál Archive, York 1661:Orgelwerke/Organ Works 599:A Pickwickian Overture 250:Immediately after the 159:Breitkopf & Härtel 141:under music historian 2193:, pp. 1–2, 1957. 2165:Kumpl, Erika Martha: 1911:, Peter Gordon, 2007. 1737:Hans Gál. Eine Studie 1679:Through the Centuries 1513:Orchestra of the Swan 1415:24 Preludes for Piano 363:Orchestra of the Swan 196:). His second opera, 188:(a post once held by 151:Eusebius Mandyczewski 1805:program, 9 July 2011 1735:Waldstein, Wilhelm, 1585:Berthold Goldschmidt 731:Sinfonia concertante 518:Der Arzt der Sobeide 481:. London: BBC, 1979. 353:21st-century revival 305:, 1st class (1971). 268:Douglas, Isle of Man 186:University of Vienna 171:Der Arzt der Sobeide 139:University of Vienna 2180:Moncrieff, Margaret 2172:Marcus, Richard C. 2138:Music and Musicians 2133:. 1963 2nd edition. 2099:The Washington Post 1639:Drei Porträtstudien 1519:; Avie AV2233, 2014 1437:Complete Piano Duos 1409:Selected recordings 1155:Drei Porträtstudien 1082:Rabindranath Tagore 831:Other chamber music 212:Wilhelm Furtwängler 2092:(10 August 2012). 1339:Works for mandolin 1292:Works for recorder 990:Requiem for Mignon 619:Kaledonische Suite 590:(Burlesque). From 535:Das Lied der Nacht 388:Das Lied der Nacht 224:Mainz Conservatory 204:Das Lied der Nacht 1788:, 81, Mainz, 2007 1705:Juhani Lagerspetz 1559:Leonard Bernstein 1541:Sarah Beth Briggs 1481:Northern Sinfonia 1440:Anthony Goldstone 1255:Three Marionettes 1071:Friedrich Rückert 1060:Von ewiger Freude 937:Paul Wittgenstein 581:Der Zauberspiegel 371:Sarah Beth Briggs 291:Theodora di Marco 194:Wilhelm Jerusalem 121:(who also taught 89: 88: 44:Gál, c. 1913–1916 2362: 2235:Personal tribute 2230:Internet Archive 2222: 2221: 2219:Official website 2111: 2110: 2108: 2106: 2086: 2080: 2079: 2068: 2062: 2061: 2050: 2044: 2037: 2031: 2024: 2018: 2011: 2005: 2004: 2002: 2000: 1994: 1986: 1980: 1979: 1959: 1953: 1952: 1950: 1948: 1933: 1927: 1926: 1918: 1912: 1906: 1900: 1894: 1888: 1880: 1874: 1868: 1862: 1861: 1859: 1857: 1842: 1836: 1835: 1833: 1831: 1819:Die beiden Klaas 1813: 1807: 1795: 1789: 1782: 1776: 1770: 1764: 1758: 1752: 1749: 1740: 1733: 1623:Music for Voices 1556: 1403:Thomas Zehetmair 1362:Biedermeiertänze 1251:Drei Marionetten 1214:Serbische Weisen 629:Biedermeiertänze 592:Die beiden Klaas 557:Serbische Weisen 550:Orchestral works 543:Die beiden Klaas 526:Die heilige Ente 245:Die beiden Klaas 234:The rise of the 199:Die heilige Ente 111:Brunn am Gebirge 68: 66: 42: 32: 21: 2370: 2369: 2365: 2364: 2363: 2361: 2360: 2359: 2355:Brahms scholars 2255: 2254: 2217: 2216: 2213: 2119: 2117:Further reading 2114: 2104: 2102: 2088: 2087: 2083: 2070: 2069: 2065: 2052: 2051: 2047: 2038: 2034: 2025: 2021: 2012: 2008: 1998: 1996: 1992: 1988: 1987: 1983: 1976: 1961: 1960: 1956: 1946: 1944: 1943:on 4 March 2016 1935: 1934: 1930: 1920: 1919: 1915: 1907: 1903: 1895: 1891: 1881: 1877: 1869: 1865: 1855: 1853: 1852:on 29 June 2017 1844: 1843: 1839: 1829: 1827: 1815: 1814: 1810: 1796: 1792: 1783: 1779: 1771: 1767: 1759: 1755: 1750: 1743: 1734: 1730: 1726: 1714: 1673:The Right Tempo 1617:Music for Viola 1611:Music for Cello 1550: 1548:Joseph Kaminski 1495:Kindred Spirits 1488:Kindred Spirits 1477:Antônio Meneses 1473:Cello Concertos 1411: 1395: 1341: 1332:Intrata Giocosa 1294: 1267:A Pastoral Tune 1209: 1143: 1134:Of a Summer Day 1055: 1025:Four part-songs 978: 946: 833: 792: 740: 699: 672:Promenadenmusik 552: 513: 508: 421:. London, 1924. 411: 383:Antônio Meneses 355: 339:Otto Schmidtgen 331: 329:Postwar neglect 314: 301:(1964) and the 232: 220:Richard Strauss 155:Johannes Brahms 107: 64: 62: 45: 33: 28: 26: 17: 12: 11: 5: 2368: 2366: 2358: 2357: 2352: 2347: 2342: 2337: 2332: 2327: 2322: 2317: 2312: 2307: 2302: 2297: 2292: 2287: 2282: 2277: 2272: 2267: 2257: 2256: 2253: 2252: 2242: 2232: 2223: 2212: 2211:External links 2209: 2208: 2207: 2201: 2194: 2187: 2177: 2170: 2163: 2148: 2141: 2134: 2118: 2115: 2113: 2112: 2090:Midgette, Anne 2081: 2063: 2045: 2032: 2019: 2006: 1981: 1974: 1954: 1928: 1913: 1901: 1889: 1875: 1863: 1837: 1808: 1790: 1777: 1765: 1753: 1741: 1727: 1725: 1722: 1721: 1720: 1713: 1710: 1709: 1708: 1698: 1688: 1682: 1676: 1670: 1664: 1658: 1647:Songs of Youth 1643:Four Madrigals 1620: 1614: 1608: 1605:Helmut Deutsch 1593:Erich Korngold 1581:Franz Schreker 1574: 1571:Frank Beermann 1544: 1537: 1534: 1527: 1520: 1509: 1502: 1491: 1484: 1469: 1463: 1449: 1443: 1434: 1428: 1422: 1410: 1407: 1394: 1391: 1390: 1389: 1377: 1374: 1371: 1368: 1365: 1358: 1351: 1348: 1345: 1340: 1337: 1336: 1335: 1329: 1326: 1323: 1320: 1313: 1310: 1307: 1304: 1301: 1293: 1290: 1289: 1288: 1285: 1282: 1276: 1270: 1264: 1261: 1258: 1247: 1244: 1241: 1238: 1235: 1232: 1229: 1226: 1223: 1220: 1217: 1208: 1207:Keyboard works 1205: 1204: 1203: 1197: 1190: 1183: 1176: 1169: 1162: 1151: 1142: 1139: 1138: 1137: 1130: 1127:A Clarion Call 1123: 1116: 1109: 1099: 1092: 1085: 1074: 1063: 1054: 1051: 1050: 1049: 1043: 1028: 1021: 1014: 1007: 1000: 993: 986: 977: 974: 973: 972: 969:Grimmelshausen 961: 954: 945: 942: 941: 940: 933: 930: 927: 924: 921: 918: 915: 908: 905: 898: 895: 892: 889: 886: 883: 880: 877: 870: 867: 864: 861: 854: 851: 848: 845: 832: 829: 828: 827: 824: 821: 818: 815: 812: 805: 802: 799: 796: 791: 788: 787: 786: 783: 780: 777: 774: 771: 768: 765: 762: 759: 756: 753: 750: 747: 744: 739: 736: 735: 734: 727: 724: 721: 718: 715: 712: 709: 706: 703: 698: 695: 694: 693: 681: 675: 669: 666: 659: 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2120: 2116: 2101: 2100: 2095: 2091: 2085: 2082: 2077: 2073: 2067: 2064: 2059: 2055: 2049: 2046: 2042: 2036: 2033: 2029: 2023: 2020: 2016: 2010: 2007: 1991: 1985: 1982: 1977: 1975:9781403939104 1971: 1967: 1966: 1958: 1955: 1942: 1938: 1932: 1929: 1924: 1917: 1914: 1910: 1905: 1902: 1898: 1893: 1890: 1886: 1885: 1879: 1876: 1873:, hansgal.org 1872: 1867: 1864: 1851: 1847: 1841: 1838: 1826: 1822: 1820: 1812: 1809: 1806: 1804: 1799: 1794: 1791: 1787: 1781: 1778: 1774: 1769: 1766: 1762: 1757: 1754: 1748: 1746: 1742: 1738: 1732: 1729: 1723: 1719: 1716: 1715: 1711: 1706: 1702: 1699: 1696: 1692: 1689: 1686: 1683: 1680: 1677: 1674: 1671: 1668: 1665: 1662: 1659: 1656: 1652: 1648: 1644: 1640: 1636: 1632: 1628: 1624: 1621: 1618: 1615: 1612: 1609: 1606: 1602: 1601:Wilhelm Grosz 1598: 1594: 1590: 1586: 1582: 1578: 1575: 1572: 1568: 1564: 1560: 1554: 1549: 1545: 1542: 1538: 1535: 1532: 1528: 1525: 1521: 1518: 1517:Kenneth Woods 1514: 1510: 1507: 1503: 1500: 1496: 1492: 1489: 1485: 1482: 1478: 1474: 1470: 1467: 1464: 1461: 1457: 1456:Leon McCawley 1453: 1450: 1447: 1444: 1441: 1438: 1435: 1432: 1429: 1426: 1423: 1420: 1416: 1413: 1412: 1408: 1406: 1404: 1400: 1399:Kenneth Woods 1392: 1387: 1386: 1381: 1380:Lyrical Suite 1378: 1375: 1372: 1369: 1366: 1363: 1359: 1356: 1352: 1349: 1346: 1343: 1342: 1338: 1333: 1330: 1327: 1324: 1321: 1318: 1317:Trio-Serenade 1314: 1311: 1308: 1305: 1302: 1300: 1296: 1295: 1291: 1286: 1283: 1280: 1277: 1274: 1271: 1268: 1265: 1262: 1259: 1256: 1252: 1248: 1245: 1242: 1239: 1236: 1233: 1230: 1227: 1224: 1221: 1218: 1215: 1211: 1210: 1206: 1201: 1198: 1195: 1191: 1188: 1184: 1181: 1177: 1174: 1170: 1167: 1163: 1160: 1159:Wilhelm Busch 1156: 1152: 1149: 1145: 1144: 1140: 1135: 1131: 1128: 1124: 1121: 1117: 1114: 1113:Summer Idylls 1110: 1107: 1106: 1100: 1097: 1093: 1090: 1086: 1083: 1079: 1075: 1072: 1068: 1064: 1061: 1057: 1056: 1052: 1047: 1044: 1041: 1037: 1033: 1029: 1026: 1022: 1019: 1015: 1012: 1008: 1005: 1001: 998: 994: 991: 987: 984: 980: 979: 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Retrieved 2097: 2084: 2075: 2066: 2048: 2040: 2035: 2027: 2022: 2014: 2009: 1997:. Retrieved 1984: 1964: 1957: 1945:. Retrieved 1941:the original 1931: 1923:The Scotsman 1922: 1916: 1908: 1904: 1896: 1892: 1883: 1878: 1871:"Internment" 1866: 1854:. Retrieved 1850:the original 1840: 1828:. 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H. Hadow 2058:BBC Radio 3 1947:22 November 1825:hansgal.org 1798:BBC Radio 3 1667:Piano Trios 1635:Drei Lieder 1551: [ 1466:Concertinos 1419:Aladár Rácz 1148:Three Songs 1089:Three Songs 396:BBC Radio 3 347:twelve-tone 343:avant-garde 264:Huyton Camp 260:enemy alien 216:Fritz Busch 208:Sinfonietta 167:Carpathians 143:Guido Adler 74:Nationality 2259:Categories 1999:19 October 1724:References 1653:, op. 77, 1649:, op. 75, 1645:, op. 51, 1641:, op. 34, 1637:, op. 31, 1633:, op. 27, 1629:, op. 19, 1579:(Songs by 1546:Hans Gal, 1393:Recordings 1173:Nachtmusik 1078:Phantasien 965:Nachtmusik 958:Five songs 689:Corregidor 323:J. S. Bach 65:1987-10-04 2072:"Estates" 1803:CD Review 1651:Satirikon 1631:Epigramme 1499:The Great 1479:, cello; 1281:for organ 1187:Satirikon 1180:Two songs 1105:R.M.Rilke 1036:Hölderlin 697:Concertos 685:Hugo Wolf 678:Capriccio 650:Idyllikon 601:(1939–44) 349:schools. 252:Anschluss 99:pedagogue 2105:3 August 2076:Exilarte 1712:See also 1655:Spätlese 1417:op. 83, 1297:Op. 68a 1194:Spätlese 997:Epigrams 971:) (1933) 856:Op. 49a 842:Heurigen 807:Op. 60b 663:Triptych 661:Op. 100 588:Burleske 586:Op. 42b 394:Gál was 361:and the 319:Schubert 287:Serenade 92:Hans Gál 77:Austrian 25:Hans Gál 2251:(IMSLP) 2247:at the 2228:at the 1830:30 June 1627:Motette 1531:Rhenish 1524:Rhenish 1360:Op. 66 1353:Op. 60 1315:Op. 88 1249:Op. 74 1192:Op. 91 1185:Op. 72 1178:Op. 63 1171:Op. 44 1164:Op. 40 1153:Op. 34 1146:Op. 11 1132:Op. 77 1125:Op. 76 1118:Op. 75 1111:Op. 47 1101:Op. 31 1094:Op. 25 1087:Op. 12 1030:Op. 70 1023:Op. 61 1016:Op. 51 1009:Op. 50 1002:Op. 37 995:Op. 27 988:Op. 26 983:Motette 981:Op. 19 963:Op. 44 956:Op. 33 949:Op. 21 910:Op. 92 900:Op. 88 872:Op. 60 648:Op. 79 641:Op. 73 636:Mäander 634:Op. 69 627:Op. 66 617:Op. 54 607:Op. 48 597:Op. 45 579:Op. 38 572:Op. 36 562:Op. 20 555:Op. 3b 541:Op. 42 532:Op. 23 523:Op. 15 175:Wrocław 63: ( 2158:  1972:  1856:17 May 1388:(1934) 1212:Op. 3 1076:Op. 5 1065:Op. 2 1058:Op. 1 1040:Goethe 939:(1926) 836:Op. 9 645:(1957) 611:(1945) 576:(1929) 516:Op. 4 511:Operas 1993:(PDF) 1817:"16. 1555:] 409:Books 312:Music 240:Mainz 236:Nazis 2156:ISBN 2107:2021 2001:2012 1970:ISBN 1949:2012 1858:2015 1832:2022 1599:and 1557:and 1460:Avie 1401:and 1038:and 497:and 377:and 337:and 218:and 129:and 105:Life 58:Died 50:Born 2237:by 1800:'s 345:or 262:in 95:OBE 30:OBE 2261:: 2125:. 2096:. 2074:. 2056:. 1823:. 1744:^ 1595:, 1591:, 1587:, 1569:, 1561:: 1553:de 1515:, 1454:; 687:: 391:. 214:, 181:. 125:, 113:, 2162:. 2109:. 2078:. 2060:. 2003:. 1951:. 1860:. 1834:. 1821:" 1257:) 1253:( 67:)

Index

OBE

OBE
pedagogue
Brunn am Gebirge
Lower Austria
Richard Robert
George Szell
Rudolf Serkin
Clara Haskil
New Vienna Conservatory
University of Vienna
Guido Adler
Eusebius Mandyczewski
Johannes Brahms
Breitkopf & Härtel
Carpathians
Wrocław
Julius Prüwer
University of Vienna
Anton Bruckner
Wilhelm Jerusalem
Die heilige Ente
Wilhelm Furtwängler
Fritz Busch
Richard Strauss
Mainz Conservatory
Nazis
Mainz
Anschluss

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