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theme, and that emulation is only practical when serving an educational purpose. Hans has made many experimental string instruments, both acoustic and electro-acoustic, and has studied the use of modern technologies such as
Experimental Modal Analysis and FFT sound radiation measurements for his work on both classical conventional stringed instruments as well as prototype experimental electric bowed instruments.
82:, most notable for his 21st century violin, which New York Times chose as one of the best ideas of the year. He makes violins, violas, cellos, double basses and various other stringed instruments. His passion for the violin started at an early age in the workshop of his grandfather Gudjon Halldorsson, a cabinet maker in Reykjavík, Iceland, where he began making musical instruments. He finished his studies at the
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in Great
Britain with a diploma of distinction, under Maurice Bouette and Glen Collins in 1980. He subsequently received a masters diploma from the Icelandic Arts and crafts council in 1982. He has been making instruments for professional musicians in many countries. After 1982, Hans lived and worked
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Since 2013 he has collaborated with Prof. Patrick
Gaydecki of Signal Wizard systems, developing the use of impulse response measurements of classical instruments to emulate sound using digital signal processing. In a listening study the audience preferred the virtual violin, but the experts where
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Hans has been making his instruments after his own model, designing all outlines and proportions on an ever evolving basic line. He has not made copies except in rare circumstances, as he believes that the great masters of earlier times all created their own distinctive style based on a classical
95:, until 1993. He is a full member of the International Society of Violin and Bow Makers. David Fulton, the well known violin collector, is quoted as considering Hans Johannsson to be one of the best violin makers in the world today.
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In 1998 he played the main role in a 60-minute television documentary, The Violin Maker, focusing on his works, filmed at the
Chateau de Bourglinster in the Grand Duchy of Luxembourg, featuring
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Andreas Eggertsen on a 21st Century violin project, that imitate 17th and 18th century violins but look different. The resulting violin debuted in 2007 at the
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334:"January 2011 issue | The young string stars to watch in 2011 | The Strad, essential reading for the string music world since 1890"
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In: Proceedings of the
Institute of Acoustics: ACOUSTICS 2015; 15 Oct 2015-15 Oct 2015; Harrogate, York, UK. UK: IoA; 2015
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In 2003 he moderated and wrote the script for a BBC 3 radio documentary on technology and tradition in violinmaking.
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Hans has collaborated with several musicians on custom instruments. In 2017 he collaborated with
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450:"How "Joker" & "Chernobyl" Composer Hildur Guðnadóttir Expands the Cello's Possibilities"
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Lloyd, T.; Gaydecki, P.; Johannsson, H.; Ginsborg, J.; Yates, C. (27 May 2018).
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236:"Hans Johannsson – Icelands 21st Century Violin Maker – Nov 3rd"
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475:Patrick Gaydecki, Hans Johannsson (October 2015).
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140:. In 2013 he collaborated with Oscar-winner
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264:"From Iceland — The Scientist of Sound"
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438:(in Icelandic) – via Tímarit.is.
384:(in Icelandic) – via Tímarit.is.
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395:Rawsthorn, Alice (14 October 2007).
185:Rawsthorn, Alice (9 December 2007).
378:"Fiðlan sprettur úr alþýðumenningu"
158:Interview with Dr. Roger Kneebone.
125:In 2005–2007 he collaborated with
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432:"Flytja tónlist með fiðlubútum"
568:Bowed string instrument makers
234:georgesinc (2 November 2017).
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512:10.1080/09298215.2018.1459732
500:Journal of New Music Research
115:. Produced with a grant from
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538:. Official website.
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