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195:("Toward a Rigorous Study of Art"). In this text, Sedlmayr calls on the discipline of art history to move past empirical research, and he introduces a 'second', interpretive method of art historical analysis that would discern the aesthetic nature of the artwork. This method of art history is known as
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There were considerable protests against his taking up his job in Munich in 1951, all referring to his involvement with the Nazi regime. Sedlmayr was a strong supporter of the preservation of the old town in
Salzburg. He stressed the importance of studying art and architecture in their historical and
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Sedlmayr, Hans. Art in Crisis: The lost center. Transaction
Publishers, 2006; furthermore Ehalt, Hubert, and Oliver Rathkolb, eds. Wissens-und Universitätsstadt Wien: eine Entwicklungsgeschichte seit 1945. Vol. 10. V&R unipress GmbH, 2015; Rathkolb, Oliver. The Paradoxical Republic: Austria
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Ehalt, Hubert, and Oliver
Rathkolb, eds. Wissens-und Universitätsstadt Wien: eine Entwicklungsgeschichte seit 1945. Vol. 10. V&R unipress GmbH, 2015; Rathkolb, Oliver. The Paradoxical Republic: Austria 1945-2005. Berghahn Books,
707:
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Männig, Maria. Hans
Sedlmayrs Kunstgeschichte: Eine kritische Studie. Böhlau Verlag Köln Weimar, 2017; Rathkolb, Oliver. The Paradoxical Republic: Austria 1945-2005. Berghahn Books, 2010,
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and called on his students at Vienna
University to defeat the enemy and to denounce any attempt of resistance against the Nazi regime to the “police”, i.e. the
526:
Haiko, Peter (1989). Heiss, Gernot; et al. (eds.). "'Verlust der Mitte' von Hans
Sedlmayr als kritische Form im Sinne der Theorie von Hans Sedlmayr".
207:(1948, "Loss of the Center: the Fine Arts of the Nineteenth and Twentieth Centuries as Symptom and Symbol of the Times"), published in English in 1957 as
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211:. In this book, Sedlmayr offers a "critique" of the spirit of the 19th Century, as revealed through the artwork created during that time period.
132:, a well-known Austrian singer, whose discography contains many titles published in Nazi Germany. In 1951, their only daughter Susanna was born.
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Sedlmayr first studied architecture at Vienna's
Technische Hochschule between 1918 and 1920. Afterward, he continued his education at the
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Please help improve this article by looking for better, more reliable sources. Unreliable citations may be challenged and removed.
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and thus must be seen in the larger framework of the anti-Enlightenment ideology of Nazism and radical anti-Enlightenment
288:“Wort und Wahrheit” was a post-WW2 Austrian Catholic Journal, which on the one hand published articles by such authors as
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Hans
Sedlmayr, "Art in Crisis: The Lost Centre (1957)," translated by Brian Battershaw, Hollis and Carter Ltd., London.
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Hans
Sedlmayr, "The quintessence of Riegl's Thought (1929)," translated by Matthew Rampley in Richard Woodfield (ed.),
292:, well-known for their anti-Nazi-attitudes, on the other hand it also frequently published articles by such authors as
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639:
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Sauerländer, Willibald. "Der Münchner
Protest gegen die Berufung Hans Sedlmayrs im FrĂĽhjahr 1951." (2003).
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In 1944, he even became a member of the academic legion of the Higher SS and Police Directorate in Vienna.
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His most well-known work, “Verlust der Mitte”, although it does not use explicitly the Nazi term “
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Verlust der Mitte: Die bildende Kunst des 19. und 20. Jahrhunderts als Symptom und Symbol der Zeit
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89:) was an Austrian art historian. From 1931 to 1932 and from 1938 onwards, he was a member of the
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and Karl Mueller. Begnadet fuer das Schoene. Vienna, 1992, Verlag fuer Gesellschaftskritik.
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from 1931 onwards. Some sources date the beginning of his membership as early as 1930.
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Sedlmayr, Susanna, and Anton Lehmden. Rom: Stadt der drei Jahreszeiten. Molden, 1976.
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One source claims that he left the party when the “first news of the camps arrived”.
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as a result of his Nazi activities, although he was not prosecuted by the Allies.
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More recent Austrian research, however, strongly questions this interpretation.
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on 8 November 1939, Sedlmayr saluted his students during his lecture with the
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http://derstandard.at/2000028932790/Konrad-Lorenz-Damenopfer-der-Uni-Salzburg
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he was expelled from the University and lost his position at the
557:; see also Kerschbaumer and Mueller, op. cit, p. 76 and 172-179.
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city on the ruins of the mainly Jewish Second Vienna district,
307:”, constantly refers to the decline of art in the wake of the
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Academic staff of the Ludwig Maximilian University of Munich
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that in Spring 1939, Sedlmayr advocated the building of an
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Willfährige Wissenschaft. Die Universität Wien 1938-1945
285:("Word and Truth") under the pseudonym Hans Schwartz.
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Upon hearing the news of the assassination attempt by
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Sir Ernst Gombrich on Sedlmayr and the Vienna School
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In 1946, he began to publish in the Catholic review
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400:Sedlmayr, Hans (2000). Wood, Chistopher S. (ed.).
389:http://www.openbibart.fr/item/display/10068/832553
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101:Sedlmayr held a chair in Art History at the
482:: CS1 maint: location missing publisher (
203:(structure analysis). He is the author of
566:Kerschbaumer and Mueller, op. cit., p.178
62:Learn how and when to remove this message
728:People from Eisenstadt-Umgebung District
610:(Amsterdam 2001), pp. 11–31.
183:, which based itself on the writings of
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107:Ludwig Maximilian University of Munich
403:Toward a Rigorous Study of Art (1931)
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723:Austrian people of Hungarian descent
167:and wrote a book on the churches of
193:Zu einer strengen Kunstwissenschaft
97:Positions as a University Professor
154:Johann Bernhard Fischer von Erlach
124:After the loss of his first wife,
105:from 1936 until 1945, then at the
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219:He was a member of the Austrian
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608:Framing Formalism: Riegl's Work
598:1945-2005. Berghahn Books, 2010
156:, which was published in 1925.
501:. London: Hollis & Carter.
499:Art in Crisis: The Lost Centre
460:Art in Crisis: The Lost center
359:"Dictionary of Art Historians"
209:Art in Crisis: The Lost Center
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171:. A founding member of the
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703:Academic staff of TU Wien
636:in the Lee Sorensen, ed.
215:Sedlmayr and the Nazi Era
120:Marriages and Family Life
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458:Sedlmayr, Hans (2006) .
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588:onb.ac.at (in German)
128:, in 1943 he married
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276:University of Vienna
150:Julius von Schlosser
142:University of Vienna
103:University of Vienna
513:"Gute Entbräunung!"
317:Taras Borodajkewycz
298:Taras Borodajkewycz
169:Francesco Borromini
733:Nazi Party members
661:2008-10-08 at the
250:Johann Georg Elser
130:Maria von Schmedes
85:– 9 July 1984, in
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649:The New Criterion
462:. New Brunswick.
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185:Alois Riegl
177:art history
39:may not be
672:Categories
364:15 October
327:References
270:Following
221:Nazi Party
181:Otto Pächt
179:alongside
146:Max Dvořák
91:Nazi Party
478:cite book
436:ignored (
426:cite book
189:manifesto
136:Education
659:Archived
252:against
87:Salzburg
41:reliable
408:131–180
262:Gestapo
162:Baroque
79:Szarvkő
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530:: 87.
612:ISBN
576:2010
484:link
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366:2012
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