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In 1932 and 1935, Tietze was a visiting lecturer in the USA. After the annexation of
Austria by the Nazis in 1938, he and his wife went to London and then to the United States, where he was appointed visiting professor at the
129:." From 1923 to 1925, Tietze helped reorganizing Vienna's traditional art museum system into a more popular and pedagogical one. For instance, he combined the print collection of the Hofbibliothek into the
527:
148:(1948) the Venetian painter is portrayed as a Baroque artist and the dominant figure in the transition from the High Renaissance, as a "modern artist, clothed in the grab of the Classic Art".
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in 1938–39. In 1940, he settled as a private scholar in New York City, where he wrote introductions to some museum catalogs and "great art" surveys for the general public.
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collection and created the
Belvedere galleries, consisting of the baroque museum, the 19th-century museum and the 20th-century art museum. He also wrote radio broadcasts on art.
42:
105:. He also became an assistant and secretary at the Commission for Monument Preseveration. In 1909, he was appointed lecturer in art history at the University of Vienna. After
86:. In 1903, he completed his Ph.D. dissertation, supervised by Wickhoff, on the topic of medieval typological representation. In 1905, he wrote his Habilitationsschrift on
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319:
Die EntfĂĽhrung von Wiener
Kunstwerken nach Italien. Eine Darlegung unseres Rechtsstandpunktes, mit einem offenen Brief an die italienischen Fachgenossen von Max Dvořák
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in Vienna was named in honor of Tietze's memory. The "Tietze
Galleries for Prints and Drawings" at the Albertina, Vienna, are also named after the art historian.
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Biographisches
Handbuch deutschsprachiger Kunsthistoriker im Exil: Leben und Werk der unter dem Nationalsozialismus verfolgten und vertriebenen Wissenschaftler.
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Geistiges Leben im Ă–sterreich der ersten
Republik: Veröffentlichung der Wissenschaftlichen Kommission zur Erforschung der Geschichte der Republik Österreich
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Discourses and
Strategies: The Role of the Vienna School in Shaping Central European Approaches to Art History & Related Discourses
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The son of a Jewish lawyer, Tietze grew up in Prague in a German speaking environment. In 1893, his family moved to
117:, which "attempted to summarize the basic principles of the evolutionist methodological project developed by
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536:
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Almut Krapf-Weiler, "Löwe und Eule: Hans Tietze und Erica Tietze-Conrat – eine biographische Skizze." In
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101:. For some time, he was Wickhoff's assistant at Vienna's first art historical institute chaired by
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140:(Association for the Promotion of Modern Art in Vienna), but also wrote groundbreaking studies on
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Monuments Men
Foundation: American Council of Learned Societies: Hans Tietze (1880-1954)
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Wienbibliothek im
Rathaus: Teilnachlass Hans Tietze / Erika Tietze-Conrat (ZPH 1539)
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Ernst H. Buschbeck, "Hans Tietze and his reorganization of the Vienna
Museums." In
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The Drawings of the Venetian Painters in the 15th and 16th Centuries
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Lebendige Kunstwissenschaft. Zur Krise der Kunst und Kunstgeschichte
342:"Geisteswissenschaftliche Kunstgeschichte". In Johannes Jahn, ed.,
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he became assistant professor and began editing the art journal,
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Barbara Petsch, "Museen: Ein Denkmal fĂĽr den Albertina-Retter."
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Personenlexikon zur österreichischen Denkmalpflege (1850–1990)
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Almut Krapf-Weiler, "Zur Kunstpolitik des Tietze-Kreises." In
272:"Albertina eröffnet Räume für Grafiken", ORF, February 2, 2015
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Hans Tietze: Lebendige Kunstwissenschaft. Texte 1910-1954.
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Die Kunstwissenschaft der Gegenwart in Selbstdarstellungen
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Die Denkmale des Benediktinerstiftes St. Peter in Salzburg
451:Ă–sterreichische Zeitschrift fĂĽr Kunst und Denkmalpflege
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Geschichte und Beschreibung des Stephansdomes in Wien
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Domenico Martinelli und seine Tätigkeit in Österreich
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KIRKUS Review: TINTORETTO: The Paintings and Drawings
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Gesellschaft zur Förderung der modernen Kunst in Wien
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Wiener Kunstgeschichte gesichtet: Hans (Karl) Tietze
446:, Paris 1958 (including bibliographical references).
327:. Leipzig 1922 (Bibliothek der Kunstgeschichte, 37).
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Dieter Bogner, "Hans Tietze und die moderne Kunst."
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Dictionary of Art Historians: Tietze, Hans (Conrad)
537:Dieter Bogner, "Hans Tietze und die moderne Kunst"
30:) was an Austrian art historian and member of the
386:Die Juden Wiens: Geschichte – Wirtschaft – Kultur
398:Kritisches Verzeichnis der Werke Albrecht DĂĽrers
356:Kritisches Verzeichnis der Werke Albrecht DĂĽrers
144:and Venetian renaissance art. For instance, in
97:In 1905, he married fellow art-history student
449:Eva Frodl-Kraft: "Hans Tietze 1880–1954." In
8:
250:, Vol. 33, No. 1 (December 1980), pp. 13-16.
516:E. H. Gombrich, "Obituary of Hans Tietze",
301:Die illuminierten Handschriften in Salzburg
440:, Vol. 14, No. 1 (Autumn 1954), pp. 67–69.
136:Tietze supported modern art, joining the
599:Austrian emigrants to the United States
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415:Tintoretto: The Paintings and Drawings
146:Tintoretto: The Paintings and Drawings
7:
477:Theodor BrĂĽckler and Ulrike Nimeth,
400:, Vol. 2. Basel and Leipzig 1937-38.
203:. Frankfurt am Main 2014, pp. 11-12"
460:, Vol. 10. Vienna 1986, pp. 77–103.
248:Wiener Jahrbuch fĂĽr Kunstgeschichte
421:DĂĽrer als Zeichner und Aquarellist
159:Among his students in Vienna were
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474:Munich 1999, Vol. 2, pp. 689–699.
374:Wien: Kultur – Kunst – Geschichte
58:. From 1900 to 1903, he studied
313:Die Methode der Kunstgeschichte
236:. Paris 1958, pp. 373–75.
444:Essays in Honor of Hans Tietze
325:Deutsche Graphik der Gegenwart
234:Essays in Honor of Hans Tietze
125:and articulated explicitly by
1:
542:Wien: Geschichte: Hans Tietze
502:Works by or about Hans Tietze
436:, "Hans Tietze – 1880–1954."
337:Die Zukunft der Wiener Museen
171:. His son is the turcologist
520:, Vol. 96, 1954, pp. 289-290
346:. Leipzig 1924, pp. 183–198.
113:. In 1913, he published his
32:Vienna School of Art History
16:Czech-Austrian art historian
115:Methode der Kunstgeschichte
615:
485:Almut Krapf-Weiler (ed.),
467:, Vol. 1, 1999, pp. 64–83.
388:. Vienna and Leipzig 1933.
376:. Vienna and Leipzig 1931.
481:. Horn 2001, pp. 272–273.
362:Die Kunst in unserer Zeit
358:, Vol. 1. Augsburg 1928.
584:Austrian art historians
46:Hans Tietze (1880–1954)
392:Tizian: Leben und Werk
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154:Toledo Museum of Art
111:Die bildenden KĂĽnste
84:University of Vienna
76:Julius von Schlosser
26:– April 11, 1954 in
594:Writers from Prague
518:Burlington Magazine
438:College Art Journal
405:Erica Tietze-Conrat
295:Select publications
547:2016-03-03 at the
530:2016-03-04 at the
287:, February 5, 2015
90:'s frescos at the
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470:Ulrike Wendland,
103:Josef Strzygowski
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506:Internet Archive
453:1980, pp. 53–63.
411:, New York 1944.
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22:(May 1, 1880 in
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423:. Vienna 1951.
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394:. Vienna 1936.
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382:. Vienna 1931.
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370:. Vienna 1930.
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364:. Vienna 1930.
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352:. Vienna 1925.
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339:. Vienna 1923.
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321:. Vienna 1919.
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161:Ernst Gombrich
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80:Franz Wickhoff
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217:. Retrieved
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199:"Ján Bakoš,
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180:TietzestraĂźe
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99:Erika Conrat
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579:1954 deaths
574:1880 births
489:Vienna 2007
123:Alois Riegl
107:World War I
72:Alois Riegl
68:art history
60:archaeology
20:Hans Tietze
568:Categories
285:Die Presse
219:2015-04-19
186:References
127:Max Dvořák
465:Belvedere
165:Otto Kurz
131:Albertina
545:Archived
528:Archived
504:at the
82:at the
64:history
56:Austria
403:(with
70:under
52:Vienna
24:Prague
213:(PDF)
206:(PDF)
167:and
121:and
78:and
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