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at the same church. Upon the death of Peter the Elder in 1529 (Peter the
Younger and Hermann had already died), the business was inherited by Peter's son Paul. He immediately sold it to his brother Hans, who completed the works in progress by his father. This included the bronze grave plate for
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between 1453 and 1549. The family contributed largely to the masterpieces of German art in the 15th and 16th centuries. Attribution between them can be confusing since they worked together out of the same workshop. The fame of
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Peter
Vischer the Younger (1487–1528) was another son of Peter Vischer the Elder. Initially less well known, he has come to be seen as the equal in quality of his father with whom he worked. The tomb of the electoral prince
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Hans
Vischer (1486–1546) was the son of Peter Vischer the Elder. Hans was thought to be an excellent craftsman but a less talented artist. He built the tomb of
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115:(c.1486–1 January 1517) was the son of Peter Vischer the Elder. The tomb of Elisabeth and Hermann VIII of Henneberg in the Stadtkirche of
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Hermann
Vischer, the Elder came to Nuremberg as a worker in brass in 1453 and there became a "master" of his
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80:(c.1455 –7 January 1529), is the best known member of the family. He worked with the help of his five sons,
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seems to have caused the tendency of over attribution to him versus his sons and even non-family members.
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The origin of the
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is sometimes attributed to
Hermann and other times to the workshop in general.
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Colonial
Educators: The British Indian and Colonial Education Service 1858-1983
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314:. Vol. 28 (11th ed.). Cambridge University Press. pp. 127–128.
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Tomb of Count
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This article incorporates text from a publication now in the
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185:. Brother Peter the Younger had done the tomb of John's brother
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