Knowledge (XXG)

Happy Arcadia

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211:. Chloe: "I always pinch my lamb when nobody's looking." Strephon: "And I always play out of tune when nobody's listening". They irritably agree to break off their engagement. Chloe's parents are also miserable. Her father was a criminal who evaded punishment by fleeing to Arcadia and is now tired of living a life of innocence. He would happily return to a life of iniquity if he could do so without being sentenced to penal servitude. Meanwhile, Strephon's lodger, Astrologos, owes him three months' rent, but as an Arcadian, Strephon can't ask him to pay it, since Arcadians don't care about money. Astrologos notes that he has four magic items, a stick, a ring, a cloak, and a cap, each of which grants one wish, but that he has used up the wishes. 219:
Strephon's shoes, and she immediately changes into Strephon. Meanwhile, Colin has turned into Daphne – as a woman, he would be able to get away with crimes. Chloe has changed into Colin, hoping to be "a grumpy... old bear like papa," to be out from between her two suitors. Strephon has turned into Chloe. Everyone is distressed by their transformations, and the idea occurs to them that if they exchange magic items, they will each get another wish. They do so and wish to return to their original forms, which they do, and they all happily embrace. Lycidas returns, declaring that Arcadia is no place for him, and he is leaving. They auction all the items to Lycidas, and all ends happily.
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appears, saying he will live in Arcadia, and he asks to be left alone with Chloe. Strephon reluctantly withdraws, and Lycidas asks Chloe to "be mine". Strephon returns with a stick, and Lycidas withdraws, agreeing to return in half an hour. Strephon says that he is no longer an Arcadian and will smash Lycidas if he presumes to address Chloe again.
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is a satire on the genre of pastoral plays, which were set in an ideal world. The piece has a typical Gilbertian topsy-turvy plot in which magic items grant wishes, and each of the characters uses his or her wish to become someone else. The magic items cause the sort of transformation that fascinated
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Astrologos has departed, leaving a package for Strephon containing the four magic items. The instructions say, "Distribute them as you think fit". Strephon decides to auction off three of the items. Each item is auctioned off for four pence. Daphne, left alone, inadvertently wishes that she were in
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Daphne has news: The handsome, wealthy, gifted Lycidas has determined to renounce the vanities of a worldly life and is going to become an Arcadian, and he has taken a fancy to Chloe. Strephon protests that Chloe is betrothed to him, and that, to put up a fight, he'll resign from Arcadia. Lycidas
52:. It was one of four collaborations between Gilbert and Clay between 1869 and 1876. The music is lost. The piece is a satire on the genre of pastoral plays in which the characters, who each wish that they could be someone else, have their wish granted, with unhappy results. 94:
at their Gallery of Illustration beginning in 1855. The German Reeds did not call their venue a theatre because, at that time, the theatre in Britain had gained a poor reputation as an unsavory institution and was not attended by much of the middle class;
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noted that "the highlight of the show was a scene in which, various jealousies having arisen, everyone is simultaneously wishing he were one of the others – and consequently everyone is! favourite theme of change of identity or personality."
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and incomprehensible broad farces. The Gallery of Illustration was a 500-seat theatre with a small stage that only allowed for four or five characters with accompaniment by a piano, harmonium and sometimes a harp.
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5. Entrance of Lycidas: "Welcome to this spot" (Chloe, Daphne, Strephon, Colin), "Far away from care and strife" (Lycidas) and "On the banks of every stream" (Ensemble)
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is an oxymoron, as the inhabitants of this fictional Arcadia are anything but happy. Arcadia was a legendary site of rural perfection, first described by the
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was one of the later pieces by Gilbert for the German Reeds, it was a step backwards in terms of dramatic development.
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As the original score is long lost, others have created their own, and Jonathan Strong's adaptation of Sullivan's non-
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music may be heard on the video of the work by the Boston Massachusetts-based group, Royal Victorian Opera Company.
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8. Finale. "In this innocent little vale" (Strephon and ensemble; reprises "Good people all, attend, attend to me")
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Chloe and Strephon are "completely and intensely miserable. Bored beyond expression." They hate their lambs and
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7. Identity quartette. "The question of identity, Suppose we now discuss" (Colin, Chloe, Daphne, Strephon)
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Gilbert (who directed and designed his own shows) was busy in the days leading up to the opening of
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Gilbert throughout his career and that he used in all his "lozenge plot" works, including
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1b. Song. "When I was seventeen" (Daphne; only appears in early versions of the libretto)
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The Life and Reminiscences of Jessie Bond, the Old Savoyard (as told to Ethel MacGeorge)
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5b. Ballad: "The Way of Wooing" (Chloe; only appears in early versions of the libretto)
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This work is the fifth in a series of six one-act musical plays written by Gilbert for
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was played, but most theatrical entertainments consisted of poorly translated French
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played from 28 October 1872 to 2 May 1873. A revival, produced by and starring
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between 1869 and 1875. The German Reeds presented respectable, family-friendly
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6. Quartette. "Good people all, attend, attend to me" (Strephon and ensemble)
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4. Song. "There's naught but care, and toil, and strife. (Strephon)
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3. Scene. "Fair love" (Strephon, with interjections by Astrologos)
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Gilbert Before Sullivan: Six Comic Plays by W.S. Gilbert
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Contradiction Contradicted – The Plays of W. S. Gilbert
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W. S. Gilbert, A Classic Victorian & His Theatre
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An elderly Arcadian, Chloe's mama (married to Colin)
40:is a musical entertainment with a libretto by 543:The British Musical Theatre, Vol 1, 1865–1914 8: 589:: CS1 maint: multiple names: authors list ( 302:(then Emily Cross, then Marion German Reed) 223:Roles and casts of 1872 and 1895 productions 367:1. Duet. "Let us sing" (Strephon and Chloe) 323:Maria Garcia (replaced by Chrystal Duncan) 16:Operetta by W. S. Gilbert and Frederic Clay 414:The Life and Reminiscences of Jessie Bond 48:that premiered on 28 October 1872 at the 485:, vol. 3, issue 21, Summer 2007, p. 667 448: 446: 404: 309:A happy Arcadian, betrothed to Strephon 266:A virtuous old peasant, father of Chloe 582: 518:. London: John Lane, The Bodley Head. 74:, who is cursed with perfect beauty. 7: 481:Smith, J. Donald. "Happy Arcadia", 472:, A Gilbert and Sullivan Discography 243:A happy Arcadian, betrothed to Chloe 347:The handsomest man in all the world 340:George Traill (then Roland Carse) 28:as Strephon in an 1895 revival of 14: 595:(with an introduction by Stedman) 527:. Associated University Presses. 169:opened, Gilbert's one-act farce, 577:Six comic plays by W. S. Gilbert 373:2. Song. "Only a Woman" (Colin) 575:Stedman, Jane W., Ed. (1969). 1: 483:W. S. Gilbert Society Journal 50:Royal Gallery of Illustration 560:. Oxford University Press. 495:Stedman, Jane, ed. (1969). 226: 665: 545:, Macmillan: London, 1986 202:W.S. Gilbert in about 1870 556:Stedman, Jane W. (1996). 523:Crowther, Andrew (2000). 44:and music originally by 649:Operas by Frederic Clay 634:English-language operas 644:Works by W. S. Gilbert 204: 92:musical entertainments 32: 514:Bond, Jessie (1930). 468:11 March 2007 at the 349:(unknown vocal range) 295:Priscilla German Reed 200: 24: 629:English comic operas 156:Gilbert and Sullivan 146:. Theatre historian 121:Jean-Antoine Watteau 56:Gilbert and Sullivan 436:5 July 2008 at the 165:: Four days before 427:Smith, J. Donald. 258:Rutland Barrington 205: 183:Rutland Barrington 84:Thomas German Reed 33: 26:Rutland Barrington 418:, John Lane, 1930 359: 358: 175:St. George's Hall 58:later produced a 656: 594: 588: 580: 571: 538: 519: 501: 500: 492: 486: 479: 473: 461:Shepherd, Marc. 459: 453: 452:Gänzl, pp. 56–57 450: 441: 430:The Trumpet Bray 425: 419: 409: 330:A blighted bogey 227: 137:Foggerty's Fairy 664: 663: 659: 658: 657: 655: 654: 653: 614: 613: 602: 581: 574: 568: 555: 535: 522: 513: 510: 505: 504: 494: 493: 489: 480: 476: 470:Wayback Machine 463:"Happy Arcadia" 460: 456: 451: 444: 438:Wayback Machine 426: 422: 410: 406: 401: 364: 362:Musical numbers 355:Hilton St Just 352:R. Corney Grain 336:R. Corney Grain 332:(speaking role) 278:Charles Wibrow 225: 203: 195: 143:The Mountebanks 80: 17: 12: 11: 5: 662: 660: 652: 651: 646: 641: 636: 631: 626: 616: 615: 612: 611: 601: 600:External links 598: 597: 596: 572: 566: 553: 541:Gänzl, Kurt. 539: 533: 520: 509: 506: 503: 502: 487: 474: 454: 442: 420: 416:, Introduction 411:Bond, Jessie. 403: 402: 400: 397: 396: 395: 392: 389: 386: 383: 380: 377: 374: 371: 368: 363: 360: 357: 356: 353: 350: 342: 341: 338: 333: 325: 324: 321: 316: 304: 303: 297: 292: 280: 279: 276: 273: 261: 260: 255: 250: 238: 237: 234: 231: 224: 221: 201: 194: 191: 117:Ancient Greeks 79: 76: 15: 13: 10: 9: 6: 4: 3: 2: 661: 650: 647: 645: 642: 640: 637: 635: 632: 630: 627: 625: 622: 621: 619: 610: 608: 607:Happy Arcadia 604: 603: 599: 592: 586: 578: 573: 569: 567:0-19-816174-3 563: 559: 554: 552: 551:0-333-39839-4 548: 544: 540: 536: 534:0-8386-3839-2 530: 526: 521: 517: 512: 511: 507: 498: 491: 488: 484: 478: 475: 471: 467: 464: 458: 455: 449: 447: 443: 439: 435: 432: 431: 424: 421: 417: 415: 408: 405: 398: 393: 390: 387: 384: 381: 378: 375: 372: 369: 366: 365: 361: 354: 351: 348: 344: 343: 339: 337: 334: 331: 328:Astrologos – 327: 326: 322: 320: 319:Fanny Holland 317: 314: 310: 306: 305: 301: 300:Fanny Holland 298: 296: 293: 290: 286: 282: 281: 277: 274: 271: 267: 263: 262: 259: 256: 254: 251: 248: 244: 240: 239: 236:1895 casting 235: 232: 229: 228: 222: 220: 216: 212: 210: 199: 192: 190: 188: 187:Happy Arcadia 184: 180: 179:Happy Arcadia 176: 172: 171:A Medical Man 168: 167:Happy Arcadia 164: 163:Happy Arcadia 159: 157: 152: 149: 145: 144: 139: 138: 133: 132: 126: 125:Happy Arcadia 122: 118: 114: 113:Happy Arcadia 111:The title of 109: 106: 102: 98: 93: 89: 86:and his wife 85: 77: 75: 73: 72: 67: 66: 61: 57: 53: 51: 47: 46:Frederic Clay 43: 42:W. S. Gilbert 39: 38: 37:Happy Arcadia 31: 30:Happy Arcadia 27: 23: 19: 606: 576: 557: 542: 524: 515: 496: 490: 482: 477: 457: 429: 423: 413: 407: 346: 329: 308: 284: 265: 253:Arthur Cecil 242: 233:1872 casting 217: 213: 206: 186: 178: 173:, opened at 170: 166: 162: 160: 153: 141: 135: 131:The Sorcerer 129: 124: 112: 110: 81: 69: 63: 54: 36: 35: 34: 29: 18: 624:1872 operas 275:Alfred Reed 241:Strephon – 97:Shakespeare 60:comic opera 618:Categories 508:References 345:Lycidas – 209:flageolets 148:Kurt Gänzl 105:burlesques 78:Background 585:cite book 289:contralto 283:Daphne – 103:, risque 101:operettas 88:Priscilla 609:libretto 466:Archived 434:Archived 307:Chloe – 270:baritone 264:Colin – 193:Synopsis 71:Patience 65:Iolanthe 313:soprano 639:Operas 564:  549:  531:  399:Notes 247:tenor 591:link 562:ISBN 547:ISBN 529:ISBN 230:Role 140:and 620:: 587:}} 583:{{ 445:^ 134:, 123:. 62:, 593:) 570:. 537:. 315:) 311:( 291:) 287:( 272:) 268:( 249:) 245:(

Index


Rutland Barrington
W. S. Gilbert
Frederic Clay
Royal Gallery of Illustration
Gilbert and Sullivan
comic opera
Iolanthe
Patience
Thomas German Reed
Priscilla
musical entertainments
Shakespeare
operettas
burlesques
Ancient Greeks
Jean-Antoine Watteau
The Sorcerer
Foggerty's Fairy
The Mountebanks
Kurt Gänzl
Gilbert and Sullivan
St. George's Hall
Rutland Barrington

flageolets
tenor
Arthur Cecil
Rutland Barrington
baritone

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