211:. Chloe: "I always pinch my lamb when nobody's looking." Strephon: "And I always play out of tune when nobody's listening". They irritably agree to break off their engagement. Chloe's parents are also miserable. Her father was a criminal who evaded punishment by fleeing to Arcadia and is now tired of living a life of innocence. He would happily return to a life of iniquity if he could do so without being sentenced to penal servitude. Meanwhile, Strephon's lodger, Astrologos, owes him three months' rent, but as an Arcadian, Strephon can't ask him to pay it, since Arcadians don't care about money. Astrologos notes that he has four magic items, a stick, a ring, a cloak, and a cap, each of which grants one wish, but that he has used up the wishes.
219:
Strephon's shoes, and she immediately changes into
Strephon. Meanwhile, Colin has turned into Daphne – as a woman, he would be able to get away with crimes. Chloe has changed into Colin, hoping to be "a grumpy... old bear like papa," to be out from between her two suitors. Strephon has turned into Chloe. Everyone is distressed by their transformations, and the idea occurs to them that if they exchange magic items, they will each get another wish. They do so and wish to return to their original forms, which they do, and they all happily embrace. Lycidas returns, declaring that Arcadia is no place for him, and he is leaving. They auction all the items to Lycidas, and all ends happily.
215:
appears, saying he will live in
Arcadia, and he asks to be left alone with Chloe. Strephon reluctantly withdraws, and Lycidas asks Chloe to "be mine". Strephon returns with a stick, and Lycidas withdraws, agreeing to return in half an hour. Strephon says that he is no longer an Arcadian and will smash Lycidas if he presumes to address Chloe again.
127:
is a satire on the genre of pastoral plays, which were set in an ideal world. The piece has a typical
Gilbertian topsy-turvy plot in which magic items grant wishes, and each of the characters uses his or her wish to become someone else. The magic items cause the sort of transformation that fascinated
218:
Astrologos has departed, leaving a package for
Strephon containing the four magic items. The instructions say, "Distribute them as you think fit". Strephon decides to auction off three of the items. Each item is auctioned off for four pence. Daphne, left alone, inadvertently wishes that she were in
214:
Daphne has news: The handsome, wealthy, gifted
Lycidas has determined to renounce the vanities of a worldly life and is going to become an Arcadian, and he has taken a fancy to Chloe. Strephon protests that Chloe is betrothed to him, and that, to put up a fight, he'll resign from Arcadia. Lycidas
52:. It was one of four collaborations between Gilbert and Clay between 1869 and 1876. The music is lost. The piece is a satire on the genre of pastoral plays in which the characters, who each wish that they could be someone else, have their wish granted, with unhappy results.
94:
at their
Gallery of Illustration beginning in 1855. The German Reeds did not call their venue a theatre because, at that time, the theatre in Britain had gained a poor reputation as an unsavory institution and was not attended by much of the middle class;
68:, in which two of the characters, Strephon and Phyllis, are "Arcadian" shepherds. Phyllis, like Chloe, is torn between two suitors. The character of Lycidas also anticipates the character of Archibald Grosvenor in another Gilbert and Sullivan opera,
150:
noted that "the highlight of the show was a scene in which, various jealousies having arisen, everyone is simultaneously wishing he were one of the others – and consequently everyone is! favourite theme of change of identity or personality."
107:
and incomprehensible broad farces. The
Gallery of Illustration was a 500-seat theatre with a small stage that only allowed for four or five characters with accompaniment by a piano, harmonium and sometimes a harp.
382:
5. Entrance of
Lycidas: "Welcome to this spot" (Chloe, Daphne, Strephon, Colin), "Far away from care and strife" (Lycidas) and "On the banks of every stream" (Ensemble)
590:
115:
is an oxymoron, as the inhabitants of this fictional
Arcadia are anything but happy. Arcadia was a legendary site of rural perfection, first described by the
465:
565:
550:
532:
198:
22:
648:
633:
643:
628:
49:
174:
189:
was one of the later pieces by
Gilbert for the German Reeds, it was a step backwards in terms of dramatic development.
185:, played at St George's Hall from 15 July 1895 to 10 August and again from 4 November until 30 November 1895. Although
433:
154:
As the original score is long lost, others have created their own, and Jonathan Strong's adaptation of Sullivan's non-
158:
music may be heard on the video of the work by the Boston Massachusetts-based group, Royal Victorian Opera Company.
394:
8. Finale. "In this innocent little vale" (Strephon and ensemble; reprises "Good people all, attend, attend to me")
91:
207:
Chloe and Strephon are "completely and intensely miserable. Bored beyond expression." They hate their lambs and
605:
391:
7. Identity quartette. "The question of identity, Suppose we now discuss" (Colin, Chloe, Daphne, Strephon)
294:
623:
335:
155:
120:
55:
161:
Gilbert (who directed and designed his own shows) was busy in the days leading up to the opening of
136:
104:
584:
257:
182:
83:
25:
462:
561:
546:
528:
499:. London: Routledge & Kegan Paul. pp. 167–197, with the cut songs found at 241–245.
87:
70:
638:
469:
437:
142:
128:
Gilbert throughout his career and that he used in all his "lozenge plot" works, including
370:
1b. Song. "When I was seventeen" (Daphne; only appears in early versions of the libretto)
516:
The Life and Reminiscences of Jessie Bond, the Old Savoyard (as told to Ethel MacGeorge)
385:
5b. Ballad: "The Way of Wooing" (Chloe; only appears in early versions of the libretto)
116:
82:
This work is the fifth in a series of six one-act musical plays written by Gilbert for
617:
318:
299:
147:
99:
was played, but most theatrical entertainments consisted of poorly translated French
45:
41:
252:
130:
412:
119:, that was a popular setting for writers of the 19th century and artists such as
579:. Chicago: University of Chicago Press; London: Routledge & Kegan Paul, Ltd.
96:
59:
440:, Journal of the New England Gilbert and Sullivan Society, August 2007, pp. 4–5
428:
181:
played from 28 October 1872 to 2 May 1873. A revival, produced by and starring
90:
between 1869 and 1875. The German Reeds presented respectable, family-friendly
388:
6. Quartette. "Good people all, attend, attend to me" (Strephon and ensemble)
288:
208:
21:
269:
100:
64:
312:
197:
177:, although it had been published in 1870. The original production of
379:
4. Song. "There's naught but care, and toil, and strife. (Strephon)
376:
3. Scene. "Fair love" (Strephon, with interjections by Astrologos)
246:
196:
20:
497:
Gilbert Before Sullivan: Six Comic Plays by W.S. Gilbert
525:
Contradiction Contradicted – The Plays of W. S. Gilbert
558:
W. S. Gilbert, A Classic Victorian & His Theatre
285:
An elderly Arcadian, Chloe's mama (married to Colin)
40:is a musical entertainment with a libretto by
543:The British Musical Theatre, Vol 1, 1865–1914
8:
589:: CS1 maint: multiple names: authors list (
302:(then Emily Cross, then Marion German Reed)
223:Roles and casts of 1872 and 1895 productions
367:1. Duet. "Let us sing" (Strephon and Chloe)
323:Maria Garcia (replaced by Chrystal Duncan)
16:Operetta by W. S. Gilbert and Frederic Clay
414:The Life and Reminiscences of Jessie Bond
48:that premiered on 28 October 1872 at the
485:, vol. 3, issue 21, Summer 2007, p. 667
448:
446:
404:
309:A happy Arcadian, betrothed to Strephon
266:A virtuous old peasant, father of Chloe
582:
518:. London: John Lane, The Bodley Head.
74:, who is cursed with perfect beauty.
7:
481:Smith, J. Donald. "Happy Arcadia",
472:, A Gilbert and Sullivan Discography
243:A happy Arcadian, betrothed to Chloe
347:The handsomest man in all the world
340:George Traill (then Roland Carse)
28:as Strephon in an 1895 revival of
14:
595:(with an introduction by Stedman)
527:. Associated University Presses.
169:opened, Gilbert's one-act farce,
577:Six comic plays by W. S. Gilbert
373:2. Song. "Only a Woman" (Colin)
575:Stedman, Jane W., Ed. (1969).
1:
483:W. S. Gilbert Society Journal
50:Royal Gallery of Illustration
560:. Oxford University Press.
495:Stedman, Jane, ed. (1969).
226:
665:
545:, Macmillan: London, 1986
202:W.S. Gilbert in about 1870
556:Stedman, Jane W. (1996).
523:Crowther, Andrew (2000).
44:and music originally by
649:Operas by Frederic Clay
634:English-language operas
644:Works by W. S. Gilbert
204:
92:musical entertainments
32:
514:Bond, Jessie (1930).
468:11 March 2007 at the
349:(unknown vocal range)
295:Priscilla German Reed
200:
24:
629:English comic operas
156:Gilbert and Sullivan
146:. Theatre historian
121:Jean-Antoine Watteau
56:Gilbert and Sullivan
436:5 July 2008 at the
165:: Four days before
427:Smith, J. Donald.
258:Rutland Barrington
205:
183:Rutland Barrington
84:Thomas German Reed
33:
26:Rutland Barrington
418:, John Lane, 1930
359:
358:
175:St. George's Hall
58:later produced a
656:
594:
588:
580:
571:
538:
519:
501:
500:
492:
486:
479:
473:
461:Shepherd, Marc.
459:
453:
452:Gänzl, pp. 56–57
450:
441:
430:The Trumpet Bray
425:
419:
409:
330:A blighted bogey
227:
137:Foggerty's Fairy
664:
663:
659:
658:
657:
655:
654:
653:
614:
613:
602:
581:
574:
568:
555:
535:
522:
513:
510:
505:
504:
494:
493:
489:
480:
476:
470:Wayback Machine
463:"Happy Arcadia"
460:
456:
451:
444:
438:Wayback Machine
426:
422:
410:
406:
401:
364:
362:Musical numbers
355:Hilton St Just
352:R. Corney Grain
336:R. Corney Grain
332:(speaking role)
278:Charles Wibrow
225:
203:
195:
143:The Mountebanks
80:
17:
12:
11:
5:
662:
660:
652:
651:
646:
641:
636:
631:
626:
616:
615:
612:
611:
601:
600:External links
598:
597:
596:
572:
566:
553:
541:Gänzl, Kurt.
539:
533:
520:
509:
506:
503:
502:
487:
474:
454:
442:
420:
416:, Introduction
411:Bond, Jessie.
403:
402:
400:
397:
396:
395:
392:
389:
386:
383:
380:
377:
374:
371:
368:
363:
360:
357:
356:
353:
350:
342:
341:
338:
333:
325:
324:
321:
316:
304:
303:
297:
292:
280:
279:
276:
273:
261:
260:
255:
250:
238:
237:
234:
231:
224:
221:
201:
194:
191:
117:Ancient Greeks
79:
76:
15:
13:
10:
9:
6:
4:
3:
2:
661:
650:
647:
645:
642:
640:
637:
635:
632:
630:
627:
625:
622:
621:
619:
610:
608:
607:Happy Arcadia
604:
603:
599:
592:
586:
578:
573:
569:
567:0-19-816174-3
563:
559:
554:
552:
551:0-333-39839-4
548:
544:
540:
536:
534:0-8386-3839-2
530:
526:
521:
517:
512:
511:
507:
498:
491:
488:
484:
478:
475:
471:
467:
464:
458:
455:
449:
447:
443:
439:
435:
432:
431:
424:
421:
417:
415:
408:
405:
398:
393:
390:
387:
384:
381:
378:
375:
372:
369:
366:
365:
361:
354:
351:
348:
344:
343:
339:
337:
334:
331:
328:Astrologos –
327:
326:
322:
320:
319:Fanny Holland
317:
314:
310:
306:
305:
301:
300:Fanny Holland
298:
296:
293:
290:
286:
282:
281:
277:
274:
271:
267:
263:
262:
259:
256:
254:
251:
248:
244:
240:
239:
236:1895 casting
235:
232:
229:
228:
222:
220:
216:
212:
210:
199:
192:
190:
188:
187:Happy Arcadia
184:
180:
179:Happy Arcadia
176:
172:
171:A Medical Man
168:
167:Happy Arcadia
164:
163:Happy Arcadia
159:
157:
152:
149:
145:
144:
139:
138:
133:
132:
126:
125:Happy Arcadia
122:
118:
114:
113:Happy Arcadia
111:The title of
109:
106:
102:
98:
93:
89:
86:and his wife
85:
77:
75:
73:
72:
67:
66:
61:
57:
53:
51:
47:
46:Frederic Clay
43:
42:W. S. Gilbert
39:
38:
37:Happy Arcadia
31:
30:Happy Arcadia
27:
23:
19:
606:
576:
557:
542:
524:
515:
496:
490:
482:
477:
457:
429:
423:
413:
407:
346:
329:
308:
284:
265:
253:Arthur Cecil
242:
233:1872 casting
217:
213:
206:
186:
178:
173:, opened at
170:
166:
162:
160:
153:
141:
135:
131:The Sorcerer
129:
124:
112:
110:
81:
69:
63:
54:
36:
35:
34:
29:
18:
624:1872 operas
275:Alfred Reed
241:Strephon –
97:Shakespeare
60:comic opera
618:Categories
508:References
345:Lycidas –
209:flageolets
148:Kurt Gänzl
105:burlesques
78:Background
585:cite book
289:contralto
283:Daphne –
103:, risque
101:operettas
88:Priscilla
609:libretto
466:Archived
434:Archived
307:Chloe –
270:baritone
264:Colin –
193:Synopsis
71:Patience
65:Iolanthe
313:soprano
639:Operas
564:
549:
531:
399:Notes
247:tenor
591:link
562:ISBN
547:ISBN
529:ISBN
230:Role
140:and
620::
587:}}
583:{{
445:^
134:,
123:.
62:,
593:)
570:.
537:.
315:)
311:(
291:)
287:(
272:)
268:(
249:)
245:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.