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arrangements, driven by her insistent, circular piano and dressed by light layers of strings, guitars, and vocal overdubs. Where her debut, Be Not Nobody, could sound endearingly awkward, Harmonium is confident and somber, a conscious attempt to be serious and mature that nevertheless still sounds adolescent, largely due to her earnest lyrics and overly ambitious music. Carlton seems to equate seriousness with a lack of hooks, either in the music or the production, so there's nothing as immediate or memorable as "A Thousand Miles," which means there's nothing to lead a listener into the world she sketches on the album—only those already won over by the entirety of her debut will have the patience to dig deeply into this insular album. That's not to say that this is a difficult album, or even a challenging one—it's merely a transitional one, with some good ideas and some good songs that don't quite gel as a full record, even if
Jenkins gives the album a cohesive sound. Ultimately, Carlton is so intent on being serious, so intent on crafting her songs and sound, that she winds up with an album that's admirable but for its intent, but not its achievement."
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Jenkins (Third Eye Blind, boyfriend) is the co-producer of this record. By which it's meant to say that they plod in a very enjoyable way. The clincher of this side of the record, however, is “San
Francisco” which sees Carlton revealing that she's attained her “utopia” and that it's a “we’re” instead of “I’m” that's back in the city. Even the saddest moment, musically, on the first side reveals Carlton as finally “free” to do as she pleases, with the “wind at her back”. It's on this second side, where things get interesting, that the major problem with the album begins to cut into the enjoyment of the disc however. Carlton's lyrics, as noted above, tend to veer towards the diary entry style that has come to define many of her contemporaries. Unfortunately, this doesn't help in cases where less is more—as on the aforementioned “Papa” and “The Wreckage”. It's only when Carlton wordlessly moans in “The Wreckage” that the horror of which she speaks comes out. Needless to say, the last verse is an extraneous recapitulation, which could have been better served as a fade-out."
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herself in abstract loopiness, Carlton often gets caught up in pretty but ambiguous metaphors (see the dreamlike imagery of unicorns and vampires in "Half A Week Before The Winter" and the "dandelions blowing in the wind" of the orchestral "She Floats"). But it just so happens that these are some of the most musically interesting songs on the album, the latter climaxing with a spectacular choir of voices and screams that wouldn't sound out of place on Björk's Medúlla. And while there may not be as many immediate hooks as there were on her debut, she does deliver a bit of pop perfection on the stylish "Afterglow" and the slick "Private Radio," which unleashes one soaring hook after another. It's intelligent ear candy for those who don't mind a sugar rush." Elysa
Gardner of
574:. She had suffered from the condition for several years, but in October 2004, she said she "sleep like a baby." She said "She Floats" contains "creepy sounding strings" and is about "the kind of the euphoria that someone gets when they're tortured by being dead". She has named "Who's to Say" as "one of the songs on the album I'm most proud of". She dedicated it to "anyone in a relationship that's unapproved of by their mother or government". She said she liked performing the song and that audiences at her shows connected with it. Carlton has named "Afterglow" as a favorite of hers on the album; it is about "letting go anchors of pain". "Papa", a solo vocal-and-piano piece, is not about her own father but a "different kind of daddy". The
1413:; you should have done everything we said." Meanwhile, it wasn't supported by them, so of course I was doomed to begin with on that project. They pulled the plug on my record and then said, "See, it didn't work. You have to now reaudition submit your songs as you write them. You have to do everything that we say." So what's the point of having an aesthetic and being an artist if you're just some kind of puppet for a team of people that don't necessarily know their own aesthetic? There was no other choice for me but to leave.
533:, which she said was focused more on the music: "I want the lyric to resonate as much as the chord underneath it," she said. She said that instead of an album with "one-two punch songs", she wanted to make an album that engaged people to the point that they want to listen to it repeatedly, and that they would learn something new each time. "hose are the kind of albums I love and that I'll listen to for years and I'll want to listen to every single song on it," she said.
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Jenkins "deferred" to and was "sensitive" to her style of piano-playing and the direction in which she wanted to take the album, she "trusted him completely" and called it "a cool collaboration". Carlton credited
Jenkins with helping her to withstand and protect herself from pressures the record label executives, who wanted to influence the recording process, placed on her.
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her debut, yet still retain sweetness. The single, White Houses, and Who's to Say capture the dewy wonder and confusion of young love, while
Private Radio and Half a Week Before the Winter reject navel-gazing in favor of a crisply moody intensity. Few artists of Carlton's generation could make growing pains sound this convincing or endearing." Steven Erlewine from
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producer and taught
Carlton about the recording studio, helping her to "realize the way the song is enveloped is sometimes more important than the song in some ways." Carlton wrote each song with arrangements in mind and played it on the piano for Jenkins, who joined in on drums, and they began devising the arrangements. Recording was completed at
268:", was not a top 40 hit; two other singles, "Private Radio" and "Who's to Say", were released only in Asia. The album wasn't as commercially successful as its predecessor, which Carlton attributed to poor promotion, and led to her departure from A&M Records in mid-2005. She toured through the US during 2004 and '05 in support of the album.
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band Third Eye Blind, of which
Jenkins is lead singer, were on tour together. After seeing Carlton perform live, Jenkins entered her dressing room and expressed interest in producing her music, and according to Carlton they "decided very quickly, that we had the same vision for the album". By January
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on her Gold Dust U.S. tour. Nicks said she was glad to give
Carlton the opportunity to perform in front of a large, caring and loving audience, particularly because the poor state of the music industry meant that artists such as her weren't "nurtured ... I really respect her. I'll be damned if I'll
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also praised the album, commenting, "Carlton's second CD is that rare coming-of-age project that feels neither corny nor calculated. Enlisting Third Eye Blind frontman
Stephan Jenkins as producer and sometime co-writer, the 24-year-old unveils songs that seem sharper and more intimate than those on
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on the track after
Jenkins met Buckingham, who was recording in the same building (The Record Plant, Los Angeles), and invited him to listen to the song. Carlton said the process of Buckingham writing and recording the riff "happened very fast, and turned out amazing". Several other guest musicians
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tracks were mixed on, so basically we were able to get a very warm, easy-to-listen-to mix where it didn't come across as 'icy' sounding". Several instruments were tracked using analog tape, but Pro Tools was used for most of them. According to Carlton, Jenkins was "generous" with his knowledge as a
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In May, Carlton wrote to her fans on her official website that because "shortsighted (nonmusical bastards)" at the label did not believe the album would sell well if given promotion, there would be no second single released in the US. " worked my ass off promoting Harmonium in the ways that could
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in February and March 2006. Carlton said she was suffering from the lack of promotion the label gave to the album because of her non-conformist attitude, but that she felt she made the right decision with regards to gaining press attention and credibility that she wanted to maintain throughout her
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magazine, also attributing the album's low sales to the failure of "White Houses", alleged a lack of promotion by A&M Records: "Whether wasn't promoted adequately or audiences just didn't connect with the more mature, narrative style of the song, the label decided to let the album languish on
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reviewed the album, saying "The first half of the record is primarily a happy ordeal. “Annie”, a song about a fan dying of an unnamed disease, even reaches ecstatic moments via its energetic backing track of Carlton's Glassian circular piano loops and verses that reveals that, yes, indeed Stephen
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censored, and later banned, the single's music video because of a lyric in the song that refers to sexual intercourse. Carlton said it was hypocritical for MTV because "All that is on MTV is sex. They are selling it all the time with sexy hip-hop videos with girls in their bras and panties doing
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suggested that Carlton co-write with Jenkins after Carlton played the album's first five songs for him. Carlton said she felt trepidation about collaborating with Jenkins and that there were "moments when things got intense" between them, but because they had similar intentions for the album and
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magazine wrote, "One has to wonder how long it will be before we hear the inevitable "the industry ate me up" stories from Vanessa Carlton. Perhaps when this record fails to outsell her debut and A&M drops her?" The Herald & Review said that Carlton " another one of the new millennium's
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received mixed to positive reviews from critics. Slant Magazine stated, "From the rollicking piano arpeggios to the classically-influenced melodies, it's impossible not to invoke Tori Amos when discussing Carlton's songwriting, particularly in the last stretch of the album. And where Amos loses
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also gave the album a good review, stating "Carlton's songs often read like diary entries, dealing with familiar adolescent themes as love and longing, and they sound even smaller when delivered in her thin but appealing girlish voice, but they gain stature when married to their cinematic
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feature a lot of breathing space so that listeners don't feel there is "a million things going on... There's nothing going on that shouldn't be", and consequently, it is very "easy on the ears", organic and simple. Ron Fair himself contrasted the two albums, comparing the "more formal"
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indicated the release date was partially responsible for the album's underperformance, and emphasized the low radio play for "White Houses": "Every holiday season, some acts wind up with nothing but a lump of coal... more importantly, radio found no hits on Carlton's sophomore CD".
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and mixing work on the album, and he recorded backing vocals with Carlton on several songs, including "She Floats", in which their vocals were edited to make it sound as if a forty-member choir were singing. "White Houses" was the first song Carlton and Jenkins wrote together, and
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users, one of whom wrote "this girl needs to buy a clue." Carlton later wrote on her official internet messageboard that the article misrepresented what she was trying to say, and that her fans should ignore what is written in the press about the album until they own it.
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music buyer, said that a follow-up record from an artist who had a "huge" hit debut single was a "challenge", but that the album "retains the same qualities of the first. She is one of the pure-hearted girls, very squeaky clean and parent-approved".
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with 36,000 copies sold in its first week, before falling out of the top 40 in its second. By the end of 2004 it had sold less than 108,000 copies in the US, and it remained on the chart for just seven non-consecutive weeks. According to
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to co-produce the album; she said she believed collaborators would enable her to introduce into her music "tastes and sensibilities" to which she wouldn't normally be open. She originally envisioned the album as a "solo girl" version of
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2003, Carlton had written ten songs that she intended to include on the album. "You record more, you write more. I never put a stop to my writing process," she said. Recording of the album was originally scheduled to begin with producer
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as saying it was "difficult" for someone like her, a singer-songwriter who played the piano, to "reach a lot of people", but that "depending on what happens with the second single, I think it will do really well. I hope the record goes
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as additional influences on the album: "Sonically I'd like to use the same approach ... If you're going to hear strings, you're going to hear them squeak," she explained. She experimented with sounds reminiscent of the music of
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meant "f it", and that it helped her overcome emotional pain during the breakup. She wrote "San Francisco" in the city. "Half a Week Before the Winter" is a Goth-influenced "dark song" that Carlton intended as a metaphor for
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to define the approach to the recording of the album, which she described as "kind of an organized, chaotic approach where I wanted to maintain and preserve that wild abandon to creating." Carlton considered working with
597:": "Those beautiful animals again could be a symbol for so many things, they die and they shouldn't and I think it's also part my take on the music industry and how so many beautiful things that you do get eaten by the
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She said "Morning Sting", a song that was dropped from the album, is about "emotions being so raw in the morning". She excluded it from the album because although she did not feel like it was "crappy", she wanted
691:. She called the album "so much more sonically personal to me" and "my taste exactly. It's exactly how I would arrange everything, as opposed to someone coming in and just dressing up the songs that I wrote."
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wrote that Carlton "sought sympathy not only as the girl suffering in her song but also as the artist disappointed with her apparent lack of popularity." Carlton rejoined Nicks on her ten-date tour of
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tour, A&M Records sent Carlton into the recording studio because they didn't feel that there was a potential follow-up single on the album. During her studio time, in which she wrote songs with
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1261:. She said the tour would be "just me and the piano" and "totally stripped down, like an in-your-living room-type of feeling, that type of intimacy." She recorded a cover of the
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served as the album's lead, and only US single. Released on August 30, 2004 the single failed to meet the success her previous singles had. In the US, the single charted on the
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on the album but decided not to do so, although Fair is credited as the album's co-executive producer. She said that much of Fair's "own aesthetic tastes" were present in the
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magazine reported that "Private Radio" would likely be the album's lead single, and "San Francisco" the only love song. Carlton was quoted as saying there was "nothing piano
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and jeans". According to Carlton, because she had more knowledge of the process of recording an album and elements such as arrangements, she had more creative control over
566:; "I wanted to write a song that everyone could relate to, about situations that everyone faces." "Annie" is a song Carlton wrote after she met a girl suffering from
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753:). Upon realization that it was a trick, Carlton told Kutcher, "All I have to say is 'thank the fucking Lord.'" (She performed the original version of the song on
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because, as Carlton put it, "When you're in the middle of a bunch of cows, the pace of things tends to slow down." The album, which took a year to record, was
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without a little help," she wrote. By the following month, Carlton had separated from A&M Records. Carlton explained the situation in an interview with
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let her go by the wayside. She is one of the great ones. She won't quit." In October Carlton embarked on solo dates in the U.S., including one at
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wrote, "we tend to think time is most definitely not on her side — how else to explain the near-universal apathy to the release of ?"
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in February 2006, the album had sold 179,000 copies, an amount that compared unfavorably with the platinum sales of Carlton's debut album
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in me has come out ... I've been able to kind of just merge the Wicca and the Eighties chick." This provoked a skeptical response from
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Brian Dembow, Simon Oswell, Vicki Miskolczy, Marlow Fisher, Sam Formicola, Danny Seidenberg, Matt Funes, Roland Kato, Kazi Pitelka –
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1223:", which was released to radio in late August 2004. Its airplay slowly increased afterwards, and it did not enter the U.S.
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poster children for what happens when music labels are taken over by accountants and artist development is abandoned."
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Ron Fair noted that the approach taken to marketing Carlton was different from those for other pop singers such as
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their booty dance. But an eloquent statement about it from a female point of view..." After the conclusion of the
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store shelves with little support". The album was released on October 21 in Japan, and peaked at #52 on the
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until October, peaking at 86 in early November. In early October, Carlton opened for alternative rock band
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wrote that because she was no longer grouped with fellow young female singer-songwriter-instrumentalists
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Actually, I was given an ultimatum – basically like a slap on the wrist, like, "You shouldn't have made
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To support the album, Carlton embarked on a North American concert tour, which began on October 21 in
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after the conclusion of Carlton's 2003 European concert tour, which ended in February, and she wanted
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to contain a certain number of songs. The album shares its name with a keyboard instrument, the
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at #86, becoming her lowest peaking single to date. It is also her last single to chart on the
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but never got the chance; they did, however, collaborate on a song on Carlton's third album,
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while on tour. According to Carlton, "Private Radio" is "a jammin booty rockin' song" about
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Carlton began recording the album in June 2003 at Morningwood Studios (owned by Jenkins) in
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was not re-issued to include the song. Carlton was quoted in a March 2005 interview with
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Steve Erdody, David Low, Cecilia Tsan, Larry Corbett, Suzie Katayama, Armen Ksajikian –
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career so she could attract loyal fans. "That's really important to me," she said.
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and received heavy rotation on U.S. television during early 2005. The newspaper
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appeal." Carlton described herself as alternative to the popular mainstream
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Carlton and Jenkins met and began a relationship in mid-2002, when she and
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2481:. Nessaholics.com Forums. December 15, 2004. Retrieved September 24, 2006.
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2912:. Nessaholics.com Forums. October 16, 2004. Retrieved September 29, 2006.
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in the US on November 9, 2004. Carlton co-wrote some of the album with
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Additional engineering: Jun Ishizeki, Lior Goldenberg, Tony Espinoza
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was aired over the Internet. Later that month, Carlton travelled to
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Carlton said the album includes darker themes than those present on
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3019:; Unknown (April 26, 2005). "The Lonesome Road" . United States:
2494:. CounterCulture. February 17, 2003. Retrieved September 22, 2006.
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1596:– bass guitar (tracks 1–6, 8, 10), electric guitar (tracks 1–2, 6)
1559:
1243:
579:
551:
36:
2974:"The ballerina-turned-pop star is back with an eye-opening album"
2135:. themusicedge.com. October 8, 2004. Retrieved February 13, 2007.
1156:
had reached the top 20; it stayed on the chart for six weeks. In
3187:. VanessaCarlton.com. May 7, 2005. Retrieved September 16, 2006.
1744:
1687:
1490:
1395:
control, but you can't sell records to someone in the middle of
777:
769:
3284:
1497:) – 5:37 (Bonus track for Japan, UK and 2024 digital rerelease)
2617:
Kipnis, Jill. "Carlton Strikes a Balance With Sophomore Set".
2163:
1375:
2195:. TeenMusic. November 13, 2004. Retrieved September 21, 2006.
776:
was the third and final single, also released exclusively in
3046:"Stevie Nicks: Says she couldn't feel any luckier right now"
3036:. Popdirt.com. April 25, 2005. Retrieved September 16, 2006.
1857:
1734:
Nico Abondolo, Mike Valerio, Oscar Hidalgo – additional bass
1545:
1432:
1338:, and Carlton participated in an exclusive performance with
1307:
as support acts for many of the shows, ran from March 9 (in
731:. During Carlton's rehearsal for a scheduled performance on
2739:"Billboard Bits: Pearl Jam, Vanessa Carlton, Don Caballero"
1494:
507:
Pleased to Meet You: Vanessa Carlton, the New American Goth
377:). Because they could not tell the difference, they used a
2728:. Issues dated from November 27, 2004 to January 22, 2005.
2393:. Tuned In Music. March 2005. Retrieved February 13, 2007.
1098:
However, many critics had mixed feelings about the album.
2294:"Vanessa Carlton Recalls Her Days As A Naughty Ballerina"
1676:
Sean Beresford – programming (track 6), mixing (track 11)
381:
that Carlton said was "similar to what a lot of the old
2995:
2993:
2502:
2500:
2448:
2446:
2203:
2201:
2603:. TheCelebrityCafe.com. Retrieved September 21, 2006.
3034:"Vanessa Carlton And Ryan Cabrera Exclusive Concert"
2878:
2876:
2613:
2611:
2609:
2565:
2563:
2453:"Explanation of some Harmonium Songs (from Chicago)"
2425:"Vanessa Carlton: A Pop Princess in Her Living Room"
1789:
Assistant engineers: Judy Kirschner, Dann Thompson (
721:. "White Houses" became the subject of a prank that
3442:
3389:
3336:
2588:
2586:
2047:. VanessaCarlton.com. Retrieved September 21, 2006.
184:
135:
123:
111:
95:
83:
56:
48:
35:
21:
3124:
3122:
2533:. February 23, 2003. Retrieved September 22, 2006.
1345:During summer 2005, Carlton supported rock singer
2462:. October 23, 2004. Retrieved September 24, 2006.
2351:. December 20, 2004. Retrieved February 13, 2007.
2327:. November 24, 2004. Retrieved February 13, 2007.
1980:. January 12, 2003. Retrieved September 21, 2006.
1956:. October 20, 2004. Retrieved September 21, 2006.
1673:Fernio Hernandez – mixing assistant (tracks 5, 7)
3234:[A Look at Vanessa Carlton's Releases].
3116:. November 4, 2004. Retrieved February 11, 2007.
3002:. Nessaholics.com. Retrieved September 16, 2006.
2892:. October 7, 2004. Retrieved September 19, 2006.
2634:"Vanessa Carlton: Harmonium | Music Review"
2571:"Live Review: Vanessa Carlton in Scottsdale, AZ"
2557:. October 5, 2005. Retrieved September 30, 2006.
2419:
2417:
2415:
2409:. October 20, 2003. Retrieved February 11, 2007.
2370:. January 24, 2005. Retrieved February 13, 2007.
2300:. October 25, 2004. Retrieved February 11, 2007.
2166:. December 1, 2004. Retrieved February 13, 2007.
2126:"Vanessa Carlton: Harmonium, beauty in the word"
2028:. October 20, 2004. Retrieved February 11, 2007.
2007:
2005:
1473:"Half a Week Before the Winter" (Carlton) – 3:27
605:screaming. "The Wreckage", the album's closing
2756:Farber, Jim. "For Some, Sales Take a Holiday".
2543:
2541:
2539:
2378:
2376:
2362:"New and Improved: A Chat with Vanessa Carlton"
1572:, keyboards (track 6), drums (tracks 7–8, 10),
1407:
1276:commercial, which also served as promotion for
3206:. March 1, 2005. Retrieved September 16, 2006.
2747:. February 24, 2006. Retrieved August 2, 2006.
2714:. November 17, 2004. Retrieved August 2, 2006.
2507:"11/3/2004: Joe's Pub – New York, NY (review)"
2440:. June 14, 2005. Retrieved September 16, 2006.
2288:
2286:
2284:
2217:. April 6, 2005. Retrieved September 16, 2006.
2147:
2145:
2143:
2141:
2120:
2118:
772:, performed poorly due to lack of promotion.
725:pulled on Carlton for the MTV television show
662:, as opposed to the "studio gloss" present on
425:Jenkins also played instruments and performed
3495:Albums recorded at Record Plant (Los Angeles)
3296:
2790:. top40-charts.com. Retrieved August 2, 2006.
2338:"Vanessa Carlton: Cast Your Fate To The Wind"
2308:
2306:
2264:
2262:
2260:
2258:
2256:
1999:. May 23, 2003. Retrieved September 21, 2006.
1964:
1962:
1935:
1933:
8:
2851:. MusicSquare. Retrieved September 16, 2006.
2278:. October 7, 2003. Retrieved August 2, 2006.
2231:
2229:
2227:
2225:
2223:
2180:
2178:
2176:
2174:
2172:
2097:
2095:
2093:
2091:
1654:Lior Goldenberg – mixing assistant (track 4)
1051:
995:
950:
879:
838:
243:, her then-boyfriend and the lead singer of
3130:"Don't Call It a Comeback: Vanessa Carlton"
3077:. November 2005. Retrieved August 2, 2006;
1780:Strings recording: Frank Wolf, Tal Herzberg
1299:and all those things." A second tour, with
675:to "Carlton in an elegant party dress" and
3303:
3289:
3281:
3061:. June 23, 2005. Retrieved August 2, 2006.
2987:. March 2005. Retrieved February 16, 2007.
2938:. February 2005. Retrieved August 2, 2006.
2085:. October 2003. Retrieved August 17, 2006.
1941:"Vanessa Carlton strips back studio gloss"
1866:
787:
27:
18:
1991:"Carlton Prepping Tunes For second album"
1470:"Private Radio" (Carlton, Jenkins) – 2:59
1458:"Who's to Say" (Carlton, Jenkins) – 4:51
768:. The single, only released in areas in
16:2004 studio album by Vanessa Carlton
2963:. March 2005. Retrieved August 2, 2006.
2884:"Carlton finds harmony on sophomore CD"
1929:
1522:"White Houses" (Dance rehearsal) – 3:34
642:producer and A&M Records president
546:-y" about the album, which she called "
2677:"Vanessa Carlton – Harmonium – Review"
1797:); Scott Brannan (Mourningwood Studio)
2594:"Vanessa Carlton – Singer/Songwriter"
1315:). In April and May 2005, songs from
1238:, and a performance she recorded for
819:
793:
764:The second single from the album was
741:crewmembers (disguised as staff from
467:("She Floats"), formerly of the band
306:Sgt. Pepper's Lonely Hearts Club Band
251:debuted outside the top 20 on the US
7:
3011:Kretchmer, John D. (May 15, 2005). "
2923:"Time Warner's DVR is on your side!"
2801:International Community Radio Taipei
2314:"Pop Doesn't Define Vanessa Carlton"
1970:"Vanessa Carlton Aims For Solo Girl
1840:Legal representation: Tim Mandelbaum
1821:Styling: Arianna Tunney, Alyssa Leal
1257:; her opening act was pop rock band
264:(2002). Its only single in the US, "
2832:. Five Music. November 19–25, 2004.
2623:. pg. 13 and 73, November 13, 2004.
2549:"Carlton impresses sparse audience"
1696:Jun Ishizeki – mixing (tracks 9–10)
3500:Albums produced by Stephan Jenkins
2186:"Vanessa Carlton: Finding Harmony"
1803:: Vanessa Carlton, Drew FitzGerald
1644:Louis Conte – percussion (track 2)
344:. During recording, Carlton cited
14:
3458:Everybody's Got to Learn Sometime
2679:. Stylus Magazine. Archived from
2384:"Vanessa Carlton Gets Harmonious"
1461:"Annie" (Carlton, Jenkins) – 4:48
1053:
997:
952:
881:
840:
3263:"Vanessa Carlton Chart History (
2948:"Vanessa Carlton, Cary Brothers"
2842:"Vanessa Carlton – White Houses"
1708:, Bruce Dukov, Natalie Leggett,
1464:"San Francisco" (Carlton) – 4:12
1253:and concluded on November 21 in
1067:
1062:
1057:
1052:
1016:
1011:
1006:
1001:
996:
971:
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961:
956:
951:
900:
895:
890:
885:
880:
859:
854:
849:
844:
839:
761:episode was aired in May 2005.)
410:, and at South Beach Studios in
227:is the second album by American
3155:"The Projects That Time Forgot"
2778:. Retrieved September 16, 2006.
2492:"Live Review – Vanessa Carlton"
2292:D'Angelo, Joe and Pak, SuChin.
2237:"From Pandemonium to Harmonium"
1693:Jason Carmer – mixing (track 8)
1576:(tracks 9–10), choir (track 10)
1476:"C'est La Vie" (Carlton) – 2:34
1417:Weeks before the announcement,
3216:Cain, Tim (November 8, 2007).
2654:Thomas, Stephen (2004-11-09).
2580:. liveDaily. November 5, 2007.
2336:Ives, Brian and Bottomley, C.
1812:Font designer: Vanessa Carlton
1487:Where the Streets Have No Name
757:on November 18, 2004, and the
593:'s theory and the concept of "
1:
3275:. Retrieved August 14, 2023.
3198:"Vanessa Carlton – Harmonium"
2762:. December 28, 2004 . pg. 36.
2656:"Harmonium – Vanessa Carlton"
2569:Fuoco-Karasinski, Christina.
2270:"Carlton Goes Dark on New LP"
2013:"Vanessa Carlton Comes Clean"
1868:Weekly chart performance for
1837:, Stuart Sobol, Deborah Klein
1647:Dave Way (Waystation Studio,
1482:"She Floats" (Carlton) – 5:00
471:. Third Eye Blind guitarists
332:, before moving to filmmaker
3075:Sony BMG Music Entertainment
2636:. Slant Magazine. 2004-10-05
1906:
1892:
1467:"Afterglow" (Carlton) – 3:56
1371:Controversies and censorship
1246:to promote the album there.
737:in November 2004, Kutcher's
479:also appear, as does former
3092:. Retrieved August 2, 2006.
2403:"Vanessa Carlton Goes Goth"
2250:. Retrieved August 2, 2006.
2153:"Vanessa Carlton Interview"
1768:: Vanessa Carlton, Ron Fair
1660:– electric guitar (track 4)
1602:– acoustic guitar (track 1)
536:An October 2003 article in
3516:
2935:Milwaukee Journal Sentinel
2799:Albums chart announced by
1641:– backing vocals (track 2)
1590:) – mixing (tracks 1–2, 6)
1500:"The Wreckage" (Carlton) (
406:, at Waystation Studio in
247:, who produced the album.
3318:
3021:The WB Television Network
3017:The WB Television Network
2592:Miserandino, Dominick A.
2472:"See Vanessa Live at VH1"
1897:
1885:
1878:
1875:
1649:Beverly Hills, California
1211:and pop artists, such as
1114:debuted at #33 on the US
827:
824:
801:
798:
408:Beverly Hills, California
216:
208:Released: August 30, 2004
195:
180:
143:
26:
3090:The Fleetwood Mac Legacy
1670:) – mixing (tracks 5, 7)
451:, who were working with
342:Marin County, California
3079:"The 2006 Stevie Shows"
1528:Extended footage – 8:19
1479:"Papa" (Carlton) – 2:39
1274:digital video recorders
1234:on their short tour of
595:survival of the fittest
365:-ing" tests to compare
76:; Mourningwood Studio,
60:July 2003 – July 2004,
3490:Vanessa Carlton albums
3485:A&M Records albums
3328:Awards and nominations
2070:"I Was Getting Dirty!"
1818:Makeup: Heather Currie
1666:(South Beach Studios,
1415:
1251:Minneapolis, Minnesota
475:("San Francisco") and
447:of the production duo
2312:Moody, Nekesa Mumbi.
1635:(tracks 1–2, 4–6, 10)
1313:Plattsburgh, New York
980:July 6, 2007, at the
529:compared to those on
481:Red Hot Chili Peppers
443:worked on the album.
3359:Heroes & Thieves
3232:"ヴァネッサ・カールトンのリリース一覧"
3220:. herald-review.com.
3145:. November 20, 2007.
2214:Quinnipiac Chronicle
1668:Miami Beach, Florida
1651:) – mixing (track 4)
1618:– drums (tracks 1–6)
915:Entertainment Weekly
789:Professional ratings
494:Heroes & Thieves
465:Bryan "Brain" Mantia
414:by mixers including
412:Miami Beach, Florida
168:Heroes & Thieves
3244:on October 31, 2013
3168:. January 31, 2005.
3015:" . United States:
2759:New York Daily News
2124:Roeschlein, Shane.
1872:
1766:Executive producers
1517:Pleased to Meet You
1152:album chart, where
1137:New York Daily News
790:
499:Pleased to Meet You
3366:Rabbits on the Run
3183:2007-09-27 at the
3160:2007-10-01 at the
3135:2007-11-22 at the
3108:2008-05-15 at the
3084:2007-09-27 at the
3058:Grand Rapids Press
3051:2006-10-10 at the
3013:Death Becomes Them
3000:"Tour Information"
2979:2006-10-12 at the
2953:2014-12-05 at the
2928:2008-05-15 at the
2908:2007-09-27 at the
2901:Carlton, Vanessa.
2866:2007-05-04 at the
2847:2007-09-29 at the
2828:2007-09-28 at the
2599:2007-10-14 at the
2576:2007-11-07 at the
2512:2007-09-27 at the
2477:2007-09-27 at the
2458:2007-09-27 at the
2430:2007-12-18 at the
2389:2007-09-29 at the
2343:2007-10-01 at the
2319:2007-04-15 at the
2242:2007-09-26 at the
2207:Corneau, Allison.
2191:2007-09-28 at the
2158:2007-10-18 at the
2131:2006-11-20 at the
2108:2007-09-27 at the
2101:Carlton, Vanessa.
2075:2007-09-30 at the
2043:2006-10-19 at the
2018:2007-10-14 at the
1946:2007-09-28 at the
1867:
1749:Emily Bernstein –
1702:– drums (track 10)
1600:Lindsey Buckingham
1580:Mark "Spike" Stent
1311:) to April 30 (in
1267:Time Is on My Side
788:
784:Critical reception
432:Lindsey Buckingham
416:Mark "Spike" Stent
313:Interscope Records
3467:
3466:
3218:"Vanessa Carlton"
3114:The College Times
3101:Shoebang, Eddie.
2903:"back from japan"
2882:Cohen, Jonathan.
2772:"Vanessa Carlton"
2423:Cinquemani, Sal.
2382:Roberge, Nicole.
2068:Lynskey, Dorian.
2057:"Vanessa Carlton"
1989:Newman, Melinda.
1918:
1917:
1911:
1910:
1886:Japanese Albums (
1849:
1848:
1809:: Drew FitzGerald
1793:); Jun Ishizeki (
1762:: Stephan Jenkins
1537:
1536:
1352:Dartmouth College
1319:were featured on
1124:Nielsen SoundScan
1107:Chart performance
1079:
1078:
654:, in contrast to
220:
219:
176:
175:
3507:
3443:Featured singles
3426:Nolita Fairytale
3398:A Thousand Miles
3305:
3298:
3291:
3282:
3276:
3260:
3254:
3253:
3251:
3249:
3240:. Archived from
3228:
3222:
3221:
3213:
3207:
3194:
3188:
3175:
3169:
3152:
3146:
3128:Sclafani, Tony.
3126:
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2899:
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2880:
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2852:
2839:
2833:
2820:
2818:
2817:
2808:. Archived from
2797:
2791:
2785:
2779:
2769:
2763:
2754:
2748:
2735:
2729:
2721:
2715:
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2400:
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2380:
2371:
2360:Tranter, Nikki.
2358:
2352:
2334:
2328:
2325:Associated Press
2310:
2301:
2290:
2279:
2268:Smith, Kerry L.
2266:
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2113:
2099:
2086:
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2060:
2054:
2048:
2035:
2029:
2011:Zaleski, Annie.
2009:
2000:
1987:
1981:
1966:
1957:
1953:The Morning Call
1937:
1873:
1858:
1795:The Record Plant
1774:: Sean Beresford
1737:Gerry Rotella –
1710:Charlie Bisharat
1658:Tony Fredianelli
1616:Abe Laboriel Jr.
1546:
1438:Standard edition
1433:
1309:Atlanta, Georgia
1255:Portland, Oregon
1215:and her sister,
1182:A Thousand Miles
1072:
1071:
1070:
1066:
1065:
1061:
1060:
1056:
1055:
1021:
1020:
1019:
1015:
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857:
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848:
847:
843:
842:
794:Aggregate scores
791:
755:The Tonight Show
751:anorexia nervosa
743:The Tonight Show
734:The Tonight Show
650:of the songs on
473:Tony Fredianelli
459:, who played on
457:Abe Laboriel Jr.
388:The Record Plant
209:
206:
145:
144:
107:
106:
102:
70:The Record Plant
52:November 9, 2004
31:
19:
3515:
3514:
3510:
3509:
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3506:
3505:
3504:
3470:
3469:
3468:
3463:
3451:Big Yellow Taxi
3438:
3385:
3332:
3314:
3312:Vanessa Carlton
3309:
3279:
3261:
3257:
3247:
3245:
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3215:
3214:
3210:
3195:
3191:
3185:Wayback Machine
3176:
3172:
3162:Wayback Machine
3153:
3149:
3137:Wayback Machine
3127:
3120:
3110:Wayback Machine
3100:
3096:
3086:Wayback Machine
3069:
3065:
3053:Wayback Machine
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3027:
3010:
3006:
2998:
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2981:Wayback Machine
2971:
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2955:Wayback Machine
2946:
2942:
2930:Wayback Machine
2921:Cuprisin, Tim.
2920:
2916:
2910:Wayback Machine
2900:
2896:
2881:
2874:
2868:Wayback Machine
2859:
2855:
2849:Wayback Machine
2840:
2836:
2830:Wayback Machine
2815:
2813:
2804:
2798:
2794:
2788:"Private Radio"
2786:
2782:
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2601:Wayback Machine
2591:
2584:
2578:Wayback Machine
2568:
2561:
2547:Randall, Lucy.
2546:
2537:
2525:D'Angelo, Joe.
2524:
2520:
2514:Wayback Machine
2505:
2498:
2489:
2485:
2479:Wayback Machine
2470:
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2460:Wayback Machine
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2432:Wayback Machine
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2391:Wayback Machine
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2335:
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2321:Wayback Machine
2311:
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2254:
2244:Wayback Machine
2235:Kenny, Hayley.
2234:
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2199:
2193:Wayback Machine
2183:
2170:
2160:Wayback Machine
2150:
2139:
2133:Wayback Machine
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2110:Wayback Machine
2100:
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2077:Wayback Machine
2067:
2063:
2055:
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2045:Wayback Machine
2036:
2032:
2025:Cleveland Scene
2020:Wayback Machine
2010:
2003:
1988:
1984:
1968:D'Angelo, Joe.
1967:
1960:
1948:Wayback Machine
1939:Sculley, Alan.
1938:
1931:
1927:
1921:
1919:
1880:
1865:
1855:
1850:
1827:: Sheryl Nields
1815:Hair: Sarra 'Na
1791:Skywalker Sound
1686:Gayle Levant –
1566:Stephan Jenkins
1552:Vanessa Carlton
1543:
1538:
1453:Stephan Jenkins
1449:Vanessa Carlton
1430:
1373:
1269:" (1963) for a
1213:Jessica Simpson
1199:Michelle Branch
1166:
1109:
1100:Stylus Magazine
1068:
1063:
1058:
1017:
1012:
1007:
1002:
982:Wayback Machine
972:
967:
962:
957:
901:
896:
891:
886:
860:
855:
850:
845:
786:
747:Mary-Kate Olsen
702:
697:
603:Stephan Jenkins
515:
440:acoustic guitar
338:Skywalker Ranch
326:
279:
274:
245:Third Eye Blind
241:Stephan Jenkins
237:A&M Records
233:Vanessa Carlton
231:singer-pianist
212:
207:
200:
199:
171:
162:
153:
137:Vanessa Carlton
130:Stephan Jenkins
104:
100:
99:
62:Skywalker Sound
44:
42:Vanessa Carlton
17:
12:
11:
5:
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3391:
3387:
3386:
3384:
3383:
3380:Love Is an Art
3376:
3369:
3362:
3355:
3348:
3340:
3338:
3334:
3333:
3331:
3330:
3325:
3319:
3316:
3315:
3310:
3308:
3307:
3300:
3293:
3285:
3278:
3277:
3255:
3223:
3208:
3189:
3170:
3147:
3118:
3094:
3063:
3038:
3025:
3004:
2989:
2965:
2940:
2914:
2894:
2872:
2853:
2834:
2792:
2780:
2764:
2749:
2737:Hasty, Katie.
2730:
2716:
2693:
2668:
2646:
2625:
2605:
2582:
2559:
2535:
2518:
2496:
2483:
2464:
2442:
2411:
2395:
2372:
2353:
2329:
2302:
2280:
2252:
2219:
2197:
2184:Barker, Lynn.
2168:
2137:
2114:
2087:
2061:
2049:
2030:
2001:
1982:
1958:
1928:
1926:
1923:
1916:
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1661:
1655:
1652:
1645:
1642:
1636:
1619:
1613:
1603:
1597:
1591:
1584:Olympic Studio
1577:
1563:
1544:
1542:
1539:
1535:
1534:
1530:
1529:
1526:
1523:
1520:
1513:
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1471:
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1465:
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1440:
1439:
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1426:
1372:
1369:
1178:Ashlee Simpson
1165:
1162:
1108:
1105:
1077:
1076:
1049:
1041:
1040:
1034:
1026:
1025:
993:
985:
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939:
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918:
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909:
877:
869:
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836:
830:
829:
826:
822:
821:
817:
816:
810:
804:
803:
800:
796:
795:
785:
782:
723:Ashton Kutcher
701:
698:
696:
693:
591:Charles Darwin
514:
511:
453:Good Charlotte
400:Olympic Studio
325:
322:
278:
275:
273:
270:
235:, released by
218:
217:
214:
213:
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196:
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133:
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127:
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115:
109:
108:
97:
93:
92:
87:
81:
80:
78:South Park, SF
58:
54:
53:
50:
46:
45:
40:
33:
32:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
3512:
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3370:
3368:
3367:
3363:
3361:
3360:
3356:
3354:
3353:
3349:
3347:
3346:
3345:Be Not Nobody
3342:
3341:
3339:
3337:Studio albums
3335:
3329:
3326:
3324:
3321:
3320:
3317:
3313:
3306:
3301:
3299:
3294:
3292:
3287:
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3274:
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3259:
3256:
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3239:
3238:
3233:
3227:
3224:
3219:
3212:
3209:
3205:
3204:
3199:
3196:Horan, Mark.
3193:
3190:
3186:
3182:
3179:
3174:
3171:
3167:
3163:
3159:
3156:
3151:
3148:
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3138:
3134:
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3125:
3123:
3119:
3115:
3111:
3107:
3104:
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3095:
3091:
3087:
3083:
3080:
3076:
3072:
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3064:
3060:
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3054:
3050:
3047:
3042:
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3035:
3029:
3026:
3022:
3018:
3014:
3008:
3005:
3001:
2996:
2994:
2990:
2986:
2982:
2978:
2975:
2972:Royer, Jeff.
2969:
2966:
2962:
2961:
2956:
2952:
2949:
2944:
2941:
2937:
2936:
2931:
2927:
2924:
2918:
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2911:
2907:
2904:
2898:
2895:
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2890:
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2879:
2877:
2873:
2869:
2865:
2862:
2857:
2854:
2850:
2846:
2843:
2838:
2835:
2831:
2827:
2824:
2812:on 2006-12-15
2811:
2807:
2802:
2796:
2793:
2789:
2784:
2781:
2777:
2773:
2768:
2765:
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2746:
2745:
2740:
2734:
2731:
2727:
2726:
2720:
2717:
2713:
2712:
2711:Rolling Stone
2707:
2705:
2697:
2694:
2683:on 2011-07-16
2682:
2678:
2672:
2669:
2657:
2650:
2647:
2635:
2629:
2626:
2622:
2621:
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2598:
2595:
2589:
2587:
2583:
2579:
2575:
2572:
2566:
2564:
2560:
2556:
2555:
2554:The Dartmouth
2550:
2544:
2542:
2540:
2536:
2532:
2528:
2522:
2519:
2515:
2511:
2508:
2503:
2501:
2497:
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2318:
2315:
2309:
2307:
2303:
2299:
2295:
2289:
2287:
2285:
2281:
2277:
2276:
2275:Rolling Stone
2271:
2265:
2263:
2261:
2259:
2257:
2253:
2249:
2245:
2241:
2238:
2232:
2230:
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2224:
2220:
2216:
2215:
2210:
2204:
2202:
2198:
2194:
2190:
2187:
2181:
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2177:
2175:
2173:
2169:
2165:
2161:
2157:
2154:
2148:
2146:
2144:
2142:
2138:
2134:
2130:
2127:
2121:
2119:
2115:
2111:
2107:
2104:
2098:
2096:
2094:
2092:
2088:
2084:
2083:
2078:
2074:
2071:
2065:
2062:
2058:
2053:
2050:
2046:
2042:
2039:
2034:
2031:
2027:
2026:
2021:
2017:
2014:
2008:
2006:
2002:
1998:
1997:
1992:
1986:
1983:
1979:
1975:
1973:
1972:Sgt. Pepper's
1965:
1963:
1959:
1955:
1954:
1949:
1945:
1942:
1936:
1934:
1930:
1924:
1922:
1914:
1904:
1902:
1896:
1889:
1884:
1876:Chart (2004)
1874:
1871:
1863:Weekly charts
1862:
1860:
1859:
1852:
1845:
1839:
1836:
1835:Arthur Spivak
1832:
1829:
1826:
1823:
1820:
1817:
1814:
1811:
1808:
1807:Illustrations
1805:
1802:
1801:Art direction
1799:
1796:
1792:
1788:
1785:
1782:
1779:
1776:
1773:
1770:
1767:
1764:
1761:
1758:
1757:
1756:
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1748:
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1736:
1733:
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1727:
1725:
1721:
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1715:
1711:
1707:
1704:
1701:
1698:
1695:
1692:
1689:
1685:
1682:
1678:
1675:
1672:
1669:
1665:
1664:Tom Lord Alge
1662:
1659:
1656:
1653:
1650:
1646:
1643:
1640:
1637:
1634:
1630:
1627:
1623:
1620:
1617:
1614:
1611:
1607:
1604:
1601:
1598:
1595:
1594:Arion Salazar
1592:
1589:
1585:
1581:
1578:
1575:
1571:
1567:
1564:
1561:
1557:
1556:Fender Rhodes
1553:
1550:
1549:
1548:
1547:
1540:
1533:
1527:
1524:
1521:
1518:
1515:
1514:
1510:
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1503:
1499:
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1478:
1475:
1472:
1469:
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1463:
1460:
1457:
1454:
1450:
1446:
1442:
1441:
1437:
1436:
1435:
1434:
1428:Track listing
1427:
1425:
1422:
1421:
1414:
1412:
1406:
1404:
1403:
1398:
1392:
1390:
1386:
1382:
1377:
1370:
1368:
1365:
1361:
1357:
1356:The Dartmouth
1353:
1348:
1343:
1341:
1337:
1336:
1335:One Tree Hill
1331:
1330:
1326:
1322:
1318:
1314:
1310:
1306:
1302:
1301:Cary Brothers
1298:
1293:
1289:
1285:
1284:
1279:
1275:
1272:
1268:
1264:
1260:
1256:
1252:
1247:
1245:
1241:
1237:
1233:
1229:
1227:
1222:
1218:
1214:
1210:
1206:
1205:
1200:
1196:
1195:Avril Lavigne
1192:
1187:
1186:Borders Group
1183:
1179:
1175:
1171:
1170:Lindsay Lohan
1163:
1161:
1159:
1155:
1154:Be Not Nobody
1151:
1146:
1145:
1139:
1138:
1133:
1129:
1128:Be Not Nobody
1125:
1120:
1118:
1113:
1106:
1104:
1101:
1096:
1093:
1088:
1083:
1075:
1050:
1048:
1047:
1043:
1042:
1039:
1035:
1033:
1032:
1028:
1027:
1024:
994:
992:
991:
987:
986:
983:
979:
949:
947:
946:
945:Rolling Stone
942:
941:
938:
934:
932:
931:
927:
926:
923:
919:
917:
916:
912:
911:
908:
878:
876:
875:
871:
870:
867:
837:
835:
832:
831:
823:
820:Review scores
818:
815:
811:
809:
806:
805:
797:
792:
783:
781:
779:
775:
771:
767:
766:Private Radio
762:
760:
756:
752:
748:
744:
740:
736:
735:
730:
729:
724:
720:
718:
713:
711:
706:
699:
694:
692:
690:
689:Be Not Nobody
686:
682:
678:
674:
673:Be Not Nobody
669:
665:
664:Be Not Nobody
661:
657:
653:
652:Be Not Nobody
649:
645:
641:
640:Be Not Nobody
636:
635:
630:
629:
625:of the words
624:
620:
616:
610:
608:
604:
600:
596:
592:
587:
586:
581:
577:
576:Fender Rhodes
573:
569:
565:
560:
557:
553:
549:
545:
541:
540:
539:Rolling Stone
534:
532:
531:Be Not Nobody
528:
524:
523:Be Not Nobody
520:
519:Be Not Nobody
512:
510:
508:
504:
500:
496:
495:
490:
486:
482:
478:
477:Arion Salazar
474:
470:
466:
462:
461:Be Not Nobody
458:
454:
450:
446:
441:
437:
436:Fleetwood Mac
433:
428:
423:
421:
420:Tom Lord Alge
417:
413:
409:
405:
401:
397:
393:
389:
384:
380:
376:
372:
368:
364:
360:
356:
351:
347:
343:
339:
335:
331:
330:San Francisco
323:
321:
318:
314:
310:
308:
307:
302:
297:
296:Nigel Godrich
293:
292:Jason Falkner
289:
288:Daniel Lanois
284:
276:
271:
269:
267:
263:
262:
261:Be Not Nobody
257:
255:
250:
246:
242:
238:
234:
230:
226:
225:
215:
204:
198:
197:
194:
191:
187:
183:
179:
170:
169:
165:
161:
160:
156:
152:
151:
150:Be Not Nobody
147:
146:
142:
138:
134:
131:
128:
126:
122:
119:
116:
114:
110:
98:
94:
91:
88:
86:
82:
79:
75:
74:Hollywood, CA
71:
67:
63:
59:
55:
51:
47:
43:
38:
34:
30:
25:
20:
3419:White Houses
3405:Ordinary Day
3378:
3371:
3364:
3357:
3351:
3350:
3343:
3271:
3264:
3258:
3246:. Retrieved
3242:the original
3235:
3226:
3211:
3201:
3192:
3173:
3150:
3140:
3113:
3097:
3089:
3066:
3056:
3041:
3028:
3007:
2985:Fly Magazine
2984:
2968:
2958:
2943:
2933:
2917:
2897:
2887:
2856:
2837:
2814:. Retrieved
2810:the original
2795:
2783:
2767:
2757:
2752:
2742:
2733:
2723:
2719:
2709:
2703:
2696:
2685:. Retrieved
2681:the original
2671:
2660:. Retrieved
2649:
2638:. Retrieved
2628:
2618:
2552:
2521:
2490:Lewis, Ben.
2486:
2467:
2435:
2398:
2365:
2356:
2332:
2273:
2247:
2212:
2151:D., Spence.
2080:
2064:
2052:
2033:
2023:
1994:
1985:
1971:
1951:
1920:
1912:
1900:
1869:
1843:
1706:Endre Granat
1679:Jerry Hey –
1606:Jesse Tobias
1531:
1516:
1502:Hidden track
1445:White Houses
1418:
1416:
1410:
1408:
1400:
1393:
1380:
1374:
1355:
1347:Stevie Nicks
1344:
1340:Ryan Cabrera
1333:
1327:
1316:
1292:Fly Magazine
1291:
1287:
1281:
1277:
1259:Low Millions
1248:
1240:Sessions@AOL
1225:
1221:White Houses
1202:
1167:
1153:
1142:
1135:
1131:
1127:
1116:
1111:
1110:
1097:
1081:
1080:
1044:
1029:
988:
943:
928:
913:
872:
774:Who's To Say
773:
765:
763:
758:
754:
742:
738:
732:
726:
716:
709:
705:White Houses
703:
688:
684:
681:Birkenstocks
676:
672:
667:
663:
659:
655:
651:
648:arrangements
639:
632:
626:
614:
611:
607:hidden track
585:c'est la vie
583:
561:
537:
535:
530:
526:
522:
518:
516:
506:
498:
492:
489:Stevie Nicks
485:Jesse Tobias
460:
449:The Neptunes
434:of the band
424:
379:mixing board
346:Jeff Buckley
334:George Lucas
327:
317:Jimmy Iovine
311:
304:
280:
266:White Houses
259:
253:
248:
223:
222:
221:
203:White Houses
189:
166:
158:
157:
148:
37:Studio album
3480:2004 albums
3433:Hands on Me
3412:Pretty Baby
3323:Discography
3178:"harmonium"
2700:Mar, Alex.
2103:"the truth"
1825:Photography
1743:Tom Boyd –
1570:programming
1558:(track 8),
1525:Duet – 1:24
1511:DVD (Japan)
1385:Linda Perry
1364:New Zealand
1325:soap operas
1271:Time Warner
1263:Kai Winding
1232:The Calling
1174:Hilary Duff
749:'s bout of
679:to "her in
634:pandemonium
623:portmanteau
513:Composition
503:enhanced CD
427:programming
392:Los Angeles
367:analog tape
301:The Beatles
3474:Categories
3248:August 14,
3203:PopMatters
3071:"Sony BMG"
3032:MusicMan.
2816:2007-03-13
2702:"Eminem's
2687:2012-02-20
2662:2012-02-20
2658:. AllMusic
2640:2012-02-20
2407:MetaFilter
2367:PopMatters
1925:References
1831:Management
1786:: Ron Fair
1562:(track 10)
1420:PopMatters
1389:The Matrix
930:PopMatters
808:Metacritic
556:MetaFilter
272:Background
190:Harmonium
139:chronology
3352:Harmonium
3272:Billboard
3265:Billboard
2960:Metroland
2889:Billboard
2861:"Journal"
2744:Billboard
2725:Billboard
2620:Billboard
2248:Synthesis
1996:Billboard
1901:Billboard
1881:position
1870:Harmonium
1690:(track 7)
1683:(track 7)
1633:conductor
1612:(track 5)
1541:Personnel
1411:Harmonium
1405:in 2007:
1381:Harmonium
1360:Australia
1317:Harmonium
1288:Harmonium
1283:Metroland
1278:Harmonium
1226:Billboard
1164:Promotion
1132:Harmonium
1117:Billboard
1112:Harmonium
1087:USA Today
1082:Harmonium
1046:USA Today
812:(54/100)
717:Billboard
710:Billboard
685:Harmonium
677:Harmonium
668:Harmonium
660:Harmonium
656:Harmonium
619:harmonium
615:Harmonium
564:virginity
527:Harmonium
371:Pro Tools
350:PJ Harvey
324:Recording
315:chairman
254:Billboard
249:Harmonium
224:Harmonium
159:Harmonium
22:Harmonium
3373:Liberman
3181:Archived
3166:MTV News
3158:Archived
3133:Archived
3106:Archived
3082:Archived
3049:Archived
2977:Archived
2951:Archived
2926:Archived
2906:Archived
2864:Archived
2845:Archived
2826:Archived
2823:"Top 20"
2597:Archived
2574:Archived
2531:MTV News
2510:Archived
2475:Archived
2456:Archived
2428:Archived
2387:Archived
2341:Archived
2317:Archived
2298:MTV News
2240:Archived
2189:Archived
2156:Archived
2129:Archived
2106:Archived
2073:Archived
2041:Archived
2016:Archived
1978:MTV News
1944:Archived
1772:Engineer
1760:Producer
1751:clarinet
1714:Sid Page
1639:Pharrell
1629:arranger
1622:Ron Fair
1610:mandolin
1504:) – 2:17
1455:) – 3:45
1354:, where
1305:Ari Hest
1191:MTV News
1092:Allmusic
978:Archived
834:Allmusic
644:Ron Fair
599:Vampires
572:insomnia
568:leukemia
550:... The
445:Pharrell
383:Zeppelin
355:The Cure
125:Producer
90:Pop rock
57:Recorded
49:Released
39: by
3390:Singles
3142:Express
2706:Scores"
2349:VH1.com
2082:Blender
1784:A&R
1681:trumpet
1519:– 24:42
1402:Express
1329:Charmed
1228:Hot 100
1209:hip hop
935:(5/10)
874:Blender
719:Hot 100
712:Hot 100
700:Singles
695:Release
628:harmony
544:recital
483:member
438:played
375:digital
277:Writing
186:Singles
172:(2007)
163:(2004)
154:(2002)
118:A&M
3237:Oricon
2821:>;
2806:"ICRT"
2776:Oricon
2704:Encore
1913:
1888:Oricon
1853:Charts
1844:
1718:violin
1626:string
1588:London
1574:mixing
1532:
1397:ndiana
1321:the WB
1265:song "
1236:Brazil
1217:Ashlee
1158:Taiwan
1150:Oricon
1134:, the
1031:Stylus
828:Rating
825:Source
802:Rating
799:Source
759:Punk'd
739:Punk'd
728:Punk'd
469:Primus
463:, and
404:London
96:Length
3267:200)"
2437:Slant
2038:"Bio"
1739:flute
1730:cello
1724:viola
1700:Brain
1560:choir
1323:teen
1244:Japan
1144:Slant
990:Slant
920:(B−)
687:than
580:piano
552:Wicca
396:mixed
369:with
188:from
113:Label
85:Genre
3250:2023
2803:<
1879:Peak
1745:oboe
1688:harp
1631:and
1491:Bono
1387:and
1362:and
1332:and
1303:and
1297:gold
1197:and
1176:and
1074:link
1038:link
1036:(C)
1023:link
937:link
922:link
907:link
866:link
814:link
778:Asia
770:Asia
631:and
548:goth
418:and
294:and
283:rock
2164:IGN
1907:33
1903:200
1898:US
1893:52
1489:" (
1447:" (
1376:MTV
1204:TRL
1119:200
402:in
398:at
390:in
340:in
336:'s
256:200
229:pop
3476::
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