241:. Most of the earlier works, however, including many from the 1920s, survived undisturbed in a cellar until after the death of Bengen's widow, at which point, through the efforts of his three daughters, they again saw the light of day. Some were exhibited early in the twenty-first century as part of an exhibition featuring the "Hiddensee" artists' colony, and have subsequently returned in force to the catalogues of the art dealers.
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During the 1930s he continued with his teaching work, while the focus his own work switched to portraiture and contract work. Later in the 1930s a picture he painted of a woman was included in the
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109:, after which he returned home and worked in Hanover as a free-lance artist. During the years directly after 1905, which his when he met his future wife, Emmy, he became particularly prolific.
237:. Much of his contribution to teaching is acknowledged in biographical works concerning his former pupils, while much of his own later artistic output was destroyed by the
233:. His artistic offering is much taken up with presentations of women. His most original and personal works - often using strong colours - date from the decade before the
78:. His father was a pharmacist specialising in animal medicines. His mother, born ___ Tronson, was his father's second wife. She was an educator, originally from
82:, who had met his father while visiting Hanover and married him. Till 1914 Harold Bengen used the name "Harold T Bengen", with the "T" standing for Tronson.
159:. By now he had embarked on a parallel career as a costume designer, and in the early 1920s he designed the costumes and stage sets for a production by
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was forgotten, and he was for many purposes airbrushed out of history because of the extent to which he had been willing to compromise with the
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Negendanck: Hiddensee, Die besondere Insel für Künstler. Edition Fischerhuder Kunstbuch, 2005,
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exhibition. This was also the year in which he was given a professorship by the
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Theatrical
Costume, Masks, Make-Up and Wigs: A Bibliography and Iconography
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stand in crass contrast to his earlier artistic approach. During the
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which gave rise to a succession of water colours and pastel drawings.
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In 1908 he took a position teaching drawing and decorative art at the
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After 1945 the reputation which Harold Bengen had built up before
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and art teacher. His earlier works can be seen as part of the
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Jugendstil (corresponding in some ways to "Art nouveau")
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while still a schoolboy. In 1896 he moved on to the
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Academic staff of the Berlin
University of the Arts
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132:artists' group. In 1920 he participated in the
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190:in Berlin and a proposal (never built) for the
303:"Harold Bengen was born in Hanover in 1879..."
54:(6 January 1879 – 21 March 1962) was a German
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263:. Ketterer Kunst GmbH & Co. KG, München
380:Sidney Jackson Jowers (15 October 2013).
305:Ketterer Kunst GmbH & Co. KG, München
229:Bengen's early work contains elements of
206:. In 1952 he moved again, this time to
143:. His students over the years included
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87:Humanities Gymnasium (secondary school)
410:Schrankenlose Freiheit für Hannah Höch
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413:. Lindhardt og Ringhof. p. 15.
386:. Taylor & Francis. p. 27.
355:"Nikolai Zagrekov. Return to Russia"
120:. Two years later, together with
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180:Nazis' Great German Art Exhibition
70:Harold Tronson Bengen was born in
37:Harold Bengen: "Akt und Halbakt" (
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450:20th-century German male artists
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128:, he was a co-founder of the
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23:Harold Bengen: Self-portrait
85:Harold Bengen attended the
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361:. The State Russian Museum
141:Arts and Crafts Academy
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101:where he was taught by
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200:Holzhausen am Ammersee
169:The Merchant of Venice
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39:"Naked and semi-naked"
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103:Carl Frithjof Smith
99:Weimar Arts Academy
60:Classical-modernist
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420:978-87-11-44947-9
393:978-1-136-74641-3
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363:. Retrieved
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333:the original
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219:dictatorship
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95:Ernst Jordan
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470:1962 deaths
465:1879 births
292:. p. 34 ff.
153:Hannah Höch
434:Categories
248:References
62:movement.
365:2 March
339:2 March
309:2 March
267:2 March
208:Hamburg
163:at the
91:Hanover
80:England
72:Hanover
45:ca 1905
27:ca 1900
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184:Munich
138:Berlin
56:artist
225:Works
415:ISBN
388:ISBN
367:2017
341:2017
311:2017
286:ISBN
269:2017
215:1933
155:and
124:and
107:Graz
66:Life
202:in
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