266:, and changing fashions had made the sound of the Harlem Hamfats less commercially attractive. The band was not considered the most innovative group of the time, and many of their original works dealt with sex, drugs and alcohol, which may have prevented its music from being more widely available. However, as a small group playing entertaining music primarily for dancing, they are considered an important contributor to 1930s jazz, and their early riff-based style would help pave the way for
181:(trumpet, vocals), John Lindsay (bass), and Odell Rand (clarinet; 1905 – 22 June 1960) were from New Orleans; Horace Malcolm (piano), Freddie Flynn (drums) and Pearlis Williams (drums) were from Chicago.
247:", written by Joe McCoy and included on their 1936 record under the title "The Weed Smoker's Dream". The song contains numerous references to drugs. The lyrics were later changed and the tune refined.
146:. Their first record, "Oh! Red", became a hit, securing them a Decca contract for fifty titles, and they launched a successful recording career performing danceable music.
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192:. Led by Morand and Joe McCoy, the main songwriters, the group initially provided instrumental backing to Williams's stable of artists, including
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for the purpose of making records — perhaps the first group to be so created. None of the members of the band were actually from New York.
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recorded it as "Why Don't You Do Right", a song about a conniving mistress and her broke lover, in 1941, and it was later recorded by
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Their first hits were "Oh! Red", recorded in April 1936, and "Let's Get Drunk and Truck" (originally recorded by
239:. Some of their other recordings, such as "We Gonna Pitch a Boogie Woogie", more clearly presage the rhythms of
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The diverse geographical backgrounds of the musicians played a role in the band's sound, which blended blues,
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genre is due to such songs as "Gimme Some of that Yum Yum" and "Let's Get Drunk and Truck".
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band formed in 1936. Initially, they mainly provided backup music for jazz and
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Bogdanov, Vladimir; Woodstra, Chris; Erlewine, Stephen Thomas, eds. (2003).
457:"The Harlem Hamfats – Let's Get Drunk and Truck Lyrics | Genius Lyrics"
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All Music Guide to the Blues: The
Definitive Guide to the Blues
243:. Their most recognizable work may be the modern jazz tune "
165:. They were assembled by record producer and entrepreneur
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Screening the Blues: Aspects of the Blues
Tradition
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415:The Cambridge Companion to Blues and Gospel Music
161:Despite their name, the Hamfats were based in
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177:(guitar, mandolin) were from Mississippi;
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583:. Oxford University Press. pp. 160–163.
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270:'s small-group sound a few years later,
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262:By 1939, singer Morand had returned to
417:. Cambridge University Press. p. 36.
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173:(guitar, vocals) and his brother
625:African-American musical groups
579:Collier, James Lincoln (1995).
496:The Guinness Who's Who of Blues
1:
605:The Harlem Hamfats recordings
581:Jazz: The American Theme Song
149:The group's inclusion in the
630:Jazz ensembles from Illinois
570:, Fabulous FABCD 253, 2003.
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528:. The Dead Rock Stars Club
568:Let's Get Drunk and Truck
307:Let's Get Drunk and Truck
438:. Da Capo Press. p. 83.
413:Moore, Allan F. (2002),
566:Sleeve notes to the CD
323:Hamfats Swing 1936–1938
245:Why Don't You Do Right?
387:Harlem Hamfats, Vol. 1
371:Harlem Hamfats, Vol. 2
355:Harlem Hamfats, Vol. 3
339:Harlem Hamfats, Vol. 4
635:Dirty blues musicians
434:Oliver, Paul (1989).
282:Selected discography
501:Guinness Publishing
499:(Second ed.).
221:Blind Willie McTell
175:Papa Charlie McCoy
117:The Harlem Hamfats
95:Papa Charlie McCoy
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102:John Lindsay
86:Past members
62:Years active
391:Swing jazz
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359:Swing jazz
343:Swing jazz
327:Swing jazz
311:Swing jazz
264:New Orleans
259:Orchestra.
235:bands, and
213:Count Basie
179:Herb Morand
151:dirty blues
99:Herb Morand
619:Categories
549:. p. 219.
532:2015-08-30
524:Doc Rock.
467:2016-05-12
461:Genius.com
401:References
231:, various
190:swing jazz
104:Odell Rand
51:Swing jazz
314:Fabulous
255:with the
253:Peggy Lee
249:Lil Green
217:Ink Spots
209:Tampa Red
186:dixieland
157:Biography
66:1936–1938
55:Dixieland
37:Illinois
607:at the
163:Chicago
121:Chicago
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298:Label
295:Genre
292:Title
215:, the
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119:was a
71:Labels
47:Genres
29:Origin
383:1994
367:1994
351:1994
335:1994
319:1997
303:2004
289:Year
128:blues
75:Decca
585:ISBN
551:ISBN
505:ISBN
440:ISBN
419:ISBN
227:and
188:and
124:jazz
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