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383:. The gallery label at the Tate said in 2010, "Bates shows the moment of hesitation before Pandora opens the forbidden box. He suggests Pandora's mood of consideration and temptation while also recognising the inevitable fulfilment of the myth. This way he acknowledges the compulsion of character, and frailty of the human spirit." His creation of the marble altar front for the Holy Trinity church in Sloane Street, London was another piece he created in 1890.
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Bates's primary skill lay in the composition and sculpting of relief sculpture, and it is in this medium that he achieved his most technically and aesthetically refined work. The freestanding ideal sculpture remained the most important of sculptural genres, however. Bates gradually turned to statues
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The 1911 Encyclopedia
Britannica wrote: "The portrait-busts of Harry Bates are good pieces of realism: strong, yet delicate in technique, and excellent in character. His statues have a picturesqueness in which the refinement of the sculptor is always felt. Among the chief of these are the fanciful
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and mixed materials, making it self-consciously into a paradigmatic example of his artistic priorities. The box she holds is an actual decorative casket made of ivory and gilt bronze and elaborately carved with scenes from the
Pandora legend. It was exhibited in 1890 at the Royal Academy Summer
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Bates died in poverty, having drained his finances "by his insistence on financing the
Calcutta statue of Lord Roberts from his own pocket." He died on 30 January 1899 at his residence, 10 Hall Road, St. John's Wood, N.W. He was buried at Stevenage on 4 February.
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which is essentially a relief composition translated to three dimensions. In this work, Bates demonstrated his ability to convey muscular intensity and movement and led to his greater success and ambition.
444:. But perhaps his masterpiece—in which his interest in polychromy and mixed materials in a format that fused decorative art and sculpture achieved its fullest realization—was an allegorical presentment of
452:, with a female figure in ivory being crowned by the male." The 1911 Encyclopedia Britannica felt, "his premature death robbing English plastic art of its most promising representative at the time".
300:, where he took up an independent studio (on Dalou's suggestion) in 1883–85. He was influenced by Rodin, who advised him on occasion about his work. A head and three small bronze panels (the
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movement. Both through his innovative use of polychromy and his allusive subject matter, he is understood to be one of primary representatives of international
Symbolism within British sculpture.
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246:. He began his career as a carver's assistant, and before beginning the regular study of plastic art he passed through a long apprenticeship in
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390:(death, gateway of life), now at Walker Art Gallery Liverpool. In 2007 it has been described as "bizarre polychrome symbolist fantasy".
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Bates is primarily remembered as one of the most important sculptors working with the traditions of the decorative arts within the
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whose deadly attraction mesmerised
Victorian men." While continental sculptors experimented with the ancient
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Edwards, Jason (June 2008). "A curious feature': Harry Bates's Holy
Trinity altar front (1890)".
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trustees; but the selection had to be cancelled, because they had not been modelled in
Britain.
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technique in the 1840s, Bates
Pandora was the first chryselephantine work by a British artist.
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810:"The Colour of Anxiety: Race, Sexuality and Disorder in Victorian Sculpture (booklet)"
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432:(1896) upon its important pedestal, girdled with a frieze of figures, now set up in
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Getsy, David. "Privileging the Object of
Sculpture: Actuality and Harry Bates's
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753:"Reappraising a nineteenth century sculptor: Harry Bates and his circle"
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877:. Vol. 3 (11th ed.). Cambridge University Press. p. 509.
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As of 2022, the figure of
Pandora is understood "as one of the many
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in 1892 as A.R.A. and was an active, if intermittent, member of the
886: This article incorporates text from a publication now in the
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The Age of Rossetti, Burne-Jones, and Watts: Symbolism in Britain.
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This article incorporates text from a publication now in the
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907:. Vol. 1. London: Smith, Elder & Co. pp. 140–141.
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Exhibition and purchased within the following year for the
226:. He was a central figure in the British movement known as
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One of his final commissions was a large bronze statue of
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In 1886, Bates returned to Britain and was elected to the
779:"Statue of Queen Victoria | Yale Center For British Art"
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Exh. cat., Tate Gallery, 1997. Paris: Flammarion, 1997.
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and won a silver medal in the national competition at
214:(26 April 1850 – 30 January 1899) was a British
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304:), executed by Bates in Paris, were exhibited at the
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51:. Unsourced material may be challenged and removed.
1031:Alumni of the City and Guilds of London Art School
715:” The Athenaeum No. 3258 (April 5, 1890): 443-44.
619:. American Federation of Arts. 1899. p. 82.
386:In the year of his death 1899, Bates finished
250:decoration working from 1869 for the firm of
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981:Profile on Royal Academy of Arts Collections
677:City and Guilds of London Art School History
751:Victoria and Albert Museum (6 July 2007).
262:In 1879 he went to London and entered the
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111:Learn how and when to remove this message
837:, ed. 1911, vol. 24, pg. 504, Plate III.
793:Sir Alfred Gilbert and the New Sculpture
727:"'Pandora', Harry Bates, exhibited 1891"
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922:New Haven: Yale University Press, 1983.
808:Nicola Jennings, Adrienne Childs (nd).
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967:Tate Britain: rare Victorian sculpture
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795:. London: The Fine Art Society, 2008.
326:Bates's figure of Victoria above the
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666:(1). Liverpool University Press: 36.
282:. In 1881, he was admitted to the
272:City and Guilds of London Art School
264:South London School of Technical Art
49:adding citations to reliable sources
973:featuring numerous views of Bates'
947:Wilton, Andrew and Robert Upstone.
308:, and selected for purchase by the
238:Bates was born on 26 April 1850 in
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903:Dictionary of National Biography
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368:His next major statue, the 1890
291:teaching the People in the Agora
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1036:Associates of the Royal Academy
1006:British architectural sculptors
594:Mougins Museum of Classical Art
296:In 1883 he immediately went to
36:needs additional citations for
1026:19th-century British sculptors
1:
616:American Art Annual, Volume 2
397:unveiled in Albert Square in
933:28.1 (February 2005): 74–95.
711:Stephens, Frederic George. “
514:Chartered Accountants' Hall
60:"Harry Bates" sculptor
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448:, a winged male figure in
274:). There he studied under
892:Radford, Ernest (1901). "
401:shortly after his death.
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346:(1886), three panels of
234:Early life and education
218:. He was elected to the
969:- set by ketrin1407 on
874:Encyclopædia Britannica
835:Encyclopædia Britannica
405:Personal life and death
1001:English male sculptors
814:Henry Moore Foundation
682:4 October 2011 at the
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1011:People from Stevenage
942:Yale University Press
334:He created panels of
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284:Royal Academy schools
268:Lambeth School of Art
252:Farmer & Brindley
938:Victorian Sculpture.
45:improve this article
328:Victoria Law Courts
266:(formerly known as
920:The New Sculpture.
759:on 19 January 2023
436:, and a statue of
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996:English sculptors
962:The Victorian Web
660:Sculpture Journal
493:, 1891, owned by
360:such as the 1889
317:Art Workers Guild
224:Art Workers Guild
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461:chryselephantine
388:Mors Janua Vitae
381:Chantrey Bequest
362:Hounds in Leash,
310:Chantrey Bequest
280:South Kensington
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977:among others
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894:Bates, Harry
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869:Bates, Harry
830:
818:. Retrieved
816:. p. 16
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757:the original
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734:. Retrieved
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495:Tate Britain
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168:(1899-01-30)
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101:January 2009
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43:Please help
38:verification
35:
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1021:1899 deaths
1016:1850 births
940:New Haven:
931:Art History
898:Lee, Sidney
845:Attribution
276:Jules Dalou
207:Harry Bates
179:Nationality
127:Harry Bates
990:Categories
929:of 1890."
820:19 January
763:19 January
736:19 January
713:Art Gossip
601:References
550:Statue of
527:Statue of
487:Statue of
414:Assessment
376:polychromy
270:, now the
148:1850-04-26
71:newspapers
240:Stevenage
190:Sculpture
156:Stevenage
680:Archived
554:, 1899,
531:, 1896,
434:Calcutta
356:(1887).
340:(1885),
289:Socrates
216:sculptor
975:Pandora
944:, 1982.
927:Pandora
900:(ed.).
890::
862::
537:Glasgow
490:Pandora
474:Gallery
371:Pandora
354:Rhodope
182:British
85:scholar
971:Flickr
896:". In
856:
577:, 1886
560:Dundee
499:London
450:bronze
442:Dundee
423:Mysore
399:Dundee
349:Psyche
337:Aeneas
302:Aeneid
258:Career
195:Awards
173:London
87:
80:
73:
66:
58:
575:Homer
343:Homer
298:Paris
92:JSTOR
78:books
822:2023
765:2023
738:2023
731:Tate
440:for
352:and
163:Died
142:Born
64:news
871:".
242:in
211:ARA
47:by
992::
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