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Boogie Woogie Band now added rock music to parks and arenas that had previously only featured light classical, pop, dixieland and march music. Harry rocked the out-of-doors at The Garden State Arts Center in New Jersey, the Levitt
Pavilion in Westport, Connecticut and dozens of city and town parks. His music programs soon appeared in another unheard of location for rock music, various library systems. Hepcat's program soon became approved by the Board of Co-operative Educational Services (BOCES) in 1975 and school performances soon followed as part of music appreciation programs. "Hepcat has not only opened the ears of the MTV generation through his speeches, he has reminded everyone of rock and roll's history through his writings."
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25:
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Harry Hepcat turned his energies to writing, producing and directing a documentary on teen life in an
American small town in the 1950s. On August 26, 1988, he was presented with first prize for an independent production by The Motion Picture and Television Community at the Fifth Annual Suffolk Film
231:
Good Times
Magazine referred to Harry Hepcat as "a true practitioner of rockabilly and good old rock and roll since the music first appeared." Rockabilly magazine, in reviewing Hepcat's "Real to Reel" album, wrote that he "developed uninhibited" and his remastered early cuts "illustrate an unbridled
994:
On a limited number of Bison Bop 2001 issues Harry Hepcat was identified as Harold
Jackson by error and the album had the wrong photo. These copies were released first. When the change was made Hepcat was correctly identified and the album was given a new back cover that featured a large picture of
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Preserving the cultural story of the 1950s also led to Harry Hepcat's ideas being published in several newspapers and magazines. He soon expanded the public's exposure to fifties music by becoming one of the first rock musicians to open up new outdoor venues to the material. Harry Hepcat & The
223:
Harry played in half a dozen bands through the early 1960s. He kept up with the latest music, but always saw fit to preserve older material. The shows were primarily in the northeastern United States, with some tours of the
Midwest and southern border states. There were recordings for several small
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in 'New York City' (The Doo-Wop Shop) and, at the other end of the rock spectrum, was one of the first listed in the
Rockabilly Hall of Fame in 1998 and featured on the organization's first CD. Elvis Presley once said of him, to George Anderson, "Harry Hepcat is like a brother, not by blood, but by
247:
As for the many Harry Hepcat releases in Europe, Harry was quoted as saying of the
Europeans, "The appreciation for American rockabilly and 50s rock and roll is because they know it's our music and it's the real thing when we do it. When they do it, they're imitating an American art form and they
401:
Harry also developed comedy characters and was a regular on "Huntington
Profiles" from 1983 to 1984 on Huntington Cable TV. Then it was on to "Depth in Focus," a comedy show that revolved around the local entertainment scene (1985). From 2005 to 2012, Hepcat had his own show on Cablevision that
438:
film "Seize the Day," Harry drove his 1954 Mercury and almost ran over Robin's legs with his car. Based on Saul Bellow's book, the 1986 Academy Award-winning film also starred Jerry
Stiller and Joseph Wiseman. Harry is in the last scene leaving a tenement in Harlem; the big cigar, gold suit and
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In 1967, Harry Hepcat decided on preserving the music and styles of the fifties and early sixties. In an age of acid rock, hippies and protest movements, most agents and venues considered that idea insane. At one of the early concerts at
Hofstra University, on Long Island, the over enthusiastic
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over seven decades. He is noted as a singer, guitarist, band leader, songwriter, radio disc-jockey, writer and media personality. A 1981 review stated, "His honest sense of fun distinguishes him from humorless idol-worshipers and from slapstick cretins..." He was a frequent guest on
279:. The New York City club scene featured Harry and his band at clubs like Malachy's, Dangerfield's and Brandy's II. After performing for the Broadway cast of "Grease," they commented, "We only act it: it's such a pleasure to hear the real thing."
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disc jockey Don K. Reed describes Hepcat as "a rockabilly rocker from way back who's lost nothing over the years and can tell a story in song with the best of them." The album songs and stories are Hepcat originals. Rock critic
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By 1955, Harry lived in New York City and then moved to Long Island. As such, he developed a love of the rock bands he encountered on the Island and the group harmony of the city. His radio was tuned to WINS and
341:-FM on Long Island. He went on to host his own show on WNHX in Berlin, New Hampshire, fill-in host WPKN-FM Bridgeport, Connecticut, and from 1988 to 1994 was broadcasting 33 hours a week with his own shows on
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and Video Festival. The award was presented by Suffolk County Executive Patrick Halpin at the estate of Robert Lion Gardiner in East Hampton, Long Island. The Harry Hepcat documentary was called "Teen Beat."
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students rioted, turning over slide show equipment and destroying band signs and a poster photo of Alan Freed. In spite of this, the times finally caught up with Harry and the fifties revival was on.
363:
Among Harry Hepcat's television appearances was a New York City concert review (with performance clips) on WCBS television news by Dennis Cunningham in 1981; mentioned on "Real People"
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calls the CD "the real deal...listening to it will show you just how similar the story-telling of 'the Boss' Springsteen is to that of Hepcat. Harry Hepcat is a visionary indeed."
220:. He even was seen as one of the dancers on Alan Freed's TV show. Seeing Bo Diddley at Freed's stage reviews and Elvis on television led to Harry's first guitar in February 1956.
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Harry Hepcat started off in the fifties playing house parties and school auditoriums. In the decades to follow, he was playing for some of the biggest hotels in New York City (
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1440 am in the New York City area. Hepcat reached most of Long Island, Queens, Brooklyn, and southern areas of the Bronx, Westchester and Connecticut. His programs included
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labels and then on to Old Town and Ace records. Soon, there were LPs released in Germany and a release in England and Japan. The reviews were positive. Wayne Robbins of
196:. His grandfather had played trumpet in a band before World War I. His mother, Irene, was a music lover who often sang around the house and played her
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398:) in New York City (1978–1984). Joe Franklin referred to Harry Hepcat as "the official archivist and historian of the 1950s rock and roll scene."
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Harry Hepcat went on to films. In 1985, he played the part of a businessman in the independent film "Daze Gone By" for Jedu Films. In the
200:. Her dream of being a chorus line dancer ended when she became pregnant. Hepcat's father went off to fight in France and never returned.
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The Independent Press, Sept. 24, 1980, front page (3 photos & story of Hepcat's performance in this New Jersey daily newspaper)
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1496:"Picks and Pans Review: American Classics, by Terry Kelleher, "People magazine", Nov. 26, 2001, Vol.56, No.22, p.33"
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In 1976, as a special tribute, a limited edition of "Streakin' U.S.A." was released on Edison cylinder records.
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Beverly Traub, "Come With Harry to the Casbah," The Standard Star newspaper," p.41 Sept. 18, 1981
1249:"1974 Rock 'N' Roll Spectacular Program", Scorpio Productions, The Long Island Arena, June 1974
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Paul D. Colford, "A Real Hepcat Overnight," Newsday. June 8, 1988, "AM/FM" Pt. 11, pp.15, 17
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in New York City (11/8/83 and 11/11/83) and ten guest interviews and performances on The
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Harry Hepcat was a frequent guest on numerous radio programs. He was heard as a guest on
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418:". This documentary on American pop culture from the 1950s to the 1970s also featured
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Dick Salembier, "For the Love of WNYG," Remember When magazine vol.9 no.5, July 2000
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Artist, Writer, Band Leader, Songwriter, Singer, Radio DJ, Guitarist and Performer
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Doug Reina, "A Conversation with Harry Hepcat," Northport Journal, Aug. 9, 1985
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333:-FM Bridgeport, Connecticut, 1975–1978; one hour interview and performance on
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406:," which dealt with inexpensive and/or ugly artifacts often referred to as "
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1106:"Contemporary Musicians" vol.23 Gale press, Detroit – London c. 1999, p123
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1560:"Port Movie Wins First Prize," Port Washington News, Sept. 1, 1988, p.14
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classic-form rock'n'roller deserving of wider acclaim than was his."
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Darren Paltrowitz review, Long Island Entertainment, Sept. 2000
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Side A, cut #3 "Gonna Slice You Baby" (psychobilly version)
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Time Barrier Express magazine, vol.2 no.6, April 1976, p. 30
410:". In 2001, Harry Hepcat hosted one of the segments for the
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WRTN-FM, Westchester County, NY in 1979; featured artist on
889:(collection of released and unreleased doo wop renditions)
367:-TV in 1977; a feature on Hepcat's life on "Nightlife TV"
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dealt with nostalgia, music and comedy. One of these was
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In commenting on "Harry Hepcat's Stories of the 50s" CD,
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The Island Ear magazine, issue 66E, March 12, 1981, p.22
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and similarly massive crowds in a series of concerts at
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979:"Teenager in Love" / "Guardian Angel" / "I've Had It"
337:(VPR) 1993; twelve 2 hour specials on rock music for
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Daily News, June 23, 1972, Night Owl Reporter column
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wrote that, "Hepcat's 'Boppin' the Blues' is fine!"
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Cablevision, Woodbury, N.Y., listing for channel 20
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Rockabilly magazine, issue 43 Sept.-Oct. 2000, p.44
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Wayne Robbins, Newsday, Sunday April 20, 1980, p.24
588:"Good Rockin' Tonight" / "Shake, Rattle & Roll"
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1197:Autograph magazine vol.9 no.10, Oct. 2000, page 49
329:Hempstead, N.Y. 1981; three live radio concerts
607:"The Sunrise Special" / "Twenty Flight Rock" /
1366:The Port Washington News, Sept. 14, 1976, p.6
1327:Westport News, Aug.18, 1982,Section Two, p.15
1288:Sunstorm magazine (Oyster Bay, NY), Nov. 1979
494:"That's All Right Mama" / "The Break of Day"
8:
745:X LG 7022
371:channel 55; interviews and performances on
307:for ten broadcasts in the 1970s and 1980s;
295:Harry Hepcat on the air at WNYG in New York
1062:Radio Listing, Newsday, July 4, 1982, p.32
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1444:"Contemporary Musicians", op. cit., p.128
1405:Newsday, Aug.19, 1989, "Radio Highlights"
1340:Enterprise-Pilot newspaper, July 20, 1979
62:Learn how and when to remove this message
1547:"Contemporary Musicians" op. cit., p.128
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1314:Good Times magazine, Feb.12, 1979, p.31
1262:The Village Voice, July 31, 1972, p. 22
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966:"Walking the Dog" / "Evil" / "Runaway"
673:side A, cut #3, "Milkcow Blues Boogie"
1483:Northport Journal, March 15, 1985, p.8
1132:The Baltimore Sun, Nov. 11, 1978, p.24
515:"Streakin' U.S.A." / "Little Darlin'"
383:), Westchester Cable; two features on
547:"Sea Cruise" / "Great Balls of Fire"
7:
1581:Harry Hepcat performances at YouTube
1075:"Article at Rockabilly Hall of Fame"
771:"AMERICAN NEO-ROCKABILLY COLLECTION"
1353:New York Times, Aug.22, 1982, p.18
1171:Good Times magazine, June 30, 1981
609:"Bull Jive" / "Boppin' the Blues"
34:tone or style may not reflect the
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1392:Ann M. Schwalboski, op. cit., p.2
512:See re-release on CD list below.
1621:American male singer-songwriters
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590:"Boogie Chillun" / "Go Cat, Go"
532:(under the name Harold Jackson)
44:guide to writing better articles
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828:(original stories & songs)
773:cut #3 "Gonna Slice You Baby"
707:"REAL TO REEL" Early Sessions
581:REBOP 965
530:"Go Cat Go" / "Mean Cat Daddy"
309:"The Sally Jesse Raphael Show"
1:
1576:Official Harry Hepcat website
1510:"TCM - Turner Classic Movies"
1145:See, Harry Hepcat DISCOGRAPHY
807:"CRUISIN' WITH HARRY HEPCAT"
671:"THE BOP THAT NEVER STOPPED"
652:All 14 cuts by Harry Hepcat
439:sideburns are hard to miss.
1524:"Seize the Day" DVD release
866:"MICKEY B's JUKEBOX REVIEW"
645:JAMBOREE DJ-LP 2048
525:DEE-JAY JAMBOREE 106
479:"Weekend Wail" / "Coastin"
314:(Feb.1977 and Sept. 1977);
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783:"ROCKABILLY HALL OF FAME"
750:"RAUNCHY ROCK & ROLL"
381:Westinghouse Broadcasting
192:Harry Hepcat was born in
166:artist, performing rock,
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1606:American male guitarists
1601:American rock guitarists
583:(Cincinnati, Ohio, USA)
542:RESURRECTION 6380
504:GRAFFITI 101-A,B
318:WABC (1984); saluted on
194:Columbia, South Carolina
104:Columbia, South Carolina
1457:Colford, op. cit., p.17
1079:Rockabilly Hall of Fame
709:19 cuts by Harry Hepcat
621:LPs: Long Play (vinyl)
602:(Long Island, NY, USA)
600:AETERNUS EPA-102
354:"The Rockabilly Party."
347:"The Gooba Gooba Show,"
210:"Rock & Roll Party"
38:used on Knowledge (XXG)
845:"21st CENTURY DOO-WOP"
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248:know that deep down."
93:Background information
42:See Knowledge (XXG)'s
1611:American rock singers
976:(New York City, USA)
870:"Baby I Love You So"
747:(New York City, USA)
711:Released on CD 2008.
694:12"vinyl edition 1988
688:"AMERICAN ROCKABILLY"
664:LP Vol.2 Bb-LP 2001
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259:, Hotel Pierre), the
824:"STORIES OF THE 50s"
683:NERVOUS records 048
506:(New York City, USA)
335:Vermont Public Radio
303:in New York City on
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809:10 cuts by Hepcat.
802:#692944273658-10503
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723:CDs: Compact Disc
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559:EPs: Extended Play
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265:Tavern on the Green
261:Westbury Music Fair
145:www.harryhepcat.com
1014:. You can help by
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885:"DOO WOP SESSIONS"
859:EARLY BIRD Records
847:"Darling Lorraine"
752:"Streakin' U.S.A."
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668:See note #2 below
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404:"Antiques Roadkill
305:"The Doo-wop Shop"
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474:SCOTT 6184
416:American Classics
273:Long Island Arena
242:Darren Paltrowitz
214:"Rocketship Show"
162:first-generation
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212:and to Jocko's
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1596:Living people
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1010:This section
1008:
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978:
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868:Vol. 2, cut#9
865:
857:
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789:
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764:J!MCO Records
762:
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743:
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713:
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635:
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598:
586:HARRY HEPCAT:
585:
579:
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568:
563:
562:
546:
540:
529:
523:
514:
508:Streakin USA:
502:
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394:Show WOR-TV (
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324:"Street Beat"
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164:rock and roll
161:
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131:
129:Occupation(s)
127:
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120:
119:rock and roll
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1016:adding to it
1011:
946:Catalogue #
908:Catalogue #
730:Catalogue #
650:"GO CAT, GO"
628:Catalogue #
566:Catalogue #
459:Catalogue #
441:
433:
415:
407:
403:
400:
392:Joe Franklin
379:, Group W (
362:
353:
349:
346:
323:
319:
308:
304:
298:
281:
269:Central Park
254:
250:
246:
234:
230:
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213:
209:
202:
191:
156:Harry Hepcat
155:
154:
78:Harry Hepcat
58:
49:
33:
939:Unreleased
838:ACE Records
447:Discography
373:Cablevision
320:"Spotlight"
101:Early 1940s
1590:Categories
1035:References
1023:March 2012
766:JICK-89197
685:(England)
647:(Germany)
527:(Germany)
420:Dick Clark
206:Alan Freed
176:rockabilly
52:April 2016
901:Internet
861:EBCD 1006
666:(Germany)
662:BISON BOP
188:Biography
880:AETERNUS
849:Cut #21
768:(Japan)
452:Singles
424:Jay Leno
160:American
995:Hepcat.
969:
754:Cut #8
643:DEE-JAY
396:WWOR-TV
388:WABC-TV
369:WLNY-TV
301:WCBS-FM
237:WCBS-FM
226:Newsday
181:WCBS-FM
172:doo-wop
141:Website
123:doo-wop
1530:
963:(USA)
923:iTunes
882:(USA)
863:(USA)
842:(USA)
821:(USA)
804:(USA)
787:(USA)
704:(USA)
544:(USA)
491:(USA)
476:(USA)
408:kitsch
377:Viacom
158:is an
111:Genres
986:Notes
950:TITLE
912:TITLE
734:TITLE
632:TITLE
570:TITLE
463:TITLE
287:Radio
168:blues
115:blues
106:, U.S
1528:ISBN
955:YEAR
931:2011
917:YEAR
893:2010
874:2003
853:2002
832:1999
813:1999
794:1998
777:1994
758:1995
739:YEAR
715:1997
677:1979
656:1985
637:YEAR
613:1981
594:1976
575:YEAR
551:1977
536:1975
519:1974
498:1964
483:1958
468:YEAR
430:Film
422:and
414:'s "
365:WNBC
352:and
343:WNYG
339:WBAB
331:WPKN
327:WLIR
312:WMCA
218:WADO
174:and
98:Born
1018:.
800:MP3
267:in
216:on
208:'s
1592::
1526:,
1077:.
426:.
375:,
263:,
170:,
1512:.
1498:.
1081:.
1025:)
1021:(
121:,
117:,
65:)
59:(
54:)
50:(
40:.
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