Knowledge (XXG)

Harvey Goldman

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261:"Utilizing digital photography to carefully layer graphic elements of the natural world, Goldman’s images blur the boundaries between still and moving images, painting and photography, realism and fantasy. These tensions form the basis of his Veiled Ancestors and Coincidentia Oppositorum series, a body of work that originates from the vast catalogue of photographs that the artist has collected from his daily walks in the woods. In this work the camera is called upon not to suspend or freeze time but to expand its reach, accumulating multiple moments within its frame" and "In his Extremities and Digits series, Goldman interrogates the inner workings of his primary tool, the hand. Despite never actually disclosing the artist himself, the work comprises a self-portrait of sorts. It is a meditation on the mystery of the creative process and the interconnectedness between the artist’s identity and his daily work." 33: 271: 236: 325: 314: 251: 306: 218:
Goldman's work in the area of ceramics ranges from approximately 1973–1987. The work is characterized by asymmetrical organic forms and rich multi-fired surfaces that reflect the effects of time and aging. His vessel "Wolley Zuff" was featured in Peter Lanes book Studio Ceramics and on the cover of
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Goldman's work in the area of ceramics ranges from approximately 1973–1987.The work is characterized by asymmetrical organic forms and rich multi-fired surfaces that reflect the effects of time and aging. His vessel "Wolley Zuff" was featured in Peter Lanes book Studio Ceramics and on the cover of
170:. Goldman's work has been exhibited in a wide range of venues throughout the United States as well as Amsterdam, Austria, Australia, Britain, Canada, China, France, Germany, Israel, Italy, Japan, Spain, Romania, Russia, South Africa, and Turkey. He is the recipient of grants from the 199: 191: 298:, Beijing, China, Kyoto Museum, Japan and MuVi4, in conjunction with the Fifth International conference; Synaesthesia: Science and Art, Alcalà la Real, Jaèn, Spain. His animation "Sabinium" was created in collaboration with composer 258:
Goldman's work in the area of digital imaging can be characterized by a rich use of the color, pattern and texture as well as a multi-layering of photographic elements. Art historian Dr. Thomas Stubblefield, has
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American Ceramics Magazine. Goldman's ceramic work has been featured in many issues of Ceramics Monthly Magazine He has taught ceramic workshops at both the Penland School of Crafts and the
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American Ceramics Magazine. Goldman's ceramic work has been featured in many issues of Ceramics Monthly Magazine He has taught ceramic workshops at both the Penland School of Crafts and the
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Goldman's work in the field of animation can be catalogued under the categories of
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Still from experimental film "Entropy of Truth" Harvey Goldman and Jing Wang, 2023
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and the Massachusetts Council on the Arts and Humanities. Goldman taught at the
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Montgomery (Fall 1982). McTwigan, Michael (ed.). "Harvey Goldman".
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Montgomery (Fall 1982). McTwigan, Michael (ed.). "Harvey Goldman".
323: 312: 304: 234: 189: 106:(born September 28, 1951) is an American artist and educator. 931:"UMD faculty-made films selected for international festivals" 905:
MuVi4. Video and moving image on synesthesia and visual music
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American Ceramics: The Collection of Everson Museum of Art
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Rutigliano, Dario; Hilborn, Melissa (January 2016).
194:"Wooly Zuff", Ceramic Vessel by Harvey Goldman, 1981 130:
Goldman is best known for his work in the fields of
874:"InsideOut Step2—Latest trends of Western Videoart" 79: 71: 63: 39: 23: 590:National Endowment for the Arts Annual Report 1980 328:"Tropics 022" digital print, 2016, Harvey Goldman 254:"Courage" digital Print, Harvey Goldman, 2014 8: 785:Stubblefield Ph.D., Thomas (May 21, 2014). 638:"Goldman works on view at Shattuck gallery" 410: 408: 406: 404: 402: 1000:University of Massachusetts Amherst alumni 116:University of Illinois at Urbana–Champaign 31: 20: 269: 249: 197: 398: 266:Experimental animation and visual music 180:University of Massachusetts, Dartmouth 288:Hirshhorn Museum and Sculpture Garden 7: 202:Ceramic Vessel, Harvey Goldman, 1982 120:University of Massachusetts, Amherst 755:(4). New York: Harry Dennis: cover. 692:(4). New York: Harry Dennis: cover. 523:. Rizzoli; First edition. pp.  421:Arts Haben Contemporary Arts Review 320:digital print, Harvey Goldman, 2016 160:DeCordova Museum and Sculpture Park 929:GUHA, AUDITI (November 19, 2013). 811:. Washington Project for the Arts. 766:"Portfolio DesignerCraftsman 75". 703:"Portfolio DesignerCraftsman 75". 417:"An Interview with Harvey Goldman" 221:Haystack Mountain School of Crafts 209:Haystack Mountain School of Crafts 14: 805:"Experimental Media Series 2009" 174:(Emerging Craftsman Award), The 726:. Chilton. p. 76 and 236. 663:. Chilton. p. 76 and 236. 517:Perry, Barbara (May 15, 1989). 472:. iota center. January 28, 2008 309:Still from "Passaddi" film 2015 172:National Endowment for the Arts 549:"international video festival" 1: 498:. Museum of fine Arts Boston 492:"Boston Museum of Fine Arts" 150:for Experimental Animation, 787:"Aphophenia-Harvey Goldman" 225:Museum of American Ceramics 213:Museum of American Ceramics 114:He received a BFA from the 16:American artist (born 1951) 1016: 152:Boston Museum of Fine Arts 965:Big Red and Shiny Article 880:. White Box Museum of Art 75:artist, educator, gardner 30: 446:. Dedee Shattuck Gallery 444:dedeeshattuckgallery.com 292:Corcoran Gallery of Art 244:Veiled Ancestors Series 955:Harvey Goldman website 329: 321: 310: 275: 255: 247: 246:, Harvey Goldman, 2020 203: 195: 466:"iota center profile" 327: 316: 308: 273: 253: 238: 227:, Pomona California. 215:, Pomona California. 201: 193: 164:Currier Museum of Art 156:Everson Museum of Art 902:Riccò, Dina (2015). 774:: 43. December 1975. 722:Lane, Peter (1983). 711:: 43. December 1975. 659:Lane, Peter (1983). 427:(Special Issue): 46. 853:The Washington Post 118:and a MFA from the 960:Lapham's Quarterly 933:. SouthCoast Today 640:. SouthCoast Today 563:on August 31, 2014 330: 322: 311: 276: 256: 248: 204: 196: 168:Crocker Art Museum 50:September 28, 1951 915:978-84-943071-2-6 829:. umass dartmouth 791:Big Red and Shiny 749:American Ceramics 686:American Ceramics 438:Shattuck, Dedee. 280:experimental film 242:, digital print, 140:experimental film 101: 100: 92:experimental film 57:Chicago, Illinois 1007: 990:American artists 943: 942: 940: 938: 926: 920: 919: 896: 890: 889: 887: 885: 870: 864: 863: 861: 859: 845: 839: 838: 836: 834: 819: 813: 812: 801: 795: 794: 782: 776: 775: 768:Ceramics Monthly 763: 757: 756: 744: 738: 737: 719: 713: 712: 705:Ceramics Monthly 700: 694: 693: 681: 675: 674: 656: 650: 649: 647: 645: 634: 628: 627: 625: 623: 608: 602: 601: 599: 597: 587: 579: 573: 572: 570: 568: 559:. 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Index


Chicago, Illinois
ceramics
digital art
experimental film
visual music
University of Illinois at Urbana–Champaign
University of Massachusetts, Amherst
ceramics
digital art
experimental film
visual music
IotaCenter
Boston Museum of Fine Arts
Everson Museum of Art
DeCordova Museum and Sculpture Park
Currier Museum of Art
Crocker Art Museum
National Endowment for the Arts
Ford Foundation
University of Massachusetts, Dartmouth


Haystack Mountain School of Crafts
Museum of American Ceramics
Haystack Mountain School of Crafts
Museum of American Ceramics


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