261:"Utilizing digital photography to carefully layer graphic elements of the natural world, Goldman’s images blur the boundaries between still and moving images, painting and photography, realism and fantasy. These tensions form the basis of his Veiled Ancestors and Coincidentia Oppositorum series, a body of work that originates from the vast catalogue of photographs that the artist has collected from his daily walks in the woods. In this work the camera is called upon not to suspend or freeze time but to expand its reach, accumulating multiple moments within its frame" and "In his Extremities and Digits series, Goldman interrogates the inner workings of his primary tool, the hand. Despite never actually disclosing the artist himself, the work comprises a self-portrait of sorts. It is a meditation on the mystery of the creative process and the interconnectedness between the artist’s identity and his daily work."
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Goldman's work in the area of ceramics ranges from approximately 1973–1987. The work is characterized by asymmetrical organic forms and rich multi-fired surfaces that reflect the effects of time and aging. His vessel "Wolley Zuff" was featured in Peter Lanes book Studio
Ceramics and on the cover of
206:
Goldman's work in the area of ceramics ranges from approximately 1973–1987.The work is characterized by asymmetrical organic forms and rich multi-fired surfaces that reflect the effects of time and aging. His vessel "Wolley Zuff" was featured in Peter Lanes book Studio
Ceramics and on the cover of
170:. Goldman's work has been exhibited in a wide range of venues throughout the United States as well as Amsterdam, Austria, Australia, Britain, Canada, China, France, Germany, Israel, Italy, Japan, Spain, Romania, Russia, South Africa, and Turkey. He is the recipient of grants from the
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298:, Beijing, China, Kyoto Museum, Japan and MuVi4, in conjunction with the Fifth International conference; Synaesthesia: Science and Art, Alcalà la Real, Jaèn, Spain. His animation "Sabinium" was created in collaboration with composer
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Goldman's work in the area of digital imaging can be characterized by a rich use of the color, pattern and texture as well as a multi-layering of photographic elements. Art historian Dr. Thomas
Stubblefield, has
219:
American
Ceramics Magazine. Goldman's ceramic work has been featured in many issues of Ceramics Monthly Magazine He has taught ceramic workshops at both the Penland School of Crafts and the
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American
Ceramics Magazine. Goldman's ceramic work has been featured in many issues of Ceramics Monthly Magazine He has taught ceramic workshops at both the Penland School of Crafts and the
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302:. "Brahmanda", "Enigma" and "Passaddhi" have been created in collaboration with Chinese composer Jing Wang.
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223:. Goldman's ceramic work has been acquired by both public and private collections including the
211:. Goldman's ceramic work has been acquired by both public and private collections including the
286:. Goldman"s work have been displayed in film festivals worldwide, including, the Smithsonian's
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146:. Goldman's work is represented among many private and public art collections including the
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Goldman's work in the field of animation can be catalogued under the categories of
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Still from experimental film "Entropy of Truth" Harvey
Goldman and Jing Wang, 2023
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and the
Massachusetts Council on the Arts and Humanities. Goldman taught at the
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823:"CVPA digital media professor's work to be showcased at Smithsonian"
908:. Spain: Ediciones FundaciĂłn Internacional ArtecittĂ . p. 159.
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Montgomery (Fall 1982). McTwigan, Michael (ed.). "Harvey
Goldman".
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Montgomery (Fall 1982). McTwigan, Michael (ed.). "Harvey
Goldman".
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106:(born September 28, 1951) is an American artist and educator.
931:"UMD faculty-made films selected for international festivals"
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MuVi4. Video and moving image on synesthesia and visual music
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American
Ceramics: The Collection of Everson Museum of Art
583:"National Endowment for the Arts Annual Report 1980"
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Rutigliano, Dario; Hilborn, Melissa (January 2016).
194:"Wooly Zuff", Ceramic Vessel by Harvey Goldman, 1981
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Goldman is best known for his work in the fields of
874:"InsideOut Step2—Latest trends of Western Videoart"
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590:National Endowment for the Arts Annual Report 1980
328:"Tropics 022" digital print, 2016, Harvey Goldman
254:"Courage" digital Print, Harvey Goldman, 2014
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785:Stubblefield Ph.D., Thomas (May 21, 2014).
638:"Goldman works on view at Shattuck gallery"
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116:University of Illinois at Urbana–Champaign
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266:Experimental animation and visual music
180:University of Massachusetts, Dartmouth
288:Hirshhorn Museum and Sculpture Garden
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202:Ceramic Vessel, Harvey Goldman, 1982
120:University of Massachusetts, Amherst
755:(4). New York: Harry Dennis: cover.
692:(4). New York: Harry Dennis: cover.
523:. Rizzoli; First edition. pp.
421:Arts Haben Contemporary Arts Review
320:digital print, Harvey Goldman, 2016
160:DeCordova Museum and Sculpture Park
929:GUHA, AUDITI (November 19, 2013).
811:. Washington Project for the Arts.
766:"Portfolio DesignerCraftsman 75".
703:"Portfolio DesignerCraftsman 75".
417:"An Interview with Harvey Goldman"
221:Haystack Mountain School of Crafts
209:Haystack Mountain School of Crafts
14:
805:"Experimental Media Series 2009"
174:(Emerging Craftsman Award), The
726:. Chilton. p. 76 and 236.
663:. Chilton. p. 76 and 236.
517:Perry, Barbara (May 15, 1989).
472:. iota center. January 28, 2008
309:Still from "Passaddi" film 2015
172:National Endowment for the Arts
549:"international video festival"
1:
498:. Museum of fine Arts Boston
492:"Boston Museum of Fine Arts"
150:for Experimental Animation,
787:"Aphophenia-Harvey Goldman"
225:Museum of American Ceramics
213:Museum of American Ceramics
114:He received a BFA from the
16:American artist (born 1951)
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152:Boston Museum of Fine Arts
965:Big Red and Shiny Article
880:. White Box Museum of Art
75:artist, educator, gardner
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446:. Dedee Shattuck Gallery
444:dedeeshattuckgallery.com
292:Corcoran Gallery of Art
244:Veiled Ancestors Series
955:Harvey Goldman website
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164:Currier Museum of Art
156:Everson Museum of Art
902:Riccò, Dina (2015).
774:: 43. December 1975.
722:Lane, Peter (1983).
711:: 43. December 1975.
659:Lane, Peter (1983).
427:(Special Issue): 46.
853:The Washington Post
118:and a MFA from the
960:Lapham's Quarterly
933:. SouthCoast Today
640:. SouthCoast Today
563:on August 31, 2014
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168:Crocker Art Museum
50:September 28, 1951
915:978-84-943071-2-6
829:. umass dartmouth
791:Big Red and Shiny
749:American Ceramics
686:American Ceramics
438:Shattuck, Dedee.
280:experimental film
242:, digital print,
140:experimental film
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970:Arts Habens
616:rhizome.org
592:: 306. 1980
395:References
136:digital art
88:digital art
64:Nationality
979:Categories
827:umassd.edu
553:magmart.it
534:0847810259
166:, and the
148:IotaCenter
46:1951-09-28
809:wpadc.org
110:Education
937:July 31,
884:July 30,
858:July 30,
833:July 31,
644:July 31,
622:July 30,
596:July 30,
567:July 31,
502:July 30,
476:July 31,
450:July 30,
300:Ken Ueno
186:Ceramics
132:ceramics
84:ceramics
67:American
557:Magmart
525:254–255
496:mfa.org
259:stated,
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290:, the
126:Career
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