Haunted (Beyoncé song) - Knowledge (XXG)

747: 1205:. Most of the scenes were shot at the Villa de Leon. Beyoncé is seen driving a car and eventually arriving at the mansion while a song is played in the background. She enters inside the building with two luggages embellished with the letter "B" and throws her coat on the ground while a servant is seen lighting a cigarette she had previously taken from her hair. He hands her a key and the singer is seen climbing up the stairs. As she arrives in the hallway on the second floor, the song starts playing in the background and Beyoncé starts a journey, looking from room to room as she goes forward in the corridor. 1118:"Some joyous shagging songs, though, are paltry excitement beside that of seeing an artist of such fame, long held as iconic without enough genuinely exciting music to back it up, reach her full throttle of awesomeness. The video for 'Ghost' sums it up best, Beyonce glaring and writhing defiantly as she speak-sings 'I'm climbing up the wall ’cause all the shit I hear is boring/All the shit I do is boring/All these record labels boring'. Let's hope Beyonce keeps finding new ways to amuse herself – there could be some very interesting times ahead." 601: 414:. Boots said, " works like that are more floaty, more without than within, but I made mine grounded in that thumping beat, so you can't get out of that feeling." He also elaborated about its concept, "It's like that song is leading you by the hand, but you're blindfolded and you don't know where you're going. You're scared and you're not sure what to expect from it, but as the album unfolds, we take the blindfold off and you realize it's a surprise party for you." 1176:

singer's look, her performance and a strong idea along with several other things. Åkerlund further noted that its concept remained largely unchanged as none of the big ideas were excluded. Beyoncé conceived some of the initial ideas behind the looks and the scenarios for many of the rooms which were eventually shot. Her look remained largely the same as the director pictured it before the filming of the video had started.

6560: 1171:"It was not like a solid plan of 'This is what I think we should do.' It was a pretty long process. And she was traveling and touring, so we had time to bounce ideas back and forth, figure out what the best vision was. And meanwhile, she was shooting all these other videos and I wasn't really involved in what those other ideas were." 861:, adding that it sounded typical for the singer and served as a "Beyoncé manifesto". He concluded his review by stating that if the references to disagreements Beyoncé talked about in the song were real, "the result proves to be the most sonically adventurous album of Beyoncé's career." Julia Leconte writing for 409:

of "Ghost" during one of their early meetings inspired by an infuriating meeting with a record label. Beyoncé could immediately connect to the topic as she had also experienced the same things in the record industry when people advised her about the sound of her music. For the music of "Ghost", Boots

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The things people say in those meetings would take your breath away. After a while, I didn't even feel like I was talking to people anymore, I was just talking to chairs. So I went home, it was five in the morning, and I just started typing shit out—everything I hear on the radio isn't inspiring; I'm

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series documenting renditions of the song performed during The Mrs. Carter Show World Tour. Anna Silman from Vulture discussed the performance saying that it was full of "kaleidoscopic visuals and headache-inducing strobe lights and fog to make you grateful you weren't there for the live performance

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requesting from her to include footage from her childhood as the clip was meant to connect to the next one on the album, "Ghost". The video openes with a close-up shot of Beyoncé's face lip-syncing the song's lyrics. Various shots of the singer with different outfits and placed at different sets are

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sound and described the singer's look as "goth-glam". She concluded the scenes are quickly cut throughout the video, "never culminating in a linear narrative and forcing the viewer to fill in the blanks". Sharing what he perceived to be "key" moments in each of the seventeen music videos, Walker of

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He noted that several ideas of the video which were initially conceived were similar with "other videos that people were working on" and also explained that the video contained many sexually explicit scenes and ideas when initially shot. However, he felt that the team managed to balance between the

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described the song as "ominous". Mike Wass from Idolator felt that the singer explored a new soundscape with "Haunted" with "minimal beats hover like fog". Wass also praised Boots' production and noted that the singer declared her artistic integrity with the lyrics. In a review of the song, Randall

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intro: "I don't trust these record labels, I'm tourin'" and later adds, "Soul not for sale/Probably won't make no money off this/Oh well." Speaking about the record industry, she sings about being bored with labels during the lines, "All the shit I do is boring / All these record labels... boring".

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in a 1960s-styled kitchen, preparing for a plastic-looking meal. A bare African-American is seen dancing and painting herself with a large brush while being almost naked. She is also seen with her legs spread around a TV screen and Beyoncé is seen on it, singing the song. During one scene, Beyoncé

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In the various rooms, she meets men wearing vest tops with their faces painted white with black eyes staring at her as she passes down the corridor. Later she meets other people in leather and masks, before being surrounded by a troop of lace-clad dancers. One shot shows a man in colourful clothes

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reported that one of the actors who was featured in the video, J-Hustle, shared a picture on his Twitter account while being on a five-day set for the filming. He added that a song with "a slow vibe" was played in the background during the shooting and that its potential name was "Ghost Haunted".

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considered the song to be a highlight of the show, showcasing the singer's "vocal prowess" and "her ability to connect as a singer and not just as a striking personality". While reviewing another concert, Mike Wass of Idolator considered the performance a religious experience. In another concert

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On December 2, 2014, a behind-the-scenes video consisting of footage from the making of the video for "Haunted" and "Superpower" with commentary by Jonas Åkerlund was released online. In the clip, he explained how both videos were slightly different compared to the singer's previous work as they

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columnist Brandon Soderberg, the song begins with a "random, frustrating indignity from her youth into a full-blown, racially loaded origin story" and also features expressions of her celebrity. Lyrically, Beyoncé makes a prediction about her album's sales and offers commentary on record labels

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channel where she also revealed her admiration for Boots, "The song is really about temptation in this music industry and being exposed to this crazy madness." The vocal production of the song was handled by Beyoncé and contains background vocals provided by Boots and Kwane Wyatt. "Haunted" was

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Beyoncé first discussed about the video with Åkerlend during a concert she had in Stockholm in 2013. Having invited him for the performance, the singer played several songs for the director afterwards and the pair went on to exchange several ideas about its concept. During an interview with

394:, Boots revealed that "Haunted" was the first song written by him which Beyoncé heard; it was originally titled "I'm Onto You" at that time. Beyoncé liked the song upon hearing it, leaving Boots confused as he felt the song was only showcasing his sad vocals, with a piano recorded on his 1214:

performs a dance choreography on a couch along with several other female dancers. Throughout the video, she is seen wearing a tuxedo with a tie, a white fur jacket and platform heels designed by Saint Laurent. The black-and-white jumpsuit she wears is designed by Russian designer

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vocal was applied along with various "warped, ghost-ly" effects. "Ghost" opens with an audio recording of the singer winning a Sammy Davis Jr. Award in 1989 in Houston for a townwide talent show. It continues with a person incorrectly pronouncing her name as "'Bee Awnz'

1189: 1312:, concluding "he spine-tinglingly glam... video for this track is worth Beyoncé's case for making this a simultaneous visual-and-audio experience alone". Describing the video as "scary", Lindsay Weber from Vulture further called it the singer's best impression of 738:. The song includes sexual lyrics that are reflected throughout the album, including, "The bedroom's my runway / Slap me! / I'm pinned to the doorway / Kiss, bite, foreplay" and "My wicked tongue / Where will it be?" set to "sonorous... and chilly charged beats". 827:

magazine felt that "Haunted" was one of the best songs on the album along with being " most insightful ". They concluded that while the song was "one of the album's most staunchly non-commercial moments, but endlessly listenable just the same". Nick Catucci from

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itself along with a clip for every other track on the album. Todd Tourso served as the creative director for both of the visuals as well as the rest of the album's videos. On November 24, 2014 the videos for "Ghost" and "Haunted" were uploaded to the singer's

973:", the singer "embodies success and privilege on the surface, but there is a sense that her contentment is fragile". Korina Lopez of the same publication stated that she seemed "surprisingly in touch with the 9-to-5 grind, echoing her own career frustration". 1180:

contained less choreography. He went on saying the video for "Haunted" had a "cinematic" and "surreal" tone inspired by its music, further comparing it with a score for a movie. He concluded that the team had "all the elements to create something special"

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compared its sound with various artists and noted different influences and elements explored in its composition. Upon its release, the song was met with positive reviews, with critics praising its experimental sound and minimalistic approach.

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felt that the concert included various "unparalleled" vocal styles and ranges, including the "hushed and sultry" "Haunted". A professionally recorded live performance of the song from the tour aired on June 30, 2014, as the first episode of

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magazine considered "Ghost" "a collision of opposites... less a song than a transfixing eye-hole glimpse into another, entirely separate world the singer could inhabit if she chose". Deeming the song a "reepy mood piece", Jody Rosen of

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club rap". He felt that during the lines "Slap me, I'm pinned to the doorway / Kiss, bite, foreplay", Beyoncé "slides" the last word, making the song sound "even less radio friendly". Bosman further stated that "Haunted" along with

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not inspired by anything I'm doing; these people have no idea what's happening. It was just a stream-of-consciousness. I woke up the next day and realized I needed to do something with that. That's what eventually became that rap.

483:. The song features sexually explicit and frank lyrics in line with a prominent theme of the album about sexuality also present in other songs. Its instrumentation consists of "murky" keyboards and a "creeping", pulsating 4389: 1107:

praised the director's work on the video and remarked it included "stark portraits of a blase Beyonce, slithering, perching and dancing against black and white backgrounds". While reviewing the album, Emily Mackay of

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Beyoncé had. She added that anyone who watched the video for "Justify My Love", "knows that a hotel corridor is an excellent place to film a video" and went on to praise Beyoncé's looks and outfits. Kitty Empire of

1421:" she announced "MTV, welcome to my world" and performed "Haunted" surrounded by smoke on stage. As she sang the song, Beyoncé was surrounded by dancers wearing bustiers, sleeves and face cages by fashion label 1192:

A still from the music video for "Haunted" in which Beyonce is seen walking along a corridor in a mansion. The video's set and the singer's style were compared to that of Madonna in her video "Justify My Love"

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Brandon Sorderberg felt that the line "nine-to-five" just to stay alive" was repeated "way too many times". Anupa Mistry of the same publication described the song as "multi-directional, mood-shifting".

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served as the director for the second part, "Haunted". The former visual shows various close-up shots of Beyoncé lip-syncing the lyrics, while the latter features her walking in the corridor of a big

6365: 4507: 1413:, Beyoncé performed "Haunted" along with a medley of songs from her fifth studio album. It served as the second song of the set and it featured the singer dressed in a jewelled bodysuit created by 834:

chose "Haunted" as one of the best songs from the album, describing it as a "moody, genre-melding epic" and noting, " treat relationships with the same raw instinct that suffuses her sex songs".

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Ryan B. Patrick felt that the song's minimalistic sound allowed the singer to "ironically champion artistic integrity and proclaim her thoughts on the industry". Chris Bosman from the website

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magazine felt that "It's remarkable to hear a pop star at the height of her arena-tour powers taking chances like 'Haunted,' a dirge of a song that behaves more as spoken word until it's '

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stated, "Less originally, the high-concept Haunted video finds Beyoncé in a posh hotel populated by sexually motivated freaks, with many shades of Madonna invoked." Bronwyn Barnes of

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described "Haunted" as a "gloomy" song. Writing for the website The 405, editor White Caitlin felt the singer offered part of her insecurities and flaws through the song and "sheds

2758: 541:. She also expresses sadness for people having to work banal and monotonous jobs in the lines, "All these people on the planet/Workin' nine to five just to stay alive/How come?". 880:

who felt that the song was the record's "mood setter" and contained "ghostly vibes", wrote that it "dabbles in R&Burial, Evian Christ's drag-influenced codeine hip-hop, and

4381: 4096: 3911: 2640: 462:"Haunted" is a two-part song, consisting of "Ghost" and "Haunted" collectively running for a length of approximately six minutes. Its composition was described as ranging from 273:. Conceived by the latter following an infuriating meeting with a record label, the song was presented to Beyoncé who decided to record it following similar experiences in the 4327: 4296: 1393:. She went on to deem the song a highlight of the performance praising her "creamy" vocals in contrast with the other songs on the set list. Similarly, Dan DeLuca writing for 3954: 2090: 319:

Two accompanying music videos were filmed for both parts of the song and placed separately on the visual album. The clip for "Ghost" was directed by Pierre Debusschere while

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felt that the album's "confessional moments are when you connect with it the most", exemplifying the statement with lyrics from "Haunted". Andrew Hampp and Erika Ramirez of

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realness" in the video for "Ghost". Lindsey Weber from the website Vulture compared the dancer seen in the video with a "bodysock" one from Yeezus. Neil McCormick of

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in Glasgow on February 20, 2014. The performance of the song featured backing dancers and strobing lights with the singer's look being completed by a glittery gown.

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under its construction on 134 Spencer Street in Melbourne, Australia was designed drawing inspiration by Beyoncé's look in the music video for "Ghost". Writing for

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s Chris Kelly described its composition as "foreboding" and found a "seductive" and "haunting" hook; he further described the first part as "smoky ethereality".

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wrote that the location where the video was filmed was filled with "freaks and weirdos" to channel Madonna during the 1990s in a better way. Lauren Cochrane of

548:. Anupa Mistry of the same publication felt that she borrowed Lamar's "alien-robot cadence and sings in a pinched choral croon" which she further compared with 4228: 3726: 676:

track talking about "being haunted in love". Instrumentally, it consists of percussion and an off-kilter club beat which was compared with Jacques Greene and

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magazine stated that the lyrics of the song were one of the "best humblebrags ever" while also noting that they hinted at the singer "dabbling in fiction".

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Alex Rees said the song is a "sharp critique of postmodern culture, except then all of a sudden there's a bunch of nasty sex talk." Mesfin Fekadu from the

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under its construction on 134 Spencer Street in Melbourne, Australia was designed drawing inspiration by Beyoncé's look in the music video for "Ghost".

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noted that the attention among the people in the crowd "drift noticeably during 'Haunted'" resulting in a mild reception of the song's performance.

1385:. During the performance, her look was complete with a drop-sleeve piece with black lace. While reviewing a concert of the show, Erica K. Landau of 406: 282: 5938: 4895: 4687: 4358: 3511: 2118: 4656: 3048: 2614: 2258: 1316:. Jason Newman from the website Fuse described the video as "equally frightening ; part Korean horror film, part Lynchian psychosexual fantasy." 558:

wrote that the singer's "monotone" rapping is accompanied by "the flatness of the tone reflecting the repetition of labour". Janice Llamoca from

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with the singer being "in her best coo". He further described it as an erotic ballad and a "slow, creeping burn", noting that it sounded like

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editor Michael Zelenko noted the clip presented a classic story where an "innocent guest caught in ghost-infested hotel". Insanul Ahmed of

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criticized Åkerlund's work on the album, feeling that his contributions "feel like boring opulence porn", something he found on "Haunted".

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noted the scary atmosphere of the video and described the singer's look as "straight-up 1920s glamour" with a hair styled similar to

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described her vocals during the line as half-rapped and "half-shrug as if directly countering Scheinman's silver linings playbook".

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AbsolutePunk writer Ryan Dennehy remarked in his review that "ethereal echoes" of the singer's voice "elevate it above just a post-

6523: 6330: 5592: 4606: 4412: 3257: 1960: 487:. Beyoncé sings over mournful piano stabs which are repeated along with drums and airy vocals along with a pounding club rhythm. 3630: 1156:

and styled by Dagmarette Yen and B. Åkerlend. It was shot using four cameras and in a period of two days. On November 15, 2013,

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and found "ightmarish images strung together in one very long, very creepy sequence of Beyoncé looking for her hotel room".

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created a beat from a "dreamlike, hypnotic place" working with guitars and building layers inspired by the work of musician

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While reviewing "Haunted", many critics noted similarities to several of Madonna's songs, most frequently comparing it to "

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meeting various actors seen inside the rooms. Critics compared the video of "Haunted" and the singer's look with works by

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writer James Montgomery felt that Beyoncé showcased a "newfound sense of self" on the "cold, coital" song. Tim Finney of

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on November 22, 2014. The following week, which also marked its last week on the chart, it fell to the position of 171.

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MTV identified one for "Haunted" where Beyoncé "begins to crack under the pressures of her iconic status". Jon Dolan of

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deemed "Haunted" the best song on the album and an indicator of the prominent minimalism throughout the whole record.

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appeared on the BBC Radio 1 Essential Mix show and released a remix of "Haunted". According to the architecture firm

4220: 3716: 1425:. Nadeska Alexis of MTV News stated that the performance of the song was among the "most soul-baring of the night". 1360:

found a "thundering bass containing a heavy dubstep influence" during the performance of the song. Mark Savage from

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from Vulture felt that the clip "has its moments, mostly involving billowing fabric". Michael Zelenko from

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also provided a positive review for her "stunning" look while smoking a cigarette. Brent DiCrescenzo of

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Soderberg felt that the fast conversational vocal style adopted by the singer was reminiscent of rapper

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with a nude mesh midsection and her look is also complete with red lips. While creating the video for "

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and leopard print Speedos surrounded by bubbles in a bathtub. Another room contains a family of four

1088: 1024: 925: 914: 881: 877: 830: 725: 697: 4806: 2141: 1346:"Haunted" was performed as the opening song for Beyoncé's first concert of the last European leg of 1218:. Her look is further complete with dark make-up around the eyes and red lipstick while her hair is 311:

vocals. Lyrically, "Haunted" contains sexually explicit and frank lyrics talking about desire. Many

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felt that the singer looked "perfect" in a bikini in the song's music video. Insanul Ahmed of

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by Tony Maserati and White at Mirrorball Studios in North Hollywood. The track was eventually

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Whitney Phaneuf writing for the website HitFix felt that the video was a fit for the song's

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described the singer's look in the video as "minimalist". Brent DiCrescenzo of the magazine

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Music videos for both "Ghost" and "Haunted" were released on December 13, 2013 through the

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mass critics poll of the year's best in music in 2013, "Haunted" was ranked at number 228.

430:, both located in New York City under the guidance of Boots and Stuart White. It was later 6439: 6267: 6080: 6030: 5888: 5754: 5564: 4568: 4161:"Beyoncé's apparently been filming a video for a slow song that might be called 'Haunted'" 3346: 2899: 2683: 2609: 2457: 2339: 2263: 2178: 1885: 1537: 1528: 1448: 1356: 1292: 1280: 1128: 1044: 863: 751: 572: 554: 527: 472: 435: 391: 332: 191: 5104: 5081: 2416: 4807:"VMAs: Beyonce Shares Onstage Kiss With Jay Z After Performing Self-Titled Album Medley" 4750:"Beyonce And Jay Z's 'On The Run' Tour Is Brilliant Despite Flawed Setlist: Live Review" 4024: 1334:

in particular and went on to praise it overally as Beyoncé's "best yet". Trent Wolbe of

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featured. Other scenes show dancers with their whole body covered in a white clothing.

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magazine described it as Beyoncé's version of "Justify My Love". Joey Guerra from the

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During the end, "Ghost" quickly transitions into "Haunted" which contains elements of

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felt that the singer confessed she got "bored" with the "popstar routine" in "Ghost".

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wrote in her review of the video that it was a "homage" to Madonna with the suit and

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The music video for "Haunted" was directed by Swedish film and music video director

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writer Elysa Gardner wrote that in "Haunted" along with another song on the album, "

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The song was later also added to the set list of Beyoncé's co-headlining tour with

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Credits adopted from the album's liner notes and the singer's official website.

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considered the song to be a showcase of her vocals. Leila Cobo of the magazine

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journalist Michael Rothman compared the video's opening with horror movies and

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described the video for the song as the "reppiest" on the album. A writer from

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Other performers — Jasmond Carrol, Viet Dang, Dahlia Dark, Elle Evans,

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felt the song was discussing lingering memories of the past. Trent Wolbe of

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also having writing credits on four of its tracks. During an interview with

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felt that the "modernist sonic approach is pushed to the fore" on "Ghost".

5241: 446:

in New York City. All instruments were provided by Boots, with additional

6432: 5420: 4601: 3552: 3386: 3350: 2931: 2421: 2254: 1414: 1361: 1097:

wrote in her review that the video was "jarring as it is soul-crushing".

1028: 974: 869: 854: 835: 806: 567: 559: 515: 484: 102: 4438: 2495:"It's Mostly Tha Voice: Why the Music (Yes, Music) of "Beyoncé" Matters" 1201:

and proceeds with shots of several empty rooms and televisions in a big

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focused on the singer's look in the video, saying that she portrayed a

1202: 858: 838:

reviewer Andy Kellman also chose "Haunted" as one of the highlights on

577: 537:

The lyrics of the song also discuss the failure of taking risks in the

499: 451: 324: 285: 4773:"Jay Z and Beyonce in L.A.: 5 thoughts on their second Rose Bowl show" 1685:, Megalo Jaxson, Josh Kanan, Amy Kingston, Ellen Leigh, Morgan Leigh, 479:

Priya Elan compared the song's composition with works by English band

335:" (1990). The song was performed live during the last European leg of 5952: 4351:"'Beyonce' Breakdown: The Ultimate Guide to Bey's Surprise New Album" 3949: 3945:"Beyonce's 17 new music videos ranked from worst to best – 14. Ghost" 3684:"Beyonce's New 'Platinum Edition' Album Is Streaming on Spotify Now!" 1084: 480: 395: 347:

as part of a medley consisting of songs from her fifth studio album.

4496:"6 reasons why Beyoncé's 'Mrs Carter Show' tour is better than ever" 4320:"Beyonce's 17 new music videos ranked from worst to be – 3. Haunted" 386:, about six months prior to the album's release and produced 85% of 1433:

In March 2014, "Haunted" was used during the screening of the film

1131:

to construct a two-hundred-and-twenty-six-metre-high skyscraper in

1091:

and found a "deadpan expression of a model". Michelle Collins from

4896:"Chromat Only Had 4 Hours To Make Beyonce's VMA Performance Masks" 1378: 1187: 885: 819:

described it as a "two-part dream". Robert Leedham of the website

745: 3878:"We Made GIFs From Beyoncé's 17 New Videos So You Didn't Have To" 3512:"Review: 'Beyonce' is portrait of a grownup, self-possessed diva" 758:"Haunted" was well received by music critics. Neil McCormick of 5304: 4954:"Is Beyoncé Partnering With 'Fifty Shades of Grey' a Good Idea?" 4133: 3848:"A Starter Guide to the Many Easter Eggs in Beyoncé's New Album" 2568:"Beyoncé Sampled Herself on Her New Album, Here Are the Samples" 1012: 40: 5308: 4923:"Beyonce, Juicy J show the right and wrong way to score a film" 4382:"Beyonce clips in iTunes 'visual album' hint at bundled future" 3912:"Ranking the videos from the surprise new Beyoncé visual album" 3814:"17 Key Moments in All 17 of Beyonce's New Music Videos (GIFs)" 4988: 3817: 2304: 2259:"'Beyonce' album review: More than the delivery is a surprise" 2220: 1370: 1110: 1052: 789:, the shackled role of uptight matriarch or calculated star". 562:

compared the part where Beyoncé sings the line "oh well" with

521: 402: 3590:"Jody Rosen's Snap Judgments on Beyoncé's Surprise New Album" 907:

and described its sound as "doom-laden". Ryan E.C. Hamm from

1678:

Additional styling — Ty Hunter, Raquel Smith, Tim White

1596:

Additional styling — Ty Hunter, Raquel Smith, Tim White

1295:. Collins went on to compare it with the opening credits of 1139:

that features a curvaceous form taken from the music video.

1055:, John Walker wrote that Beyoncé "serves multiple levels of 932:

remixing Madonna's "Justify My Love". Claire Lobenfeld from

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Sources for the credits of "Haunted" and the music videos:

1083:

ad with full-body condoms". Whitney Phaneuf of the website

684:. Lyrically, it talks about desire, with Ryan Dennehy from 4630:"Beyoncé's HBO Concert Series Begins With 'Ghost/Haunted'" 1027:

Pierre Debusschere. Beyoncé is seen wearing a swimsuit by

1251:

found similarities with the singer's look and Madonna's.

920:

Having described the track as "eerie", Jason Newman from

903:

journalist Michael Cragg compared the song with works by

277:. The song was inspired by the works of English musician 1659:

Production company — Black Dog Films / Acme – Smith

1650:

Director of photography (second unit) — Todd Heater

510:

and percussion and a poetic spoken word vocal with high

5217:"Brazilian single certifications – Beyonce – Haunted" 417:

Beyoncé also explained the meaning of "Haunted" on her

5267:"American single certifications – Beyonce – Haunted" 4870:"Ring the Alarm — These Are Beyoncé's Sexiest Outfits" 4413:"Beyonce Brings the Sexy in New 'Haunted' Music Video" 4057:"Beyoncé-inspired skyscraper to be built in Melbourne" 2340:"Beyonce's Surprise Album: A Track-by-Track Breakdown" 1575:

Executive producer — Erinn Williams, Ziggy Le Vin

959:

sound characteristic for Houston. Melissa Locker from

625:

A 26-second sample of the second part of "Haunted", a

5242:"British single certifications – Beyoncé – Haunted" 5103:. Beyonce.com. Parkwood Entertainment. Archived from 5080:. Beyonce.com. Parkwood Entertainment. Archived from 1851:

Sales+streaming figures based on certification alone.

853:, dark update to staid topics". Philip Matusavage of 259:" is a song that was recorded by the American singer 2749:"First take: Beyonce's album a feast for eyes, ears" 1306:

magazine compared the video with Madonna's work and

1023:

The music video for "Ghost" was directed by Belgian

706:

compared the sound of "Haunted" with music by bands

299:". It contains a minimalistic sound with keyboards, 6389: 6196: 6139: 6061: 6004: 5912: 5778: 5658: 5552: 5418: 5354: 4255:"More fashion highlights from Beyonce's new videos" 2787:"All The Sex Talk On Beyoncé's New Album Explained" 2533:Hampp, Andrew; Ramirez, Erika (December 13, 2013). 514:. It was created by using a minimal approach and a 376:, who was relatively unknown before the release of 269:(2013). It was written and produced by Beyoncé and 214: 189: 164: 141: 125: 94: 76: 68: 60: 50: 39: 34: 4561: 4025:"Meet the Directors Behind Beyoncé's Visual Album" 3448:"Beyonce's 'Beyonce': Track-By-Track Album Review" 2641:"Review: Beyoncé reaches new heights on 5th album" 857:described the sound of "Ghost" as "sleek ambient" 4898:. MTV News. Viacom Media Networks. Archived from 4845:. MTV News. Viacom Media Networks. Archived from 4688:"Review: Beyonce and Jay Z at Citizens Bank Park" 4194:. MTV News. Viacom Media Networks. Archived from 1999:"'Beyoncé' review: the queen rethinks the throne" 805:s Priya Elan felt that some of the lines were a " 363:—Boots discussing the writing process of "Ghost" 2780: 2778: 2776: 2089:: CS1 maint: others in cite AV media (notes) ( 1917:"Listen to "Haunted" by Beyoncé producer Boots" 1519:Additional background vocals — Kwane Wyatt 355: 4657:"Terrific together: Beyonce and Jay Z go live" 4215: 4213: 949:compared its break with Madonna's work during 5320: 4805:Ng, Philiana; Lee, Ashley (August 24, 2014). 4563:"Beyonce, Mrs Carter Show World Tour, review" 3711: 3709: 2679:"14 Things to Know About Beyoncé's New Album" 8: 5019:"Flume's Essential Mix is THE essential mix" 2708: 2706: 688:noting it was about "frank sexual desires". 291:Musically, it consists of two parts titled " 4800: 4798: 4415:. ABC News. American Broadcasting Company. 4282: 4280: 4126:Beyoncé – Behind The Scenes: Jonas Åkerlund 3151:"What We Can Learn From Beyonce's Feminism" 3029: 3027: 1954: 1952: 1950: 1948: 1946: 1944: 5327: 5313: 5305: 5206:. Zobbel.de. Retrieved November 21, 2017. 4985:"'50 Shades of Grey' trailer is 'Haunted'" 4983:Respers France, Lisa (November 14, 2014). 4289:"Beyoncé's new album: five flawless looks" 4248: 4246: 4086: 4084: 4082: 3905: 3903: 2715:"First Impressions of Beyoncé's New Album" 2672: 2670: 1784: 1738: 1581:Production company — Art + Commerce, 1067:praised her look as "sexy". A writer from 343:in 2014. Beyoncé also performed it at the 31: 5271:Recording Industry Association of America 4836: 4834: 3807: 3805: 3773: 3771: 2854: 2852: 2850: 2535:"Beyonce, Beyonce: Track-By-Track Review" 2488: 2486: 2484: 2371: 2369: 1698:Editor — Luis Moreno, Jeremiah Shuff 1647:Director of photography — Pär Ekberg 1486:Recording — Boots and Stuart White; 1197:The video opens with a three-second film 506:vocals. The song contains ambient beats, 4868:Ramsinghani, Nikita (January 25, 2018). 4018: 4016: 3974: 3972: 3920:. Time Out Group Limited. Archived from 3910:DiCrescenzo, Brent (December 13, 2013). 3841: 3839: 3580: 3578: 3423:. Wendy Lynch Redfern and Mark Redfern. 2993: 2991: 2989: 2888: 2886: 2816: 2814: 2742: 2740: 2528: 2526: 2524: 2522: 2415:Matusavage, Philip (December 13, 2013). 2032:"Beyonce Explains New Self-Titled Album" 1692:Art director — Christina Zollenkopf 6600:Music videos directed by Jonas Åkerlund 3981:"The Ultimate Photo Recap of Beyoncé's 3979:Collins, Michelle (December 18, 2013). 3871: 3869: 3820:. Viacom Media Networks. Archived from 3756:from the original on September 18, 2014 3543:Montgomery, James (December 13, 2013). 3108: 3106: 3068: 3066: 3051:from the original on September 23, 2020 2634: 2632: 2599: 2597: 2595: 2593: 2547:from the original on September 23, 2020 2381:"Beyoncé delivers the complete package" 2354:from the original on September 28, 2020 2334: 2332: 2330: 2295:Muhammad, Latifah (December 13, 2013). 2228:from the original on September 13, 2014 1992: 1990: 1988: 1915:Geslani, Michelle (December 13, 2013). 1874: 1872: 1870: 1868: 1864: 1847: 1695:Production designer — Emma Fairley 867:praised Beyoncé's vocals as "perfect". 49: 38: 5164:from the original on December 11, 2014 4999:from the original on November 20, 2014 4541:from the original on September 5, 2014 4489: 4487: 4449:from the original on February 25, 2014 4411:Rothman, Michael (November 25, 2014). 4318:Phaneuf, Whitney (December 16, 2013). 4287:Cochrane, Lauren (December 13, 2013). 4231:from the original on December 22, 2013 4118: 4116: 4114: 4037:from the original on September 3, 2014 4023:Zelenko, Michael (December 13, 2013). 3943:Phaneuf, Whitney (December 16, 2013). 3790:from the original on November 23, 2017 3694:from the original on December 27, 2014 3663:from the original on November 25, 2014 3394:from the original on December 20, 2013 3380:B. Patrick, Ryan (December 16, 2013). 3091:from the original on December 24, 2013 3012:from the original on December 21, 2014 3000:"Beyoncé: Beyoncé – first look review" 2871:from the original on December 18, 2013 2835:from the original on December 18, 2013 2713:Lobenfeld, Clare (December 13, 2013). 2446: 2444: 2429:from the original on December 18, 2013 2410: 2408: 2290: 2288: 2286: 2249: 2247: 2245: 2243: 2205: 2203: 2201: 2167: 2165: 2163: 2121:from the original on September 3, 2014 2082: 1910: 1908: 644: 368:"Haunted" was written and produced by 5138:from the original on December 7, 2014 5029:from the original on January 18, 2017 4921:D. Kennedy, Gerrick (July 21, 2014). 4419:from the original on December 1, 2014 4380:Roberts, Randal (December 13, 2013). 4253:Barnes, Bronwyn (December 16, 2013). 4190:Hyndman, Jessica (December 2, 2014). 4171:from the original on December 8, 2014 4140:from the original on December 5, 2014 4091:Rosenthal, Jeff (December 16, 2013). 3603:from the original on October 24, 2020 3549:: The 'Grown Woman' Changes The Game" 3477:Roberts, Randall (January 15, 2014). 3326:from the original on October 16, 2014 3279:Leedham, Robert (December 16, 2013). 2926:Llamoca, Janice (December 21, 2013). 2821:Cinquemani, Sal (December 14, 2013). 2677:Locker, Melissa (December 13, 2013). 2617:from the original on November 2, 2016 2469:from the original on October 12, 2014 2393:from the original on December 7, 2014 2315:from the original on October 19, 2014 2104: 2102: 2100: 2030:Fisher, Luchina (December 18, 2013). 1973:from the original on October 19, 2014 1959:McCormick, Neil (December 13, 2013). 1732:The song debuted at number 99 on the 1653:Executive producer — Scott Horan 1531: — James Krausse, Justin Hergett 1167:, Åkerlund talked about the process: 1127:The song inspired Australian company 1114:talked about the video for "Ghost", 7: 4933:from the original on August 26, 2014 4894:Peterson, Jessie (August 26, 2014). 4819:from the original on August 25, 2014 4783:from the original on August 25, 2014 4729:from the original on August 28, 2014 4698:from the original on August 26, 2014 4597:"Jay-Z joins Beyonce show in London" 4560:Pollock, David (February 21, 2014). 4494:Copsey, Robert (February 21, 2014). 4299:from the original on August 10, 2014 4099:from the original on August 30, 2017 3876:Ahmed, Insanul (December 13, 2014). 3846:Weber, Lindsey (December 13, 2013). 3729:from the original on August 30, 2017 3510:Gardner, Elysa (December 13, 2013). 3491:from the original on August 26, 2014 3415:"Beyoncé: Beyoncé (Columbia) Review" 3413:E.C. Hamm, Ryan (January 17, 2014). 3186:Barker, Andrew (December 16, 2013). 2998:Cragg, Michael (December 13, 2013). 2639:Fekadu, Mesfin (December 18, 2013). 2451:Leconte, Julia (December 16, 2013). 2271:from the original on August 26, 2014 2186:from the original on August 26, 2014 2148:from the original on January 6, 2014 2063: 2061: 1893:from the original on August 22, 2014 1704:Assistant editor — Joe Sinopoli 1566:Creative director — Todd Tourso 1302:Andrew Hampp and Erika Ramirez from 307:segment of "Ghost" with robotic and 6605:Song recordings produced by Beyoncé 5055:from the original on April 21, 2017 4841:Alexis, Nadeska (August 25, 2014). 4636:from the original on August 8, 2014 4529:Empire, Kitty (February 21, 2014). 4221:"Beyoncé's 'Visual Album' Fashions" 4159:O'Mance, Brad (November 15, 2013). 3717:"Beyoncé's 'Visual Album' Fashions" 3524:from the original on April 19, 2014 3312:Catucci, Nick (December 13, 2013). 3167:from the original on August 5, 2014 3113:Dennehy, Ryan (December 16, 2013). 2934:. Cheri Media Group. Archived from 2893:Mullally, Una (December 13, 2013). 2859:Mistry, Anupa (December 16, 2013). 2747:Lopez, Korina (December 13, 2013). 2507:from the original on August 3, 2020 2109:Bosman, Chris (December 16, 2013). 1716:Color correction — Luis Moreno 1701:Brand manager — Melissa Vargas 1587:Choreography — Anthony Burrell 1507:Additional drum programming — 1043:According to the architecture firm 4964:from the original on July 30, 2014 4655:K. Landau, Erica (June 26, 2014). 4609:from the original on July 14, 2014 4265:from the original on July 17, 2014 4067:from the original on April 9, 2022 4001:from the original on June 23, 2014 3812:Walker, John (December 13, 2013). 3748:Greco, Patti (December 16, 2013). 3633:from the original on July 14, 2014 3260:from the original on March 4, 2016 3246:Gimmers, Mof (December 14, 2013). 3219:White, Caitlin (January 7, 2014). 3188:"Album Review: Beyonce, 'Beyonce'" 3115:"Beyoncé – Beyoncé – Album Review" 3073:Kelly, Chris (December 17, 2013). 2761:from the original on June 25, 2014 2566:Ortiz, Edwin (December 13, 2014). 2046:from the original on July 14, 2014 1997:Wolbe, Trent (December 16, 2013). 1929:from the original on June 28, 2014 1879:Greene, Jason (January 21, 2014). 1324:described the visual as "creepy". 25: 6615:Songs written by Boots (musician) 5200:Chart Log UK: "Update 21.02.2015" 4667:from the original on July 4, 2014 4510:from the original on July 3, 2014 4392:from the original on June 2, 2014 4330:from the original on July 5, 2014 3957:from the original on July 5, 2014 3888:from the original on May 20, 2014 3854:from the original on May 16, 2014 3653:"BEYONCÉ Available Worldwide Now" 3427:from the original on June 8, 2014 3361:from the original on May 31, 2014 3281:"Album Review: Beyoncé – BEYONCÉ" 3200:from the original on July 6, 2014 3127:from the original on May 29, 2014 2907:from the original on July 5, 2014 2799:from the original on May 28, 2014 2725:from the original on May 20, 2014 2691:from the original on June 6, 2014 2578:from the original on May 19, 2014 2493:Finney, Tim (December 19, 2013). 2348:The Madison Square Garden Company 2172:Elan, Priya (December 19, 2013). 2011:from the original on July 5, 2014 1668:Dancers — HAannah Douglass, 1662:Choreography — Dana Foglia, 1534:Mix consulting — Derek Dixie 303:and percussion. Beyoncé raps the 6559: 6558: 5593:Single Ladies (Put a Ring on It) 5515:Beautiful Liar / Bello Embustero 4952:Strecker, Erin (July 21, 2014). 4632:. Vulture. New York Media, LLC. 4576:from the original on May 9, 2022 4468:Wass, Mikw (February 20, 2014). 4349:Dolan, Jon (December 13, 2013). 4227:. December 19, 2013. p. 7. 4095:. Vulture. New York Media, LLC. 3850:. Vulture. New York Media, LLC. 3752:. Vulture. New York Media, LLC. 3725:. December 19, 2013. p. 8. 3682:Lynch, Joe (November 24, 2014). 3446:Wass, Mike (December 13, 2013). 3039:"Beyoncé: Beyoncé – review" 2785:Rees, Alex (December 13, 2013). 1961:"Beyoncé, track by track review" 1672:, Kim Gingras, Mishay Petronelli 1480:Production — Boots, Knowles 645:Problems playing this file? See 629:song which contains elements of 615: 4771:Wood, Mikael (August 4, 2014). 2140:S, Nathan (December 13, 2013). 1722:Photography — Nick Farrell 1629:Photography — Robin Harper 1483:Vocal production — Knowles 1348:The Mrs. Carter Show World Tour 1035:", she sent a note to director 337:The Mrs. Carter Show World Tour 5190:. Retrieved December 3, 2014. 5160:. Lescharts.com. Hung Medien. 5134:. Lescharts.com. Hung Medien. 4628:Silman, Anna (June 30, 2014). 4595:Savage, Mark (March 1, 2014). 1710:Make-up — Francesca Tolot 1602:Editor — Alexander Hammer 331:, most notably with her song " 18:Haunted (Beyoncé Knowles song) 1: 6447:Can You Feel the Love Tonight 5246:British Phonographic Industry 5158:"Single Top 100 – 29/11/2014" 5132:"Single Top 100 – 22/11/2014" 5049:"BBC Radio 1's Essential Mix" 4717:Cobo, Leila (June 26, 2014). 4572:. Independent Print Limited. 3778:Miller, Ross (July 6, 2014). 3479:"Beyoncé defies expectations" 2040:American Broadcasting Company 1656:Producer — Scott Pourroy 637:and talks about sexual desire 525:] Knowles". According to 4748:Wass, Mike (June 26, 2014). 4686:DeLuca, Dan (July 6, 2014). 3454:. Spin Media. Archived from 1599:Dance — Shivawn Joubert 1578:Producer — Keeley Could 1504:Instrumentation — Boots 372:and New York-based musician 263:for her fifth studio album, 5536:Still in Love (Kissing You) 1719:Visual effects — Kroma 1411:2014 MTV Video Music Awards 1402:review, Mikael Wood of the 1389:compared Beyoncé's look to 345:2014 MTV Video Music Awards 6631: 6289:Make Me Say It Again, Girl 4993:Turner Broadcasting System 4692:Philadelphia Media Network 1675:Stylist — B. Åkerlund 1563: — Pierre Debusschere 1395:Philadelphia Media Network 924:added it was suitable for 576:found the same line to be 6554: 6282:Love in This Club Part II 5345: 5101:"Beyoncé (2013) – Videos" 3223:. The 405. Archived from 1848: 1833: 1818: 1803: 1795: 1792: 1789: 1763: 1751: 1744: 1741: 1417:. After concluding with " 809:streak". In a review for 382:(2013). He was signed to 249: 219: 210: 6610:Songs written by Beyoncé 5078:"Beyoncé (2013) – Songs" 3221:"Beyoncé — Beyoncé" 2962:"'Beyoncé' Album Review" 2417:"Beyoncé – Beyoncé" 1611:Hair — Neal Farinah 1279:described the video as " 6007:The Lion King: The Gift 5395:The Closer I Get to You 4123:Jonas Åkerlund (2014). 3629:. Village Voice Media. 3390:. 1059434 Ontario Inc. 2823:"Album Review: Beyoncé" 2297:"The Rundown: Beyoncé, 1713:Nails — Tom Bachik 1635:"Haunted" video credits 1614:Make-up — Sir John 1570:Director of photography 1287:". Michelle Collins of 498:song featuring Beyoncé 407:stream of consciousness 401:He also played her the 283:stream of consciousness 6590:American hip hop songs 6405:All I Could Do Was Cry 6205:'03 Bonnie & Clyde 5692:Best Thing I Never Had 4812:The Hollywood Reporter 4752:. Idolator. Spin Media 4472:. Idolator. Spin Media 3314:"Beyoncé Album Review" 1707:Hair — Kim Kimble 1620: — Rob Sciarratta 1608: — Melissa Vargas 1583:Parkwood Entertainment 1194: 1173: 1120: 755: 604: 580:. Sal Cinquemani from 360: 6366:Until the End of Time 6317:Runnin' (Lose It All) 6310:Put It in a Love Song 6123:America Has a Problem 5748:Run the World (Girls) 5642:Why Don't You Love Me 5402:Dangerously in Love 2 5188:Les classement single 4445:. February 21, 2014. 3659:. December 13, 2013. 3597:. New York Media, LLC 3588:(December 13, 2013). 3557:Viacom Media Networks 3149:(December 17, 2013). 3087:. The Vinyl Factory. 3037:(December 13, 2013). 2960:(December 14, 2013). 2649:The Salt Lake Tribune 2613:. December 27, 2013. 2453:"Who runs the world?" 2379:(December 16, 2013). 2350:. December 13, 2013. 2257:(December 14, 2013). 1593: — Karen Langley 1572: — Stefan Duscio 1554:"Ghost" video credits 1459:Credits and personnel 1314:American Horror Story 1309:American Horror Story 1297:American Horror Story 1191: 1169: 1116: 749: 718:. Andrew Barker from 603: 6468:God Bless the U.S.A. 6380:What More Can I Give 6303:Part II (On the Run) 6247:Hymn for the Weekend 5555:I Am... Sasha Fierce 5522:Welcome to Hollywood 4259:Entertainment Weekly 4148:– via YouTube. 3995:Advance Publications 3319:Entertainment Weekly 2895:"BEYONCÉ – Pop Life" 2115:Consequence of Sound 1922:Consequence of Sound 1734:French Singles Chart 1436:Fifty Shades of Grey 1271:. Randal Roberts of 1249:Entertainment Weekly 1079:called the video a " 926:softcore pornography 882:Nothing Was the Same 878:Consequence of Sound 831:Entertainment Weekly 464:contemporary R&B 181:Jordan "Boots" Asher 27:2013 song by Beyoncé 6475:I'd Rather Go Blind 6233:Fighting Temptation 5939:Don't Hurt Yourself 5896:Standing on the Sun 5579:Broken-Hearted Girl 5357:Dangerously in Love 4874:POPSUGAR Fashion UK 4361:on December 1, 2017 4198:on December 3, 2014 3924:on October 17, 2014 3382:"Beyoncé – Beyoncé" 3347:"Beyoncé – Beyoncé" 3161:Village Voice Media 2928:"Beyonce – BEYONCE" 2655:on October 16, 2014 2174:"Beyoncé – BEYONCÉ" 2142:"Beyoncé – Beyoncé" 2111:"Beyoncé – Beyoncé" 2085:cite AV media notes 1966:The Daily Telegraph 1786: 1501: — Ramon Rivas 1488:Jungle City Studios 1061:The Daily Telegraph 957:chopped and screwed 761:The Daily Telegraph 424:Jungle City Studios 113:alternative hip hop 83:Jungle City Studios 6197:As featured artist 6024:Find Your Way Back 5184:Beyoncé – Haunted" 4902:on August 27, 2014 4849:on August 26, 2014 4531:"Beyoncé – review" 4504:Hearst Corporation 4225:The New York Times 3722:The New York Times 2463:Now Communications 2267:. Tony W. Hunter. 1785: 1742:Chart (2014–2015) 1265:The New York Times 1230:Anupa Mistry from 1195: 1070:The New York Times 986:noted a lack of a 842:. Una Mullally of 756: 742:Critical reception 672:described it as a 605: 552:. Una Mullally of 502:with recessed and 442:and Aya Merril in 6572: 6571: 6538:Wishing on a Star 6212:Delresto (Echoes) 5925:Pray You Catch Me 5221:Pro-Música Brasil 5219:(in Portuguese). 4927:Los Angeles Times 4777:Los Angeles Times 4386:Los Angeles Times 3655:(Press release). 3627:The Village Voice 3484:Los Angeles Times 3293:on August 2, 2014 3248:"Reviews Beyoncé" 3156:The Village Voice 2938:on August 9, 2014 2386:Houston Chronicle 1857: 1856: 1852: 1806:Pro-Música Brasil 1778: 1777: 1514:Background vocals 1477:, Beyoncé Knowles 1451:, the skyscraper 1404:Los Angeles Times 1342:Live performances 1273:Los Angeles Times 1089:Comme des Garçons 1087:compared it with 1047:, the skyscraper 946:Los Angeles Times 939:Houston Chronicle 728:genre similar to 691:The Village Voice 620: 398:as a voice memo. 253: 252: 64:December 13, 2013 16:(Redirected from 6622: 6562: 6561: 5706:Rather Die Young 5388:Me, Myself and I 5329: 5322: 5315: 5306: 5296: 5282: 5281: 5279: 5277: 5263: 5257: 5256: 5254: 5252: 5238: 5232: 5231: 5229: 5227: 5213: 5207: 5204:UK Singles Chart 5197: 5191: 5180: 5174: 5173: 5171: 5169: 5154: 5148: 5147: 5145: 5143: 5128: 5122: 5119: 5117: 5115: 5110:on July 29, 2014 5109: 5096: 5094: 5092: 5087:on July 29, 2014 5086: 5071: 5065: 5064: 5062: 5060: 5045: 5039: 5038: 5036: 5034: 5015: 5009: 5008: 5006: 5004: 4980: 4974: 4973: 4971: 4969: 4949: 4943: 4942: 4940: 4938: 4918: 4912: 4911: 4909: 4907: 4891: 4885: 4884: 4882: 4880: 4865: 4859: 4858: 4856: 4854: 4838: 4829: 4828: 4826: 4824: 4802: 4793: 4792: 4790: 4788: 4768: 4762: 4761: 4759: 4757: 4745: 4739: 4738: 4736: 4734: 4714: 4708: 4707: 4705: 4703: 4683: 4677: 4676: 4674: 4672: 4652: 4646: 4645: 4643: 4641: 4625: 4619: 4618: 4616: 4614: 4592: 4586: 4585: 4583: 4581: 4565: 4557: 4551: 4550: 4548: 4546: 4526: 4520: 4519: 4517: 4515: 4491: 4482: 4481: 4479: 4477: 4465: 4459: 4458: 4456: 4454: 4435: 4429: 4428: 4426: 4424: 4408: 4402: 4401: 4399: 4397: 4377: 4371: 4370: 4368: 4366: 4357:. Archived from 4346: 4340: 4339: 4337: 4335: 4315: 4309: 4308: 4306: 4304: 4284: 4275: 4274: 4272: 4270: 4250: 4241: 4240: 4238: 4236: 4217: 4208: 4207: 4205: 4203: 4187: 4181: 4180: 4178: 4176: 4156: 4150: 4149: 4147: 4145: 4131: 4120: 4109: 4108: 4106: 4104: 4088: 4077: 4076: 4074: 4072: 4063:. July 6, 2015. 4053: 4047: 4046: 4044: 4042: 4020: 4011: 4010: 4008: 4006: 3976: 3967: 3966: 3964: 3962: 3940: 3934: 3933: 3931: 3929: 3907: 3898: 3897: 3895: 3893: 3873: 3864: 3863: 3861: 3859: 3843: 3834: 3833: 3831: 3829: 3824:on March 2, 2014 3809: 3800: 3799: 3797: 3795: 3775: 3766: 3765: 3763: 3761: 3745: 3739: 3738: 3736: 3734: 3713: 3704: 3703: 3701: 3699: 3679: 3673: 3672: 3670: 3668: 3649: 3643: 3642: 3640: 3638: 3619: 3613: 3612: 3610: 3608: 3582: 3573: 3572: 3570: 3568: 3563:on July 16, 2014 3559:. Archived from 3540: 3534: 3533: 3531: 3529: 3507: 3501: 3500: 3498: 3496: 3474: 3468: 3467: 3465: 3463: 3458:on July 31, 2023 3443: 3437: 3436: 3434: 3432: 3410: 3404: 3403: 3401: 3399: 3377: 3371: 3370: 3368: 3366: 3355:Rovi Corporation 3342: 3336: 3335: 3333: 3331: 3309: 3303: 3302: 3300: 3298: 3289:. Archived from 3286:Drowned in Sound 3276: 3270: 3269: 3267: 3265: 3243: 3237: 3236: 3234: 3232: 3227:on July 14, 2014 3216: 3210: 3209: 3207: 3205: 3183: 3177: 3176: 3174: 3172: 3147:Spanos, Brittany 3143: 3137: 3136: 3134: 3132: 3110: 3101: 3100: 3098: 3096: 3070: 3061: 3060: 3058: 3056: 3031: 3022: 3021: 3019: 3017: 2995: 2984: 2983: 2981: 2979: 2974:on April 5, 2018 2970:. Archived from 2954: 2948: 2947: 2945: 2943: 2923: 2917: 2916: 2914: 2912: 2890: 2881: 2880: 2878: 2876: 2856: 2845: 2844: 2842: 2840: 2818: 2809: 2808: 2806: 2804: 2782: 2771: 2770: 2768: 2766: 2744: 2735: 2734: 2732: 2730: 2710: 2701: 2700: 2698: 2696: 2674: 2665: 2664: 2662: 2660: 2651:. Archived from 2645:Associated Press 2636: 2627: 2626: 2624: 2622: 2601: 2588: 2587: 2585: 2583: 2563: 2557: 2556: 2554: 2552: 2530: 2517: 2516: 2514: 2512: 2490: 2479: 2478: 2476: 2474: 2448: 2439: 2438: 2436: 2434: 2412: 2403: 2402: 2400: 2398: 2373: 2364: 2363: 2361: 2359: 2336: 2325: 2324: 2322: 2320: 2292: 2281: 2280: 2278: 2276: 2251: 2238: 2237: 2235: 2233: 2207: 2196: 2195: 2193: 2191: 2169: 2158: 2157: 2155: 2153: 2137: 2131: 2130: 2128: 2126: 2106: 2095: 2094: 2088: 2080: 2077:Columbia Records 2065: 2056: 2055: 2053: 2051: 2027: 2021: 2020: 2018: 2016: 1994: 1983: 1982: 1980: 1978: 1956: 1939: 1938: 1936: 1934: 1912: 1903: 1902: 1900: 1898: 1881:"Beyoncé's Muse" 1876: 1850: 1819:United Kingdom ( 1787: 1739: 1641:Director — 1618:Color correction 1216:Ulyana Sergeenko 1037:Melina Matsoukas 990:. In the annual 917:'-y breakdown". 875: 821:Drowned in Sound 804: 797: 783:Associated Press 780: 770: 716:Boards of Canada 696: 622: 621: 602: 478: 466:to "straight up 448:drum programming 364: 237: 226: 194: 169: 137: 136: 132: 32: 21: 6630: 6629: 6625: 6624: 6623: 6621: 6620: 6619: 6575: 6574: 6573: 6568: 6550: 6524:Sorry Not Sorry 6440:Before I Let Go 6398:A Woman Like Me 6385: 6192: 6135: 6081:Alien Superstar 6057: 6031:Brown Skin Girl 6000: 5908: 5774: 5755:Lay Up Under Me 5654: 5565:If I Were a Boy 5548: 5414: 5350: 5341: 5333: 5294: 5290: 5285: 5275: 5273: 5265: 5264: 5260: 5250: 5248: 5240: 5239: 5235: 5225: 5223: 5215: 5214: 5210: 5198: 5194: 5181: 5177: 5167: 5165: 5156: 5155: 5151: 5141: 5139: 5130: 5129: 5125: 5113: 5111: 5107: 5099: 5090: 5088: 5084: 5076: 5072: 5068: 5058: 5056: 5047: 5046: 5042: 5032: 5030: 5017: 5016: 5012: 5002: 5000: 4982: 4981: 4977: 4967: 4965: 4951: 4950: 4946: 4936: 4934: 4920: 4919: 4915: 4905: 4903: 4893: 4892: 4888: 4878: 4876: 4867: 4866: 4862: 4852: 4850: 4840: 4839: 4832: 4822: 4820: 4804: 4803: 4796: 4786: 4784: 4770: 4769: 4765: 4755: 4753: 4747: 4746: 4742: 4732: 4730: 4716: 4715: 4711: 4701: 4699: 4685: 4684: 4680: 4670: 4668: 4654: 4653: 4649: 4639: 4637: 4627: 4626: 4622: 4612: 4610: 4594: 4593: 4589: 4579: 4577: 4569:The Independent 4559: 4558: 4554: 4544: 4542: 4528: 4527: 4523: 4513: 4511: 4493: 4492: 4485: 4475: 4473: 4467: 4466: 4462: 4452: 4450: 4437: 4436: 4432: 4422: 4420: 4410: 4409: 4405: 4395: 4393: 4379: 4378: 4374: 4364: 4362: 4348: 4347: 4343: 4333: 4331: 4317: 4316: 4312: 4302: 4300: 4286: 4285: 4278: 4268: 4266: 4252: 4251: 4244: 4234: 4232: 4219: 4218: 4211: 4201: 4199: 4189: 4188: 4184: 4174: 4172: 4158: 4157: 4153: 4143: 4141: 4129: 4122: 4121: 4112: 4102: 4100: 4090: 4089: 4080: 4070: 4068: 4055: 4054: 4050: 4040: 4038: 4022: 4021: 4014: 4004: 4002: 3978: 3977: 3970: 3960: 3958: 3942: 3941: 3937: 3927: 3925: 3909: 3908: 3901: 3891: 3889: 3875: 3874: 3867: 3857: 3855: 3845: 3844: 3837: 3827: 3825: 3811: 3810: 3803: 3793: 3791: 3777: 3776: 3769: 3759: 3757: 3747: 3746: 3742: 3732: 3730: 3715: 3714: 3707: 3697: 3695: 3681: 3680: 3676: 3666: 3664: 3651: 3650: 3646: 3636: 3634: 3621: 3620: 3616: 3606: 3604: 3584: 3583: 3576: 3566: 3564: 3542: 3541: 3537: 3527: 3525: 3509: 3508: 3504: 3494: 3492: 3476: 3475: 3471: 3461: 3459: 3445: 3444: 3440: 3430: 3428: 3420:Under the Radar 3412: 3411: 3407: 3397: 3395: 3379: 3378: 3374: 3364: 3362: 3345:Kellman, Andy. 3344: 3343: 3339: 3329: 3327: 3311: 3310: 3306: 3296: 3294: 3278: 3277: 3273: 3263: 3261: 3245: 3244: 3240: 3230: 3228: 3218: 3217: 3213: 3203: 3201: 3185: 3184: 3180: 3170: 3168: 3145: 3144: 3140: 3130: 3128: 3112: 3111: 3104: 3094: 3092: 3072: 3071: 3064: 3054: 3052: 3033: 3032: 3025: 3015: 3013: 2997: 2996: 2987: 2977: 2975: 2956: 2955: 2951: 2941: 2939: 2925: 2924: 2920: 2910: 2908: 2900:The Irish Times 2892: 2891: 2884: 2874: 2872: 2858: 2857: 2848: 2838: 2836: 2820: 2819: 2812: 2802: 2800: 2784: 2783: 2774: 2764: 2762: 2746: 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1357:The Independent 1344: 1293:Josephine Baker 1281:Stanley Kubrick 1228: 1186: 1150: 1145: 1129:Elenberg Fraser 1125: 1045:Elenberg Fraser 1021: 1000: 943:Roberts of the 910:Under the Radar 873: 844:The Irish Times 817:Chicago Tribune 802: 795: 778: 768: 752:Justify My Love 744: 735:Bedtime Stories 698:Brittany Spanos 694: 652: 651: 643: 641: 640: 639: 638: 623: 616: 613: 606: 600: 573:Chicago Tribune 555:The Irish Times 476: 468:experimentalism 460: 392:Pitchfork Media 366: 362: 353: 341:On the Run Tour 333:Justify My Love 281:and contains a 245: 235: 224: 206: 190: 185: 176:Beyoncé Knowles 165: 160: 134: 130: 129: 90:(New York City) 89: 51:from the album 28: 23: 22: 15: 12: 11: 5: 6628: 6626: 6618: 6617: 6612: 6607: 6602: 6597: 6592: 6587: 6577: 6576: 6570: 6569: 6567: 6566: 6555: 6552: 6551: 6549: 6548: 6541: 6534: 6527: 6520: 6513: 6506: 6499: 6492: 6489:One Night Only 6485: 6478: 6471: 6464: 6457: 6450: 6443: 6436: 6429: 6422: 6415: 6408: 6401: 6393: 6391: 6387: 6386: 6384: 6383: 6376: 6369: 6362: 6355: 6348: 6341: 6334: 6327: 6324:Savage (Remix) 6320: 6313: 6306: 6299: 6292: 6285: 6278: 6271: 6264: 6261:Just Stand Up! 6257: 6250: 6243: 6236: 6229: 6226:Feeling Myself 6222: 6215: 6208: 6200: 6198: 6194: 6193: 6191: 6190: 6187:II Most Wanted 6183: 6176: 6169: 6166:Texas Hold 'Em 6162: 6155: 6147: 6145: 6137: 6136: 6134: 6133: 6126: 6119: 6112: 6109:Virgo's Groove 6105: 6098: 6091: 6084: 6077: 6069: 6067: 6059: 6058: 6056: 6055: 6048: 6041: 6034: 6027: 6020: 6012: 6010: 6002: 6001: 5999: 5998: 5991: 5984: 5977: 5970: 5963: 5956: 5949: 5942: 5935: 5928: 5920: 5918: 5910: 5909: 5907: 5906: 5899: 5892: 5885: 5878: 5871: 5864: 5857: 5850: 5843: 5836: 5829: 5822: 5815: 5808: 5801: 5794: 5786: 5784: 5776: 5775: 5773: 5772: 5765: 5762:Schoolin' Life 5758: 5751: 5744: 5737: 5730: 5723: 5716: 5709: 5702: 5695: 5688: 5681: 5674: 5666: 5664: 5656: 5655: 5653: 5652: 5645: 5638: 5631: 5624: 5617: 5610: 5603: 5596: 5589: 5582: 5575: 5568: 5560: 5558: 5550: 5549: 5547: 5546: 5539: 5532: 5525: 5518: 5511: 5504: 5497: 5490: 5483: 5476: 5469: 5462: 5459:Ring the Alarm 5455: 5448: 5441: 5434: 5426: 5424: 5416: 5415: 5413: 5412: 5405: 5398: 5391: 5384: 5377: 5370: 5362: 5360: 5352: 5351: 5346: 5343: 5342: 5334: 5332: 5331: 5324: 5317: 5309: 5303: 5302: 5289: 5288:External links 5286: 5284: 5283: 5258: 5233: 5208: 5192: 5175: 5149: 5123: 5121: 5120: 5097: 5066: 5040: 5010: 4975: 4944: 4913: 4886: 4860: 4830: 4794: 4763: 4740: 4709: 4678: 4647: 4620: 4587: 4552: 4521: 4483: 4460: 4430: 4403: 4372: 4341: 4310: 4276: 4261:. p. 11. 4242: 4209: 4182: 4151: 4110: 4078: 4048: 4012: 3968: 3935: 3899: 3865: 3835: 3801: 3767: 3740: 3705: 3674: 3644: 3614: 3574: 3535: 3502: 3469: 3438: 3405: 3372: 3337: 3304: 3271: 3238: 3211: 3178: 3138: 3102: 3062: 3023: 2985: 2958:Sheffield, Rob 2949: 2918: 2882: 2846: 2828:Slant Magazine 2810: 2772: 2736: 2702: 2666: 2628: 2589: 2558: 2518: 2480: 2440: 2404: 2365: 2326: 2282: 2239: 2197: 2159: 2132: 2096: 2057: 2022: 1984: 1940: 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490:"Ghost" is an 459: 456: 444:Sterling Sound 354: 352: 349: 321:Jonas Åkerlund 275:music industry 251: 250: 247: 246: 244: 243: 232: 220: 217: 216: 212: 211: 208: 207: 205: 204: 201: 197: 195: 187: 186: 184: 183: 178: 172: 170: 162: 161: 159: 158: 153: 147: 145: 139: 138: 127: 123: 122: 121: 120: 115: 110: 105: 98: 92: 91: 80: 74: 73: 70: 66: 65: 62: 58: 57: 48: 47: 37: 36: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 6627: 6616: 6613: 6611: 6608: 6606: 6603: 6601: 6598: 6596: 6595:Beyoncé songs 6593: 6591: 6588: 6586: 6583: 6582: 6580: 6565: 6557: 6556: 6553: 6546: 6542: 6539: 6535: 6532: 6528: 6525: 6521: 6518: 6514: 6511: 6510:Sexy Lil Thug 6507: 6504: 6500: 6497: 6493: 6490: 6486: 6483: 6479: 6476: 6472: 6469: 6465: 6462: 6458: 6455: 6451: 6448: 6444: 6441: 6437: 6434: 6430: 6427: 6426:Back to Black 6423: 6420: 6416: 6413: 6409: 6406: 6402: 6399: 6395: 6394: 6392: 6388: 6381: 6377: 6374: 6373:Walk on Water 6370: 6367: 6363: 6360: 6356: 6353: 6349: 6346: 6342: 6339: 6335: 6332: 6328: 6325: 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