669:" are on the album – a live rendering with Clapton and a re-worked studio version with Beck. These two recordings illustrate differences between Clapton's and Beck's styles during their tenures with the Yardbirds. Clapton employs a more traditional sound with chording, whereas Beck takes a more novel approach, which Power describes: "hings changed radically at one minute, 28 seconds into the song when Beck's foot smashed into his Tone Bender and Relf chased after each other in a manic harmonica/guitar interface, notes swooping in and out of the mix". Although just over two and a half minutes, critic
520:. Clapton expressed displeasure over departing from the group's blues roots, and he left the Yardbirds two days before the song was released on 5 March 1965. "For Your Love" became their first Top 10 hit in both the UK and the US. To replace Clapton, the group needed a lead guitarist who was experienced with blues and R&B, but also willing to explore more progressive and experimental material. They approached
532:, who was invited to an informal audition. Drummer McCarty recalled the tryout: "Not only could he play all the Eric stuff, but also a lot more ... There was the Les Paul thing, the rockabilly thing, the whole lot. His style was also kind of futuristic. We were impressed." Beck was asked to join and played his first gig with the Yardbirds the same day "For Your Love" was released.
42:
688:" as the Yardbirds' most popular live number. They usually played it every night and performances of the song could last up to 30 minutes. On the 5:35 album version, Clapton trades guitar licks with Relf's harmonica lines. Howlin' Wolf reportedly referred to the group's "Smokestack Lightning" as "the definitive version of his song".
951:
indicated the album's potential to enter the Top LPs chart. Several retrospective reviews have been favourable. AllMusic's Eder gave the album four and a half out of five stars and describes it as "one of the best LPs of the entire
British invasion, on a par with the greatest mid-1960s work of the
452:
recorded. A key element of the
Yardbirds' live shows was an extended instrumental section during some songs. Clapton recalled, "While most other bands were playing three-minute songs, we were taking three-minute numbers and stretching them out to five or six minutes, during which time the audience
985:
identified the album as one of "The Top 100 '60s Rock Albums" in 2015. The accompanying listing statement focuses on the guitarists: "Half Eric
Clapton (on the live blues part), half Jeff Beck (on the more experimental pop stuff), this is the two sides of the Yardbirds reaching for a common ground.
477:
Wherever it occurred, the rave-up made a small narrative curve that introduced a basic conflict (backbeat vs. off-beats), drove that conflict to a climax (by getting more and more raucous), then resolved it (by returning it to a 'normal' beat). Through this technique the
Yardbirds created a rock
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magazine ranked the album at number 355 on its list of the "500 Greatest Albums of All Time". The accompanying review noted, "Freed from Eric
Clapton's blues purism and spurred by Jeff Beck's reckless exhibitionism, the Yardbirds launched a noisy rock & roll avant-garde. This is the bridge
757:
by Keith Grant 27 July 1965), and "Evil
Hearted You" 23 August 1965. The four remaining live songs with Clapton were recorded in March 1964 at the Marquee Club in London – "Smokestack Lightning", "Respectable", "I'm a Man", and "Here 'Tis". These were taken from the UK debut album
549:, which included Beck's earliest recordings with the group and earlier singles and demos with Clapton, was rush-released in June 1965 as they were preparing for their first American tour. In November 1965, less than a month before the beginning of the Yardbirds' second tour of the US,
706:. However, their recording adds a brief rave up section, new guitar parts, and a harmonica solo. Beck biographer Annette Carson notes, "the Yardbirds' recording plucked the old Rock & Roll Trio number from obscurity and turned it into a classic among classics".
932:". Dreja sums up the lasting appeal: "We all feel, I think, that the period Jeff spent with the band was the most creative. His scope of inventiveness was probably the widest of the three guitarists we played with—and none of them were exactly slouches."
650:
Yardbirds records like these were eagerly taken up by the aspiring guitarists and other rock-and-roll obsessives who were forming garage bands at the time ... "We'd do a lot of gigs where the opening band would play all our songs," McCarty recalls.
952:
Beatles and the
Rolling Stones". Author Denise Sullivan noted, "Among British blues-rock albums, this Giorgio Gomelsky production is the pick for its wealth of hits and its influence on garage rock and hard rock lead guitar."
909:
When Beck left the group in
October 1966, Page became the sole guitarist. Although several new songs were added, set lists still included their earlier material. A 1968 live performance in New York City (released in 1971 as
1285:(2000, 2009), and Sunspots (2002). In addition to the ten tracks from the original album, the Repertoire reissue includes the Yardbirds' next US single (tracks 11–12); demos recorded March–April 1966 for their upcoming
793:
than a rave-up". Clapton, who left the band eight months earlier, is not pictured on the album cover. The liner note reads like ad copy, with no mention of the band members or recording information. The album entered
492:
critic Bruce Eder calls it "the best such live record of the entire middle of the decade", it did not reach the charts and was not issued in the US. Four songs from the album made their first
American appearance on
41:
1626:
During rave ups
Clapton often broke a guitar string. While he was putting on a new one, the audience would slowly clap their hands (slow handclapping). This led manager Gomelski to nickname him "Eric 'Slowhand'
765:
The album was produced by the Yardbirds' manager Gomelsky with Samwell-Smith. Clapton acknowledges that Samwell-Smith was behind the group's rave up sound and on "For Your Love", Samwell-Smith assumed the role of
335:
is the Yardbirds' highest-charting album in the US and has remained in print longer than others in the band's catalogue. The album continues to be reissued, often with bonus material, such as the next single
311:, which was not issued in the United States. The songs with Beck were recorded in the studio in the months after he joined the group in March 1965. These include several charting singles and introduced "
3248:
854:, plus the following two singles, made up the core of the Yardbirds' concert repertoire: "Smokestack Lightning", "I'm a Man", "Heart Full of Soul", "You're a Better Man Than I", "The Train Kept A-Rollin
899:. Relf wrote new lyrics and the group worked out a new instrumental arrangement with both Beck and Page on lead guitars, retitled "Stroll On". The performance is included in the film and on the
318:", one of the Yardbirds' most copied arrangements. Although most were not written by the group, the songs became a fixture of the group's concert repertoire and continued to be performed after
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calls the Beck version "perhaps the most famous Yardbirds rave-up of all" and Power asserts "it was the closest the group had yet come to capturing the sound of the 'rave-up' on tape".
593:
and the instrument lacked the power the group desired. Instead, Beck produced a sitar-like effect by bending the higher notes on his guitar in an Eastern-sounding scale and using a
2262:
885:, the UK pop music variety television programme, the Yardbirds performed an updated version of "Here 'Tis" with Beck. After Page joined the group in June 1966, film director
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818:, which was issued on 4 December 1964. Between June and October 1965, "Heart Full of Soul", "Evil Hearted You", and "Still I'm Sad" were released as singles and reached the
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beginnings with Beck's experimental guitar work. "Heart Full of Soul" is one of the earliest rock songs to incorporate Indian musical influences. Several months before
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Clapton biographer David Bowling calls the album "early and important rock 'n' roll ... It remains an important step in the evolution of rock music." A review in
830:" and "I'm a Man" (studio version) were not released in the UK until 1976 and 1977, well after the group had disbanded. In January 1966, the Yardbirds' UK label,
965:
Today , the Yardbirds' second American album sounds something like the ultimate garage band meets an end-of-the-world guitarist. For a while in '65, though,
814:
or an equivalent was not released in the UK, where it was the practice at the time not to include singles on albums. The live tracks with Clapton appeared on
774:. By the time Samwell-Smith left the group in June 1966, Koda notes, "he was shouldering most, if not all, of the production and arranging responsibilities".
4273:
718:
took place at various studios between April and September 1965. Three were recorded during the Yardbirds' first American tour – "The Train Kept A-Rollin
633:-heavy guitar solo. "Still I'm Sad" is the album's sole original tune by the band, written by Samwell-Smith and McCarty. It is a slow, brooding piece with
999:
Songwriters and track running times are taken from the original American Epic LP. Releases in other countries, reissues, etc., may have different listings.
789:. The album cover photo shows the group posing in matching black suits in a mock performance; Yardbirds' biographer Adam Clayson compares it to "more of a
1732:
1679:
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notes the "haunting Middle Eastern-influenced melody ... typically eerie backup harmonies, Keith Relf's menacing, hurt lead vocal". Beck provides a
305:
The album contains some live recordings from March 1964 when Clapton was the lead guitarist, and which first appeared on the band's British debut album,
444:
club circuit. The group made several attempts at recording in the studio, but were unable to reproduce their live sound to their satisfaction. Manager
3960:
680:' "Respectable" are fast-tempo, rhythmic-based songs that are essentially rave ups. On "Here 'Tis", Clapton adds an uncharacteristically energetic
415:
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would go crazy". Dubbed a "rave up", this musical arrangement usually came during the middle instrumental section, in which the band shifted the
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573:", were written for the group by Gouldman, who had composed "For Your Love". Both songs saw the group continuing to move beyond their
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1657:. He purchased the guitar shortly before the Yardbirds' September 1965 US tour and used it for recording several songs on
862:". Numerous live performances were recorded beginning in mid-1965 and include these songs. They were also recorded by the
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chart in December 1965 at number 137 and reached number 53 in February 1966. In total, it spent 33 weeks in the chart.
535:
Shortly thereafter, the Yardbirds began recording a successful string of forward-looking singles with Beck's pioneering
505:
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The remaining three live songs with Clapton feature extended instrumental improvisation. Bo Diddley's "Here 'Tis" and
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Take your pick: The electricity surging through both guitarists powers a band that had songs and chops to spare."
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style of the time with socially conscious lyrics. Relf's folk-ballad vocal is complemented by Beck's
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Several songs recorded at the Marquee show use this arrangement and are included on the debut album,
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replaced Topham in October 1963 and by early 1964, the Yardbirds had expanded their following on the
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over Samwell-Smith's driving bass lines. In his autobiography, Clapton identifies Howlin' Wolf's "
484:
307:
17:
504:", had limited success, the Yardbirds were under pressure to deliver a hit record by their label,
302:. The title refers to the driving "rave up" arrangement the band used in several of their songs.
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115:
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made up the repertoire of the early British R&B groups. The Yardbirds' set lists included "
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producer. He received a credit as "Musical Director" for their first American album as well as
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The balance of the songs are blues and R&B numbers. Two versions of the Bo Diddley tune "
642:
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in London – "Heart Full of Soul" 20 April 1965, "Still I'm Sad" 17 August 1965 (also at
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601:, pop-oriented "Evil Hearted You" also incorporates exotic-sounding elements. Rock critic
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839:
754:
638:
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517:
205:
137:
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524:, but he was unwilling to give up his steady employment as one of London's most popular
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soundtrack. Several music critics have cited the album's influence, particularly on
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61:
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formed the Yardbirds near London in mid-1963. The group were a part of the early
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Top 10. In February 1966, "You're a Better Man than I" became the UK B-side of "
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151:
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19 September 1965. Further refinements to the three songs were recorded at the
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remained in print until 1972, longer than any other Yardbirds album on Epic.
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was released in the US on 15 November 1965 by the Yardbirds' American label,
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accompaniment. However, the Indian sitar player had difficulty with the 4/4
536:
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351:
299:
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on guitar. It includes songs with both guitarists and reflects the group's
283:
889:
wanted to add a scene of the Yardbirds performing "The Train Kept A-Rollin
553:
was released and also combined songs recorded with both Clapton and Beck.
4132:
3427:
3052:
2426:
2400:
2359:
2303:
1302:
television appearance (tracks 19–20); and the soundtrack contribution to
735:
670:
641:, the song has seven vocal parts with producer Gomelsky adding a droning
513:
489:
344:, and "Stroll On", featuring dual lead guitar by Beck and Page, from the
3624:
3619:
1751:
1689:
1560:– rhythm guitar (except on "Stroll On" bonus track where he plays bass)
801:
630:
626:
3076:"Album Reviews – Pop Spotlight: Having a Rave Up with the Yardbirds".
969:(Epic, LN 24177) contained rock's freshest, most vital guitar playing.
838:
for export to Germany and Sweden. In Canada, the album was issued by
730:
studio in Memphis, Tennessee, and "I'm a Man" (studio version) at the
722:" and "You're a Better Man than I" were recorded 12 September 1965 by
895:
1789:'s last name as "Daniels". For the first release of "I'm a Man" on
1773:
list as updated in 2012; the 2020 update does not include the album.
1640:", was also recorded in New York and included as the B-side to the "
478:
mannerism; sometimes the rave-up seemed the whole point of the song.
3049:[German Bonus Tracks] (CD - Repertoire #REP 4758) – Review"
469:
and became a signature part of the Yardbirds' sound. Musicologist
928:
and "Smokestack Lightning" became a medley, which developed into "
866:
on various dates for broadcast. In 1991, several were released on
586:
454:
395:
163:
52:
3499:(Boxed set booklet). The Yardbirds. United Kingdom: Easy Action.
3630:
2502:
2500:
2498:
749:
Another three songs with Beck were recorded by Roger Cameron at
466:
3634:
1282:
863:
565:
were not composed by the Yardbirds. Two of the album's hits, "
3568:
Led Zeppelin: The Story of a Band and Their Music 1968–1980
2171:
2169:
2167:
2165:
1273:
contains eight of the ten tracks from the original album.
1140:
not listed ("In Manuscript" is included under "Publishers")
488:, which was released in the UK in December 1964. Although
3406:
Sixties Rock: Garage, Psychedelic, and Other Satisfactions
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2585:
2583:
2581:
2529:
2527:
2473:
2471:
2469:
2467:
2140:
2138:
2016:
2014:
2012:
2010:
2008:
2006:
2004:
2002:
2000:
1998:
3139:
Eric Clapton FAQ: All That's Left to Know About Slowhand
3918:
Blow-Up – The Original Sound Track Album
2785:
2783:
2745:
2743:
2568:
2566:
1973:
1971:
1969:
1927:
1925:
1923:
597:
distortion device to get a more distinctive tone. The
500:
After their first two singles, "I Wish You Would" and "
282:. It was released in November 1965, eight months after
3333:
All Music Guide: The Definitive Guide to Popular Music
2896:
2894:
2718:
2716:
2397:"The Yardbirds: 'You're a Better Man Than I' – Review"
2101:
2099:
2097:
2072:
2070:
2068:
2055:
2053:
1910:
1908:
1396:"Someone to Love" ("Lost Woman" demo, Part 1, Take 15)
1277:
has been reissued by several record labels, including
585:", demos for "Heart Full of Soul" were attempted with
448:
then arranged to have a March performance at London's
1944:
1942:
1940:
1859:
1857:
1855:
1853:
916:) features the core songs, plus the Page solo piece "
3361:(Boxed set booklet). The Yardbirds. United Kingdom:
561:
With the exception of "Still I'm Sad", the songs on
4205:
4061:
3952:
3927:
3909:
3863:
3824:
3776:
1807:wrote a different "I'm a Man" that was recorded by
1548:– lead guitar (Side 1 and all reissue bonus tracks)
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1315:
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1008:
508:. Samwell-Smith interested the group in recording "
216:
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150:
109:
98:
83:
68:
51:
34:
3318:
3237:
1820:The first live release of "The Train Kept A Rollin
3480:. Floral Park, New York: Crossfire Publications.
3436:(Boxed set booklet). The Yardbirds. Los Angeles:
1653:On the album cover, Beck is shown playing a 1954
2506:
1636:A fourth song, "New York City Blues", based on "
1542:– vocals, harmonica, acoustic guitar, percussion
390:, whom they replaced as the resident act at the
2823:: CS1 maint: others in cite AV media (notes) (
2657:: CS1 maint: others in cite AV media (notes) (
2257:
2255:
2253:
2242:: CS1 maint: others in cite AV media (notes) (
1581:– second lead guitar on "Stroll On" bonus track
963:
648:
475:
4175:Most Likely You Go Your Way (And I'll Go Mine)
4084:You Can't Judge a Book by Looking at the Cover
3545:Crossroads: The Life and Music of Eric Clapton
3082:. Vol. 77, no. 49. 4 December 1965.
2300:"The Yardbirds: 'Heart Full of Soul' – Review"
274:, is the second American album by the English
3646:
3380:Whole Lotta Led: Our Flight with Led Zeppelin
3116:Before Elvis: The Prehistory of Rock 'n' Roll
3101:. Vol. 78, no. 34. 20 August 1966.
2873:
2837:
1410:"Someone to Love" ("Lost Woman" demo, Part 2)
1298:) album (tracks 13–18); backing tracks for a
621:and his brother Brian. The song reflects the
8:
2356:"The Yardbirds: 'Evil Hearted You' – Review"
1703:, which were released around the same time (
294:roots and their early experimentations with
1799:(UK) listed the writers as "Pomus-Shuman" (
1605:Ron Prentice – bass on "Heart Full of Soul"
943:was released before the advent of critical
3653:
3639:
3631:
2032:
1989:
704:Johnny Burnette and the Rock and Roll Trio
40:
31:
3378:Hulett, Ralph; Prochnicky, Jerry (2011).
3027:
2972:
2960:
2707:
2671:
2591:
2533:
2518:
2489:
2423:"The Yardbirds: 'Still I'm Sad' – Review"
2390:
2388:
2379:
2129:
1455:Beck, Relf, Samwell-Smith, Dreja, McCarty
1441:Beck, Relf, Samwell-Smith, Dreja, McCarty
1427:Beck, Relf, Samwell-Smith, Dreja, McCarty
1413:Beck, Relf, Samwell-Smith, Dreja, McCarty
1399:Beck, Relf, Samwell-Smith, Dreja, McCarty
1380:"Jeff's Blues" ("The Nazz Are Blue" demo)
543:guitar work. Their first American album,
4289:Albums recorded at Olympic Sound Studios
3591:White Stripes – Sweethearts of the Blues
3038:
3036:
2984:
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2912:
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2198:
2196:
2144:
1722:into context, also reviewed in the same
1644:" US single and on several compilations.
1309:
1150:
1002:
3455:Hot Hired Guitar: The Life of Jeff Beck
2948:
2683:
2615:
2346:
2344:
2323:
2175:
2156:
2117:
1977:
1960:
1931:
1899:
1887:
1875:
1849:
1619:
1514:
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979:between beat groups and psychedelia."
465:to a climax. The rave up has roots in
46:Expanded reissue (Sunspots, Italy 2002)
3840:Sonny Boy Williamson and the Yardbirds
2995:
2993:
2816:
2650:
2557:
2235:
1311:Repertoire reissue additional material
1267:The Yardbirds' 2001 compilation album
691:The Yardbirds based their version of "
2900:
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2789:
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2734:
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2446:
2335:
2187:
2105:
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2020:
1948:
1914:
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1733:December's Children (And Everybody's)
1680:December's Children (And Everybody's)
1515:
1467:
1292:
1249:
1076:
924:". Page carried over these songs to
7:
3847:Live Yardbirds! Featuring Jimmy Page
3495:Russo, Greg; Paytress, Mark (2011).
2059:
1827:Live Yardbirds: Featuring Jimmy Page
913:Live Yardbirds: Featuring Jimmy Page
4274:Albums produced by Giorgio Gomelsky
3620:Having a Rave Up with the Yardbirds
2803:Having a Rave Up with the Yardbirds
2214:Having a Rave Up with the Yardbirds
967:Having a Rave Up with the Yardbirds
428:You Can't Judge a Book by the Cover
265:Having a Rave Up with the Yardbirds
240:Having a Rave Up with the Yardbirds
35:Having a Rave Up with the Yardbirds
18:Having a Rave Up with The Yardbirds
3296:Guitar Masters: Intimate Portraits
1288:Yardbirds/Over Under Sideways Down
947:. A December 1965 staff review in
879:During one of many appearances on
658:Guitar Masters: Intimate Portraits
386:scene that produced bands such as
25:
2263:"500 Greatest Albums of All Time"
1452:"What Do You Want" (demo, Take 4)
936:Critical reception and influence
3570:(1st ed.). San Francisco:
3478:Yardbirds: The Ultimate Rave-Up
1566:– bass guitar, backing vocals,
1281:(1999, 2007), Get Back (1999),
1152:Side 2 (1964 live with Clapton)
4284:Albums recorded at IBC Studios
3975:Good Morning Little Schoolgirl
3672:Original members (1963–1968):
1470:"For RSG", instrumental track)
1424:"Like Jimmy Reed Again" (demo)
1316:
1157:
1009:
1004:Side 1 (1965 studio with Beck)
502:Good Morning Little Schoolgirl
1:
4294:Albums recorded at Sun Studio
4038:Happenings Ten Years Time Ago
3185:Casabona, Helen, ed. (1989).
3166:. San Francisco, California:
714:The recordings with Beck for
557:Composition and musical style
340:", demo recordings for their
92:April–September 1965 (studio)
3731:Later members (since 1992):
3543:Schumacher, Michael (2003).
3410:University of Illinois Press
3249:All Music Guide to the Blues
2507:Hulett & Prochnicky 2011
858:", "Shapes of Things", and "
581:popularised the sound with "
362:Singer and harmonica player
4189:Knowing That I'm Losing You
3872:The Yardbirds Greatest Hits
3854:Live! Blueswailing July '64
1747:The Beau Brummels, Volume 2
1709:failed to chart in the US).
1706:The Who Sings My Generation
1487:"Here 'Tis" (vocal version)
920:" and an early version of "
826:". "The Train Kept A-Rollin
461:and built the instrumental
27:1965 album by the Yardbirds
4315:
4017:You're a Better Man Than I
3214:Clapton: The Autobiography
3001:"Top 100 '60s Rock Albums"
1030:You're a Better Man Than I
846:Live and film performances
746:21 and 22 September 1965.
637:elements. Built on a mock-
615:You're a Better Man Than I
516:-oriented song written by
72:15 November 1965
3668:
3589:Sullivan, Denise (2004).
3118:. Lanham, Massachusetts:
2874:Gomelsky & Cohen 2002
2838:Russo & Paytress 2011
1750:. Also announced was the
1497:
1483:
1462:
1448:
1434:
1420:
1406:
1392:
1376:
1359:
1331:
1323:
1320:
1235:
1217:
1193:
1172:
1164:
1161:
1126:
1108:
1088:
1064:
1044:
1024:
1016:
1013:
740:Columbia Recording Studio
224:
39:
4126:The Train Kept A-Rollin'
4091:Too Much Monkey Business
4031:Over Under Sideways Down
3593:. Milwaukee, Wisconsin:
3566:Shadwick, Keith (2005).
3329:Erlewine, Stephen Thomas
3298:. Milwaukee, Wisconsin:
3189:. Milwaukee, Wisconsin:
3163:Jeff Beck: Crazy Fingers
3160:Carson, Annette (2001).
3141:. Milwaukee, Wisconsin:
3114:Birnbaum, Larry (2012).
2811:Capitol Records (Canada)
868:Yardbirds ...On Air
860:Over Under Sideways Down
710:Recording and production
432:Too Much Monkey Business
384:British rhythm and blues
249:Over Under Sideways Down
4299:Experimental pop albums
4196:I'm Waiting for the Man
3430:; Russo, Gregg (2001).
3408:. Champaign, Illinois:
3294:di Perna, Alan (2012).
3137:Bowling, David (2013).
2767:Official Charts Company
1661:and "Shapes of Things".
1575:– drums, backing vocals
1183:Chester Burnett a.k.a.
1132:The Train Kept A-Rollin
693:The Train Kept A-Rollin
313:The Train Kept A-Rollin
3512:Santoro, Gene (1991).
3453:Power, Martin (2011).
3357:; Cohen, Phil (2002).
3271:Clayson, Alan (2002).
1830:(1971) is credited to
1554:– lead guitar (Side 2)
1473:Ellas McDaniel a.k.a.
1438:"Chris' Number" (demo)
971:
887:Michelangelo Antonioni
653:
480:
3518:(Boxed set booklet).
3384:Kensington Publishing
3028:Koda & Russo 2001
3006:Ultimate Classic Rock
2763:"Yardbirds – Singles"
2672:Koda & Russo 2001
2592:Koda & Russo 2001
2534:Koda & Russo 2001
2519:Koda & Russo 2001
2490:Koda & Russo 2001
2380:Koda & Russo 2001
2130:Koda & Russo 2001
1363:"New York City Blues"
982:Ultimate Classic Rock
945:rock music journalism
870:(reissued in 1997 as
656:—Alan di Perna,
645:under Relf's melody.
394:. Songs by American
378:, and lead guitarist
4269:The Yardbirds albums
4161:Drinking Muddy Water
4098:Smokestack Lightning
4045:Ha Ha Said the Clown
3476:Russo, Greg (2016).
3317:Eder, Bruce (2001).
3254:Miller Freeman Books
3236:Clark, Rick (1996).
2852:, pp. 230, 232.
2421:Greenwald, Matthew.
2395:Greenwald, Matthew.
1178:Smokestack Lightning
961:magazine included:
742:in New York City by
686:Smokestack Lightning
528:. Page recommended
420:Smokestack Lightning
4279:Epic Records albums
3833:Five Live Yardbirds
3359:The Yardbirds Story
3327:; Woodstra, Chris;
2864:, p. 219, 223.
2819:cite AV media notes
2653:cite AV media notes
2352:Unterberger, Richie
2296:Unterberger, Richie
2238:cite AV media notes
1792:Five Live Yardbirds
1742:I Like It Like That
1738:the Dave Clark Five
1312:
1153:
1005:
930:How Many More Times
893:" to his 1966 film
816:Five Live Yardbirds
760:Five Live Yardbirds
485:Five Live Yardbirds
366:, rhythm guitarist
325:Next to their 1967
308:Five Live Yardbirds
220:US album chronology
4182:Dazed and Confused
4052:Ten Little Indians
3989:Heart Full of Soul
3893:Glimpses 1963–1968
3801:Roger the Engineer
3682:Paul Samwell-Smith
3627:(list of releases)
3497:Glimpses 1963–1968
3325:Bogdanov, Vladimir
2813:. 1966. (S)T-6166.
2190:, pp. 45, 52.
1769:Number 355 on the
1728:the Rolling Stones
1675:the Rolling Stones
1602:on "Still I'm Sad"
1564:Paul Samwell-Smith
1343:Paul Samwell-Smith
1310:
1296:Roger the Engineer
1151:
1114:Heart Full of Soul
1096:Paul Samwell-Smith
1003:
922:Dazed and Confused
778:Release and charts
728:Phillips Recording
678:the Isley Brothers
603:Richie Unterberger
567:Heart Full of Soul
388:the Rolling Stones
372:Paul Samwell-Smith
4251:
4250:
4168:Stealing Stealing
4112:The Sky Is Crying
3547:. New York City:
3528:Legacy Recordings
3522:. New York City:
3487:978-0-9791845-7-4
3468:978-1-84938-869-6
3382:. New York City:
3355:Gomelsky, Giorgio
3335:. San Francisco:
3275:. San Francisco:
3252:. San Francisco:
3244:Erlewine, Michael
3228:978-0-7679-2536-5
3217:. New York City:
3129:978-0-8108-8629-2
3030:, pp. 44–45.
2963:, pp. 6, 72.
2876:, pp. 44–45.
2698:, p. 45, 50.
2674:, pp. 16–17.
2521:, pp. 26–27.
1992:, pp. 29–30.
1963:, pp. 47–49.
1890:, pp. 66–67.
1878:, pp. 59–60.
1525:
1524:
1259:
1258:
1147:
1146:
617:" was written by
526:studio guitarists
261:
260:
257:
256:
89:March 1964 (live)
16:(Redirected from
4306:
4010:Shapes of Things
3996:Evil Hearted You
3961:I Wish You Would
3943:More Golden Eggs
3879:Shapes of Things
3794:Having a Rave Up
3655:
3648:
3641:
3632:
3608:
3585:
3562:
3539:
3508:
3491:
3472:
3449:
3423:
3397:
3374:
3350:
3322:
3313:
3290:
3267:
3241:
3232:
3204:
3181:
3156:
3133:
3110:
3091:
3064:
3063:
3061:
3059:
3047:Having a Rave Up
3045:"The Yardbirds:
3040:
3031:
3025:
3019:
3018:
3016:
3014:
2997:
2988:
2982:
2976:
2970:
2964:
2958:
2952:
2946:
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2922:
2916:
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2889:
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2828:
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2092:
2086:
2080:
2074:
2063:
2057:
2048:
2042:
2036:
2030:
2024:
2018:
1993:
1987:
1981:
1975:
1964:
1958:
1952:
1946:
1935:
1929:
1918:
1912:
1903:
1897:
1891:
1885:
1879:
1873:
1867:
1861:
1839:
1838:, and Howard Kay
1823:
1818:
1812:
1780:
1774:
1767:
1761:
1720:Having a Rave Up
1716:
1710:
1671:Having a Rave Up
1668:
1662:
1659:Having a Rave Up
1651:
1645:
1642:Shapes of Things
1634:
1628:
1624:
1592:Giorgio Gomelsky
1568:musical director
1518:
1508:, Dreja, McCarty
1469:
1337:Shapes of Things
1318:
1313:
1300:Ready Steady Go!
1294:
1275:Having a Rave Up
1252:
1159:
1154:
1135:
1078:
1050:Evil Hearted You
1011:
1006:
941:Having a Rave Up
904:soundtrack album
892:
882:Ready Steady Go!
857:
852:Having a Rave Up
850:Five songs from
836:Having a Rave Up
829:
824:Shapes of Things
812:Having a Rave Up
806:Having a Rave Up
783:Having a Rave Up
772:Having a Rave Up
751:Advision Studios
721:
716:Having a Rave Up
696:
661:
571:Evil Hearted You
563:Having a Rave Up
551:Having a Rave Up
506:Columbia Records
495:Having a Rave Up
446:Giorgio Gomelsky
424:Who Do You Love?
416:I Wish You Would
402:artists such as
400:rhythm and blues
338:Shapes of Things
333:Having a Rave Up
316:
271:Having a Rave Up
226:
225:
211:Giorgio Gomelsky
188:
187:
183:
169:experimental pop
143:
79:
77:
44:
32:
21:
4314:
4313:
4309:
4308:
4307:
4305:
4304:
4303:
4254:
4253:
4252:
4247:
4228:Jeff Beck Group
4201:
4105:Five Long Years
4077:Who Do You Love
4057:
3948:
3923:
3905:
3859:
3820:
3778:
3772:
3664:
3659:
3615:
3605:
3588:
3582:
3565:
3559:
3542:
3511:
3494:
3488:
3475:
3469:
3452:
3426:
3420:
3400:
3394:
3377:
3353:
3347:
3320:"The Yardbirds"
3316:
3310:
3293:
3287:
3270:
3264:
3239:"The Yardbirds"
3235:
3229:
3207:
3201:
3184:
3178:
3159:
3153:
3136:
3130:
3120:Scarecrow Press
3113:
3094:
3075:
3072:
3067:
3057:
3055:
3042:
3041:
3034:
3026:
3022:
3012:
3010:
3009:. 19 March 2015
2999:
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2884:
2880:
2872:
2868:
2860:
2856:
2848:
2844:
2836:
2832:
2815:
2805:(Album notes).
2801:
2800:
2796:
2788:
2781:
2771:
2769:
2761:
2760:
2756:
2748:
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2733:
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2721:
2714:
2706:
2702:
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2682:
2678:
2670:
2666:
2649:
2631:(Album notes).
2627:
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2308:
2306:
2294:
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2284:
2274:
2272:
2261:
2260:
2251:
2234:
2216:(Album notes).
2212:
2211:
2194:
2186:
2182:
2174:
2163:
2155:
2151:
2143:
2136:
2128:
2124:
2116:
2112:
2104:
2095:
2087:
2083:
2075:
2066:
2058:
2051:
2043:
2039:
2033:Schumacher 2003
2031:
2027:
2019:
1996:
1990:Schumacher 2003
1988:
1984:
1976:
1967:
1959:
1955:
1947:
1938:
1930:
1921:
1913:
1906:
1898:
1894:
1886:
1882:
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1870:
1862:
1851:
1847:
1842:
1821:
1819:
1815:
1781:
1777:
1768:
1764:
1717:
1713:
1669:
1665:
1652:
1648:
1638:Five Long Years
1635:
1631:
1625:
1621:
1617:
1612:
1588:
1536:
1531:
1526:
1516:
1265:
1260:
1250:
1148:
1133:
1092:"Still I'm Sad"
1075:Ellas McDaniel
1056:Graham Gouldman
997:
992:
938:
890:
855:
848:
840:Capitol Records
827:
780:
755:Olympic Studios
719:
712:
702:arrangement by
694:
663:
655:
639:Gregorian chant
635:psychedelic pop
559:
518:Graham Gouldman
360:
342:follow-up album
322:replaced Beck.
314:
252:
243:
234:
185:
181:
180:
141:
130:, New York City
75:
73:
64:
47:
28:
23:
22:
15:
12:
11:
5:
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4192:
4185:
4178:
4171:
4164:
4157:
4150:
4143:
4136:
4129:
4122:
4119:My Girl Sloopy
4115:
4108:
4101:
4094:
4087:
4080:
4073:
4065:
4063:
4059:
4058:
4056:
4055:
4048:
4041:
4034:
4027:
4020:
4013:
4006:
3999:
3992:
3985:
3978:
3971:
3968:A Certain Girl
3964:
3956:
3954:
3950:
3949:
3947:
3946:
3939:
3931:
3929:
3925:
3924:
3922:
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3804:
3797:
3790:
3782:
3780:
3774:
3773:
3771:
3770:
3765:
3763:Kenny Aaronson
3760:
3755:
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3735:
3728:
3727:
3720:
3713:
3706:
3699:
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3666:
3665:
3660:
3658:
3657:
3650:
3643:
3635:
3629:
3628:
3614:
3613:External links
3611:
3610:
3609:
3604:978-1617802270
3603:
3586:
3580:
3572:Backbeat Books
3563:
3558:978-0806524665
3557:
3540:
3509:
3492:
3486:
3473:
3467:
3450:
3424:
3419:978-0252069154
3418:
3402:Hicks, Michael
3398:
3393:978-0806535555
3392:
3375:
3373:. SNAD 905 CD.
3363:Charly Records
3351:
3346:978-0879306274
3345:
3337:Backbeat Books
3314:
3309:978-1480329706
3308:
3291:
3285:
3277:Backbeat Books
3268:
3262:
3233:
3227:
3219:Broadway Books
3205:
3200:978-0881889086
3199:
3182:
3176:
3168:Backbeat Books
3157:
3152:978-1617135743
3151:
3134:
3128:
3111:
3092:
3071:
3068:
3066:
3065:
3032:
3020:
2989:
2987:, p. 171.
2977:
2973:Billboard 1965
2965:
2961:Billboard 1965
2953:
2941:
2929:
2917:
2905:
2890:
2878:
2866:
2854:
2842:
2830:
2794:
2792:, p. 214.
2779:
2754:
2752:, p. 212.
2739:
2737:, p. 213.
2727:
2712:
2708:Billboard 1966
2700:
2688:
2676:
2664:
2635:. Back cover:
2620:
2608:
2606:, p. 208.
2596:
2577:
2575:, p. 209.
2562:
2550:
2538:
2523:
2511:
2494:
2482:
2480:, p. 114.
2463:
2451:
2439:
2413:
2384:
2372:
2340:
2328:
2316:
2282:
2249:
2220:. Back cover:
2192:
2180:
2161:
2159:, p. 173.
2149:
2134:
2122:
2110:
2093:
2081:
2064:
2062:, p. 453.
2049:
2037:
2025:
1994:
1982:
1965:
1953:
1936:
1919:
1917:, p. 290.
1904:
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1655:Fender Esquire
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1263:Album reissues
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1046:
1042:
1041:
1038:
1033:
1026:
1022:
1021:
1018:
1015:
1012:
1001:
996:
995:Original album
993:
991:
988:
937:
934:
847:
844:
779:
776:
734:in Chicago by
711:
708:
698:" on the 1956
647:
583:Norwegian Wood
558:
555:
473:describes it:
392:Crawdaddy Club
359:
356:
259:
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245:
236:
222:
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208:
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49:
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45:
37:
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26:
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14:
13:
10:
9:
6:
4:
3:
2:
4311:
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4280:
4277:
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4183:
4179:
4176:
4172:
4169:
4165:
4162:
4158:
4155:
4151:
4148:
4147:Dust My Blues
4144:
4141:
4137:
4134:
4130:
4127:
4123:
4120:
4116:
4113:
4109:
4106:
4102:
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4025:
4021:
4018:
4014:
4011:
4007:
4004:
4000:
3997:
3993:
3990:
3986:
3983:
3982:For Your Love
3979:
3976:
3972:
3969:
3965:
3962:
3958:
3957:
3955:
3951:
3945:
3944:
3940:
3938:
3937:
3933:
3932:
3930:
3926:
3920:
3919:
3915:
3914:
3912:
3908:
3902:
3901:
3900:Yardbirds '68
3897:
3895:
3894:
3890:
3888:
3887:
3883:
3881:
3880:
3876:
3874:
3873:
3869:
3868:
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3862:
3856:
3855:
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3837:
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3834:
3830:
3829:
3827:
3823:
3817:
3816:
3812:
3810:
3809:
3805:
3803:
3802:
3798:
3796:
3795:
3791:
3789:
3788:
3787:For Your Love
3784:
3783:
3781:
3775:
3769:
3766:
3764:
3761:
3759:
3756:
3754:
3751:
3749:
3748:Jerry Donahue
3746:
3744:
3741:
3739:
3736:
3734:
3730:
3729:
3726:
3725:
3721:
3719:
3718:
3714:
3712:
3711:
3707:
3705:
3704:
3700:
3698:
3697:
3693:
3691:
3690:
3686:
3684:
3683:
3679:
3677:
3676:
3671:
3670:
3667:
3663:
3662:The Yardbirds
3656:
3651:
3649:
3644:
3642:
3637:
3636:
3633:
3626:
3622:
3621:
3617:
3616:
3612:
3606:
3600:
3596:
3592:
3587:
3583:
3581:0-87930-871-0
3577:
3573:
3569:
3564:
3560:
3554:
3550:
3549:Citadel Press
3546:
3541:
3537:
3533:
3529:
3525:
3521:
3517:
3516:
3510:
3506:
3502:
3498:
3493:
3489:
3483:
3479:
3474:
3470:
3464:
3460:
3459:Omnibus Press
3456:
3451:
3447:
3443:
3439:
3438:Rhino Records
3435:
3434:
3429:
3425:
3421:
3415:
3411:
3407:
3403:
3399:
3395:
3389:
3385:
3381:
3376:
3372:
3368:
3364:
3360:
3356:
3352:
3348:
3342:
3338:
3334:
3330:
3326:
3321:
3315:
3311:
3305:
3301:
3297:
3292:
3288:
3286:0-87930-724-2
3282:
3278:
3274:
3273:The Yardbirds
3269:
3265:
3263:0-87930-424-3
3259:
3255:
3251:
3250:
3245:
3240:
3234:
3230:
3224:
3220:
3216:
3215:
3210:
3209:Clapton, Eric
3206:
3202:
3196:
3192:
3188:
3183:
3179:
3177:0-87930-632-7
3173:
3169:
3165:
3164:
3158:
3154:
3148:
3144:
3140:
3135:
3131:
3125:
3121:
3117:
3112:
3108:
3104:
3100:
3099:
3093:
3089:
3085:
3081:
3080:
3074:
3073:
3069:
3054:
3050:
3048:
3043:Eder, Bruce.
3039:
3037:
3033:
3029:
3024:
3021:
3008:
3007:
3002:
2996:
2994:
2990:
2986:
2985:Sullivan 2004
2981:
2978:
2975:, p. 72.
2974:
2969:
2966:
2962:
2957:
2954:
2951:, p. 13.
2950:
2945:
2942:
2939:, p. 53.
2938:
2937:Shadwick 2005
2933:
2930:
2927:, p. 18.
2926:
2925:Shadwick 2005
2921:
2918:
2915:, p. 13.
2914:
2913:Shadwick 2005
2909:
2906:
2903:, p. 72.
2902:
2897:
2895:
2891:
2888:, p. 12.
2887:
2886:Shadwick 2005
2882:
2879:
2875:
2870:
2867:
2863:
2858:
2855:
2851:
2846:
2843:
2840:, back cover.
2839:
2834:
2831:
2826:
2820:
2812:
2808:
2807:The Yardbirds
2804:
2798:
2795:
2791:
2786:
2784:
2780:
2768:
2764:
2758:
2755:
2751:
2746:
2744:
2740:
2736:
2731:
2728:
2725:, p. 50.
2724:
2719:
2717:
2713:
2710:, p. 48.
2709:
2704:
2701:
2697:
2692:
2689:
2686:, p. 21.
2685:
2680:
2677:
2673:
2668:
2665:
2660:
2654:
2646:
2642:
2638:
2634:
2633:The Yardbirds
2630:
2629:For Your Love
2624:
2621:
2618:, p. 75.
2617:
2612:
2609:
2605:
2600:
2597:
2594:, p. 45.
2593:
2588:
2586:
2584:
2582:
2578:
2574:
2569:
2567:
2563:
2560:, p. 44.
2559:
2554:
2551:
2548:, p. 30.
2547:
2546:Birnbaum 2012
2542:
2539:
2536:, p. 26.
2535:
2530:
2528:
2524:
2520:
2515:
2512:
2508:
2503:
2501:
2499:
2495:
2491:
2486:
2483:
2479:
2478:Casabona 1989
2474:
2472:
2470:
2468:
2464:
2460:
2459:di Perna 2012
2455:
2452:
2449:, p. 40.
2448:
2443:
2440:
2428:
2424:
2417:
2414:
2402:
2398:
2391:
2389:
2385:
2382:, p. 50.
2381:
2376:
2373:
2361:
2357:
2353:
2347:
2345:
2341:
2338:, p. 37.
2337:
2332:
2329:
2326:, p. 92.
2325:
2320:
2317:
2305:
2301:
2297:
2291:
2289:
2287:
2283:
2270:
2269:
2268:Rolling Stone
2264:
2258:
2256:
2254:
2250:
2245:
2239:
2231:
2227:
2223:
2219:
2218:The Yardbirds
2215:
2209:
2207:
2205:
2203:
2201:
2199:
2197:
2193:
2189:
2184:
2181:
2177:
2172:
2170:
2168:
2166:
2162:
2158:
2153:
2150:
2147:, p. 11.
2146:
2145:Shadwick 2005
2141:
2139:
2135:
2132:, p. 44.
2131:
2126:
2123:
2120:, p. 76.
2119:
2114:
2111:
2108:, p. 32.
2107:
2102:
2100:
2098:
2094:
2091:, p. 30.
2090:
2085:
2082:
2079:, p. 45.
2078:
2073:
2071:
2069:
2065:
2061:
2056:
2054:
2050:
2047:, p. 31.
2046:
2041:
2038:
2035:, p. 29.
2034:
2029:
2026:
2022:
2017:
2015:
2013:
2011:
2009:
2007:
2005:
2003:
2001:
1999:
1995:
1991:
1986:
1983:
1980:, p. 49.
1979:
1974:
1972:
1970:
1966:
1962:
1957:
1954:
1951:, p. 25.
1950:
1945:
1943:
1941:
1937:
1934:, p. 47.
1933:
1928:
1926:
1924:
1920:
1916:
1911:
1909:
1905:
1902:, p. 46.
1901:
1896:
1893:
1889:
1884:
1881:
1877:
1872:
1869:
1866:, p. 15.
1865:
1860:
1858:
1856:
1854:
1850:
1844:
1837:
1833:
1832:Tiny Bradshaw
1829:
1828:
1817:
1814:
1810:
1806:
1802:
1798:
1794:
1793:
1788:
1784:
1779:
1776:
1772:
1771:Rolling Stone
1766:
1763:
1759:
1758:
1754:' new album,
1753:
1749:
1748:
1743:
1739:
1735:
1734:
1729:
1725:
1721:
1715:
1712:
1708:
1707:
1702:
1701:
1700:Animal Tracks
1696:
1692:
1691:
1686:
1682:
1681:
1676:
1672:
1667:
1664:
1660:
1656:
1650:
1647:
1643:
1639:
1633:
1630:
1623:
1620:
1614:
1609:
1604:
1601:
1597:
1593:
1590:
1589:
1585:
1580:
1577:
1574:
1571:
1569:
1565:
1562:
1559:
1556:
1553:
1550:
1547:
1544:
1541:
1538:
1537:
1534:The Yardbirds
1533:
1528:
1520:
1517:Total length:
1510:
1507:
1503:
1500:
1496:
1492:
1489:
1486:
1482:
1478:
1476:
1472:
1466:"Here 'Tis" (
1465:
1461:
1457:
1454:
1451:
1447:
1443:
1440:
1437:
1433:
1429:
1426:
1423:
1419:
1415:
1412:
1409:
1405:
1401:
1398:
1395:
1391:
1387:
1385:
1382:
1379:
1375:
1371:
1369:
1365:
1362:
1358:
1354:
1352:
1348:
1344:
1341:
1338:
1334:
1330:
1314:
1307:
1305:
1301:
1297:
1290:
1289:
1284:
1280:
1276:
1272:
1271:
1262:
1254:
1251:Total length:
1244:
1241:
1238:
1234:
1230:
1227:
1224:
1220:
1216:
1212:
1210:
1209:Rudolph Isley
1206:
1202:
1201:O'Kelly Isley
1199:
1197:"Respectable"
1196:
1192:
1188:
1186:
1182:
1179:
1175:
1171:
1155:
1142:
1139:
1136:
1129:
1125:
1121:
1118:
1115:
1111:
1107:
1103:
1101:
1097:
1094:
1091:
1087:
1083:
1081:
1074:
1071:
1067:
1063:
1059:
1057:
1054:
1051:
1047:
1043:
1039:
1037:
1034:
1031:
1027:
1023:
1007:
1000:
994:
990:Track listing
989:
987:
984:
983:
977:
976:
975:Rolling Stone
970:
968:
962:
960:
959:
958:Guitar Player
953:
950:
946:
942:
935:
933:
931:
927:
923:
919:
915:
914:
907:
905:
903:
898:
897:
888:
884:
883:
877:
875:
874:
869:
865:
861:
853:
845:
843:
841:
837:
833:
825:
821:
817:
813:
809:
807:
803:
799:
798:
792:
788:
784:
777:
775:
773:
769:
763:
761:
756:
752:
747:
745:
741:
737:
733:
732:Chess Studios
729:
725:
717:
709:
707:
705:
701:
697:
689:
687:
683:
682:rhythm guitar
679:
674:
672:
668:
662:
659:
652:
646:
644:
640:
636:
632:
628:
624:
620:
616:
612:
608:
604:
600:
596:
592:
588:
584:
580:
576:
572:
568:
564:
556:
554:
552:
548:
547:
546:For Your Love
542:
538:
533:
531:
527:
523:
519:
515:
511:
510:For Your Love
507:
503:
498:
496:
491:
487:
486:
479:
474:
472:
471:Michael Hicks
468:
464:
463:improvisation
460:
456:
451:
447:
443:
442:home counties
439:
435:
433:
429:
425:
421:
417:
413:
409:
405:
401:
397:
393:
389:
385:
381:
377:
373:
369:
365:
357:
355:
353:
349:
348:
343:
339:
334:
330:
329:
328:Greatest Hits
323:
321:
317:
310:
309:
303:
301:
297:
293:
289:
285:
281:
280:the Yardbirds
277:
273:
272:
267:
266:
251:
250:
246:
242:
241:
237:
233:
232:
231:For Your Love
228:
227:
223:
219:
218:The Yardbirds
215:
212:
209:
207:
203:
200:
197:
195:
191:
179:
175:
170:
167:
165:
162:
160:
157:
156:
155:
153:
149:
139:
135:
132:
129:
126:
123:
120:
117:
114:
113:
112:
108:
104:
101:
97:
91:
88:
87:
86:
82:
71:
67:
63:
62:the Yardbirds
58:
54:
50:
43:
38:
33:
30:
19:
4243:Box of Frogs
4233:Led Zeppelin
4154:White Summer
3941:
3934:
3916:
3898:
3891:
3884:
3877:
3870:
3852:
3845:
3838:
3831:
3813:
3808:Little Games
3806:
3799:
3793:
3792:
3785:
3768:Myke Scavone
3722:
3715:
3710:Eric Clapton
3708:
3701:
3694:
3687:
3680:
3673:
3618:
3590:
3567:
3544:
3524:Epic Records
3513:
3496:
3477:
3454:
3431:
3405:
3379:
3358:
3332:
3295:
3272:
3247:
3213:
3186:
3162:
3138:
3115:
3096:
3095:"Top LP's".
3077:
3056:. Retrieved
3046:
3023:
3011:. Retrieved
3004:
2980:
2968:
2956:
2949:Santoro 1991
2944:
2932:
2920:
2908:
2881:
2869:
2857:
2845:
2833:
2809:. LP label:
2802:
2797:
2770:. Retrieved
2757:
2730:
2703:
2691:
2684:Clayson 2002
2679:
2667:
2637:Epic Records
2628:
2623:
2616:Clayson 2002
2611:
2599:
2553:
2541:
2514:
2509:, p. 4.
2492:, p. 2.
2485:
2454:
2442:
2430:. Retrieved
2416:
2404:. Retrieved
2375:
2363:. Retrieved
2331:
2324:Clayson 2002
2319:
2307:. Retrieved
2273:. Retrieved
2266:
2222:Epic Records
2213:
2183:
2176:Bowling 2013
2157:Clayson 2002
2152:
2125:
2118:Clayson 2002
2113:
2084:
2040:
2028:
1985:
1978:Clapton 2007
1961:Clapton 2007
1956:
1932:Clapton 2007
1900:Clapton 2007
1895:
1888:Clayson 2002
1883:
1876:Clayson 2002
1871:
1825:
1816:
1790:
1783:Epic Records
1778:
1770:
1765:
1755:
1745:
1741:
1731:
1723:
1719:
1714:
1704:
1698:
1688:
1678:
1670:
1666:
1658:
1649:
1632:
1622:
1552:Eric Clapton
1504:Relf, Beck,
1306:(track 21).
1303:
1299:
1295:
1286:
1274:
1268:
1266:
1205:Ronald Isley
1185:Howlin' Wolf
998:
980:
973:
972:
966:
964:
956:
954:
948:
940:
939:
926:Led Zeppelin
918:White Summer
911:
908:
901:
894:
880:
878:
873:BBC Sessions
871:
867:
851:
849:
835:
815:
811:
810:
805:
796:
787:Epic Records
782:
781:
771:
767:
764:
759:
748:
724:Sam Phillips
715:
713:
690:
675:
664:
657:
654:
649:
607:steel guitar
562:
560:
550:
544:
534:
499:
494:
483:
481:
476:
450:Marquee Club
438:Eric Clapton
436:
408:Howlin' Wolf
404:Muddy Waters
361:
345:
332:
331:collection,
326:
324:
306:
304:
288:Eric Clapton
270:
269:
268:, or simply
264:
263:
262:
247:
239:
238:
229:
103:Marquee Club
53:Studio album
29:
4264:1965 albums
4238:Renaissance
4213:Discography
4140:The Stumble
4070:Let It Rock
4062:Other songs
3936:Golden Eggs
3910:Soundtracks
3864:Anthologies
3825:Live albums
3696:Jim McCarty
3689:Chris Dreja
3595:Hal Leonard
3507:. EARS 035.
3448:. R2 79825.
3300:Hal Leonard
3191:Hal Leonard
3187:Rock Guitar
3143:Hal Leonard
2772:13 February
2647:. BN 26167.
2558:Carson 2001
2275:9 September
2232:. LN 24177.
1805:Mort Shuman
1757:Rubber Soul
1726:issue were
1695:the Animals
1573:Jim McCarty
1558:Chris Dreja
1501:"Stroll On"
1368:Chris Dreja
1351:Jim McCarty
1239:"Here 'Tis"
1100:Jim McCarty
800:magazine's
595:Tone Bender
579:the Beatles
541:psychedelic
459:double-time
376:Jim McCarty
368:Chris Dreja
296:psychedelic
4258:Categories
3779:recordings
3738:Gypie Mayo
3724:Jimmy Page
3703:Top Topham
3675:Keith Relf
3457:. London:
3070:References
2901:Russo 2016
2862:Russo 2016
2850:Russo 2016
2790:Russo 2016
2750:Russo 2016
2735:Russo 2016
2723:Russo 2016
2696:Russo 2016
2604:Russo 2016
2573:Russo 2016
2447:Russo 2016
2336:Russo 2016
2188:Russo 2016
2106:Russo 2016
2089:Russo 2016
2077:Russo 2016
2045:Hicks 2000
2021:Power 2011
1949:Russo 2016
1915:Clark 1996
1864:Russo 2016
1787:Bo Diddley
1673:outlasted
1600:bass vocal
1598:, backing
1579:Jimmy Page
1540:Keith Relf
1506:Jimmy Page
1475:Bo Diddley
1347:Keith Relf
1279:Repertoire
1080:Bo Diddley
834:, pressed
700:rockabilly
643:bass vocal
611:slide solo
575:blues-rock
522:Jimmy Page
412:Bo Diddley
380:Top Topham
374:, drummer
370:, bassist
364:Keith Relf
358:Background
320:Jimmy Page
292:blues rock
159:Blues rock
76:1965-11-15
57:live album
4024:Boom Boom
4003:I'm a Man
3886:Ultimate!
3758:Johnny A.
3743:Alan Glen
3733:John Idan
3717:Jeff Beck
3536:144959074
3520:Jeff Beck
3515:Beckology
3505:811355562
3446:781357622
3433:Ultimate!
3428:Koda, Cub
3107:0006-2510
3098:Billboard
3088:0006-2510
3079:Billboard
2060:Eder 2001
1845:Citations
1836:Lois Mann
1811:in 1959).
1801:Doc Pomus
1724:Billboard
1685:the Kinks
1627:Clapton".
1615:Footnotes
1546:Jeff Beck
1529:Personnel
1384:Jeff Beck
1324:Writer(s)
1270:Ultimate!
1223:I'm a Man
1165:Writer(s)
1070:I'm a Man
1036:Mike Hugg
1017:Writer(s)
949:Billboard
842:in 1966.
820:pop chart
797:Billboard
791:tea dance
744:Roy Halee
667:I'm a Man
623:folk-rock
619:Mike Hugg
599:minor key
537:hard rock
530:Jeff Beck
512:", a new
352:hard rock
300:hard rock
286:replaced
284:Jeff Beck
124:, Chicago
118:, Memphis
4133:Spoonful
3928:Bootlegs
3815:Birdland
3753:Ben King
3538:. 48661.
3404:(2000).
3371:62367983
3331:(eds.).
3211:(2007).
3053:AllMusic
3013:16 March
2645:29310757
2639:. 1965.
2461:, eBook.
2427:AllMusic
2406:10 April
2401:AllMusic
2360:AllMusic
2304:AllMusic
2230:29317867
2224:. 1965.
2178:, eBook.
2023:, eBook.
1797:Columbia
1785:spelled
1596:producer
1490:McDaniel
1242:McDaniel
1228:McDaniel
1119:Gouldman
832:Columbia
768:de facto
736:Ron Malo
671:Cub Koda
514:pop rock
490:AllMusic
430:", and "
354:guitar.
206:Producer
134:Advision
128:Columbia
116:Phillips
105:, London
84:Recorded
69:Released
59: by
4218:Members
4206:Related
3953:Singles
3625:Discogs
3246:(ed.).
2432:17 July
2365:17 July
2309:17 July
1752:Beatles
1718:To put
1690:Kinkdom
1304:Blow-Up
902:Blow-Up
802:Top LPs
726:at his
631:sustain
627:vibrato
569:" and "
347:Blow-Up
253:(1966)
244:(1965)
235:(1965)
138:Olympic
74: (
55: /
3777:Studio
3601:
3578:
3555:
3534:
3503:
3484:
3465:
3444:
3416:
3390:
3369:
3343:
3306:
3283:
3260:
3225:
3197:
3174:
3149:
3126:
3105:
3086:
3058:9 June
2643:
2271:. 2012
2228:
1809:Fabian
1744:, and
1693:, and
1468:a.k.a.
1366:Relf,
1327:Length
1293:a.k.a.
1168:Length
1077:a.k.a.
1020:Length
896:Blowup
660:(2012)
629:- and
609:-like
410:, and
278:group
177:Length
144:London
142:
110:Studio
4223:Cream
3323:. In
3242:. In
1824:" on
1610:Notes
1521:73:09
1321:Title
1255:37:40
1162:Title
1134:'
1014:Title
695:'
591:metre
587:sitar
457:into
396:blues
315:'
194:Label
164:blues
152:Genre
122:Chess
99:Venue
3599:ISBN
3576:ISBN
3553:ISBN
3532:OCLC
3501:OCLC
3482:ISBN
3463:ISBN
3442:OCLC
3414:ISBN
3388:ISBN
3367:OCLC
3341:ISBN
3304:ISBN
3281:ISBN
3258:ISBN
3223:ISBN
3195:ISBN
3172:ISBN
3147:ISBN
3124:ISBN
3103:ISSN
3084:ISSN
3060:2019
3015:2020
2825:link
2774:2016
2659:link
2641:OCLC
2434:2013
2408:2016
2367:2013
2311:2013
2277:2019
2244:link
2226:OCLC
1803:and
1586:with
1511:2:44
1493:4:04
1479:3:48
1458:3:09
1444:2:21
1430:3:02
1416:4:16
1402:2:22
1388:3:02
1372:4:17
1355:2:24
1245:5:04
1231:4:24
1213:5:28
1189:5:35
1143:3:26
1122:2:28
1104:2:57
1084:2:37
1060:2:24
1040:3:17
539:and
467:jazz
455:beat
426:", "
422:", "
418:", "
398:and
298:and
276:rock
199:Epic
136:and
3623:at
1740:'s
1498:21.
1484:20.
1463:19.
1449:18.
1435:17.
1421:16.
1407:15.
1393:14.
1377:13.
1360:12.
1332:11.
1317:No.
1283:JVC
1158:No.
1010:No.
876:).
864:BBC
434:".
4260::
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