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In the performance
Claxton smashes pieces of china and makes four bundles, placing the bundles in a sacred circle while a video of buffalo plays in the background. "Feeling the loss of the buffalo, the backbone of Plains spirituality and sustenance, the artist uses a rubber mallet to destroy plates
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I'm influenced by my own experience as a Lakota woman, as a
Canadian, a mixed blood Canadian, and then my own relationship to the natural and supernatural world. So taking that whole bundle of experiences, it all goes in to the artwork, I think that's where the multi-layering comes in because I've
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brings together landscape scenery, interviews and images to examine the founding of the Moose Jaw camp, the camp founded by
Sitting Bull after exodus out of the United States after the Battle of Little Bighorn. The piece, originally commissioned by the Moose Jaw Art Gallery, features four video
294:(2006), Claxton brings together five photographs to take a look on femininity and clothing. Through the series Claxton is showing a model wearing traditional regalia slowly removing articles of clothing to reveal a sexy outfit, bringing questions of sexuality and gender bias to light.
408:, Claxton states that " is about transformation, spirituality, and objectification of Indigenous ." When asked "what it means to be an NDN woman," Claxton cites "care for your family and community with generosity, courage, wisdom, and fortitude."
312:. Up close, large scale color portraits of Paul with his face painted, these works have been described as "imposing images, striking and cool, throw down a challenge to the sterile, nonspiritual, materialistic view of contemporary life."
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370:. The image is meant to support Aboriginal women who wish to release themselves from the binds of history, specifically one filled with sexualized stereotypes. Other images in the series are large scale reflections on the
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and bowls. The breaking of the china refers to the use of buffalo bones in the making of bone china during the period of exploitation and decimation of the buffalo." Claxton only smashed
British bone China.
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of Native peoples and how it is placed in popular culture. Through video, photography and conceptual projects
Claxton strives to blend traditional experiences and environments within contemporary spaces
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which features blown up black-and-white photos of declassified government documents about the at times controversial civil rights organization. The documents were collected when
Claxton lived in
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When not creating art, Claxton serves on panel discussions, as an art juror, curator, as well as a mentor for young and emerging artists. Claxton lives in
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267:(1994) where she explores the effects of colonialism on Canadian women. Evolving her artistic goals further, starting in 1996 with
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awarded
Claxton their prize for outstanding achievement by a mid-career Canadian artist. In 2019 Claxton received the
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Claxton combines her own world-view with
Indigenous issues from the past and present. She investigates concerns about
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screens, archival images and interviews from the camps original inhabitants, as well as footage of the site.
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she incorporates traditional objects and symbols of Lakota spirituality in contemporary spaces and environs.
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shows an
Indigenous man in a black suit with face paint and braided hair, standing next to a red
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Claxton's video creations started in the early 1990s. Experimenting with video in works such as
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She has worked closely with numerous
Canadian and First Nations organizations, such as the
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had a very multi-layered life. And it's all those experiences that go in to the work.
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in New York City. She received a Masters Degree in Liberal Studies in 2007 from
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represents freedom and mobility, and is not necessarily displayed as a horse.
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904:"HB Studio - Notable Alumni | One of the Original Acting Studios in NYC"
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Gatherings: Aboriginal Art from the Collection of the Winnipeg Art Gallery
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Claxton co-founded the Indigenous Media Arts Group and has taught at the
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134:'s followers who escaped persecution by the U.S. Army in 1876 after the
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Her numerous video projects have been shown in more than 15 countries.
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in Vancouver. In 2003 she served as the Global Television Chair at the
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where she taught at the school of journalism. In 2010 she served as
974:"Indigenous (re)memory and resistance: video works by Dana Claxton"
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1097:"ART SEEN: Only British bone china allowed for Buffalo Bone China"
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in the category of Arts, Culture and Design. Claxton won the 2020
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where she was made Ruth Wynn Woodward Endowed Chair in 2009-2010.
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Indigenous Canadian filmmaker, photographer and performance artist
191:, a First Nations oriented children's program and 26 episodes of
1039:"Dana Claxton's new interdisciplinary work is a cultural mashup"
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in Canada from 23 May 2009 to 13 September 2009, as well as the
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1194:"Governor General's Awards in Visual and Media Arts Archives"
201:, a program about the Aboriginal population of Vancouver.
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Governor General's Award in Visual and Media Arts winners
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take a vivid look at the meanings and stereotypes behind
101:. Her work looks at stereotypes, historical context, and
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300:(2009) features portraits of Joseph Paul, a ceremonial
246:, body imagery, beauty, politics, spirituality and the
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for Artistic Achievement in the Visual Arts Category.
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and Mary Beth Leatherdale. Included in her art piece
142:, she is the youngest of four siblings. Her family's
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Academic staff of the University of British Columbia
693:"Exploring the Sacred in Aboriginal Performance Art"
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Claxton's photography has been featured in the book
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Mama Has a Pony Girl…Named History and Sets Her Free
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613:Eiteljorg Fellowship for Native American Fine Art
115:Eiteljorg Fellowship for Native American Fine Art
769:. University of British Columbia. Archived from
398:#NotYourPrincess Voices of Native American Women
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621:, 2006, Biennale d’art contemporain du Havre
385:in the late 1980s and early 1990s, from the
327:vision of the Horse Dance. A group of large
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479:Created in 2003 and displayed at the 17th
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471:from 27 October 2018 to 3 February 2019.
1273:Dana Claxton: From a Whisper to a Scream
922:contemporaryartfellowship.eiteljorg.org/
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150:, is located in Southwest Saskatchewan.
924:. Eiteljorg Contemporary Art Fellowship
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347:features twin girls in red dresses and
160:Emily Carr University of Art and Design
854:. University of Regina. Archived from
437:and video to dissect the effects upon
1288:Dana Claxton and the Power of Looking
7:
1011:. Biennale of Sydney. Archived from
667:. Phaidon Press. 2019. p. 103.
485:Sitting Bull and the Moose Jaw Sioux
475:Sitting Bull and the Moose Jaw Sioux
351:on bicycles. Another in the series,
130:Claxton's family are descendants of
1226:. Robert McLaughlin Gallery, Oshawa
1095:Griffin, Kevin (26 November 2018).
374:community in a contemporary world.
217:. She previously studied acting at
138:, heading to Canada. Growing up in
1395:Canadian women performance artists
107:Indigenous peoples of the Americas
70:Film, performance, and photography
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1370:First Nations performance artists
852:The Global Network Visiting Chair
359:with her arms outstretched and a
183:Canadian Broadcasting Corporation
148:Wood Mountain Lakota First Nation
1435:Film directors from Saskatchewan
1380:First Nations conceptual artists
1299:an exhibition curated by Claxton
1258:Dana Claxton: Disturbing History
1250:Dana Claxton, Buffalo Bone China
433:Claxton blends performance art,
377:Claxton has also focused on the
825:. Simon Fraser University. 2010
502:YWCA Women of Distinction Award
213:and is a faculty member at the
1314:from the Vancouver Art Gallery
799:. Dana Claxton. Archived from
215:University of British Columbia
113:. In 2007, she was awarded an
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1440:Film directors from Vancouver
441:peoples due to policies from
179:National Film Board of Canada
154:Teaching and video production
97:filmmaker, photographer, and
1405:Canadian women photographers
1390:Canadian performance artists
1200:. Governor General of Canada
400:(2017), which was edited by
170:Ruth Wynn Woodward Chair in
136:Battle of the Little Bighorn
109:, specifically those of the
1475:First Nations women artists
1400:First Nations photographers
1385:Canadian conceptual artists
557:Colby College Museum of Art
523:Colby College Museum of Art
512:Selected public collections
393:and related organizations.
211:Vancouver, British Columbia
45:1959 (age 64–65)
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1123:www.mackenzieartgallery.ca
1072:. Arts Ask. Archived from
602:National Gallery of Canada
1425:Artists from Saskatchewan
732:. Artsask. Archived from
627:, 2005, Art Star Biennale
609:, 2007, Montreal Biennale
529:Robert McLaughlin Gallery
168:Simon Fraser University's
1375:First Nations filmmakers
1264:17 December 2014 at the
848:"2003–2004 Dana Claxton"
823:"Images of Native Women"
615:, 2007, Eiteljorg Museum
593:University of Lethbridge
506:Governor General's Award
379:American Indian Movement
345:Baby Girls Gotta Mustang
315:Newer works such as the
1465:First Nations academics
1148:www.vanartgallery.bc.ca
1144:"Vancouver Art Gallery"
1037:Robin Laurence (2010).
691:Kristin Dowell (2005).
553:Time and Tide Flow Wide
518:Canada Council Art Bank
387:New York Public Library
310:Musqueam Indian Reserve
223:Simon Fraser University
140:Moose Jaw, Saskatchewan
126:Heritage and early life
1460:Canadian women artists
1430:Artists from Vancouver
1291:from The Vancouver Sun
443:colonial Great Britain
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337:Daddy's Gotta New Ride
304:Black Face dancer and
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1339:13 March 2016 at the
1279:30 March 2012 at the
645:Vancouver Art Gallery
566:Vancouver Art Gallery
535:Vancouver Art Gallery
469:Vancouver Art Gallery
465:MacKenzie Art Gallery
463:was exhibited at the
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308:dancer living on the
261:Grant Her Restitution
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49:Yorkton, Saskatchewan
1480:Lakota women artists
1348:The Medicine Project
1076:on 25 September 2018
1066:"Buffalo Bone China"
540:Winnipeg Art Gallery
498:Hnatyshyn Foundation
363:woman danced like a
238:– Dana Claxton, 2007
164:University of Regina
1410:People from Yorkton
972:Monika Kin Gagnon.
884:. The Artists. 2011
767:Visual Arts Faculty
665:Great women artists
1310:1 May 2015 at the
1296:Danger in Paradise
1224:rmg.minisisinc.com
1119:"Past Exhibitions"
1043:Visual Arts Review
976:. The Free Library
726:"About the Artist"
584:C.N. Gorman Museum
575:Biennale of Sydney
481:Biennale of Sydney
461:Buffalo Bone China
431:Buffalo Bone China
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417:Buffalo Bone China
292:On to the Red Road
265:I Want To Know Why
99:performance artist
1333:The Mustang Suite
1320:Redskin Imaginary
598:Steeling the Gaze
564:, 2018–19,
562:Fringing the Cube
425:An American bison
406:Onto the Red Road
198:First Stories-VTV
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730:Dana Claxton
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91:Dana Claxton
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1450:1959 births
948:www.sfu.ca/
882:Top Artists
547:Exhibitions
412:Major works
325:Black Elk's
286:Photography
263:(1991) and
248:iconography
80:danaclaxton
57:Nationality
1359:Categories
1178:17 October
1045:. Straight
954:21 January
928:21 January
651:References
451:bone china
372:Indigenous
355:, shows a
121:Background
1304:Red Paper
1204:18 August
1070:Homelands
944:"Faculty"
625:Solo show
619:Solo show
607:Solo show
571:Solo show
531:, Oshawa;
368:pony girl
365:burlesque
361:Caucasian
321:Indianess
219:HB Studio
188:Wakanheja
1337:Archived
1308:Archived
1277:Archived
1262:Archived
1153:19 March
1128:19 March
1103:19 March
643:, 1996,
633:, 2004,
600:, 2009,
591:, 2009,
589:New Work
582:, 2009,
573:, 2010,
555:, 2023,
525:, Maine;
329:C-prints
298:Paint Up
51:, Canada
1326:YouTube
1080:3 March
1049:3 March
1019:3 March
980:3 March
888:3 March
862:3 March
829:3 March
807:3 March
777:3 March
740:3 March
703:3 March
349:mukluks
333:mustang
306:Pow-wow
277:secular
193:ArtZone
144:reserve
75:Website
1009:Artist
671:
637:of Art
492:Awards
331:, the
302:Salish
273:sacred
255:Video
1232:2024
1206:2022
1180:2019
1155:2019
1130:2019
1105:2019
1082:2011
1051:2011
1021:2011
982:2011
956:2024
930:2024
890:2011
864:2011
831:2011
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669:ISBN
275:and
82:.com
42:Born
1324:on
429:In
391:FBI
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