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He Who Gets Slapped (film)

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679:"At the Capitol this week there is a picture which defies one to write about it without indulging in superlatives. It is a shadow drama so beautifully told, so flawlessly directed that we imagine that it will be held up as a model by all producers. Throughout its length there is not an instant of ennui, not a second one wants to lose...Never in his efforts before the camera has Mr. Chaney delivered such a marvelous performance as he does as this character. He is restrained in his acting, never overdoing the sentimental situations, and is guarded in his make-up...For dramatic value and a faultless adaptation of the play, this is the finest production we have yet seen." ---The New York Times 638: 691:"Never before have I seen Mr. Lon Chaney perform so faithfully and so knowingly as he does in this part of the tragic clown. Both as the scientist and later as the circus clown, he is shown to be abundantly equipped with those essential gifts which make for compelling characterization before the camera....(With all the film's) fineness, I am inclined to think that Mr. Lon Chaney is the real triumph" ---New York World 400:) becomes his patron, enabling him to do research while living in his mansion. One day, Beaumont announces to his beloved wife Marie and the Baron that he has proved all his theories and is ready to present them before the Academy of the Sciences. He leaves the arrangements to the Baron. However, after Beaumont goes to sleep, Marie steals his key, opens the safe containing his papers, and gives them to the Baron. 682:"While this picture may not quite live up to the claim made of "the perfect motion picture," it is nevertheless a mighty fine screen entertainment, capably acted, almost flawlessly directed and photographed...Lon Chaney as "He" stands out as possibly the greatest character actor of the screen. In this role he displays an understanding of character beyond anything that he has done heretofore." ---Variety 31: 434:
where an angry lion is kept in a cage. He moves the cage so that, when he carefully opens it, only the door to the next room prevents the lion from escaping. HE re-enters the other room through the only other entrance (making sure to lock it behind him) and reveals his identity to the Baron. HE threatens the Baron, but the Count stabs him with a sword.
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The Baron and the Count try to leave but, finding the main entrance locked, open the side door, releasing the lion. The animal kills the Count, then the Baron. However, the lion tamer shows up and saves HE from the same fate. HE goes on stage and collapses. Assuring Consuelo that he is happy and that
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On the appointed day, Beaumont travels to the Academy with the Baron. He is aghast when the Baron, instead of introducing him, takes credit for Beaumont's work himself. After he recovers from the shock, Beaumont confronts him in front of everyone, but the Baron tells them that Beaumont is merely his
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When her father leaves for a meeting with the Baron, Bezano takes Consuelo out to the countryside for a romantic meeting, where they declare their love for each other. Meanwhile, Count Mancini convinces the reluctant Baron that the only way he can have Consuelo is by marrying her. The Baron agrees,
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Later, HE admits to Consuelo he, too, is in love with her. She thinks he is kidding and laughingly slaps him. They are interrupted by the Baron and the Count, who inform Consuelo she will marry the Baron after the evening performance. When HE tries to interfere, he is locked in an adjoining room,
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The film was important in the careers of Chaney, Shearer, Gilbert, and Seastrom. Victor Seastrom called Chaney "the finest actor in the history of the screen or the stage". George Davis, a popular European clown, coached Chaney in his clown role. The circus sequences took two weeks to film on the
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One night, during HE's performance, he spots the Baron in the audience and becomes enraged. The Baron then goes backstage and begins flirting with Consuelo, which she does not like. The next day, the Baron sends Consuelo jewelry, but she rejects it.
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in one scene. People close to Lugosi thought it was evidence that Lugosi had appeared in the film, but film historians all agree that it is very unlikely as Lugosi was either in Chicago or New York City at the time this film was made in Hollywood.
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assistant and slaps him. All of the academicians laugh at his humiliation. Beaumont later seeks comfort from his wife, but Marie brazenly admits that she and the Baron are having an affair and calls him a clown. Beaumont leaves them.
341:. It was not, however, MGM's first released movie, as the film was held until the Christmas season when higher attendance was expected. The movie was highly profitable and critically hailed. It was also the first film to feature 603:
had played an uncredited bit part in this film, but this was never confirmed. The rumor originated from the discovery of a still from the film found in Lugosi's scrapbook posthumously, showing an unidentified clown speaking to
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she will be free to lead her own life, HE dies in her arms. (In the original Russian play, by contrast, HE poisons Consuelo and then himself, the Baron commits suicide afterward, and the Count survives.)
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gave the film a positive review, commending the film's inventive staging, lighting and sound design, and performances, but felt that the ending was predictable and drawn out. Hans J. Wollstein from
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as being "culturally, historically, or aesthetically significant". The film entered the public domain on January 1, 2020 (along with all American films from 1924) as dictated by U.S. copyright law.
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on November 30, 1999. Warner has re-released the film several times as a part of its 6-disc Warner Archive Collection, first on November 22, 2011 and later on June 23, 2015.
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Bela Lugosi: Dreams and Nightmares by Gary D. Rhodes, with Richard Sheffield, (2007) Collectables/Alpha Video Publishers, pg. 330, ISBN 0-9773798-1-7 (hardcover)
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and passed on to MGM when Goldwyn merged with two other companies to form MGM. Coincidentally, a real lion plays a key plot point in the Chaney film's plotline.
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received mostly positive reviews from critics upon its release, with many praising the film and Chaney's performance. In his 1924 review of the film for
411:. His act consists of his getting slapped every evening by other clowns, and includes HE pretending to present in front of the Academy of the Sciences. 978: 688:"(Chaney's) makeup is, as usual, perfect and he gives you a magnificent performance, full of pathos that brings a gulp to your throat" ---Movie Weekly 1929: 1841: 377: 1177: 2618: 1865: 1505: 2633: 2628: 1318: 783: 2673: 1160: 2678: 2623: 2089: 2001: 1065: 2065: 1345: 2658: 2425: 1415: 921: 868: 841: 724: 658:
praised the film's direction, performances, and story, calling it' "the finest production we have yet seen". Author and film critic
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on October 27, 1915. A critically successful Broadway production, using an English language translation of the original Russian by
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Five years pass by. Beaumont is now a clown calling himself "HE who gets slapped", the star attraction of a small circus near
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Frederick H. White (2016). "A Slap in the Face of American Taste". In Alexander Burry and Frederick H. White (ed.).
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studio's largest stage. Stills exist showing details of Chaney's makeup as both Paul Beaumont and "HE".
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A Slap in the Face of American Taste: Transporting He Who Gets Slapped to American Audiences
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playing the "HE" role on stage. The Russian original was made into a Russian movie in 1916.
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Blake, Michael F. (1998). "The Films of Lon Chaney". Vestal Press Inc. Page 142.
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Blake, Michael F. (1998). "The Films of Lon Chaney". Vestal Press Inc. Page 140.
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gave the film a positive review, praising Chaney's and McDermott's performances.
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Glancy, H. Mark (1992). "MGM film grosses, 1924–1948: The Eddie Mannix Ledger".
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In 2017, the film was selected for preservation in the United States
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for use at live concert screenings of the film, initially in the
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gave the film three out of a possible four stars, calling it "a
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and discards the heartbroken Marie, leaving her with a check.
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The film took in $ 881,000, and made a profit of $ 349,000.
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was the first film produced entirely by the newly formed
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Maltin, Leonard; Green, Spencer; Edelman, Rob (2010).
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Consuelo ( 29: 20: 979:"Complete National Film Registry Listing" 787:film review; November 8, 1924, page 178. 773:film review; November 12, 1924, page 24. 737: 735: 733: 591:has also composed a score for the film. 1506:A Good Girl Keeps Herself in Good Order 1046:. Classicalsource.com. February 1, 2008 712: 1176:Meeks, Christopher (August 29, 1996). 894: 884: 814: 804: 544:George Marion as a Laughing Professor 414:Another of the performers is Bezano ( 7: 2002:The Student Prince in Old Heidelberg 1152:Leonard Maltin's Classic Movie Guide 1126:Hall, Mordaunt (November 10, 1924). 912:Peter Hay, Woolsey Ackerman (1991). 553:Pierre Watkin as Spectator at Circus 14: 2654:Films produced by Irving Thalberg 2649:Films directed by Victor Sjöström 916:. Turner Publishing. p. 36. 1155:. 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AllMovie 707:References 606:Lon Chaney 517:as A Clown 505:as A Clown 503:Clyde Cook 487:as Briquet 481:as Tricaud 449:Lon Chaney 394:Lon Chaney 287:Lon Chaney 264:Box office 211:(premiere) 203:1924-11-09 166:Production 116:Lon Chaney 2386:Bombshell 2290:Mata Hari 2274:Possessed 2266:The Champ 2018:The Crowd 1946:La Bohème 1486:Judge Not 897:ignored ( 887:cite book 817:ignored ( 807:cite book 569:Goldfrapp 497:Ruth King 493:as Zinida 463:as Bezano 267:$ 881,000 259:$ 172,000 234:Languages 149:Hugh Wynn 145:Edited by 79:1914 play 16:1924 film 2541:The Trap 2466:Riffraff 2354:Red Dust 2122:The Kiss 1978:Valencia 1882:His Hour 1858:Producer 1776:The Wind 1322:Archived 1262:AllMovie 1022:BBC News 695:See also 674:Allmovie 155:Music by 109:Starring 70:Based on 2579:Related 2490:Maytime 2482:Camille 2402:Riptide 1938:Torrent 1606:Therèse 1306:YouTube 1282:at the 1271:at the 1183:Variety 1050:May 14, 1028:May 14, 770:Variety 669:Variety 613:Release 577:Bristol 362:by the 246:English 226:Country 201: ( 168:company 2562:(wife) 2552:People 2544:(1922) 2533:Writer 2525:(1938) 2517:(1937) 2509:(1937) 2501:(1937) 2493:(1937) 2485:(1936) 2477:(1936) 2469:(1936) 2461:(1935) 2453:(1935) 2445:(1935) 2437:(1935) 2429:(1934) 2421:(1934) 2413:(1934) 2405:(1934) 2397:(1933) 2394:Eskimo 2389:(1933) 2381:(1933) 2373:(1932) 2365:(1932) 2357:(1932) 2349:(1932) 2341:(1932) 2333:(1932) 2325:(1932) 2317:(1932) 2309:(1932) 2301:(1932) 2298:Freaks 2293:(1931) 2285:(1931) 2277:(1931) 2269:(1931) 2261:(1931) 2253:(1931) 2245:(1931) 2237:(1931) 2229:(1931) 2221:(1931) 2213:(1931) 2205:(1930) 2197:(1930) 2189:(1930) 2181:(1930) 2173:(1930) 2165:(1930) 2157:(1930) 2149:(1930) 2141:(1930) 2133:(1930) 2125:(1929) 2117:(1929) 2109:(1929) 2101:(1929) 2093:(1929) 2085:(1929) 2077:(1929) 2069:(1929) 2061:(1929) 2053:(1928) 2045:(1928) 2037:(1928) 2029:(1928) 2021:(1928) 2013:(1927) 2005:(1927) 1997:(1927) 1989:(1926) 1981:(1926) 1973:(1926) 1965:(1926) 1957:(1926) 1949:(1926) 1941:(1926) 1933:(1925) 1925:(1925) 1917:(1925) 1909:(1925) 1901:(1925) 1893:(1924) 1885:(1924) 1877:(1923) 1869:(1923) 1809:(1937) 1799:(1930) 1789:(1930) 1779:(1928) 1769:(1928) 1759:(1928) 1749:(1926) 1739:(1925) 1729:(1925) 1719:(1924) 1709:(1924) 1699:(1921) 1689:(1920) 1679:(1920) 1669:(1920) 1659:(1919) 1649:(1919) 1639:(1918) 1629:(1917) 1619:(1917) 1609:(1916) 1599:(1916) 1589:(1916) 1579:(1915) 1569:(1915) 1559:(1915) 1549:(1915) 1539:(1914) 1529:(1914) 1519:(1914) 1509:(1914) 1499:(1914) 1489:(1914) 1479:(1914) 1469:(1914) 1459:(1913) 1449:(1913) 1439:(1913) 1429:(1913) 1419:(1913) 1409:(1913) 1399:(1913) 1389:(1912) 1379:(1912) 1159:  920:  877:  867:  840:  723:  293:, and 280:silent 256:Budget 2570:(son) 875:JSTOR 861:(PDF) 409:Paris 1251:IMDb 1214:2016 1157:ISBN 1113:2016 1078:2014 1052:2019 1030:2019 990:2020 965:2017 918:ISBN 899:help 865:ISBN 838:ISBN 819:help 721:ISBN 442:Cast 370:Plot 1304:on 1293:at 1260:at 1249:at 752:doi 625:by 623:DVD 575:in 81:by 2605:: 1204:. 1180:. 1130:. 1103:. 1020:. 981:. 954:. 891:: 889:}} 885:{{ 873:. 827:^ 811:: 809:}} 805:{{ 748:12 746:. 732:^ 654:, 311:; 289:, 1843:e 1836:t 1829:v 1354:e 1347:t 1340:v 1230:. 1216:. 1165:. 1115:. 1080:. 1054:. 1032:. 992:. 967:. 940:. 926:. 901:) 881:. 844:. 821:) 758:. 754:: 727:. 307:( 205:)

Index


Victor Seastrom
Carey Wilson
Тот, кто получает пощёчины
Leonid Andreyev
Irving Thalberg
Lon Chaney
Norma Shearer
John Gilbert
Milton Moore
Hugh Wynn
William Axt
Metro-Goldwyn
Metro-Goldwyn-Mayer
Silent film
English
silent
psychological thriller
Lon Chaney
Norma Shearer
John Gilbert
Victor Sjöström
He Who Gets Slapped
Leonid Andreyev
Moscow Art Theatre
Gregory Zilboorg
Richard Bennett (actor)
Metro-Goldwyn-Mayer
a lion as the mascot for MGM
Polly of the Circus (1917 film)

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