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Habitat. Former buying director at
Habitat, Geoff Davey was appointed as managing director at Heal's. Conran implemented a fast-paced reorganisation plan as he wanted to celebrate Habitat's 20th anniversary in the following year. The cabinet making unit was closed in 1983, with the bedding factory being moved out of Tottenham Court Road to Islington, and Buzz ended as it clashed with Habitat's own ranges. Heal's Fabrics were merged into the newly formed Heal's Products Division in 1984, ending their own fabric collections. The building was made into Habitat Mothercare's new headquarters, with the 1962 extension becoming Habitat's new lead store, with a branch of NOW, the men's clothing retailer and Mothercare included, with Heal's downsized. The Mansard Gallery was shut, to allow for the upper floors to be converted into the groups offices and design studio space. A poster, based on a 1928 Heal's advertisement by R. P. Gossip, was created by Conran Design group artist Helen Senior to advertise the newly redeveloped store. Conran himself updated the Heals four poster emblem, and Susan Goodden was commissioned to write a history of Heal's. Conran reopened in Heal's an outdoor furniture showroom and included an updated version of a Sir Ambrose Heal bench design.
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726:. In 1971, Carpet Layers moved to a new workshop in Haringey, being renamed Carpet Layers and Curtain Makers Ltd to reflect the subsidiary's expansion, but the company lost Tom Worthington, who retired being replaced by D S Neill. Further expansion occurred in 1972, when a new store was opened in Guildford. The company's finances however started struggling by the mid 70s because of the oil crisis. Profits of £616,000 had been recorded in 1972, but this fell to £552,000 in 1973, and lead to a far larger drop of £292,000 in 1974. The company closed Bowles of Brighton in 1975, but Heal's Contracts opened offices for a short time in Glasgow and Dubai. In 1976, the company purchased the remaining 50% share holding in H.G. Dunn of Bromley upon Geoffrey Dunn's retirement, later renaming the store Heal's of Bromley, and purchased selected assets of cabinet makers, Archie Shine Ltd.
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was rectified in 1998 with the opening of a fourth store, by returning to
Kingston Upon Thames where they had previously had a store under Storehouse's ownership. The new store had helped the company record profits of £2.59 million, and Colin Pilgrim announced in 1999 that they were still planning to open stores nationwide. In 2000, Heal's launched their own website, but speculation of a takeover bid was circulating after corporate raiders Brian Myerson and Julian Treger purchased an 18% shareholding in Heal's with financiers stating the share price undervalued the business. The company announced pre-tax profits of £4.3 million on a turnover of £33.7 million for 2000–01, however in June 2001, directors announced they were reviewing their strategic options including a possible sale of the business as the share price wasn't reflective of the company's true value.
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the business. During 2022, Heal's extended their concession stores by opening units within
Fenwick's Canterbury and York stores, and returned to the King's Road for a third time with a new outlet store replacing the Walton-on-Thames store. The company had to close its Brighton store after the landlord would not renew its lease, and announced that there had been a drop off in sales and profits, with the company earning £1.4 million in pre-tax profits. A further reduction in profits was reported in 2022–23, dropping to £800,000, though sales remained similar and Wittington Investments reporting that the profit margin had been hit by inflation on both goods and wages. During 2023 the new look Tottenham Court Road store opened after a major refurbishment of the site by joint owners
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losses of £3.5 million for 2006–07, its fourth consecutive year of losses, but an improvement on the previous years £4.5 million loss. Wittington
Investments sold 20% of the store to the company's management team in part of an incentive scheme to improve the company performance. In 2010 it was announced that the Manchester store would be closing due to poor sales. In 2014, the business relaunched Heal's own fabric collection. The company however was losing money, with a loss of £10.7 million for 2014–15, though sales had grown by 9%. As part of a strategic management review, the King's Road, Chelsea and Guildford stores were closed down, though a new concept digital store opened in
260:. By 1815, Heal had started selling carpets, and in 1818 the business was moved to 203 Tottenham Court Road, London, to be closer to other furniture business. The business has operated from its present site in Tottenham Court Road, moving to no. 196 in 1840, the same year that John Harris Heal Junior, son of the founder of the same name, took charge of the company from his widowed mother, Fanny, who had run the firm after the death of her husband in 1833. Between 1833 and 1844, the company had traded as Fanny Heal & Son, before becoming Heal & Son. During this time the company moved into the manufacturing of bedroom furniture, with the business promoting the
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1668:, joined Heal's in 1923 to run their toy department after her acting career failed. She would go on to have an affair with Ambrose, and was reportedly not of the temperament required for the job, with reports that on one occasion she flung one of the shop assistants across the china department. Another incident was the sale of the Heal's bronze cat, that sits at the top of the spiral staircase. The bronze sculpture was made by Chassagne, the French sculptor, and had been bought in 1925 by Ambrose. The cat was sold by Smith for £40 to a Heal's customer, but Ambrose wrote to the customer retracting the sale, with a card saying
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the same year, Heal's lost their Royal
Warrant. During 1991, a combined catering contract was signed by Heal's and Storehouse with Catering & Allied Services, a UK first, to manage both organisations restaurants at Tottenham Court Road. By 1995, the company had been turned around with sales increased by 20% over two years and had announced profits of £1.2 million, with the company changing their ranges into more eclectic styles from the bland offerings offered by Storehouse at the end of their ownership. Managing director Colin Pilgrim announced plans to expand with new branches, with the first open on 1 December in
272:'s monthly instalments to visit Heal's to see their furniture displayed in room settings, which would later become a standard for all furniture retailers. John Harris Heal Jnr died in 1876, and the business was run by his brother-in-law, Alfred Brewer, along with John Harris son's, Harris and Ambrose. In 1894, Brewer retired and Ambrose Senior took over as chairman. Ambrose Senior purchased the British patent rights from John Staple, which improved the support of springs in upholstery, and then set up Staples & Co. as an independent bedding factory using these patents, with his son Harold given control.
622:. In the world of furniture, Heal's invested in Clive Latimer's Plymet furniture range, and as well as promoting Scandinavian furniture, they retailed modernist pieces designed by British artists such as Robert Heritage and Robin Day. The company expanded in 1955 by the purchase of architectural joiners, J. L. Green & Vardy, who were based in Essex Road, Islington. A year later, Heal's own cabinet making factory was moved from Tottenham Court Road to share premises in Islington. With Heal's Wholesale and Export Ltd being mainly involved in the textile business, the company name was changed in 1958 to
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550:, where they won first prize for the sole storage unit. During the same year, Tom Worthington took charge of Heal's Wholesale and Export and started to develop the textile side of the business, where Heal's purchased the cloth, selected the designs and then employed printers to produce the finished article. In 1949, the Utility controls were amended so Heal's could design and manufacture their own furniture, but under the rules set out, it had to be sold at a set price and so had to be produced in larger numbers than Heal's would normally have done. Heal's also presented at the 1951
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Furniture was closed in 1979, with a small cabinet making unit opening back at
Tottenham Court Road. In May 1980, Heal's reported that turnover was at £11.34 million but they had lost a smaller amount at £192,000, with the retail sale profits not helping against the disappointing performance of Heal's Contracts. In 1980, Anthony retired as chairman and was replaced by his son Oliver, who tried to recapture Heal's past by staging the Classics exhibition in 1981. Oliver had said at the 1980 AGM that Heal's had
783:. Storehouse however had a chequered existence, making a £114.9 million pre-tax profit in 1987–88, but in the following year this had fallen to just £11.3 million, a 90% drop. Heal's range during the later days of Storehouse ownership was seen as being of a bland personality. In 1989, the furnishing division of Storehouse, which included Heal's and Habitat, lost £10 million, so early in 1990 they closed Heal's stores in Reading, Lakeside, Kingston upon Thames and Croydon at a cost of £3 million.
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438:, with Heal's becoming a showcase for the designs and work of the organisations members. In the same year, Ambrose and sales manager, Hamilton Temple Smith, patented a unit furniture system design, which along with a plan to use former World War I to mass-produce bedroom furniture failed to be commercially successful. Ambrose, who had been influenced by Scandinavian design after Heal's had received a commission from the Hotel Standard in Norrkopping, and in 1923 was captivated by
450:. During 1927, Heal's was given the Royal Warrant from King George V as Makers of Bedsteads and Bedding. Heal's also operated an antiques section, and to promote the business when sales were down, Ambrose held a Victorian exhibition in the Mansard Gallery in 1931, displaying a collection of mid Victorian oddities. This was very against Heal's own style that moved further towards modernism with designs that made use of tubular steel and laminated woods, and included designs by
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office's competitors. The store by this time had three stock lines, those designed and made by Heal's, those commissioned by Heal's just for their store, and the third line being items that could be found in rival retailers. The commissioned designs included furniture by John and Sylvia Reid, Nigel
Walters and Martin Grierson; toys by Kristin Baybars and John Gould; textiles by Colleen Fan, Howard Carter, Barbara Brown and Doreen Dyall; and silverware by
1591:, where young designers from seven countries designed furniture, which was the made and sold by Heal's. The Mansard Gallery closed in 1983 with the redevelopment of the building by Terence Conran, but under Wittington Investments ownership, Heal's planned a new Mansard Gallery on the first floor at Tottenham Court Road, which has been designed by David Barrington. The first exhibition by artist Chila Kumari Singh Burman entitled
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722:, in what was termed a merger, which saw Bowles move to new premises at 143 North Street and expand its range to include lighting, pottery, glass, cutlery and linen. Heal's Contracts was expanded and moved from their Edgbaston office into a larger site in central Birmingham. Anthony was recognised by the Finnish Government in 1970 for his promotion of Finnish products when he was awarded the
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Newcastle upon Tyne store, and a new outlet store was opened in Walton-on-Thames, which replaced the former Cobham store. It was reported that the Weston family had been looking for a buyer for Heal's, but after a failed management buyout and with profits returning, the Weston family decided to keep
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and a clearance outlet in Cobham, but closed the
Westbourne Grove store without much fanfare. The company in 2020 reported a loss in 2019-2020 for £2.5 million, but a year later, even though the stores were closed because of the pandemic, sales had increased by 28% and they had made a profit of £2.1
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acquired Heal's plc, reverting it to a private company with a bid of 272p per share, which was a 33% uplift on Heal's share price at the time of the sale and valuing the company at £33 million. The first expansion under the new owners came in 2003 when a new store was opened in New
Cathedral Street,
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During World War II, Heal's factory workers at first made beds and pillows for the armed forces, before moving to producing parachutes, which would lead to Heal's launching textiles after the war. The production area was so tight, that to meet the demand, Heal's expanded production of the parachutes
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Ambrose became chairman in 1913 after the death of his father, and took over every aspect of the business. Ambrose commissioned his cousin and architect Cecil Claude Brewer in 1914 to design a new store on the central part of the site, which opened in 1917. The new building was colonnaded with large
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The company was listed on the London Stock
Exchange with a valuation of £15 million in 1997, but by the end of the year the company had not announced any further store openings, which Colin Pilgrim had promised in the pre-flotation plan, and had seen the share price fall 27% below its listing. This
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At the start of the decade, Heal's store had 21 departments which were organised into three different management groups - furniture, soft furnishings and domestic equipment. However the company's senior bed maker, Percy Brierly, retired after 53 years of service. In the early 1960s, Heal's surveyed
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Another feature of Brewers design was a spiral staircase that is still part of the store to this day, providing access across all the retail floors, and the Mansard Gallery, which opened at the top of the building. A new factory was built on the site of the former farmhouse at the rear of the store
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In 1990, five members of the senior management team at Heal's, led by Colin Pilgrim, purchased the business from Storehouse, each paying £115,000 each to acquire the business, with a further £1 million investment from Natwest Ventures, after Storehouse decided to concentrate on core businesses. In
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it was the first time I had met a craftsman (O'Connell) who could handle vat dyes producing fabrics in colours that would not fade. The designs were striking, of a kind unlike any I had seen. I quickly decided to buy some and hold a small exhibition of Michael's work in the Fabric Dept; so began a
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Due to the financial downturn in the 1930s, Heal's finances were struggling, with staff asked to take a pay cut, and introduced a range of economy furniture, with Ambrose investing in a nationwide promotional campaign called Heal's Economy Furniture for 1932 and All That, that was manufactured for
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Heal's Fabrics rose to prominence in the 1950s and 60s under the leadership of Tom Worthington. Worthington and his assistant Jenni Allen would pick around 80 designs from around 12,000 submissions, with Worthington using his contacts in the art world to attract the best young talent. The company
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In 1965, Heal & Son was awarded in its inaugural year the Royal Society of Arts Presidential Awards for Design Management. By this time Heal's design office was working separately from the store, producing designs for both Heal's Contracts and the store, who sold more products from the design
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The Utility controls were dropped by the British government in 1952, and a year later Sir Ambrose retired, with Anthony replacing his father as chairman and J. Christopher as design director. Heal's after the war expanded into textiles, using their experiences gained from World War II, with young
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in 2005. During 2004, Heal's launched the Heal's Discovers Programme, which helps emerging designers to showcase their creativity, whilst experiencing first-hand the process of creating great design for the home. In 2007 a new store was opened with a return to Brighton, but the company announced
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in 1982. Conran had been inspired by Heal's as a regular visitor as a child with his mother Christina, and believed that not only could he turn Heal's fortunes around, he believed that they complimented Habitat, in that Habitat was for younger customers, Heal's would become the mature person's
264:. Four years after moving to 196 Tottenham Court Road, Heal's added a steam plant for purifying and dressing feathers. Its first purpose-built store was completed in 1854, then one of the largest in London, and was designed by the architect James Morant Lockyer, who had presented the design to
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To try and entice customers from younger rivals such as Habitat, during 1978 Heal's launched the lower priced Buzz range, but Heal's Fabrics was struggling to find its identity in the changing design world. Heal's worries however continued losing £200,000, and the Islington factory of Heal's
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were regular visitors as the Mansard Gallery quickly established itself as one of the meeting places for London's, if not Britain's, avant garde scene. The Friday Group regularly put on shows at the Gallery, hosting their final exhibition in 1922, and it was the location where
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them by Greenings of Oxford. In 1933, Ambrose was knighted, and a year later his youngest son, J. Christopher Heal, joined the firm. He would follow his father in designing both furniture and textiles, and was one of the seven architects at Heal's modernist exhibition
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1383:'s exhibition at the Gallery. The London Group would go onto hold a number of exhibitions at the Mansard Gallery during the 20s. At one exhibition in 1922, the London Group showed their sense of humour, when the information in the catalogue for the portrait of
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hosted her first exhibition at the gallery in 1947, and returned with a major exhibition in 1967. In the 60s, the Australian Alannah Coleman was appointed director of the Gallery and exhibitions were held by artists including Ron Russell and Bill Newcombe.
750:, they had a good relationship with. Conran had displayed pottery at an exhibition in the Mansard Gallery as a schoolboy, and had sold his designs in the store. The full stock of the company was purchased for £4.8 million by Habitat, who had merged with
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and General Projects, which saw the company now move back into the 1962 extension lost to Habitat back in the 80s. The new look store operates on the ground floor and the basement, with a new feature staircase added to link the two, designed by
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during 2017, and although its main store at Tottenham Court Road was downsized by renting concession space, the company's losses had fallen to £3.9 million for 2016-17 and sales had risen by 4%. The following year Heal's opened a new store at
1387:, by Savo Popovitch was priced at £150, including frame, but without frame would cost eightpence. The gallery was run by Prudence Maufe, the wife of architect Edward Maufe and one of Ambrose's lovers. The most influential exhibition was the
676:, a furniture retailer after its owner, Geoffrey Edward Dunn invited the approach as he had no family to carry on the business. The company's German importer for Heal's Fabrics retired in the same year, and Heal's purchased his business in
304:, but used mechanised production so the style became affordable to the middle classes. The change of style led by Ambrose was different than the company's previous offerings of over ornate furniture and Heal's staff reputedly called it
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999:"It may take a year or longer for a really advanced design to start selling itself. And sometimes an avant-garde design - although not selling itself - can gain so much publicity it will help create a market for similar designs"
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as the volume of furniture contract work expanded in the Midlands. The financial success of Heal's, which had seen turnover doubled, allowed them to grow further in 1964, first by purchasing a 50% share in H.G. Dunn's of
1639:. After the war, Heal's commissioned designs were chosen to be displayed at the 1946 Britain Can Make It exhibition at the Victoria and Albert Museum, and the 1951 Festival of Britain. Heal's is a regular contributor at
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In 1986, the concave bay windows that had been installed in 1936, were removed from the Brewer/Maufe parts of the building, which provoked the wrath of the Thirties Society. Parent company Habitat Mothercare merged with
562:. However its biggest contribution was manufacturing 900 perforated steel sheet and steel rod stackable chairs by the designer Andrew John Milne that were used as terrace seating. Heal's itself hosted an exhibition,
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511:, but the designs were controlled by the Utility Design Panel, led by Gordon Russell. The company made its first purchase of another firm in 1944, buying the small building and decorating firm of George Coulter.
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the many good qualities of the past with inexpensiveness’, producing furniture that would ‘come within the means of the modest man, and yet be well-constructed, simple, convenient and entirely satisfying to the
706:'s Kurva chairs, and by 1965 had moved into the wholesaling business, selling the furniture onto other British retailers. In 1966, J. L. Green & Vardy and the CONT/ex department were merged and renamed as
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worked with over 80 designers alone during the 1960s, with Lucienne Day and Barbara Brown amongst the most prolific. When Allen left Heal's, Evelyn Redgrave, who had designed patterns for Heal's, including
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in 1968 to oversee all the subsidiaries, while Heal & Son was incorporated to manage the retail side of the business. During 1969, the company further expanded by purchasing John Bowles & Co. of
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403:, and the Portland stone exterior was decorated with panels advertising bedding, carpets, cabinet makers and upholsterers created by Joseph Armitage, with the central panel matching the company slogan
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display at the Goteburg Exhibition, which he soon introduced to English society. This was soon followed by the introduction of Finnish designed furniture to England by Heal's, including designs by
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retail company comprising seven stores, selling a range of furniture, lighting and home accessories. The business was started in 1810 by John Harris Heal, and its headquarters have been located in
1035:. Heal's Fabrics collection returned in 2014, with designs by a mixture of emerging and established designers, including the return of Zandra Rhodes with a new take on her 1963 pattern Top Brass.
486:, whose wife Prudence worked for Heal's and was a lover of Ambrose, extended Brewer's frontage to 197-199 Tottenham Court Road, and added a Lenscrete vertical window, inspired by his design for
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Heal's have been a regular displayer of their wares at exhibitions organised nationally and internationally. Heal's displayed an eider-down quilt with embroidered satin covering at the 1851
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997:, became Worthington's assistant and would go on and become a director at the firm until she left in 1977 to set up her own textile company. In 1968, Worthington reflected on Heal's style,
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454:. It was during the 1932 that Anthony Standerwick Heal, son of Ambrose, opened the company's new electrical department, having joined the firm in 1929 after serving an apprenticeship with
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In 1905 Ambrose was made joint managing director of the company, with his brother Ralph, the same year that the business was incorporated into a limited company, and in 1906 he joined the
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million. In 2021, the Birmingham store closed after the landlords at the Mailbox decided to redevelop the ground floor into office space, but a new concession space was opened inside
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with a photographic elevation in May 1855. The store was expanded further by purchasing the neighbouring premises at 197 and 198 in 1864. By 1866, Heal's were issuing invitations in
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to produce pieces to be displayed. In the same year, Heal's Contracts moved away from war contracts and into the furnishing contracts business. The company backed Clive Latimer and
554:, with plywood and moulded furniture designs by J. Christopher, several designs from the newly formed textile department and pottery from artists such as Australian contemporaries
651:, was built with a steel frame faced in Portland stone with seven bays in an interrelated style to Brewer's original design, with ceramic blue and cream relief panels designed by
296:, before spending a further six months with furniture retailer Graham and Biddle of Oxford Street. Ambrose designed furniture in the Arts and Crafts style, strongly influenced by
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231:, wrote that for over two centuries Heal's had been known for promoting modern design and for employing talented young designers. Since 2001, the business has been owned by
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their customers to understand their buying habits, which was used to influence the layout of the store after it was extended in 1962. The extension, designed by
374:, displaying his company's bedroom furniture named after seaside resorts, with Ambrose introducing the four poster bed logo to the firm. Heal's 1905 catalogue
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1680:, Sunny Todd, Squint and Zoe Bradley) to produce a modern interpretation of the famous cat. Unlike the real one, this was sold at auction to raise money for
387:, who used Ambrose's design no. 117 bedstead from the Fine Feathers range. In 1910, Ambrose Heal Senior gave his son, Harold, ownership of Staple & Co.
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After World War II, Heal's Contracts moved into proving commissioned designs, furnishings and building work to a variety of customers. Their work included:
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Under Ambrose's management, Heal & Son were commissioned to produce furniture for a variety of companies and individuals. These included:
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in 1906. The company started displaying at the Arts and Crafts Exhibition Society from 1899 until 1938, and were a regular attendee at the
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style to mechanised furniture production, making it available to the middle classes. In 2001, an official guide to the archive at the
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placed next to the sculpture. In 2016, to celebrate 100 years of Cecil Brewer's spiral staircase, Heal's commissioned ten designers (
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5051:"Sunflowers, by Howard Carter (1874-1939), for Heal's Fabrics Ltd. Printed cotton. London, England, 1962. THIRD PARTY RIGHTS APPLY"
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to export all of Heal's merchandise. The company continued to manufacture furniture during the war, under the British government's
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A note on simplicity of design in furniture for bedrooms with special reference to some recently produced by Messrs. Heal & Son
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Networks of Design Proceedings of the 2008 Annual International Conference of the Design History Society (UK). University College
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No company has since come near to equalling the achievements of Heal's Fabrics in the field of modern printed pattern design.
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333:. By the end of the nineteenth century it was one of the best-known furniture suppliers in London. Ambrose coined the motto
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The original Heal's firm was established in 1810 as a feather-dressing for bed mattresses business at 33 Rathbone Place,
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2350:"This week, Norman Watson looks at two international pieces which both failed to reach their potential at auction"
804:. In 1996, Heal's made a £1.75 million profit on a turnover of £19.6 million, further evidence of their recovery.
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The Mansard Gallery was also used by Heal's to promote their products by utilising the exhibitionary complex,
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and Margaret Simeon. Day would go on and regularly create patterns for Heal's throughout the 50s and 60s.
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In 1983, the Heal family decided to sell the business as they could not sustain the losses, and contacted
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Pioneers of Modern Craft. Twelve Essays Profiling Key Figures in the History of Twentieth-century Craft
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The gallery, on the fourth floor at Tottenham Court Road, was opened in 1917 with a display entitled,
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After the Festival, Heal's greatly expanded their pottery offerings with designs by artists such as
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to advertise Heal's and its products. The company displayed items of their bedroom furniture at the
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London's Old Latin Quarter: Being an Account of Tottenham Court Road and Its immediate surroundings
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joined the family firm. Prior to joining the company firm, Ambrose had trained in fine art at both
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at Mile End Road, until Heal's established their own cabinet making factory in Albert Mews. The
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Michael O'Connell had produced patterns for Heal's after meeting J. Christopher who recalled:
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348:
4295:"West End furniture store Heal's warns of 'inevitable' price rises as sales pass £50 million"
3028:
Britain and Denmark Political, Economic and Cultural Relations in the 19th and 20th Centuries
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1375:, as Ambrose wanted to promote the work of commercial artists. One of the artists selected,
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2054:"'People like to come and browse': Heal's revamps its flagship store to lure back shoppers"
6103:
Historicizing Lifestyle. Mediating Taste, Consumption and Identity from the 1900s to 1970s
4421:"People like to come and browse': Heal's revamps its flagship store to lure back shoppers"
4262:
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designers compositions selected by both Tom Worthington and J. Christopher. This included
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1944:
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Calyx screen-printed furnishing fabric, Lucienne Day, Heal's Wholesale & Export, 1951
399:
windows to display the company's furniture to passers-by. Heal's signage was designed by
5807:
5624:"The Mansard Gallery: Blurring The Lines Between Art, Design & Retail A Century Ago"
6023:
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of 1900, which was awarded two silver medals, with the same display redisplayed at the
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732:"sacrificed its clarity of image in an unavailable short term search for volume sales"
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Heal's Fabrics are represented in the collections of the Victoria and Albert Museum;
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547:
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involvement in the 1948 International Competition for Low-Cost Furniture held by the
519:
479:
297:
236:
5474:
5388:
5068:
5025:
3518:
Suzy Gershman's Born to Shop London. The Ultimate Guide for People Who Love to Shop
2694:
1536:
1420:
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to recognise the considerable influence you have exercised in many fields of design
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advertising campaign. In the same year, Heal's Contracts opened a new office in
582:, while other prominent designers were Helen Close, Jane Edgar, Dorothy Lupton,
559:
443:
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6048:
4456:
2392:
1587:. In 1960, to celebrate Heal's 150th anniversary, the Mansard Gallery held the
5808:"Press release - Artists in residence: students celebrate 200 years of Heal's"
5790:"Group X exhibition catalogue : Mansard Gallery, March 26-April 24, 1920"
3736:
Consuming Passion (RLE Retailing and Distribution). The Rise of Retail Culture
2142:"Heal's (Heal & Son), Tottenham Court Road, London: RIBA ref no RIBA41639"
2024:
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1607:, which was followed by Louis XVI style bedroom designed by J. Braune at the
4385:"Fenwick Canterbury announces launch of contemporary furniture brand Heal's"
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39:
4439:"London's redesigned Heal's store features a new Matthew Hilton staircase"
1611:. Heal's won a silver medal for Sir Ambrose Heal's bedroom display at the
1898:
British and Irish Furniture Makers Online - The Furniture History Society
1676:, Ikuko Iwamoto, Donna Wilson, Louise Lockhart, Rachel Cave, Mia Sarosi,
719:
347:, the arts and crafts magazine, writing a brochure with illustrations by
4606:
Twentieth-century pattern design : textile & wallpaper pioneers
4313:"Radical plans at Mailbox which will see an entire floor of shops close"
2949:
Twentieth-century pattern design : textile & wallpaper pioneers
1003:
Twentieth Century Pattern Design : Textile & Wallpaper Pioneers
3643:
What's Your Business?: Corporate Design Strategy Concepts and Processes
925:
888:
780:
673:
518:
A dressing table designed by the Utility Design Panel c. 1943. Made by
475:
2577:
Art Deco House Style. An Architectural and Interior Design Source Book
956:
Furniture for the council chamber of the Institution of Gas Engineers.
6076:
Australian Art and Artists in London, 1950-1965. An Antipodean Summer
2799:
Australian Art and Artists in London, 1950-1965. An Antipodean Summer
253:
1791:
Guide to the Archive of Art and Design, Victoria & Albert Museum
1539:
expressed his distaste of Heal's modernist exhibitions in his story
663:
and Alfred Mews. At the start of the 1960s the company launched the
2848:
Richard Chamberlain, Annamarie Stapleton, Fine Art Society (1997).
1513:
830:
767:
in the same year. In 1988, Storehouse opened new Heal's stores in
634:. The company ended the decade being awarded the Royal Warrant by
592:
534:
in 1946, commissioning designers like Alix Stone and pottery firm
513:
460:
425:
409:
389:
257:
4169:"Heal's to post higher 2016–17 sales despite space consolidation"
2851:
Austerity to affluence : British art & design, 1945-1962
292:. He embarked on a two-year apprenticeship with cabinet makers,
3574:
Christopher Hibbert, Ben Weinreb, John Keay, Julia Keay (2011).
5689:
More Than a Bookshop. Zwemmers and Art in the Twentieth Century
4187:"Having closed Westbourne Grove, Heal's opens new Outlet store"
3066:
Geoffrey Rayner, Richard Chamberlain, Fine Art Society (1997).
829:, while a further store was added at Redbrick Mills in Batley,
1403:. The exhibition was the first display of works in Britain by
337:
and he commissioned imaginative retailing techniques, such as
6369:
Look Back with Astonishment. Volume Three of an Autobiography
2280:"Bernard Shaw's "Fine Feathers" bed designed by Ambrose Heal"
1391:. The exhibition held in 1919 had been organised by brothers
877:
Bedroom furniture for the Standard Hotel, Norrkoping in 1899.
490:. The previous year had seen Anthony made managing director.
4574:
70s House. A Bold Homage to the Most Daring Decade in Design
5945:
Handbook of Modern British Painting and Printmaking 1900-90
223:
since 1818. Under Sir Ambrose Heal, the company introduced
3068:
Austerity to Affluence British Art & Design, 1945-1962
6415:
3909:"The Investment Column. Heal's suffers from listlessness"
2977:. Melbourne, Australia: Melbourne Books. pp. 87–89.
566:
in the same year, the first time the term had been used.
503:
in 1944 to manage the contract. In 1941, Heal's started
4367:"Heal's chairman exits after buyout from Westons fails"
526:
After the war Heal's had a significant presence at the
191:
6500:
Companies formerly listed on the London Stock Exchange
4151:"Heal's to open in Birmingham for the first time ever"
2889:
Glynne, Jonathan; Hackney, Fiona; Minton, Viv (2010).
5918:
The Ogham Stone. An Anthology of Contemporary Ireland
4133:"HEAL'S TO MOVE FROM KING'S ROAD TO WESTBOURNE GROVE"
4097:"Heal's unveils first fabric collections since 1970s"
869:
Heal & Son commissioned work and Heal's Contracts
2422:
Journal of the Royal Institute of British Architects
1559:
and the Junior Art Workers Guild. The female artist
618:
and selling Scandinavian glass by companies such as
4609:. Princeton Architectural Press. pp. 142–146.
4500:"A Unique Award to the Building Design Partnership"
4482:"Heal's Contracts of London designed and installed"
308:. His first designs were released in the catalogue
186:
174:
162:
154:
146:
122:
112:
98:
90:
72:
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54:
46:
5921:. Institute of Public Administration. p. 89.
5765:A History of Heal's. At the Sign of the Fourposter
4403:"Home furniture retailer delivers resilient sales"
4277:"Heal's gross sales hit 50 million for first time"
2551:Household Goods. The British and Their Possessions
2491:A History of Heal's:At the sign of the Four poster
1662:, the celebrated author, famous for works such as
642:From 60s growth, 70s struggles to family departure
4115:"Property write-down sees losses widen at Heal's"
3025:Bo Bjørke, Claus Bjørn, Jørgen Sevaldsen (2003).
2677:"Two Centuries of Heal's on Tottenham Court Road"
1793:. Routledge / Taylor & Francis. p. 132.
734:. The Bromley store was closed in the same year.
465:Art Deco desk designed by Edward Maufe for Heal's
434:In 1915, Ambrose became a founding member of the
6475:Department store buildings in the United Kingdom
4242:Wittington Investments Financial Statements 2021
2019:Alan Crawford, "Heal, Sir Ambrose (1872–1959)",
1988:
1986:
1984:
1982:
1980:
1978:
1706:"Wittington Investments Annual Financial Report"
574:, whose Calyx design of 1951 won a prize at the
418:on the façade of the Tottenham Court Road store.
6485:Companies based in the London Borough of Camden
5972:Ben Enwonwu. The Making of an African Modernist
3980:"Weston dynasty furnishes Heal's with new home"
1976:
1974:
1972:
1970:
1968:
1966:
1964:
1962:
1960:
1958:
1379:, would produce a poster later in the year for
1011:
6049:"Mary Fedden, Artist, OBE RA, RWA (1915-2012)"
4205:"Heal's to open new store at Westfield London"
3492:Terence Conran : the authorised biography
3408:Terence Conran : the authorised biography
3383:Terence Conran : the authorised biography
6155:TheBloomsbury Encyclopedia of Design Volume 2
4076:"Primark and Fortnum boss in Heal's sell-off"
4058:"Heal's furniture shop set to leave Brighton"
3343:"Heal's: a cathedral to creativity and style"
2952:. Princeton Architectural Press. p. 98.
1371:, an exhibition curated by Ambrose's friend,
865:. However the King's Road outlet was closed.
316:in 1899. The designs were initially built by
8:
6250:"Heal's at LDF: An Exhibition Of Two Halves"
6128:"A COUNTRY HOME EXHIBITION, MANSARD GALLERY"
5810:. University College London. 19 January 2010
5741:. University of Chicago Press. p. 339.
4223:"Heal's opening third store in under a year"
4001:"Heal's Manchester store looks set to close"
3600:: CS1 maint: multiple names: authors list (
3090:: CS1 maint: multiple names: authors list (
3051:: CS1 maint: multiple names: authors list (
2919:Retro Style. The '50's Look for Today's Home
2874:: CS1 maint: multiple names: authors list (
1585:Contemporary Furniture from Seven Architects
32:
27:British furniture company and homeware store
5999:Eric Ravilious : artist & designer
5662:. University Press of Florida. p. 57.
4598:
4596:
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3974:
3972:
3170:
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3166:
3164:
2941:
2939:
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1728:
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1722:
684:. In the same year Anthony was awarded the
499:into the showroom space and Heal's created
363:. Heal's displayed simpler designs for the
3710:
3708:
3431:
3429:
3427:
2719:
2717:
2715:
2244:
2242:
1651:’s Furniture & Product Design course.
472:Contemporary Furniture by Seven Architects
38:
31:
6515:Furniture companies of the United Kingdom
6510:Furniture retailers of the United Kingdom
4628:
4626:
4091:
4089:
3760:
3758:
3756:
3542:
3540:
3538:
3176:"Heal's celebrates its 200th anniversary"
3108:Classic Modern. Midcentury Modern at Home
2772:Marimekko. Fabrics, Fashion, Architecture
2507:An Enquiry into Industrial Art in England
2225:. Antique Collectors' Club. p. 140.
2164:
2162:
1939:
1937:
1935:
1933:
1931:
1929:
1927:
1543:. Other exhibits at the Gallery included
6152:Clive Edwards, Harriet Atkinson (2016).
4052:
4050:
3891:"Heal's poised for a sharp profits jump"
3821:
3819:
3151:"HEAL AND SON LIMITED INCLUDING HABITAT"
2083:
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1784:
1782:
1780:
1778:
1445:Modern French Art at the Mansard Gallery
1025:Cooper Hewitt, Smithsonian Design Museum
931:Executive suite at the Vickers building.
394:Heal and Son Ltd., Tottenham Court Road.
6480:Department stores of the United Kingdom
6313:"The renovation of the Heal's Building"
5681:
5679:
4566:
4564:
3945:"Heal's plans to start chain of stores"
3885:
3883:
3410:. Sidgwick & Jackson. p. 131.
3385:. Sidgwick & Jackson. p. 242.
2438:Sybil & Cyril. Cutting Through Time
2274:
2272:
2270:
2021:Oxford Dictionary of National Biography
1828:
1826:
1824:
1822:
1820:
1818:
1816:
1814:
1812:
1810:
1776:
1774:
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1768:
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1762:
1760:
1758:
1700:
1698:
1696:
1692:
1518:Poster for the Group X exhibition, 1920
5915:Gerald Dawe, Michael Mulreany (2011).
5618:
5616:
5614:
5612:
5610:
4258:
4248:
3995:
3993:
3615:Sue Kerry, Francesca Galloway (2007).
3593:
3521:. John Wiley & Sons. p. 222.
3494:. Sidgwick & Jackson. p. 10.
3083:
3044:
2867:
2600:
2598:
2596:
2594:
2592:
2590:
2588:
2586:
2554:. Yale University Press. p. 184.
841:The company opened a new store in the
632:Worshipful Company of Furniture Makers
256:by John Harris Heal after moving from
6470:British companies established in 1810
6349:"7 Secrets Of Heal's Furniture Store"
5656:Allan Pero, Gyllian Phillips (2017).
3733:Carl Gardner, Julie Sheppard (2012).
3376:
3374:
2975:Michael O'Connell: The Lost Modernist
2895:. Universal-Publishers. p. 446.
2775:. Yale University Press. p. 77.
2655:. Yale University Press. p. 24.
812:Acquisition by Wittington Investments
713:The business created a holding firm,
7:
5969:Sylvester Okwunodu Ogbechie (2008).
5855:"Modigliani and The Mansard Gallery"
4019:"My new ambassador role at Redbrick"
1615:, with Heal's returning to Paris in
474:in 1937 (which included the work of
4488:. Vol. 216. 1965. p. 346.
3619:. Francesca Galloway. p. 138.
2649:Amy De La Haye, Martin Pel (2017).
2510:. The University Press. p. 88.
2091:How it all began up the high street
924:Boardroom and directors offices at
378:stated that their aim was to unite
367:Cheap Cottages Exhibition in 1905.
6270:Bryant & May's Peculiar London
3851:. Vol. 184. 1991. p. 10.
2118:. English Heritage. Archived from
2094:. Michael O'Mara. pp. 74–76.
1589:Designers of The Future Exhibition
1389:Exhibition of French Art 1914-1919
724:Order of the White Rose of Finland
372:Arts and Crafts Exhibition Society
25:
6205:"Design events to catch in March"
5659:The Many Facades of Edith Sitwell
3959:"Heal's targeted by City raiders"
3784:"Furniture bonus as Heal's trade"
3670:Terence Conran. My Life In Design
3550:Terence Conran. My Life In Design
2606:"The history of Heal's furniture"
2527:. Ballantine Books. p. 116.
746:, who although the boss of rival
626:. In 1959, a further subsidiary,
436:Design and Industries Association
5536:"Printed Textile "Country Walk""
5069:"Printed Textile "Doll's House""
3845:"Multi-tenant scheme for Heal's"
2042:. Boston, Houghton. p. 146.
2023:, Oxford University Press, 2004
1595:opened on the 15 February 2022.
945:Warwickshire County Cricket Club
580:American Institute of Decorators
329:described Heal's furniture as a
6225:A Cultural History of Twin Beds
5891:"Tom Early. British. 1914-1967"
5389:"Printed Textile Samples "Kew""
3716:"Storehouse set to sell Heal's"
3466:Encyclopedia of Interior Design
3442:. Heal & Son. p. 133.
2325:"HEAL, SIR AMBROSE (1872-1959)"
2300:A Cultural History of Twin Beds
2170:"Staples & Co. (1895-1986)"
1996:Encyclopedia of Interior Design
1738:A Cultural History of Twin Beds
1475:show, an attempt to revive the
1443:amongst others. In his article
1300:1973 - Adrianne Morag-Ferguson
505:Heal's Wholesale and Export Ltd
276:The arrival of Sir Ambrose Heal
6301:. 13 January 1996. p. 13.
6002:. Lund Humphries. p. 15.
5692:. Bloomsbury USA. p. 38.
4785:"Nautilus (Furnishing Fabric)"
4688:"Palladio (Furnishing Fabric)"
3812:. 28 January 1997. p. 17.
3806:"Heal's aim to float in March"
3580:. Pan Macmillan. p. 391.
3262:. 2 February 1976. p. 28.
2468:. Heal & Son. p. 44.
2418:"Cecil Claude Brewer Obituary"
1665:The Hundred and One Dalmatians
1655:Dodie Smith and the Heal's cat
1598:
959:Interiors on board the ship's
880:Council chamber furniture for
564:Scandinavian Design for Living
405:At the sign of the four poster
383:. One of Heal's customers was
321:Guild and School of Handicraft
181:Wittington Investments Limited
1:
6525:British royal warrant holders
4137:Refurb & Developer Update
3617:Neo-classicism to Pop. Part 2
3293:Retail Business Issue 275–286
2727:A Dictionary of Modern Design
2174:The Furniture History Society
1789:Elizabeth Lomas, ed. (2001).
1609:1862 International Exhibition
940:Ceylon Tea Centre, Birmingham
6394:"A Heal's cat for Christmas"
6331:"A Heal's cat for Christmas"
5686:Nigel Vaux Halliday (1991).
5454:Minneapolis Institute of Art
5314:Minneapolis Institute of Art
4789:The Art Institute of Chicago
4349:"Heal's opens Surrey outlet"
4023:The girl with the green sofa
3329:The Furniture Makers Company
2922:. Universe Pub. p. 62.
2354:The Courier & Advertiser
2036:Edwin Beresford Chancellor.
1945:"A Shop with high standards"
1682:Great Ormond Street Hospital
1573:advertise by not advertising
1415:, and included paintings by
1258:1969 - Catherine Netherwood
1029:Minneapolis Institute of Art
950:Interiors and furniture for
907:St John's College, Cambridge
229:Victoria & Albert Museum
78:; 214 years ago
6267:Christopher Fowler (2022).
6158:. Bloomsbury. p. 136.
3897:. 3 March 1997. p. 22.
3766:"The Style Wound is Healed"
3722:. 13 June 1990. p. 25.
3667:Sir Terence Conran (2016).
3547:Sir Terence Conran (2016).
3244:. 3 April 1975. p. 20.
2998:Margot Coatts, ed. (1997).
2730:. Oxford University Press.
2610:Antique Collecting Magazine
1670:Heal's mascot. Not for sale
1645:An Exhibition Of Two Halves
715:Heal & Son Holdings Ltd
6546:
6372:. W. H. Allen. p. 6.
5540:Philadelphia Museum of Art
5479:Philadelphia Museum of Art
5475:"Woven Textile: "Aureola""
5393:Philadelphia Museum of Art
5073:Philadelphia Museum of Art
5030:Philadelphia Museum of Art
5026:"Printed Textile "Caribe""
3863:"What the Heal's going on"
3739:. Routledge. p. 249.
3640:Claire T. Tomlins (2016).
3469:. Routledge. p. 540.
3313:. 16 May 1980. p. 24.
2284:National Trust Collections
1999:. Routledge. p. 547.
1593:Neon Drama and Pearl Drops
1288:1972 - Gabrielle Fountain
1201:1964 - Regina Moritz-Ever
1021:Philadelphia Museum of Art
532:Victoria and Albert Museum
494:World War II and the 1950s
6106:. Routledge. p. 17.
5762:Susannah Goodden (1984).
4457:"Kings Road Outlet Store"
4037:"Heal's Discovers Heal's"
3849:Caterer & Hotelkeeper
3788:The Architectural Journal
3646:. Routledge. p. 65.
2973:Edquist, Harriet (2011).
2824:"The Festival of Britain"
2802:. Routledge. p. 56.
2758:. 8 May 1950. p. 99.
2752:"Prize Winning Furniture"
2724:Jonathan Woodham (2016).
2575:Ingrid Cranfield (2001).
2504:Nikolaus Pevsner (1937).
2303:. Routledge. p. 98.
2222:Arts and Crafts Furniture
1741:. Routledge. p. 96.
1581:A Country Home Exhibition
1093:1957 - Michael O'Connell
868:
665:Can’t-wait-to-get-it-home
606:long lasting friendship.'
430:Brewer's spiral staircase
235:, a company owned by the
37:
6530:Arts and Crafts movement
6024:"Mary Fedden. 1915–2012"
4692:Art Institute of Chicago
3673:. Octopus. p. 181.
3105:Deborah Dietsch (2000).
2628:. Batsford Books. 2023.
2489:Susanna Goodden (1984).
2462:Susanna Goodden (1984).
2393:"Cecil Brewer Staircase"
2195:"Ambrose Heal Biography"
2088:Maurice E Baren (1996).
1951:(199): 42–47. July 1965.
1713:Wittington Investments l
1463:labelled the exhibition
1246:1966 - Henrietta Coster
1033:Art Institute of Chicago
952:Halifax Building Society
936:Ebbw Vale Urban District
917:Council chamber for the
887:Boardroom furniture for
649:Herbert Fitzroy Robinson
331:triumph of craftsmanship
290:Slade School of Fine Art
94:John Harris Heal and son
6505:Furniture manufacturers
4603:Lesley Jackson (2002).
4571:Estelle Bilson (2023).
4005:Manchester Evening News
3827:"Heal's plans to float"
3577:The London Encyclopedia
3553:. Octopus. p. 15.
3325:"Oliver Heal 1949-2024"
3238:"HEAL & Son tumble"
2946:Lesley Jackson (2002).
2652:Gluck. Art and Identity
2521:Malcolm Haslam (1988).
1549:Fifteen Cornish Artists
1501:Edward McKnight Kauffer
1377:Edward McKnight Kauffer
1348:1977 - Annabel Ralph's
1330:1976 - Karen MacDonald
1318:1974 - Peter McCulloch
1135:1959 - Barbara Brown -
983:
816:On 16 August 2001, the
361:1901 Glasgow Exhibition
335:When in doubt, innovate
6254:London Design Festival
4526:The Architects Journal
4041:London Design Festival
3933:. Vol. 130. 1999.
3515:Suzy Gershman (2008).
3463:Joanna Banham (1997).
3436:Sarah Goodden (1984).
2916:Marion Haslam (2000).
2625:100 20th-Century Shops
2548:Deborah Cohen (2006).
1993:Joanna Banham (1997).
1641:London Design Festival
1569:to sell by not selling
1519:
1479:, and include work by
1342:1977 - Natalie Gibson
1312:1973 - Peter Phillips
1264:1969 - Hamdi El Attar
1234:1965 - Wolfgang Bauer
1147:1960 - Sigfrid Fettel
1017:
822:Wittington Investments
608:
598:
523:
466:
431:
419:
395:
365:Letchworth Garden City
233:Wittington Investments
6295:"Brittle Young Thing"
6222:Hilary Hinds (2020).
6073:Simon Pierse (2017).
5942:Alan Windsor (2022).
4227:The Furnishing Report
4191:The Furnishing Report
4173:The Furnishing Report
4119:The Furnishing Report
3490:Nicholas Ind (1995).
3406:Nicholas Ind (1995).
3381:Nicholas Ind (1995).
3256:"Heals buys out Dunn"
2854:. Merrell Holberton.
2796:Simon Pierse (2017).
2769:Marianne Aav (2003).
2441:. Faber & Faber.
2368:"Cecil Claude Brewer"
2297:Hilary Hinds (2020).
2219:John Andrews (2005).
1735:Hilary Hinds (2020).
1643:, and in 2023 hosted
1637:Ideal Home Exhibition
1623:. They also attended
1613:1900 Paris Exposition
1599:Heal's at Exhibitions
1575:. These included the
1517:
1459:, though a critic in
1282:1971 - Barbara Brown
1276:1971 - Heather Brown
1270:1970 - Barbara Brown
1252:1969 - Barbara Brown
1228:1965 - Evelyn Brooks
1174:1962 - Howard Carter
1159:1961 - Barbara Brown
1075:1956 - David Parsons
1069:1956 - Willy Hermann
965:RMS Empress of Canada
738:The arrival of Conran
686:Royal Society of Arts
603:
596:
517:
464:
448:Signed Edition Series
429:
413:
393:
312:in 1898, followed by
158:£37 million (2022-23)
6495:Tottenham Court Road
6366:Dodie Smith (1979).
6132:20th Century Posters
5996:Alan Powers (2013).
5100:. 12 September 2000.
4389:Inside Kent Magazine
4355:. 16 September 2021.
4245:. 18 September 2021.
4157:. 26 September 2017.
3367:. 517–522: 44. 1992.
3277:. 349–359: 34. 1978.
3273:"British Textiles".
3139:. 1964. p. 184.
3004:. pp. 101–102.
2435:Jenny Uglow (2021).
2025:accessed 12 Aug 2007
1715:. 16 September 2023.
1555:, Kathleen Caddick,
1507:, John Turnbull and
1354:1981 - Leslee Wills
1336:1976 - Jennie Foley
1306:1973 - Jyoti Bhomik
1216:1964 - Ada Charniak
1195:1963 - Doreen Dyall
1180:1962 - Doreen Dyall
1123:1959 - Harold Cohen
1117:1958 - Jane Daniels
1111:1958 - Dorothy Carr
1105:1958 - Ellen Fricke
1063:1955 - Lucienne Day
777:Kingston upon Thames
576:1951 Milan Triennale
544:Museum of Modern Art
326:Architectural Review
294:Plucknett of Warwick
221:Tottenham Court Road
6437: /
6400:. 28 November 2016.
6355:. 22 November 2016.
6337:. 28 November 2016.
6211:. 28 February 2022.
6100:David Bell (2016).
5861:. 29 November 2017.
5601:V&A Collections
5583:V&A Collections
5565:V&A Collections
5522:V&A Collections
5504:V&A Collections
5436:V&A Collections
5418:V&A Collections
5375:V&A Collections
5357:V&A Collections
5339:V&A Collections
5296:V&A Collections
5278:V&A Collections
5260:V&A Collections
5242:V&A Collections
5224:V&A Collections
5206:V&A Collections
5188:V&A Collections
5170:V&A Collections
5152:V&A Collections
5134:V&A Collections
5116:V&A Collections
5098:V&A Collections
5012:V&A Collections
4994:V&A Collections
4976:V&A Collections
4958:V&A Collections
4940:V&A Collections
4922:V&A Collections
4904:V&A Collections
4868:V&A Collections
4850:V&A Collections
4832:V&A Collections
4814:V&A Collections
4771:V&A Collections
4753:V&A Collections
4735:V&A Collections
4717:V&A Collections
4674:V&A Collections
4656:V&A Collections
4407:Big Furniture Group
4281:The Retail Bulletin
4209:Thd Retail Bulletin
4193:. 22 February 2018.
4175:. 21 February 2018.
4103:. 25 February 2014.
4082:. 16 December 2007.
3931:Investors Chronicle
3772:. 18 November 1995.
3439:A History of Heal's
3349:. 11 February 2010.
3295:. 1981. p. 57.
3226:: 26. October 1970.
3194:"Bowles and Heal's"
3137:The Modern Interior
2465:A History of Heal's
2424:. 25–26: 246. 1918.
2122:on 21 February 2014
1894:"Heals (1810-2023)"
1654:
1649:Kingston University
1425:Maurice de Vlaminck
1397:Sacheverell Sitwell
1363:The Mansard Gallery
1324:1974 - Jack Prince
1294:1972 - Mary Oliver
1240:1966 - Arno Thoner
1153:1961 - Colin Lacey
1129:1959 - Fay Hillier
1087:1956 - Mary Warren
1081:1956 - Edward Pond
1051:1947 - Helen Close
934:Council chamber at
761:British Home Stores
552:Festival of Britain
528:Britain Can Make It
488:Guildford Cathedral
423:in Francis Street.
385:George Bernard Shaw
310:Plain Oak Furniture
286:Marlborough College
282:Ambrose Heal Junior
128:Hamish Mansbridge (
114:Number of locations
34:
6441:51.5212°N 0.1344°W
5738:A Roger Fry Reader
5735:Roger Fry (1996).
5208:. 8 November 2002.
4886:V&ACollections
4522:"Heal's Contracts"
4373:. 24 October 2021.
4007:. 12 January 2013.
3965:. 15 October 2000.
3947:. 9 December 1999.
3915:. 4 November 1997.
3833:. 5 November 1995.
3695:"London Designers"
3331:. 31 January 2024.
3157:. 11 January 1999.
1545:Claud Lovat Fraser
1520:
1489:Frederick Etchells
1477:Vorticist movement
1222:1965 - Peter Hall
1099:1957 - Mary Moran
1045:1947 - Jane Edgar
843:Mailbox Birmingham
689:Bi-Centenary Medal
636:Queen Elizabeth II
624:Heal's Fabrics Ltd
599:
530:exhibition at the
524:
501:Heal Contracts Ltd
467:
432:
420:
396:
170:£800,000 (2022-23)
139:Sir Terence Conran
6165:978-1-4725-2155-2
5714:"Mansard Gallery"
5628:Something Created
4337:. 4 January 2021.
3289:"Furniture Trade"
3204:: 33. April 1969.
2984:978-1-877096-38-9
2356:. 5 January 2013.
2254:Hole & Corner
2250:"History Lessons"
1577:Modern Tendencies
1497:Cuthbert Hamilton
1413:Amedeo Modigliani
1401:Léopold Zborowski
1141:1960 - Ruth Kaye
1057:1955 - Paul Gell
977:Queen Elizabeth 2
896:Winston Churchill
882:Reigate Town Hall
787:Management buyout
628:Carpet Layers Ltd
584:Michael O'Connell
452:Mies van der Rohe
349:C. H. B. Quennell
202:
201:
16:(Redirected from
6537:
6452:
6451:
6449:
6448:
6447:
6446:51.5212; -0.1344
6442:
6438:
6435:
6434:
6433:
6430:
6419:
6418:
6416:Official website
6402:
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6180:"Client: Heal's"
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5797:
5796:. 29 March 2019.
5786:
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5723:
5721:
5710:
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5647:
5646:
5643:Evening Standard
5638:
5632:
5631:
5620:
5605:
5604:
5593:
5587:
5586:
5575:
5569:
5568:
5567:. 14 April 2009.
5557:
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5524:. 14 April 2009.
5514:
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5191:
5190:. 14 April 2009.
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5016:
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5004:
4998:
4997:
4986:
4980:
4979:
4978:. 28 March 2000.
4968:
4962:
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4950:
4944:
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4932:
4926:
4925:
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4908:
4907:
4906:. 14 April 2009.
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4719:. 14 April 2009.
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4327:
4321:
4320:
4319:. 25 March 2020.
4309:
4303:
4302:
4301:. 11 April 2022.
4299:Evening Standard
4291:
4285:
4284:
4283:. 11 April 2024.
4273:
4267:
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4093:
4084:
4083:
4072:
4066:
4065:
4064:. 16 March 2022.
4054:
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4015:
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3246:
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3228:
3227:
3212:
3206:
3205:
3190:
3184:
3183:
3182:. 29 March 2010.
3172:
3159:
3158:
3155:Historic England
3147:
3141:
3140:
3129:
3123:
3122:
3102:
3096:
3095:
3089:
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2707:
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2691:
2685:
2684:
2683:. 16 April 2018.
2673:
2667:
2666:
2646:
2640:
2639:
2620:
2614:
2613:
2612:. 22 March 2021.
2602:
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2337:
2335:
2329:English Heritage
2321:
2315:
2314:
2294:
2288:
2287:
2276:
2265:
2264:
2262:
2260:
2246:
2237:
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2112:
2106:
2105:
2085:
2062:
2061:
2050:
2044:
2043:
2033:
2027:
2017:
2011:
2010:
1990:
1953:
1952:
1941:
1902:
1901:
1900:. 18 April 2024.
1890:
1805:
1804:
1786:
1753:
1752:
1732:
1717:
1716:
1710:
1702:
1605:Great Exhibition
1524:Bloomsbury Group
1509:Edward Wadsworth
1437:Louis Marcoussis
1381:The London Group
961:SS Northern Star
848:Westfield London
836:Westbourne Grove
708:Heal's Furniture
682:Heal Textil GmbH
661:Torrington Place
536:AE Gray & Co
509:Utility controls
414:The sign of the
401:Percy Delf Smith
357:Paris Exposition
341:, the editor of
306:Prison furniture
198:
195:
193:
150:Home furnishings
135:Sir Ambrose Heal
86:
84:
79:
42:
35:
21:
6545:
6544:
6540:
6539:
6538:
6536:
6535:
6534:
6490:Shops in London
6455:
6454:
6445:
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6436:
6431:
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6414:
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5913:
5909:
5899:
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5888:
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5879:. 30 June 2009.
5871:
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5608:
5603:. 17 July 2000.
5595:
5594:
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5585:. 24 June 2009.
5577:
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5558:
5554:
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5506:. 24 June 2009.
5498:
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5468:
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5443:
5438:. 24 June 2009.
5430:
5429:
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5420:. 24 June 2009.
5412:
5411:
5407:
5397:
5395:
5387:
5386:
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5377:. 24 June 2009.
5369:
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5359:. 24 June 2009.
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5341:. 24 June 2009.
5333:
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5298:. 24 June 2009.
5290:
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5280:. 24 June 2009.
5272:
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5262:. 24 June 2009.
5254:
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5244:. 24 June 2009.
5236:
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5226:. 24 June 2009.
5218:
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5200:
5199:
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5172:. 24 June 2009.
5164:
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5154:. 24 June 2009.
5146:
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5136:. 24 June 2009.
5128:
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5118:. 24 June 2009.
5110:
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5014:. 24 June 2009.
5006:
5005:
5001:
4996:. 24 June 2009.
4988:
4987:
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4969:
4965:
4960:. 24 June 2009.
4952:
4951:
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4942:. 24 June 2009.
4934:
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4924:. 24 June 2009.
4916:
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4897:
4893:
4888:. 24 June 2009.
4880:
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4870:. 24 June 2009.
4862:
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4857:
4852:. 24 June 2009.
4844:
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4834:. 24 June 2009.
4826:
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4816:. 24 June 2009.
4808:
4807:
4803:
4793:
4791:
4783:
4782:
4778:
4773:. 24 June 2009.
4765:
4764:
4760:
4755:. 24 June 2009.
4747:
4746:
4742:
4737:. 24 June 2009.
4729:
4728:
4724:
4711:
4710:
4706:
4696:
4694:
4686:
4685:
4681:
4676:. 24 June 2009.
4668:
4667:
4663:
4658:. 24 June 2009.
4650:
4649:
4645:
4640:. 1 March 2016.
4632:
4631:
4624:
4617:
4602:
4601:
4592:
4585:
4570:
4569:
4562:
4552:
4550:
4542:
4541:
4537:
4520:
4519:
4515:
4498:
4497:
4493:
4480:
4479:
4475:
4465:
4463:
4455:
4454:
4450:
4445:. 28 June 2023.
4443:Elle Decoration
4437:
4436:
4432:
4419:
4418:
4414:
4401:
4400:
4396:
4383:
4382:
4378:
4365:
4364:
4360:
4347:
4346:
4342:
4329:
4328:
4324:
4317:Birmingham Mail
4311:
4310:
4306:
4293:
4292:
4288:
4275:
4274:
4270:
4257:
4247:
4239:
4238:
4234:
4221:
4220:
4216:
4203:
4202:
4198:
4185:
4184:
4180:
4167:
4166:
4162:
4149:
4148:
4144:
4139:. 6 March 2015.
4131:
4130:
4126:
4121:. 12 June 2015.
4113:
4112:
4108:
4095:
4094:
4087:
4074:
4073:
4069:
4056:
4055:
4048:
4035:
4034:
4030:
4017:
4016:
4012:
3999:
3998:
3991:
3986:. 21 June 2001.
3978:
3977:
3970:
3963:The Independent
3957:
3956:
3952:
3943:
3942:
3938:
3927:"Heal's growth"
3925:
3924:
3920:
3913:The Independent
3907:
3906:
3902:
3895:Financial Times
3889:
3888:
3881:
3871:
3869:
3861:
3860:
3856:
3843:
3842:
3838:
3831:The Independent
3825:
3824:
3817:
3810:The Independent
3804:
3803:
3799:
3782:
3781:
3777:
3770:Financial Times
3764:
3763:
3754:
3747:
3732:
3731:
3727:
3714:
3713:
3706:
3693:
3692:
3688:
3681:
3666:
3665:
3661:
3654:
3639:
3638:
3634:
3627:
3614:
3613:
3609:
3592:
3588:
3573:
3572:
3568:
3561:
3546:
3545:
3536:
3529:
3514:
3513:
3509:
3502:
3489:
3488:
3484:
3477:
3462:
3461:
3457:
3450:
3435:
3434:
3425:
3418:
3405:
3404:
3400:
3393:
3380:
3379:
3372:
3361:"Habitat Heals"
3359:
3358:
3354:
3341:
3340:
3336:
3323:
3322:
3318:
3305:
3304:
3300:
3287:
3286:
3282:
3272:
3271:
3267:
3254:
3253:
3249:
3236:
3235:
3231:
3214:
3213:
3209:
3192:
3191:
3187:
3174:
3173:
3162:
3149:
3148:
3144:
3133:"Percy Brierly"
3131:
3130:
3126:
3119:
3104:
3103:
3099:
3082:
3078:
3065:
3064:
3060:
3043:
3039:
3031:. p. 421.
3024:
3023:
3019:
3012:
2997:
2996:
2992:
2985:
2972:
2971:
2967:
2960:
2945:
2944:
2937:
2930:
2915:
2914:
2910:
2903:
2888:
2887:
2883:
2866:
2862:
2847:
2846:
2842:
2832:
2830:
2822:
2821:
2817:
2810:
2795:
2794:
2790:
2783:
2768:
2767:
2763:
2750:
2749:
2745:
2738:
2723:
2722:
2713:
2703:
2701:
2693:
2692:
2688:
2675:
2674:
2670:
2663:
2648:
2647:
2643:
2636:
2622:
2621:
2617:
2604:
2603:
2584:
2574:
2573:
2569:
2562:
2547:
2546:
2542:
2535:
2520:
2519:
2515:
2503:
2502:
2498:
2488:
2487:
2483:
2476:
2461:
2460:
2456:
2449:
2434:
2433:
2429:
2416:
2415:
2411:
2401:
2399:
2391:
2390:
2386:
2376:
2374:
2366:
2365:
2361:
2348:
2347:
2343:
2333:
2331:
2323:
2322:
2318:
2311:
2296:
2295:
2291:
2278:
2277:
2268:
2258:
2256:
2248:
2247:
2240:
2233:
2218:
2217:
2213:
2203:
2201:
2193:
2192:
2188:
2178:
2176:
2168:
2167:
2160:
2150:
2148:
2140:
2139:
2135:
2125:
2123:
2114:
2113:
2109:
2102:
2087:
2086:
2065:
2052:
2051:
2047:
2035:
2034:
2030:
2018:
2014:
2007:
1992:
1991:
1956:
1943:
1942:
1905:
1892:
1891:
1808:
1801:
1788:
1787:
1756:
1749:
1734:
1733:
1720:
1708:
1704:
1703:
1694:
1690:
1657:
1625:Glasgow in 1901
1601:
1553:Markey Robinson
1505:William Roberts
1481:Jessica Dismorr
1467:. A year later
1433:Léopold Survage
1399:and art dealer
1369:Poster Pictures
1365:
1360:
1041:
1039:Selected prints
986:
871:
814:
802:D&AD Awards
789:
740:
680:and renamed it
644:
496:
302:Edward Barnsley
278:
270:Charles Dickens
250:
245:
211:) is a British
190:
167:
141:
137:
133:
125:
115:
108:
104:
82:
80:
77:
28:
23:
22:
15:
12:
11:
5:
6543:
6541:
6533:
6532:
6527:
6522:
6517:
6512:
6507:
6502:
6497:
6492:
6487:
6482:
6477:
6472:
6467:
6457:
6456:
6421:
6420:
6409:
6408:External links
6406:
6404:
6403:
6385:
6378:
6358:
6340:
6322:
6304:
6286:
6279:
6273:. Transworld.
6259:
6241:
6234:
6214:
6196:
6171:
6164:
6144:
6119:
6112:
6092:
6085:
6079:. p. 10.
6065:
6040:
6015:
6008:
5988:
5981:
5975:. p. 74.
5961:
5954:
5934:
5927:
5907:
5882:
5864:
5846:
5821:
5799:
5781:
5774:
5768:. p. 63.
5754:
5747:
5727:
5705:
5698:
5675:
5668:
5648:
5633:
5630:. 5 June 2017.
5606:
5588:
5570:
5552:
5527:
5509:
5491:
5466:
5450:"Spectroscope"
5441:
5423:
5405:
5380:
5362:
5344:
5326:
5301:
5283:
5265:
5247:
5229:
5220:"Summer Pride"
5211:
5193:
5175:
5157:
5139:
5121:
5103:
5085:
5060:
5055:V&A Images
5042:
5017:
4999:
4981:
4963:
4945:
4927:
4909:
4891:
4873:
4855:
4837:
4819:
4801:
4776:
4758:
4749:"Kite Strings"
4740:
4722:
4704:
4679:
4661:
4643:
4622:
4615:
4590:
4583:
4560:
4535:
4532:. 22 May 2024.
4513:
4510:: 17–18. 1975.
4491:
4473:
4448:
4430:
4412:
4394:
4391:. 18 May 2022.
4376:
4358:
4353:Furniture News
4340:
4322:
4304:
4286:
4268:
4259:|website=
4232:
4229:. 23 May 2018.
4214:
4211:. 23 May 2018.
4196:
4178:
4160:
4155:Retail Gazette
4142:
4124:
4106:
4085:
4067:
4046:
4028:
4010:
3989:
3968:
3950:
3936:
3918:
3900:
3879:
3854:
3836:
3815:
3797:
3775:
3752:
3745:
3725:
3704:
3686:
3679:
3659:
3652:
3632:
3625:
3607:
3586:
3566:
3559:
3534:
3527:
3507:
3500:
3482:
3475:
3455:
3448:
3423:
3416:
3398:
3391:
3370:
3352:
3334:
3316:
3298:
3280:
3265:
3247:
3229:
3207:
3198:Design Journal
3185:
3160:
3142:
3124:
3117:
3097:
3076:
3058:
3037:
3017:
3010:
2990:
2983:
2965:
2958:
2935:
2928:
2908:
2901:
2881:
2860:
2840:
2815:
2808:
2788:
2781:
2761:
2743:
2736:
2711:
2686:
2668:
2661:
2641:
2634:
2615:
2582:
2579:. p. 121.
2567:
2560:
2540:
2533:
2513:
2496:
2481:
2474:
2454:
2447:
2427:
2409:
2384:
2372:British Museum
2359:
2341:
2316:
2309:
2289:
2266:
2238:
2231:
2211:
2199:Puritan Values
2186:
2158:
2133:
2107:
2100:
2063:
2045:
2028:
2012:
2005:
1954:
1903:
1806:
1799:
1754:
1747:
1718:
1691:
1689:
1686:
1656:
1653:
1600:
1597:
1541:Work Suspended
1533:Virginia Woolf
1493:Charles Ginner
1393:Osbert Sitwell
1364:
1361:
1359:
1358:
1352:
1346:
1340:
1334:
1328:
1322:
1316:
1310:
1304:
1298:
1292:
1286:
1280:
1274:
1268:
1262:
1256:
1250:
1244:
1238:
1232:
1226:
1220:
1214:
1205:
1199:
1193:
1184:
1178:
1172:
1163:
1157:
1151:
1145:
1139:
1133:
1127:
1121:
1115:
1109:
1103:
1097:
1091:
1085:
1079:
1073:
1067:
1061:
1055:
1049:
1042:
1040:
1037:
1007:Lesley Jackson
1001:. In her book
985:
984:Heal's Fabrics
982:
981:
980:
957:
954:
948:
941:
938:
932:
929:
922:
911:
910:
903:
892:
885:
878:
870:
867:
863:Matthew Hilton
813:
810:
788:
785:
765:Storehouse plc
744:Terence Conran
739:
736:
643:
640:
520:Heal & Son
495:
492:
456:Gordon Russell
376:Simple Bedroom
314:Simple Bedroom
277:
274:
249:
246:
244:
241:
225:Arts and Craft
209:Heal & Son
200:
199:
188:
184:
183:
178:
172:
171:
168:
163:
160:
159:
156:
152:
151:
148:
144:
143:
126:
123:
120:
119:
116:
113:
110:
109:
106:
102:
100:
96:
95:
92:
88:
87:
74:
70:
69:
66:
62:
61:
56:
52:
51:
50:Heal & Son
48:
44:
43:
26:
24:
18:Heal & Son
14:
13:
10:
9:
6:
4:
3:
2:
6542:
6531:
6528:
6526:
6523:
6521:
6518:
6516:
6513:
6511:
6508:
6506:
6503:
6501:
6498:
6496:
6493:
6491:
6488:
6486:
6483:
6481:
6478:
6476:
6473:
6471:
6468:
6466:
6463:
6462:
6460:
6453:
6450:
6417:
6412:
6411:
6407:
6399:
6395:
6389:
6386:
6381:
6379:9780491021982
6375:
6371:
6370:
6362:
6359:
6354:
6350:
6344:
6341:
6336:
6332:
6326:
6323:
6318:
6314:
6308:
6305:
6300:
6296:
6290:
6287:
6282:
6280:9781473591738
6276:
6272:
6271:
6263:
6260:
6255:
6251:
6245:
6242:
6237:
6235:9781000182088
6231:
6228:. Routledge.
6227:
6226:
6218:
6215:
6210:
6206:
6200:
6197:
6185:
6181:
6175:
6172:
6167:
6161:
6157:
6156:
6148:
6145:
6133:
6129:
6123:
6120:
6115:
6113:9781317121756
6109:
6105:
6104:
6096:
6093:
6088:
6086:9781351574969
6082:
6078:
6077:
6069:
6066:
6054:
6050:
6044:
6041:
6029:
6025:
6019:
6016:
6011:
6009:9781848221116
6005:
6001:
6000:
5992:
5989:
5984:
5982:9781580462358
5978:
5974:
5973:
5965:
5962:
5957:
5955:9780429614866
5951:
5947:
5946:
5938:
5935:
5930:
5928:9781902448596
5924:
5920:
5919:
5911:
5908:
5896:
5895:Court Gallery
5892:
5886:
5883:
5878:
5874:
5868:
5865:
5860:
5856:
5850:
5847:
5835:
5831:
5830:"Friday Club"
5825:
5822:
5809:
5803:
5800:
5795:
5791:
5785:
5782:
5777:
5775:9780853314882
5771:
5767:
5766:
5758:
5755:
5750:
5748:9780226266428
5744:
5740:
5739:
5731:
5728:
5716:. 13 May 2015
5715:
5709:
5706:
5701:
5699:9780856674099
5695:
5691:
5690:
5682:
5680:
5676:
5671:
5669:9780813052847
5665:
5661:
5660:
5652:
5649:
5645:. 6 May 1922.
5644:
5637:
5634:
5629:
5625:
5619:
5617:
5615:
5613:
5611:
5607:
5602:
5598:
5592:
5589:
5584:
5580:
5574:
5571:
5566:
5562:
5556:
5553:
5541:
5537:
5531:
5528:
5523:
5519:
5513:
5510:
5505:
5501:
5495:
5492:
5480:
5476:
5470:
5467:
5455:
5451:
5445:
5442:
5437:
5433:
5427:
5424:
5419:
5415:
5409:
5406:
5394:
5390:
5384:
5381:
5376:
5372:
5366:
5363:
5358:
5354:
5348:
5345:
5340:
5336:
5330:
5327:
5315:
5311:
5305:
5302:
5297:
5293:
5287:
5284:
5279:
5275:
5269:
5266:
5261:
5257:
5256:"Perspective"
5251:
5248:
5243:
5239:
5233:
5230:
5225:
5221:
5215:
5212:
5207:
5203:
5197:
5194:
5189:
5185:
5179:
5176:
5171:
5167:
5161:
5158:
5153:
5149:
5143:
5140:
5135:
5131:
5125:
5122:
5117:
5113:
5107:
5104:
5099:
5095:
5089:
5086:
5074:
5070:
5064:
5061:
5056:
5052:
5046:
5043:
5031:
5027:
5021:
5018:
5013:
5009:
5003:
5000:
4995:
4991:
4985:
4982:
4977:
4973:
4967:
4964:
4959:
4955:
4949:
4946:
4941:
4937:
4936:"Sweet Briar"
4931:
4928:
4923:
4919:
4913:
4910:
4905:
4901:
4895:
4892:
4887:
4883:
4877:
4874:
4869:
4865:
4859:
4856:
4851:
4847:
4841:
4838:
4833:
4829:
4823:
4820:
4815:
4811:
4805:
4802:
4790:
4786:
4780:
4777:
4772:
4768:
4767:"Farnborough"
4762:
4759:
4754:
4750:
4744:
4741:
4736:
4732:
4726:
4723:
4718:
4714:
4708:
4705:
4693:
4689:
4683:
4680:
4675:
4671:
4665:
4662:
4657:
4653:
4647:
4644:
4639:
4635:
4629:
4627:
4623:
4618:
4616:9781568987125
4612:
4608:
4607:
4599:
4597:
4595:
4591:
4586:
4584:9781804190944
4580:
4576:
4575:
4567:
4565:
4561:
4549:
4545:
4539:
4536:
4531:
4527:
4523:
4517:
4514:
4509:
4505:
4501:
4495:
4492:
4487:
4486:The Economist
4483:
4477:
4474:
4462:
4458:
4452:
4449:
4444:
4440:
4434:
4431:
4427:. 1 May 2023.
4426:
4422:
4416:
4413:
4408:
4404:
4398:
4395:
4390:
4386:
4380:
4377:
4372:
4371:The Telegraph
4368:
4362:
4359:
4354:
4350:
4344:
4341:
4336:
4335:Business Live
4332:
4326:
4323:
4318:
4314:
4308:
4305:
4300:
4296:
4290:
4287:
4282:
4278:
4272:
4269:
4264:
4252:
4244:
4243:
4236:
4233:
4228:
4224:
4218:
4215:
4210:
4206:
4200:
4197:
4192:
4188:
4182:
4179:
4174:
4170:
4164:
4161:
4156:
4152:
4146:
4143:
4138:
4134:
4128:
4125:
4120:
4116:
4110:
4107:
4102:
4098:
4092:
4090:
4086:
4081:
4080:The Telegraph
4077:
4071:
4068:
4063:
4059:
4053:
4051:
4047:
4042:
4038:
4032:
4029:
4024:
4020:
4014:
4011:
4006:
4002:
3996:
3994:
3990:
3985:
3981:
3975:
3973:
3969:
3964:
3960:
3954:
3951:
3946:
3940:
3937:
3932:
3928:
3922:
3919:
3914:
3910:
3904:
3901:
3896:
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2493:. p. 24.
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2060:. 1 May 2023.
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1469:Wyndham Lewis
1466:
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1451:, art critic
1450:
1449:The Athenaeum
1446:
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1438:
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1429:Fernand Léger
1426:
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1418:
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1409:Henri Matisse
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1405:Pablo Picasso
1402:
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1209:Zandra Rhodes
1206:
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1167:Althea McNish
1164:
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949:
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943:Ballroom for
942:
939:
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933:
930:
927:
926:Castrol House
923:
920:
916:
915:
914:
908:
904:
901:
897:
893:
890:
889:Vickers Maxim
886:
883:
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874:
866:
864:
859:
854:
849:
844:
839:
837:
832:
828:
823:
819:
818:Weston family
811:
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803:
799:
795:
786:
784:
782:
778:
774:
770:
766:
762:
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749:
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737:
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733:
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721:
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711:
709:
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704:Yngve Ekström
701:
695:
693:
690:
687:
683:
679:
675:
670:
666:
662:
658:
657:Kenneth Clark
654:
653:John Farleigh
650:
641:
639:
637:
633:
629:
625:
621:
617:
613:
607:
602:
595:
591:
589:
588:Helen Sampson
585:
581:
578:and from the
577:
573:
567:
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561:
557:
553:
549:
545:
541:
537:
533:
529:
521:
516:
512:
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493:
491:
489:
485:
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480:Marcel Breuer
477:
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354:
350:
346:
345:
340:
339:Gleeson White
336:
332:
328:
327:
322:
319:
318:C.R. Ashbee's
315:
311:
307:
303:
299:
298:Ernest Gimson
295:
291:
287:
283:
275:
273:
271:
267:
263:
259:
255:
248:Early history
247:
242:
240:
238:
237:Weston family
234:
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222:
218:
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210:
206:
197:
189:
185:
182:
179:
177:
173:
169:
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157:
153:
149:
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142:Colin Pilgrim
140:
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121:
117:
111:
101:
97:
93:
89:
75:
71:
67:
63:
60:
57:
53:
49:
45:
41:
36:
30:
19:
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6316:
6307:
6298:
6289:
6269:
6262:
6253:
6244:
6224:
6217:
6208:
6199:
6187:. Retrieved
6184:D Barrington
6183:
6174:
6154:
6147:
6135:. Retrieved
6131:
6122:
6102:
6095:
6075:
6068:
6056:. Retrieved
6052:
6043:
6031:. Retrieved
6027:
6018:
5998:
5991:
5971:
5964:
5944:
5937:
5917:
5910:
5898:. Retrieved
5894:
5885:
5876:
5867:
5858:
5849:
5837:. Retrieved
5833:
5824:
5812:. Retrieved
5802:
5793:
5784:
5764:
5757:
5737:
5730:
5718:. Retrieved
5708:
5688:
5658:
5651:
5642:
5636:
5627:
5600:
5591:
5582:
5573:
5564:
5555:
5543:. Retrieved
5539:
5530:
5521:
5512:
5503:
5494:
5482:. Retrieved
5478:
5469:
5457:. Retrieved
5453:
5444:
5435:
5426:
5417:
5408:
5396:. Retrieved
5392:
5383:
5374:
5371:"Equilibrum"
5365:
5356:
5347:
5338:
5329:
5317:. Retrieved
5313:
5304:
5295:
5286:
5277:
5274:"Concentric"
5268:
5259:
5250:
5241:
5232:
5223:
5214:
5205:
5196:
5187:
5178:
5169:
5160:
5151:
5142:
5133:
5124:
5115:
5106:
5097:
5094:"Chiricahua"
5088:
5076:. Retrieved
5072:
5063:
5054:
5045:
5033:. Retrieved
5029:
5020:
5011:
5002:
4993:
4984:
4975:
4966:
4957:
4948:
4939:
4930:
4921:
4912:
4903:
4894:
4885:
4876:
4867:
4858:
4849:
4840:
4831:
4822:
4813:
4810:"Syncromesh"
4804:
4792:. Retrieved
4788:
4779:
4770:
4761:
4752:
4743:
4734:
4725:
4716:
4707:
4695:. Retrieved
4691:
4682:
4673:
4664:
4655:
4652:"Aspidestia"
4646:
4637:
4605:
4573:
4551:. Retrieved
4547:
4538:
4529:
4525:
4516:
4507:
4504:RIBA Journal
4503:
4494:
4485:
4476:
4464:. Retrieved
4460:
4451:
4442:
4433:
4425:The Guardian
4424:
4415:
4406:
4397:
4388:
4379:
4370:
4361:
4352:
4343:
4334:
4325:
4316:
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4298:
4289:
4280:
4271:
4241:
4235:
4226:
4217:
4208:
4199:
4190:
4181:
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4163:
4154:
4145:
4136:
4127:
4118:
4109:
4100:
4079:
4070:
4061:
4040:
4031:
4025:. July 2019.
4022:
4013:
4004:
3984:The Guardian
3983:
3962:
3953:
3939:
3930:
3921:
3912:
3903:
3894:
3870:. Retrieved
3866:
3857:
3848:
3839:
3830:
3809:
3800:
3791:
3787:
3778:
3769:
3735:
3728:
3719:
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3662:
3642:
3635:
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3576:
3569:
3549:
3517:
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3438:
3407:
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3364:
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3337:
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3319:
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3283:
3274:
3268:
3259:
3250:
3241:
3232:
3223:
3219:
3210:
3201:
3197:
3188:
3180:The Guardian
3179:
3154:
3145:
3136:
3127:
3107:
3100:
3067:
3061:
3027:
3020:
3000:
2993:
2974:
2968:
2948:
2918:
2911:
2891:
2884:
2850:
2843:
2831:. Retrieved
2827:
2818:
2798:
2791:
2771:
2764:
2755:
2746:
2726:
2702:. Retrieved
2698:
2695:"Alix Stone"
2689:
2680:
2671:
2651:
2644:
2624:
2618:
2609:
2576:
2570:
2550:
2543:
2523:
2516:
2506:
2499:
2490:
2484:
2464:
2457:
2437:
2430:
2421:
2412:
2400:. Retrieved
2396:
2387:
2375:. Retrieved
2371:
2362:
2353:
2344:
2332:. Retrieved
2328:
2319:
2299:
2292:
2283:
2257:. Retrieved
2253:
2221:
2214:
2202:. Retrieved
2198:
2189:
2177:. Retrieved
2173:
2149:. Retrieved
2145:
2136:
2124:. Retrieved
2120:the original
2110:
2090:
2058:The Guardian
2057:
2048:
2038:
2031:
2020:
2015:
1995:
1948:
1897:
1790:
1737:
1712:
1669:
1663:
1658:
1644:
1633:Christchurch
1631:in 1913 and
1602:
1592:
1588:
1584:
1580:
1576:
1572:
1568:
1566:
1548:
1540:
1537:Evelyn Waugh
1521:
1485:Frank Dibson
1472:
1471:curated the
1464:
1456:
1444:
1421:Othon Friesz
1417:André Derain
1388:
1368:
1366:
1355:
1349:
1343:
1338:Country Walk
1337:
1331:
1325:
1319:
1314:Spectroscope
1313:
1307:
1301:
1295:
1289:
1283:
1277:
1271:
1265:
1259:
1253:
1247:
1241:
1236:Summer Pride
1235:
1229:
1223:
1217:
1211:
1202:
1196:
1190:
1182:Doll's House
1181:
1175:
1169:
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1154:
1148:
1142:
1136:
1130:
1124:
1118:
1112:
1106:
1100:
1094:
1088:
1082:
1077:Kite Strings
1076:
1070:
1064:
1058:
1052:
1046:
1018:
1013:
1012:
1002:
998:
994:
990:
987:
973:MV Kungsholm
912:
872:
840:
815:
806:
790:
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741:
731:
728:
714:
712:
707:
700:Robert Welch
696:
691:
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655:and made by
645:
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604:
600:
572:Lucienne Day
568:
563:
525:
522:, 1947. Oak.
504:
500:
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471:
468:
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421:
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375:
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352:
342:
334:
330:
324:
313:
309:
305:
279:
261:
251:
208:
207:(originally
204:
203:
99:Headquarters
55:Company type
29:
6444: /
6319:. May 2024.
6209:Design Week
6053:Mary Fedden
5814:15 February
5432:"Scintilla"
5414:"Glentanna"
5310:"Automaton"
5166:"Structure"
5112:"Formation"
4990:"Solitaire"
4828:"Daffodils"
4713:"Isosceles"
4577:. Octopus.
2681:Heal's Blog
2126:15 February
1660:Dodie Smith
1561:Mary Fedden
1557:Ben Enwonwu
1535:. In 1939,
1531:first meet
1441:André Lhote
1248:Perspective
1137:Sweet Briar
1083:Farnborough
969:SS Canberra
905:Tables for
894:Tables for
794:King's Road
560:Hermia Boyd
540:Robin Day's
444:Alvar Aalto
416:four poster
6459:Categories
6429:51°31′16″N
6317:The Critic
5500:"Playtime"
5335:"Alhambra"
5238:"Rotation"
5008:"Symmetry"
4954:"Crusilly"
4900:"Vineyard"
4882:"Sargasso"
4670:"Athenian"
3867:D & AD
3701:: 8. 1986.
2861:185894046X
1688:References
1674:Orla Kiely
1373:Frank Pick
1290:Equilibrum
1272:Automation
1260:Concentric
1191:Chiricahua
1188:John Plumb
1176:Sunflowers
1095:Syncromesh
1047:Aspidestia
827:Manchester
763:to create
752:Mothercare
620:Holmegaard
616:Hans Coper
556:David Boyd
478:Professor
344:The Studio
165:Net income
124:Key people
59:Subsidiary
6432:0°08′04″W
6353:Londonist
6299:The Times
5518:"Fuchsia"
5353:"Ikebana"
5184:"Verdure"
5130:"Rosette"
4918:"Festoon"
4638:Davis Art
4261:ignored (
4251:cite book
4062:The Argus
3720:The Times
3596:cite book
3311:The Times
3307:"Briefly"
3260:The Times
3242:The Times
3086:cite book
3047:cite book
2870:cite book
1551:in 1951,
1465:"ghastly"
1461:The Times
1453:Roger Fry
1308:Scintilla
1302:Glentanna
1254:Frequency
1218:Structure
1197:Formation
1155:Solitaire
1101:Daffodils
1065:Isosceles
1009:states,
900:Chartwell
898:’s home,
853:Fenwick's
678:Stuttgart
669:Edgbaston
612:Lucie Rie
280:In 1893,
213:furniture
6520:Textiles
6398:The Week
6335:The Week
5873:"Poster"
5834:Artbiogs
5561:"Nectar"
5292:"Lariat"
5202:"Impact"
4846:"Furrow"
4731:"Cirrus"
3216:"People"
2524:Art Deco
1579:series,
1326:Playtime
1278:Alhambra
1242:Rotation
1161:Symmetry
1143:Crusilly
1125:Vineyard
1119:Sargasso
1089:Nautilus
1059:Palladio
1053:Athenian
1031:and the
975:and the
909:in 1930.
902:in 1924.
891:in 1911.
884:in 1901.
773:Lakeside
720:Brighton
548:New York
440:Orrefors
288:and the
262:Heal Bed
217:homeware
147:Products
91:Founders
65:Industry
47:Formerly
6256:. 2023.
5877:V&A
5794:V&A
5057:. 2006.
4972:"Patio"
4548:RIBAPIX
4409:. 2023.
4043:. 2021.
3794:. 1997.
2828:V&A
2286:. 2020.
2146:RIBApix
1473:Group X
1332:Fuchsia
1320:Aureola
1284:Ikebana
1224:Verdure
1207:1964 -
1203:Rosette
1186:1963 -
1165:1962 -
1131:Festoon
995:Stipple
991:Cascade
798:Chelsea
781:Croydon
769:Reading
748:Habitat
674:Bromley
476:Bauhaus
351:called
243:History
187:Website
155:Revenue
81: (
73:Founded
6465:Heal's
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6189:20 May
6162:
6137:20 May
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6058:24 May
6033:20 May
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5859:Heal's
5839:20 May
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5720:20 May
5696:
5666:
5597:"Zeme"
5579:"Maze"
5545:22 May
5484:21 May
5459:23 May
5398:21 May
5319:23 May
5148:"Gala"
5078:21 May
5035:21 May
4794:21 May
4697:22 May
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4466:20 May
4461:Heal's
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2259:14 May
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2179:14 May
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1344:Nectar
1266:Lariat
1230:Impact
1170:Caribe
1107:Furrow
1071:Cirrus
820:owned
381:senses
254:London
205:Heal's
194:.heals
176:Parent
103:London
68:Retail
33:Heal's
4864:"Oak"
4634:"Mod"
2402:9 May
2377:9 May
2334:9 May
2151:9 May
1709:(PDF)
1629:Ghent
1149:Patio
831:Leeds
258:Devon
6374:ISBN
6275:ISBN
6230:ISBN
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6160:ISBN
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2732:ISBN
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