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aims of
European colonists, thereby demonstrating his scepticism about the moral superiority of European men. Ending a passage that describes the condition of chained, emaciated slaves, Marlow remarks: "After all, I also was a part of the great cause of these high and just proceedings." Some observers assert that Conrad, whose native country had been conquered by imperial powers, empathised by default with other subjugated peoples.
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727:, "The inhabitants , whether antagonists or compatriots, were clearly imaginary and meant to represent a particular fictive cipher and not a particular African people". More recent critics like Nidesh Lawtoo have stressed that the "continuities" between Conrad and Achebe are profound and that a form of "postcolonial mimesis" ties the two authors via productive mirroring inversions.
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Kurtz is ill. Marlow fishes his boat out of the river and spends months repairing it. Delayed by the lack of tools and replacement parts, Marlow is frustrated by the time it takes to perform the repairs. He learns that Kurtz is resented, not admired, by the manager. Once underway, the journey to Kurtz's station takes two months.
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fit. Marlow is left with some personal letters and a photograph of Kurtz's fiancée. When Marlow visits her, she is deep in mourning although it has been more than a year since Kurtz's death. She presses Marlow for information, asking him to repeat Kurtz's final words. Marlow tells her that Kurtz's final word was her name.
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His entourage carries Kurtz to the steamer and lays him in a cabin. The manager tells Marlow that Kurtz has harmed the company's business in the region because his methods are "unsound". The
Russian reveals that Kurtz believes the company wants to kill him, and Marlow confirms that hangings were discussed.
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stated in 2003 that: "Achebe is right; to the
African reader the price of Conrad's eloquent denunciation of colonisation is the recycling of racist notions of the 'dark' continent and her people. Those of us who are not from Africa may be prepared to pay this price, but this price is far too high for
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Marlow departs with 60 men to travel to the
Central Station, where the steamboat that he will command is based. At the station, he learns that his steamboat has been wrecked in an accident. The general manager informs Marlow that he could not wait for Marlow to arrive, and tells him of a rumour that
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In a flashback, Marlow makes his way to Africa, taking passage on a steamer. He travels 30 mi (50 km) up the river where his company's station is. Work on a railway is taking place. Marlow explores a narrow ravine, and is horrified to find himself in a place full of critically ill
Africans
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A corrective impulse to impose one's rule characterises Kurtz's writings which were discovered by Marlow during his journey, where he rants on behalf of the so-called "International
Society for the Suppression of Savage Customs" about his supposedly altruistic and sentimental reasons to civilise the
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In 2003, Motswana scholar Peter
Mwikisa concluded the book was "the great lost opportunity to depict dialogue between Africa and Europe". Zimbabwean scholar Rino Zhuwarara, however, broadly agreed with Achebe, though considered it important to be "sensitised to how peoples of other nations perceive
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Achebe's critics argue that he fails to distinguish Marlow's view from Conrad's, which results in very clumsy interpretations of the novella. In their view, Conrad portrays
Africans sympathetically and their plight tragically, and refers sarcastically to, and condemns outright, the supposedly noble
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Kurtz's health worsens during the trip. The steamboat breaks down, and while stopped for repairs, Kurtz gives Marlow a packet of papers, including his commissioned report and a photograph, telling him to keep them from the manager. When Marlow next speaks with him, Kurtz is near death; Marlow hears
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Marlow observes the station and sees a row of posts topped with the severed heads of natives. Around the corner of the house, Kurtz appears with supporters who carry him as a ghost-like figure on a stretcher. The area fills with natives ready for battle, but Kurtz shouts something and they retreat.
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In his 1983 criticism, the
British academic Cedric Watts criticises the insinuation in Achebe's critique—the premise that only black people may accurately analyse and assess the novella, as well as mentioning that Achebe's critique falls into self-contradictory arguments regarding Conrad's writing
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Returning to Europe, Marlow is embittered and contemptuous of the "civilised" world. Several callers come to retrieve the papers Kurtz entrusted to him, but Marlow withholds them or offers papers he knows they have no interest in. He gives Kurtz's report to a journalist, for publication if he sees
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After landing at Kurtz's station, a man boards the steamboat: a
Russian wanderer who strayed into Kurtz's camp. Marlow learns that the natives worship Kurtz and that he has been very ill. The Russian tells of how Kurtz opened his mind and admires Kurtz even for his power and his willingness to use
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The journey pauses for the night about 8 miles (13 km) below the Inner Station. In the morning the boat is enveloped by a thick fog. The steamboat is later attacked by a barrage of arrows, and the helmsman is killed. Marlow sounds the steam whistle repeatedly, frightening the attackers away.
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dictator. Welles intended to play Marlow and Kurtz and it was to be entirely filmed as a POV from Marlow's eyes. Welles even filmed a short presentation film illustrating his intent. It is reportedly lost. The film's prologue to be read by Welles said "You aren't going to see this picture - this
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where the interview of the man and the girl locks in—as it were—the whole 30 000 words of narrative description into one suggestive view of a whole phase of life and makes of that story something quite on another plane than an anecdote of a man who went mad in the Centre of
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includes many similarities to Conrad's novella. However, Ballard said he had read nothing by Conrad before writing the novel, prompting literary critic Robert S. Lehman to remark that "the novel's allusion to Conrad works nicely, even if it is not really an allusion to Conrad".
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who lived in the Congo River basin at the time of the book's publication. He argued that the book promoted and continues to promote a prejudiced image of Africa that "depersonalises a portion of the human race" and concluded that it should not be considered a great work of art.
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writes that "nowhere in the novel does Conrad or any of his narrators, personified or otherwise, claim superiority on the part of Europeans on the grounds of alleged genetic or biological difference". If Conrad or his novel is racist, it is only in a weak sense, since
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After midnight, Kurtz returns to shore. Marlow finds Kurtz crawling back to the station house. Marlow threatens to harm Kurtz if he raises an alarm, but Kurtz only laments that he did not accomplish more. The next day they prepare to journey back down the river.
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as a "minor work" and criticised its "adjectival insistence upon inexpressible and incomprehensible mystery". Conrad did not consider it to be particularly notable; but by the 1960s it was a standard assignment in many college and high school English courses.
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judged that Arthur Hodister (1847–1892), a Belgian solitary but successful trader, who spoke three Congolese languages and was venerated by Congolese to the point of deification, served as the main model, while later scholars have refuted this hypothesis.
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called the broadcast of 13 March 1945, "the closest representation of the film Welles might have made, crippled, of course, by the absence of the story's visual elements (which were so meticulously designed) and the half-hour length of the broadcast."
354:" where he, after denying any "unity of artistic purpose" underlying the collection, discusses each of the three stories and makes light commentary on Marlow, the narrator of the tales within the first two stories. He said Marlow first appeared in
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is an extensive adaptation that reimagines Kurtz and Marlow as psychiatrists in Toronto. The novel begins: "On a winter's day, while a blizzard raged through the streets of Toronto, Lilah Kemp inadvertently set Kurtz free from page 92 of
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as "a wild story" of a journalist who becomes manager of a station in the (African) interior and makes himself worshipped by a tribe of natives. The tale was first published as a three-part serial, in February, March, and April 1899, in
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influenced the character. Peter Firchow mentions the possibility that Kurtz is a composite, modelled on various figures present in the Congo Free State at the time as well as on Conrad's imagining of what they might have had in common.
422:"savages"; one document ends with a dark proclamation to "Exterminate all the brutes!". The "International Society for the Suppression of Savage Customs" is interpreted as a sarcastic reference to one of the participants at the
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is Achebe's response to what he saw as Conrad's portrayal of Africa and Africans as symbols-- "the antithesis of Europe and therefore civilization". Achebe set out to write a novel about Africa and Africans by an African. In
1051:. The animation uses sand to better convey atmosphere of the book. A Brazilian animated film (2023) also adapts the novella. It is directed by Rogério Nunes and Alois Di Leo and moves the story to a near future
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for survivors in the aftermath of catastrophic sandstorms that left the city without contact to the outside world. The character John Konrad, who replaces the character Kurtz, is a reference to Joseph Conrad.
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The novella was not a big success during Conrad's life. When it was published as a single volume in 1902 with two novellas, "Youth" and "The End of the Tether", it received the least commentary from critics.
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948:, was released in 1991. It chronicles a series of difficulties and challenges that director Coppola encountered during the making of the film, several of which mirror some of the novella's themes.
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In Quaghebeur, M. And van Balberghe, E. (Eds.), Papier Blanc, Encre Noire: Cent Ans de Culture Francophone en Afrique Centrale (Zaïre, Rwanda et Burundi). 2 Vols. Pp. 15-34. Brussels: Labor
1073:. The player assumes the role of a mercenary operating in Africa whose task it is to kill an arms dealer, the elusive "Jackal". The last area of the game is called "The Heart of Darkness".
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Africans. Achebe argued that Conrad, "blinkered ... with xenophobia", incorrectly depicted Africa as the antithesis of Europe and civilisation, ignoring the artistic accomplishments of the
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1209:, Kurtz is seen as the epitome of exterminatory colonialism and, there and elsewhere, Škvorecký emphasises the importance of Conrad's concern with Russian imperialism in Eastern Europe.
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him weakly whisper, "The horror! The horror!" A short while later, the manager's boy announces to the crew that Kurtz has died (the famous line "Mistah Kurtz—he dead" would become the
378:, an agent who became ill and died aboard Conrad's steamer, is proposed by literary critics as a basis for Kurtz. The principal figures involved in the disastrous "rear column" of the
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who worked on the railroad and are now dying. Marlow must wait for ten days in the company's devastated Outer Station. Marlow meets the company's chief accountant, who tells him of a
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A British animated film adaption of the novella is planned, directed by Gerald Conn. It was written by Mark Jenkins and Mary Kate O Flanagan and is produced by Gritty Realism and
181:, whilst also examining the themes of power dynamics and morality. Although Conrad does not name the river on which most of the narrative takes place, at the time of writing, the
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had been analysed more than any other work of literature that is studied in universities and colleges, which he attributed to Conrad's "unique propensity for ambiguity". In
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we see the effects of colonialism and Christian missionary endeavours on an Igbo community in West Africa through the eyes of that community's West African protagonists.
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774:. Welles still hoped to produce the film when he presented another radio adaptation of the story as his first program as producer-star of the CBS radio series
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company. As a child, Marlow was fascinated by "the blank spaces" on maps, particularly Africa. The image of a river on the map particularly fascinated Marlow.
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461:, who is in charge of a very important trading post, and is described as a respected first-class agent. The accountant predicts that Kurtz will go far.
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picture is going to happen to you." The project was never realised; one reason given was the loss of European markets after the outbreak of
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1029:. Nylander discovers Voulet's massacres happened at exactly the same time that Conrad wrote his book in 1899. It was broadcast by the
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is experience ... pushed a little (and only very little) beyond the actual facts of the case". Other critiques include Hugh Curtler's
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in London. A suite for orchestra and narrator was subsequently extrapolated from it. In 2015, an adaptation of Welles' screenplay by
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advised against it. Eliot said of the quote that "it is much the most appropriate I can find, and somewhat elucidative." Biographer
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Arthur Hodister (1847–1892), who Conrad's biographer Norman Sherry has argued served as one of the sources of inspiration for Kurtz
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as a condemnation of colonial brutality and referred to the novella as "the most powerful thing written on the subject."
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330:
1289:, the story is titled "The Heart of Darkness", but when published as a separate book, "The" was dropped from the title.
588:"one of the greatest texts of Western literature" and used Conrad's tale for a reflection on "The Horror of the West".
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acknowledges racial distinctions "but does not suggest an essential superiority" of any group. Achebe's reading of
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as Marlow. Another BBC Radio 4 adaptation, first broadcast in 2021, transposes the action to the 21st century.
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Central to Conrad's work is the idea that there is little difference between "civilised people" and "savages."
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When Conrad began to write the novella, eight years after returning from Africa, he drew inspiration from his
1013:, a documentary film directed and produced by Rob Lemkin and featuring Femi Nylander portrays a journey from
800:. The play was announced to be broadcast as a radio play to Australian radio audiences in August 2011 by the
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pacifist E. D. Morel (1873–1924) considered the novella was "the most powerful thing written on the subject."
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2404:. Retrieved 2 December 2010. A full recording can be viewed onsite by members of the public upon request at
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525:"). The next day Marlow pays little attention to Kurtz's pilgrims as they bury "something" in a muddy hole.
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Lackey, Michael (Winter 2005). "The Moral Conditions for Genocide in Joseph Conrad's "Heart of Darkness"".
638:, "was one of the first men to question the Western notion of progress, a dominant idea in Europe from the
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from one station to another, the captain became ill and Conrad assumed command. He guided the ship up the
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for Marlow's story of his fascination for the prolific ivory trader Kurtz. Conrad draws parallels between
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889:) as its final act, and adds a backstory in which Marlow had been Kurtz's adopted son. The cast includes
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Colonial and Postcolonial Rewritings of "Heart of Darkness" – A Century of Dialogue with Joseph Conrad
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2541:"Michael Sheen, Matthew Rhys, Andrew Scott Board 'Heart of Darkness' Animated Adaptation (Exclusive)"
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In 1890, at the age of 32, Conrad was appointed by a Belgian trading company to serve on one of its
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Hitchens, Gordon (13 June 1979). "Orson Welles Prior Interest In Conrad's 'Heart of Darkness'".
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Conrad's Heart of Darkness and Contemporary Thought: Revisiting the Horror with Lacoue-Labarthe
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has been widely republished and translated in many languages. It provided the inspiration for
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style, both praising and denouncing it at times. Stan Galloway writes, in a comparison of
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1737:"A Controversy Worth Teaching: Joseph Conrad's Heart of Darkness and the Ethics of Stature"
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Curtler, Hugh (March 1997). "Achebe on Conrad: Racism and Greatness in Heart of Darkness".
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reimagines the story with the central figures as female scientists in contemporary Brazil.
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suggested that the passage inspired or at least anticipated the central theme of the poem.
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2059:"Joseph Conrad: Question of Racism and the Representation of Muslims in his Malayan Works"
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2474:"James Gray Says His Sci-Fi Movie 'Ad Astra' Starts Filming This Summer with Brad Pitt"
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Karl, F. R. (1968). "Introduction to the dance macabre: Conrad's Heart of Darkness".
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Captain assigned to "terminate the command" of Colonel Walter E. Kurtz, played by
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There have been many proposed sources for the character of the antagonist, Kurtz.
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2408:(formerly the Museum of Television & Radio) in New York City and Los Angeles.
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tells his friends the story of how he became captain of a river steamboat for an
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1976:. Ed. William Roger Louis and Jean Stengers. London: Oxford UP. pp. 205, n.
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694:", which has an omniscient narrator, rather than the embodied narrator, Marlow.
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can be (and has been) challenged by a reading of Conrad's other African story, "
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617:", Achebe described Conrad's novella as "an offensive and deplorable book" that
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wrote that literary scholars have made too much of the psychological aspects of
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International Association for the Exploration and Civilization of Central Africa
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877:) aired a loose 90-minute television play adaptation. This version, written by
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and to reveal... the savage degradation of the white man in Africa." Likewise,
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company in the African interior. The novel is widely regarded as a critique of
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King Leopold's Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa
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Envisioning Africa: Racism and Imperialism in Conrad's 'Heart of Darkness'
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Watts, Cedric (1983). "'A Bloody Racist': About Achebe's View of Conrad".
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Watts, Cedric (1983). "'A Bloody Racist': About Achebe's View of Conrad".
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in that order. In 1917, for future editions of the book, Conrad wrote an "
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Brydon, Diana (1999). "Intertextuality in Timothy Findley's Headhunter".
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tells his listeners the story of his assignment as steamer captain for a
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Joseph Conrad: Heart of Darkness. A Case Study in Contemporary Criticism
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Mwikisa, Peter. "Conrad's Image of Africa: Recovering African Voices in
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Envisioning Africa: Racism and Imperialism in Conrad's Heart of Darkness
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Envisioning Africa: Racism and Imperialism in Conrad's Heart of Darkness
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Envisioning Africa: Racism and Imperialism in Conrad's Heart of Darkness
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1406:"Kurtz, Marlow, Jameson, and the Rearguard: A Few Further Observations"
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2354:"Orson Welles' Heart of Darkness, Unmade Movies, Drama – BBC Radio 4"
1559:"A Photographer Takes the Bull by the Horns in His Jallikattu Series"
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have also been identified as likely sources, including column leader
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1025:. Voulet's descent into barbarity mirrors that of Kurtz in Conrad's
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1069:, released on 21 October 2008, is a loose modernised adaptation of
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Chinua Achebe's 1975 lecture on the book sparked decades of debate.
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On 31 May 1902, in a letter to William Blackwood, Conrad remarked,
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Conrad's 'Heart of Darkness': A Critical and Contextual Discussion
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319:(February 1899 was the magazine's 1000th issue: special edition).
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216:("the greatest town on earth") and Africa as places of darkness.
1653:"13.02.01: Moving Beyond "Huh?": Ambiguity in Heart of Darkness"
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Achebe, Chinua (2000). "An Image of Africa: Racism in Conrad's
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2685:"Africa Wins Again: Far Cry 2's literary approach to narrative"
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The Teenage Tarzan: A Literary Analysis of Edgar Rice Burroughs
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Orson Welles' Mercury Theatre on the Air audio books, also of
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Stengers, Jean. "Sur l'aventure congolaise de Joseph Conrad".
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2848:"An Image of Africa: Racism in Conrad's "Heart of Darkness""
2566:"New film sets Conrad's classic 'Heart of Darkness' in sand"
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is loosely inspired by the events of the novel. It features
757:. In 1939, Welles adapted the story for his first film for
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Achebe on Conrad: Racism and Greatness in Heart of Darkness
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I call your own kind self to witness ... the last pages of
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Ankomah, Baffour (October 1999). "The Butcher of Congo".
2163:"A Picture of Africa: Frenzy, Counternarrative, Mimesis"
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Cross Currents: A Yearbook of Central European Culture
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has suggested that Conrad's positive representation of
3158:. Vol. 2: 1898–1902. Cambridge University Press.
2931:"Back to the Future: Late Modernism in J.G. Ballard's
2016:"Conrad Scholarship Under New-Millennium Western Eyes"
1308:, Modern Library's website. Retrieved 12 January 2010.
185:—the location of the large and economically important
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2766:'In this valley of dying stars': Eliot's Cosmology."
1484:. Cambridge: Cambridge University Press. p. 95.
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broadcast on 6 November 1938 as part of his series,
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was first published as a three-part serial story in
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3154:Karl, Frederick R.; Davies, Laurence, eds. (1986).
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4467:Works originally published in Blackwood's Magazine
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2951:"The Humanoids Blog, Interview: Robert Silverberg"
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765:. The story was adapted to focus on the rise of a
434:"). The predecessor to this organisation was the "
219:Originally issued as a three-part serial story in
1587:." EXPLORING Novels, Online Edition. Gale, 2003.
1021:on the trail of a colonial killer called Captain
225:to celebrate the 1000th edition of the magazine,
4392:Opposition to atrocities in the Congo Free State
2741:"Spec Ops: The Line preview – heart of darkness"
1993:. University Press of Kentucky. pp. 10–11.
1379:Richardson, J. A. (1993). "James S. Jameson and
792:wrote and staged a theatrical adaptation titled
301:; Marlow has similar experiences to the author.
2233:. Westport, Connecticut: Greenwood Press, 1990
1546:. University of Kentucky Press. pp. 67–68.
1518:. University Press of Kentucky. pp. 65–68.
208:and racism. The novella's setting provides the
3316:Joseph Conrad and the Fiction of Autobiography
996:as an astronaut travelling to the edge of the
646:, to attack the hypocritical justification of
468:Belgian river station on the Congo River, 1889
4228:
4090:Cannibal Women in the Avocado Jungle of Death
4004:
3453:
3175:Joseph Conrad's Heart of Darkness: A Casebook
2825:. New York: Simon and Schuster. p. 118.
1830:Achebe, Chinua (1978). "An Image of Africa".
1113:" quotes, as its first epigraph, a line from
1000:to confront and potentially kill his father (
493:it. Marlow suspects that Kurtz has gone mad.
8:
4382:British novels adapted into television shows
4288:Hearts of Darkness: A Filmmaker's Apocalypse
4201:Hearts of Darkness: A Filmmaker's Apocalypse
1047:. Kurtz is voiced by Sheen and Harlequin by
945:Hearts of Darkness: A Filmmaker's Apocalypse
942:. A film documenting the production, titled
706:novels complicates these charges of racism.
293:to the trading company's innermost station,
28:
3415:Orson Welles Mercury Theatre 1938, also of
606:studies, particularly by Nigerian novelist
4235:
4221:
4213:
4057:
4011:
3997:
3989:
3460:
3446:
3438:
3270:. Lexington: University Press of Kentucky.
1681:
1495:Coosemans, M. (1948). "Hodister, Arthur".
1332:
1270:The Norton Anthology of English Literature
914:, which moves the story from the Congo to
394:and the expedition leader, Welsh explorer
34:
27:
2459:, 11 March 1994, retrieved 4 April 2010.
2151:. Jefferson, NC: McFarland, 2010. p. 112.
1790:
1788:
634:notes that Conrad, like his acquaintance
326:Youth: a Narrative, and Two Other Stories
2800:. London: Faber and Faber. p. 504.
2380:"Heart of Darkness, Drama – BBC Radio 4"
1623:
1621:
1619:
934:stars as Captain Benjamin L. Willard, a
2785:. London: Faber and Faber. p. 234.
2616:Heart of Darkness - Episode 4 - Trailer
1451:. New York: Houghton Mifflin. pp.
1316:
1314:
1245:
1201:set on the alien world of Belzagor. In
612:An Image of Africa: Racism in Conrad's
3156:The Collected Letters of Joseph Conrad
3080:Washington Independent Review of Books
2751:from the original on 21 November 2021.
2257:from the original on 21 November 2021.
2205:
2203:
2201:
2199:
2073:from the original on 21 November 2021.
2046:from the original on 21 November 2021.
1948:from the original on 21 November 2021.
1721:from the original on 21 November 2021.
1659:from the original on 21 November 2021.
859:(photo from 1957) played Kurtz in 1958
788:In 1991, Australian author/playwright
654:, who led international opposition to
428:International Association of the Congo
4432:Novels first published in serial form
2961:from the original on 21 November 2021
2798:The Letters of T. S. Eliot: 1898–1922
2711:"Far Cry 2 – Jorge Albor – ETC Press"
2673:from the original on 5 November 2012.
2489:from the original on 21 November 2021
2432:from the original on 9 September 2012
2360:from the original on 21 November 2021
2335:from the original on 21 November 2021
2271:. Visionaustralia.org. Archived from
2125:from the original on 21 November 2021
2100:
1747:from the original on 21 November 2021
1730:
1728:
1669:
1639:
1627:
1366:
1320:
900:Perhaps the best known adaptation is
881:, uses the encounter between Marlow (
796:with the Crossroads Theatre Company,
7:
2113:Phillips, Caryl (22 February 2003).
1974:History of the Congo Reform Movement
1773:from the original on 25 October 2014
1735:Podgorski, Daniel (6 October 2015).
1565:from the original on 26 January 2021
1197:uses themes and characters based on
808:across Australia. In 2011, composer
413:, believes that the Belgian soldier
3074:Clark, Susan Storer (8 June 2011).
3050:"'State of Wonder' by Ann Patchett"
658:'s rule in the Congo, saw Conrad's
329:, published on 13 November 1902 by
189:—was a private colony of Belgium's
2613:Animation, SINLOGO (8 June 2018),
2508:Nwokorie, Lynn (16 October 2020).
2400:Cast and credits are available at
21:Heart of Darkness (disambiguation)
14:
4402:Fiction with unreliable narrators
4377:British novels adapted into films
3127:Hochschild, Adam (October 1999).
3106:Joseph Conrad's Heart of Darkness
3048:Ciolkowski, Laura (8 July 2011).
2981:"Why the Harlequin? On Conrad's
1085:. The player assumes the role of
1033:in May 2021 as an episode of the
3390:
2539:Ritman, Alex (17 January 2019).
2472:Chitwood, Adam (10 April 2017).
2231:Orson Welles: A Bio-Bibliography
1272:, vol. 2 (7th edition), p. 2036.
251:in English of the 20th century.
179:European colonial rule in Africa
3219:Sherry, Norman (30 June 1980).
2889:Research in African Literatures
2014:Lackey, Michael (Summer 2003).
1902:The Yearbook of English Studies
1832:Research in African Literatures
1797:The Yearbook of English Studies
1255:, 7th edition, (2000), p. 1957.
962:. The film, which was aired by
806:Radio Print Handicapped Network
804:Network, and also by the RPH –
580:(1997). The French philosopher
323:was later included in the book
3327:. Milan: Mursia International.
3223:. Cambridge University Press.
3129:"Chapter 9: Meeting Mr. Kurtz"
2907:, vol. 18, no. 1, pp. 133–156.
2771:, vol. 35, no. 3, pp. 139–157.
2687:. Infovore.org. Archived from
2661:Mikel Reparaz (30 July 2007).
2418:Scott, A. O. (3 August 2001).
1281:National Library of Scotland:
754:The Mercury Theatre on the Air
610:. In his 1975 public lecture "
270:on his own experiences in the
1:
4442:Novels set in colonial Africa
3970:Joseph Conrad's career at sea
3505:The Nigger of the "Narcissus"
3196:Murfin, Ross C., ed. (1989).
2402:"The Internet Movie Database"
1557:Shah, Sonal (26 April 2018).
986:'s 2019 science fiction film
910:, based on the screenplay by
112:The Nigger of the 'Narcissus'
16:1899 novella by Joseph Conrad
4387:British philosophical novels
3965:Apollo Korzeniowski (father)
3275:Lawtoo, Nidesh, ed. (2012).
3173:Moore, Gene M., ed. (2004).
2938:Journal of Modern Literature
2891:, vol. 12, no. 1, pp. 86–93.
2871:. London: Faber & Faber.
2769:Journal of Modern Literature
2326:Suite from Heart of Darkness
2020:Journal of Modern Literature
761:, writing a screenplay with
380:Emin Pasha Relief Expedition
193:. Marlow is given a text by
4437:Novels set in Belgian Congo
4295:The Apocalypse Now Sessions
3400:public domain audiobook at
3382:Downloadable audio book of
3318:. Harvard University Press.
3104:Bloom, Harold, ed. (2009).
3015:Journal of Canadian Studies
2294:Royal Opera House Page for
1713:Lacoue-Labarthe, Philippe.
1207:The Engineer of Human Souls
432:International Congo Society
255:Composition and publication
165:by Polish-British novelist
4483:
3135:. Mariner Books. pp.
2979:Škvorecký, Josef (1984).
2929:Lehman, Robert S. (2018).
2593:Heart of Darkness - Teaser
2420:"Aching Heart of Darkness"
2406:The Paley Center for Media
1960:Joseph Conrad: A Biography
1497:Biographie Coloniale Belge
1093:as he and his team search
954:adaptation was written by
731:Adaptations and influences
386:, his Scottish colleague,
247:67th on their list of the
18:
4417:Novellas by Joseph Conrad
4252:
3498:An Outcast of the Islands
3294:10.1007/978-1-349-04826-7
3003:. Toronto: HarperCollins.
2999:Findley, Timothy (1993).
2940:, vol. 41, no. 4, p. 167.
2783:The Letters of Ezra Pound
2761:Ebury, Katherine (2012).
2590:hype.cg (27 April 2016),
1767:"Chinua Achebe Biography"
1443:Hochschild, Adam (1998).
840:. The production starred
820:, which premiered at the
384:Edmund Musgrave Barttelot
33:
4427:Novels about imperialism
4422:Novels about colonialism
3582:Freya of the Seven Isles
2328:first London performance
1715:"The Horror of the West"
1404:Fletcher, Chris (2001).
582:Philippe Lacoue-Labarthe
336:The volume consisted of
299:Eastern Congo Free State
3431:(13 March 1945) at the
3245:Farn, Regelind (2004).
3179:Oxford University Press
2882:"The Frontier on Which
2880:Harris, Wilson (1981).
2867:Harris, Wilson (1960).
2821:Ackroyd, Peter (1984).
2302:20 October 2011 at the
2161:Lawtoo, Nidesh (2013).
2091:13 (April 2000): 20–28.
1987:Firchow, Peter (2000).
1593:(subscription required)
1542:Firchow, Peter (2015).
1514:Firchow, Peter (2015).
1480:Sherry, Norman (1971).
1304:7 February 2010 at the
1004:), who has gone rogue.
743:adapted and starred in
282:. While sailing up the
204:implicitly comments on
3819:Outcast of the Islands
3705:Because of the Dollars
3663:An Outpost of Progress
3433:Paley Center for Media
3323:Watts, Cedric (1977).
3286:Conrad and Imperialism
3284:Parry, Benita (1983).
3221:Conrad's Western World
3204:. St. Martin's Press.
2990:, vol. 3, pp. 259–264.
2916:Ballard, J.G. (1962).
2545:The Hollywood Reporter
2514:British Film Institute
2170:Modern Fiction Studies
2149:Jungle Tales of Tarzan
1589:Discovering Collection
1482:Conrad's Western World
1347:Modern Fiction Studies
1333:Karl & Davies 1986
952:A 1993 television film
860:
818:opera of the same name
802:Vision Australia Radio
725:Jungle Tales of Tarzan
710:Africa". The novelist
692:An Outpost of Progress
674:
596:
505:
485:
469:
398:. Conrad's biographer
372:
275:
84:1899 serial; 1902 book
4397:Existentialist novels
4140:Captain Martin Walker
3624:The Nature of a Crime
3519:The End of the Tether
3288:. London: Macmillan.
3279:. London: Bloomsbury.
2900:Carr, Robert (1995).
2869:Palace of the Peacock
2796:Eliot, T. S. (1988).
2182:10.1353/mfs.2013.0000
2057:Raja, Masood (2007).
2032:10.1353/jml.2004.0030
1871:10.1353/lit.2005.0010
1743:. Your Tuesday Tome.
1583:"Historical Context:
1194:Downward to the Earth
1167:Palace of the Peacock
1091:Captain Martin Walker
867:television anthology
855:
668:
594:
503:
479:
467:
376:Georges-Antoine Klein
363:
348:The End of the Tether
262:
4447:Novels set on rivers
4281:Apocalypse Now Redux
3266:Firchow, P. (2000).
3133:King Leopold's Ghost
2920:. New York: Berkley.
2781:Pound, Ezra (1950).
2570:www.thefirstnews.com
2510:"African Apocalypse"
2456:Entertainment Weekly
1972:Morel, E.D. (1968).
1283:Blackwood's Magazine
1253:The Norton Anthology
902:Francis Ford Coppola
561:King Leopold's Ghost
410:King Leopold's Ghost
396:Henry Morton Stanley
316:Blackwood's Magazine
231:Francis Ford Coppola
222:Blackwood's Magazine
169:in which the sailor
93:Blackwood's Magazine
46:Blackwood's Magazine
19:For other uses, see
4452:Roman à clef novels
4367:1902 British novels
4362:1899 British novels
3787:The Silver Treasure
3110:Infobase Publishing
3027:10.3138/jcs.33.4.53
2747:. 10 January 2012.
2637:"Heart of Darkness"
2451:"Heart of Darkness"
1938:Heart of Darkness,
956:Benedict Fitzgerald
848:Film and television
388:James Sligo Jameson
30:
4194:An Image of Africa
4134:Spec Ops: The Line
3915:Spec Ops: The Line
3795:Dangerous Paradise
3575:Under Western Eyes
2691:on 5 November 2012
2484:Complex Media Inc.
2425:The New York Times
2269:"Vision Australia"
1859:College Literature
1163:postcolonial novel
1078:Spec Ops: The Line
1038:documentary series
1010:African Apocalypse
861:
696:Masood Ashraf Raja
675:
597:
533:Critical reception
506:
486:
470:
339:Youth: a Narrative
276:
29:Heart of Darkness
4349:
4348:
4259:Heart of Darkness
4210:
4209:
4181:
4180:
4025:Heart of Darkness
3986:
3985:
3918:(2012 video game)
3867:Heart of Darkness
3746:A Personal Record
3698:The Secret Sharer
3610:The Arrow of Gold
3512:Heart of Darkness
3428:Heart of Darkness
3417:Heart of Darkness
3409:Heart of Darkness
3397:Heart of Darkness
3384:Heart of Darkness
3366:Heart of Darkness
3359:Project Gutenberg
3354:Heart of Darkness
3340:Heart of Darkness
3303:978-1-349-04828-1
3258:978-1-58112-289-3
3230:978-0-521-29808-7
3211:978-0-312-00761-4
3188:978-0-19-515996-7
3165:978-0-521-25748-0
3146:978-0-618-00190-3
3119:978-1-4381-1710-2
3076:"State of Wonder"
2983:Heart of Darkness
2933:The Drowned World
2918:The Drowned World
2884:Heart of Darkness
2520:on 8 October 2020
2296:Heart of Darkness
2085:Heart of Darkness
2063:Postcolonial Text
2000:978-0-8131-2128-4
1769:. Biography.com.
1585:Heart of Darkness
1462:978-0-395-75924-0
1386:Notes and Queries
1381:Heart of Darkness
1266:Heart of Darkness
1224:Heart of Darkness
1199:Heart of Darkness
1189:Robert Silverberg
1181:The Drowned World
1155:Heart of Darkness
1147:Things Fall Apart
1140:Things Fall Apart
1115:Heart of Darkness
1083:Heart of Darkness
1071:Heart of Darkness
1027:Heart of Darkness
976:Isaach de Bankolé
826:Royal Opera House
780:. Welles scholar
745:Heart of Darkness
721:Heart of Darkness
688:Heart of Darkness
684:Heart of Darkness
660:Heart of Darkness
614:Heart of Darkness
602:is criticised in
600:Heart of Darkness
586:Heart of Darkness
574:Heart of Darkness
570:Heart of Darkness
556:Heart of Darkness
544:Heart of Darkness
424:Berlin Conference
367:Heart of Darkness
344:Heart of Darkness
331:William Blackwood
321:Heart of Darkness
310:Heart of Darkness
268:Heart of Darkness
245:Heart of Darkness
227:Heart of Darkness
202:Heart of Darkness
158:Heart of Darkness
154:
153:
144:Heart of Darkness
99:Publication place
41:Heart of Darkness
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4462:Victorian novels
4412:Modernist novels
4372:British novellas
4237:
4230:
4223:
4214:
4058:
4013:
4006:
3999:
3990:
3939:The Secret Agent
3883:The Secret Agent
3859:The Secret Agent
3677:Karain: a Memory
3568:The Secret Agent
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2854:
2846:Achebe, Chinua.
2843:
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2786:
2778:
2772:
2765:
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2726:
2717:. Archived from
2707:
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2516:. Archived from
2505:
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2331:, Cadogan Hall,
2320:
2314:
2291:
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2284:
2282:
2280:
2275:on 1 August 2012
2265:
2259:
2258:
2251:"Larry Buttrose"
2247:
2241:
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2218:
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2143:Galloway, Stan.
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1984:
1978:
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1969:
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1958:Jeffrey Meyers,
1956:
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1935:Conrad, Joseph.
1932:
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123:Followed by
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3603:The Shadow Line
3491:Almayer's Folly
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3476:
3466:
3424:This Is My Best
3391:
3351:
3345:Standard Ebooks
3335:
3322:
3312:Said, Edward W.
3310:
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3239:Further reading
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1682:Hochschild 1999
1680:
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1474:
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1437:
1403:
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1398:
1378:
1377:
1373:
1365:
1358:
1344:
1343:
1339:
1331:
1327:
1319:
1312:
1306:Wayback Machine
1297:
1293:
1285:exhibition. In
1280:
1276:
1263:
1259:
1251:
1247:
1242:
1233:State of Wonder
1213:Timothy Findley
1203:Josef Škvorecký
1176:climate fiction
1104:
1063:The video game
1061:
1002:Tommy Lee Jones
850:
822:Linbury Theatre
812:and librettist
777:This Is My Best
738:
736:Radio and stage
733:
677:Conrad scholar
656:King Leopold II
566:Adam Hochschild
535:
444:
405:Adam Hochschild
390:, slave trader
308:. He described
306:travel journals
257:
249:100 best novels
239:. In 1998, the
191:King Leopold II
130:
114:
50:
24:
17:
12:
11:
5:
4480:
4478:
4470:
4469:
4464:
4459:
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4424:
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4409:
4404:
4399:
4394:
4389:
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4379:
4374:
4369:
4364:
4354:
4353:
4347:
4346:
4344:
4343:
4336:
4329:
4325:Apocalypse Now
4321:
4320:
4319:
4308:
4306:
4302:
4301:
4299:
4298:
4291:
4284:
4276:
4274:
4270:
4269:
4267:
4266:
4253:
4250:
4249:
4245:Apocalypse Now
4242:
4240:
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4232:
4225:
4217:
4208:
4207:
4205:
4204:
4197:
4189:
4187:
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4130:
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4120:
4116:
4115:
4113:
4112:
4105:
4098:
4093:
4086:
4085:
4084:
4077:
4069:Apocalypse Now
4064:
4062:
4055:
4051:
4050:
4048:
4047:
4042:
4040:Charles Marlow
4036:
4034:
4030:
4029:
4018:
4016:
4015:
4008:
4001:
3993:
3984:
3983:
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3935:
3927:
3919:
3911:
3903:
3895:
3887:
3879:
3871:
3863:
3855:
3851:Apocalypse Now
3847:
3839:
3831:
3823:
3815:
3807:
3799:
3791:
3783:
3775:
3766:
3764:
3760:
3759:
3757:
3756:
3749:
3742:
3734:
3730:The Inheritors
3725:
3723:
3719:
3718:
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3599:
3592:
3585:
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3571:
3564:
3557:
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3543:
3536:
3533:The Inheritors
3529:
3522:
3515:
3508:
3501:
3494:
3486:
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3477:
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3465:
3464:
3457:
3450:
3442:
3436:
3435:
3420:
3412:
3404:
3388:
3386:by LoudLit.org
3379:
3362:
3348:
3347:
3334:
3333:External links
3331:
3330:
3329:
3320:
3308:
3302:
3281:
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3257:
3240:
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2909:
2893:
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2838:
2831:
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2788:
2773:
2754:
2732:
2721:on 26 May 2012
2702:
2676:
2663:"The Darkness"
2653:
2641:Marché du Film
2628:
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2500:
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2105:
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2049:
2006:
1999:
1979:
1964:
1951:
1927:
1892:
1849:
1822:
1784:
1758:
1724:
1717:. Bloomsbury.
1705:
1686:
1684:, p. 143.
1674:
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1549:
1534:
1521:
1506:
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1371:
1356:
1337:
1335:, p. 417.
1325:
1310:
1291:
1274:
1257:
1244:
1243:
1241:
1238:
1230:'s 2011 novel
1215:'s 1993 novel
1205:'s 1984 novel
1191:'s 1970 novel
1137:'s 1958 novel
1120:The Waste Land
1111:The Hollow Men
1109:'s 1925 poem "
1103:
1100:
1060:
1057:
1053:Rio de Janeiro
978:as Mfumu, and
972:John Malkovich
928:Apocalypse Now
907:Apocalypse Now
883:Roddy McDowall
849:
846:
834:Laurence Bowen
790:Larry Buttrose
737:
734:
732:
729:
712:Caryl Phillips
636:Roger Casement
632:Jeffrey Meyers
534:
531:
523:The Hollow Men
482:Roi des Belges
447:Charles Marlow
443:
440:
430:(also called "
256:
253:
241:Modern Library
236:Apocalypse Now
171:Charles Marlow
152:
151:
140:
136:
135:
124:
120:
119:
108:
104:
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102:United Kingdom
100:
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13:
10:
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3:
2:
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4458:
4457:Travel novels
4455:
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4433:
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4408:
4407:Frame stories
4405:
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4342:
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4337:
4335:
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4333:Apocalypse Oz
4330:
4328:
4326:
4322:
4318:
4315:
4314:
4313:
4312:Colonel Kurtz
4310:
4309:
4307:
4303:
4297:
4296:
4292:
4290:
4289:
4285:
4283:
4282:
4278:
4277:
4275:
4271:
4265:
4264:Joseph Conrad
4261:
4260:
4255:
4254:
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4247:
4246:
4238:
4233:
4231:
4226:
4224:
4219:
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4087:
4083:
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4075:Colonel Kurtz
4073:
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4063:
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4056:
4052:
4046:
4043:
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4027:
4026:
4021:
4020:Joseph Conrad
4014:
4009:
4007:
4002:
4000:
3995:
3994:
3991:
3979:
3977:
3976:Joseph Conrad
3973:
3971:
3968:
3966:
3963:
3962:
3960:
3956:
3949:
3948:
3947:The Young One
3944:
3941:
3940:
3936:
3933:
3932:
3931:Secret Sharer
3928:
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3917:
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3845:
3844:
3843:The Duellists
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3648:Short stories
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3479:
3474:
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3469:Joseph Conrad
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2955:humanoids.com
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2832:0-671-53043-7
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2807:0-571-13621-4
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2308:Tarik O'Regan
2305:
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2261:
2256:
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2240:
2239:0-313-26538-0
2236:
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2223:
2220:
2216:. p. 24.
2215:
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2171:
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2089:Mots Pluriels
2086:
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2045:
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2037:
2033:
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2021:
2017:
2010:
2007:
2002:
1996:
1992:
1991:
1983:
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1961:
1955:
1952:
1947:
1943:
1942:
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1915:
1911:
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1419:
1415:
1411:
1410:The Conradian
1407:
1400:
1397:
1392:
1388:
1387:
1382:
1375:
1372:
1369:, p. 16.
1368:
1363:
1361:
1357:
1353:(2): 143–156.
1352:
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1234:
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1208:
1204:
1200:
1196:
1195:
1190:
1186:
1183:
1182:
1177:
1173:
1172:J. G. Ballard
1169:
1168:
1164:
1160:
1159:Wilson Harris
1156:
1151:
1149:
1148:
1142:
1141:
1136:
1135:Chinua Achebe
1132:
1130:
1129:Peter Ackroyd
1126:
1122:
1121:
1116:
1112:
1108:
1101:
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1080:
1079:
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1054:
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1046:
1045:Michael Sheen
1041:
1039:
1037:
1032:
1028:
1024:
1020:
1017:, England to
1016:
1012:
1011:
1005:
1003:
999:
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991:
990:
985:
981:
977:
973:
969:
965:
961:
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949:
947:
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941:
940:Marlon Brando
937:
933:
929:
925:
921:
917:
913:
909:
908:
904:'s 1979 film
903:
898:
896:
892:
888:
887:Boris Karloff
885:) and Kurtz (
884:
880:
879:Stewart Stern
876:
872:
871:
866:
863:In 1958, the
858:
857:Boris Karloff
854:
847:
845:
843:
839:
835:
831:
827:
823:
819:
815:
811:
810:Tarik O'Regan
807:
803:
799:
795:
791:
786:
783:
779:
778:
773:
768:
764:
763:John Houseman
760:
756:
755:
750:
746:
742:
735:
730:
728:
726:
722:
716:
713:
707:
705:
701:
697:
693:
689:
685:
680:
679:Peter Firchow
672:
667:
663:
661:
657:
653:
649:
645:
641:
637:
633:
627:
624:
620:
616:
615:
609:
608:Chinua Achebe
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583:
579:
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571:
567:
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562:
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451:ivory trading
448:
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401:
400:Norman Sherry
397:
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352:Author's Note
349:
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318:
317:
311:
307:
302:
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296:
292:
291:Lualaba River
289:
285:
281:
273:
269:
265:
264:Joseph Conrad
261:
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252:
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237:
233:'s 1979 film
232:
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167:Joseph Conrad
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59:Joseph Conrad
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2374:
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2348:
2337:, retrieved
2327:
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2273:the original
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2230:
2222:
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1761:
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1740:
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1677:
1672:, p. 17
1665:
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1569:13 September
1567:. Retrieved
1561:. Vice.com.
1552:
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1465:– via
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1413:
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1323:, p. 15
1294:
1286:
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1269:
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1260:
1252:
1248:
1231:
1228:Ann Patchett
1223:
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1049:Andrew Scott
1042:
1035:
1026:
1008:
1006:
998:Solar System
987:
960:Nicolas Roeg
950:
943:
932:Martin Sheen
927:
905:
899:
891:Inga Swenson
870:Playhouse 90
868:
862:
842:James McAvoy
814:Tom Phillips
793:
787:
775:
772:World War II
759:RKO Pictures
752:
744:
741:Orson Welles
739:
724:
720:
717:
708:
687:
683:
676:
671:anti-slavery
659:
628:
619:de-humanised
613:
604:postcolonial
599:
598:
585:
577:
573:
569:
559:
555:
552:Harold Bloom
549:
543:
542:referred to
540:F. R. Leavis
536:
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491:
487:
481:
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4119:Video games
4054:Adaptations
3763:Adaptations
3753:Last Essays
3722:Other works
3372:In Our Time
3085:26 February
3059:26 February
2823:T. S. Eliot
2667:GamesRadar+
2524:12 December
2129:30 November
2103:, p. 6
1908:: 196–209.
1838:(1): 1–15.
1803:: 196–209.
1777:30 November
1751:19 February
1741:The Gemsbok
1702:(1): 30–40.
1642:, p. 5
1630:, p. 4
1530:New African
1393:(1): 64–66.
1287:Blackwood's
1107:T. S. Eliot
1087:Delta Force
1059:Video games
1023:Paul Voulet
970:as Marlow,
924:Vietnam War
922:during the
912:John Milius
895:Eartha Kitt
838:BBC Radio 4
830:Jamie Lloyd
816:adapted an
669:Author and
648:colonialism
640:Renaissance
623:Fang people
554:wrote that
519:T. S. Eliot
284:Congo River
206:imperialism
187:Congo River
161:is an 1899
4356:Categories
4327:(painting)
4167:Headhunter
4033:Characters
3691:Amy Foster
3670:The Lagoon
3656:The Idiots
3617:The Rescue
3481:Novels and
3251:(Thesis).
3098:References
3001:Headhunter
2364:3 November
2227:Wood, Bret
2101:Moore 2004
1696:Conradiana
1670:Bloom 2009
1640:Moore 2004
1628:Moore 2004
1503:: 514–518.
1367:Bloom 2009
1321:Bloom 2009
1218:Headhunter
1125:Ezra Pound
1102:Literature
984:James Gray
982:as Gosse.
974:as Kurtz,
966:, starred
652:E.D. Morel
149:Wikisource
4256:Based on
4127:Far Cry 2
4096:1993 film
3899:Gabrielle
3894:(1997 TV)
3835:The Rover
3631:The Rover
3035:140336153
2190:161325915
2069:(4): 13.
2040:162347476
1887:170188739
1422:0951-2314
1089:operator
1066:Far Cry 2
1007:In 2020,
994:Brad Pitt
980:James Fox
836:aired on
782:Bret Wood
749:CBS Radio
715:Achebe".
644:Great War
521:'s poem "
459:Mr. Kurtz
392:Tippu Tip
288:tributary
89:Publisher
81:Published
4109:Ad Astra
3891:Nostromo
3875:Victory
3827:Lord Jim
3803:Sabotage
3779:Lord Jim
3712:The Tale
3638:Suspense
3561:Nostromo
3526:Lord Jim
3483:novellas
3402:LibriVox
3314:(1966).
2959:Archived
2905:Callaloo
2886:Stands."
2749:Archived
2671:Archived
2646:27 April
2622:27 April
2599:27 April
2575:27 April
2550:27 April
2487:Archived
2479:Collider
2430:Archived
2358:Archived
2333:archived
2300:Archived
2255:Archived
2123:Archived
2071:Archived
2044:Archived
1946:Archived
1879:25115244
1771:Archived
1745:Archived
1719:Archived
1657:Archived
1563:Archived
1430:20874186
1302:Archived
1299:100 Best
1174:'s 1962
989:Ad Astra
968:Tim Roth
920:Cambodia
564:(1998),
515:epigraph
415:Léon Rom
280:steamers
128:Lord Jim
65:Language
4305:Related
4273:History
4186:Related
4161:episode
4102:Windigo
3958:Related
3811:Victory
3771:Victory
3738:Romance
3596:Victory
3554:Romance
3540:Typhoon
3375:at the
3137:140–149
2725:17 June
2715:Cmu.edu
2695:17 June
2386:8 April
2356:. BBC.
2339:17 June
2279:17 June
2213:Variety
1962:, 1991.
1922:3508121
1844:3818468
1817:3508121
1455:, 145.
1161:' 1960
936:US Army
916:Vietnam
824:of the
767:fascist
702:in his
700:Muslims
642:to the
584:called
442:Summary
370:Africa.
243:ranked
175:Belgian
163:novella
76:Novella
68:English
3978:(ship)
3950:(2016)
3942:(2016)
3934:(2014)
3926:(2014)
3923:Hanyut
3910:(2011)
3902:(2005)
3886:(1996)
3878:(1996)
3870:(1993)
3862:(1992)
3854:(1979)
3846:(1977)
3838:(1967)
3830:(1965)
3822:(1951)
3814:(1940)
3806:(1936)
3798:(1930)
3790:(1926)
3782:(1925)
3774:(1919)
3741:(1903)
3733:(1901)
3589:Chance
3300:
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3033:
2965:9 July
2853:4 July
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1940:Book I
1920:
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1178:novel
1123:, but
1015:Oxford
798:Sydney
426:, the
266:based
214:London
133:
131:(1900)
117:
115:(1897)
55:Author
4317:Kurtz
4173:Opera
4151:Other
4081:Redux
4045:Kurtz
3684:Youth
3473:works
3031:S2CID
2745:Metro
2382:. BBC
2186:S2CID
2166:(PDF)
2036:S2CID
1918:JSTOR
1883:S2CID
1875:JSTOR
1840:JSTOR
1813:JSTOR
1426:JSTOR
1268:" in
1240:Notes
1095:Dubai
1036:Arena
1019:Niger
926:. In
794:Kurtz
747:in a
723:with
704:Malay
407:, in
356:Youth
297:, in
295:Kindu
272:Congo
210:frame
195:Kurtz
73:Genre
4061:Film
3547:Falk
3298:ISBN
3253:ISBN
3225:ISBN
3206:ISBN
3183:ISBN
3160:ISBN
3141:ISBN
3114:ISBN
3087:2023
3061:2023
2967:2021
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2802:ISBN
2727:2015
2697:2015
2648:2023
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