521:. It took Eastgate a long time to describe how he was feeling "in a way that sounded original" for such a common theme in pop music. The lyrics in the chorus are about the first time Late of the Pier drove to London and got lost. "Space and the Woods" tries to weigh up what is more important: a person or an inanimate object, or an absence of anything, while "The Bears Are Coming" concerns "a silent threat". The idea for the lyric "A heartbeat, a flicker, a line" in "Heartbeat" came to Eastgate while recording the song and hearing its time signature always changing.
450:
500:, was released in July 2008 as part of the marketing campaign for the forthcoming album. Potter has summed the record's conception by concluding, "I think in the three years to build up to the album, we never actually thought of a track list, and we never really kind of considered the fact that it should sound like an album. I think we recorded all the songs and then they were there and it was like, 'Oh, we have to kind of stitch this together and make it sound like one piece.'"
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477:". The album was recorded during six months in different studios and the band members have admitted that the variety in venues partially explains why it sounds disjointed. The idea of having a single 45-minute track instead of a track list of songs was mooted at the end of May 2008, but was not followed through.
280:
of all the ideas, genres, and studio effects that fascinated the band members and Alkan, especially during live recording sessions. The record was very well received by critics. It was often treated as one of the best
British albums of 2008 because of its eclecticism and spirit of invention. Late of
483:
s track listing and UK CD release date of 11 August 2008 were confirmed on 11 June. Faley has claimed that "the album fell into place itself, like the songs basically told us where they wanted to go on the album". Late of the Pier picked the record's name at random after first contemplating using
715:
song, was borne out of an interplay between
Eastgate on the guitar and Faley on the bass. The last track on the album, "Bathroom Gurgle", includes "a squelchy grind of the riff" purpose-built for the Liars Club audience during the band's first ever gigs. Eastgate has explained, "I had these two
1147:
and new rave are the results of lazy journalism, especially for a scene the band has never been in. Eastgate has explained that musical influences are often subconscious, even though the band members tried not to listen to anything but their own work while recording the album. Nick
Mitchell of
403:. They accepted and made him producer for the album because of the immediate rapport that developed between the two parties. Dawson has explained the choice of producer by suggesting that Alkan is famous for playing broad genres of music and that he understands the properties and crossover of
41:
326:
bands who find a sound and stick to it; whose songs sound exactly the same", while lead writer and composer
Eastgate has pointed out that they wanted to "take people past their own limits". The nascent recording stages took place in Eastgate's bedroom, where unconventional
436:
Jimmy
Robertson worked in tandem and unanimously decided when a track had finished undergoing the studio effects process. No songs changed after this point, even when one of the parties had further ideas. At the time, in an interview with the band, Stuart Turnbull of the
568:" was reworked and remixed in the studio. Eastgate credits Storm Mortimer, who used to drive Late of the Pier around London, as the muse for "The Bears Are Coming". She often sang impromptu and the frontman eventually borrowed a page of her songs and added an
536:
band The Enemy. Eastgate has explained that for "Mad Dogs and
Englishmen" he randomly "shouted lots of short phrases" and then tried to make sense of what he said. The process led to stylised lines like "Falling over aeroplanes and wanting to be a derelict".
407:
and guitar music. Alkan fully embraced the band members' ideas and immediately understood what they were trying to achieve. "Bathroom Gurgle" was recorded by the new collaboration and was released as a limited edition single in
September 2007.
415:
gathered pace around
December 2007. Late of the Pier usually proceeded by taking bedroom recordings into the studio, where they were refined by Alkan into "a more presentable package". They tried unconventional techniques in the style of
1091:'s K. Ross Hoffman described the album as "glorious and galvanising" and labelled it "a convoluted construction crammed with so many immediately gratifying moments that it takes multiple listens to extricate them all". John Burgess of
349:, the band members signed to Parlophone because the label gave them total autonomy over the recording process without pressuring them to be commercially successful immediately. The record deal was followed by the recording of an
293:
Having officially formed a band under the name Late of the Pier in 2004, childhood friends Sam
Eastgate, Andrew Faley, Sam Potter, and the late Ross Dawson initially developed the sound of their first album by listening to the
382:... After that process you get a recording of it like a demo, then from that we'll gig the track and it changes again. Our music goes through lots of filters: it's a really strange process and I don't think many bands do it.
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claimed that the band members "wear their influences pretty much inked onto their sleeves", but concluded that the album is exciting and excitable in equal measure. According to Late of the Pier, comparisons to
1208:, and would have probably won the award, if nominations had been made in August rather than July 2008. Because of their work on the album, Late of the Pier received a nomination for Best New Band at the 2009
3143:
707:
jam session, where all band members played individually and not in tandem. Dawson performed around 40 different beats one after another all in different timings. The session was recorded using a
469:
single in March 2008. The band toured until the end of April 2008 to promote another single—a double A-side containing a reworked "Space and the Woods" and "Focker"—from the as-yet-unreleased
711:
and a track was moulded in the studio. Four different endings were recorded and three were spliced together at the end. "Mad Dogs and
Englishmen", whose riff is based on an old French
345:
in 2006 after practising in Eastgate's bedroom for about a year and previewed their new material at the Liars Club in Nottingham. After receiving contract offers from Parlophone and
619:"Heartbeat" is typical of Late of the Pier's unorthodox arrangements and genre fusion. The song is based on an acid house track and features a guitar solo played on the sampler.
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riff from "6/8 Focker". Eastgate then conceived a drum solo and remixed and rearranged the last twenty seconds of the song. "The Enemy Are the Future" was created during a
692:. Once the instrumentals were recorded, the band members purposefully decided to mix their own playing lower in certain sections of the song so listeners could hear the
265:, England, and at several locations in London. It went through a fractured creative process that lasted more than two years. It was eventually produced by Eastgate and
473:. Studio work with Alkan restarted in May 2008 to put the finishing touches on the album; the final version was christened as "a compilation of hits" and "anti-pop
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pointed out that the record is "an unrestrained, unclassifiable, unexpectedly triumphant romp through blaring influences and genres, from the 70s camp rock of
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at the end of the song were added during one of the last days of recording when the pressure to complete the album was high. "Heartbeat" is based on an old
572:-inspired rhythm to it. Eastgate and Dawson wanted to create a track that evoked the idea of "coming out of the jungle" and credit varied musical acts like
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3496:
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for 2008, which aggregates the votes of prominent British critics to decide the commercial group's Album Of The Year. Earlier in 2008, Rory Carroll of
2164:
2649:
2264:
1215:. Two tracks were also nominated: "Bathroom Gurgle" and "Heartbeat", in the Best Dancefloor Filler and Best Video categories respectively. In 2009,
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indicated that Alkan managed to "channel Late of the Pier's sonic attack into something more focused yet still undeniably different".
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at the Liars Club. Alkan called them "THE most exciting band around" and offered the band members help in the recording process of
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612:
548:
is largely built on sonic experiments and the use of studio and computer techniques. The opening track, "Hot Tent Blues", is an
532:
with initially indecipherable lyrics. "The Enemy Are the Future" gets its name from a sentence in a promotional leaflet for the
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3386:
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explained that a new favourite song, riff, or wayward moment can be found every time the album is listened to. Tim Chester of
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361:
single, "Space and the Woods", was released in March 2007. Eastgate has claimed that the band members were influenced by the
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2228:
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1710:
1579:
1138:'s Adam Moerder commented that it contains several new rave compositions which are aesthetically dubious. Chris Baynes of
429:
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was recorded between 2006 and 2008 in Sam Eastgate's bedroom in Castle Donington and at the following studios in London.
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1425:"The Bears Are Coming (Emperor Machine Remix)" – 9:22 – track 14 on U.S. edition and track 15 on the Japanese edition
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picture sleeve. It was released a week earlier than the CD version and had the following track changes:
680:, while "VW" is based on a 2001 demo recorded in Eastgate's attic. In the studio, Late of the Pier hired
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1150:
1103:
concluded, "It takes a certain kind of mind to make this. While others whinge about living and dying in
465:
UK tour during February, in which they previewed new material. "The Bears Are Coming" was released as a
461:
The record was nearly completed by end January 2008. Late of the Pier stopped recording to embark on a
2760:
2472:
636:"Random Firl" was one of Alkan's favourites and he persuaded Late of the Pier to re-record it like a
310:. They soon branched out into listening to diverse genres from the last 40 years of music, including
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figured in several publications' end-of-year best album lists for 2008, notably, at number three by
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378:... make a computerised machine track. Then from there we learn what he's put down in a human way
17:
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genre and musical scene. Others claimed that they could hear impressions of Roxy Music frontman
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517:
was largely unplanned. The verses of "Broken" were conceived late at night and are inspired by
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1966:
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included it at number 99 in its editorial staff list of the 100 Best: Albums of the Decade.
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in existence. "Focker" evolved out of a demo, called "6/8 Focker", Eastgate sang through a
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In late 2007, Late of the Pier formally met renowned DJ Erol Alkan after seeing him play a
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and Dawson's drumming, while a demo of "Space and the Woods" similar to the Nirvana song "
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were performed because, at the time, no band member could play an instrument properly.
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496:, Jon Bergman. A final EP containing material already released in 2007 and 2008,
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1361:"The Enemy Are the Future" (Sam Eastgate, Andrew Faley, Sam Potter, Ross Dawson)
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of the first half of the song was juxtaposed against a section of "slow drama".
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The lyricist cannot remember writing "White Snake" and did not know there was a
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91:
1453:"The Bears Are Coming (Original Version)" instead of "The Bears Are Coming"
424:
during the live studio recording sessions, including stamping in baths and
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2131:
1950:
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1522:
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1235:
All songs written and arranged by Sam Eastgate, unless otherwise stated.
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95:
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The 2009 U.S. LP version was released concurrently with the CD version.
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of Gary Numan, with echoes of 90s computer games and snatches of modern
560:. "Broken" was conceived during a jam session between Eastgate's guitar
1552:
1508:
1482:
1383:"Bathroom Gurgle" (Sam Eastgate, Andrew Faley, Sam Potter, Ross Dawson)
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716:
themes, which looped round on each other which I sang very exasperated
282:
277:
1107:
towns shackled by cul-de-sac imaginations, LOTP's vision is housed on
276:
does not contain a unifying musical or lyrical theme; rather, it is a
3561:"The Official UK Singles Chart: For the week ending 16 August 2008".
3261:"Oasis, Alex Turner, Killers: Shockwaves NME Awards 2009 nominations"
3238:
1652:
1409:
1223:
at number 40 in its list of the 50 Greatest Albums, 2004–2009, while
425:
396:
311:
303:
238:, the band's primary label. Five tracks had already been released as
552:
short which contains seven layers of electric guitar run through a
242:
in the United Kingdom: "Bathroom Gurgle", "The Bears Are Coming", "
1541:
1419:
1108:
721:
712:
448:
281:
the Pier did not record any further albums following the death of
49:
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Mark Alloway – assistant engineer (tracks 1, 2, 3, 7, 9, 10, 11)
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561:
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claimed that the record would have been a late entrant for the
660:. The track features complex time signature progressions and a
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1415:"Very Wav" – 4:44 – track 13 on the Japanese and U.S. editions
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937:
648:
demo track that Eastgate created during his childhood using a
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Sam Eastgate – producer (tracks 1, 2, 4, 9, 12); arrangements
1919:
1470:
593:
1456:"Heartbeat (Cenzo Townsend Version)" instead of "Heartbeat"
266:
250:, and "Heartbeat". The record peaked at number 28 on the
2686:"DiSection: Late of the Pier debut album track-by-track"
1622:
Lee Slaney – assistant mixer (tracks 6, 7, 8, 9, 10, 12)
640:
piece of music rather than in a rock-oriented way. The
2845:"Rock review: Late of the Pier, Fantasy Black Channel"
668:
at the end. "Whitesnake" was inspired by the music of
387:
Sam Potter, on Late of the Pier's methods of creating
3122:
staff (December 2008). "The 40 Best Albums of 2008".
2610:"Late Of The Pier announce album details – exclusive"
1295:"The Bears Are Coming" (Sam Eastgate, Storm Mortimer)
1249:
1241:
432:after being recorded, the band members, Alkan, and
226:. It was released on 30 July 2008 in Japan through
146:
129:
117:
101:
77:
69:
61:
48:
34:
1788:Sam Eastgate's bedroom; The Miloco Garden; Miloco
492:was designed by a friend of the band members from
3178:staff (13 December 2008). "Best Albums Of 2008".
1398:, "No Time", begins at 4:50 of "Bathroom Gurgle".
369:even though none of them were born before 1986.
3455:: CS1 maint: others in cite AV media (notes) (
2528:: CS1 maint: others in cite AV media (notes) (
372:
2510:(CD booklet (pages 6–7) and case back cover).
1619:Daniel Rejmer – assistant mixer (tracks 5, 11)
829:
1613:Neil Comber – assistant mixer (track 1, 2, 3)
8:
2545:"Updated: Late of the Pier tour in February"
1422:)" – 3:15 – track 14 on the Japanese edition
1087:rating of 81% based on 18 critical reviews.
1043:
1005:
943:
905:
867:
779:
428:guitars through air vents. When tracks were
254:, but failed to chart in the United States.
2721:"Fantasy Black Channel by Late Of The Pier"
1798:The album's release history is as follows:
1438:comprised a standard black vinyl copy in a
1079:was highly favourable; aggregating website
3532:"Late Of The Pier – Fantasy Black Channel"
3471:"Fantasy Black Channel USA Promo CD Album"
3229:"Late Of The Pier – Fantasy Black Channel"
2802:
2800:
1928:
1764:Sam Eastgate's bedroom; The Miloco Garden
1720:Sam Eastgate's bedroom; The Miloco Garden
1616:Darren Simpson – assistant mixer (track 4)
1604:Oli Wright – assistant engineer (track 12)
1601:Ben Jackson – assistant engineer (track 7)
1534:Giselle Kennedy – backing vocals (track 2)
1306:"Random Firl" (Sam Eastgate, Andrew Faley)
731:
40:
31:
3093:"Late of the Pier: Fantasy Black Channel"
3060:"Late Of The Pier: Fantasy Black Channel"
2981:"Late of the Pier: Fantasy Black Channel"
2947:"Late of the Pier: Fantasy Black Channel"
2909:"Late Of The Pier: Fantasy Black Channel"
2809:"Late of the Pier: Fantasy Black Channel"
2761:"Fantasy Black Channel: Late of the Pier"
338:Late of the Pier started using the album
318:. Potter has treated their conception of
29:2008 studio album by Late of the Pier
2940:
2938:
2936:
2502:
2500:
2498:
2496:
2494:
2357:
2355:
2353:
2351:
2058:"—" denotes releases that did not chart.
1987:
1800:
1679:
1598:Al Lawson – assistant engineer (track 1)
1238:
453:Late of the Pier in concert at the 2007
3196:"Elbow wins critics' album of the year"
2974:
2972:
2291:"Late Of The Pier: Space And The Woods"
2258:
2256:
2254:
2074:
322:as a reaction to "mediocre, complacent
3526:
3524:
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2902:
2900:
2857:from the original on 16 September 2015
2754:
2752:
2750:
2748:
2679:
2677:
2675:
2673:
2671:
2669:
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2622:from the original on 19 September 2008
2578:"Late of the Pier New Single and Tour"
2521:
2222:
2220:
2192:
2190:
2188:
2186:
1450:Mix)" instead of "Space and the Woods"
626:
3497:"Perry at number one for second week"
3208:from the original on 11 November 2012
2993:from the original on 19 February 2009
2838:
2836:
2715:
2713:
2479:from the original on 12 February 2009
2466:
2464:
2462:
2460:
2458:
2456:
2454:
2376:from the original on 20 November 2008
2364:"Late Of The Pier: Band O' The Times"
2267:. Noize Makes Enemies. Archived from
1537:Erol Alkan – backing vocals (track 5)
1339:"VW" (Sam Eastgate, Richard Eastgate)
760:
737:
7:
3542:from the original on 24 January 2016
3409:"Fantasy Black Channel UK LP Record"
2921:from the original on 21 January 2009
2590:from the original on 10 January 2009
2362:Mitchell, Nick (29 September 2008).
2336:from the original on 5 February 2009
2322:Rachel, T. Cole (22 November 2008).
2158:
2156:
2154:
2120:
2118:
2116:
2114:
2112:
2110:
2108:
2093:from the original on 15 January 2010
234:August 2008 in the British Isles on
218:is the only studio album by British
3567:(364). Milton Keynes: Musiqware: 2.
2652:from the original on 21 August 2009
2227:Turnbull, Stuart (4 October 2007).
2083:"Late Of The Pier at Plug 'n' Play"
1702:Sam Eastgate's bedroom; Sofa Sound
1694:Sam Eastgate's bedroom; Sofa Sound
831:
486:Peggy Patch and Her Sequenced Dress
3273:from the original on 5 August 2011
3091:Cuellar, Jorge (13 January 2009).
3041:Anon. (September 2008). "Review".
2979:Baynes, Chris (17 February 2009).
2957:from the original on 19 March 2009
2945:Moerder, Adam (14 February 2009).
2395:McNaney, Luke (12 February 2009).
1632:Nilesh Patel – mastering (track 4)
1408:"Dose A" – 1:47 – track 13 on the
25:
3595:at Late of the Pier official site
3586:at Late of the Pier official site
3306:from the original on 5 April 2009
2787:Anon. (February 2009). "Review".
2684:Adams, Sean (10 September 2008).
2199:"Late Of The Pier – Sam (Potter)"
2125:Wilson, Jared (4 November 2008).
1045:
1007:
945:
907:
869:
781:
365:during these formative stages of
18:Heartbeat (Late of the Pier song)
3505:. 17 August 2008. Archived from
3477:from the original on 7 June 2011
3415:from the original on 7 June 2011
3389:from the original on 7 June 2011
3383:"Fantasy Black Channel Japan CD"
3363:from the original on 7 June 2011
3330:"100 best: Albums of the Decade"
2843:Burgess, John (22 August 2008).
1592:; mixing (except tracks 1, 2, 3)
1194:. It was ranked at number 16 in
1064:
1059:
1054:
1049:
1044:
1026:
1021:
1016:
1011:
1006:
964:
959:
954:
949:
944:
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878:
873:
868:
850:
845:
840:
835:
830:
800:
795:
790:
785:
780:
627:Problems playing this file? See
609:
2876:Ortiz, Deanna (1 August 2008).
2543:Kharas, Kev (6 December 2007).
2201:. Subba-Cultcha. Archived from
2907:Chester, Tim (8 August 2008).
2807:Dolan, Jon (13 January 2009).
2471:Zipf, Jen (11 February 2009).
2324:"Late Of The Pier (Interview)"
2265:"Late Of The Pier – Interview"
1792:; Strongroom; Miloco Musikbox
1242:
73:2006−2008 at various locations
1:
3645:Albums produced by Erol Alkan
3357:"Fantasy Black Channel UK LP"
3292:Diver, Mike (14 April 2009).
2576:Nowak, Sarah (9 April 2008).
2473:"Late of the Pier: Interview"
2229:"Indie schmindie (Interview)"
2167:. Click Music. Archived from
2165:"Interview: Late Of The Pier"
1670:Recording and release details
1518:, synthesiser, backing vocals
720:style vocals over." The fast
699:"Focker" was created using a
3294:"Clash Essential 50 – 42–39"
3058:Diver, Mike (25 July 2008).
2127:"Late of the Pier Interview"
2050:
2039:
2031:
2019:
2011:
1971:
1959:
1944:
1115:' island-creation project."
166:Released: 10 September 2007
3012:Young, Jon (January 2009).
2642:"Echoclistel Lambietroy EP"
1838:United Kingdom and Ireland
1769:"The Enemy Are the Future"
411:The production process for
168:Re-released: 2 October 2008
3661:
3328:staff (30 November 2009).
3142:staff (19 December 2008).
1777:"Mad Dogs and Englishmen"
1434:The 2008 UK LP version of
1118:Some reviewers classified
298:music of British ensemble
261:Sam Eastgate's bedroom in
257:The album was recorded in
3144:"20 best: albums of 2008"
2397:"Music: Late Of The Pier"
1993:
1990:
1893:
1890:
1887:
1843:
1837:
1610:– mixing (tracks 1, 2, 3)
1379:
1372:"Mad Dogs and Englishmen"
1368:
1357:
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1335:
1324:
1313:
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1276:
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1254:
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768:
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207:
157:
142:
39:
3473:. Esprit International.
3411:. Esprit International.
3385:. Esprit International.
3359:. Esprit International.
1998:
664:played by Potter on the
584:, Mr Flash, FrYars, and
513:The writing process for
3635:Late of the Pier albums
2017:"The Bears Are Coming"
1717:"The Bears Are Coming"
1582:(except tracks 1, 2, 3)
272:between 2007 and 2008.
199:Released: 4 August 2008
3437:(CD case back cover).
1707:"Space and the Woods"
1446:"Space and the Woods (
1188:, and at number 18 by
598:
498:Echoclistel Lambietroy
481:Fantasy Black Channel'
458:
384:
177:Released: 2 March 2008
174:"The Bears Are Coming"
152:Fantasy Black Channel
3607:24 March 2009 at the
3600:Fantasy Black Channel
3591:Fantasy Black Channel
3582:Fantasy Black Channel
3435:Fantasy Black Channel
2508:Fantasy Black Channel
1905:CD, digital download
1675:Fantasy Black Channel
1436:Fantasy Black Channel
1221:Fantasy Black Channel
1174:Fantasy Black Channel
1120:Fantasy Black Channel
1077:Fantasy Black Channel
597:
546:Fantasy Black Channel
526:band of the same name
515:Fantasy Black Channel
471:Fantasy Black Channel
452:
445:Promotion and release
413:Fantasy Black Channel
401:Fantasy Black Channel
389:Fantasy Black Channel
367:Fantasy Black Channel
343:Interesting Adventure
320:Fantasy Black Channel
289:Origins and recording
285:Ross Dawson in 2015.
274:Fantasy Black Channel
215:Fantasy Black Channel
190:Released: 19 May 2008
35:Fantasy Black Channel
3204:. 29 December 2008.
1951:Belgian Albums Chart
1529:Additional musicians
1182:, at number five by
733:Professional ratings
246:" and "Focker" as a
3451:cite AV media notes
3269:. 26 January 2009.
3241:on 21 November 2008
3201:The Daily Telegraph
2698:on 17 November 2009
2524:cite AV media notes
2433:Moshi Moshi Records
2263:Austin, Charlotte.
2205:on 10 February 2009
2171:on 15 February 2008
2139:on 22 February 2012
2089:. 21 January 2008.
2027:Space and the Woods
1748:Publishing Studios
1744:The Miloco Garden;
1282:Space and the Woods
1206:Mercury Music Prize
1196:HMV's Poll of Polls
734:
455:Dot to Dot Festival
244:Space and the Woods
185:Space and the Woods
3441:. London / Paris:
2759:Hoffman, K. Ross.
2429:"Late Of The Pier"
2303:on 24 January 2010
2239:on 30 January 2009
2045:"Bathroom Gurgle"
2009:"Bathroom Gurgle"
1785:"Bathroom Gurgle"
1780:The Miloco Garden
1756:The Miloco Garden
1588:Jimmy Robertson –
1511:, bass synthesiser
1134:in the recording.
1075:Media response to
732:
728:Critical reception
599:
459:
363:music of the 1980s
3640:Parlophone albums
3630:2008 debut albums
3502:The Northern Echo
3072:on 25 August 2009
2821:on 21 August 2009
2790:Alternative Press
2066:
2065:
2059:
2055:
2054:
2048:
2004:
1976:
1975:
1912:
1911:
1872:4 September 2008
1796:
1795:
1711:The Miloco Garden
1691:"Hot Tent Blues"
1666:
1665:
1551:Jack Birchwood –
1418:"Focker (Rolmops
1390:
1389:
1162:to the primitive
1122:into the British
1073:
1072:
812:Alternative Press
614:
558:bass guitar pedal
331:and experimental
306:of American band
296:alternative dance
211:
210:
163:"Bathroom Gurgle"
16:(Redirected from
3652:
3602:critical reviews
3569:
3568:
3558:
3552:
3551:
3549:
3547:
3528:
3519:
3518:
3516:
3514:
3509:on 15 March 2012
3493:
3487:
3486:
3484:
3482:
3467:
3461:
3460:
3454:
3446:
3439:Late of the Pier
3431:
3425:
3424:
3422:
3420:
3405:
3399:
3398:
3396:
3394:
3379:
3373:
3372:
3370:
3368:
3353:
3347:
3346:
3344:
3342:
3322:
3316:
3315:
3313:
3311:
3289:
3283:
3282:
3280:
3278:
3257:
3251:
3250:
3248:
3246:
3237:. Archived from
3224:
3218:
3217:
3215:
3213:
3192:
3186:
3185:
3172:
3166:
3165:
3163:
3161:
3152:. Archived from
3136:
3130:
3129:
3116:
3110:
3109:
3107:
3105:
3088:
3082:
3081:
3079:
3077:
3068:. Archived from
3065:Drowned in Sound
3055:
3049:
3048:
3038:
3032:
3031:
3029:
3027:
3009:
3003:
3002:
3000:
2998:
2976:
2967:
2966:
2964:
2962:
2942:
2931:
2930:
2928:
2926:
2904:
2895:
2894:
2892:
2890:
2878:"Rock & Pop"
2873:
2867:
2866:
2864:
2862:
2840:
2831:
2830:
2828:
2826:
2817:. Archived from
2804:
2795:
2794:
2784:
2778:
2777:
2775:
2773:
2756:
2743:
2742:
2740:
2738:
2733:on 24 March 2009
2729:. Archived from
2717:
2708:
2707:
2705:
2703:
2694:. Archived from
2691:Drowned in Sound
2681:
2662:
2661:
2659:
2657:
2638:
2632:
2631:
2629:
2627:
2618:. 11 June 2008.
2606:
2600:
2599:
2597:
2595:
2573:
2567:
2566:
2564:
2562:
2553:. Archived from
2550:Drowned in Sound
2540:
2534:
2533:
2527:
2519:
2512:Late of the Pier
2504:
2489:
2488:
2486:
2484:
2468:
2449:
2448:
2446:
2444:
2435:. Archived from
2425:
2419:
2418:
2416:
2414:
2405:. Archived from
2392:
2386:
2385:
2383:
2381:
2359:
2346:
2345:
2343:
2341:
2319:
2313:
2312:
2310:
2308:
2299:. Archived from
2296:Drowned in Sound
2287:
2281:
2280:
2278:
2276:
2260:
2249:
2248:
2246:
2244:
2235:. Archived from
2224:
2215:
2214:
2212:
2210:
2197:Holloway, Will.
2194:
2181:
2180:
2178:
2176:
2160:
2149:
2148:
2146:
2144:
2135:. Archived from
2122:
2103:
2102:
2100:
2098:
2079:
2057:
2046:
1999:
1988:
1929:
1920:
1891:13 January 2009
1860:digital download
1801:
1680:
1657:Traffic – design
1649:Late of the Pier
1629:(except track 4)
1471:
1258:"Hot Tent Blues"
1244:
1239:
1069:
1068:
1067:
1063:
1062:
1058:
1057:
1053:
1052:
1048:
1047:
1031:
1030:
1029:
1025:
1024:
1020:
1019:
1015:
1014:
1010:
1009:
969:
968:
967:
963:
962:
958:
957:
953:
952:
948:
947:
931:
930:
929:
925:
924:
920:
919:
915:
914:
910:
909:
893:
892:
891:
887:
886:
882:
881:
877:
876:
872:
871:
855:
854:
853:
849:
848:
844:
843:
839:
838:
834:
833:
805:
804:
803:
799:
798:
794:
793:
789:
788:
784:
783:
738:Aggregate scores
735:
616:
615:
596:
588:as inspiration.
574:Slagsmålsklubben
391:
381:
377:
347:Atlantic Records
263:Castle Donington
233:
224:Late of the Pier
200:
197:
191:
188:
178:
175:
169:
164:
113:
112:
108:
55:Late of the Pier
44:
32:
21:
3660:
3659:
3655:
3654:
3653:
3651:
3650:
3649:
3620:
3619:
3609:Wayback Machine
3577:
3572:
3560:
3559:
3555:
3545:
3543:
3530:
3529:
3522:
3512:
3510:
3495:
3494:
3490:
3480:
3478:
3469:
3468:
3464:
3447:
3433:
3432:
3428:
3418:
3416:
3407:
3406:
3402:
3392:
3390:
3381:
3380:
3376:
3366:
3364:
3355:
3354:
3350:
3340:
3338:
3324:
3323:
3319:
3309:
3307:
3291:
3290:
3286:
3276:
3274:
3259:
3258:
3254:
3244:
3242:
3227:Carroll, Rory.
3226:
3225:
3221:
3211:
3209:
3194:
3193:
3189:
3174:
3173:
3169:
3159:
3157:
3156:on 3 March 2009
3138:
3137:
3133:
3118:
3117:
3113:
3103:
3101:
3090:
3089:
3085:
3075:
3073:
3057:
3056:
3052:
3040:
3039:
3035:
3025:
3023:
3011:
3010:
3006:
2996:
2994:
2978:
2977:
2970:
2960:
2958:
2951:Pitchfork Media
2944:
2943:
2934:
2924:
2922:
2906:
2905:
2898:
2888:
2886:
2883:The Irish Times
2875:
2874:
2870:
2860:
2858:
2842:
2841:
2834:
2824:
2822:
2806:
2805:
2798:
2786:
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2758:
2757:
2746:
2736:
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2719:
2718:
2711:
2701:
2699:
2683:
2682:
2665:
2655:
2653:
2640:
2639:
2635:
2625:
2623:
2608:
2607:
2603:
2593:
2591:
2575:
2574:
2570:
2560:
2558:
2542:
2541:
2537:
2520:
2506:
2505:
2492:
2482:
2480:
2470:
2469:
2452:
2442:
2440:
2427:
2426:
2422:
2412:
2410:
2409:on 1 March 2009
2394:
2393:
2389:
2379:
2377:
2361:
2360:
2349:
2339:
2337:
2321:
2320:
2316:
2306:
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2289:
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2274:
2272:
2262:
2261:
2252:
2242:
2240:
2226:
2225:
2218:
2208:
2206:
2196:
2195:
2184:
2174:
2172:
2162:
2161:
2152:
2142:
2140:
2124:
2123:
2106:
2096:
2094:
2081:
2080:
2076:
2072:
2067:
2060:
2003:
1978:
1941:UK Albums Chart
1917:
1915:Chart positions
1855:11 August 2008
1672:
1667:
1608:Cenzo Townshend
1563:
1546:baritone vocals
1503:Andrew Faley –
1495:drum sequencing
1491:acoustic guitar
1487:electric guitar
1481:Sam Eastgate –
1466:
1448:Cenzo Townshend
1432:
1405:
1391:
1233:
1065:
1060:
1055:
1050:
1027:
1022:
1017:
1012:
965:
960:
955:
950:
927:
922:
917:
912:
900:The Irish Times
889:
884:
879:
874:
851:
846:
841:
836:
801:
796:
791:
786:
730:
688:and create new
684:to perform the
642:vocal harmonies
634:
633:
625:
623:
622:
621:
620:
617:
610:
607:
600:
594:
586:Lutricia McNeal
543:
511:
506:
447:
393:
386:
379:
375:
357:, from which a
329:time signatures
324:indie-schmindie
291:
252:UK Albums Chart
231:
203:
198:
195:
194:
189:
182:
181:
176:
173:
172:
167:
165:
162:
161:
110:
106:
105:
57:
30:
23:
22:
15:
12:
11:
5:
3658:
3656:
3648:
3647:
3642:
3637:
3632:
3622:
3621:
3616:
3615:
3596:
3587:
3576:
3575:External links
3573:
3571:
3570:
3553:
3520:
3488:
3462:
3426:
3400:
3374:
3348:
3317:
3284:
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3187:
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3111:
3083:
3050:
3033:
3004:
2968:
2932:
2896:
2868:
2832:
2796:
2793:. p. 102.
2779:
2744:
2709:
2663:
2633:
2601:
2568:
2557:on 8 June 2008
2535:
2490:
2450:
2439:on 4 July 2008
2420:
2387:
2347:
2314:
2282:
2271:on 7 June 2008
2250:
2216:
2182:
2163:Duke, Samuel.
2150:
2104:
2073:
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2068:
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1888:United States
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1841:4 August 2008
1839:
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1774:
1773:
1770:
1766:
1765:
1762:
1758:
1757:
1754:
1750:
1749:
1742:
1741:"White Snake"
1738:
1737:
1734:
1730:
1729:
1726:
1725:"Random Firl"
1722:
1721:
1718:
1714:
1713:
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1642:Jon Bergman –
1639:
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1634:
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1623:
1620:
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1614:
1611:
1605:
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1571:
1570:
1565:
1561:
1560:
1549:
1538:
1535:
1531:
1530:
1526:
1525:
1521:Ross Dawson –
1519:
1512:
1509:backing vocals
1501:
1478:
1477:
1469:
1465:
1462:
1458:
1457:
1454:
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1237:
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1229:
1071:
1070:
1041:
1033:
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1003:
995:
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991:
983:
982:
979:
971:
970:
941:
933:
932:
903:
895:
894:
865:
857:
856:
827:
819:
818:
815:
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777:
771:
770:
767:
763:
762:
758:
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754:
748:
747:
744:
740:
739:
729:
726:
696:more clearly.
624:
618:
608:
603:
602:
601:
592:
591:
590:
542:
539:
510:
507:
505:
502:
446:
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439:BBC Collective
371:
290:
287:
209:
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205:
204:
202:
201:
192:
179:
170:
158:
155:
154:
144:
143:
140:
139:
138:, Sam Eastgate
133:
127:
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121:
115:
114:
103:
99:
98:
81:
75:
74:
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67:
66:
63:
59:
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53:
46:
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37:
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28:
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6:
4:
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2:
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3508:
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3503:
3498:
3492:
3489:
3476:
3472:
3466:
3463:
3458:
3452:
3444:
3443:Because Music
3440:
3436:
3430:
3427:
3414:
3410:
3404:
3401:
3388:
3384:
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3375:
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3236:
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3220:
3207:
3203:
3202:
3197:
3191:
3188:
3184:. p. 50.
3183:
3182:
3177:
3171:
3168:
3155:
3151:
3150:
3145:
3141:
3135:
3132:
3128:. p. 71.
3127:
3126:
3121:
3115:
3112:
3100:
3099:
3094:
3087:
3084:
3071:
3067:
3066:
3061:
3054:
3051:
3047:. p. 90.
3046:
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3034:
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3015:
3008:
3005:
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2988:
2987:
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2885:
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2728:
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2716:
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2029:" / "Focker"
2028:
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2016:
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1824:30 July 2008
1823:
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1790:Hoxton Square
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1574:Erol Alkan –
1573:
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1540:Nik Carter –
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1514:Sam Potter –
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1231:Track listing
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761:Review scores
759:
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686:horn sections
683:
682:brass players
679:
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650:Roland TB-303
647:
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566:All Apologies
563:
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259:lead vocalist
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27:
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3617:
3599:
3590:
3584:music player
3581:
3562:
3556:
3544:. Retrieved
3534:(in Dutch).
3511:. Retrieved
3507:the original
3500:
3491:
3479:. Retrieved
3465:
3434:
3429:
3417:. Retrieved
3403:
3391:. Retrieved
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3333:
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3308:. Retrieved
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3264:
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3243:. Retrieved
3239:the original
3232:
3222:
3210:. Retrieved
3199:
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3158:. Retrieved
3154:the original
3147:
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3119:
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3102:. Retrieved
3096:
3086:
3074:. Retrieved
3070:the original
3063:
3053:
3042:
3036:
3024:. Retrieved
3022:. p. 90
3017:
3007:
2995:. Retrieved
2984:
2959:. Retrieved
2923:. Retrieved
2912:
2887:. Retrieved
2881:
2871:
2859:. Retrieved
2850:The Guardian
2848:
2823:. Retrieved
2819:the original
2812:
2788:
2782:
2770:. Retrieved
2764:
2735:. Retrieved
2731:the original
2724:
2700:. Retrieved
2696:the original
2689:
2654:. Retrieved
2636:
2624:. Retrieved
2613:
2604:
2592:. Retrieved
2581:
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2559:. Retrieved
2555:the original
2548:
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2507:
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2437:the original
2423:
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2407:the original
2400:
2390:
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2367:
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2327:
2317:
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2301:the original
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2269:the original
2241:. Retrieved
2237:the original
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2203:the original
2173:. Retrieved
2169:the original
2141:. Retrieved
2137:the original
2130:
2095:. Retrieved
2077:
2056:
2047:(re-release)
2037:"Heartbeat"
1983:
1982:
1977:
1924:
1923:
1894:Astralwerks
1883:BEC 5772361
1827:Toshiba EMI
1797:
1733:"Heartbeat"
1674:
1673:
1660:
1562:
1542:tenor vocals
1467:
1459:
1435:
1433:
1403:Bonus tracks
1396:hidden track
1328:"Whitesnake"
1234:
1224:
1220:
1216:
1210:
1199:
1189:
1184:
1177:
1173:
1172:
1149:
1119:
1117:
1098:
1094:The Guardian
1092:
1076:
1074:
1036:
998:
986:
974:
936:
898:
862:The Guardian
860:
822:
810:
718:Annie Lennox
698:
635:
550:instrumental
545:
544:
523:
514:
512:
497:
485:
480:
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460:
412:
410:
400:
394:
388:
385:
373:
366:
355:Zarcorp Demo
354:
342:
337:
319:
304:grunge music
292:
273:
256:
214:
213:
212:
187:" / "Focker"
151:
88:electroclash
65:30 July 2008
50:Studio album
26:
3341:13 December
3310:17 November
3277:10 February
3245:10 February
3212:10 February
3104:10 February
3076:10 February
3026:16 December
2997:10 February
2925:10 February
2889:16 December
2861:10 February
2825:10 February
2772:10 February
2702:20 November
2656:10 February
2626:10 February
2594:10 February
2561:10 February
2340:10 February
2275:10 February
2243:10 February
2175:10 February
2143:10 February
2097:10 February
1967:Alternative
1844:Parlophone
1833:TOCP-66797
1772:The Garden
1736:Sofa Sound
1728:Sofa Sound
1590:engineering
1505:bass guitar
1499:synthesiser
1483:lead vocals
1317:"Heartbeat"
1164:electronics
1128:Bryan Ferry
709:tape player
662:guitar solo
654:synthesiser
652:electronic
605:"Heartbeat"
582:The Beatles
541:Composition
418:avant-garde
300:The Prodigy
228:Toshiba EMI
196:"Heartbeat"
3624:Categories
3613:Metacritic
3564:ChartsPlus
2986:PopMatters
2737:6 February
2726:Metacritic
2516:Parlophone
2514:. London:
2475:. Prefix.
2369:The Skinny
2233:Collective
2070:References
1908:ASW 37034
1900:ASW 28033
1813:Format(s)
1569:Production
1557:flugelhorn
1151:The Skinny
1140:PopMatters
1132:Gary Numan
1105:cul-de-sac
1085:normalised
1083:reports a
1081:Metacritic
988:PopMatters
752:Metacritic
678:Dandi Wind
674:Roxy Music
646:acid house
629:media help
534:indie rock
530:guitar amp
463:headlining
457:in Bristol
270:Erol Alkan
236:Parlophone
220:dance-punk
136:Erol Alkan
124:Parlophone
84:Dance-punk
3234:Artrocker
3014:"Reviews"
2329:Interview
1864:228 0342
1850:228 0331
1761:"Focker"
1699:"Broken"
1686:Location
1644:cover art
1627:mastering
1559:(track 8)
1548:(track 8)
1464:Personnel
1201:Artrocker
1136:Pitchfork
1113:The World
976:Pitchfork
658:sequencer
638:classical
490:cover art
426:re-amping
420:producer
374:Sam will
92:glam punk
3605:Archived
3540:Archived
3536:Ultratop
3475:Archived
3413:Archived
3387:Archived
3361:Archived
3304:Archived
3271:Archived
3206:Archived
2991:Archived
2961:25 March
2955:Archived
2919:Archived
2855:Archived
2766:Allmusic
2650:Archived
2620:Archived
2588:Archived
2477:Archived
2374:Archived
2334:Archived
2132:LeftLion
2091:Archived
1965:Belgian
1955:Flanders
1816:Catalog
1576:producer
1440:gatefold
1350:"Focker"
1269:"Broken"
1124:new rave
1089:AllMusic
775:AllMusic
705:hungover
570:afrobeat
519:insomnia
494:Brighton
434:engineer
422:Joe Meek
302:and the
230:and on 4
131:Producer
96:new rave
70:Recorded
62:Released
52: by
3445:. 2008.
3160:25 July
2814:Blender
2518:. 2008.
1984:Singles
1969:Albums
1869:France
1804:Region
1637:Artwork
1553:trumpet
1516:sampler
1412:version
1219:placed
1145:Klaxons
824:Blender
666:sampler
504:Content
353:titled
308:Nirvana
283:drummer
278:collage
240:singles
148:Singles
3593:lyrics
3546:17 May
3513:17 May
3481:28 May
3419:17 May
3393:17 May
3367:17 May
2646:Amazon
2483:15 May
2443:15 May
2413:15 May
2380:15 May
2307:29 May
2209:15 May
2061:
1821:Japan
1810:Label
1683:Track
1661:
1653:design
1580:mixing
1410:iTunes
1250:Length
1213:Awards
981:6.7/10
769:Rating
766:Source
756:81/100
746:Rating
743:Source
701:looped
690:scales
676:, and
578:Prince
509:Lyrics
488:. The
380:
376:
333:chords
312:Motown
232:
102:Length
3299:Clash
3125:Clash
3120:Clash
3044:Uncut
2583:Clash
2402:Fused
1994:Peak
1991:Song
1935:Peak
1925:Album
1807:Date
1753:"VW"
1523:drums
1430:Vinyl
1420:Remix
1247:Title
1217:Clash
1179:Clash
1168:house
1160:Bowie
1156:Queen
1109:Dubai
1038:Uncut
722:tempo
713:samba
694:horns
562:riffs
467:vinyl
430:mixed
405:dance
222:band
150:from
119:Label
79:Genre
3548:2009
3515:2009
3483:2009
3457:link
3421:2009
3395:2009
3369:2009
3343:2009
3335:FACT
3326:FACT
3312:2009
3279:2009
3247:2009
3214:2009
3162:2009
3149:FACT
3140:FACT
3106:2009
3078:2009
3028:2016
3019:Spin
2999:2009
2963:2009
2927:2009
2891:2016
2863:2009
2827:2009
2774:2012
2739:2009
2704:2009
2658:2009
2628:2009
2596:2009
2563:2009
2530:link
2485:2009
2445:2009
2415:2009
2382:2009
2342:2009
2309:2009
2277:2009
2245:2009
2211:2009
2177:2009
2145:2009
2099:2009
1858:CD,
1476:Band
1386:7:14
1375:3:00
1364:6:01
1353:3:14
1342:2:27
1331:3:01
1320:3:02
1309:2:14
1298:3:23
1287:3:44
1272:4:11
1261:1:16
1225:FACT
1185:FACT
1158:and
1111:'s '
1000:Spin
993:8/10
670:Devo
556:506
554:Zoom
359:demo
316:soul
314:and
3611:at
3266:NME
3181:NME
3176:NME
3098:URB
2914:NME
2615:NME
2087:BBC
2040:98
1972:30
1960:68
1945:28
1897:LP
1880:CD
1847:LP
1830:CD
1746:EMI
1380:12.
1369:11.
1358:10.
1243:No.
1211:NME
1191:NME
1170:".
1100:NME
938:NME
817:4/5
475:pop
397:set
3626::
3538:.
3523:^
3499:.
3453:}}
3449:{{
3332:.
3302:.
3296:.
3263:.
3231:.
3198:.
3146:.
3095:.
3062:.
3016:.
2989:.
2983:.
2971:^
2953:.
2949:.
2935:^
2917:.
2911:.
2899:^
2880:.
2853:.
2847:.
2835:^
2811:.
2799:^
2763:.
2747:^
2723:.
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2688:.
2666:^
2648:.
2644:.
2612:.
2586:.
2580:.
2547:.
2526:}}
2522:{{
2493:^
2453:^
2431:.
2399:.
2372:.
2366:.
2350:^
2332:.
2326:.
2293:.
2253:^
2231:.
2219:^
2185:^
2153:^
2129:.
2107:^
2085:.
2051:—
2032:—
2020:—
2012:—
2001:UK
1957:)
1651:–
1578:;
1555:,
1544:,
1507:,
1497:,
1493:,
1489:,
1485:,
1394:A
1347:9.
1336:8.
1325:7.
1314:6.
1303:5.
1292:4.
1277:3.
1266:2.
1255:1.
672:,
580:,
576:,
351:EP
267:DJ
111:47
107:42
94:,
90:,
86:,
3550:.
3517:.
3485:.
3459:)
3423:.
3397:.
3371:.
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3080:.
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2487:.
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2417:.
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2279:.
2247:.
2213:.
2179:.
2147:.
2101:.
2025:"
1953:(
1284:"
1280:"
656:-
631:.
183:"
109::
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
