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160:, 3 volumes. Rudolstadt & Leipzig 1782, 1787, 1793, Adam Friedrich Böhme. Reprint Olms, Hildesheim, 1969; Study edition in one volume, ed. by Jo Wilhelm Siebert. Siebert, Hanover, 2007. Digital new set and facsimile in: Music-theoretical sources 1750-1800, ed. by Ulrich Kaiser. Directmedia, Berlin, 2007, ISBN 978-3-89853-615-8.
93:. The inventory of the court orchestra in the Thuringian State Archives, Rudolstadt, contains seven symphonies by "Koch". Although these are not included in contemporary lists of works, Koch uses the exposition of the first movement of one of these symphonies without author specification as a sheet music example (from his book
660:
46:; later he was tutored in violin and composition by Christian Gotthelf Scheinpflug, the prince's band leader. Although his lowly circumstances precluded a university education, the prince - and his successors - encouraged his musical training and sent him to different German cities. He studied for periods in
22:(10 October 1749 – 19 March 1816) was a German music theorist, musical lexicographer and composer. In his lifetime, his music dictionary was widely distributed in Germany and Denmark; today his theory of form and syntax is used to analyse music of the 18th and 19th centuries.
74:(effectively director of music) by von Schwarzburg-Rudolstadt; this post was formerly held by his tutor, Scheinpflug. He returned to being a violinist after a year, then became active as a composer and writer on music. He composed various works to celebrate court occasions.
589:
188:
Musikalisches
Lexikon, welches die theoretische und praktische Tonkunst, encyclopädisch bearbeitet, alle alten und neuen Kunstwörter erklärt, und die alten und neuen Instrumente beschrieben, enthält
212:
Versuch, aus der harten und weichen Tonart jeder
Tonstufe der diatonisch-chromatischen Leiter vermittels des enharmonischen Tonwechsels in die Dur- und Molltonart der ĂĽbrigen Stufen auszuweichen
301:
Grundlagen musikalischer Formen der Wiener
Klassik: an Hand der zeitgenössischen Theorie von Joseph Riepel und Heinrich Christoph Koch dargestellt an Menuetten und Sonatensätzen (1750–1790)
97:, third and last part, p. 386), which could be taken as an indication of his authorship. However, he became best known for his published works on musical theory and his
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38:. In his youth, he was a violinist in the Rudolstadt court orchestra and from 1772 as a chamber musician. He was taught music by his father - a valet to
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Aesthetics and the Art of
Musical Composition in the German Enlightenment: Selected Writings of Johann G. Sulzer and Heinrich C. Koch
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Fortsetzung Von den mechanischen Regeln der
Melodie: Von der Verbindung der melodischen Theile, oder von dem Baue der Perioden
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From „Teil“ to „Tonstück“: the
Significance of the „Versuch einer Anleitung zur Composition“ by Heinrich Christoph Koch
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From „Teil“ to „Tonstück“: the
Significance of the „Versuch einer Anleitung zur Composition“ by Heinrich Christoph Koch
400:, hrsg. von Ulrich Kaiser, mit einem Vorwort und einer Bibliographie von Stefan Eckert und Ulrich Kaiser, Berlin 2007.
381:
Music as an
Analogue of Speech: Musical Syntax in the Writings of Heinrich Christoph Koch and in the Works of Schubert
270:
414:
Heinrich
Christoph Kochs Versuch einer Anleitung zur Composition im Spiegel der zeitgenössischen Kompositionslehren
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398:
Musiktheoretische
Quellen 1750-1800. Gedruckte Schriften von J. Riepel, H. Chr. Koch, J. F. Daube und J. A. Scheibe
590:"Possible implementation of Heinrich Christoph Koch's analytical terminology in contemporary analytical practice"
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Apart from the musical examples in his theoretical works, Koch's compositional works have been lost, including
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Chrisman, Richard (1976). "Describing Structural Aspects of Pitch Sets Using Successive-Interval Arrays".
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Von der Art und Weise wie Töne an und für sich betrachtet harmonisch verbunden werden und Vom Contrapuncte
43:
644:
573:
Dahlhaus, Carl (1978). "Der rhetorische Formbegriff H. Chr. Kochs und die Theorie der Sonatenform".
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with the award of a diploma; the academy was, however, unaware of his death two years previously.
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141:'s alternative theories. His theoretical work continues to be the subject of modern analysis.
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Der Urstoff der Musik: Implications for Harmony and Melody in the Theory of Heinrich Koch
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405:"At times even Homer nodds off". Heinrich Christoph Koch’s polemic against Joseph Haydn
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Kurzgefasstes Handwörterbuch der Musik für praktische Tonkünstler und für Dilettanten
70:. After that, he spent the rest of his life in Rudolstadt. In 1792, he was appointed
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Baker, Nancy Kovaleff (1978). "The Aesthetic Theories of Heinrich Christoph Koch".
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Eighteenth-Century Music in Theory and Practice: Essays in Honor of Alfred Mann
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Von der Art wie die Melodie in RĂĽcksicht der mechanischen Regeln verbunden wird
31:
558:
Baker, Nancy Kovaleff (1980). "Heinrich Koch's Description of the Symphony".
113:& August Reissmann (1870–83); it summarised the body of knowledge of the
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Lewin, David (1976). "A Label-Free Development for 12-Pitch-Class Systems".
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279:(in German), vol. 12, Berlin: Duncker & Humblot, pp. 263–264
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Der rhetorische Formbegriff H.Chr. Kochs und die Theorie der Sonatenform.
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was the first book to deal with the systematic and detailed structure of
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465:. Vol. 12. Berlin: Duncker & Humblot. 1980. p. 263.
202:. 'Allgemeine musikalische Zeitung' vol. 10, 1808, pages 513-519.
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The International Review of the Aesthetics and Sociology of Music
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Logik, Grammatik und Syntax der Musik bei Heinrich Christoph Koch
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H.C. Koch, the Classic Concerto, and the Sonata-Form Retransition
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448:. Vol. 16. Leipzig: Duncker & Humblot. p. 383.
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Die Sprache der Musik: Festschrift Klaus Wolfgang Niemöller
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H. Chr. Koch als Erläuterer unregelmässigen Themenaufbaues
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Small and Expanded Forms: Koch’s Model and Haydn’s Music
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The "Compositional Process" in Music Theory 1713–1850
101:(1802), which was the most influential since that of
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Anmerkungen zur Formtheorie Heinrich Christoph Kochs
390:Nancy Kovaleff Baker, Thomas Christensen (Hrsg.):
374:Compositional Theory in the Eighteenth Century
363:Riemann’s Periodization Revisited and Revised
137:, making it the most important forerunner of
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200:Ăśber den technischen Ausdruck: Tempo rubato
40:Johann Friedrich von Schwarzburg-Rudolstadt
615:Works by and about Heinrich Christoph Koch
629:International Music Score Library Project
105:(1732) and prior to the encyclopedias of
144:In 1818, he was elected a member of the
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158:Versuch einer Anleitung zur Komposition
123:Versuch einer Anleitung zur Komposition
95:Versuch einer Anleitung zur Komposition
625:Free scores by Heinrich Christoph Koch
239:. (Diss., Yale U., 1975); AuszĂĽge in:
407:. In: Music Theory Online 14.1 (2008)
206:Handbuch bey dem Studium der Harmonie
7:
387:. Stuyvesant (NY) 1994, pp 227–240.
588:Veljanovic, Jasna (January 2018).
232:, Bd. 2 (Leipzig, 1900), pp 56–70.
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184:Journal der Tonkunst Erfurt 1795
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16:German musicologist and composer
42:, prince of the small state of
486:Baker, Nancy Kovaleff (1975).
445:Allgemeine Deutsche Biographie
146:Royal Swedish Academy of Music
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727:18th-century German composers
722:17th-century German composers
358:. Regensburg 1989, pp 99–109.
619:Deutsche Digitale Bibliothek
575:Archiv fĂĽr Musikwissenschaft
442:AnemĂĽller, Bernhard (1882).
334:Archiv fĂĽr Musikwissenschaft
269:Gerhard Schuhmacher (1980),
261:Archiv fĂĽr Musikwissenschaft
336:41, Nr. 2, 1984, pp 86–112.
181:. University of Strasbourg.
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490:(PhD). University of Yale.
354:. In: J. Fricke (Hrsg.):
271:"Koch, Heinrich Christoph"
174:. University of Strasbourg
167:. University of Strasbourg
34:, in the federal state of
383:. In: M. Parker (Hrsg.):
717:German Baroque composers
621:(German Digital Library)
463:Neue Deutsche Biographie
276:Neue Deutsche Biographie
247:8, 1977, pp 183–209 und
103:Johann Gottfried Walther
737:German music historians
522:Journal of Music Theory
503:Journal of Music Theory
367:Journal of Music Theory
241:Journal of Music Theory
20:Heinrich Christoph Koch
742:German music educators
376:. Cambridge (MA) 1992.
339:Nancy Kovaleff Baker:
235:Nancy Kovaleff Baker:
44:Schwarzburg-Rudolstadt
643:Thuringian archives:
637:Musikalischen Lexikon
369:33, 1989, pp 333–391.
312:Journal of Musicology
296:68, 1982, pp 444–475.
265:35, 1978, pp 155–177.
230:Präludien und Studien
732:German musicologists
640:from koelnklavier.de
251:9, 1980, pp 303–316.
52:Carl Andreas Göpfert
361:Ivan F. Waldbauer:
243:20, 1976, pp 1–48,
89:, instrumental and
634:Excerpts from the
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325:3, 1984, pp 29–55.
314:2, 1983, pp 45–61.
214:. Rudolstadt 1812.
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294:Musical Quarterly
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30:Koch was born in
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600:: 159–177.
577:: 155–177.
562:: 303–316.
547:: 183–209.
424:References
32:Rudolstadt
665:Biography
86:Singspiel
36:ThĂĽringen
528:: 29–48.
80:cantatas
677:Germany
651:Portals
631:(IMSLP)
627:at the
617:in the
509:: 1–28.
127:harmony
115:Baroque
68:Hamburg
60:Dresden
56:Leipzig
469:
365:. In:
343:. In:
332:. In:
321:. In:
310:. In:
292:. In:
228:. In:
131:melody
64:Berlin
50:(with
48:Weimar
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245:IRASM
467:ISBN
258:In:
133:and
83:, a
66:and
26:Life
54:),
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