601:. The song was allegedly written while Mitchell was high on cocaine at the end of her visit to the city. The namesake of the song was her childhood friend Sharon Bell, who studied voice and wanted to be a singer when she was young but married a farmer; Mitchell wanted to be a farmer's wife, but ended up becoming a singer. The song also mentions the blowout fight and abandoned midwestern tour that served as the death knell for Mitchell's relationship with Guerin: "I left my man at a
990:, Ariel Swartley observed that Mitchell had abandoned memorable tunes in favor of "new, seductive rhythms," "lush guitars", and "spare instrumentation", with the resulting sound "as sophisticated and arresting as anything she's done… as unceasing and hypnotic as the freeways Mitchell describes in her songs". Swartley also praised the lyrics as "some of her most incisive and humorous," and credited her voice with a "new warmth."
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581:"Hejira" is about Mitchell's reasons for leaving Guerin, and Mitchell described it as probably the toughest tune on the album to write. It features the bass work of Pastorius, who was inspired by Mitchell's use of multi-tracking with her guitar to mix four separate tracks of his carefully arranged bass parts, having them all play together at certain points of the tune.
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was impressed with the way that "Mitchell subjugates melody to the natural music of language itself", but wondered whether "the reflections of a rich, faithless, compulsively mobile, and compulsively romantic female" were substantially more interesting than those of her male counterparts, "especially
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who mysteriously vanished during a flight over the
Pacific Ocean. Mitchell has commented on the origins of the song: "I was thinking of Amelia Earhart and addressing it from one solo pilot to another... sort of reflecting on the cost of being a woman and having something you must do." The song, each
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and subtleties and things that I thought were getting kind of buried." The session musicians in turn recommended that
Mitchell start looking for jazz instrumentalists to perform on her records. In addition, her relationship with drummer John Guerin (which lasted through a significant portion of the
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and they formed an immediate musical connection; Mitchell was dissatisfied with what she called the "dead, distant bass sound" of the 1960s and early 1970s, and was beginning to wonder why the bass part always had to play the root of a chord. She overdubbed his bass parts on four of the tracks on
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begins with the epic "Song for Sharon", which at eight minutes and 40 seconds stands as the longest track on the album. The lyrics deal with the conflict faced by a woman who is deciding between freedom and marriage. The song references the places
Mitchell went during her trip to New York City,
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During some of her solo journeys, Mitchell donned a red wig, sunglasses, and told the varying strangers she met that her name was either "Charlene
Latimer" or "Joan Black". Despite the disguise, Mitchell was still sometimes recognized. She traveled without a driver's licence and stayed behind
631:. The song was inspired by the first breakup of the on-again-off-again relationship between Mitchell and Guerin. The lyrics express Mitchell's hopes of rekindling their relationship, and she tells her love interest to rebuff any other suitors: "Tell those girls that you've got
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on her way back to Los
Angeles. According to Mitchell, it was during this visit in early 1976 that Trungpa cured her of her cocaine addiction. She described herself as subsequently falling into an "awakened" state for three days, characterized by "no sense of self, no
613:'s wife, fashion model Phyllis Major. Browne and Mitchell had a brief, "high-strung" affair in 1972; on at least one occasion, Browne allegedly physically abused Mitchell. After their relationship dissolved, Browne quickly married Major. Although Major had died from a
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564:, Memphis during a period when the surrounding area was being demolished. Lewis was displeased with Mitchell's use of his name. Mitchell would return to the song live in concert throughout the years. Like "Coyote", "Furry Sings the Blues" was sung by Mitchell at
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Mitchell has described the album as "really inspired... there is this restless feeling throughout it... The sweet loneliness of solitary travel", and has said that "I suppose a lot of people could have written a lot of my other songs, but I feel the songs on
544:, "Amelia", was inspired by Mitchell's breakup with John Guerin, and described by her as almost an exact account of her experience in the desert. The song interweaves a story of a desert journey (the "hejira within the hejira") with the famous aviator
655:. It was simple-minded, blessedly simple-minded." She would later say that this track was one of her favorite songs of those she had written, and would rerecord the tune, along with "Amelia" and "Hejira", with a full orchestra for her 2002 album
247:. Its material was written during a period of frequent travel in late 1975 and early 1976, and reflects Mitchell's experiences on the road during that time. It is characterized by lyrically dense, sprawling songs and musical backing by several
326:
The third trip came soon after when
Mitchell traveled across America with two men, one of them being a former lover from Australia. This trip inspired six of the songs on the album. She drove with her two friends from Los Angeles to
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in 622. Mitchell later stated that when she chose the title, she was looking for a word that meant "running away with honor". She found the word "hejira" while reading the dictionary, and was drawn to the "dangling j, like in
1010:, critic Jenn Pelly described the album as "restless music of road and sky narratives unfurl with driving forward motion", adding that "the fretless bass, spare percussion, and unusual harmonics depict wintry lucidity."
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578:"A Strange Boy" recounts the affair Mitchell had with one of the men she was traveling with from Los Angeles to Maine; he was a flight attendant in his thirties who lived with his parents.
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According to
Mitchell, the album was written during or after three journeys she took in late 1975 and the first half of 1976. The first was a stint as a member of
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here to face the dream's malfunction." According to biographer Sheila Weller, "Song For Sharon" also makes a coded reference to the March 1976 suicide of
285:, and No. 11 in the UK, where it attained a silver certification. Critically, the album was generally well received, and in the years since its release,
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verse of which ends with the refrain "Amelia, it was just a false alarm", repeatedly shifts between two keys, giving it a constant unsettled feeling.
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274:" was released as a single. The album did not sell as well as its predecessors, peaking at No. 22 in her native Canada. It reached No. 13 on the
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638:"Refuge of the Roads" was written about a three-day visit that Mitchell had made to the controversial Buddhist meditation master
411:, the album drew on a range of influences but was more cohesive and accessible than some of her later more jazz-oriented work. "
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mid-1970s) influenced her decision to move more towards experimental jazz music and further away from her folk and pop roots.
383:, Mitchell grew increasingly frustrated by the rock session musicians who had been hired to perform her music. "...There were
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617:, Mitchell sang "A woman I knew just drowned herself", and questioned if her suicide was a means of "punishing somebody".
363:, relying on their habit of signaling when the police were ahead of them; consequently, she only drove in daylight hours.
319:(who was acting as her drummer on the string of dates) soured, possibly due to Mitchell's fling with playwright and actor
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user. Then in
February 1976, Mitchell was scheduled to play about six weeks of concert dates across the US promoting
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during the
Rolling Thunder Revue. Tensions became so fraught that the tour was abandoned about halfway through.
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620:"Black Crow"'s lyrics deal with the practical difficulty for Mitchell of traveling from her second home on
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415:", "Amelia", and "Hejira" became concert staples especially after being featured on the live album
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Australian Chart Book 1970–1992: 23 years of hit singles & albums from the top 100 charts
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552:"Furry Sings the Blues", with Neil Young on harmonica, is an account of Mitchell meeting the
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1912:"newsobserver.com |On the Beat: David Menconi on music – Elvis forever and ever, amen"
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The album title is an unusual transliteration of the Arabic word more commonly rendered as
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Girls Like Us: Carole King, Joni
Mitchell, Carly Simon -- and The Journey of a Generation
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Girls Like Us: Carole King, Joni Mitchell, Carly Simon -- and The Journey of a Generation
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Girls Like Us: Carole King, Joni Mitchell, Carly Simon -- and The Journey of a Generation
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Girls Like Us: Carole King, Joni Mitchell, Carly Simon -- and The Journey of a Generation
351:, an event she credited with curing her cocaine addiction and leaving her in a selfless "
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1746:"Q&A: Joni Mitchell - The legendary singer-songwriter speaks about her 17th album,
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568:'s farewell concert. This version of the song was not included on the 1978 version of
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1720:"Joni Mitchell Library - The Making of the Hejira Cover: Rock Photo, June 2005"
2219:"Joni Mitchell Library - Heart of a Prairie Girl: Reader's Digest , July 2005"
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at their 1976 farewell concert, which was eventually released under the title
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as one of which she was particularly proud: "A lot of work went into that."
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Discussion of mandolin store mentioned in Song for Sharon by Joni Mitchell
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pop album chart in the United States, where it was certified gold by the
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gold certification, it failed to garner significant radio airplay.
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2798:"Album Top 40 slágerlista (fizikai hanghordozók) – 2024. 37. hét"
2904:
1173:– bass guitar (on "Furry Sings the Blues" and "Song for Sharon")
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248:
2908:
1183:(on "Coyote", "Hejira", "Black Crow" and "Refuge of the Roads")
315:. However, the relationship between Mitchell and her boyfriend
3211:
Love Has Many Faces: A Quartet, a Ballet, Waiting to Be Danced
1041:
placed the cover at No. 11 on its list of best album covers.
305:
in late 1975. During this time period, she became a frequent
669:' celebrated photograph of the Earth rising over the Moon,
2043:"A Requiem for Jackson Browne's Dream Los Angeles Magazine"
627:"Blue Motel Room" was written at the DeSoto Beach Motel in
2844:"American album certifications – Joni Mitchell – Hejira"
466:
The portrait of Mitchell on the front cover was taken by
289:
has been considered one of the high marks of her career.
239:
is the eighth studio album by Canadian singer-songwriter
1201:– percussion (on "Coyote", "A Strange Boy" and "Hejira")
486:
appears on the back cover. During a 1994 interview with
2272:
Christgau's Record Guide: Rock Albums of the Seventies
1501:
Will You Take Me As I Am: Joni Mitchell's Blue Period
2685:. St Ives, N.S.W, Australia: Australian Chart Book.
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alongside "Furry Sings the Blues" and "Black Crow".
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3151:
Amchitka, The 1970 Concert That Launched Greenpeace
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2869:. London: Flame Tree Publishing. pp. 154–155.
2362:. Farmington Hills, MI: Visible Ink Press. p.
391:After recording the basic tracks that would become
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2415:Brackett, Nathan; Hoard, Christian, eds. (2004).
1044:It was voted number 776 in the third edition of
1914:. Blogsarchive.newsobserver.com. Archived from
1424:Shipments figures based on certification alone.
407:Dominated by Mitchell's guitar and Pastorius's
915:
730:
2920:
2652:"The 500 Greatest Albums of All Time: 140–69"
2356:Graff, Gary; Durchholz, Daniel, eds. (1999).
818:
331:, and then went back to California alone via
251:-oriented instrumentalists, most prominently
8:
2823:"ARIA Charts – Accreditations – 2004 Albums"
1706:Joni Mitchell: Painting With Words and Music
952:
780:
651:; my mind was back in Eden, the mind before
2596:"Rolling Stone's 100 Greatest Album Covers"
2123:
2121:
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683:The album was released in November 1976 by
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2359:MusicHound Rock: The Essential Album Guide
1885:. Vol. 14, no. 2. Archived from
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1647:"Biography: 1976–1977 Refuge of the Roads"
1546:
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1129:– vocals, acoustic guitar, electric guitar
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339:. On her way back home, Mitchell met with
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2848:Recording Industry Association of America
2830:Australian Recording Industry Association
1072:All tracks are written by Joni Mitchell.
575:but was included on the 2002 re-release.
404:and released the album in November 1976.
2345:(7th ed.). Canongate. p. 1013.
2238:"Hejira – Joni Mitchell | AllMusic"
2037:
2035:
1640:
1638:
1151:– harmonica (on "Furry Sings the Blues")
470:and the other photographs were taken by
3252:Volume 2: The Reprise Years (1968–1971)
1438:
1420:
458:... it's leaving the dream, no blame".
3266:Volume 3: The Asylum Years (1972–1975)
2470:Bryant, Christopher (March 26, 2009).
2423:. London: Fireside. pp. 547–548.
2067:. New York, NY: Atria Books. pp.
1810:"Joni Mitchell's '70s Suicide Attempt"
1673:"The Life and Death of Jaco Pastorius"
1581:Ruhlman, William (February 17, 1995).
18:1976 studio album by Joni Mitchell
3238:Volume 1: The Early Years (1963–1967)
2257:
2255:
2136:. New York, NY: Atria Books. p.
2100:. New York, NY: Atria Books. p.
1617:. New York, NY: Atria Books. p.
1504:. Simon and Schuster. pp. 182–.
711:
7:
2598:. Rate Your Music. November 14, 1991
2569:"Joni Mitchell: Hejira Album Review"
2541:"Joni Mitchell: Hejira Album Review"
2389:"Joni Mitchell: Hejira Album Review"
1983:Ohrstrom, Lysandra (July 15, 2008).
1472:Coleman, Rodger (October 30, 2012).
1446:Rockwell, John (December 12, 1976).
1189:– double bass (on "Blue Motel Room")
1029:have named the album as a favorite.
635:, honey tell 'em you've got germs."
482:, after an ice storm. Figure skater
1985:"Mandolin 'Mecca' on Staten Island"
1876:"A conversation with Joni Mitchell"
1831:Rosenbaum, Ron (December 4, 2007),
1448:"Joni Mitchell Recaptures Her Gift"
917:
732:
597:and a visit to a fortune teller on
371:During the recording of her albums
3690:Albums recorded at A&M Studios
3422:In France They Kiss on Main Street
2447:. rollingstone.com. Archived from
1833:"The Best Joni Mitchell Song Ever"
1744:Dunn, Jancee (December 15, 1994).
1139:– horns (on "Refuge of the Roads")
1001:the third or fourth time around."
820:
14:
2421:The New Rolling Stone Album Guide
2313:The Encyclopedia of Popular Music
1957:"Jaco at 60: his legacy lives on"
1854:Joni Mitchell's Stylistic Journey
1808:Friedman, Roger (April 1, 2008).
1062:s 500 Greatest Albums of All Time
954:
782:
687:. Despite reaching No. 13 on the
622:British Columbia's Sunshine Coast
3680:Albums produced by Joni Mitchell
3641:
3640:
2567:Pelly, Jenn (December 4, 2022).
2539:Pelly, Jenn (December 4, 2022).
2445:"Joni Mitchell > Album Guide"
2387:Pelly, Jenn (December 4, 2022).
2316:(5th concise ed.). London:
2296:– via robertchristgau.com.
1671:Mitchell, Joni (December 1987).
1553:Fisher, Doug (October 8, 2006).
1234:Keith Williamson – art direction
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731:
694:pop album chart and attaining a
3337:Live at Canterbury House – 1967
2867:A Brief History of Album Covers
2728:"Official Albums Chart Top 100"
2161:Ehrlich, Dimitri (April 1991).
1054:(2000). In the 2020 edition of
509:could only have come from me."
3305:Blue 50 (Demos & Outtakes)
3245:The Reprise Albums (1968–1971)
2778:. January 15, 1977. p. 49
2744:"Joni Mitchell Chart History (
1955:Suchow, Rick (December 2011).
1943:Furry Lewis is Furious at Joni
1645:Breese, Wally (January 1998).
1231:– assistant production, mixing
1091:"Furry Sings the Blues" – 5:07
492:, Mitchell cited the cover of
1:
3685:Albums produced by Henry Lewy
3273:The Asylum Albums (1976–1980)
3259:The Asylum Albums (1972–1975)
2706:"Top RPM Albums: Issue 5177a"
1851:Manoff, Tom (April 2, 2003),
1718:LaGreca, Angela (June 2005).
910:The Rolling Stone Album Guide
775:Encyclopedia of Popular Music
3344:Live at Carnegie Hall – 1969
3038:Don Juan's Reckless Daughter
1335:
1321:
1307:
1292:
1116:"Refuge of the Roads" – 6:42
605:junction, and I came out to
180:Don Juan's Reckless Daughter
3510:The Last Time I Saw Richard
3394:You Turn Me On, I'm a Radio
3022:The Hissing of Summer Lawns
2756:. Retrieved April 7, 2021.
2734:. Retrieved April 7, 2021.
2718:. Retrieved April 7, 2021.
2716:Library and Archives Canada
1355:Hungarian Physical Albums (
661:. The song also alludes to
380:The Hissing of Summer Lawns
312:The Hissing of Summer Lawns
162:The Hissing of Summer Lawns
3706:
3609:A Tribute to Joni Mitchell
3070:Chalk Mark in a Rain Storm
2343:The Great Rock Discography
2341:Strong, Martin C. (2004).
2310:(2011). "Mitchell, Joni".
2011:Aikins, Mary (July 2005).
813:The Great Rock Discography
443:(and his companions) from
355:" that lasted three days.
3638:
3595:The Wall – Live in Berlin
3190:The Beginning of Survival
2942:
2767:"Cash Box Top 100 Albums"
2518:"Hejira by Joni Mitchell"
2495:"Hejira by Joni Mitchell"
2191:"Heart of a Prairie Girl"
2189:Aikin, Mary (July 2005).
2013:"Heart of a Prairie Girl"
1498:Mercer, Michelle (2009).
1421:
1406:
1391:
1383:
1380:
1377:
1354:
1347:
1344:
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1312:
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1064:, it was ranked No. 133.
719:
716:
228:
207:
192:
155:
28:
3158:Joni Mitchell at Newport
2623:All Time Top 1000 Albums
2472:"Hejira • Joni Mitchell"
2267:"Consumer Guide '70s: M"
1555:"The trouble she's seen"
1145:– clarinet (on "Hejira")
1113:"Blue Motel Room" – 5:04
1107:"Song for Sharon" – 8:40
1051:All Time Top 1000 Albums
763:Christgau's Record Guide
3602:River: The Joni Letters
3556:You Can Close Your Eyes
3461:The Fiddle and the Drum
3204:Songs of a Prairie Girl
2732:Official Charts Company
2516:Ariel Swartley (2011).
2493:Ariel Swartley (2011).
2128:Weller, Sheila (2008).
2092:Weller, Sheila (2008).
2059:Weller, Sheila (2008).
1609:Weller, Sheila (2008).
1474:"Joni Mitchell: Hejira"
1284:Canada Top Albums/CDs (
395:, Mitchell met bassist
2865:Draper, Jason (2008).
2236:Cleary, David (2011).
1254:Chart performance for
1094:"A Strange Boy" – 4:15
243:, released in 1976 on
220:Released: January 1977
3670:Asylum Records albums
3563:Long Ago and Far Away
3319:Court and Spark Demos
1990:The New York Observer
1945:." February 24, 1977.
1583:"From Blue to Indigo"
1004:In a 2022 review for
556:guitarist and singer
303:Rolling Thunder Revue
3675:Joni Mitchell albums
3054:Wild Things Run Fast
2990:Ladies of the Canyon
2474:. polarimagazine.com
2277:Ticknor & Fields
1780:(December 8, 1996).
1754:www.rollingstone.com
1724:www.jonimitchell.com
707:Professional ratings
615:barbiturate overdose
589:including scenes at
540:The second track on
3549:You've Got a Friend
3489:This Flight Tonight
3298:Volume 1 Highlights
2442:Portions posted at
1782:"Both Sides, Later"
1374:
1272:Australian Albums (
1258:
1110:"Black Crow" – 4:22
708:
3570:Got 'til It's Gone
3283:Auxiliary releases
3168:Compilation albums
2520:. rollingstone.com
2497:. rollingstone.com
2199:. pp. 146–148
1452:The New York Times
1373:
1262:Chart (1976–1977)
1253:
1013:Musicians such as
706:
649:self-consciousness
480:Madison, Wisconsin
3652:
3651:
3618:
3617:
3415:Free Man in Paris
3401:Raised on Robbery
3353:
3352:
3291:Early Joni – 1963
3144:Shadows and Light
2974:Song to a Seagull
2327:978-0-85712-595-8
2263:Christgau, Robert
1787:Los Angeles Times
1511:978-1-4165-6655-7
1430:
1429:
1425:
1366:
1365:
1340:
1339:
1274:Kent Music Report
982:
981:
629:Savannah, Georgia
591:Mandolin Brothers
418:Shadows and Light
232:
231:
188:
187:
3697:
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3643:
3538:
3227:
3094:Taming the Tiger
3086:Turbulent Indigo
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2626:(3rd ed.).
2614:
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2451:on July 31, 2011
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2225:. p. 146-8.
2223:jonimitchell.com
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2099:
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2047:
2046:
2045:. April 8, 2014.
2039:
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2008:
2002:
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1999:
1997:
1980:
1974:
1973:
1971:
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1927:
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1918:on April 2, 2009
1908:
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1899:
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1892:on March 4, 2016
1891:
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1748:Turbulent Indigo
1741:
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1709:
1699:
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1651:Jonimitchell.com
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1478:Spectrum Culture
1469:
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1342:
1259:
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998:Robert Christgau
978:
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709:
593:guitar store in
341:Tibetan Buddhist
221:
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107:
33:
21:
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3694:
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3654:
3653:
3648:
3634:
3614:
3575:
3529:
3475:The Circle Game
3454:Both Sides, Now
3441:
3436:My Secret Place
3373:Big Yellow Taxi
3366:Chelsea Morning
3349:
3324:
3312:Blue Highlights
3278:
3222:Archives series
3216:
3163:
3137:Miles of Aisles
3124:
3078:Night Ride Home
3014:Court and Spark
2961:
2938:
2933:
2895:
2877:
2864:
2861:
2859:Further reading
2856:
2855:
2842:
2841:
2837:
2825:
2821:
2820:
2816:
2806:
2804:
2796:
2795:
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2649:
2645:
2638:
2630:. p. 244.
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2435:
2433:
2431:
2417:"Joni Mitchell"
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2200:
2196:Reader's Digest
2188:
2187:
2183:
2173:
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2163:"Joni Mitchell"
2160:
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2148:
2127:
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2091:
2090:
2086:
2079:
2058:
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2023:
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2018:Reader's Digest
2010:
2009:
2005:
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1982:
1981:
1977:
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1954:
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1935:
1931:
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1910:
1909:
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1889:
1883:Grammy Magazine
1878:
1872:Levitin, Daniel
1870:
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1850:
1849:
1845:
1830:
1829:
1825:
1815:
1813:
1807:
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1802:
1792:
1790:
1778:Hilburn, Robert
1776:
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1456:
1454:
1445:
1444:
1440:
1435:
1407:United States (
1385:Certified units
1371:
1349:
1333:Top 100 Albums
1266:
1251:
1123:
1097:"Hejira" – 6:42
1088:"Amelia" – 6:01
1070:
1059:
1035:
974:
969:
964:
959:
937:
932:
927:
922:
886:MusicHound Rock
865:
860:
855:
850:
845:
840:
835:
830:
825:
802:
797:
792:
787:
752:
747:
742:
737:
704:
681:
640:Chögyam Trungpa
599:Bleecker Street
521:one-night stand
502:
484:Toller Cranston
464:
427:
374:Court and Spark
369:
345:Chogyam Trungpa
295:
224:
219:
212:
211:
183:
174:
165:
109:
105:
104:
96:
46:
19:
12:
11:
5:
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3626:
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3605:
3598:
3591:
3588:The Last Waltz
3583:
3581:
3577:
3576:
3574:
3573:
3566:
3559:
3552:
3544:
3542:
3535:
3534:Collaborations
3531:
3530:
3528:
3527:
3524:Two Grey Rooms
3520:
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3506:
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3154:
3147:
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3114:
3106:
3102:Both Sides Now
3098:
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2894:
2893:External links
2891:
2890:
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2857:
2854:
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2814:
2789:
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2462:
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2326:
2299:
2285:
2251:
2240:. allmusic.com
2228:
2210:
2181:
2153:
2147:978-0743491488
2146:
2117:
2111:978-0743491488
2110:
2084:
2078:978-0743491488
2077:
2048:
2031:
2003:
1975:
1947:
1929:
1903:
1863:
1843:
1823:
1800:
1766:
1736:
1710:
1691:
1663:
1634:
1628:978-0743491488
1627:
1601:
1573:
1560:Ottawa Citizen
1524:
1510:
1490:
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1437:
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1418:
1415:
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1397:
1389:
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1382:
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1370:
1369:Certifications
1367:
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1351:
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1334:
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1280:
1277:
1269:
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1263:
1250:
1247:
1246:
1245:
1238:Joel Bernstein
1235:
1232:
1226:
1203:
1202:
1196:
1190:
1187:Chuck Domanico
1184:
1177:Jaco Pastorius
1174:
1168:
1162:
1155:Victor Feldman
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1111:
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984:Reviewing for
980:
979:
950:
943:
942:
913:
905:
904:
901:
893:
892:
889:
881:
880:
877:
875:Le Guide du CD
871:
870:
816:
808:
807:
778:
770:
769:
766:
758:
757:
728:
722:
721:
718:
714:
713:
703:
700:
685:Asylum Records
680:
677:
633:German Measles
611:Jackson Browne
571:The Last Waltz
546:Amelia Earhart
534:The Last Waltz
501:
498:
472:Joel Bernstein
463:
460:
426:
423:
397:Jaco Pastorius
368:
365:
353:awakened state
337:Gulf of Mexico
294:
291:
263:, and drummer
257:Jaco Pastorius
245:Asylum Records
230:
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3625:
3623:Backing bands
3621:
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3599:
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3543:
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3532:
3525:
3521:
3518:
3514:
3511:
3507:
3504:
3503:A Case of You
3500:
3497:
3493:
3490:
3486:
3483:
3479:
3476:
3472:
3469:
3465:
3462:
3458:
3455:
3451:
3450:
3448:
3446:Notable songs
3444:
3437:
3433:
3430:
3426:
3423:
3419:
3416:
3412:
3409:
3405:
3402:
3398:
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3019:
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3008:
3007:
3006:For the Roses
3003:
3000:
2999:
2995:
2992:
2991:
2987:
2984:
2983:
2979:
2976:
2975:
2971:
2970:
2968:
2966:Studio albums
2964:
2958:
2955:
2953:
2950:
2948:
2945:
2944:
2941:
2937:
2936:Joni Mitchell
2930:
2925:
2923:
2918:
2916:
2911:
2910:
2907:
2900:
2897:
2896:
2892:
2886:
2882:
2878:
2876:9781847862112
2872:
2868:
2863:
2862:
2858:
2849:
2845:
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2836:
2831:
2824:
2818:
2815:
2807:September 18,
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2702:
2699:
2694:
2692:0-646-11917-6
2688:
2684:
2680:
2674:
2671:
2663:September 25,
2659:
2658:
2657:Rolling Stone
2653:
2647:
2644:
2639:
2637:0-7535-0493-6
2633:
2629:
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2430:0-7432-0169-8
2426:
2422:
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2408:
2396:
2395:
2390:
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2375:
2373:1-57859-061-2
2369:
2365:
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2349:
2344:
2337:
2334:
2329:
2323:
2319:
2318:Omnibus Press
2315:
2314:
2309:
2308:Larkin, Colin
2303:
2300:
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2020:
2019:
2014:
2007:
2004:
1992:
1991:
1986:
1979:
1976:
1964:
1963:
1962:Bass Musician
1958:
1951:
1948:
1944:
1940:
1939:
1938:Rolling Stone
1933:
1930:
1917:
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1381:Certification
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1368:
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1345:Chart (2024)
1343:
1332:
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1300:
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1248:
1244:– photography
1243:
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1221:
1217:
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1210:
1209:
1208:
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1200:
1197:
1194:
1191:
1188:
1185:
1182:
1181:fretless bass
1178:
1175:
1172:
1169:
1166:
1165:Larry Carlton
1163:
1161:(on "Amelia")
1160:
1156:
1153:
1150:
1147:
1144:
1141:
1138:
1134:
1133:Chuck Findley
1131:
1128:
1127:Joni Mitchell
1125:
1124:
1120:
1115:
1112:
1109:
1106:
1105:
1104:
1103:
1096:
1093:
1090:
1087:
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1080:
1079:
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1077:
1073:
1068:Track listing
1067:
1065:
1063:
1058:
1057:Rolling Stone
1053:
1052:
1047:
1042:
1040:
1039:Rolling Stone
1032:
1030:
1028:
1024:
1020:
1019:Danielle Haim
1016:
1011:
1009:
1008:
1002:
999:
995:
994:
993:Village Voice
989:
988:
987:Rolling Stone
951:
948:
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914:
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911:
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906:
902:
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779:
777:
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772:
771:
767:
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764:
760:
759:
729:
727:
724:
723:
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712:Review scores
710:
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668:
664:
660:
659:
654:
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636:
634:
630:
625:
623:
618:
616:
612:
608:
607:the Big Apple
604:
600:
596:
595:Staten Island
592:
587:
582:
579:
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563:
559:
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489:Rolling Stone
485:
481:
477:
473:
469:
461:
459:
457:
456:
450:
446:
442:
438:
434:
433:
424:
422:
420:
419:
414:
410:
409:fretless bass
405:
403:
398:
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389:
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366:
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284:
280:
278:
273:
268:
266:
262:
261:Larry Carlton
258:
254:
253:fretless bass
250:
246:
242:
241:Joni Mitchell
238:
237:
227:
216:
210:
209:
206:
203:
199:
195:
191:
182:
181:
177:
173:
172:
168:
164:
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159:
158:
154:
150:
149:Joni Mitchell
146:
141:
138:
136:Joni Mitchell
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103:
99:
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84:
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61:
57:
54:November 1976
53:
49:
45:
44:Joni Mitchell
40:
36:
32:
27:
22:
16:
3630:L.A. Express
3607:
3600:
3593:
3586:
3482:Little Green
3342:
3335:
3317:
3310:
3303:
3296:
3289:
3271:
3264:
3257:
3250:
3243:
3236:
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3029:
3028:
3020:
3012:
3004:
2996:
2988:
2980:
2972:
2866:
2838:
2817:
2805:. Retrieved
2792:
2780:. Retrieved
2773:
2761:
2752:
2745:
2739:
2723:
2709:
2701:
2682:
2673:
2661:. Retrieved
2655:
2646:
2628:Virgin Books
2621:
2618:Colin Larkin
2612:
2602:February 21,
2600:. Retrieved
2590:
2578:. Retrieved
2572:
2562:
2550:. Retrieved
2544:
2534:
2522:. Retrieved
2511:
2499:. Retrieved
2488:
2478:November 12,
2476:. Retrieved
2465:
2453:. Retrieved
2449:the original
2436:September 8,
2434:. Retrieved
2420:
2410:
2398:. Retrieved
2392:
2382:
2358:
2351:
2342:
2336:
2312:
2302:
2290:. Retrieved
2270:
2242:. Retrieved
2231:
2222:
2213:
2201:. Retrieved
2194:
2184:
2172:. Retrieved
2166:
2156:
2131:
2095:
2087:
2062:
2024:November 30,
2022:. Retrieved
2016:
2006:
1996:November 30,
1994:. Retrieved
1988:
1978:
1966:. Retrieved
1960:
1950:
1936:
1932:
1922:February 21,
1920:. Retrieved
1916:the original
1906:
1896:November 30,
1894:. Retrieved
1887:the original
1882:
1866:
1853:
1846:
1836:
1826:
1816:February 21,
1814:. Retrieved
1803:
1793:November 30,
1791:. Retrieved
1785:
1757:. Retrieved
1753:
1747:
1739:
1729:September 8,
1727:. Retrieved
1723:
1713:
1702:Daily Motion
1684:November 30,
1682:. Retrieved
1676:
1666:
1656:November 30,
1654:. Retrieved
1650:
1612:
1604:
1594:November 30,
1592:. Retrieved
1586:
1576:
1566:November 30,
1564:. Retrieved
1558:
1515:. Retrieved
1500:
1493:
1481:. Retrieved
1477:
1467:
1455:. Retrieved
1451:
1441:
1422:
1328:
1315:
1285:
1255:
1242:Norman Seeff
1205:
1204:
1101:
1100:
1075:
1074:
1071:
1056:
1049:
1046:Colin Larkin
1043:
1038:
1036:
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1003:
991:
985:
983:
946:
908:
896:
884:
874:
811:
773:
761:
689:
682:
670:
656:
637:
626:
619:
603:North Dakota
585:
584:Side two of
583:
580:
577:
569:
562:Beale Street
551:
541:
539:
532:
515:opens with "
512:
511:
506:
503:
493:
487:
476:Lake Mendota
468:Norman Seeff
465:
453:
436:
430:
428:
416:
406:
401:
392:
390:
378:
372:
370:
357:
325:
310:
296:
286:
276:
270:Lead track "
269:
259:, guitarist
235:
234:
233:
201:
178:
170:
169:
160:
39:Studio album
15:
3665:1976 albums
3517:Down to You
3329:Live albums
3129:Live albums
3062:Dog Eat Dog
2947:Discography
2679:Kent, David
2580:December 4,
2552:December 4,
2400:December 4,
2203:November 1,
1483:December 7,
1457:December 7,
1392:Australia (
1199:Bobbye Hall
1193:John Guerin
1171:Max Bennett
1027:St. Vincent
1023:Weyes Blood
667:Bill Anders
558:Furry Lewis
525:ladies' man
519:", about a
425:Album title
385:grace notes
321:Sam Shepard
317:John Guerin
265:John Guerin
73:(Hollywood)
3659:Categories
3387:California
3110:Travelogue
2901:(Archived)
2286:089919026X
1941:article: "
1812:. Fox News
1433:References
1229:Steve Katz
1216:production
1212:Henry Lewy
1206:Production
1159:vibraphone
1149:Neil Young
665:astronaut
658:Travelogue
293:Background
151:chronology
140:Henry Lewy
3468:Woodstock
3197:Dreamland
2885:227198538
2753:Billboard
2746:Billboard
2574:Pitchfork
2546:Pitchfork
2394:Pitchfork
2168:Interview
1350:position
1316:Billboard
1299:UK Albums
1267:position
1220:recording
1137:Tom Scott
1121:Personnel
1033:Accolades
1007:Pitchfork
898:Pitchfork
702:Reception
690:Billboard
672:Earthrise
462:Cover art
367:Recording
299:Bob Dylan
277:Billboard
92:folk jazz
87:Folk rock
3646:Category
3230:Box sets
2782:July 16,
2775:Cash Box
2681:(1993).
2620:(2006).
2524:July 19,
2501:July 19,
2292:March 8,
2265:(1981).
2244:July 19,
2174:April 1,
1968:July 30,
1874:(1996).
1759:July 18,
1704:video: "
1678:Musician
1588:Goldmine
1517:June 25,
1417:500,000
1330:Cash Box
1143:Abe Most
1102:Side two
1085:" – 5:01
1076:Side one
1037:In 1991
949:Magazine
726:AllMusic
663:Apollo 8
653:the Fall
644:Colorado
566:The Band
537:(1978).
529:The Band
441:Muhammad
361:truckers
349:Colorado
335:and the
130:Producer
59:Recorded
51:Released
41: by
3408:Help Me
3358:Singles
2455:June 2,
2069:410–411
1402:35,000
1387:/sales
1378:Region
996:critic
679:Release
523:with a
343:master
333:Florida
307:cocaine
255:player
202:Hejira
198:Singles
184:(1977)
175:(1976)
166:(1975)
71:A&M
3580:Albums
3429:Coyote
3183:Misses
3121:(2007)
3113:(2002)
3105:(2000)
3097:(1998)
3089:(1994)
3081:(1991)
3073:(1988)
3065:(1985)
3057:(1982)
3049:(1979)
3046:Mingus
3041:(1977)
3033:(1976)
3030:Hejira
3025:(1975)
3017:(1974)
3009:(1972)
3001:(1971)
2993:(1970)
2985:(1969)
2982:Clouds
2977:(1968)
2952:Albums
2883:
2873:
2802:MAHASZ
2689:
2634:
2427:
2370:
2324:
2283:
2144:
2108:
2075:
1625:
1508:
1357:MAHASZ
1256:Hejira
1249:Charts
1224:mixing
1083:Coyote
1025:, and
947:Polari
720:Rating
717:Source
586:Hejira
542:Hejira
517:Coyote
513:Hejira
507:Hejira
494:Hejira
449:Medina
437:Hegira
432:Hijrah
413:Coyote
402:Hejira
393:Hejira
287:Hejira
272:Coyote
236:Hejira
215:Coyote
171:Hejira
123:Asylum
101:Length
67:Studio
24:Hejira
3541:Songs
3496:River
3380:Carey
3118:Shine
2957:Songs
2826:(PDF)
2770:(PDF)
2748:200)"
1890:(PDF)
1879:(PDF)
1838:Slate
1414:Gold
1399:Gold
1060:'
1015:Björk
903:10/10
554:blues
500:Songs
478:, in
445:Mecca
329:Maine
200:from
118:Label
79:Genre
3176:Hits
2998:Blue
2881:OCLC
2871:ISBN
2809:2024
2784:2024
2687:ISBN
2665:2020
2632:ISBN
2604:2012
2582:2022
2554:2022
2526:2011
2503:2011
2480:2015
2457:2015
2438:2009
2425:ISBN
2402:2022
2368:ISBN
2322:ISBN
2294:2019
2281:ISBN
2246:2011
2205:2019
2176:2014
2142:ISBN
2106:ISBN
2073:ISBN
2026:2015
1998:2015
1970:2023
1924:2012
1898:2015
1818:2017
1795:2015
1761:2021
1731:2020
1686:2015
1658:2015
1623:ISBN
1596:2015
1568:2015
1519:2017
1506:ISBN
1485:2022
1459:2022
1409:RIAA
1394:ARIA
1348:Peak
1265:Peak
879:GOLD
696:RIAA
377:and
283:RIAA
249:jazz
62:1976
2711:RPM
2364:769
2138:415
2102:407
1859:PBS
1619:412
1362:25
1336:12
1327:US
1322:13
1318:200
1313:US
1308:11
1303:OCC
1293:22
1287:RPM
1279:38
1048:'s
891:3/5
692:200
642:in
560:in
474:at
455:Aja
447:to
435:or
347:in
301:'s
279:200
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2051:^
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1222:,
1218:,
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1135:,
1021:,
1017:,
768:B+
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
