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urging her to develop an individual idiom, establish an independent style and practice as opposed to emulating that of her peers. In 1980, Sebidi furthered her training by spending eighteen months at the
Katlehong Art Centre in the east of Johannesburg. She also spent time at the Johannesburg Art Foundation-a multi cultural centre for art education, under the tutelage of fine artist and director
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As a teenager, Sebidi became a domestic worker and estranged from her mother and step-father. Sebidi sewed and knitted and decided to pursue her art in her off-time with encouragement from the wife of her employer, who also pushed Sebidi towards formal training. Sebidi exchanged artistic techniques
195:
Sebidi was born to a working class mother, who was a domestic worker in the city of
Johannesburg. As was typical of children born to migrant labourers, Helen was raised in the country side by her grandmother who taught her mural painting and pyroengraving of calabashes. In an interview, the artist
241:
Sebidi explored a number of the limited art training options that were available to her at the time. Sebidi met John
Koenakeefe Mohl, a fellow artist and director of the White Studio. Mohl served as Sebidi's mentor and is credited for having encouraged Sebidi to pursue a career as an artist, and
167:
Her work represents a mode of
African modernist painting and sculpture, wherein she depicts her experience of having grown up and living in the South African countryside, and later her experiences as a black artist, living and working under an apartheid regime. Sebidi's portraits often depict
229:
after meeting
Jonathan Koenakeefe Mohl by chance. She studied drawing with him, progressing from plants to landscapes to local architecture. Sebidi returned her hometown when her grandmother grew ill in the mid-1970s. She made art about her lineage at the encouragement of Mohl, through her
1233:
Art/images in southern Africa: Stockholm, the
Culture House, May 19-September 24, 1989 : touring Sweden and the Nordic countries until May 1990 = Bild/konst i södra Afrika : Stockholm, Kulturhuset, 19 maj-24 september 1989 : därefter turné i Sverige och Norden t.o.m. maj
200:
The old people told us stories...about how people live and...about how to see. They "read" the clouds. We used to sit outside in the courtyard, and especially in the very bright moonlight when there were a lot of clouds they used to read the stories for us and tell us:
246:. In 1985, she took up a teaching position at the Katlehong Art Centre near Germiston. Between 1986 and 1988 she worked for the Johannesburg Art Foundation while teaching at the Alexandra Art Centre. Her work was part of the group exhibition
261:(1988) were two of her seminal works from this era, both in mixed-media charcoal and depicting "contorted, cramped figures with distorted or multiplied features and faces sometimes meeting at right angles". She received the 1989
156:
in Silver – which is the highest honor given to those considered a "national treasure". In 2011, she was awarded the Arts and
Culture Trust (ACT) Lifetime Achievement Award for Visual Art, while in 2015 she received the
192:
decoration from her grandmother. Sebidi's name, "Mmakgabo", which means "keeper of the flame", refers to her grandmother's work ethic and belief in vocational labor's role in creating community.
230:
grandmother's death in the early 1980s. Her grandmother let her work in secret and offered historical stories for Sebidi. She made connections with multiple arts organizations and artists
148:. Her work has been recognised internationally and locally. In 1989, she won the Standard Bank Young Artist award, becoming the first black woman to win the award. In 2004, President
1231:
Björk, Christina; Danielsson, Kerstin; Serenander, Bengt; Kulturhuset (Stockholm, Sweden); Riksutställningar (Sweden); Sweden; Styrelsen för internationell utveckling (1990).
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161:. In September 2018, Sebidi was honoured with one of the first solo presentations at the Norval Foundation in Cape Town – a retrospective entitled
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which was shown at the
Culture House in Stockholm from 19 May to 19 September 1989 and toured the Nordic countries until May 1990.
262:
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A common theme in Sebidi's artwork is the return of moral values, especially those associated with precolonial Africa.
176:
schools, with her vivid paintings of life in both rural and urban South Africa and similarly striking clay sculptures.
1034:
937:
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318:"Mmakgabo Helen Sebidi – An exhibition of paintings and prints", Michaelis Galleries, University of Cape Town, 2016
850:
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1012:
459:
International travelling exhibition, 'World Women, Visible
Visions from 'International Women', Johannesburg
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872:
296:
1308:
1495:
Nolte, Jacqueline (2005). "Narratives of
Migration in the Works of Noria Mabasa and Mmakgoba Sebidi".
1638:
188:, South Africa. She learned the crafts of murals, knitting and sewing, embroidery and beadwork, and
1610:
168:
abstracted African subjects in bright colours and a rich palette. She is often associated with the
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Standard Bank Young Artists Award Winners Exhibition, Zimbabwe National Gallery, Harare, Zimbabwe
153:
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414:(travelling exhibition): Germany: Hagen, Essen, Berlin and Osnabrueck; Tilburg, the Netherlands
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In the late 1980s, her works became more abstracted without losing their figurative content.
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Culture and Empowerment: Debates, Workshops, Art and Photography from the Zabalaza Festival
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617:
560:
1440:
Oliphant, Andries Walter, ed. (1993). "Muralists: Collective Work and Creative Freedom".
136:. Sebidi's work has been represented in private and public collections, including at the
1081:
Brown, Carol (1998). "The Zebra has lost its Stripes post-apartheid South African art".
738:, toured to the Johannesburg Art Centre and the National South African Gallery in Durban
196:
speaks about the relevance of seTswana storytelling as imagination and art education:
169:
124:(born 5 March 1943) is a South African artist born in Marapyane (Skilpadfontein) near
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with her employer who in turn demonstrated the application of artistic media such as
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University of Illinois, Urbana Champaign, Krannert Art Museum and Kinkead Pavilion
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Head North: Views from the South African National Gallery Permanent Collection
145:
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1512:
Peffer, John (2009). "Becoming Animal: The Tortured Body During Apartheid".
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Art in the context of the World Earth Summit on sustainable development
1497:
Between Union and Liberation: Women Artists in South Africa, 1910-1994
1278:
1265:
Court, Elsbeth (1992). "Pachipamwe II: The Avant Garde in Africa?".
1193:
Helen Mmakgoba Mmapula Sebidi: Standard Bank Young Artist Award 1989
897:
Sichel, Adrienne (1 January 1989). "The 1989 Grahamstown Festival".
658:
Zabalaza Arts Festival, Institute of Contemporary Arts, London, UK
214:
295:, Standard Bank Gallery, Albany Museum, National Arts Festival,
1341:
http://www.spiercontemporary.co.za/artists-detail/helen-sebidi
623:
Standard Bank Young Artists Award Winners Exhibition, Namibia
321:"They Are Greeting", Everard Read Gallery, Johannesburg, 2016
184:
Mmakgabo Mmapula Helen Sebidi was born in Marapyane, outside
581:, Savannah Gallery of Modern Art, Bethnal Green, London, UK
456:
International world summit exhibition: Tilburg, Netherlands
430:
The Artificial Shelter Foundation, Tilburg, the Netherlands
248:"Bild/konst i södra Afrika (Art/Images in Southern Africa)"
1170:. Minneapolis: University of Minnesota Press. p. 67.
680:
1989 Standard Bank National Festival of the Arts, Makhanda
1563:
Williamson, Sue (2009). "Mmakgoba Mapula Helen Sebidi".
873:"Full list of Standard Bank Young Artist Award winners"
1546:
Walters, Gabrielle (1990). "The Art of Helen Sebidi".
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207:
you're going to have to see other life that's coming.
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Staff writer, Arts and Culture Trust (11 May 2011).
395:
Joburg Art Fair 2008 with Everard Read, Johannesburg
1236:. Stockholm: Kulturhuset : Riksutställningar.
89:
76:
68:
60:
30:
23:
1423:Arnold, Marion I (1996). "Proclaiming Womanhood".
1011:Staff writer, Mbokodo Awards (14 September 2015).
986:"Helen Sebidi wins ACT Lifetime Achievement Award"
203:look at that, look at the soldiers, look at this!
1529:"Special Focus: Helen Mmakgoba Mmapula SebidĂ".
337:Centenary Exhibition, Everard Read, Johannesburg
1210:. New York: David Krut Publishing. p. 35.
610:, The Afrika Futuristic Gallery, Johannesburg
8:
1401:Leeb-du Toit, Juliette (February 23, 2009).
1485:"The National Orders Awards, October 2004"
1461:. Johannesburg, South Africa: David Krut.
730:Standard Bank National Drawing Competition
142:Smithsonian National Museum of African Art
20:
1403:"Mmakgabo Mmapula Mmankgato Helen Sebidi"
1195:. Johannesburg: Standard Bank. p. 7.
122:Mmakgabo Mmapula Mmangankato Helen Sebidi
35:Mmakgabo Mmapula Mmangankato Helen Sebidi
1654:21st-century South African women artists
1649:20th-century South African women artists
1388:"Ancestors and Women Steer Sebidi's Art"
1208:Mmakgabo Mmapula Mmankagato Helen Sebidi
1120:. Johannesburg: David Krut. p. 60.
683:Cape Town Triennial, toured South Africa
1589:
1459:Mmakgabo Mmapula Mmankgato Helen Sebidi
1118:Mmakgabo Mmapula Mmankgato Helen Sebidi
851:"Helen Sebidi: #5WomenArtists Campaign"
841:
742:Delfiri/ FUBA Creative Quest Exhibition
96:Standard Bank Young Artist Award (1989)
1386:Sosibo, Kwaneie (September 23, 2016).
1364:
1353:
1153:
1035:"South African women in arts honoured"
1059:Malatjie, Portia (1 September 2018).
106:ACT Lifetime Achievement Award (2011)
7:
1083:India International Centre Quarterly
710:Detainees Parents' Support Committee
602:Iziko South African National Gallery
451:Iziko South African National Gallery
315:Fundação Bienal de São Paulo, Brazil
138:National Museum of Women in the Arts
960:"Mmakgabo Helen Sebidi | Biography"
642:Common Wealth Institute, London, UK
377:Great South African Nude Exhibition
849:de Kock, Yolanda (27 March 2019).
713:South African Potter's Association
519:, The Firs, Rosebank, Johannesburg
14:
664:, Museum of Modern Art, Oxford UK
523:Human Rights Institute Exhibition
1616:
1604:
1592:
263:Standard Bank Young Artist Award
51:Marapyane (Skilpadfontein) near
16:South African artist (born 1943)
1490:. October 2004. pp. 21–22.
1457:Leeb-du Toit, Juliette (2009).
1206:Leeb-du Toit, Juliette (2009).
1116:Leeb-du Toit, Juliette (2009).
964:www.everard-read-capetown.co.za
934:"Mapula Helen Sebidi (1943 - )"
140:, Washington and New York, the
542:Six women from Southern Africa
217:, tie-dye, and oil paintings.
1:
1425:Women and Art in South Africa
911:10.1080/10137548.1989.9687982
899:South African Theatre Journal
700:Art Images in Southern Africa
614:The Challenge to Colonisation
544:, Civic Gallery, Johannesburg
1659:South African women painters
1514:Art and the End of Apartheid
1168:Art and the End of Apartheid
1033:Mafika (15 September 2015).
379:, Everard Read, Johannesburg
289:Norval Foundation, Cape Town
767:Thupelo Workshop Exhibition
736:Thupelo Workshop Exhibition
517:Changing Screens Exhibition
1680:
1396:. Johannesburg. p. 5.
575:, Uranienborgveien, Norway
525:, National Gallery, Durban
1013:"Women in Indigenous Art"
871:Festival, National Arts.
775:, Sotheby's, Johannesburg
732:which toured South Africa
132:, who lives and works in
932:n.n. (19 October 2004).
829:, Parkview, Johannesburg
481:, Venice Biennale, Italy
205:And they would tell us:
1337:Spier Contemporary 2010
706:The Neglected Tradition
600:Art from South Africa,
479:The Markers' exhibition
354:Spier Contemporary 2010
225:Sebidi took classes at
877:National Arts Festival
497:Axis Gallery, New York
210:
1565:South African Art Now
1166:Peffer, John (2009).
827:Artists Under the Sun
810:Brush and Chisel Club
662:Art From South Africa
198:
569:, Jyväskylä, Finland
144:, New York, and the
1664:People from Limpopo
1191:Arnold, M. (1989).
1061:"Batlhaping Ba Re!"
702:, Stockholm, Sweden
567:Graphics Exhibition
1039:Brand South Africa
778:FUBA, Johannesburg
287:Batlhaping Ba Re!,
154:Order of Ikhamanga
101:Order of Ikhamanga
1468:978-0-9814188-7-2
1393:Mail and Guardian
1363:Missing or empty
1217:978-0-9814188-7-2
1177:978-0-8166-5001-9
1127:978-0-9814188-7-2
773:Art For Alexandra
640:A Grain of Wheat,
579:Women From Africa
573:African Hei-ti-@e
293:They Are Greeting
163:Batlhaping Ba Re.
119:
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69:Years active
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1339:. Africa Centre
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992:on 19 April 2019
988:. Archived from
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936:. Archived from
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794:Washington, D.C.
152:awarded her the
103:in Silver (2004)
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1417:Further reading
1411:. Johannesburg.
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618:Havana Biennial
608:Future Realisms
561:Venice Biennale
412:Visible Visions
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259:Tears of Africa
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83:Tears of Africa
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1550:(190): 40–43.
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1316:arttimes.co.za
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940:on 10 May 2019
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1309:"Art times"
1154:Sosibo 2016
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1408:David Krut
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1463:ISBN
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1369:help
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1283:ISSN
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