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1042:. The sound score was awarded Winner at the Aether Festival, KUNM-FM, Albuquerque, New Mexico (2003); and Honourable Recognition, Prix Bohemia Radio Festival, Czechoslovakia (2003). Thorington taught numerous courses and workshops, including at Emerson College, Boston, Massachusetts; School of Visual Arts, New York University, New York; School of the Museum of Fine Arts, Boston; and Arts Technology Center, University of New Mexico, Albuquerque, New Mexico.
1329:"An effort in cooperative theatre, Towanda Performing Arts is made up of Towanda Little Theatre, the Towanda' Musical Society, and the Towanda branch of the Association of University Women. "The Frog Hollow Ghost" is being sponsored by the Mansfield branch of the American Association of University Women." The Evening Times from Sayre, Pennsylvania, November 6, 1973, Page 9
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Thorington described her approach to sound this way: "My focus ... has been on radiophonic space. One of the things that distinguishes the electronic media is the ability to separate sound from its source, to remove environmental sound from its location, vocal sound from a person; to be able to cut,
1175:
Thorington. Helen, "Loose Ends/Connections: Interactivity in
Networked Space." Style: Style in the Media Age, Volume 33, Number 2, Summer 1999. "Discusses the loose ends and connections of a narrative in a networked space. Details on the book 'North Country' adapted on CD-ROM, the Web and radio;
403:
which was dedicated to presenting experimental works made for radio broadcast to a wider audience. Her documentaries, dramas, and sound compositions have been aired on radio, internationally, for the past thirty-five years. The New
American Radio archive is now in the permanent collection of the
1609:
Montague. Sarah, "Inebriate of Air: A Short
History of Contemporary American Radio Drama." June 8, 1999: "But many more experimental works have found themselves shut out by a system more and more concerned with Arbitron ratings and audience accessibility. In response, a number of independently
361:
manipulate, and alter it in the creation of another kind of work. I liken this to the science of gene manipulation. We've reduced — or, I as a practicing radio artist, reduce — sound to sound data. I am not concerned that it's music, that it's an environment, that it's voice."
197:(1950). After graduating with a BA in Biblical History, and attending Union Theological Seminary, New York (1951), Thorington discovered her passion for English literature. She studied English Literature at the University of Minnesota (1956–1958); continued with
827:, Inc. and, with Associate Director Regine Beyer, began soliciting funds from government and private foundations. They secured enough to produce a series of 6 half-hour programs in 1986; 13 works in 1987; and, in 1987, $ 156,000 from the
376:(US) purchased it, and it was among the first radio art works broadcast nationally (1977). Thorington was also commissioned by RAI (Italian radio), RNE (Spanish Radio) and ORF (Austrian radio). Her collaborators included
1226:
Thorington. Helen, Il est si difficile de trouver le commencement, Rip on/off, Edité et traduit de l’anglais (américain) par Lionel Bize, Laura
Daengeli, Christian Indermuhle, Christine Ritter et Thibault Walter, 2017
184:
Helen
Thorington (nickname "Teedy") was born in Philadelphia and grew up in Wynnewood, Pennsylvania. She was the daughter of Richard Wainwright Thorington and Katherine Louise (Moffat) Thorington, and sister of
1358:"National Endowment for the Arts and the Corporation for Public Broadcasting: Four "Airlie Seminars" are held in which leaders, creators and advocates discuss and define the values of public radio." 1977-1983
1100:
Thorington. Katherine K., Thorington. Ellen M., Thorington. Caroline M., "Obituary: Richard
Wainwright Thorington, Jr. (1937–2017)," Journal of Mammalogy, 99(3):741–749, 2018; DOI:10.1093/jmammal/gyy045
1318:
898:. Turbulence commissioned and exhibited more than 369 net art and mixed reality works before it became an archive in 2016. Turbulence.org is permanently archived at MEIAC, the
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Images of the story; Comparison of the CD-ROM translation with the
Internet adaptation; Reasons for the tendency to compare and disparage Web works; Approach of 'Solitaire.'"
937:
Helen
Thorington presenting at "Programmable Media II: Networked Music," a Symposium at Pace Digital Gallery that was also streamed live in Second Life. Photo by Jo-Anne Green
345:− bats, oil pumps, trains, parrots, frogs − which she mixed with her synthetic sounds, her own and others' voices, and solo improvisations by musicians such as violinist
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World
Premiere, Kennedy Center for the Performing Arts, Washington, DC, September 30, October 1, 1980. The program also included Thorington, Jones and Zane performing
956:, a cinematic journey across a harbor that included real-time webcam footage, text, 3D graphics, and soundscape. With collaborators Jesse Gilbert and Marek Walczak,
113:(1981), a nonprofit organization based in New York City; the founder and executive producer of New American Radio (1987–1998); and the founder and co-director of
986:, Thorington, with Jesse Gilbert, produced and performed in multiple networked, musical performances on the web beginning in 1998. Their collaborators included
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in the mid-1990s, co-producing several multimedia, hypertext narratives and networked performances that culminated in an installation of the seminal work,
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Helen
Thorington, Chief Justice of the Superior Court, Wellesley College, "The Wellesley Legenda 1950" (1950). The Wellesley Legenda. Book 47, p. 26, 120
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329:, Towanda, Pennsylvania. Having no musical experience, she learned how to use an EML 101 Synthesizer and began creating her own compositions, including
1521:
Full text of "Performance on 42nd presents Many: a three-day festival in celebration of the first ten years of Performance on 42nd: June 11–12, 1997."
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611:(ADA), which they formed with Lois Welk in the late 1970s. After the ADA moved to Binghamton, New York, Thorington created the sound score for Welk's
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1006:(2007–2016), two research blogs that chronicled network-enabled practice. Thorington has lectured internationally, including at the conference
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209:, England (1959–1961); and completed coursework for a PhD in English literature at Rutgers University (1965–1967). She compiled the index for
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a hypertext, nonlinear narrative that can be experienced with or without audio accompaniment; and the multi-location, networked performance,
109:(November 16, 1928 – April 13, 2023) was an American radio artist, composer, performer, net artist and writer. She was also the founder of
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619:, which was performed on Henry and Waters Streets' parking ramp, Binghamton. Her early scores for Jones and Zane included the trilogy
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Thorington wrote and published experimental fiction and art criticism. She published short stories and other fiction in the 1970s.
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615:, which was performed in concert at the Robeson Center (Binghamton) and The Warren Street Performance Loft (New York City); and
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Jeanette Vuocolo was the Founder and Director of Whitney Museum of American Art at Philip Morris (Performance at 42nd Street)
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Laskin. David, "Sound Advice to Save the Planet: Discussion with David Dunn, Bruce Odland, and Helen Thorington, EAR Magazine
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948:(with Marianne R. Petit and John Neilson), an interactive narrative experiment that invited users to co-author the piece;
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Thorington. Helen, "The Networked_Performance Blog." Routledge, Vol. 25, No. 1/2, February/April 2006, pp. 193 – 197
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Thorington. Helen, "Net_Condition and Telemantic Manifesto." ZKM Center for Art and Media, Karlsruh, Germany, 1999
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55:
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which aired on Public Radio in 1979, was published in Chelsea 36 (1977) and Chelsea 38 (1979). Written in 1977,
1407:
Dunning. Jennifer, "Dance: Bill T. Jones and Arnie Zane's 'Valley Cottage'." The New York Times, April 05, 1981
1670:
Mirapaul. Matthew, "Digital Artists Draw Support From a New Foundation." The New York Times, January 01, 2000.
1282:
Wardrip-Fruin. Noah Harrigan. Pat, "First Person: New Media as Story, Performance, and Game." MIT Press, 2004
835:(1987–1998), which went on to commission more than 300 works by national and international artists, including
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1503:, Dance Theatre Workshop, April 7, 1981. Performers included Dawn Varava, Steve Korell, and Lynn O'Neill.
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Thorington. Helen, "Breaking Out: The Trip Back." Routledge, Vol. 24, No. 6, December 2005, pp. 445 – 458
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1479:
Smith. Amanda, "High Marks: Victoria Marks at the Ethnic Folk Arts Center." Village Voice, November 1981
1177:
655:, a "group work" at the Battery Park Landfill, New York City. She also collaborated with choreographers
373:
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invited Thorington to the Airlie Seminar on the Art of Radio in Quantico, Virginia, where she premiered
121:
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1470:
Dunning. Jennifer, "Dance: Art on the Beach Offer Bill T. Jones." The New York Times, September 2, 1980
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Information about the project at a patrimoniocultural.gov.pt, a website of the Government of Portugal
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New York State Council on the Arts (NYSCA), Individual Artists Award, Media (with Jerri Allyn) (1990)
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Kisselgoff. Anna, "A Multilevel Partnership Is Celebrated", The New York Times, September 12, 2003
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distributed projects, such as Helen Thorington's and Regine Beyer's New American Radio, evolved."
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New York Foundation on the Arts Creative Fellowship Award: Emerging Forms for Digital Art (2001)
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New York State Council on the Arts (NYSCA), Individual Artists Award, Music Commission (1992)
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Thorington died of complications of Alzheimer's disease on April 13, 2023, at the age of 94.
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1875:"Programmable Media and Open Platforms for Creativity and Collaboration" with Michelle Riel
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Paul. Christiane, "Digital Art: Third Edition." Thames & Hudson World of Art, 2015, p.83
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Thorington performed her compositions live at numerous venues in New York City, including
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2020:
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964:, Linz, Austria (1997); the tenth anniversary celebration of Kunstradio, Vienna; and the
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Jowitt. Deborah, "Rendezvous With Nimble Ghosts." The Village Voice, September 16, 2003
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Baumgartner. Henry, "Bill T. Jones Picks Up the Keys." The New York Theater Wire, 2003
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at Extremadura and Iberoamericano Museum of Contemporary Art (MEIAC) Badajoz, Spain.
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First Prize, MACROPHON, the First International Festival of Radio Art, Poland (1991)
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Morrisroe. Julia, "wag, wag, wag." in "Subverting the Market: Artwork on the Web."
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1995:
1804:. The improvisations were brought together with pre-taped work by Thorington and
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artnetweb, "PORT: Navigating Digital Culture" MIT List Visual Arts Center." 1997
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Media in Transition 5: Creativity, Ownership and Collaboration in the Digital Age
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From the promotional flyer for Experimental Intermedia Foundation, May 19, 1983
703:"a new piece for violin and oil pump; and another for cello and rubbed glass."
30:
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played live in our lab to a small audience in concert with audio streams from
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Rockwell. John, "Music: Helen Thorington." The New York Times, April 29, 1984
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Program Brochure, American Dance Asylum in Concert, October 26 & 27, 1978
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Thorington became a participant in the experimental dance scene when she met
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Adrift (with Jesse Gilbert, Marek Walczak, Martin Wattenberg, and Hal Eager)
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The September 11 Digital Archive: Saving the Histories of September 11, 2001
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for a 52-part series. The commissioned works were collectively broadcast as
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Electronic Arts Grants Program of the Experimental Television Center (1992)
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Radio artist, sound artist, net artist, writer, founder, producer, director
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Adrift was part of the Cin-O-Matic exhibition, curated by Michelle Thursz
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New York State Council on the Arts, Individual Artists Award, Media (1995)
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Honourable Recognition, PRIX BOHEMIA RADIO FESTIVAL, Czechoslovakia (2003)
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at the Morton Street Studio in the West Village where they were mixed by
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in 2015; published in Contemporary Music Review; and was commissioned by
1990:
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Thorington found her way to sound through her writing. After publishing
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Bill T. Jones & Musicians, The Kitchen, NY, March 8 & 10, 1979)
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Rip on/off (Switzerland) published a collection of Thorington's texts,
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1213:
Sixth Assembling/A Collection of Otherwise Unpublishable Manuscripts.
1141:"Helen Thorington, Who Brought Sonic Art to the Airwaves, Dies at 94"
1061:"Helen Thorington, Who Brought Sonic Art to the Airwaves, Dies at 94"
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Current Arts, The Press, Binghamton, N.Y. Fri., Sept. 22, 1978, p.15
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Artist in Residence, Harvestworks, Studio Pass, New York City (1996)
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Sixth Assembling/A Collection of Otherwise Unpublishable Manuscripts
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New York State Council on the Arts (NYSCA), Music Commission (1998)
136:. In 1978, she began composing music for dance, collaborating with
1772:"FEEDBACK was an Internet Performance Event in collaboration with
1319:
Helen. Thorington, Martin. Mimi, "Adventures at Frog Hollow." 1973
120:
Thorington began composing in 1974; her first works were aired on
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944:: Thorington created several works for the Internet, among them
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Winner, AETHER FESTIVAL, KUNM-FM, Albuquerque, New Mexico (2003)
691:– using tape recorder, and acoustic and electronic instruments.
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before being streamed to the Internet as a real audio stream."
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Bosma. Josephine, "Interview with Helen Thorington." April 1998
1980:
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National Endowment for the Arts (NEA), Media Arts Award (1990)
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National Endowment for the Arts (NEA), Media Arts Award (1991)
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National Endowment for the Arts (NEA), Media Arts Award (1993)
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Unsitely Aesthetics - Uncertain Practices In Contemporary Art.
211:
Growth and Culture: A Photographic Study of Balinese Childhood
301:. Her essays have been published in several books, including
256:
The Longest Story: A Work in Progress for Adding Machine Tape
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679:. In 1981, an evening was dedicated to three of her works –
968:, New York City in 2002, as well as multiple times online.
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Good Morning, Good Evening, Where Are You? Conversation #1
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Building a Universe, Part 2: Rifts, Absences and Omissions
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in 1973, she was invited to produce a musical version for
2015:
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2010:
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The Hunt Is On: Reflections on the Human Genome Project
303:
First Person: New Media as Story, Performance, and Game
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In 1997, Thorington co-curated the performance series
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Program Flyer, American Dance Asylum, June 5–7, 1981
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Meet the Composer Commissioning Program Award (1995)
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Meet the Composer Commissioning Program Award (1997)
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Creative Tracks: Native American Artists in the '90s
1996:
Solitaire (with Marianne R. Petit and John Neilson)
894:commissioning program and website with co-director
879:. Thorington also served as executive producer for
659:, Susan Salanger, Peter Anastos, and Julie Wright.
90:
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399:from 1987 to 1989. She also curated the CD series
1010:, Massachusetts Institute for Technology (2007);
1943:. Thorington also wrote the text for this piece
742:, which was shown at the 1989 Whitney Biennial.
1211:Korn. Henry. Kostelanetz. Richard, Metz. Mike,
395:conferences and served as the Radio Editor for
283:Il est si difficile de trouver le commencement,
1865:"Spaces”/The Online Performance Project," 1999
1854:With Jo-Anne Green. Guest blogger, Peter Traub
1038:online audio/visual essay, "September 11" and
643:(NY). Thorington created the score for Jones'
148:. She has performed nationally, including at
8:
1780:. "Former Harvestworks Artists-In-Residence
923:Turbulence: Presentación del archivo digital
1827:and Michelle Riel. Guest bloggers included
1295:"Miranda. Maria, Errant Bodies Press, 2012"
388:, Agnieszka Waligorska and Sarah Montague.
364:In 1979, independent public radio producer
349:("Piece for Oil Pump and Violin"); cellist
266:and Mike Metz. In February 2021 her essay “
2001:North Country, Part 1 (with Eric Schefter)
1030:In 2001, Thorington created the sound for
631:. Two of these works were revived for the
199:Special Studies in the English Comic Novel
29:
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333:(1974) which influenced such artists as
1499:Program Brochure and Press Release for
1051:
254:by Oil Books, Sugar Run, Pennsylvania.
1925:: CS1 maint: archived copy as title (
1918:
693:Helen Thorington: An Evening of Music,
633:Bill T. Jones/Arnie Zane Dance Company
545:Hard City Rock: New York City in Sound
353:("Dracula's Wives"); and accordionist
16:American artist and writer (1928–2023)
1955:Magnum in Motion, Magnum Photos, 2002
1678:
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917:was exhibited at The New Art Fest in
907:Rose Goldsen Archive of New Media Art
793:Paul Robeson Fund, Radio Grant (1994)
790:Paul Robeson Fund, Radio Grant (1995)
738:and the Whitney Biennial (1987), and
726:Thorington composed sound scores for
635:'s 20th anniversary performances at
285:in 2017. Thorington co-authored with
7:
1014:, Zurich (2007); and the conference
900:Electronic Literature Organization's
708:Performing Bodies and Smart Machines
425:Liberty and Ellis-Fresh Perspectives
2076:21st-century American women writers
2071:20th-century American women writers
829:Corporation for Public Broadcasting
289:the limited edition artist's book,
883:which was distributed worldwide.
673:Experimental Intermedia Foundation
581:The Dream Sequence, Part 1 & 2
391:Thorington spoke at international
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1272:Thorington. Helen, "On Solitaire"
1215:Assembling Press, Brooklyn, 1975
823:In July 1981, Thorington founded
341:. Later, she began doing her own
217:, and worked as a copy editor at
1040:The September 11 Digital Archive
984:PORT: Navigating Digital Culture
268:The Making of American Radio Art
2091:21st-century American composers
2021:Helen Thorington on Discography
1559:"Barbara Hammer at KOW, Berlin"
1258:Radio, Art, Life: New Contexts.
1139:Williams, Alex (June 9, 2023).
751:Deep Wireless Commission (2004)
248:The Author's Story (November 15
2026:Helen Thorington on Kunstradio
1648:"Wave Farm | Helen Thorington"
1587:"Wave Farm | Helen Thorington"
1122:"In honor of Helen Thorington"
966:New Museum of Contemporary Art
913:, Ithaca, New York. In 2018,
886:In 1996, Thorington cofounded
712:Whitney Museum of American Art
299:Radio, Art, Life: New Contexts
193:, Bryn Mawr, Pennsylvania and
1:
1774:New Radio and Performing Arts
1260:Tate Modern, London, UK 2008.
1059:Williams, Alex (2023-06-09).
950:North Country, Parts 1 and 2,
825:New Radio and Performing Arts
699:at the EIF in 1983, included
111:New Radio and Performing Arts
1623:"New American Radio Catalog"
1573:"Barbara Hammer Filmography"
164:. Thorington began creating
1778:Pauline Oliveros Foundation
1022:, Ithaca, New York (2011).
992:Pauline Oliveros Foundation
569:Building a Universe, Part 1
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2031:Helen Thorington on Radius
262:, compiled by Henry Korn,
56:Philadelphia, Pennsylvania
2081:Writers from Philadelphia
1684:"The Turbulence Showcase"
1126:Electronic Literature Lab
982:: After participating in
734:, which premiered at the
323:Adventures at Frog Hollow
297:, London (2008) to write
187:Richard W. Thorington Jr.
28:
2096:American women composers
1888:"Digital Art Weeks 2007"
998:. Thorington co-founded
503:Terra dell'Immaginazione
467:In the Devil's Footsteps
258:(1975) was published in
180:Early life and education
2036:Pacifica Radio Archives
772:Grant for Adrift (1999)
766:Grant for Adrift (2000)
685:A Short History of Hats
327:Towanda Performing Arts
107:Helen Louise Thorington
42:Helen Louise Thorington
2101:American sound artists
2086:American radio writers
1034:which was included in
1004:Networked_Music_Review
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746:Awards and Commissions
718:and Jeanette Vuocolo.
714:at Philip Morris with
669:Dance Theatre Workshop
617:The Parking Ramp Dance
189:She was a graduate of
158:Dance Theatre Workshop
75:Lincoln, Massachusetts
2006:North Country, Part 2
1939:A collaboration with
1000:Networked_Performance
980:Networked Performance
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609:American Dance Asylum
374:National Public Radio
134:All Things Considered
122:National Public Radio
1986:The Internet Archive
1745:creative-capital.org
853:Guillermo Gomez-Pena
736:Berlin Film Festival
575:The American Buffalo
437:Parker's MUD Journal
203:John Bayley (writer)
124:on such programs as
1256:Thorington. Helen,
972:was supported by a
881:New American Radio,
497:Partial Perceptions
431:Fleeting Encounters
406:Library of Congress
357:("North Country").
270:” was published in
264:Richard Kostelanetz
250:) was published in
219:G. P. Putnam's Sons
2011:New American Radio
1741:"Creative Capital"
1346:2015-11-05 at the
1189:"Helen Thorington"
1145:The New York Times
1065:The New York Times
1020:Cornell University
1012:Digital Arts Weeks
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911:Cornell University
833:New American Radio
191:The Baldwin School
130:Voices in the Wind
1833:Michelle Kasprzak
1798:Brenda Hutchinson
1545:"Kow-berlin.info"
1460:Blauveld Mountain
1128:. April 16, 2023.
1016:Sounding Cultures
960:was presented at
877:Gregory Whitehead
845:Roberto Paci Dalò
625:Blauvelt Mountain
509:Aphids and Others
485:Recipe for a Lark
207:Oxford University
195:Wellesley College
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1002:(2004–2016) and
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869:Suzan-Lori Parks
865:Pauline Oliveros
843:, Regine Beyer,
770:Creative Capital
764:Creative Capital
663:Live performance
521:Congruent Appeal
380:, Regine Beyer,
378:Suzan-Lori Parks
343:Field recordings
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1902:"Archived copy"
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962:Ars Electronica
931:
903:The NEXT Museum
821:
748:
724:
665:
621:Monkey Run Road
597:
592:
587:Trying to Think
551:Natural Classic
539:Fiddling Around
473:Dracula's Wives
419:Calling to Mind
414:
366:Larry Josephson
335:Laurie Anderson
331:Trying to Think
319:
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2023:
2018:
2016:Turbulence.org
2013:
2008:
2003:
1998:
1993:
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1983:
1976:
1975:External links
1973:
1970:
1969:
1958:
1947:
1932:
1893:
1879:
1868:
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1846:
1829:Régine Debatty
1816:
1782:Shelley Hirsch
1765:
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1751:on 2010-06-20.
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915:Turbulence.org
888:Turbulence.org
857:Shelley Hirsch
849:Diamanda Galás
820:
819:Not-for-profit
817:
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629:Valley Cottage
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412:Selected works
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370:Dream Sequence
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174:The New Museum
154:Jacob's Pillow
150:Kennedy Center
115:Turbulence.org
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71:(aged 94)
67:April 13, 2023
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681:A Quiet Place
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138:Bill T. Jones
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117:(1996–2016).
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83:Occupation(s)
81:
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32:
27:
20:
2066:Internet art
1961:
1950:
1935:
1910:. Retrieved
1906:the original
1896:
1882:
1871:
1860:
1849:
1819:
1802:Maggie Payne
1792:, played by
1786:Jim Pugliese
1777:
1773:
1768:
1757:
1749:the original
1744:
1735:
1724:
1713:
1702:
1691:. Retrieved
1687:
1666:
1655:. Retrieved
1652:wavefarm.org
1651:
1642:
1631:. Retrieved
1627:the original
1617:
1605:
1594:. Retrieved
1591:wavefarm.org
1590:
1581:
1567:
1553:
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1303:. Retrieved
1299:the original
1289:
1278:
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1234:
1222:
1212:
1207:
1196:. Retrieved
1192:
1183:
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1148:. Retrieved
1144:
1134:
1125:
1116:
1105:
1096:
1087:
1076:. Retrieved
1064:
1054:
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1029:
1015:
1011:
1007:
1003:
999:
991:
988:Harvestworks
983:
979:
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969:
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945:
941:
940:
922:
892:Internet Art
885:
880:
832:
822:
739:
731:
725:
707:
705:
697:Phil Niblock
692:
688:
684:
680:
666:
652:
651:(1980); and
648:
644:
628:
624:
620:
616:
612:
608:
607:through the
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397:EAR Magazine
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183:
169:
166:Internet art
133:
129:
125:
119:
106:
105:
69:(2023-04-13)
2061:2023 deaths
2056:1928 births
2041:Other Minds
861:Negativland
841:Jacki Apple
837:Terry Allen
732:Optic Nerve
695:curated by
675:(EIF), and
653:Open Places
641:The Kitchen
563:Parrot Talk
515:In the Dark
479:Loco-motive
449:Story Space
339:Jacki Apple
295:Tate Modern
287:Jacki Apple
162:The Kitchen
2050:Categories
1912:2016-05-10
1837:Luís Silva
1693:2024-02-29
1657:2024-02-29
1633:2016-05-09
1596:2024-02-29
1305:2016-05-08
1198:2024-02-29
1078:2024-02-29
1046:References
905:, and the
740:Endangered
605:Arnie Zane
527:One to Win
252:Lost Areas
244:The Story,
201:taught by
142:Arnie Zane
96:sympoietic
48:1928-11-16
1073:0362-4331
946:Solitaire
716:Toni Dove
701:Oil Pumps
639:(MA) and
499:(1991—92)
393:Radio art
312:Sound Art
291:The Tower
276:MIT Press
176:in 2001.
146:Lois Welk
1921:cite web
1776:and the
1688:The NEXT
1344:Archived
1150:June 10,
873:Jon Rose
677:Roulette
649:Sisyphus
647:(1979);
386:Pamela Z
976:grant.
942:Net Art
710:at the
238:Writing
126:Options
91:Website
1839:, and
1071:
994:, and
990:, the
970:Adrift
958:Adrift
954:Adrift
919:Lisbon
687:, and
627:, and
613:Matrix
589:(1974)
583:(1977)
577:(1980)
571:(1985)
565:(1986)
559:(1987)
553:(1987)
547:(1987)
541:(1987)
535:(1989)
529:(1989)
523:(1989)
517:(1990)
511:(1990)
505:(1990)
493:(1992)
487:(1992)
481:(1992)
475:(1992)
469:(1993)
463:(1993)
457:(1994)
451:(1995)
445:(1996)
439:(1997)
433:(1999)
427:(2000)
421:(2005)
401:Radius
233:Career
170:Adrift
160:, and
144:, and
132:, and
77:, U.S.
58:, U.S.
1823:With
1026:Other
890:, an
722:Video
595:Dance
317:Radio
225:Death
172:, at
1927:link
1800:and
1784:and
1152:2023
1069:ISSN
921:and
875:and
645:Echo
603:and
337:and
305:and
98:.net
64:Died
38:Born
730:'s
274:by
213:by
2052::
1923:}}
1919:{{
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1929:)
1915:.
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1696:.
1660:.
1636:.
1599:.
1575:.
1561:.
1547:.
1308:.
1201:.
1154:.
1081:.
50:)
46:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
