1351:. The late changes caused inadequate preparation time for the dancers, and the piece was not well received. The following year disagreements between Helpmann and the board of the Australian Ballet came to a head. He was outspoken about the inadequacy of the company's budget, and refused to cut costs, on the grounds that doing do would be artistically and technically damaging. He made it publicly clear that he felt the board had become "dominated by money-men who had no experience or understanding of artistic matters". The board decided that he must go, and tried to ease him out quietly. He did not cooperate, and made it known that he had been dismissed: "I want the public and the dancers to know that I didn't decide to leave them. I would have stayed with them until I dropped dead."
434:
430:(later named the Sadler's Wells Ballet). Helpmann left Australia in 1932, and did not return until 1955. De Valois accepted him into her company. He impressed her – she later wrote "Everything about him proclaims the artist born" – although she noted not only his strengths but also his weaknesses: "talented, enthusiastic, extremely intelligent, great facility, witty, cute as a monkey, quick as a squirrel, a sense of theatre and his own possible achievements therein" but "academically technically weak, lacking in concentration, too fond of a good time and too busy having it". In the mid-1930s, probably at Rawlings's suggestion, he added a second "n" to his surname, to give it a more foreign and exotic air.
803:
314:
1240:; on the set of the latter film, he was the opposite of his character, as he loved children and was very kind and caring toward the child actors, often protecting them from the director's temper and profanity. The role remains his most well-known and acclaimed performance. One critic observed, "He will eternally frighten children as the demented child catcher"; others called Helpmann's performance "the most sinister presence I have ever seen on film", and "a devastating turn" that would give children nightmares.
1310:, dancing the romantic lead, Basilio, with Helpmann in the title role of the deluded knight. This was the first time the two dancers had worked together; they took to each other with enthusiasm and continued their fruitful professional relationship. Nureyev continued to play Helpmann's old role of Hamlet in revivals of the 1942 ballet, and the two starred in a film of
1700:(ADB) describes Helpmann as "the complete man of the theatre", but adds that in some people's view he worked in too many fields to achieve supremacy in any one of them. Malcolm Williamson observed, "he never became a Gielgud, Olivier or Redgrave, or an Ashton, Balanchine or Petit because he was the most pluralistic of the lot"; the ADB quotes the dancer
1678:
To work with Robert
Helpmann was always an inspiration. There was at work an alert intelligence with an acute sense of perception. ... Bobby had a sense of humour that surmounted everything. Sometimes it was expressed by word of mouth, sometimes by an outburst of "mime"; at other times by just a look
1612:
He always regarded himself as an
Australian, although much of his life was spent away from these shores ... His love of the theatre and his ability to use it as a medium of communication and expression knew no bounds. He put this country on the map in the cultural arena.... He was always looking for
1339:
comments that 1974 was "a year of disaster" for both directors of the
Australian Ballet. Van Praag was forced by arthritis to retire, and Helpmann's partner, Michael Benthall, died. The two men had lived together in London since the 1940s, and although both had extracurricular affairs they remained
596:
Helpmann took on the additional role of choreographer to the company. Ashton, in his enforced absence from the company, observed
Helpmann's rise to pre-eminence with feelings of envy, and their relationship became edgy on Ashton's part. The ballets that Helpmann created for the wartime company were
595:
Sadler's Wells Ballet became a prominent contributor to public morale, giving London seasons interspersed with a demanding programme of provincial tours. Helpmann's workload often required him to dance leads in three performances in one day, and when Ashton was called up for active service in 1941,
1327:
had become a much-loved institution at Covent Garden in various revivals since its 1948 premiere. In 1972 Helpmann succeeded in getting Ashton to join him for a production by the
Australian Ballet, but despite Helpmann's urging, Ashton never created a new work for the company, although he restaged
1208:
led to
Helpmann's appointment as co-director of the Australian Ballet in 1965. His biographer Christopher Sexton comments that Helpmann and van Praag "complemented each other with their different personalities and skills: she the pedagogue, teacher and administrator; he the restless 'jet-setting'
570:
It will be useless in future for Mr. Robert
Helpmann to pretend that he is exclusively a dancer of the first rank. Certainly his dancing gives strength to his Oberon; he glides into imagined invisibility; but that is not all: his verse sings with his thought, his Oberon flashes with power, and
1069:
on
Broadway. In 1962 he performed again for Australian audiences in another Old Vic company, this time headed by Vivien Leigh, which appeared in the Far East, South America and Australia. In 1963 he choreographed his sixth work for The Royal Ballet, the short-lived and critically damned
677:
found
Helpmann's fast-paced performance highly exciting, but other critics thought it a lightweight interpretation, and opinions varied about the quality of Helpmann's verse-speaking. During the war Helpmann played his first film roles: the supercilious traitor De Jong in
1629:, said, "No one should underestimate Sir Robert Helpmann's role in the development of the growing maturity of Australia's art and culture. ... He demonstrated to the world the diversity of this nation's talents and capabilities." In London a memorial service was held at
1731:
were instituted 2001, and recognise distinguished artistic achievement and excellence in
Australia's live performing arts sectors. The Sir Robert Helpmann Theatre is named after him at his birthplace in Mount Gambier. Onstage, Helpmann has been commemorated in the play
333:
Gardiner (1883–1970). Mary Helpman had a passion for the theatre, and her enthusiasm was passed on to all three of her children. Helpmann's younger brother Max (1914–1987) and their sister Sheila (1916–1994) both made their own careers on stage, television and screen.
2219:
told him that fourteen letters would be luckier for him than thirteen. Helpmann's brother and sister followed him in adding the extra letter. For a time both spellings of his surname were current. The longer form is recorded in the press as early as March 1933;
1714:
While some critics question whether he would measure up to today's rigid standards for great classical dancers, Sir Robert was a dancer who could act and an actor who could dance. His personality and talent played a vital part in building the fledgling British
951:. Helpmann discovered that the combination of Coward and Wilde was not a success: "Everything that Noël sent up, Wilde was sentimental about, and everything that Wilde sent up Noël was sentimental about. It was two different points of view and it didn't work."
1603:
all senators present stood in silence. This was noted as a rarity, and it was put on record that "it is only in exceptional circumstances that motions of condolence are moved for distinguished Australians who have not sat in the Parliament". Senator
1243:
In 1968 Helpmann was appointed artistic director designate of the Adelaide Festival of 1970, and spent much time seeking out the performers for it. As well as showcasing Australian talent he aimed to attract internationally prestigious performers.
51:
1172:
in 1964. He had been approached by its authors to play Merlin in the original Broadway production, but nothing came of the suggestion. For the London production he sought to recapture, more than the American production had done, the sprit of
1687:
caused upset by calling Helpmann "A homosexual of the proselytising kind, could turn young men on the borderline his way." It was quickly pointed out that Helpmann kept his professional and private lives firmly separate. An assessment in
1019:. Helpmann's vitality revived the spirits of the company, and the play continued its run into the following year. Helpmann toured Australia in the piece in 1958–59, after he had returned to ballet for a season at Covent Garden in
705:, tasked with reopening it for opera and ballet after its wartime closure. He invited de Valois and her company to base themselves there to complement the new opera company he was setting up. In due course the companies became
4331:
4085:
4080:
4039:
5185:
4034:
658:
I realised I must keep going so that when the moment came that I should leave the ballet altogether, it wouldn't be such a shock to people, that they shouldn't say, "Oh, just a dancer who's got too old".
824:
in the title role. The production outlasted its director: after many revivals its final performances at the Royal Opera House were in 1993. The following year he joined Olivier and Vivien Leigh at the
4166:
159:, 9 April 1909 – 28 September 1986) was an Australian ballet dancer, actor, director, and choreographer. After early work in Australia he moved to Britain in 1932, where he joined the
4326:
669:
Helpmann returned to Hamlet in 1944 in the title role of the original play, with the Old Vic company. After the laudatory reviews for his Oberon, those for his Hamlet were more mixed.
1494:, "It is not a large part, but Helpmann's hooded smiles and baleful oeuillades, his capacity to express elegant corruption to his beringed finger-tips, lodge one imperishable image."
426:, who was touring Australia, was impressed by Helpmann. She encouraged him to pursue a career in Britain, and provided him with an introduction to Ninette de Valois, director of the
5290:
3929:
5190:
217:, in 1965, for whom he created several new ballets. He became sole director in 1975 but disagreements with the company's board led to his dismissal a year later. He directed for
4128:
5280:
4269:
1209:
star who spent six months of the year overseas and attracted international names to perform with the company". His ballets for the company during the rest of the 1960s were
4123:
872:
and choreographed by Ashton. Helpmann played all four of the villains in the various stories within the opera, his singing voice dubbed by the Welsh bass Bruce Dargavel.
5275:
4494:
4284:
4075:
4065:
2837:
4181:
4503:
4171:
4070:
2067:
4176:
5285:
4060:
4029:
5225:
4118:
4138:
1115:, which, Sorely Walker writes, steadily gained ground as "a company full of lively young Australian talent, helped along by top-level international stars like
5165:
5160:
4161:
4133:
4024:
2073:
1762:). Royal Academy of Dancing Production Club, Rudolf Steiner Hall, London, 23 March 1939; Ballet de la Jeunesse Anglais, Cambridge Theatre, London, 9 May 1939
40:
5240:
4223:
4019:
3497:
3118:
954:
In May 1955 Helpmann returned to Australia, leading a tour of the country by the Old Vic company, with Hepburn as a guest artist. He played Petruchio in
1637:, Fonteyn gave the address, a tribute was read from de Valois, and the British ballet and theatre were represented by some of their best-known members.
4113:
1252:
Under Helpmann's direction the line-up for the 1970 Adelaide Festival was, by common consent, exceptionally impressive. Among those appearing were the
748:
with Helpmann as the villainous Flamineo and Rawlings as his equally villainous sister. This was well received but their next production, a revival of
515:. Sorley Walker writes that he and Fonteyn were a "perfectly matched partnership", exemplified by "their superb rendering of the Aurora pas de deux in
5265:
4279:
3991:
4274:
4143:
1370:. British ballet audiences had seen little of him in leading roles for some years, and his return was greeted with enthusiasm. The ballet critic of
1049:
At the start of the 1960s Helpmann worked mostly in non-ballet theatre, forgoing the opportunity to create the role of the Widow Simone in Ashton's
1380:
colleague wrote of Helpmann's "riotous and wonderful control", concluding, "British ballet owes Helpmann a vast debt – his present performances in
5210:
1041:. His performance in the last of these was not well received: in the role of a lovelorn puppet, he was seen as too overtly human and intelligent.
433:
1806:. Music by Malcolm Arnold, Royal Ballet, ROHCG, 26 March 1963. Revised version, Australian Ballet, Her Majesty's Theatre, Adelaide, 15 March 1966
4197:
579:, pronounced Helpmann's Oberon to be, in its way, "the best I have ever seen or ever shall see". While at the Old Vic Helpmann met the director
4228:
2711:
349:
when she was on tour in Australia in 1926. He was trained by Alexis Dolinoff, her leading male dancer. He then joined the theatrical producers
5230:
5220:
4487:
4202:
3775:
3756:
3737:
3718:
3699:
3680:
3661:
3638:
3585:
3566:
3547:
3440:
848:
at the end of the year he played the same roles. He appeared in another Shaw play the following year, as the male lead, the Doctor, opposite
5215:
5200:
5170:
1618:
1293:
1292:
and Mexico. Dance was represented not only by the Australian Ballet, but also by the Royal Thai Ballet, the Balinese Dance Company and the
802:
1472:
but folded before reaching Broadway. He then made his last British appearance in an acting role, playing Cardinal Pirelli in a revival of
4207:
186:
Helpmann, from the outset of his career was an actor as well as a dancer, and in the 1940s he turned increasingly to acting in plays, at
5235:
5175:
4108:
1347:. He commissioned scores from two Australian composers in succession, but finding neither satisfactory he turned at the last minute to
653:, who commented that Helpmann in the lead "looked more like the Dragon than St George." The music has survived but the ballet has not.
5180:
4739:
2983:
1696:
477:
1704:: "he wasn't a great dancer – he wasn't a great actor – but he was most certainly a great mime, the perfect bridge between the two".
1187:
1694:
ranked him as capable in "princely" roles in classic ballets, but "peerless" in dramatic parts, and best of all in comic roles. The
1155:
1127:." Van Praagh approached Helpmann to create a new work for the company and he suggested a story based around the native Australian
470:
commented that of the soloists Helpmann "had the greatest opportunities, and made fine use of them". He co-starred with Markova in
3459:
2808:
1404:. The production was given first at Covent Garden and was later taken to New York. In Sydney, Helpmann directed and choreographed
5205:
4480:
1592:
281:
1098:
for the company, with important new choreographic contributions from Ashton. In the same year he played Prince Tuan in the film
5270:
4549:
4055:
3312:
3924:
3901:
5245:
5195:
4248:
4233:
3919:
1874:
1727:
and training institutions in South Australia offering award courses for people seeking professional careers in the arts. The
1679:– and the latter could prove to be the most potent of all, for his timing on such occasions was as faultless as it was fatal.
680:
322:
223:
84:
4238:
521:". As well as romantic leading roles, Helpmann became known for his gift for comedy. Sorley Walker singles out his roles in
4310:
4243:
5072:
4253:
4103:
3984:
1646:
698:
5260:
4014:
3513:
2012:
1945:
974:, a production later given on Broadway. He joined the company as an actor later in the year, playing Shylock, Launce in
864:
550:
517:
250:
241:
1179:, the book on which the show was based. The musical received tepid reviews, but Helpmann's production, with designs by
221:
and acted in stage plays into the 1980s. Although primarily a stage artist, he appeared in fifteen films between 1942 (
1654:
1650:
1622:
1524:
976:
840:
285:
147:
3478:
1630:
4597:
4455:
3115:
886:
727:
figure. The work was well received and was revived the following year, but has not held a place in the repertoire.
4771:
4731:
4336:
3951:
3302:
1928:
1724:
1438:
1348:
1253:
844:. Helpmann played Octavius Caesar in the first and Apollodorus in the second. When the productions were taken to
767:
758:
673:
thought it "eager, intelligent and exciting", Agate called Helpmann's prince "most heart-breaking" and the young
492:
235:
3494:
5255:
3977:
1175:
937:
854:
326:
296:, and a motion of condolence was passed – a rare tribute for a non-politician. Helpmann is commemorated in the
947:
2321:
4886:
4624:
4525:
2086:
2048:
1596:
1512:
1359:
1236:
1196:
1016:
956:
877:
293:
273:
3271:. (25 October 1981). "Hamilton produces ambitious musical" and "Kitsch Aloha goes down a real treat". p.9.
4507:
3255:
2031:
1658:
1433:
he had co-authored with Hawaiian composer Eaton Magoon Jr, staged by the Hamilton Operatic Society at the
1405:
1226:
1051:
859:
782:
619:
338:
4305:
2105:
1898:
1532:
1355:
821:
342:
4755:
1613:
new challenges and was never content to rely on past successes.... He was one of our great ambassadors.
1591:
in Sydney on 28 September 1986. He was given the rare tribute of a state funeral, held on 2 October at
825:
313:
259:
3961:
5250:
5155:
5150:
4616:
4442:
4437:
4432:
4427:
4422:
4417:
4412:
4407:
4402:
4397:
1976:
1503:
1306:
1266:
1083:
967:
830:
723:(1946), with a libretto by Benthall and music by Bliss, choreographed by and starring Helpmann as an
634:
613:
456:
3324:
2708:
1549:, which were shown in 1985. Early in that year he was in the US directing a revival of the operetta
4692:
4392:
4387:
4382:
4377:
4372:
4367:
4362:
4357:
4352:
4300:
2780:
2234:
2122:
1911:
1892:
1782:. Music by Tchaikovsky (Fantasy Overture), Sadler's Wells Ballet, New Theatre, London, 19 May 1942
1670:
1508:
1483:
1323:
1285:
962:
897:
835:
771:
690:
199:
195:
4830:
4822:
4747:
3898:
The Australian Entertainment Industry Association's annual awards are named in Helpmann's honour.
3865:
3841:
3809:
2583:
2554:
2136:
1962:
1706:
1558:
1545:
1478:
1136:
988:
537:
407:. Sorley Walker writes, "His vitality and bravura presentation of dances stopped various shows".
385:
363:
210:
and others. As a director his range was wide, from Shakespeare to opera, musicals and pantomime.
1814:. Music by Malcolm Williamson, Australian Ballet, Her Majesty's Theatre, Adelaide, 14 March 1964
1362:, invited Helpmann to appear with the company in two of his old starring roles: the Red King in
447:
3285:
889:
in June 1953 Helpmann returned to Covent Garden as a guest artist to dance Prince Siegfried in
4472:
3890:
3771:
3752:
3733:
3714:
3695:
3676:
3657:
3634:
3617:
3600:
3581:
3562:
3543:
3273:
2558:
2215:
Alternative explanations for the change of spelling are that Pavlova suggested it, and that a
2154:
1993:
1634:
1600:
1314:
with the Australian company in 1973, shown internationally and subsequently published on DVD.
1168:
1146:
1112:
1100:
849:
702:
609:
423:
229:
214:
164:
3913:
1300:, new to the company's repertoire and greatly admired. Nureyev also presented his version of
583:; they formed a lifelong personal partnership and frequently worked together in the theatre.
5060:
4870:
3833:
3801:
3250:
2363:
1831:
1773:
1720:
1566:
1450:
1434:
1336:
1277:
1163:
1108:
1007:
996:
982:
906:
902:
845:
816:
776:
735:
706:
685:
592:
580:
559:
500:
442:
427:
396:
350:
218:
207:
191:
180:
176:
1183:, was praised as a "dazzling" and "gorgeous spectacle"; the show ran for well over a year.
410:
Robert Helpmann cited Melbourne eccentric, beautician, radio broadcaster, actor and dancer
5128:
5052:
4996:
4533:
4000:
3856:
Sorley Walker, Kathrine (1998c). "Robert Helpmann, Dancer and Choreographer: Part Three".
3501:
3482:
3463:
3122:
2812:
2715:
2191:
1728:
1662:
1562:
1554:
1419:
1376:
1318:
1150:
920:
749:
744:
731:
710:
638:
411:
369:
297:
254:
1794:. Music by Arthur Bliss, Sadler's Wells Ballet, Princes Theatre, London, 26 October 1944
3824:
Sorley Walker, Kathrine (1998b). "Robert Helpmann, Dancer and Choreographer: Part Two".
3792:
Sorley Walker, Kathrine (1998a). "Robert Helpmann, Dancer and Choreographer: Part One".
1800:. Music by Bliss, Sadler's Wells Ballet, ROHCG, 10 April 1946 (revised 16 December 1947)
1723:
in South Australia was named in his honour; it is a partnership of the major visual and
814:
In 1950 Helpmann directed an opera for the first time – the Covent Garden production of
5116:
5044:
4913:
4700:
4680:
4656:
4648:
3456:
2805:
2092:
1528:
1498:
1461:
1442:
1401:
1120:
1075:
1065:
1060:
932:
924:
869:
763:
650:
601:
545:
512:
461:
438:
354:
203:
172:
168:
2328:, National Centre of Biography, Australian National University. Retrieved 19 May 2019.
5144:
5124:
5068:
5012:
4969:
4929:
4905:
4878:
4723:
4660:
4640:
4541:
3907:
3650:
3298:
3232:
2238:
were among the publications intermittently using the shorter version as late as 1936.
2054:
1841:
1769:
1701:
1487:
1301:
1272:
1261:
1231:
1191:
1180:
1091:
910:
787:
488:
268:
1162:
Back in London, Helpmann directed and choreographed the first British production of
5108:
5092:
5020:
5004:
4961:
4814:
4795:
4779:
4704:
4668:
4573:
2216:
1737:
1690:
1605:
1543:, and joined his sister Sheila to record two episodes of the Australian soap opera
1473:
1415:
1132:
1087:
1079:
1012:
928:
882:
739:
646:
624:
555:
375:
346:
160:
2290:
1844:(Symphony No 1), Australian Ballet, Her Majesty's Theatre, Adelaide, 21 March 1974
913:. The following year brought two contrasting directing engagements: the first was
730:
In 1947, together with Benthall, Helpmann took over the artistic direction of the
1788:. Music by Respighi, Sadler's Wells Ballet, New Theatre, London, 24 November 1942
1296:. Nureyev was guest artist with the Australian Ballet in a revival of Helpmann's
713:. Helpmann and Fonteyn led the ballet company in the opening gala performance of
541:, which he first danced at the age of 28 and last danced in 1986 when he was 77.
5036:
5028:
4977:
4937:
4854:
4846:
4632:
4589:
4581:
4557:
1821:
1810:
1516:
1281:
1186:
1141:
1124:
942:
915:
674:
576:
523:
508:
400:
187:
1153:
in the leading role, to an enthusiastic reception. he appeared in a TV special
179:, the company's chief choreographer, was called up for military service in the
5100:
4953:
4945:
4921:
4787:
4763:
3837:
3805:
3268:
3090:
2228:
1759:
1571:
1536:
1457:
1257:
1116:
670:
404:
152:
50:
3604:
3308:
Aloha : a spectacular new musical / music and lyrics by Eaton Magoon Jnr
2337:
4688:
4676:
3690:
Mander, Raymond; Mitchenson, Joe; Day, Barry Day; Morley, Sheridan (2000) .
3673:
Women as Hamlet: Performance and interpretation in theatre, film and fiction
3374:
2222:
1626:
1588:
1343:
1974 was also the year of the last ballet created by Helpmann, the plotless
1037:
1001:
891:
719:
472:
466:
289:
246:
3621:
3106:
Anderson, p. 99; Salter, pp. 217 and 222; and Sorley Walker (1998c), p. 422
2984:"Forgotten Australian Television Plays – Half an Hour with Robert Helpmann"
1429:
In New Zealand, Helpmann supervised the 1981 world premiere of the musical
353:, as principal dancer for musicals, revues, and pantomimes, beginning with
3475:
3311:. Musicals > Excerpts > Anthony Norton Collection, ATL-Group-00433:
3306:
1224:
Helpmann made two more films during the 1960s. In 1966, he played Weng in
325:, the eldest of the three children of James Murray Helpman (1881–1927), a
3328:
2562:
2280:
1446:
1128:
1056:
895:. The following year he again directed and choreographed an opera there,
724:
391:
2587:
2575:
875:
In 1953 Helpmann returned to the Old Vic, directing a new production of
27:
Australian dancer, actor, theatre director and choreographer (1909–1986)
17:
4862:
3886:
3869:
3845:
3813:
1469:
1289:
2941:, 27 March 1963, p. 7; and Bland, Alexander, "Helpmann aims too low",
1824:, Australian Ballet, Her Majesty's Theatre, Adelaide, 18 February 1965
1752:. Rawlings/Toyne Drama Company, Criterion Theatre, Sydney, April 1932
183:, Helpmann took over from him while continuing as a principal dancer.
1410:
629:
544:
Helpmann's non-ballet work in the later 1930s included his Oberon in
103:
3895:
1579:, with the Australian Ballet, in Melbourne and Sydney in May 1986.
1005:, and then took over the lead part of Sebastien in Coward's comedy
300:
for Australian performing arts, established in his honour in 2001.
3969:
2281:"Helpmann, Sir Robert Murray (1909–1986), ballet dancer and actor"
2018:
1999:
801:
623:(1944, a story of redemption with a plot by Benthall and music by
481:
432:
312:
1834:, Australian Ballet, Her Majesty's Theatre, Sydney, 2 August 1968
571:
presides, as Oberons do rarely, over the whole magic of the wood.
4476:
3973:
3652:
The Quiet Showman – Sir David Webster and the Royal Opera House
1507:
in Sydney, and later in the year appeared there as the elderly
756:, quickly folded. In the same year Helpmann worked on the film
3730:
Helpmann: The authorised biography of Sir Robert Helpmann, CBE
3125:, Royal Opera House performance archive. Retrieved 29 May 2019
2937:, 27 March 1963, p. 15; Kennedy, James, "Helpmann's Elektra",
2840:, Royal Opera House performance archive. Retrieved 27 May 2019
2783:, Royal Opera House performance archive. Retrieved 27 May 2019
2718:. Royal Opera House performance archive. Retrieved 27 May 2019
535:. Character roles included the doddery Red King in de Valois'
495:
he danced the principal role in another new de Valois ballet,
1776:, Sadler's Wells Ballet, New Theatre, London, 14 January 1942
1317:
By the 1970s the combination of Helpmann and Ashton in comic
414:
as one of the influences over his dancing and acting career.
4182:
Best Female Dancer in a Dance or Physical Theatre Production
1374:
described his Coppélius as "a legend come to life", and his
1015:, who had been succeeded, not altogether satisfactorily, by
4172:
Best Choreography in a Dance or Physical Theatre Production
4177:
Best Male Dancer in a Dance or Physical Theatre Production
3616:(fourteenth ed.). London: Sir Isaac Pitman and Sons.
1340:
devoted to each other, and Helpmann felt the loss deeply.
1131:. He was keen to promote Australian talent, and recruited
1111:, formerly of Sadler's Wells, launched a new company, the
2433:, 21 September 1936, p. 10; "Notes from Here and There",
280:
Helpmann died in Sydney and was given a state funeral in
167:. He became one of the company's leading men, partnering
5186:
Australian Commanders of the Order of the British Empire
4139:
Best Female Performer in a Supporting Role – Opera
3925:
Josef Weinberger: The Creation of The Merry Widow Ballet
4332:
Best Performance in an Australian Contemporary Concert
4134:
Best Male Performer in a Supporting Role – Opera
4086:
Best Female Actor in a Supporting Role – Musical
2247:
As an Australian, Helpmann was not liable for call-up.
1396:
In 1981 Helpmann staged another revival of his ballet
717:. The first new work staged at the reopened house was
3713:. London and New York: Bloomsbury Arden Shakespeare.
1575:. His last stage appearances were as the Red King in
4081:
Best Male Actor in a Supporting Role – Musical
1633:(known as "the actors' church"); Ashton represented
341:
calls "an uninterested and recalcitrant scholar" at
5082:
4986:
4895:
4804:
4713:
4606:
4515:
4345:
4319:
4293:
4262:
4216:
4190:
4152:
4094:
4048:
4040:
Best Female Actor in a Supporting Role – Play
4007:
766:choreographed and appeared in. Helpmann joined the
641:in 1943, Ashton created a new ballet for Helpmann,
345:, Helpmann was taken on as a student apprentice by
134:
111:
92:
66:
34:
3649:
4035:Best Male Actor in a Supporting Role – Play
3152:Sorley Walker (1998c), p. 434; and Salter, p. 238
2287:, Oxford University Press. Retrieved 19 May 2019
3768:Ninette de Valois: An Idealist Without Illusions
3426:Kennedy, James. "The prince of Sadler's Wells",
966:and Shylock. At the Old Vic in 1956 he directed
684:(1942) and the comically fussy Bishop of Ely in
2902:Mander and Mitchenson, p. 460; and "Theatres",
2815:, British Film Institute. Retrieved 27 May 2019
2576:"Robert Helpmann: Interviewed by Ronald Hayman"
2437:, 19 February 1936, p. 64; and "A New Rudolf",
774:for the 1948 season, playing the title role in
656:
4114:Best Chamber and Instrumental Ensemble Concert
2407:Salter, p. 54; and Sorley Walker (1998a), p. 5
1527:as Bosie's young self. In 1984, together with
995:During 1957 Helpmann played the title role in
454:In April 1934 de Valois created a new ballet,
5291:Respiratory disease deaths in New South Wales
4488:
3985:
3466:, The Helpmann Academy. Retrieved 1 June 2019
3305:, 1952-, Robert Helpmann, 1909-1986. (1981).
3230:(27 October 1981). "Author full of praise".
2638:, 14 February 1944, p. 3; and "New Theatre",
8:
5191:Australian expatriates in the United Kingdom
3629:Gielgud, John (2004). Richard Mangan (ed.).
3504:, Mount Gambier Point. Retrieved 1 June 2019
2450:"Sadler's Wells Ballet", 4 April 1934, p. 10
858:. Between these plays Helpmann acted in the
4144:Best Individual Classical Music Performance
3908:Helpmann files in the NLA PROMPT collection
1595:. Tributes were paid in both Houses of the
5281:People from Mount Gambier, South Australia
4495:
4481:
4473:
4167:Best Visual or Physical Theatre Production
3992:
3978:
3970:
3935:
3711:Poel, Granville Barker, Guthrie, Wanamaker
2634:"Hamlet: Mr Tyrone Guthrie's Production",
1674:, de Valois wrote in an obituary tribute:
1456:The following year Helpmann appeared with
163:(now The Royal Ballet) under its creator,
49:
31:
3952:Director of the Adelaide Festival of Arts
3675:. Cambridge: Cambridge University Press.
3372:"Memorial service: Sir Robert Helpmann".
2574:Helpmann, Robert; Hayman, Ronald (1975).
2322:"Helpmann, Sir Robert Murray (1909–1986)"
1951:Lindorf/Coppelius/Dapertutto/Dr. Miracle
1094:. He also supervised a new production of
5276:People educated at Prince Alfred College
3485:, Helpmann Awards. Retrieved 1 June 2019
3358:
3356:
3354:
3352:
3350:
3217:
3215:
3213:
3211:
3209:
3207:
3205:
3182:Percival, John. "Comic legend returns",
3169:
3167:
3074:
3072:
3070:
2767:
2765:
1852:
1441:as orchestrator and musical director. A
1185:
1055:in favour of directing Vivien Leigh and
1011:in London. The role had been created by
503:choreographed a highly romantic ballet,
476:, danced in operas, and appeared at the
4198:Best International Contemporary Concert
3597:Come Dance With Me: A memoir, 1898–1956
3559:Film Choreographers and Dance Directors
2285:Oxford Dictionary of National Biography
2259:
2208:
1139:to compose the score. The work, titled
1135:to design the costumes and scenery and
738:of London. They presented a revival of
480:. In 1935 he was leading dancer in the
198:plays but he also appeared in works by
4327:Best Contemporary Concert Presentation
3920:Frederick Ashton's "Cinderella" ballet
3245:Day, Paul. (19 October 1981). Review:
3064:Sorley Walker (1998c), pp. 423 and 426
2742:
2740:
2738:
2736:
2734:
2732:
2730:
2728:
2726:
2724:
2668:
2666:
2488:Quoted in Sorley Walker (1998a), p. 37
2471:
2469:
1649:(Sweden) and in 1957 he was created a
1645:In 1954 Helpmann was appointed to the
511:, featuring Helpmann and the teenaged
5286:Principal dancers of The Royal Ballet
3751:. London and New York: Rough Guides.
3413:Kersley, Leo, "Sir Robert Helpmann",
3086:
3084:
2550:
2548:
2316:
2314:
2312:
2310:
2308:
2306:
2304:
2302:
2300:
2275:
2273:
2271:
2269:
2267:
2265:
2263:
828:, where they presented Shakespeare's
701:was appointed chief executive of the
151:
7:
5226:Australian of the Year Award winners
4203:Best Australian Contemporary Concert
2933:"Spectacular Helpmann dance-drama",
2651:Sorley Walker (1998a), pp. 53 and 69
768:Shakespeare Memorial Theatre Company
329:and auctioneer, and his wife, Mary,
5166:20th-century Australian male actors
5161:20th-century Australian LGBT people
3694:(second ed.). London: Oberon.
3633:. London: Weidenfeld and Nicolson.
1194:in the United Artists feature film
554:at the Old Vic, which also starred
213:Helpmann became co-director of the
5241:Choreographers of The Royal Ballet
3362:Sorley Walker (1998c), pp. 443–444
3221:Sorley Walker (1998c), pp. 442–443
3161:Sorley Walker (1998c), pp. 432–433
3134:Sorley Walker (1998c), pp. 429–430
2963:Sorley Walker (1998c), pp. 411–412
2924:Sorley Walker (1998b), pp. 278-279
2915:Sorley Walker (1998b), p. 276$ 277
2699:Sorley Walker (1998b), pp. 251–252
2326:Australian Dictionary of Biography
1697:Australian Dictionary of Biography
1288:; there were art exhibitions from
664:Helpmann on acting in Shakespeare.
25:
4129:Best Female Performer in an Opera
3732:. Brighton: Angus and Robertson.
3091:"Giants dominate the SA festival"
2600:Brown, Ivor. "Theatre and Life",
2557:(1990). Notes to Chandos CD 8871
1744:Ballets choreographed by Helpmann
1156:Half an Hour with Robert Helpmann
5266:LGBT people from South Australia
4270:Best Regional Touring Production
4208:Best Contemporary Music Festival
3766:Sorley Walker, Kathrine (1987).
3391:in Sorley Walker (1998c), p. 444
3288:. Hamilton Heritage Collections.
2533:Sorley Walker (1998a), pp. 63–64
2279:Sorley Walker, Kathrine (2011).
2068:Alice's Adventures in Wonderland
1321:as the Ugly Sisters in Ashton's
337:After being what his biographer
317:Helpmann and his parents in 1911
4124:Best Male Performer in an Opera
4109:Best Symphony Orchestra Concert
3910:/ National Library of Australia
3749:The Rough Guide to Kids' Movies
3378:. 29 November 1986. p. 18.
3313:National Library of New Zealand
1437:directed by Robert Young, with
1213:(1965); an expanded version of
562:as Bottom. The drama critic of
478:Open Air Theatre, Regent's Park
395:, appearing with stars such as
343:Prince Alfred College, Adelaide
5211:Australian male ballet dancers
4285:Best Presentation for Children
4076:Best Female Actor in a Musical
4066:Best Choreography in a Musical
3692:Theatrical Companion to Coward
3404:29 September 1986, p. 14.
3297:Magoon, Eaton, Jr, 1922-2018,
3247:Hamilton Says Aloha To Musical
2806:"The Tales of Hoffmann" (1951)
2681:Haltrecht, pp. 210–213 and 303
2441:, 4 November 1936, pp. 8 and 9
1875:One of Our Aircraft Is Missing
1641:Honours, reputation and legacy
681:One of Our Aircraft is Missing
361:in 1927. He later appeared in
323:Mount Gambier, South Australia
224:One of Our Aircraft is Missing
85:Mount Gambier, South Australia
1:
3514:"Lyre Bird-Tales of Helpmann"
3495:"Sir Robert Helpmann Theatre"
3441:"Sir Robert Helpmann is Dead"
3325:'Aloha > New Zealand Cast'
3173:Sorley Walker (1998c), p. 437
3078:Sorley Walker (1998c), p. 426
3042:Chapman, Gary. "Starchoice",
3007:"A Camelot Made in England",
2972:Sorley Walker (1998c), p. 412
2954:Sorley Walker (1998b), p. 281
2884:Sorley Walker (1998b), p. 275
2771:Sorley Walker (1998b), p. 254
2198:Notes, references and sources
1647:Royal Order of the Polar Star
1593:St Andrew's Cathedral, Sydney
575:The doyen of London critics,
56:
5231:Australian theatre directors
5221:Australian male stage actors
4071:Best Male Actor in a Musical
3648:Haltrecht, Montague (1975).
2524:Sorley Walker (1987), p. 225
2515:Sorley Walker (1987), p. 231
2497:Sorley Walker (1987), p. 233
2320:Sexton, Christopher (2007).
2291:UK public library membership
1734:LyreBird (Tales of Helpmann)
1661:for 1965, and was created a
1653:(Lebanon). He was appointed
1414:, and in the US he directed
1388:increase it still further".
1294:Georgian State Dance Company
194:. Most of his roles were in
106:, New South Wales, Australia
5216:Australian male film actors
5201:Australian Knights Bachelor
5171:20th-century ballet dancers
4337:Brian Stacey Memorial Award
4061:Best Direction of a Musical
4030:Best Female Actor in a Play
3902:Robert Helpmann (1909–1986)
3770:. London: Hamish Hamilton.
3599:. London: Hamish Hamilton.
3595:De Valois, Ninette (1957).
3542:. London: Faber and Faber.
3476:"About the Helpmann Awards"
3340:Wardle, Irving. "Theatre",
2380:Sorley Walker (1998a), p. 9
2353:Sorley Walker (1998a), p. 7
1360:Sadler's Wells Royal Ballet
977:The Two Gentlemen of Verona
5307:
5236:Ballets by Robert Helpmann
5176:Actors awarded knighthoods
4456:Live Performance Australia
4119:Best Direction of an Opera
3728:Salter, Elizabeth (1978).
3540:The Royal Ballet: 75 years
3447:, 29 September 1986, p. 14
3430:, 29 September 1986, p. 13
3195:Crisp, Clement. "Ballet",
2370:. 28 May 1996. p. 14.
1497:In 1983 Helpmann directed
1418:in a one-woman show about
1230:and in 1968 he played the
931:as Miranda. Then followed
637:. While on leave from the
145:Sir Robert Murray Helpmann
5181:Australian choreographers
4451:
4162:Best Ballet or Dance Work
4025:Best Male Actor in a Play
3958:
3949:
3943:
3938:
3838:10.1080/01472529808569311
3806:10.1080/01472529808569296
3612:Gaye, Freda, ed. (1967).
3327:. Vinyl. 1981. Producer:
2479:, 28 December 1937, p. 10
2463:, 22 February 1935, p. 12
2117:
1957:
1725:performing arts education
1349:Sibelius's First Symphony
1254:Royal Shakespeare Company
551:A Midsummer Night's Dream
48:
4224:Best New Australian Work
4020:Best Direction of a Play
3614:Who's Who in the Theatre
3576:Castle, Charles (1972).
3561:. Jefferson: McFarland.
2672:Haltrecht, pp. 60 and 68
2642:, 12 February 1944; p. 6
2604:, 13 February 1944, p. 2
2580:The Transatlantic Review
2344:, 4 December 1926, p. 14
2172:Don Quixote of La Mancha
1683:An unsigned obituary in
1631:St Paul's, Covent Garden
1619:House of Representatives
1449:was made of the show at
1176:The Once and Future King
901:, with a cast including
806:Helpmann and Fonteyn in
292:, gave a tribute in the
5206:Australian LGBT dancers
3875:(subscription required)
3851:(subscription required)
3819:(subscription required)
3557:Billman, Larry (1996).
3417:, 7 October 1986, p. 17
3400:"Sir Robert Helpmann",
3024:, 1 November 1965, p. 2
2906:, 1 February 1958, p. 2
2636:The Manchester Guardian
2416:"Gate Theatre Studio",
2049:Chitty Chitty Bang Bang
1597:Parliament of Australia
1237:Chitty Chitty Bang Bang
1197:Chitty Chitty Bang Bang
1145:, was premiered at the
957:The Taming of the Shrew
878:Murder in the Cathedral
790:in a new production of
327:stock and station agent
294:Parliament of Australia
274:Chitty Chitty Bang Bang
5271:LGBT theatre directors
4508:Australian of the Year
4280:Best Cabaret Performer
3747:Simpson, Paul (2004).
3538:Anderson, Zoë (2006).
3256:The New Zealand Herald
3046:, 26 March 2005, p. 10
3011:, 10 August 1964, p. 5
2982:Vagg, Stephen (2023).
2945:, 31 March 1963, p. 28
2811:7 January 2019 at the
2032:The Quiller Memorandum
1792:Miracle in the Gorbals
1659:Australian of the Year
1400:, this time featuring
1335:Helpmann's biographer
1227:The Quiller Memorandum
1201:
1033:Miracle in the Gorbals
986:and the title role in
860:Powell and Pressburger
811:
783:The Merchant of Venice
697:At the end of the war
661:
645:, a patriotic tale of
620:Miracle in the Gorbals
533:The Prospect Before Us
464:in the leading roles.
451:
339:Kathrine Sorley Walker
318:
5246:Deaths from emphysema
5196:Australian gay actors
4275:Best Comedy Performer
3671:Howard, Tony (2008).
3580:. London: W H Allen.
3500:16 April 2018 at the
3481:25 March 2019 at the
3097:, 7 March 1970, p. 10
2853:, 14 April 1954, p. 4
2714:15 March 2016 at the
2420:, 2 March 1933, p. 10
1968:Major Ivan Kropotkin
1946:The Tales of Hoffmann
1189:
948:Lady Windermere's Fan
919:at the Old Vic, with
865:The Tales of Hoffmann
822:Elisabeth Schwarzkopf
805:
786:and alternating with
436:
321:Helpmann was born in
316:
282:St Andrew's Cathedral
242:The Tales of Hoffmann
71:Robert Murray Helpman
4249:Best Lighting Design
4234:Best Music Direction
3930:"The Display" (1964)
3709:Mazer, Cory (2013).
3462:6 March 2019 at the
3344:, 20 May 1982, p. 13
3121:7 April 2016 at the
2875:, 13 June 1956, p. 3
2838:"Le Coq d'or (1954)"
2828:, 1 April 1953, p. 6
2796:, 28 June 1952, p. 8
2759:, 7 March 1947, p. 6
2660:Haltrecht, pp. 51–52
2542:Anderson pp. 310–311
2429:"Opera and Ballet",
2176:Don Quixote (voice)
1366:and Dr Coppélius in
1149:in March 1964, with
970:and Claire Bloom in
841:Caesar and Cleopatra
831:Antony and Cleopatra
627:), and a version of
460:, with Helpmann and
457:The Haunted Ballroom
422:The English actress
351:J. C. Williamson Ltd
265:L'Histoire du soldat
5261:LGBT choreographers
4693:Galarrwuy Yunupingu
4301:JC Williamson Award
4239:Best Costume Design
4229:Best Original Score
3932:– Australia Dancing
3904:– Australia Dancing
3896:The Helpmann Awards
3656:. London: Collins.
3199:, 3 May 1977, p. 17
3197:The Financial Times
2555:Palmer, Christopher
2459:"Adelphi Theatre",
2338:An Adelaide Dancer"
1750:Business a la Russe
1671:The Daily Telegraph
1651:Knight of the Cedar
1484:Chichester Festival
1330:La fille mal gardée
1286:English Opera Group
1052:La fille mal gardée
1021:The Rake's Progress
963:Measure for Measure
898:The Golden Cockerel
808:The Sleeping Beauty
772:Stratford-upon-Avon
754:He Who Gets Slapped
715:The Sleeping Beauty
635:Tchaikovsky's music
518:The Sleeping Beauty
497:The Rake's Progress
36:Sir Robert Helpmann
4831:Mandawuy Yunupingu
4823:Peter Hollingworth
4756:Lowitja O'Donoghue
4748:Robert de Castella
4311:Best Special Event
4306:Sue Nattrass Award
4244:Best Scenic Design
4191:Contemporary Music
3914:A Dash of Helpmann
3445:The New York Times
3186:, 3 May 1977, p. 9
3095:The Canberra Times
2013:The Soldier's Tale
1963:The Iron Petticoat
1707:The New York Times
1657:in 1964, named as
1559:Sydney Opera House
1557:. In June, at the
1546:A Country Practice
1468:, which opened in
1358:, director of the
1304:'s classic ballet
1202:
1137:Malcolm Williamson
870:Sir Thomas Beecham
826:St James's Theatre
812:
452:
386:This Year of Grace
319:
260:The Soldier's Tale
5138:
5137:
4470:
4469:
4254:Best Sound Design
3968:
3967:
3959:Succeeded by
3939:Cultural offices
3777:978-0-241-12386-7
3758:978-1-84353-346-7
3739:978-0-207-95670-6
3720:978-1-4725-3950-2
3701:978-1-84002-054-0
3682:978-0-521-86466-4
3663:978-0-00-211163-8
3640:978-0-297-82989-8
3631:Gielgud's Letters
3587:978-0-491-00534-0
3568:978-0-89950-868-9
3549:978-0-571-22795-2
3439:Basler, Barbara.
3274:New Zealand Times
2781:"Madam Butterfly"
2755:Duchess Theatre,
2746:Gaye, pp. 723–724
2616:in Howard, p. 122
2398:Salter, pp. 52–53
2364:"Stephanie Deste"
2289:(subscription or
2183:
2182:
2155:Second Time Lucky
1994:55 Days at Peking
1934:Ivan Boleslawsky
1635:Princess Margaret
1587:Helpmann died of
1504:Roméo et Juliette
1267:The Winter's Tale
1147:Adelaide Festival
1113:Australian Ballet
1101:55 Days at Peking
855:The Millionairess
850:Katharine Hepburn
703:Royal Opera House
548:'s production of
529:A Wedding Bouquet
424:Margaret Rawlings
230:Second Time Lucky
215:Australian Ballet
165:Ninette de Valois
142:
141:
135:Years active
96:28 September 1986
16:(Redirected from
5298:
5123:
5115:
5107:
5099:
5091:
5067:
5061:Michelle Simmons
5059:
5051:
5043:
5035:
5027:
5019:
5011:
5003:
4995:
4976:
4968:
4960:
4952:
4944:
4936:
4928:
4920:
4912:
4904:
4885:
4877:
4869:
4861:
4853:
4845:
4837:
4829:
4821:
4813:
4794:
4786:
4778:
4770:
4762:
4754:
4746:
4738:
4730:
4722:
4699:
4687:
4675:
4667:
4655:
4647:
4639:
4631:
4625:Evonne Goolagong
4623:
4615:
4596:
4588:
4580:
4572:
4564:
4556:
4548:
4540:
4532:
4524:
4497:
4490:
4483:
4474:
4155:Physical Theatre
3994:
3987:
3980:
3971:
3962:Louis van Eyssen
3944:Preceded by
3936:
3876:
3873:
3852:
3849:
3820:
3817:
3781:
3762:
3743:
3724:
3705:
3686:
3667:
3655:
3644:
3625:
3608:
3591:
3572:
3553:
3521:
3518:Evening Standard
3511:
3505:
3492:
3486:
3473:
3467:
3454:
3448:
3437:
3431:
3424:
3418:
3411:
3405:
3398:
3392:
3386:
3380:
3379:
3369:
3363:
3360:
3345:
3338:
3332:
3322:
3316:
3295:
3289:
3283:
3277:
3266:
3260:
3251:Founders Theatre
3243:
3237:
3228:
3222:
3219:
3200:
3193:
3187:
3180:
3174:
3171:
3162:
3159:
3153:
3150:
3144:
3141:
3135:
3132:
3126:
3113:
3107:
3104:
3098:
3088:
3079:
3076:
3065:
3062:
3056:
3053:
3047:
3040:
3034:
3031:
3025:
3018:
3012:
3005:
2999:
2998:
2996:
2994:
2979:
2973:
2970:
2964:
2961:
2955:
2952:
2946:
2931:
2925:
2922:
2916:
2913:
2907:
2900:
2894:
2891:
2885:
2882:
2876:
2869:
2863:
2860:
2854:
2847:
2841:
2835:
2829:
2822:
2816:
2803:
2797:
2790:
2784:
2778:
2772:
2769:
2760:
2753:
2747:
2744:
2719:
2706:
2700:
2697:
2691:
2690:Haltrecht, p. 73
2688:
2682:
2679:
2673:
2670:
2661:
2658:
2652:
2649:
2643:
2632:
2626:
2623:
2617:
2611:
2605:
2598:
2592:
2591:
2571:
2565:
2552:
2543:
2540:
2534:
2531:
2525:
2522:
2516:
2513:
2507:
2504:
2498:
2495:
2489:
2486:
2480:
2473:
2464:
2457:
2451:
2448:
2442:
2427:
2421:
2414:
2408:
2405:
2399:
2396:
2390:
2389:De Valois, p. 11
2387:
2381:
2378:
2372:
2371:
2360:
2354:
2351:
2345:
2335:
2329:
2318:
2295:
2294:
2277:
2248:
2245:
2239:
2213:
1853:
1832:Peter Sculthorpe
1774:Constant Lambert
1721:Helpmann Academy
1451:Mandrill Studios
1435:Founders Theatre
1424:Sarah in America
1337:Elizabeth Salter
1278:Benjamin Britten
1190:Helpmann as the
1164:Lerner and Loewe
1109:Peggy van Praagh
1074:, with music by
1008:Nude with Violin
997:Jean-Paul Sartre
983:Titus Andronicus
972:Romeo and Juliet
903:Mattiwilda Dobbs
887:Coronation night
852:as Epifania, in
817:Madama Butterfly
707:The Royal Ballet
686:Laurence Olivier
665:
649:, with music by
600:(1942, based on
593:Second World War
581:Michael Benthall
560:Ralph Richardson
531:and de Valois's
501:Frederick Ashton
487:, with music by
443:Frederick Ashton
428:Vic-Wells Ballet
418:Vic-Wells Ballet
397:Gladys Moncrieff
257:'s ballet-drama
219:Australian Opera
181:Second World War
177:Frederick Ashton
161:Vic-Wells Ballet
155:
124:theatre director
99:
80:
78:
61:
58:
53:
43:
32:
21:
5306:
5305:
5301:
5300:
5299:
5297:
5296:
5295:
5256:Helpmann Awards
5141:
5140:
5139:
5134:
5129:Richard Scolyer
5121:
5113:
5105:
5097:
5089:
5078:
5065:
5057:
5053:Alan Mackay-Sim
5049:
5041:
5033:
5025:
5017:
5009:
5001:
4997:Patrick McGorry
4993:
4982:
4974:
4966:
4958:
4950:
4942:
4934:
4926:
4918:
4910:
4902:
4891:
4883:
4875:
4867:
4859:
4851:
4843:
4835:
4827:
4819:
4811:
4800:
4792:
4784:
4776:
4768:
4760:
4752:
4744:
4740:Edward Williams
4736:
4728:
4720:
4709:
4697:
4685:
4673:
4665:
4653:
4645:
4637:
4629:
4621:
4613:
4602:
4594:
4586:
4578:
4570:
4566:Robert Helpmann
4562:
4554:
4546:
4538:
4534:Joan Sutherland
4530:
4522:
4511:
4501:
4471:
4466:
4462:Robert Helpmann
4447:
4341:
4315:
4289:
4258:
4212:
4186:
4154:
4148:
4097:Classical Music
4096:
4090:
4044:
4003:
4001:Helpmann Awards
3998:
3964:
3955:
3947:
3887:Robert Helpmann
3883:
3874:
3858:Dance Chronicle
3855:
3850:
3826:Dance Chronicle
3823:
3818:
3794:Dance Chronicle
3791:
3788:
3778:
3765:
3759:
3746:
3740:
3727:
3721:
3708:
3702:
3689:
3683:
3670:
3664:
3647:
3641:
3628:
3611:
3594:
3588:
3575:
3569:
3556:
3550:
3537:
3534:
3529:
3524:
3512:
3508:
3502:Wayback Machine
3493:
3489:
3483:Wayback Machine
3474:
3470:
3464:Wayback Machine
3455:
3451:
3438:
3434:
3425:
3421:
3412:
3408:
3399:
3395:
3387:
3383:
3371:
3370:
3366:
3361:
3348:
3339:
3335:
3323:
3319:
3303:Williams, Derek
3296:
3292:
3284:
3280:
3267:
3263:
3244:
3240:
3229:
3225:
3220:
3203:
3194:
3190:
3181:
3177:
3172:
3165:
3160:
3156:
3151:
3147:
3142:
3138:
3133:
3129:
3123:Wayback Machine
3114:
3110:
3105:
3101:
3089:
3082:
3077:
3068:
3063:
3059:
3054:
3050:
3041:
3037:
3033:Billman, p. 352
3032:
3028:
3019:
3015:
3006:
3002:
2992:
2990:
2981:
2980:
2976:
2971:
2967:
2962:
2958:
2953:
2949:
2932:
2928:
2923:
2919:
2914:
2910:
2901:
2897:
2893:Gielgud, p. 205
2892:
2888:
2883:
2879:
2871:"The Old Vic",
2870:
2866:
2861:
2857:
2848:
2844:
2836:
2832:
2824:"The Old Vic",
2823:
2819:
2813:Wayback Machine
2804:
2800:
2792:"New Theatre",
2791:
2787:
2779:
2775:
2770:
2763:
2754:
2750:
2745:
2722:
2716:Wayback Machine
2707:
2703:
2698:
2694:
2689:
2685:
2680:
2676:
2671:
2664:
2659:
2655:
2650:
2646:
2633:
2629:
2624:
2620:
2612:
2608:
2599:
2595:
2573:
2572:
2568:
2553:
2546:
2541:
2537:
2532:
2528:
2523:
2519:
2514:
2510:
2506:Anderson, p. 78
2505:
2501:
2496:
2492:
2487:
2483:
2474:
2467:
2458:
2454:
2449:
2445:
2428:
2424:
2415:
2411:
2406:
2402:
2397:
2393:
2388:
2384:
2379:
2375:
2362:
2361:
2357:
2352:
2348:
2336:
2332:
2319:
2298:
2288:
2278:
2261:
2257:
2252:
2251:
2246:
2242:
2214:
2210:
2205:
2200:
2192:List of dancers
2188:
1851:
1746:
1729:Helpmann Awards
1663:Knight Bachelor
1643:
1585:
1563:Joan Sutherland
1555:San Diego Opera
1535:, he toured in
1420:Sarah Bernhardt
1394:
1377:Financial Times
1250:
1204:The success of
1151:Kathleen Gorham
1047:
1017:Michael Wilding
980:, Saturnius in
927:as Caliban and
921:Michael Hordern
868:, conducted by
800:
762:, which he and
750:Leonid Andreyev
745:The White Devil
732:Duchess Theatre
711:The Royal Opera
667:
663:
589:
558:as Titania and
420:
412:Stephanie Deste
370:The Merry Widow
311:
306:
304:Life and career
298:Helpmann Awards
255:Igor Stravinsky
130:
107:
101:
97:
88:
82:
76:
74:
73:
72:
62:
59:
44:
39:
37:
28:
23:
22:
15:
12:
11:
5:
5304:
5302:
5294:
5293:
5288:
5283:
5278:
5273:
5268:
5263:
5258:
5253:
5248:
5243:
5238:
5233:
5228:
5223:
5218:
5213:
5208:
5203:
5198:
5193:
5188:
5183:
5178:
5173:
5168:
5163:
5158:
5153:
5143:
5142:
5136:
5135:
5133:
5132:
5119:
5117:Taryn Brumfitt
5111:
5103:
5095:
5086:
5084:
5080:
5079:
5077:
5076:
5073:Richard Harris
5063:
5055:
5047:
5045:David Morrison
5039:
5031:
5023:
5015:
5007:
4999:
4990:
4988:
4984:
4983:
4981:
4980:
4972:
4964:
4956:
4948:
4940:
4932:
4924:
4916:
4914:Peter Cosgrove
4908:
4899:
4897:
4893:
4892:
4890:
4889:
4881:
4873:
4865:
4857:
4849:
4841:
4833:
4825:
4817:
4808:
4806:
4802:
4801:
4799:
4798:
4790:
4782:
4774:
4766:
4758:
4750:
4742:
4734:
4726:
4717:
4715:
4711:
4710:
4708:
4707:
4701:Neville Bonner
4695:
4683:
4681:Murray Tyrrell
4671:
4663:
4657:John Cornforth
4651:
4649:Bernard Heinze
4643:
4635:
4627:
4619:
4610:
4608:
4604:
4603:
4601:
4600:
4592:
4584:
4576:
4568:
4560:
4552:
4544:
4536:
4528:
4519:
4517:
4513:
4512:
4502:
4500:
4499:
4492:
4485:
4477:
4468:
4467:
4465:
4464:
4459:
4452:
4449:
4448:
4446:
4445:
4440:
4435:
4430:
4425:
4420:
4415:
4410:
4405:
4400:
4395:
4390:
4385:
4380:
4375:
4370:
4365:
4360:
4355:
4349:
4347:
4343:
4342:
4340:
4339:
4334:
4329:
4323:
4321:
4317:
4316:
4314:
4313:
4308:
4303:
4297:
4295:
4294:Special awards
4291:
4290:
4288:
4287:
4282:
4277:
4272:
4266:
4264:
4260:
4259:
4257:
4256:
4251:
4246:
4241:
4236:
4231:
4226:
4220:
4218:
4214:
4213:
4211:
4210:
4205:
4200:
4194:
4192:
4188:
4187:
4185:
4184:
4179:
4174:
4169:
4164:
4158:
4156:
4150:
4149:
4147:
4146:
4141:
4136:
4131:
4126:
4121:
4116:
4111:
4106:
4100:
4098:
4092:
4091:
4089:
4088:
4083:
4078:
4073:
4068:
4063:
4058:
4052:
4050:
4046:
4045:
4043:
4042:
4037:
4032:
4027:
4022:
4017:
4011:
4009:
4005:
4004:
3999:
3997:
3996:
3989:
3982:
3974:
3966:
3965:
3960:
3957:
3948:
3946:Advisory Board
3945:
3941:
3940:
3934:
3933:
3927:
3922:
3917:
3911:
3905:
3899:
3893:
3882:
3881:External links
3879:
3878:
3877:
3864:(3): 441–480.
3853:
3832:(2): 229–283.
3821:
3787:
3784:
3783:
3782:
3776:
3763:
3757:
3744:
3738:
3725:
3719:
3706:
3700:
3687:
3681:
3668:
3662:
3645:
3639:
3626:
3609:
3592:
3586:
3573:
3567:
3554:
3548:
3533:
3530:
3528:
3525:
3523:
3522:
3520:, 5 July 2000.
3506:
3487:
3468:
3449:
3432:
3419:
3406:
3393:
3381:
3364:
3346:
3333:
3317:
3299:Metzger, Derek
3290:
3278:
3261:
3238:
3236:, New Zealand.
3223:
3201:
3188:
3175:
3163:
3154:
3145:
3143:Salter, p. 238
3136:
3127:
3108:
3099:
3080:
3066:
3057:
3055:Simpson, p. 18
3048:
3035:
3026:
3013:
3000:
2974:
2965:
2956:
2947:
2926:
2917:
2908:
2895:
2886:
2877:
2864:
2862:Castle, p. 213
2855:
2842:
2830:
2817:
2798:
2785:
2773:
2761:
2748:
2720:
2701:
2692:
2683:
2674:
2662:
2653:
2644:
2627:
2618:
2606:
2593:
2566:
2544:
2535:
2526:
2517:
2508:
2499:
2490:
2481:
2465:
2452:
2443:
2422:
2409:
2400:
2391:
2382:
2373:
2355:
2346:
2342:The Advertiser
2330:
2296:
2258:
2256:
2253:
2250:
2249:
2240:
2207:
2206:
2204:
2201:
2199:
2196:
2195:
2194:
2187:
2184:
2181:
2180:
2177:
2174:
2169:
2165:
2164:
2161:
2158:
2151:
2147:
2146:
2143:
2140:
2132:
2131:
2129:
2126:
2119:
2115:
2114:
2112:
2109:
2106:The Mango Tree
2102:
2098:
2097:
2095:
2090:
2083:
2079:
2078:
2076:
2074:The Mad Hatter
2071:
2064:
2060:
2059:
2057:
2052:
2045:
2041:
2040:
2038:
2035:
2028:
2024:
2023:
2021:
2016:
2009:
2005:
2004:
2002:
1997:
1990:
1986:
1985:
1983:
1980:
1972:
1971:
1969:
1966:
1959:
1955:
1954:
1952:
1949:
1942:
1938:
1937:
1935:
1932:
1925:
1921:
1920:
1918:
1915:
1908:
1904:
1903:
1901:
1896:
1889:
1885:
1884:
1881:
1878:
1871:
1867:
1866:
1863:
1860:
1857:
1850:
1847:
1846:
1845:
1835:
1825:
1815:
1807:
1801:
1795:
1789:
1783:
1777:
1763:
1753:
1745:
1742:
1717:
1716:
1681:
1680:
1642:
1639:
1623:Prime Minister
1615:
1614:
1584:
1581:
1561:, he directed
1551:The Mery Widow
1529:Googie Withers
1515:'s play about
1513:Justin Fleming
1462:Harvey Schmidt
1443:cast recording
1439:Derek Williams
1402:Anthony Dowell
1393:
1390:
1249:
1246:
1121:Rudolf Nureyev
1078:and featuring
1076:Malcolm Arnold
1066:Duel of Angels
1061:Jean Giraudoux
1046:
1043:
938:After the Ball
925:Richard Burton
885:as Becket. On
799:
796:
764:Leonid Massine
655:
651:William Walton
588:
585:
573:
572:
546:Tyrone Guthrie
513:Margot Fonteyn
507:, to music by
499:, and in 1936
493:Sadler's Wells
462:Alicia Markova
439:Margot Fonteyn
419:
416:
310:
307:
305:
302:
286:Prime Minister
251:a film version
173:Margot Fonteyn
169:Alicia Markova
140:
139:
136:
132:
131:
129:
128:
125:
122:
119:
115:
113:
109:
108:
102:
100:(aged 77)
94:
90:
89:
83:
70:
68:
64:
63:
54:
46:
45:
38:
35:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
5303:
5292:
5289:
5287:
5284:
5282:
5279:
5277:
5274:
5272:
5269:
5267:
5264:
5262:
5259:
5257:
5254:
5252:
5249:
5247:
5244:
5242:
5239:
5237:
5234:
5232:
5229:
5227:
5224:
5222:
5219:
5217:
5214:
5212:
5209:
5207:
5204:
5202:
5199:
5197:
5194:
5192:
5189:
5187:
5184:
5182:
5179:
5177:
5174:
5172:
5169:
5167:
5164:
5162:
5159:
5157:
5154:
5152:
5149:
5148:
5146:
5130:
5126:
5125:Georgina Long
5120:
5118:
5112:
5110:
5104:
5102:
5096:
5094:
5088:
5087:
5085:
5081:
5074:
5070:
5069:Craig Challen
5064:
5062:
5056:
5054:
5048:
5046:
5040:
5038:
5032:
5030:
5024:
5022:
5016:
5014:
5013:Geoffrey Rush
5008:
5006:
5000:
4998:
4992:
4991:
4989:
4985:
4979:
4973:
4971:
4970:Lee Kernaghan
4965:
4963:
4957:
4955:
4949:
4947:
4941:
4939:
4933:
4931:
4930:Fiona Stanley
4925:
4923:
4917:
4915:
4909:
4907:
4906:Gustav Nossal
4901:
4900:
4898:
4894:
4888:
4882:
4880:
4879:Cathy Freeman
4874:
4872:
4871:Peter Doherty
4866:
4864:
4858:
4856:
4850:
4848:
4842:
4840:
4834:
4832:
4826:
4824:
4818:
4816:
4810:
4809:
4807:
4803:
4797:
4791:
4789:
4783:
4781:
4775:
4773:
4767:
4765:
4759:
4757:
4751:
4749:
4743:
4741:
4735:
4733:
4732:John Crawford
4727:
4725:
4724:Manning Clark
4719:
4718:
4716:
4712:
4706:
4702:
4696:
4694:
4690:
4684:
4682:
4678:
4672:
4670:
4669:Edward Dunlop
4664:
4662:
4661:Alan Stretton
4658:
4652:
4650:
4644:
4642:
4641:Patrick White
4636:
4634:
4628:
4626:
4620:
4618:
4617:Norman Gilroy
4612:
4611:
4609:
4605:
4599:
4593:
4591:
4585:
4583:
4577:
4575:
4569:
4567:
4561:
4559:
4553:
4551:
4545:
4543:
4542:Jock Sturrock
4537:
4535:
4529:
4527:
4521:
4520:
4518:
4514:
4509:
4505:
4498:
4493:
4491:
4486:
4484:
4479:
4478:
4475:
4463:
4460:
4457:
4454:
4453:
4450:
4444:
4441:
4439:
4436:
4434:
4431:
4429:
4426:
4424:
4421:
4419:
4416:
4414:
4411:
4409:
4406:
4404:
4401:
4399:
4396:
4394:
4391:
4389:
4386:
4384:
4381:
4379:
4376:
4374:
4371:
4369:
4366:
4364:
4361:
4359:
4356:
4354:
4351:
4350:
4348:
4344:
4338:
4335:
4333:
4330:
4328:
4325:
4324:
4322:
4318:
4312:
4309:
4307:
4304:
4302:
4299:
4298:
4296:
4292:
4286:
4283:
4281:
4278:
4276:
4273:
4271:
4268:
4267:
4265:
4261:
4255:
4252:
4250:
4247:
4245:
4242:
4240:
4237:
4235:
4232:
4230:
4227:
4225:
4222:
4221:
4219:
4215:
4209:
4206:
4204:
4201:
4199:
4196:
4195:
4193:
4189:
4183:
4180:
4178:
4175:
4173:
4170:
4168:
4165:
4163:
4160:
4159:
4157:
4151:
4145:
4142:
4140:
4137:
4135:
4132:
4130:
4127:
4125:
4122:
4120:
4117:
4115:
4112:
4110:
4107:
4105:
4102:
4101:
4099:
4093:
4087:
4084:
4082:
4079:
4077:
4074:
4072:
4069:
4067:
4064:
4062:
4059:
4057:
4054:
4053:
4051:
4047:
4041:
4038:
4036:
4033:
4031:
4028:
4026:
4023:
4021:
4018:
4016:
4013:
4012:
4010:
4006:
4002:
3995:
3990:
3988:
3983:
3981:
3976:
3975:
3972:
3963:
3954:
3953:
3942:
3937:
3931:
3928:
3926:
3923:
3921:
3918:
3915:
3912:
3909:
3906:
3903:
3900:
3897:
3894:
3892:
3888:
3885:
3884:
3880:
3871:
3867:
3863:
3859:
3854:
3847:
3843:
3839:
3835:
3831:
3827:
3822:
3815:
3811:
3807:
3803:
3799:
3795:
3790:
3789:
3785:
3779:
3773:
3769:
3764:
3760:
3754:
3750:
3745:
3741:
3735:
3731:
3726:
3722:
3716:
3712:
3707:
3703:
3697:
3693:
3688:
3684:
3678:
3674:
3669:
3665:
3659:
3654:
3653:
3646:
3642:
3636:
3632:
3627:
3623:
3619:
3615:
3610:
3606:
3602:
3598:
3593:
3589:
3583:
3579:
3574:
3570:
3564:
3560:
3555:
3551:
3545:
3541:
3536:
3535:
3531:
3526:
3519:
3515:
3510:
3507:
3503:
3499:
3496:
3491:
3488:
3484:
3480:
3477:
3472:
3469:
3465:
3461:
3458:
3453:
3450:
3446:
3442:
3436:
3433:
3429:
3423:
3420:
3416:
3410:
3407:
3403:
3397:
3394:
3390:
3385:
3382:
3377:
3376:
3368:
3365:
3359:
3357:
3355:
3353:
3351:
3347:
3343:
3337:
3334:
3330:
3326:
3321:
3318:
3314:
3310:
3309:
3304:
3300:
3294:
3291:
3287:
3282:
3279:
3276:
3275:
3270:
3265:
3262:
3258:
3257:
3252:
3248:
3242:
3239:
3235:
3234:
3233:Waikato Times
3227:
3224:
3218:
3216:
3214:
3212:
3210:
3208:
3206:
3202:
3198:
3192:
3189:
3185:
3179:
3176:
3170:
3168:
3164:
3158:
3155:
3149:
3146:
3140:
3137:
3131:
3128:
3124:
3120:
3117:
3112:
3109:
3103:
3100:
3096:
3092:
3087:
3085:
3081:
3075:
3073:
3071:
3067:
3061:
3058:
3052:
3049:
3045:
3039:
3036:
3030:
3027:
3023:
3017:
3014:
3010:
3004:
3001:
2989:
2985:
2978:
2975:
2969:
2966:
2960:
2957:
2951:
2948:
2944:
2940:
2936:
2930:
2927:
2921:
2918:
2912:
2909:
2905:
2899:
2896:
2890:
2887:
2881:
2878:
2874:
2868:
2865:
2859:
2856:
2852:
2846:
2843:
2839:
2834:
2831:
2827:
2821:
2818:
2814:
2810:
2807:
2802:
2799:
2795:
2789:
2786:
2782:
2777:
2774:
2768:
2766:
2762:
2758:
2752:
2749:
2743:
2741:
2739:
2737:
2735:
2733:
2731:
2729:
2727:
2725:
2721:
2717:
2713:
2710:
2705:
2702:
2696:
2693:
2687:
2684:
2678:
2675:
2669:
2667:
2663:
2657:
2654:
2648:
2645:
2641:
2637:
2631:
2628:
2622:
2619:
2615:
2610:
2607:
2603:
2597:
2594:
2589:
2585:
2582:(52): 79–85.
2581:
2577:
2570:
2567:
2564:
2560:
2556:
2551:
2549:
2545:
2539:
2536:
2530:
2527:
2521:
2518:
2512:
2509:
2503:
2500:
2494:
2491:
2485:
2482:
2478:
2472:
2470:
2466:
2462:
2456:
2453:
2447:
2444:
2440:
2436:
2432:
2426:
2423:
2419:
2413:
2410:
2404:
2401:
2395:
2392:
2386:
2383:
2377:
2374:
2369:
2365:
2359:
2356:
2350:
2347:
2343:
2339:
2334:
2331:
2327:
2323:
2317:
2315:
2313:
2311:
2309:
2307:
2305:
2303:
2301:
2297:
2292:
2286:
2282:
2276:
2274:
2272:
2270:
2268:
2266:
2264:
2260:
2254:
2244:
2241:
2237:
2236:
2231:
2230:
2225:
2224:
2218:
2212:
2209:
2202:
2197:
2193:
2190:
2189:
2185:
2178:
2175:
2173:
2170:
2167:
2166:
2162:
2159:
2157:
2156:
2152:
2149:
2148:
2144:
2141:
2139:
2138:
2134:
2133:
2130:
2128:Doctor Roget
2127:
2125:
2124:
2120:
2116:
2113:
2110:
2108:
2107:
2103:
2100:
2099:
2096:
2094:
2091:
2089:
2088:
2084:
2081:
2080:
2077:
2075:
2072:
2070:
2069:
2065:
2062:
2061:
2058:
2056:
2055:Child Catcher
2053:
2051:
2050:
2046:
2043:
2042:
2039:
2036:
2034:
2033:
2029:
2026:
2025:
2022:
2020:
2017:
2015:
2014:
2010:
2007:
2006:
2003:
2001:
1998:
1996:
1995:
1991:
1988:
1987:
1984:
1982:The Reverend
1981:
1979:
1978:
1977:The Big Money
1974:
1973:
1970:
1967:
1965:
1964:
1960:
1956:
1953:
1950:
1948:
1947:
1943:
1940:
1939:
1936:
1933:
1931:
1930:
1929:The Red Shoes
1926:
1923:
1922:
1919:
1916:
1914:
1913:
1909:
1906:
1905:
1902:
1900:
1899:Bishop of Ely
1897:
1895:
1894:
1890:
1887:
1886:
1882:
1879:
1877:
1876:
1872:
1869:
1868:
1864:
1861:
1858:
1855:
1854:
1848:
1843:
1842:Jean Sibelius
1839:
1836:
1833:
1829:
1826:
1823:
1819:
1816:
1813:
1812:
1808:
1805:
1802:
1799:
1796:
1793:
1790:
1787:
1784:
1781:
1778:
1775:
1771:
1770:Henry Purcell
1767:
1764:
1761:
1757:
1754:
1751:
1748:
1747:
1743:
1741:
1739:
1735:
1730:
1726:
1722:
1713:
1712:
1711:
1710:said of him:
1709:
1708:
1703:
1702:Moira Shearer
1699:
1698:
1693:
1692:
1686:
1677:
1676:
1675:
1673:
1672:
1666:
1664:
1660:
1656:
1652:
1648:
1640:
1638:
1636:
1632:
1628:
1624:
1620:
1611:
1610:
1609:
1607:
1602:
1598:
1594:
1590:
1582:
1580:
1578:
1574:
1573:
1568:
1564:
1560:
1556:
1552:
1548:
1547:
1542:
1538:
1534:
1533:John McCallum
1530:
1526:
1522:
1518:
1514:
1510:
1506:
1505:
1500:
1495:
1493:
1489:
1488:Irving Wardle
1485:
1481:
1480:
1475:
1471:
1467:
1463:
1459:
1454:
1452:
1448:
1444:
1440:
1436:
1432:
1427:
1425:
1421:
1417:
1413:
1412:
1407:
1403:
1399:
1391:
1389:
1387:
1383:
1379:
1378:
1373:
1369:
1365:
1361:
1357:
1352:
1350:
1346:
1341:
1338:
1333:
1331:
1326:
1325:
1320:
1315:
1313:
1309:
1308:
1303:
1302:Marius Petipa
1299:
1295:
1291:
1287:
1283:
1279:
1275:
1274:
1273:Twelfth Night
1269:
1268:
1263:
1262:Donald Sinden
1259:
1255:
1247:
1245:
1241:
1239:
1238:
1233:
1232:Child Catcher
1229:
1228:
1222:
1220:
1216:
1212:
1207:
1199:
1198:
1193:
1192:Child Catcher
1188:
1184:
1182:
1181:John Truscott
1178:
1177:
1171:
1170:
1165:
1160:
1158:
1157:
1152:
1148:
1144:
1143:
1138:
1134:
1130:
1126:
1122:
1118:
1114:
1110:
1105:
1103:
1102:
1097:
1093:
1092:Derek Rencher
1089:
1085:
1081:
1077:
1073:
1068:
1067:
1062:
1058:
1054:
1053:
1044:
1042:
1040:
1039:
1034:
1030:
1026:
1022:
1018:
1014:
1010:
1009:
1004:
1003:
998:
993:
991:
990:
985:
984:
979:
978:
973:
969:
965:
964:
959:
958:
952:
950:
949:
944:
940:
939:
934:
930:
926:
923:as Prospero,
922:
918:
917:
912:
911:Geraint Evans
908:
907:Hugues Cuénod
904:
900:
899:
894:
893:
888:
884:
880:
879:
873:
871:
867:
866:
861:
857:
856:
851:
847:
843:
842:
837:
833:
832:
827:
823:
819:
818:
809:
804:
797:
795:
793:
789:
788:Paul Scofield
785:
784:
780:, Shylock in
779:
778:
773:
769:
765:
761:
760:
759:The Red Shoes
755:
751:
747:
746:
741:
737:
733:
728:
726:
722:
721:
716:
712:
708:
704:
700:
699:David Webster
695:
693:
692:
687:
683:
682:
676:
672:
666:
660:
654:
652:
648:
644:
640:
636:
632:
631:
626:
622:
621:
616:
615:
611:
607:
603:
599:
594:
586:
584:
582:
578:
569:
568:
567:
565:
561:
557:
553:
552:
547:
542:
540:
539:
534:
530:
526:
525:
520:
519:
514:
510:
506:
502:
498:
494:
490:
489:Irving Berlin
486:
483:
479:
475:
474:
469:
468:
463:
459:
458:
450:
449:
444:
440:
437:Helpmann and
435:
431:
429:
425:
417:
415:
413:
408:
406:
402:
398:
394:
393:
388:
387:
382:
378:
377:
372:
371:
366:
365:
360:
356:
352:
348:
344:
340:
335:
332:
328:
324:
315:
308:
303:
301:
299:
295:
291:
287:
283:
278:
276:
275:
270:
269:Child Catcher
267:) and as the
266:
262:
261:
256:
252:
248:
244:
243:
238:
237:
236:The Red Shoes
233:), including
232:
231:
226:
225:
220:
216:
211:
209:
205:
201:
197:
193:
189:
184:
182:
178:
174:
170:
166:
162:
158:
154:
149:
146:
137:
133:
127:choreographer
126:
123:
120:
118:Ballet dancer
117:
116:
114:
110:
105:
95:
91:
86:
69:
65:
52:
47:
42:
33:
30:
19:
5109:Dylan Alcott
5093:James Muecke
5021:Ita Buttrose
5005:Simon McKeon
4962:Tim Flannery
4838:
4815:Fred Hollows
4796:Allan Border
4780:John Farnham
4705:Harry Butler
4574:Jack Brabham
4565:
4526:Frank Burnet
4461:
4056:Best Musical
3950:
3861:
3857:
3829:
3825:
3797:
3793:
3767:
3748:
3729:
3710:
3691:
3672:
3651:
3630:
3613:
3596:
3577:
3558:
3539:
3517:
3509:
3490:
3471:
3452:
3444:
3435:
3428:The Guardian
3427:
3422:
3414:
3409:
3401:
3396:
3388:
3384:
3373:
3367:
3341:
3336:
3320:
3307:
3293:
3281:
3272:
3264:
3254:
3246:
3241:
3231:
3226:
3196:
3191:
3183:
3178:
3157:
3148:
3139:
3130:
3116:"Cinderella"
3111:
3102:
3094:
3060:
3051:
3043:
3038:
3029:
3021:
3020:"Theatres",
3016:
3008:
3003:
2991:. Retrieved
2987:
2977:
2968:
2959:
2950:
2943:The Observer
2942:
2939:The Guardian
2938:
2934:
2929:
2920:
2911:
2903:
2898:
2889:
2880:
2872:
2867:
2858:
2850:
2845:
2833:
2825:
2820:
2801:
2793:
2788:
2776:
2756:
2751:
2704:
2695:
2686:
2677:
2656:
2647:
2639:
2635:
2630:
2625:Mazer, p. 98
2621:
2613:
2609:
2602:The Observer
2601:
2596:
2579:
2569:
2538:
2529:
2520:
2511:
2502:
2493:
2484:
2476:
2460:
2455:
2446:
2438:
2434:
2430:
2425:
2417:
2412:
2403:
2394:
2385:
2376:
2367:
2358:
2349:
2341:
2333:
2325:
2284:
2243:
2233:
2227:
2221:
2217:numerologist
2211:
2171:
2153:
2135:
2121:
2104:
2085:
2066:
2047:
2030:
2011:
1992:
1975:
1961:
1944:
1927:
1910:
1891:
1873:
1838:Perisynthyon
1837:
1827:
1820:. Music by
1817:
1809:
1803:
1797:
1791:
1785:
1779:
1772:arranged by
1765:
1755:
1749:
1738:Tyler Coppin
1733:
1718:
1705:
1695:
1691:The Guardian
1689:
1684:
1682:
1669:
1667:
1644:
1616:
1606:Stan Collard
1586:
1576:
1570:
1550:
1544:
1540:
1520:
1502:
1496:
1491:
1477:
1474:Sandy Wilson
1465:
1464:'s musical,
1455:
1445:produced by
1430:
1428:
1423:
1416:Lilli Palmer
1409:
1397:
1395:
1385:
1381:
1375:
1371:
1367:
1363:
1356:Peter Wright
1353:
1345:Perisynthyon
1344:
1342:
1334:
1329:
1322:
1316:
1311:
1305:
1297:
1284:brought the
1271:
1265:
1251:
1242:
1235:
1225:
1223:
1218:
1214:
1210:
1205:
1203:
1195:
1174:
1167:
1161:
1154:
1140:
1133:Sidney Nolan
1106:
1099:
1095:
1088:Monica Mason
1080:Nadia Nerina
1071:
1064:
1050:
1048:
1036:
1032:
1028:
1024:
1020:
1013:John Gielgud
1006:
1000:
994:
987:
981:
975:
971:
968:John Neville
961:
960:, Angelo in
955:
953:
946:
936:
929:Claire Bloom
914:
896:
890:
883:Robert Donat
876:
874:
863:
853:
839:
829:
815:
813:
807:
791:
781:
775:
757:
753:
743:
740:John Webster
729:
718:
714:
696:
689:
679:
668:
662:
657:
647:Saint George
642:
628:
625:Arthur Bliss
618:
612:
605:
597:
590:
574:
563:
556:Vivien Leigh
549:
543:
536:
532:
528:
522:
516:
504:
496:
484:
471:
465:
455:
453:
446:
421:
409:
390:
384:
380:
376:The New Moon
374:
368:
362:
358:
347:Anna Pavlova
336:
330:
320:
279:
272:
264:
258:
240:
234:
228:
227:) and 1984 (
222:
212:
185:
156:
144:
143:
98:(1986-09-28)
81:9 April 1909
29:
5251:Gay dancers
5156:1986 deaths
5151:1909 births
5037:Rosie Batty
5029:Adam Goodes
4978:Mick Dodson
4938:Steve Waugh
4887:Mark Taylor
4855:Arthur Boyd
4847:Ian Kiernan
4633:Shane Gould
4590:Lionel Rose
4582:The Seekers
4558:Dawn Fraser
4550:John Eccles
3800:(1): 1–72.
2849:"Old Vic",
2709:"Adam Zero"
2475:"Old Vic",
2163:Final film
2093:Don Quixote
2087:Don Quixote
2000:Prince Tuan
1883:Film debut
1849:Filmography
1840:. Music by
1830:. Music by
1822:Yuzo Toyama
1811:The Display
1768:. Music by
1517:Oscar Wilde
1312:Don Quixote
1307:Don Quixote
1282:Peter Pears
1217:(1966) and
1206:The Display
1166:'s musical
1142:The Display
1125:Sonia Arova
1084:David Blair
989:Richard III
943:Oscar Wilde
941:, based on
935:'s musical
933:Noël Coward
916:The Tempest
742:'s tragedy
675:Peter Brook
614:Gli uccelli
591:During the
577:James Agate
527:, Ashton's
505:Apparitions
401:Marie Burke
355:Franz Lehár
309:Early years
196:Shakespeare
190:and in the
188:the Old Vic
112:Occupations
87:, Australia
60: 1945
5145:Categories
5101:Grace Tame
4954:Ian Frazer
4946:Fiona Wood
4922:Pat Rafter
4788:Kay Cottee
4772:Dick Smith
4764:Paul Hogan
4598:Lord Casey
4346:Ceremonies
4104:Best Opera
3916:– NLA News
3269:Cryer, Max
2435:The Tatler
2255:References
2229:The Tatler
2160:The Devil
2111:Professor
1760:Wendy Toye
1572:I Puritani
1537:Ted Willis
1458:Diana Rigg
1332:for them.
1324:Cinderella
1258:Judi Dench
1117:Erik Bruhn
671:Ivor Brown
610:Respighi's
608:(1942, to
485:Stop Press
405:Maisie Gay
381:Queen High
171:and later
77:1909-04-09
55:Helpmann,
4689:Alan Bond
4677:Raigh Roe
4153:Dance and
4095:Opera and
4015:Best Play
3605:558068771
3457:"History"
3415:The Times
3402:The Times
3375:The Times
3342:The Times
3301:, 1962-,
3184:The Times
3044:The Times
3022:The Times
3009:The Times
2935:The Times
2904:The Times
2873:The Times
2851:The Times
2826:The Times
2794:The Times
2757:The Times
2640:The Times
2477:The Times
2461:The Times
2431:The Times
2418:The Stage
2293:required)
2223:The Times
2179:TV movie
2145:TV movie
2142:Shepherd
2019:The Devil
1828:Sun Music
1798:Adam Zero
1786:The Birds
1756:Danse, La
1685:The Times
1665:in 1968.
1627:Bob Hawke
1599:. In the
1589:emphysema
1577:Checkmate
1521:The Cobra
1501:'s opera
1492:The Times
1490:wrote in
1408:'s opera
1386:Checkmate
1372:The Times
1364:Checkmate
1256:, led by
1219:Sun Music
1096:Swan Lake
1038:Petrushka
1002:Nekrassov
892:Swan Lake
777:King John
720:Adam Zero
643:The Quest
606:The Birds
564:The Times
538:Checkmate
473:Swan Lake
467:The Times
359:Frasquita
290:Bob Hawke
247:the Devil
138:1927−1986
4839:no award
4217:Industry
3786:Journals
3498:Archived
3479:Archived
3460:Archived
3329:Carl Doy
3119:Archived
2993:2 August
2809:Archived
2712:Archived
2588:41514376
2563:45571357
2186:See also
1917:Wycroft
1880:De Jong
1553:for the
1541:Stardust
1539:'s play
1525:Mark Lee
1479:Valmouth
1447:Carl Doy
1382:Coppélia
1368:Coppélia
1354:In 1977
1221:(1968).
1129:lyrebird
1107:In 1962
1063:'s play
1057:Mary Ure
1029:Coppélia
846:Broadway
736:West End
725:Everyman
694:(1944).
524:Coppélia
392:Tip-Toes
192:West End
18:Helpmann
5131:(joint)
5075:(joint)
4863:John Yu
4506:of the
4504:Winners
4320:Retired
4049:Musical
4008:Theatre
3870:1568030
3846:1568039
3814:1567998
3622:5997224
3527:Sources
2988:Filmink
2439:The Era
2368:The Age
2235:The Era
2123:Patrick
1912:Caravan
1893:Henry V
1804:Elektra
1715:ballet.
1617:In the
1567:Bellini
1523:, with
1482:at the
1470:Seattle
1466:Colette
1290:Pompeii
1215:Elektra
1169:Camelot
1072:Elektra
820:, with
734:in the
691:Henry V
633:set to
566:wrote:
364:Katinka
175:. When
157:Helpman
3868:
3844:
3812:
3774:
3755:
3736:
3717:
3698:
3679:
3660:
3637:
3620:
3603:
3584:
3565:
3546:
3389:Quoted
2614:Quoted
2586:
2561:
2137:Puzzle
1865:Notes
1859:Title
1780:Hamlet
1758:(with
1608:said:
1601:Senate
1499:Gounod
1411:Alcina
1406:Handel
1398:Hamlet
1298:Hamlet
1123:, and
1025:Hamlet
810:, 1953
792:Hamlet
630:Hamlet
602:Milton
448:Façade
284:. The
208:Sartre
204:Coward
104:Sydney
5083:2020s
4987:2010s
4896:2000s
4805:1990s
4714:1980s
4607:1970s
4516:1960s
4510:Award
4458:(LPA)
4263:Other
3956:1970
3866:JSTOR
3842:JSTOR
3810:JSTOR
3532:Books
3286:Aloha
2584:JSTOR
2203:Notes
2168:1987
2150:1984
2118:1978
2101:1977
2082:1973
2063:1972
2044:1968
2037:Weng
2027:1966
2008:1964
1989:1963
1958:1956
1941:1951
1924:1948
1907:1946
1888:1944
1870:1942
1862:Role
1856:Year
1818:Yugen
1766:Comus
1736:, by
1583:Death
1509:Bosie
1431:Aloha
1392:1980s
1264:, in
1248:1970s
1211:Yugen
1045:1960s
881:with
862:film
798:1950s
598:Comus
587:1940s
509:Liszt
491:. At
482:revue
245:, as
121:actor
5122:2024
5114:2023
5106:2022
5098:2021
5090:2020
5066:2019
5058:2018
5050:2017
5042:2016
5034:2015
5026:2014
5018:2013
5010:2012
5002:2011
4994:2010
4975:2009
4967:2008
4959:2007
4951:2006
4943:2005
4935:2004
4927:2003
4919:2002
4911:2001
4903:2000
4884:1999
4876:1998
4868:1997
4860:1996
4852:1995
4844:1994
4836:1993
4828:1992
4820:1991
4812:1990
4793:1989
4785:1988
4777:1987
4769:1986
4761:1985
4753:1984
4745:1983
4737:1982
4729:1981
4721:1980
4698:1979
4686:1978
4674:1977
4666:1976
4654:1975
4646:1974
4638:1973
4630:1972
4622:1971
4614:1970
4595:1969
4587:1968
4579:1967
4571:1966
4563:1965
4555:1964
4547:1963
4539:1962
4531:1961
4523:1960
4443:2019
4438:2018
4433:2017
4428:2016
4423:2015
4418:2014
4413:2013
4408:2012
4403:2011
4398:2010
4393:2009
4388:2008
4383:2007
4378:2006
4373:2005
4368:2004
4363:2003
4358:2002
4353:2001
3891:IMDb
3772:ISBN
3753:ISBN
3734:ISBN
3715:ISBN
3696:ISBN
3677:ISBN
3658:ISBN
3635:ISBN
3618:OCLC
3601:OCLC
3582:ISBN
3578:Noël
3563:ISBN
3544:ISBN
2995:2024
2559:OCLC
2232:and
1719:The
1621:the
1531:and
1384:and
1328:his
1319:drag
1280:and
1270:and
1260:and
1090:and
1035:and
909:and
836:Shaw
834:and
709:and
403:and
389:and
200:Shaw
93:Died
67:Born
3889:at
3834:doi
3802:doi
1668:In
1655:CBE
1569:'s
1565:in
1511:in
1476:'s
1460:in
1234:in
1059:in
999:'s
945:'s
838:'s
770:at
752:'s
688:'s
639:RAF
617:),
604:),
445:'s
441:in
357:'s
331:née
271:in
253:of
249:in
148:CBE
41:CBE
5147::
3862:21
3860:.
3840:.
3830:21
3828:.
3808:.
3798:21
3796:.
3516:,
3443:,
3349:^
3253:.
3249:.
3204:^
3166:^
3093:,
3083:^
3069:^
2986:.
2764:^
2723:^
2665:^
2578:.
2547:^
2468:^
2366:.
2340:,
2324:,
2299:^
2283:,
2262:^
2226:,
1740:.
1625:,
1519:,
1486:.
1453:.
1426:.
1422:,
1276:;
1159:.
1119:,
1104:.
1086:,
1082:,
1031:,
1027:,
1023:,
992:.
905:,
794:.
399:,
383:,
379:,
373:,
367:,
288:,
277:.
239:,
206:,
202:,
153:né
57:c.
5127:/
5071:/
4703:/
4691:/
4679:/
4659:/
4496:e
4489:t
4482:v
3993:e
3986:t
3979:v
3872:.
3848:.
3836::
3816:.
3804::
3780:.
3761:.
3742:.
3723:.
3704:.
3685:.
3666:.
3643:.
3624:.
3607:.
3590:.
3571:.
3552:.
3331:.
3315:.
3259:.
2997:.
2590:.
1200:.
263:(
150:(
79:)
75:(
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
