Knowledge (XXG)

Henry Clifford (opera)

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merits of a composer who has excelled as an outstanding concert pianist; he has triumphed over the suspicions and fears of the theater management...; Albéniz, finally, has succeeded in becoming a prophet in his own country." The critic blamed the shortness of the run on inadequate rehearsal, a lack of support from the theater's management, and the fact that the first performances were at the end of the season.
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reported that the "applause, acclamations, and shouts of enthusiasm ... still sound in our ears." The Spanish critic J. Roca y Roca, writing in the same newspaper, said: "Albéniz triumphed over everything: over the distrust of certain unimaginative spirits ill-disposed to recognize the superior
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on 8 May 1895. The singers included Emanuel Suagnes in the title role, Angelica Nava as Lady Clifford, and AndrĂ©s PerellĂČ de Segurola as Sir John Saint-John. Although the opera was originally written in English, Italian was standard at the Liceo, and an
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Principal singers: Aquiles Machado (Henry Clifford); Alessandra Marc (Lady Clifford); Carlos Álvarez (Sir John Saint John); Jane Henschel (Lady Saint John); Ana Maria Martínez (Annie Saint John); Christian Immler (Colin); Ángel Rodríguez
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libretto was supplied by Giuseppe M. Arteaga Pereira. The libretto was published in both English and Italian (Barcelona: J.B. Pujol, 1895). The work was given five performances with the final performance on May 12.
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Baxter, Sue (White Label Productions Limited), ed., Libretto & booklet for CD recording Decca 473 937-2, Ediciones Iberautor/Instituto Complutense de Cencias Musicales (ICCMU), 2003.
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as singing in the premiere, although does not specify the role. The discrepancy may have come from the fact that Darclée sang in the same theatre on 7 May 1895 (the day before the
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was written in 1893–95, the first of a series of operas by AlbĂ©niz which were commissioned and supplied with English libretti by the wealthy Englishman
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for the second act. After a few months he became uncomfortable with the conservative cultural conditions under the
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on 8 May 1895. The opera is based on historical figures and events and is set in 15th-century England during the
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The opera was reconstructed and recorded in 2002 by the Spanish musicologist and conductor
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in Spain, and moved to Paris where the remainder of the work was completed in 1894–95.
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Recording location & date: Auditorio Nacional de MĂșsica de Madrid, 19–27 July 2002
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Soldiers, peasants, Lady Clifford's attendants, crowd (children, men and women)
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with its original English libretto in the Auditorio Alfredo Kraus,
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as Sir John Saint-John, and Larissa Diadkova as Lady Saint-John.
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in English and the Italian translation used for the premiere.
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Clark, Walter Aaron, "Prophet with Honour: Isaac Albéniz and
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Writing about the 1895 Barcelona premiere, the newspaper
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AlbĂ©niz: Henry Clifford – Orquesta SinfĂłnica de Madrid
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AlbĂ©niz: Henry Clifford – Orquesta SinfĂłnica de Madrid
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AlbĂ©niz: Henry Clifford – Orquesta SinfĂłnica de Madrid
1003: 855: 823: 81: 71: 63: 53: 21: 484: 482: 464: 462: 460: 792: 8: 799: 785: 777: 531: 38: 18: 772:International Music Score Library Project 734:, 13 June 2003. Accessed 22 January 2009. 690:, un regalo para AlbĂ©niz desde las Islas" 359:Colin ("Nicola" in the Italian libretto) 497: 270: 1010: 663:DĂ­az Ramos, Roberto (25 January 2009). 443: 515: 493: 473: 451: 645:Isaac Albeniz: Portrait of a Romantic 489: 140:, fought between the rival houses of 7: 527: 44:Fragment of the autograph score for 633:. L'Almanacco di Gherardo Casaglia 150:Henry Clifford, 10th Baron Clifford 76:Henry Clifford, 10th Baron Clifford 1071:Opera world premieres at the Liceu 207:AlbĂ©niz conducted the premiere of 14: 749:, 2003. Accessed 22 January 2009. 665:"La cara oculta de Isaac AlbĂ©niz" 273:Roles, voice types, premiere cast 179:. Other operas in the series are 132:"Mountjoy"). It premiered at the 1013: 988: 987: 684:PayĂĄ, Juanjo (25 January 2009). 488:The premiere cast list is from 48:(tenor and soprano duet, Act 3) 1056:Operas set in the 15th century 1: 642:Clark, Walter Aaron (2002). 411:Orquesta SinfĂłnica de Madrid 1061:Operas based on real people 648:. Oxford University Press. 554:. Accessed 22 January 2009. 330:AndrĂ©s PerellĂČ de Segurola 164:against the Scots in 1513. 16:1895 opera by Isaac AlbĂ©niz 1087: 621:Casaglia, Gherardo (2005). 242:Las Palmas de Gran Canaria 116:in three acts composed by 983: 814: 508:premiere) in Meyerbeer's 389: 289:Conductor: Isaac AlbĂ©niz 287:Premiere cast, 8 May 1895 37: 26: 593:"El estreno de la Ăłpera 1051:Operas by Isaac AlbĂ©niz 1046:English-language operas 603:(in Spanish). p. 4 578:(in Spanish). p. 6 496:, p. 4. Note that 148:. The title character, 747:Musicweb International 695:La OpiniĂłn de Tenerife 152:, was the only son of 1066:Operas set in England 591:Anon. (8 May 1895b). 568:Anon. (7 May 1895a). 221:Gran Teatro del Liceo 134:Gran Teatro del Liceo 97:Gran Teatro del Liceo 916:Rumores de la Caleta 817:List of compositions 365:Francesco Puyggener 322:Sir John Saint-John 246:David Wilson-Johnson 177:Francis Money-Coutts 126:Francis Money-Coutts 86:8 May 1895 58:Francis Money-Coutts 433:– 473 937-2 (2 CDs) 275: 203:Performance history 739:Recording review: 722:Recording review: 718:Greenfield, Edward 544:Recording review: 271: 252:Critical reception 1001: 1000: 944:Cantos de Espagña 737:Woolf, Jonathan, 532:DĂ­az Ramos (2009) 396: 395: 354:Adele Marra-MirĂČ 348:Annie Saint-John 211:(under the title 193:piano–vocal score 162:Battle of Flodden 138:Wars of the Roses 105: 104: 1078: 1018: 1017: 1009: 991: 990: 801: 794: 787: 778: 770:: Scores at the 707: 705: 703: 680: 678: 676: 659: 638: 636: 630: 617: 612: 610: 608: 587: 585: 583: 555: 540: 534: 525: 519: 502:Hariclea DarclĂ©e 486: 477: 476:, pp. 15–17 466: 455: 454:, pp. 18–20 448: 335:Lady Saint-John 304:Emanuel Suagnes 276: 274: 158:Battle of Towton 93: 91: 42: 19: 1086: 1085: 1081: 1080: 1079: 1077: 1076: 1075: 1026: 1025: 1024: 1012: 1004: 1002: 997: 979: 851: 819: 810: 805: 756: 714: 712:Further reading 701: 699: 683: 674: 672: 662: 656: 641: 634: 628: 620: 615: 606: 604: 590: 581: 579: 567: 564: 559: 558: 542:*Carr, Victor, 541: 537: 526: 522: 498:Casaglia (2005) 487: 480: 467: 458: 450:"Synopsis", in 449: 445: 440: 418:JosĂ© de Eusebio 401: 288: 272: 269: 254: 234:JosĂ© de Eusebio 213:Enrico Clifford 205: 197:Bourbon dynasty 170: 101: 100: 94: 89: 87: 49: 17: 12: 11: 5: 1084: 1082: 1074: 1073: 1068: 1063: 1058: 1053: 1048: 1043: 1038: 1028: 1027: 1023: 1022: 999: 998: 996: 995: 984: 981: 980: 978: 977: 970: 969: 968: 961: 954: 940: 933: 926: 919: 912: 911: 910: 903: 896: 889: 882: 871:Suite Española 867: 859: 857: 853: 852: 850: 849: 842: 839:Pepita GimĂ©nez 835: 832:Henry Clifford 827: 825: 821: 820: 815: 812: 811: 806: 804: 803: 796: 789: 781: 775: 774: 767:Henry Clifford 763: 755: 754:External links 752: 751: 750: 735: 713: 710: 709: 708: 688:Henry Clifford 681: 660: 654: 639: 625:Henry Clifford 618: 613: 595:Henry Clifford 588: 570:"EspectĂĄculos" 563: 560: 557: 556: 552:Classics Today 535: 520: 506:Henry Clifford 478: 470:Henry Clifford 456: 442: 441: 439: 436: 435: 434: 427: 424: 420: 406:Henry Clifford 400: 397: 394: 393: 387: 386: 384: 381: 377: 376: 374: 371: 367: 366: 363: 360: 356: 355: 352: 349: 345: 344: 341: 336: 332: 331: 328: 323: 319: 318: 317:Angelica Nava 315: 310: 309:Lady Clifford 306: 305: 302: 297: 295:Henry Clifford 291: 290: 285: 280: 268: 265: 253: 250: 238:Henry Clifford 209:Henry Clifford 204: 201: 182:Pepita JimĂ©nez 173:Henry Clifford 169: 166: 120:to an English 109:Henry Clifford 103: 102: 95: 85: 83: 79: 78: 73: 69: 68: 65: 61: 60: 55: 51: 50: 46:Henry Clifford 43: 35: 34: 24: 23: 22:Henry Clifford 15: 13: 10: 9: 6: 4: 3: 2: 1083: 1072: 1069: 1067: 1064: 1062: 1059: 1057: 1054: 1052: 1049: 1047: 1044: 1042: 1039: 1037: 1034: 1033: 1031: 1021: 1016: 1011: 1007: 994: 986: 985: 982: 976: 975: 971: 966: 962: 959: 955: 952: 948: 947: 946: 945: 941: 939: 938: 934: 932: 931: 927: 925: 924: 923:Torre Bermeja 920: 918: 917: 913: 908: 904: 901: 897: 894: 890: 887: 883: 880: 876: 875: 874: 872: 868: 866: 865: 861: 860: 858: 854: 848: 847: 843: 841: 840: 836: 834: 833: 829: 828: 826: 822: 818: 813: 809: 808:Isaac AlbĂ©niz 802: 797: 795: 790: 788: 783: 782: 779: 773: 769: 768: 764: 761: 758: 757: 753: 748: 744: 742: 736: 733: 732: 727: 725: 719: 716: 715: 711: 697: 696: 691: 689: 682: 670: 666: 661: 657: 655:0-19-925052-9 651: 647: 646: 640: 632: 626: 619: 614: 602: 601:La Vanguardia 598: 596: 589: 577: 576: 575:La Vanguardia 571: 566: 565: 561: 553: 549: 547: 539: 536: 533: 529: 524: 521: 517: 516:Anon. 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Retrieved 698:(in Spanish) 693: 687: 673:. Retrieved 671:(in Spanish) 669:La Provincia 668: 644: 635:(in Italian) 624: 605:. Retrieved 600: 594: 580:. Retrieved 573: 551: 545: 538: 523: 509: 505: 490:Clark (2002) 469: 446: 423:(Messenger). 405: 403: 402: 390: 257: 255: 237: 231: 212: 208: 206: 186: 180: 172: 171: 108: 107: 106: 45: 1041:1895 operas 631:8 May 1895" 528:PayĂĄ (2009) 416:Conductor: 185:(1896) and 168:Composition 128:(under the 124:written by 114:grand opera 99:, Barcelona 28:Grand opera 1030:Categories 930:Tango in D 702:26 January 675:26 January 607:24 January 582:24 January 438:References 370:Messenger 283:Voice type 90:1895-05-08 54:Librettist 958:Orientale 500:mentions 404:AlbĂ©niz: 399:Recording 383:baritone 362:baritone 217:Barcelona 142:Lancaster 130:pseudonym 993:Category 937:Mallorca 907:Asturias 886:Cataluña 760:Libretto 351:soprano 326:baritone 122:libretto 82:Premiere 72:Based on 64:Language 974:La Vega 965:CĂłrdoba 951:Prelude 893:Sevilla 879:Granada 743:, Decca 726:, Decca 562:Sources 548:, Decca 429:Label: 380:Herald 313:soprano 226:Italian 219:at the 88: ( 67:English 1036:Operas 1006:Portal 864:Iberia 846:Merlin 824:Operas 652:  629:  514:. See 472:", in 373:tenor 188:Merlin 1020:Opera 900:CĂĄdiz 873:No. 1 856:Piano 431:Decca 300:tenor 279:Role 267:Roles 215:) in 112:is a 704:2009 677:2009 650:ISBN 609:2009 584:2009 146:York 144:and 30:by 1032:: 745:, 728:, 720:, 692:. 667:. 599:. 572:. 550:, 530:; 481:^ 459:^ 409:– 1008:: 967:" 963:" 960:" 956:" 953:" 949:" 909:" 905:" 902:" 898:" 895:" 891:" 888:" 884:" 881:" 877:" 800:e 793:t 786:v 706:. 686:" 679:. 658:. 637:. 627:, 623:" 611:. 597:" 586:. 518:. 92:)

Index

Grand opera
Isaac Albéniz

Francis Money-Coutts
Henry Clifford, 10th Baron Clifford
Gran Teatro del Liceo
grand opera
Isaac Albéniz
libretto
Francis Money-Coutts
pseudonym
Gran Teatro del Liceo
Wars of the Roses
Lancaster
York
Henry Clifford, 10th Baron Clifford
John Clifford
Battle of Towton
Battle of Flodden
Francis Money-Coutts
Pepita Jiménez
Merlin
piano–vocal score
Bourbon dynasty
Barcelona
Gran Teatro del Liceo
Italian
José de Eusebio
Las Palmas de Gran Canaria
David Wilson-Johnson

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