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Howard was elected an associate member of the Royal
Academy and exhibited there until his death in 1847; he was elected a full member in 1808. In 1811 he became secretary of the Academy and in 1833 he was appointed professor of painting at the Schools (his lectures were published by his son,
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style following
Flaxman and others, his portraits continued the general tradition of English 18th-century portraiture and many of his portraits are in the National Gallery. His history paintings are hard to find on public display but his ceiling for the dining-room of the
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In the 1790s Howard painted and drew a variety of subjects from literature, portraits, and drawings of sculpture. In 1795 and 1796, he submitted five such pictures to the Royal
Academy, including a sketch from
94:. He began instructing Reinagle's daughter Jane in drawing and married her in 1803. Together they had four daughters and three sons. From 1806 they lived at 50 Newman Street, Westminster, until his death.
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frieze in 1814, along with several other artists. He painted large transparencies, apparently to be lighted from behind, for the "Grand
Revolving Temple of Concord" built in
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In addition to his portraiture and historical painting, Howard worked on many decorative works. In 1805, a Mr. Hibbert commissioned him to paint a
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86:. While abroad he applied to the Royal Academy for a grant after the bankruptcy of his father. Two years later, he returned to Britain by way of
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Schools and was awarded a silver medal for drawing from life and a gold medal for historical painting for his
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in 1835, then housing a superb art collection open to the public, as well as several other ceiling projects.
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pottery. Between 1799 and 1802, he made a series of drawings of sculpture. One series was published by the
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155:: Act I, Scene 2: Timon's prodigality; engraved by R. Rhodes after a painting by Henry Howard (1802), for
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Now the site, at the bottom of the market, is occupied by the tower-block Kemp House
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35:(31 January 1769 – 5 October 1847) was an early 19th-century British
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In March 1791, Howard traveled to Italy, France, and
Switzerland. In
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in her
Poetical Catalogue of Modern Paintings in her 1825 volume
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485:. Oxford University Press. 2004. Retrieved on 8 February 2008.
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Landon, Letitia
Elizabeth (1827). "Fairies on the Sea Shore".
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The
Troubadour; Catalogue of Pictures, and Historical Sketches
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He was born in London and after being educated at a school in
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Two poetical illustrations of Howard's works were written by
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Landon, Letitia
Elizabeth (1836). "Engraving and Poem".
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Portrait dated 1800 from the National Portrait Gallery
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Landon, Letitia Elizabeth (1823). "Original poetry".
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The Four Angels Loosed from the Great River Euphrates
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While his history paintings were in a neo-classical
231:for the visit of several sovereigns to celebrate (
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616:19th-century painters of historical subjects
475:Graves, R. E. and Deborah Graham-Vernon.
327:Graves and Graham-Vernon, “Henry Howard”.
59:in 1786. In 1788 he began attending the
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286:accompanied by an engraving (by
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220:(1837), can be seen obliquely.
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558:. with illustrative verse by
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115:. He illustrated Sharpe's
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405:Rev. Joseph Nightingale,
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184:. In 1809 he exhibited
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229:Green Park
218:Guido Reni
190:altarpiece
80:John Deare
411:Digitized
272:The Hours
256:paralysis
47:Biography
43:painter.
517:Archived
391:Archived
373:Archived
237:Napoleon
205:academic
108:Milton's
53:Hounslow
37:portrait
346:V&A
92:Dresden
41:history
500:Art UK
370:others
368:, and
252:Oxford
214:Aurora
88:Vienna
294:Notes
262:Works
212:, an
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168:Frank
125:Homer
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