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Henryk Górecki

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716:, "When I began to study under Górecki it felt as if someone had dumped a pail of ice-cold water over my head. He could be ruthless in his opinions. The weak fell by the wayside but those who graduated under him became, without exception, respected composers". Górecki admits, "For quite a few years, I was a pedagogue, a teacher in the music academy, and my students would ask me many, many things, including how to write and what to write. I always answered this way: If you can live without music for 2 or 3 days, then don't write...It might be better to spend time with a girl or with a beer...If you cannot live without music, then write.” Due to his commitments as a teacher and also because of bouts of ill health, he composed only intermittently during this period. 413:, southwest Poland. His family lived modestly, though both parents had a love of music. His father Roman (1904–1991) worked at the goods office of a local railway station, but was an amateur musician, while his mother Otylia (1909–1935), played piano. Otylia died when her son was just two years old, and many of his early works were dedicated to her memory. Henryk developed an interest in music from an early age, though he was discouraged by both his father and new stepmother to the extent that he was not allowed to play his mother's old piano. He persisted, and in 1943 was allowed to take violin lessons with Paweł Hajduga, a local amateur musician, instrument maker, sculptor, painter, poet and 171: 44: 665:) he submitted marked a new phase in his development, and was said to represent "the most colourful and vibrant expression of the new Polish wave". The festival announced Górecki's arrival on the international scene, and he quickly became a favorite of the West's avant-garde musical elite. In 1991, the music critic James Wierzbicki wrote that at this time "Górecki was seen as a Polish heir to the new aesthetic of post-Webernian serialism, with his taut structures, lean orchestrations and painstaking concern for the logical ordering of pitches". 1302:, in Montreal, Quebec, Canada. Concordia professor Wolfgang Bottenberg called him one of the "most renowned and respected composers of our time", and said that Górecki's music "represents the most positive aspects of the closing years of our century, as we try to heal the wounds inflicted by the violence and intolerance of our times. It will endure into the next millennium and inspire other composers". In 2007, Górecki claimed 32nd place on the list of Top 100 Living Geniuses compiled by 496: 1294:
to give the listener something and he has to make an effort in order to understand certain things. If I were thinking of my audience and one likes this, one likes that, one likes another thing, I would never know what to write. Let every listener choose that which interests him. I have nothing against one person liking Mozart or Shostakovich or Leonard Bernstein, but doesn't like Górecki. That's fine with me. I, too, like certain things.
3319: 974:, said, "The strength and startling originality of Górecki's character shone through his music ... Yet he was an intensely private man, sometimes impossible, with a strong belief in family, a great sense of humour, a physical courage in the face of unrelenting illness, and a capacity for firm friendship". He was married to Jadwiga, a piano teacher. His daughter, Anna Górecka-Stanczyk, is a pianist, and his son, 453: 733: 5633: 3130: 515:. Szabelski drew much of his inspiration from Polish highland folklore. He encouraged Górecki's growing confidence and independence by giving him considerable space in which to develop his own ideas and projects; several of Górecki's early pieces were straightforwardly neo-classical, during a period when Górecki was also absorbing the techniques of 5609: 468:, where he studied clarinet, violin, piano, and music theory. Through intensive studying, Górecki finished the four-year course in just under three years. During this time, he began to compose his own pieces, mostly songs and piano miniatures. Occasionally, he attempted more ambitious projects—in 1952, he adapted the Adam Mickiewicz ballad 5645: 725:
works from him, Górecki ceased to be viewed as an important composer. One critic later wrote, "Górecki's new material was no longer cerebral and sparse; rather, it was intensely expressive, persistently rhythmic and often richly colored in the darkest of orchestral hues". Górecki progressively rejected the dissonance, serialism and
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receive commissions from various Polish agencies, by the mid-1970s Górecki was no longer regarded as a composer of importance. In the words of one critic, his "new material was no longer cerebral and sparse; rather, it was intensely expressive, persistently rhythmic and often richly colored in the darkest of orchestral hues".
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completed it after his death from the piano score and notes left behind by his father. It uses similar repetition techniques as the Second and Third Symphonies, but to very different effect; for example, its opening consists of a series of very loud, repeated cells that together spell out the name of
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in New York, and presented an early opportunity for Górecki to reach an audience outside Poland. As was usual, he undertook extensive research on the subject, and was in particular concerned with the philosophical implications of Copernicus's discovery, not all of which he viewed as positive. As the
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Danuta Mirka has shown that Górecki's compositional techniques in the 1960s were often based on geometry, including axes, figures, one- and two-dimensional patterns, and especially symmetry. She proposes the term "geometrical period" for his works between 1962 and 1970. Building on Krzysztof Droba's
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I do not choose my listeners. What I mean is, I never write for my listeners. I think about my audience, but I am not writing for them. I have something to tell them, but the audience must also put a certain effort into it. But I never wrote for an audience and never will write for because you have
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By the early 1970s, Górecki had begun to move away from his earlier radical modernism, and was working toward a more traditional mode of expression dominated by the human voice. His change of style affronted the avant-garde establishment, and although various Polish agencies continued to commission
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I was born in Silesia....It is old Polish land. But there were always three cultures present: Polish, Czech, and German. The folk art, all the art, had no boundaries. Polish culture is a wonderful mixture. When you look at the history of Poland, it is precisely the multiculturalism, the presence of
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During the mid-1960s and early 1970s, Górecki progressively moved away from his early career as radical modernist, and began to compose in a more traditional, romantic mode of expression. His change of style was viewed as an affront to the then avant-garde establishment, and though he continued to
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was misdiagnosed by a local doctor, and delay in proper treatment led to tubercular complications in the bone. The illness went largely untreated for two years, by which time permanent damage had been sustained. He spent the following twenty months in a hospital in Germany, where he underwent four
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by a 20th-century composer. Commenting on its popularity, Górecki said, "Perhaps people find something they need in this piece of music ... somehow I hit the right note, something they were missing. Something somewhere had been lost to them. I feel that I instinctively knew what they needed." This
241: 1014:. Symphony No. 4 is an extensive, 37-minute composition set for an approximately 100-person orchestra with piano and organ obbligato. The composer left a cryptogram that explains the way he built the theme for the symphony using musical letters from the first and last names of 535:, Rafał Augustyn and his son, Mikołaj. Around this time, he came to believe the Polish Communist authorities were interfering too much in the academy's activities, and called them "little dogs always yapping". As a senior administrator but not a member of 1232:, of which episode 4 (1994) is about Górecki, he likened playing Bach, Beethoven, and Mozart every day to eating healthy whole grain bread every day. In the same episode he said that in Mozart and Schubert he found many new things, new musical answers. 362:
popular acclaim did not generate wide interest in Górecki's other works, and he pointedly resisted the temptation to repeat earlier success, or compose for commercial reward. Nevertheless, his music drew the attention of Australian film director
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in 1968, where he taught score-reading, orchestration and composition. In 1972, he was promoted to assistant professor, and developed a fearsome reputation among his students for his often blunt personality. According to the Polish composer
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The completion of Górecki's Fourth Symphony, subtitled "Tansman Episodes", was delayed for many years, partly by Górecki's unease at his newfound fame. Indeed, it had not even been orchestrated when he died in 2010, and his son
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for orchestra, which received Op. 82. It was orchestrated by his son Mikolaj Górecki and premiered at the Tansman Festival, on October 16, 2016, at the Polish Radio Witold Lutosławski Studio Hall in Warsaw, by
5715: 692:, and his Symphony No. 1 gained international acclaim at the Paris Biennial Festival of Youth. He moved to Paris to continue his studies, and while there was influenced by contemporaries including 5735: 5725: 2391: 598:, Górecki's "more conventional array of compositional techniques includes both elaborate counterpoint and the ritualistic repetition of melodic fragments and harmonic patterns." 897:
four concerts honoring postmodern revival of interest in new music. The first three concerts featured string quartets and the works of three living composers: two Americans (
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made manuscript paper at times difficult and expensive to acquire. With no access to radio, Górecki kept up to date with music by weekly purchases of such periodicals as
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The world premiere of his Symphony No. 4 took place on 12 April 2014. It was performed, as originally scheduled in 2010, by the London Philharmonic Orchestra at the
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commented, "His discovery of the earth's motion round the sun caused the most fundamental revolutions possible in the prevailing concepts of the human predicament".
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No classical composer in recent memory, not even the inescapable Philip Glass, has had a commercial success to rival that of the late Polish master Henryk Górecki.
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classifications, she further divides this period into two phases: "the phase of sonoristic means" (1962–63) and "the phase of reductive constructicism" (1964–70).
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During the last decade of his life, Górecki suffered from frequent illnesses. His Symphony No. 4 (oP. 85, 2006) was due to be premiered in London in 2010 by the
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to visit Katowice, and formed a local branch of the "Catholic Intellectuals Club", an organisation devoted to the struggle against the Communist Party (
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that had brought him early recognition, and pared and simplified his work. He began to favor large slow gestures and the repetition of small motifs.
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The first public performances of Górecki's music in Katowice in February 1958 programmed works clearly displaying the influence of Szymanowski and
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held a concert devoted entirely to the 24-year-old Górecki's music. The event led to a commission to write for the Warsaw Autumn Festival. The
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Górecki wrote his First Symphony in 1959, and graduated with honours from the Academy the next year. At the 1960 Warsaw Autumn Festival, his
472:, though it was left unfinished. Górecki's life during this time was often difficult. Teaching posts were generally badly paid, while the 1724: 5685: 3348: 2075: 1800: 783: 2989: 527:
In 1975, Górecki was promoted to professor of composition at the State Higher School of Music in Katowice, where his students included
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Apart from two brief periods studying in Paris and a short time living in Berlin, Górecki spent most of his life in southern Poland.
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Howard, Luke B. (Spring 1998). "Motherhood, 'Billboard' and the Holocaust: Perceptions and Receptions of Górecki's Symphony No. 3".
2197: 2019: 1896: 1282:. It includes a great deal of detail about his life and work, including that he achieved cult status thanks to valuable exposure on 988: 220: 3258: 3253: 3232: 918: 812: 327: 1480: 1405: 5730: 5236: 2883: 621:(1960). At that time, Górecki's reputation was not lagging behind that of Penderecki and his status was confirmed in 1960s when 5680: 3170: 708: 557: 544: 504: 2324: 425:
operations. Górecki continued to suffer ill health throughout his life and as a result said he had "talked with death often".
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Górecki was largely unknown outside Poland until the late 1980s. In 1992, 15 years after it was composed, a recording of his
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the so-called minorities that made Poland what it was. The cultural wealth, the diversity mixed and created a new entity.
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Despite the Third Symphony's success, Górecki resisted the temptation to compose again in that style, and, according to
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for the first movement is taken from a 15th-century lament, while the second movement uses the words of a teenage girl,
713: 251: 170: 115: 4707: 1312:. At the awarding ceremony a selection of his choral works was performed by the choir of the city's Franciscan Church. 258:, no recent classical composer has had as much commercial success as Górecki. He became a leading figure of the Polish 3667: 3134: 1060: 4892: 3219: 3214: 823: 751: 306: 302: 126: 1235:
Since Górecki moved away from serialism and dissonance in the 1970s, he is frequently compared to composers such as
890:, continued to work, not to further his career or reputation, but largely "in response to inner creative dictates". 5599: 5287: 5001: 4026: 3979: 3430: 3163: 2043: 5422: 4722: 4305: 4876: 3054: 1962: 1728: 1122: 1116: 954:, but the event was cancelled due to the composer's ill health. He died on 12 November 2010, in his home city of 894: 536: 275: 5499: 4866: 4325: 4104: 5349: 5339: 5308: 5073: 3627: 3530: 3440: 2905: 2678: 2095: 1437: 1321: 1228:, particularly in terms of tonal design and treatment of basic materials. In the Dutch documentary film series 967: 255: 5566: 4835: 4274: 5519: 5416: 5215: 4948: 4505: 1204:
When placing Górecki in context, musicologists and critics generally compare his work with such composers as
878:, punctuated with heavy strokes on the bass drum and clashing bitonality between the chords of A and E-flat. 830:. The work is slow and contemplative, and each of its three movements is for orchestra and solo soprano. The 5261: 5164: 4671: 4588: 4134: 4124: 4109: 3907: 3525: 3460: 3245: 3224: 2943: 1905: 1217: 992: 984: 738: 562: 315: 5473: 5159: 4943: 4696: 4387: 5613: 5524: 5272: 4748: 4582: 3724: 3660: 3590: 3485: 1441: 297:. He continued in this direction throughout the 1960s, but by the mid-1970s had changed to a less complex 78: 5571: 5488: 5174: 4979: 4907: 4665: 4433: 4418: 4259: 4052: 3113: 464:, in southern Poland. In 1952, he began a teacher training course at the Intermediate School of Music in 5576: 5148: 4974: 4552: 4475: 4469: 4336: 4217: 4140: 3972: 3858: 3699: 3622: 3580: 3364: 2821: 2722: 2419: 2170: 1831: 1600: 1326: 1213: 1160: 788: 701: 650: 590: 516: 286: 5555: 5432: 5333: 5184: 5179: 5153: 5093: 5088: 5016: 4928: 4840: 4691: 4686: 4681: 4279: 4181: 4114: 4062: 3540: 3237: 975: 866: 552: 508: 321: 157: 5442: 5364: 5205: 5052: 4984: 4861: 4794: 4768: 4732: 4645: 4367: 4196: 3152:, Op. 53, Luna Nova Ensemble (Nobuko Igarashi, clarinet; Craig Hultgren, cello; Andrew Drannon, piano) 5670: 5665: 5483: 5277: 5251: 5225: 5134: 5124: 5119: 5098: 5078: 5031: 4959: 4938: 4902: 4897: 4825: 4804: 4635: 4500: 4408: 4315: 4201: 4098: 4073: 4021: 3921: 3565: 3520: 3415: 2665: 1299: 1111: 1048: 673: 410: 367: 290: 5560: 5504: 5468: 5437: 5396: 5297: 5108: 5103: 4871: 4799: 4717: 4572: 4562: 4531: 4521: 4269: 4042: 2343:
Wendland, Andrzej. "The Phenomenon and Mystery of Górecki’s Fourth Symphony – Tansman Episodes". In
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Special edition marking Górecki's 70th birthday, consisting of articles exclusively on Górecki.
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held a weekend of concerts in which his work was played alongside that of the Russian composer
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In 1937, Górecki fell while playing in a neighbor’s yard and dislocated his hip. The resulting
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Some of Górecki's music has been adapted for film soundtracks, most notably fragments of his
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is often used to group these composers, due to their shared simplified approach to texture,
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for orchestra caused a sensation among critics due to its use of sharp contrasts and harsh
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By the mid-1980s, Górecki began to attract a more international audience, and in 1989 the
358: 298: 234: 5463: 5354: 4660: 4598: 4232: 1893: 1387: 757:, was written in 1972 to celebrate the 500th anniversary of the birth of the astronomer 5514: 5458: 5406: 5313: 4918: 4737: 4439: 4300: 4284: 4186: 4145: 3943: 3914: 3893: 3830: 3744: 3612: 3575: 3550: 3455: 3410: 2246: 2241: 1826: 1446: 1268: 1225: 1183: 1174: 1146: 1088: 1069: 1007: 808: 697: 685: 595: 2661: 2557: 1415: 5659: 5637: 5581: 5509: 5359: 5282: 5026: 5006: 4856: 4809: 4676: 4557: 4356: 4310: 4078: 4068: 4032: 3886: 3844: 3808: 3798: 3767: 3729: 3683: 3545: 3495: 3490: 3470: 3465: 3450: 3084: 2811: 1808: 1244: 1151: 1092: 793: 689: 626: 354: 263: 2607: 2482: 5649: 5550: 5391: 5246: 4845: 4490: 4372: 3995: 3782: 3714: 3709: 3605: 3570: 3535: 3500: 3445: 3395: 3333: 2274: 2175: 1240: 1221: 1209: 1165: 1132: 902: 898: 606: 452: 350: 267: 5369: 3772: 3435: 2302: 2117: 1236: 1126:. It has also appeared on television in numerous TV shows, including the American 461: 2699: 857:
folk song which describes the pain of a mother searching for a son killed in the
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Between 1951 and 1953, Górecki taught 10- and 11-year-olds at a school suburb of
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won a first prize. Even until 1962, he was firmly ensconced in the minds of the
602: 489: 346: 259: 5256: 4701: 4618: 3938: 3595: 3555: 3068: 2795: 2412: 1043: 732: 363: 282: 17: 3109: 2298:"Music: No, Mother, do not weep – Inkless Wells, Uncategorized – Macleans.ca" 4129: 3420: 3368: 2834: 1137: 774: 610: 271: 2151: 1487:, 8 December 2008 (archive from 2 March 2009, retrieved on 26 August 2015). 1278:
In 1994, Boguslaw M. Maciejewski published the first biography of Górecki,
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Górecki's first works, dating from the last half of the 1950s, were in the
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Górecki's later work includes a 1992 commission for the Kronos Quartet,
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Górecki's music covers a variety of styles, but tends towards relative
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View of Rydułtowy, where Górecki taught for two years from 1951 to 1953
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conducted by Włodzimierz Siedlik. The piece was composed to celebrate
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public as a leader of the Polish Modern School, alongside Penderecki.
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Music of the Twentieth-Century Avant-Garde: A Biocritical Sourcebook
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Henryk Górecki Receives Honorary Doctorate from Krakow Music Academy
3057:(March 1989). "Górecki in Interview (1968) – And 20 Years After". 1101: 770: 731: 613:
of that time. Some of these twelve-tone and serial pieces include
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Composer Henryk-Mikolaj Górecki: A conversation with Bruce Duffie
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The Academy of Music in Katowice where Górecki lectured from 1968
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Recipients of the Gold Medal for Merit to Culture – Gloria Artis
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for a large choir in remembrance of police violence against the
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works of the 1950s and 1960s were characterized by adherence to
3968: 3656: 3337: 3159: 1965:". MusicWeb International, 2008. Retrieved on 13 December 2008. 2912:. Oxford; New York: Clarendon Press; Oxford University Press. 1952:". bruceduffie.com, 24 April 1994. Retrieved 22 December 2007. 405:
Henryk Górecki was born on 6 December 1933, in the village of
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Mirka, Danuta (Summer 2004). "Górecki's Musica geometrica".
2242:"Polish composer of 'Sorrowful Songs' Gorecki dies, aged 76" 1247:. Although none have admitted to common influence, the term 2706:(press release), 13 May 2008. Retrieved on 26 October 2008. 1289:
Discussing his audience in a 1994 interview, Górecki said,
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no. 145, 6 and 135 as well as an excerpt from Copernicus's
212: 200: 191: 2784:(March 1989). "Round and about Górecki's Symphony No. 3". 387: 353:, released to commemorate the memory of those lost during 3283:
Henryk Mikolaj Górecki: Already It Is Dusk/"Lerchenmusik"
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Commanders with Star of the Order of Polonia Restituta
2973:. Cambridge and New York: Cambridge University Press. 1388:"Polish composer Henryk Gorecki dies at the age of 76" 1308:. In 2008, he received an honorary doctorate from the 893:
In February 1994, the Kronos Quartet performed at the
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Recipients of the Order of the White Eagle (Poland)
5378: 4993: 4627: 4251: 4003: 3931: 3822: 3791: 3753: 3690: 3292: 3267: 3202: 938:is his third string quartet, inspired by a poem by 503:Górecki continued his formal study of music at the 246:; 6 December 1933 – 12 November 2010) was a Polish 194: 163: 151: 143: 133: 121: 111: 101: 84: 53: 34: 2969:— (2005). "Polish Music since Szymanowski". 2154:". BBC, 22 March 2007. Retrieved on 27 March 2010. 1821: 1819: 1817: 826:, also known as the "Symphony of Sorrowful Songs" 2668:, 19 November 1998. Retrieved on 26 October 2008. 993:Order of Polonia Restituta II class and III class 5726:International Rostrum of Composers prize-winners 2747:. Twentieth-Century Composers. London: Phaidon. 2164: 2162: 2160: 1775:. 28 February 2007. Retrieved on 4 January 2008. 916:(written in 1992 for flute and orchestra); and 2384:"Prologue: Tansman – Górecki. World premieres" 2270:"Polish classical composer Gorecki dies at 76" 2214:"Polish classical composer Gorecki dies at 76" 2141:, February 2007. Retrieved on 24 October 2008. 588:simplicity. He is considered a founder of the 3980: 3668: 3349: 3171: 3024:Wright, Stephen (2002). "Arvo Pärt (1935–)". 2854:. San Francisco, California: Backbeat Books. 1406:"Polish composer Henryk Gorecki dies aged 76" 1021:In 2004, Górecki left the piano reduction of 8: 3276:Henryk Górecki: String Quartets Nos. 1 and 2 2875:Baker's Biographical Dictionary of Musicians 1909:, 7 July 1991. Retrieved on 24 October 2008. 1495: 1493: 1298:Górecki received an honorary doctorate from 2936:— (2001). "Górecki, Henryk Mikołaj". 2872:, ed. (2001). "Górecki, Henryk (Mikołaj)". 2648: 2344: 1731:, November 2001. Retrieved on 6 March 2009. 1570: 1568: 1382: 1380: 436:. Between 1955 and 1960, he studied at the 430:Szafrankowie Brothers State School of Music 428:In the early 1950s, Górecki studied in the 3987: 3973: 3965: 3675: 3661: 3653: 3356: 3342: 3334: 3178: 3164: 3156: 3028:. Westport, Connecticut: Greenwood Press. 2362:. Los Angeles: Moonrise Press. p. 3. 934:and the Schönberg Ensemble, respectively. 42: 31: 2852:Classical Music: The Listener's Companion 1944: 1942: 1929: 1927: 1676: 1586: 1574: 2152:String Quartet No. 3 '...songs are sung' 2086:4(1): 2–7, 2005. Retrieved 22 June 2007. 1888: 1886: 1884: 1882: 1861: 1723:Harley, James & Trochimczyk, Maja. " 1636: 1634: 1355: 1353: 1351: 1349: 1347: 5604: 2952:10.1093/gmo/9781561592630.article.11478 2632: 2630: 2628: 1719: 1717: 1715: 1713: 1711: 1709: 1531: 1529: 1511: 1343: 301:sound, exemplified by the transitional 3259:Kleines Requiem für eine Polka, Op. 66 2636: 2059: 2030: 1998: 1986: 1974: 1933: 1918: 1784: 1752: 1740: 1700: 1688: 1664: 1652: 1640: 1625: 1613: 1559: 1535: 1499: 1467: 576:List of compositions by Henryk Górecki 507:, where he studied under the composer 2890:. New York: Oxford University Press. 2012:God's Playground: A history of Poland 1873: 1849: 1547: 1120:, and Malick's 2019 historical drama 1030:and the Sinfonia Varsovia orchestra. 922:(1993 for piano and 13 instruments). 233: 7: 2325:The Guardian video of world premiere 2278:. Associated Press. 12 November 2010 1224:, though he felt most affinity with 822:Górecki's most popular piece is his 761:. Written in a monumental style for 566:for John Paul II's visit to Poland. 235:[ˈxɛnrɨkmiˈkɔwajɡuˈrɛt͡skʲi] 3104:(2). Translated by Anna Maslowiec. 3007:Górecki in Context: Essays on Music 2878:(8th ed.). New York: Schirmer. 1454:from the original on 29 June 2015. 982:President of the Republic of Poland 784:De revolutionibus orbium coelestium 617:(1958), First Symphony (1959), and 3305:Karol Szymanowski Academy of Music 3141:Henryk Mikolaj Górecki (1933–2010) 3094:"Conversation with Henryk Górecki" 2662:Gorecki, Martin to receive honours 2169:Potter, Keith (12 November 2010). 1414:. 12 November 2010. Archived from 1164:. In 2017, Canadian choreographer 960:Karol Szymanowski Academy of Music 106:Karol Szymanowski Academy of Music 25: 2764:Gorecki – His Music and Our Times 2762:Maciejewski, Boguslaw M. (1994). 1280:Górecki – His Music And Our Times 1023:Two Tristan Postludes and Chorale 488:, and by purchasing at least one 5711:Knights of St. Gregory the Great 5706:21st-century classical composers 5701:20th-century classical composers 5643: 5631: 5619: 5607: 3318: 3317: 3128: 2888:The Symphony: A Listener's Guide 2124:. Retrieved on 13 December 2008. 1963:Henryk Górecki: Composer Profile 846:to invoke the protection of the 707:Górecki began to lecture at the 184: 169: 5691:Polish male classical composers 3005:Trochimczyk, Maja, ed. (2017). 2044:Henryk Górecki + Kronos Quartet 1729:Polish Music Information Center 1442:"Cult Fame and Its Discontents" 560:movement. In 1987, he composed 3092:Markiewicz, Leon (July 1962). 2971:Music in the Twentieth Century 2200:Retrieved on 5 February 2010.) 1168:set the first movement of the 997:Order of St. Gregory the Great 928:Kleines Requiem für eine Polka 919:Kleines Requiem für eine Polka 811:commissioned and recorded his 328:Kleines Requiem für eine Polka 1: 2562:soundtrack. S2 E6 chapter 14" 2483:"Songs and music featured in 952:London Philharmonic Orchestra 853:The third uses the text of a 752:Symphony No. 2, "Copernican" 5423:George Demetrius Bambiniotis 3254:String Quartet No. 1, Op. 62 3233:Harpsichord Concerto, Op. 40 2360:Górecki, Penderecki. Diptych 1076:, Jaime Marqués's 2007 film 709:Academy of Music in Katowice 545:Polish United Workers' Party 505:Academy of Music in Katowice 438:State Higher School of Music 252:contemporary classical music 3063:. New Series (168): 25–28. 2988:— (4 December 2008). 2790:. New Series (168): 22–24. 2050:. Retrieved on 1 June 2009. 1829:(1995). "Holy minimalism". 1811:. Retrieved on 1 June 2009. 1769:How Górecki makes his music 1170:Symphony of Sorrowful Songs 1040:Symphony of Sorrowful Songs 828:(Symfonia pieśni żałosnych) 754:(II Symfonia Kopernikowska) 736:A performance of Górecki's 651:Silesian State Philharmonic 340:Symphony of Sorrowful Songs 311:Symphony of Sorrowful Songs 127:Symphony of Sorrowful Songs 27:Polish composer (1933–2010) 5752: 5686:Polish classical composers 2743:Jacobson, Bernard (1996). 2358:Wendland, Andrzej (2019). 1310:Academy of Music in Kraków 1114:'s 2018 biographical film 1034:Use in film and television 930:have been recorded by the 905:) and one Pole (Górecki). 573: 319:, to the 1981 choral hymn 147:Jadwiga Rurańska (pianist) 5676:People from Rybnik County 5309:Vera Bitrakova-Grozdanova 5074:Vasilka Gerasimova-Tomova 4583:Apostolos E. Vacalopoulos 3376: 3313: 3193: 3069:10.1017/S0040298200024918 2850:Morin, Alexander (2002). 2796:10.1017/S0040298200024906 2766:. London: Allegro Press. 2679:"Top 100 living geniuses" 2171:"Henryk Górecki obituary" 2118:Henryk Górecki: Biography 2078:17 September 2012 at the 1798:Górecki, Henryk Biography 895:Brooklyn Academy of Music 550:In 1981, he composed his 168: 41: 5696:Nonesuch Records artists 4893:Zoe Dumitrescu-Bușulenga 4836:Johannes Karayannopoulos 3531:Gottfried Michael Koenig 3210:Two Sacred Songs, Op. 30 1322:List of Polish composers 989:Order of the White Eagle 970:, professor of music at 807:. In 1990, the American 777:, it features text from 422:suppurative inflammation 5731:Herder Prize recipients 5520:Kazimir Popkonstantinov 5417:Evanghelos Moutsopoulos 5288:Justinas Marcinkevičius 4949:Nikos Gabriel Pentzikis 4125:Alexandru A. Philippide 4027:Lucijan Marija Škerjanc 3908:A Rainbow in Curved Air 2944:Oxford University Press 2660:Bottenberg, Wolfgang. " 1906:St. Louis Post-Dispatch 1803:17 October 2009 at the 1042:. They are featured in 417:(peasant philosopher). 5681:Polish Roman Catholics 5262:Dunja Rihtman-Auguštin 4708:Władysław Bartoszewski 4672:Athanasios Aravantinos 4589:Gordana Babić-Đorđević 3591:Second Viennese School 3220:Symphony No. 3, Op. 36 3215:Symphony No. 2, Op. 31 2135:Henryk Mikolaj Górecki 2073:"Evocations of Mahler" 1899:14 August 2009 at the 1725:Henryk Mikołaj Górecki 1296: 1010:conducting instead of 813:First String Quartet, 747: 680:, having absorbed the 570:Style and compositions 511:, a former student of 500: 457: 448:Rydułtowy and Katowice 254:. According to critic 180:Henryk Mikołaj Górecki 58:Henryk Mikołaj Górecki 5567:Włodzimierz Borodziej 5474:Stanisław Mossakowski 4944:Petar Miljković-Pepek 4697:Jan Józef Szczepański 4553:Magdalena Abakanowicz 4388:Stylianos Pelekanidis 4337:Stylianos Harkianakis 4275:Kazimierz Michałowski 4141:Constantin Daicoviciu 3859:Einstein on the Beach 3623:Karlheinz Stockhausen 3581:Einojuhani Rautavaara 2835:10.1093/musqtl/gdh013 2822:The Musical Quarterly 2723:The Musical Quarterly 2150:Gardner, Charlotte. " 2014:. Oxford, 1981. 150. 1601:The Musical Quarterly 1327:List of Polish people 1291: 789:Kosciuszko Foundation 735: 702:Karlheinz Stockhausen 641:Early modernist works 517:twelve-tone serialism 498: 455: 287:Karlheinz Stockhausen 5273:Andrei Corbea-Hoișie 5135:Andrzej Szczypiorski 5002:Maja Bošković-Stulli 4749:Konstantinos Dimaras 4501:Krzysztof Penderecki 3922:The Well-Tuned Piano 3566:Krzysztof Penderecki 3521:Josef Matthias Hauer 3461:André Boucourechliev 3416:Osvaldas Balakauskas 3196:List of compositions 3137:at Wikimedia Commons 3116:on 27 February 2016. 3098:Polish Music Journal 3000:on 26 December 2010. 2745:A Polish Renaissance 2666:Concordia University 2413:Original soundtrack 2330:4 March 2016 at the 1523:Cummings (2000), 241 1363:(27 February 1994). 1300:Concordia University 1112:Felix van Groeningen 987:awarded Górecki the 985:Bronisław Komorowski 836:Helena Błażusiakówna 746:appointment as Pope. 411:Silesian Voivodeship 291:Krzysztof Penderecki 5572:Nicos Hadjinicolaou 5525:Romualdas Požerskis 5489:Ana Maria Zahariade 5304:Svetlana Alexievich 5175:Michael G. Meraklis 4965:Aris Konstantinidis 4908:Mieczysław Porębski 4867:Vladimir Veličković 4852:Roman Brandstaetter 4785:Růžena Grebeníčková 4666:Elida Maria Szarota 4604:Manousos Manousakas 4547:Yiannis Spyropoulos 4429:Pandelis Prevelakis 4419:Maria Ana Musicescu 4238:Yiannis Papaioannou 4161:Anastasios Orlandos 3486:Niccolò Castiglioni 2992:(lecture). London: 2736:10.1093/mq/82.1.131 2347:, pp. 310–352. 2219:The Washington Post 2139:Boosey & Hawkes 1892:Wierzbicki, James. 1628:, pp. 131–133. 1604:, 82.1, 1998. 73–75 1440:(30 January 2015). 1394:. 12 November 2010. 1305:The Daily Telegraph 1273:Dmitri Shostakovich 1182:. French filmmaker 1006:, London, but with 1004:Royal Festival Hall 759:Nicolaus Copernicus 720:Move from modernism 266:cultural thaw. His 5577:Gabriela Kiliánová 5556:Eimuntas Nekrošius 5453:Lech Trzeciakowski 5387:Yurii Andrukhovych 5232:Tasos Athanasiadis 5185:Wisława Szymborska 5154:Zigmas Zinkevičius 5149:Takis Varvitsiotis 5094:Răzvan Theodorescu 5038:Manolis Andronikos 4975:Virginia Paskaleva 4656:Vjenceslav Richter 4651:Dimitrios Loukatos 4476:Nikolaos Andriotis 4470:Kazimierz Wejchert 4414:Stanislav Libenský 4332:Veselin Beshevliev 4120:Spyridon Marinatos 4115:Witold Lutosławski 4084:Aleksander Kobzdej 4038:Manolis Hatzidakis 3541:Witold Lutosławski 3506:Luigi Dallapiccola 3401:Hans Erich Apostel 3009:. Moonrise Press. 2939:Grove Music Online 2884:Steinberg, Michael 2870:Slonimsky, Nicolas 2649:Maciejewski (1994) 2394:on 29 October 2021 2345:Trochimczyk (2017) 2306:. 12 November 2010 2250:. 12 November 2010 2222:. 12 November 2010 1961:Williams, Julie. " 1481:H.M. Górecki at 75 1479:Kubicki, Michal. " 1418:on 21 October 2020 1370:The New York Times 1149:television series 1130:television series 972:Cardiff University 940:Velimir Khlebnikov 932:London Sinfonietta 876:musical cryptogram 859:Silesian Uprisings 815:Already It Is Dusk 801:London Sinfonietta 748: 533:Andrzej Krzanowski 509:Bolesław Szabelski 501: 458: 281:and influenced by 5595: 5594: 5495:Theodore Antoniou 5334:Ferdinand Milučký 5237:Bogdan Bogdanović 5180:Mindaugas Navakas 5089:Jerzy Tchórzewski 5017:Yorgos Sicilianos 4960:Bronisław Geremek 4929:Jerzy Buszkiewicz 4888:Christos Kapralos 4764:Constantin Lucaci 4692:Aleksandar Nichev 4687:Sona Kovacevicová 4682:Vojislav J. Đurić 4614:Alexandru Rosetti 4306:Branko Maksimović 4280:Mihail Sokolovski 4171:Pancho Vladigerov 4135:Svetozar Radojčić 4110:Vladimír Kompánek 4063:Hristo Vakarelski 4022:Stanisław Lorentz 4012:Oto Bihalji-Merin 3962: 3961: 3778:Sofia Gubaidulina 3650: 3649: 3601:Arnold Schoenberg 3331: 3330: 3133:Media related to 3016:978-1-945938-10-8 2961:978-1-56159-263-0 2587:(NBC) Soundtrack" 2369:978-1-945938-30-6 2198:Southbank Centre. 1773:La Scena Musicale 1755:, pp. 39–41. 1190:in his 1996 film 1016:Alexandre Tansman 872:Alexandre Tansman 591:New Polish School 541:Pope John Paul II 513:Karol Szymanowski 409:, in present-day 403: 402: 399:— Henryk Górecki 299:sacred minimalist 295:Kazimierz Serocki 177: 176: 97:, Silesia, Poland 16:(Redirected from 5743: 5648: 5647: 5646: 5636: 5635: 5634: 5624: 5623: 5622: 5612: 5611: 5610: 5603: 5500:Michał Głowiński 5443:Nedjeljko Fabrio 5365:Karolos Mitsakis 5329:Dževad Karahasan 5293:Dorota Simonides 5206:Konstantin Iliev 5130:Ștefan Niculescu 5053:Stefan Kaszynski 4985:András Vizkelety 4980:Adriena Šimotová 4862:József Ujfalussy 4795:Demetrios Pallas 4769:Krasimir Manchev 4733:Stefana Stoykova 4723:Gunther Schuller 4646:Stefka Georgieva 4609:Vera Mutafchieva 4527:Kazimierz Dejmek 4486:Emmanuel Kriaras 4460:Nichita Stănescu 4455:Dezső Keresztury 4450:Ioannis Kakridis 4434:Stanojlo Rajičić 4368:Władysław Czerny 4347:Zbigniew Herbert 4326:Virgil Vătășianu 4321:Henryk Stażewski 4197:Marijan Matković 3989: 3982: 3975: 3966: 3949:Repetitive music 3932:Related articles 3838:Different Trains 3705:Louis Andriessen 3677: 3670: 3663: 3654: 3633:Charles Wuorinen 3618:Nikos Skalkottas 3511:Karel Goeyvaerts 3391:Louis Andriessen 3358: 3351: 3344: 3335: 3321: 3320: 3180: 3173: 3166: 3157: 3132: 3117: 3112:. Archived from 3088: 3039: 3020: 3001: 2996:. Archived from 2990:"Henryk Gorecki" 2984: 2965: 2942:(8th ed.). 2923: 2901: 2879: 2865: 2846: 2815: 2782:Mellers, Wilfrid 2777: 2758: 2739: 2707: 2704:Nonesuch Records 2696: 2690: 2689: 2687: 2685: 2675: 2669: 2658: 2652: 2646: 2640: 2634: 2623: 2622: 2620: 2618: 2604: 2598: 2597: 2595: 2593: 2579: 2573: 2572: 2570: 2568: 2554: 2548: 2547: 2545: 2543: 2529: 2523: 2522: 2520: 2518: 2504: 2498: 2497: 2495: 2493: 2479: 2473: 2466:The Great Beauty 2462: 2456: 2445: 2439: 2428: 2422: 2410: 2404: 2403: 2401: 2399: 2390:. 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" 1946: 1937: 1931: 1922: 1916: 1910: 1894:"Henryk Gorécki" 1890: 1877: 1871: 1865: 1859: 1853: 1847: 1841: 1840: 1823: 1812: 1794: 1788: 1782: 1776: 1765:Lebrecht, Norman 1762: 1756: 1750: 1744: 1738: 1732: 1721: 1704: 1698: 1692: 1691:, p. xviii. 1686: 1680: 1677:Slonimsky (2001) 1674: 1668: 1662: 1656: 1650: 1644: 1638: 1629: 1623: 1617: 1611: 1605: 1596: 1590: 1587:Steinberg (1995) 1584: 1578: 1575:Steinberg (1995) 1572: 1563: 1557: 1551: 1545: 1539: 1533: 1524: 1521: 1515: 1509: 1503: 1497: 1488: 1477: 1471: 1465: 1459: 1458: 1434: 1428: 1427: 1425: 1423: 1402: 1396: 1395: 1384: 1375: 1374: 1365:"Henryk Gorecki" 1357: 1206:Olivier Messiaen 1200:Critical opinion 1180:Light of Passage 1157:historical drama 1107:The Great Beauty 1098:Paolo Sorrentino 964:Eugeniusz Knapik 924:Concerto-Cantata 914:Concerto-Cantata 805:Alfred Schnittke 694:Olivier Messiaen 529:Eugeniusz Knapik 482:Musical Movement 474:shortage economy 415:chłopski filozof 388: 331:and his requiem 262:during the post- 245: 244: 243: 237: 232: 225: 219: 218: 215: 214: 211: 208: 205: 202: 199: 196: 193: 190: 173: 91: 88:12 November 2010 67: 65: 46: 32: 21: 5751: 5750: 5746: 5745: 5744: 5742: 5741: 5740: 5656: 5655: 5654: 5644: 5642: 5632: 5630: 5620: 5618: 5614:Classical music 5608: 5606: 5598: 5596: 5591: 5587:Vojteh Ravnikar 5484:Ludvík Václavek 5433:Péter Esterházy 5412:Andrej Mitrović 5374: 5350:Nikola Georgiev 5278:Eliška Fučíková 5252:Lech Kalinowski 5226:Marian Zgórniak 5125:Dževad Juzbašić 5099:Elena Várossová 5079:Petro Kononenko 5048:Blaga Dimitrova 5032:Stoimen Stoilov 4989: 4970:Dejan Medaković 4939:Nikolai Genchev 4913:Edvard Ravnikar 4903:Donka Petkanova 4877:Gheorghe Vrabie 4826:Boris Gaberščik 4805:Simeon Pironkov 4774:Krzysztof Meyer 4636:Emil Condurachi 4623: 4445:Marin Goleminov 4409:Hristo M. Danov 4352:Eugen Jebeleanu 4316:Jaroslav Pešina 4296:Dragotin Cvetko 4290:Bence Szabolcsi 4247: 4228:Milovan Gavazzi 4213:Jan Białostocki 4202:Ksawery Piwocki 4182:Albín Brunovský 4151:Miroslav Krleža 4099:Dimiter Statkov 4074:Dezső Dercsényi 3999: 3993: 3963: 3958: 3927: 3880:It's Gonna Rain 3818: 3787: 3755:Holy minimalism 3749: 3720:Simeon ten Holt 3686: 3681: 3651: 3646: 3586:Humphrey Searle 3561:Juan Carlos Paz 3481:Jacques Calonne 3431:Richard Barrett 3406:Kees van Baaren 3381:Hans Abrahamsen 3372: 3362: 3332: 3327: 3309: 3300:Holy minimalism 3288: 3263: 3198: 3189: 3184: 3125: 3091: 3049: 3046: 3044:Further reading 3036: 3023: 3017: 3004: 2994:Gresham College 2987: 2981: 2968: 2962: 2935: 2920: 2904: 2898: 2882: 2868: 2862: 2849: 2818: 2780: 2774: 2761: 2755: 2742: 2719: 2716: 2711: 2710: 2697: 2693: 2683: 2681: 2677: 2676: 2672: 2659: 2655: 2647: 2643: 2635: 2626: 2616: 2614: 2606: 2605: 2601: 2591: 2589: 2581: 2580: 2576: 2566: 2564: 2556: 2555: 2551: 2541: 2539: 2531: 2530: 2526: 2516: 2514: 2506: 2505: 2501: 2491: 2489: 2481: 2480: 2476: 2463: 2459: 2446: 2442: 2429: 2425: 2411: 2407: 2397: 2395: 2382: 2381: 2377: 2370: 2357: 2356: 2352: 2342: 2341: 2337: 2332:Wayback Machine 2323: 2319: 2309: 2307: 2296: 2295: 2291: 2281: 2279: 2268: 2267: 2263: 2253: 2251: 2240: 2239: 2235: 2225: 2223: 2212: 2211: 2204: 2196: 2192: 2182: 2180: 2168: 2167: 2158: 2149: 2145: 2132: 2128: 2115: 2111: 2106: 2102: 2094: 2090: 2080:Wayback Machine 2070: 2066: 2058: 2054: 2041: 2037: 2029: 2025: 2009: 2005: 1997: 1993: 1985: 1981: 1973: 1969: 1960: 1956: 1947: 1940: 1932: 1925: 1917: 1913: 1901:Wayback Machine 1891: 1880: 1872: 1868: 1862:Jacobson (1996) 1860: 1856: 1848: 1844: 1827:Teachout, Terry 1825: 1824: 1815: 1805:Wayback Machine 1795: 1791: 1783: 1779: 1763: 1759: 1751: 1747: 1739: 1735: 1722: 1707: 1699: 1695: 1687: 1683: 1675: 1671: 1663: 1659: 1651: 1647: 1639: 1632: 1624: 1620: 1616:, p. xiii. 1612: 1608: 1597: 1593: 1585: 1581: 1573: 1566: 1558: 1554: 1546: 1542: 1534: 1527: 1522: 1518: 1510: 1506: 1498: 1491: 1478: 1474: 1466: 1462: 1436: 1435: 1431: 1421: 1419: 1404: 1403: 1399: 1386: 1385: 1378: 1359: 1358: 1345: 1340: 1332:Music of Poland 1318: 1261:Igor Stravinsky 1249:holy minimalism 1202: 1082:Terrence Malick 1054:Julian Schnabel 1036: 1028:Jerzy Maksymiuk 976:Mikołaj Górecki 948: 884: 842:prison cell in 744:Karol Wojtyła's 722: 643: 594:. According to 578: 572: 525: 450: 386: 381: 359:symphonic music 240: 239: 238: 230: 223: 187: 183: 158:Mikołaj Górecki 156: 102:Alma mater 93: 89: 69: 68:6 December 1933 63: 61: 60: 59: 49: 48:Górecki in 1993 37: 28: 23: 22: 15: 12: 11: 5: 5749: 5747: 5739: 5738: 5733: 5728: 5723: 5718: 5713: 5708: 5703: 5698: 5693: 5688: 5683: 5678: 5673: 5668: 5658: 5657: 5653: 5652: 5640: 5628: 5616: 5593: 5592: 5590: 5589: 5584: 5579: 5574: 5569: 5563: 5561:Krešimir Nemec 5558: 5553: 5548: 5543: 5538: 5533: 5527: 5522: 5517: 5512: 5507: 5502: 5497: 5491: 5486: 5481: 5476: 5471: 5469:Károly Manherz 5466: 5461: 5459:Vasil Gyuzelev 5455: 5450: 5445: 5440: 5438:Radost Ivanova 5435: 5430: 5425: 5419: 5414: 5409: 5407:Marek Kopelent 5404: 5399: 5397:János Böhönyey 5394: 5389: 5382: 5380: 5376: 5375: 5373: 5372: 5367: 5362: 5357: 5352: 5347: 5342: 5336: 5331: 5326: 5324:Henryk Górecki 5321: 5316: 5314:Mircea Dinescu 5311: 5306: 5300: 5298:Elena Toncheva 5295: 5290: 5285: 5280: 5275: 5270: 5264: 5259: 5254: 5249: 5244: 5239: 5234: 5228: 5223: 5218: 5213: 5208: 5203: 5198: 5192: 5187: 5182: 5177: 5172: 5167: 5162: 5160:Sándor Kányádi 5156: 5151: 5146: 5137: 5132: 5127: 5122: 5120:István Borzsák 5116: 5111: 5109:Dionysis Zivas 5106: 5101: 5096: 5091: 5086: 5081: 5076: 5070: 5065: 5060: 5055: 5050: 5045: 5040: 5034: 5029: 5024: 5019: 5014: 5009: 5004: 4997: 4995: 4991: 4990: 4988: 4987: 4982: 4977: 4972: 4967: 4962: 4957: 4951: 4946: 4941: 4936: 4931: 4926: 4921: 4915: 4910: 4905: 4900: 4898:György Györffy 4895: 4890: 4885: 4879: 4874: 4872:Velizar Velkov 4869: 4864: 4859: 4854: 4848: 4843: 4838: 4833: 4828: 4823: 4818: 4812: 4807: 4802: 4800:Károly Perczel 4797: 4792: 4787: 4782: 4776: 4771: 4766: 4761: 4756: 4751: 4746: 4740: 4738:C. A. Trypanis 4735: 4730: 4725: 4720: 4718:Jozef Jankovič 4715: 4710: 4704: 4699: 4694: 4689: 4684: 4679: 4674: 4668: 4663: 4658: 4653: 4648: 4643: 4638: 4631: 4629: 4625: 4624: 4622: 4621: 4616: 4611: 4606: 4601: 4596: 4591: 4585: 4580: 4575: 4570: 4565: 4563:Zdenko Kolacio 4560: 4555: 4549: 4544: 4539: 4534: 4532:Stoyan Dzudzev 4529: 4524: 4522:Đurđe Bošković 4519: 4513: 4508: 4506:Anastas Petrov 4503: 4498: 4493: 4488: 4483: 4478: 4472: 4467: 4462: 4457: 4452: 4447: 4442: 4436: 4431: 4426: 4424:Gábor Preisich 4421: 4416: 4411: 4406: 4400: 4395: 4390: 4385: 4380: 4375: 4370: 4364: 4359: 4354: 4349: 4344: 4342:János Harmatta 4339: 4334: 4328: 4323: 4318: 4313: 4308: 4303: 4301:Atanas Dalchev 4298: 4292: 4287: 4285:Zaharia Stancu 4282: 4277: 4272: 4270:Georgios Megas 4267: 4262: 4255: 4253: 4249: 4248: 4246: 4245: 4240: 4235: 4230: 4225: 4220: 4215: 4209: 4204: 4199: 4194: 4189: 4187:Bohuslav Fuchs 4184: 4179: 4173: 4168: 4163: 4158: 4153: 4148: 4146:Roman Ingarden 4143: 4137: 4132: 4127: 4122: 4117: 4112: 4107: 4101: 4096: 4091: 4086: 4081: 4076: 4071: 4065: 4060: 4055: 4050: 4045: 4043:Emanuel Hruška 4040: 4035: 4029: 4024: 4019: 4014: 4007: 4005: 4001: 4000: 3994: 3992: 3991: 3984: 3977: 3969: 3960: 3959: 3957: 3956: 3951: 3946: 3944:Postminimalism 3941: 3935: 3933: 3929: 3928: 3926: 3925: 3918: 3915:Nixon in China 3911: 3904: 3897: 3894:Phrygian Gates 3890: 3883: 3876: 3869: 3862: 3855: 3848: 3841: 3834: 3831:Clapping Music 3826: 3824: 3820: 3819: 3817: 3816: 3811: 3806: 3801: 3795: 3793: 3789: 3788: 3786: 3785: 3780: 3775: 3770: 3765: 3763:Henryk Górecki 3759: 3757: 3751: 3750: 3748: 3747: 3745:La Monte Young 3742: 3737: 3732: 3727: 3722: 3717: 3712: 3707: 3702: 3696: 3694: 3688: 3687: 3682: 3680: 3679: 3672: 3665: 3657: 3648: 3647: 3645: 3644: 3635: 3630: 3625: 3620: 3615: 3613:Roger Sessions 3610: 3609: 3608: 3603: 3598: 3588: 3583: 3578: 3576:Henri Pousseur 3573: 3568: 3563: 3558: 3553: 3551:Donald Martino 3548: 3543: 3538: 3533: 3528: 3523: 3518: 3516:Henryk Górecki 3513: 3508: 3503: 3498: 3493: 3488: 3483: 3478: 3473: 3468: 3463: 3458: 3456:Konrad Boehmer 3453: 3448: 3443: 3438: 3433: 3428: 3423: 3418: 3413: 3411:Milton Babbitt 3408: 3403: 3398: 3393: 3388: 3383: 3377: 3374: 3373: 3363: 3361: 3360: 3353: 3346: 3338: 3329: 3328: 3326: 3325: 3314: 3311: 3310: 3308: 3307: 3302: 3296: 3294: 3290: 3289: 3287: 3286: 3279: 3271: 3269: 3265: 3264: 3262: 3261: 3256: 3251: 3243: 3235: 3230: 3222: 3217: 3212: 3206: 3204: 3200: 3199: 3194: 3191: 3190: 3187:Henryk Górecki 3185: 3183: 3182: 3175: 3168: 3160: 3154: 3153: 3147: 3138: 3135:Henryk Górecki 3124: 3123:External links 3121: 3120: 3119: 3089: 3051:Marek, Tadeusz 3045: 3042: 3041: 3040: 3034: 3021: 3015: 3002: 2985: 2979: 2966: 2960: 2933: 2918: 2906:Thomas, Adrian 2902: 2896: 2880: 2866: 2860: 2847: 2829:(2): 305–332. 2816: 2778: 2772: 2759: 2753: 2740: 2730:(1): 131–159. 2715: 2712: 2709: 2708: 2691: 2670: 2653: 2641: 2624: 2599: 2574: 2549: 2524: 2499: 2474: 2457: 2440: 2423: 2405: 2375: 2368: 2350: 2335: 2317: 2289: 2261: 2247:Deutsche Welle 2233: 2202: 2190: 2156: 2143: 2126: 2109: 2100: 2088: 2071:Ellis, David. 2064: 2052: 2035: 2023: 2003: 1991: 1979: 1977:, p. 135. 1967: 1954: 1938: 1923: 1911: 1878: 1876:, p. 329. 1866: 1854: 1852:, p. 305. 1842: 1813: 1789: 1787:, p. 159. 1777: 1757: 1745: 1733: 1705: 1693: 1681: 1669: 1667:, p. 134. 1657: 1645: 1630: 1618: 1606: 1591: 1589:, p. 170. 1579: 1564: 1552: 1550:, p. 357. 1540: 1525: 1516: 1512:Mellers (1989) 1504: 1489: 1472: 1460: 1447:The New Yorker 1429: 1397: 1376: 1342: 1341: 1339: 1336: 1335: 1334: 1329: 1324: 1317: 1314: 1269:Paul Hindemith 1226:Franz Schubert 1201: 1198: 1184:Bertrand Blier 1175:Flight Pattern 1147:crime thriller 1089:romantic drama 1070:Shona Auerbach 1035: 1032: 1008:Andrey Boreyko 947: 944: 936:Songs are Sung 910:Songs are Sung 883: 880: 824:Third Symphony 809:Kronos Quartet 721: 718: 714:Rafał Augustyn 698:Roman Palester 686:Iannis Xenakis 642: 639: 596:Terry Teachout 571: 568: 524: 521: 449: 446: 401: 400: 396: 395: 385: 382: 380: 377: 349:and conductor 307:Symphony No. 3 303:Symphony No. 2 175: 174: 166: 165: 161: 160: 153: 149: 148: 145: 141: 140: 135: 131: 130: 123: 122:Known for 119: 118: 113: 109: 108: 103: 99: 98: 92:(aged 76) 86: 82: 81: 57: 55: 51: 50: 47: 39: 38: 36:Henryk Górecki 35: 26: 24: 18:Henryk Gorecki 14: 13: 10: 9: 6: 4: 3: 2: 5748: 5737: 5734: 5732: 5729: 5727: 5724: 5722: 5719: 5717: 5714: 5712: 5709: 5707: 5704: 5702: 5699: 5697: 5694: 5692: 5689: 5687: 5684: 5682: 5679: 5677: 5674: 5672: 5669: 5667: 5664: 5663: 5661: 5651: 5641: 5639: 5629: 5627: 5617: 5615: 5605: 5601: 5588: 5585: 5583: 5582:Ene Mihkelson 5580: 5578: 5575: 5573: 5570: 5568: 5564: 5562: 5559: 5557: 5554: 5552: 5549: 5547: 5544: 5542: 5539: 5537: 5534: 5532: 5528: 5526: 5523: 5521: 5518: 5516: 5513: 5511: 5510:Fatos Lubonja 5508: 5506: 5503: 5501: 5498: 5496: 5492: 5490: 5487: 5485: 5482: 5480: 5477: 5475: 5472: 5470: 5467: 5465: 5462: 5460: 5456: 5454: 5451: 5449: 5446: 5444: 5441: 5439: 5436: 5434: 5431: 5429: 5428:Māris Čaklais 5426: 5424: 5420: 5418: 5415: 5413: 5410: 5408: 5405: 5403: 5402:Maria Kłańska 5400: 5398: 5395: 5393: 5390: 5388: 5384: 5383: 5381: 5377: 5371: 5368: 5366: 5363: 5361: 5360:Milan Kundera 5358: 5356: 5353: 5351: 5348: 5346: 5343: 5341: 5337: 5335: 5332: 5330: 5327: 5325: 5322: 5320: 5317: 5315: 5312: 5310: 5307: 5305: 5301: 5299: 5296: 5294: 5291: 5289: 5286: 5284: 5283:Ismail Kadare 5281: 5279: 5276: 5274: 5271: 5269: 5265: 5263: 5260: 5258: 5255: 5253: 5250: 5248: 5245: 5243: 5242:Oskár Elschek 5240: 5238: 5235: 5233: 5229: 5227: 5224: 5222: 5221:Pēteris Vasks 5219: 5217: 5216:Jože Pogačnik 5214: 5212: 5209: 5207: 5204: 5202: 5201:Karel Hubáček 5199: 5197: 5193: 5191: 5188: 5186: 5183: 5181: 5178: 5176: 5173: 5171: 5170:Milcho Lalkov 5168: 5166: 5163: 5161: 5157: 5155: 5152: 5150: 5147: 5145: 5141: 5138: 5136: 5133: 5131: 5128: 5126: 5123: 5121: 5117: 5115: 5114:Viktor Žmegač 5112: 5110: 5107: 5105: 5102: 5100: 5097: 5095: 5092: 5090: 5087: 5085: 5084:György Kurtág 5082: 5080: 5077: 5075: 5071: 5069: 5066: 5064: 5061: 5059: 5056: 5054: 5051: 5049: 5046: 5044: 5041: 5039: 5035: 5033: 5030: 5028: 5027:Marin Sorescu 5025: 5023: 5020: 5018: 5015: 5013: 5010: 5008: 5007:Gerard Labuda 5005: 5003: 4999: 4998: 4996: 4992: 4986: 4983: 4981: 4978: 4976: 4973: 4971: 4968: 4966: 4963: 4961: 4958: 4956: 4952: 4950: 4947: 4945: 4942: 4940: 4937: 4935: 4934:Václav Frolec 4932: 4930: 4927: 4925: 4922: 4920: 4916: 4914: 4911: 4909: 4906: 4904: 4901: 4899: 4896: 4894: 4891: 4889: 4886: 4884: 4880: 4878: 4875: 4873: 4870: 4868: 4865: 4863: 4860: 4858: 4857:Doula Mouriki 4855: 4853: 4849: 4847: 4844: 4842: 4839: 4837: 4834: 4832: 4831:Konrad Górski 4829: 4827: 4824: 4822: 4821:Tekla Dömötör 4819: 4817: 4813: 4811: 4810:Andrzej Wajda 4808: 4806: 4803: 4801: 4798: 4796: 4793: 4791: 4790:Adrian Marino 4788: 4786: 4783: 4781: 4777: 4775: 4772: 4770: 4767: 4765: 4762: 4760: 4759:György Konrád 4757: 4755: 4754:Karel Horálek 4752: 4750: 4747: 4745: 4744:Emilijan Cevc 4741: 4739: 4736: 4734: 4731: 4729: 4726: 4724: 4721: 4719: 4716: 4714: 4711: 4709: 4705: 4703: 4700: 4698: 4695: 4693: 4690: 4688: 4685: 4683: 4680: 4678: 4677:Ana Blandiana 4675: 4673: 4669: 4667: 4664: 4662: 4659: 4657: 4654: 4652: 4649: 4647: 4644: 4642: 4641:Sándor Csoóri 4639: 4637: 4633: 4632: 4630: 4626: 4620: 4617: 4615: 4612: 4610: 4607: 4605: 4602: 4600: 4597: 4595: 4592: 4590: 4586: 4584: 4581: 4579: 4576: 4574: 4571: 4569: 4566: 4564: 4561: 4559: 4558:Ferenc Farkas 4556: 4554: 4550: 4548: 4545: 4543: 4540: 4538: 4535: 4533: 4530: 4528: 4525: 4523: 4520: 4518: 4514: 4512: 4509: 4507: 4504: 4502: 4499: 4497: 4494: 4492: 4489: 4487: 4484: 4482: 4481:Riko Debenjak 4479: 4477: 4473: 4471: 4468: 4466: 4463: 4461: 4458: 4456: 4453: 4451: 4448: 4446: 4443: 4441: 4437: 4435: 4432: 4430: 4427: 4425: 4422: 4420: 4417: 4415: 4412: 4410: 4407: 4405: 4404:Józef Burszta 4401: 4399: 4396: 4394: 4391: 4389: 4386: 4384: 4381: 4379: 4376: 4374: 4371: 4369: 4365: 4363: 4360: 4358: 4357:Petar Lubarda 4355: 4353: 4350: 4348: 4345: 4343: 4340: 4338: 4335: 4333: 4329: 4327: 4324: 4322: 4319: 4317: 4314: 4312: 4311:Gyula Ortutay 4309: 4307: 4304: 4302: 4299: 4297: 4293: 4291: 4288: 4286: 4283: 4281: 4278: 4276: 4273: 4271: 4268: 4266: 4265:Blaže Koneski 4263: 4261: 4257: 4256: 4254: 4250: 4244: 4241: 4239: 4236: 4234: 4231: 4229: 4226: 4224: 4223:Zoltán Franyó 4221: 4219: 4216: 4214: 4210: 4208: 4205: 4203: 4200: 4198: 4195: 4193: 4190: 4188: 4185: 4183: 4180: 4178: 4174: 4172: 4169: 4167: 4164: 4162: 4159: 4157: 4154: 4152: 4149: 4147: 4144: 4142: 4138: 4136: 4133: 4131: 4128: 4126: 4123: 4121: 4118: 4116: 4113: 4111: 4108: 4106: 4102: 4100: 4097: 4095: 4092: 4090: 4089:Anton Kriesis 4087: 4085: 4082: 4080: 4079:Zlatko Gorjan 4077: 4075: 4072: 4070: 4066: 4064: 4061: 4059: 4056: 4054: 4053:László Németh 4051: 4049: 4048:Zoltán Kodály 4046: 4044: 4041: 4039: 4036: 4034: 4033:Tudor Arghezi 4030: 4028: 4025: 4023: 4020: 4018: 4015: 4013: 4009: 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(1997) 2633: 2631: 2629: 2625: 2613: 2611: 2603: 2600: 2588: 2586: 2585:The Blacklist 2578: 2575: 2563: 2561: 2553: 2550: 2538: 2536: 2528: 2525: 2513: 2511: 2510:A Hidden Life 2503: 2500: 2488: 2486: 2485:Beautiful Boy 2478: 2475: 2472: 2468: 2467: 2461: 2458: 2455: 2451: 2450: 2449:To the Wonder 2444: 2441: 2438: 2434: 2433: 2427: 2424: 2421: 2417: 2416: 2409: 2406: 2393: 2389: 2388:www.polmic.pl 2385: 2379: 2376: 2371: 2365: 2361: 2354: 2351: 2346: 2339: 2336: 2333: 2329: 2326: 2321: 2318: 2305: 2304: 2299: 2293: 2290: 2277: 2276: 2271: 2265: 2262: 2249: 2248: 2243: 2237: 2234: 2221: 2220: 2215: 2209: 2207: 2203: 2199: 2194: 2191: 2178: 2177: 2172: 2165: 2163: 2161: 2157: 2153: 2147: 2144: 2140: 2136: 2130: 2127: 2123: 2119: 2113: 2110: 2104: 2101: 2097: 2096:Adrian Thomas 2092: 2089: 2085: 2081: 2077: 2074: 2068: 2065: 2062:, p. 82. 2061: 2060:Thomas (1997) 2056: 2053: 2049: 2045: 2039: 2036: 2032: 2031:Thomas (2008) 2027: 2024: 2021: 2020:0-19-925339-0 2017: 2013: 2007: 2004: 2000: 1999:Thomas (1997) 1995: 1992: 1988: 1987:Thomas (1997) 1983: 1980: 1976: 1975:Howard (1998) 1971: 1968: 1964: 1958: 1955: 1951: 1945: 1943: 1939: 1936:, p. 362 1935: 1934:Wright (2002) 1930: 1928: 1924: 1920: 1919:Thomas (1997) 1915: 1912: 1908: 1907: 1902: 1898: 1895: 1889: 1887: 1885: 1883: 1879: 1875: 1870: 1867: 1863: 1858: 1855: 1851: 1846: 1843: 1838: 1834: 1833: 1828: 1822: 1820: 1818: 1814: 1810: 1809:Naxos Records 1806: 1802: 1799: 1793: 1790: 1786: 1785:Thomas (2005) 1781: 1778: 1774: 1770: 1766: 1761: 1758: 1754: 1753:Thomas (1997) 1749: 1746: 1742: 1741:Thomas (1997) 1737: 1734: 1730: 1726: 1720: 1718: 1716: 1714: 1712: 1710: 1706: 1702: 1701:Thomas (1997) 1697: 1694: 1690: 1689:Thomas (1997) 1685: 1682: 1678: 1673: 1670: 1666: 1665:Howard (1998) 1661: 1658: 1655:, p. vi. 1654: 1653:Thomas (1997) 1649: 1646: 1643:, p. xvi 1642: 1641:Thomas (1997) 1637: 1635: 1631: 1627: 1626:Howard (1998) 1622: 1619: 1615: 1614:Thomas (1997) 1610: 1607: 1603: 1602: 1595: 1592: 1588: 1583: 1580: 1577:, p. 171 1576: 1571: 1569: 1565: 1561: 1560:Thomas (2001) 1556: 1553: 1549: 1544: 1541: 1538:, p. 262 1537: 1536:Thomas (2005) 1532: 1530: 1526: 1520: 1517: 1514:, p. 23. 1513: 1508: 1505: 1501: 1500:Thomas (1997) 1496: 1494: 1490: 1486: 1482: 1476: 1473: 1470:, p. 12. 1469: 1468:Thomas (1997) 1464: 1461: 1457: 1453: 1449: 1448: 1443: 1439: 1433: 1430: 1417: 1413: 1412: 1407: 1401: 1398: 1393: 1389: 1383: 1381: 1377: 1372: 1371: 1366: 1362: 1356: 1354: 1352: 1350: 1348: 1344: 1337: 1333: 1330: 1328: 1325: 1323: 1320: 1319: 1315: 1313: 1311: 1307: 1306: 1301: 1295: 1290: 1287: 1285: 1281: 1276: 1274: 1270: 1266: 1262: 1258: 1254: 1250: 1246: 1245:Giya Kancheli 1242: 1238: 1233: 1231: 1227: 1223: 1219: 1215: 1211: 1207: 1199: 1197: 1195: 1194: 1189: 1185: 1181: 1177: 1176: 1172:as a ballet, 1171: 1167: 1163: 1162: 1158: 1154: 1153: 1152:The Blacklist 1148: 1144: 1143: 1139: 1135: 1134: 1129: 1125: 1124: 1123:A Hidden Life 1119: 1118: 1117:Beautiful Boy 1113: 1110: 1108: 1103: 1099: 1095: 1094: 1093:To the Wonder 1090: 1087: 1083: 1079: 1075: 1072:'s 1996 film 1071: 1067: 1066: 1062: 1059: 1055: 1051: 1050: 1046:'s 1993 film 1045: 1041: 1033: 1031: 1029: 1024: 1019: 1017: 1013: 1009: 1005: 1000: 998: 994: 990: 986: 983: 979: 977: 973: 969: 968:Adrian Thomas 965: 961: 957: 953: 945: 943: 941: 937: 933: 929: 925: 921: 920: 915: 911: 906: 904: 900: 896: 891: 889: 881: 879: 877: 873: 870:the composer 868: 862: 860: 856: 851: 849: 845: 841: 837: 833: 829: 825: 820: 818: 816: 810: 806: 802: 797: 795: 794:Norman Davies 790: 786: 785: 780: 776: 772: 768: 764: 760: 756: 755: 745: 741: 740: 734: 730: 728: 719: 717: 715: 710: 705: 703: 699: 695: 691: 690:Pierre Boulez 687: 683: 679: 675: 674:articulations 671: 666: 664: 660: 656: 652: 648: 640: 638: 634: 630: 628: 627:Warsaw Autumn 624: 620: 616: 612: 608: 604: 599: 597: 593: 592: 587: 583: 577: 569: 567: 565: 564: 559: 555: 554: 548: 546: 542: 538: 534: 530: 523:Professorship 522: 520: 518: 514: 510: 506: 497: 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(cloth) 2684:3 November 2617:4 November 2592:4 November 2567:3 November 2542:6 November 2517:4 November 2492:3 November 2398:29 October 1832:Commentary 1438:Ross, Alex 1284:Classic FM 1188:Beatus Vir 1155:, and the 1061:drama film 1044:Peter Weir 792:historian 739:Beatus Vir 611:serialists 609:and other 586:rhythmical 574:See also: 563:Totus Tuus 558:Solidarity 364:Peter Weir 333:Good Night 316:Beatus Vir 283:Luigi Nono 64:1933-12-06 5626:Biography 5379:2001–2006 5370:Arvo Pärt 5340:Ján Bakoš 4994:1991–2000 4713:Géza Entz 4628:1981–1990 4362:Jan Racek 4252:1971–1980 4218:Jan Filip 4130:Mihai Pop 4004:1964–1970 3998:laureates 3773:Arvo Pärt 3692:Composers 3436:Jürg Baur 3421:Don Banks 3371:composers 3110:1521-6039 3085:145722754 2812:145469868 2610:The Crown 2303:Maclean's 2084:Naturlaut 1237:Arvo Pärt 1161:The Crown 1138:TV series 775:orchestra 682:modernism 659:Epitafium 623:Monologhi 605:style of 537:the Party 462:Rydułtowy 379:Biography 279:modernism 276:dissonant 272:serialist 256:Alex Ross 164:Signature 5515:Éva Pócs 5268:Imre Bak 4017:Jan Kott 3954:Totalism 3476:Ole Buck 3323:Category 3249:, Op. 60 3241:, Op. 44 3239:Miserere 3228:, Op. 38 2908:(1997). 2886:(1995). 2432:Basquiat 2420:AllMusic 2415:Fearless 2328:Archived 2179:. London 2122:AllMusic 2076:Archived 1897:Archived 1839:(4): 50. 1801:Archived 1452:Archived 1392:BBC News 1316:See also 1253:tonality 1084:'s 2012 1078:Ladrones 1065:Basquiat 1056:'s 1996 1049:Fearless 995:and the 956:Katowice 888:AllMusic 855:Silesian 844:Zakopane 832:libretto 817:, Op. 62 767:baritone 727:sonorism 655:Katowice 582:harmonic 553:Miserere 492:a week. 442:Katowice 407:Czernica 369:Fearless 322:Miserere 305:and the 248:composer 152:Children 95:Katowice 71:Czernica 5600:Portals 3804:Phasing 3293:Related 2910:Górecki 2843:3600907 2082:(PDF). 2033:, 5:35. 1411:Reuters 867:Mikołaj 840:Gestapo 670:Scontri 663:Epitaph 619:Scontri 615:Epitaph 344:soprano 231:Polish: 75:Silesia 5638:Poland 5565:2006: 5529:2005: 5493:2004: 5457:2003: 5421:2002: 5385:2001: 5338:2000: 5302:1999: 5266:1998: 5230:1997: 5194:1996: 5158:1995: 5118:1994: 5072:1993: 5036:1992: 5000:1991: 4953:1990: 4917:1989: 4881:1988: 4850:1987: 4814:1986: 4778:1985: 4742:1984: 4706:1983: 4670:1982: 4634:1981: 4587:1980: 4551:1979: 4515:1978: 4474:1977: 4438:1976: 4402:1975: 4366:1974: 4330:1973: 4294:1972: 4258:1971: 4211:1970: 4175:1969: 4139:1968: 4103:1967: 4067:1966: 4031:1965: 4010:1964: 3369:serial 3108:  3083:  3077:944855 3075:  3032:  3013:  2977:  2958:  2928:  2916:  2894:  2858:  2841:  2810:  2804:944854 2802:  2770:  2751:  2560:Legion 2366:  2018:  1257:melody 1218:Mozart 1193:My Man 1142:Legion 874:via a 779:Psalms 700:, and 649:. 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Index

Henryk Gorecki

Czernica
Silesia
Poland
Katowice
Karol Szymanowski Academy of Music
Contemporary
Symphony of Sorrowful Songs
List of works
Mikołaj Górecki

/ɡəˈrɛtski/
gə-RET-skee
[ˈxɛnrɨkmiˈkɔwajɡuˈrɛt͡skʲi]

composer
contemporary classical music
Alex Ross
avant-garde
Stalin
Anton Webern
serialist
dissonant
modernism
Luigi Nono
Karlheinz Stockhausen
Krzysztof Penderecki
Kazimierz Serocki
sacred minimalist

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