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173:. Schaep is a typical representative of this movement in the choice of his subject matter, which covers the usual romantic scenes such as storms, high seas and shipwrecks. He often painted the 'extreme moments' of the day: sunrise and sunset, the start and end of the day, when the color contrasts are the most intense and the colors are striking.
184:). The composition is perhaps one of the most impressive paintings in his oeuvre as it displays his high level of technical skill in the rendering of the stormy sea. The whole canvas is filled with the rough sea, the sky, the shipwrecked ship and the lifeboat without any other compositional props.
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Schaep did not only study art but simultaneously developed a career as a military officer. This career path brought him to various locations: he was a lieutenant in Ghent in 1840, he was based in
Antwerp from 1846 to 1849, in 1849 he was in Ostend, in 1855 he was a captain in Mechelen, in 1857 he
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although he also painted landscapes. The
Scheldt in Antwerp up to its estuary was one of his main sources of inspiration although he painted some scenes of the Thames. He is reported to have painted some
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Henri
Adolphe Schaep was born in Mechelen as the son of Franciscus, a baker, and Maria-Theresia Wauters. The family moved to Antwerp in 1828. Henri Adolphe commenced his artistic studies at the
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of
Brussels, Antwerp, Ghent and the provincial capitals of Belgium. His contribution to the Antwerp salon of 1840 of the marine painting
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movement in
Belgian marine painting. This movement saw its heyday between 1830 and 1860. Its representatives included Egide Linnig,
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Schaep was active as a part-time painter. He was also recognised as a geologist and paleontologist.
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was likely his first participation in a salon. He also presented compositions called
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was based in Liege, in 1861 he was back in
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but also painted landscapes. Schaep was an important representative of the
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From the 1840s onwards, Schaep started participating in the triennial
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painter, draughtsman and military officer. He is best known for his
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N. Hostyn, "SCHAEP, Henri
Adolphe, marineschilder en militair", in
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scenes. He also collaborated with the Dutch landscape painter
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to the
Brussels salon in 1848 and the Antwerp salon in 1849.
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A good example of Schaep's
Romantic approach can be seen in
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Nicolaas
Johannes Roosenboom; Henri Adolphe Schaep,
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97:Palisade at the launch of a ship in Antwerp
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119:Schaep died in Antwerp on 6 June 1870.
231:in: neptunus - October 1980, p. 35-37
299:Netherlands Institute for Art History
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58:movement in Belgian marine painting.
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261:at Openbaar Kunstbezit Vlaanderen
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364:19th-century Belgian male artists
211:Nationaal biografisch woordenboek
182:Royal Museum of Fine Arts Antwerp
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228:Ed. DUBAR & AP. Henri SCHAEP
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354:19th-century Belgian painters
294:IJspret bij een koek-en-zopie
111:Working in the docks at night
138:Nicolaas Johannes Roosenboom
68:Antwerp Academy of Fine Arts
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379:19th-century printmakers
339:Belgian marine painters
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359:Belgian male painters
349:Artists from Mechelen
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325:at Wikimedia Commons
323:Henri Adolphe Schaep
274:Henri Adolphe Schaep
251:Schilders van de zee
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34:(3 January 1826, in
32:Hendrik Adolf Schaep
28:Henri Adolphe Schaep
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344:Belgian printmakers
257:2019-05-25 at the
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188:References
255:Archived
155:Romantic
134:kermesse
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159:Realist
129:marines
56:Realist
48:marines
44:Belgian
40:Antwerp
101:Marine
93:salons
169:and
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62:Life
30:or
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