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246:. However, the attention was not always welcomed. In her memoirs, Rae described the overbearing attitudes and conduct of some of the more senior artists. In one such case, Prinsep dipped his thumb in cobalt blue paint and marked up one of Rae's pictures. In retaliation, Rae "accidentally" burnt his hat on her stove.
226:, but kept her maiden name – a choice considered unusual at the time – because she had already begun to establish her reputation as an artist, having been a frequent exhibitor at the annual Royal Academy exhibitions since 1881. Rae and Normand lived in
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Rae began formally studying art at the age of thirteen, being educated at the Queen Square School of Art,
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at least five times before eventually gaining a seven-year scholarship. Her teachers there included Sir
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The Making of Women
Artists in Victorian England: The education and careers of six professionals
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137:, who specialised in classical, allegorical and literary subjects. Her best-known painting is
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Birth certificate gives date of birth as 30 December 1856. Other sources give a later year.
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368:(1894) measures 12 by 7 feet (370 by 210 cm) and contains 13 figures. Her painting
295:. In 1897 Rae organised an exhibition of the work of female artists for the Jubilee of
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Victorian Urban
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Rae specialised in classical, allegorical and literary subjects. Her painting
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230:, the residence of many other artists of the day. Frequent visitors included
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758:"Women's Art at the World's Columbian Fair & Exposition, Chicago 1893"
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133:(30 December 1856 – 26 January 1928) was a British painter of the late
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328:(1886) won Honorable Mention at the 1889 International Exhibition in
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360:; a popular lithographic reproduction of her best-known painting
197:, who had the strongest influence on her later work, as well as
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Critical Voices: Women and Art
Criticism in Britain 1880–1905
380:. She also painted many socially prominent people; including
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In 1884 she married painter and fellow Royal
Academy student
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Rae and
Normand travelled to Paris in 1890 to study at the
324:. Among her many other paintings in the classical vein,
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The
Holland Park Circle: Artists and Victorian Society
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667:. Cambridge: Lutterworth Press. pp. 216–229.
448:Sir Richard Whittington dispensing his Charities
370:Sir Richard Whittington Dispensing His Charities
185:(as the school's first female pupil) and at the
302:She died on 26 January 1928 at Upper Norwood.
159:Henrietta Rae was born on 30 December 1856 in
784:. McFarland & Company. pp. 201–202.
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746:, London, Taylor & Francis, 1996; p. 71.
178:. She had three brothers and three sisters.
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724:, New Haven, Yale University Press, 1999.
174:), a musician who had been a student of
651:Painting Women: Victorian Women Artists
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398:Elaine guarding the shield of Lancelot
312:Elaine Guarding the Shield of Lancelot
218:, a representative example of her work
866:20 artworks by or after Henrietta Rae
742:Debra Mancoff and D. J. Trela, eds.,
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376:; a medieval merchant and four-time
665:Dictionary of British Women Artists
637:Henrietta Rae (Mrs. Ernest Normand)
911:19th-century English women artists
906:20th-century English women artists
826:"John Horner (1858–1919) | Art UK"
640:, London, Cassell & Co., 1905.
423:Miss Nightingale at Scutari (1854)
342:Miss Nightingale at Scutari (1854)
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314:(1885) drew inspiration from the
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457:The Marquess of Dufferin and Ava
189:. Rae reportedly applied to the
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410:Eurydice Sinking Back to Hades
326:Eurydice Sinking Back to Hades
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901:20th-century English painters
896:19th-century English painters
430:Psyche at the throne of Venus
366:Psyche at the Throne of Venus
259:Jean-Joseph Benjamin-Constant
334:World's Columbian Exposition
282:World's Columbian Exposition
131:Henrietta Emma Ratcliffe Rae
47:Henrietta Emma Ratcliffe Rae
946:19th-century women painters
941:20th-century women painters
37:Henrietta Rae, date unknown
16:English painter (1856–1928)
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653:, London, Routledge, 1993.
463:Hylas and the water nymphs
183:Heatherley's School of Art
261:. In 1893, they moved to
65:26 January 1928 (aged 71)
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663:Gray, Sara (2009). "R".
332:and a medal at the 1893
936:People from Hammersmith
287:Rae was a supporter of
926:English women painters
916:Académie Julian alumni
452:Royal Exchange, London
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357:The Lady with the Lamp
346:The Lady with the Lamp
284:in Chicago, Illinois.
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140:The Lady with the Lamp
104:The Lady with the Lamp
68:Upper Norwood, England
778:Devereux, Jo (2016).
557:Zephyrus Wooing Flora
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340:. Her 1891 painting
255:Jules Joseph Lefebvre
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191:Royal Academy of Arts
124:, painter (1857–1923)
85:Academy Julien, Paris
921:Painters from London
856:@ Victorian Artists.
450:(1900) Mural at the
378:Lord Mayor of London
278:The Woman's Building
216:and the Water Nymphs
203:William Powell Frith
195:Lawrence Alma-Tadema
145:Florence Nightingale
931:Artists from London
387:Her works include:
374:Richard Whittington
321:Lancelot and Elaine
274:Palace of Fine Arts
701:Art Renewal Center
416:Zephyrus and Flora
392:Love's young dream
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143:(1891); depicting
791:978-1-4766-2604-8
720:Caroline Dakers,
442:Diana and Calisto
436:Apollo and Daphne
176:Felix Mendelssohn
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172: Graves
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99:Notable work
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891:1928 deaths
886:1856 births
797:20 February
706:20 February
497:A Bacchante
469:John Horner
161:Hammersmith
74:Nationality
54:Hammersmith
880:Categories
610:References
587:The Sirens
478:, Belfast)
830:artuk.org
559:(c. 1900)
472:1858-1919
384:in 1901.
270:exhibited
155:Biography
118:Spouse(s)
82:Education
835:11 April
604:(1905)
602:Isabella
316:Tennyson
289:feminism
232:Leighton
110:Movement
763:30 July
542:Ophelia
527:Azaleas
483:Gallery
474:(1913;
404:Ariadne
338:Chicago
240:Prinsep
236:Millais
149:Scutari
77:British
870:Art UK
788:
681:
671:
589:(1903)
574:(1902)
544:(1890)
529:(1895)
514:(1886)
512:Doubts
499:(1885)
465:(1910)
459:(1901)
444:(1899)
438:(1895)
432:(1894)
426:(1891)
418:(1888)
412:(1886)
406:(1885)
400:(1885)
394:(1883)
364:Rae's
242:, and
165:London
679:JSTOR
330:Paris
318:poem
306:Works
253:with
244:Watts
214:Hylas
872:site
837:2019
799:2017
786:ISBN
765:2018
708:2017
669:ISBN
291:and
276:and
268:Rae
257:and
201:and
62:Died
43:Born
336:in
170:née
147:at
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627:^
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