"Heroes" (David Bowie album)

560:, leading Bowie to describe it as "the hall by the wall". Describing how the location of the studio affected the creative process, Visconti recalled: "Every afternoon I'd sit down at desk and see three Russian Red Guards looking at us with binoculars, with their Sten guns over their shoulders, and the barbed wire, and I knew that there were mines buried in that wall, and that atmosphere was so provocative and so stimulating and so frightening that the band played with so much energy". Despite the dark atmosphere, Visconti particularly had an exciting time creating the album, saying, "It was one of my last great adventures in making albums." 1979: 884:" goes from calm and playful to a near-scream, a style he called "Bowie histrionics". Musically, Fripp's guitar feedback dominates throughout, while the bass pulsates and Eno synthesisers blends in the background. Bowie explained the song is about "facing reality and standing up to it" and finding joyness in life. David Buckley particularly highlights the lyric "We can be heroes, just for one day" as "an acknowledgment that the future didn't belong to him anymore, to everyone". 1488:-era songs and other hits from 1973 to 1976 were played. By now Bowie had broken his drug addiction; Buckley writes that the tour was "Bowie's first tour for five years in which he had probably not anaesthetised himself with copious quantities of cocaine before taking the stage. ... Without the oblivion that drugs had brought, he was now in a healthy enough mental condition to want to make friends." Performances from the tour were released on the live album 1047:, Bowie said that the quotation marks in the title "indicate a dimension of irony about the word 'heroes' or about the whole concept of heroism". Visconti would later state that the album was "heroic" in that it was a very positive period of Bowie's life and during the making of the album, everyone felt like heroes. Regarding the title, Bowie said, "I thought I'd pick on the only narrative song to use as the title," quipping he could have titled it 650: 603:, who was recruited at Eno's suggestion. The guitarist recalled: "I got a phone call when I was living in New York in July 1977. He said that he and David were recording in Berlin and passed me over. David said, 'Would you be interested in playing some hairy rock 'n' roll guitar?' I said, 'Well, I haven't really played for three years – but, if you're prepared to take a risk, so will I.' Shortly afterward, a first-class ticket on 8307: 564: 722:, being credited as co-author on four of the ten songs, leading Seabrook to call it the "truer" collaboration. Eno himself stated "We both worked on all the pieces all the time." Eno would act as "assistant director" to Bowie, giving feedback to the musicians and suggesting new – and unusual – ways to approach the tracks. One of these ways was the employment of Eno's 1626: 1593: 1750: 1745: 1740: 1735: 1730: 1676: 1671: 1666: 1661: 1656: 1621: 1616: 1611: 1588: 1583: 1578: 1573: 1555: 1550: 1545: 1540: 1535: 42: 625:

happening in rehearsals so he just switched on the tape machines and let them run." Visconti himself later recalled: "It came in handy so many times...because we'd get lost. We'd start with an idea then go in the wrong direction, and after an hour we'd say 'How did this start again?'" During the sessions for

760:, he decided to use the same method. Visconti later attested: "He'd never have a clue what he'd sing about until he actually walked in front of the microphone." Bowie usually completed his vocals in only one or two takes; Visconti provided backing vocals in the same fashion. The final mixes were done at 1216:

and Charles Shaar Murray remarked that its "jarring, threatening edge...obviously put off a great many of the floating singles buyers attracted by the intoxicating romanticism of its immediate predecessor". The single was released in the US and Spain on a 12" promo and in a five-minute extended form,

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arrived." Upon his arrival to the studio, Fripp sat down and recorded lead guitar parts for tracks he had never heard before. He also received little guidance from Bowie, who had yet to write lyrics or melodies. Fripp completed all his guitar parts in three days. Fripp's playing received significant

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later in the year, Eno said the initial phase of recording was "all done in a very casual kind of way." Bowie gave "very brief instruction", then the band would play. Hesitant at first, Eno found the process surprisingly effective, with most tracks being done in one take. Eno stated, "We did second

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to his set to take advantage of the large studio space. Visconti gave high praise to Davis, calling him "one of the best drummers I've ever worked with," further calling Alomar and Murray "amazing musicians...you'd just throw a few chord changes at them and they'd run with it." In an interview with

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at all and some people thought my heart wasn't in it. This time, I wanted to put everything into pushing the new album. I believe in the last two albums, you see, more than anything I've done before. I mean, I look back on a lot of my earlier work and, although there's much that I appreciate about

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became more sporadic, with overdubs, vocals and mixing lasting until August. Like its predecessor, lyrics weren't written or recorded until all but Bowie and Visconti departed. Seabrook characterises this stage of recording as "sporadic bursts of inspiration surrounded by longer stretches of

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While producing other Bowie records, Visconti found that new ideas were flowing at a consistent basis and because of this, sometimes they tended to be forgotten. In order to counteract this, he kept a two-track tape running at all times. Murray recalled: "Tony had the insight to see what was

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were "oblique and often deliberately evasive", and were sung with an "astonishing" amount of passion. Visconti recalled that lyrics were made up on the spot, with Bowie sometimes ad-libbing entire songs, singing "at the top of his lungs". Songs of this instance included

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emphasise tone and atmosphere rather than guitar-based rock. However, they are more positive in both tone and atmosphere than the songs of its predecessor; the author James Perone considers it more accessible, while Visconti described it as "a very positive version of

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as the album that indicated the most artistic growth for Bowie, after turning 30 and escaping years of drug addiction. Many reviewers and biographers have particularly highlighted the title track as one of Bowie's finest, with some considering it his greatest song.

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praised the album, noting the growing artistic maturity compared to its predecessor. He further praised the addition of Fripp, stating that his guitar adds a greater "musical foundation" to the electronic sound. He ultimately writes: "The difference between

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was less receptive to Eno's contributions, particularly the second side's instrumentals, saying that they are "interesting background" but "merely noteworthy as foreground, admirably rather than attractively ragged", in comparison to "their counterparts on

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2 in West Berlin. Although the album was the second instalment of Bowie's Berlin Trilogy, it was the only one recorded entirely in Berlin. The studio was a former concert hall converted into a recording studio that had been used by Gestapo officers during

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performance in 1985 did the song become recognised as a classic. Bowie later remarked in 2003: "This is a strange phenomenon that happens with my songs Stateside. Many of the crowd favourites were never radio or chart hits, and '"Heroes"' tops them all."

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September 1977, with fellow album track "V-2 Schneider" as the B-side. It was released in a shortened edited form in the hopes of more airplay, but Buckley believes this edit results in the song losing some of its "dramatic appeal". It was supported by a

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proceeded to describe it as intentional and unalterable, because of damages in the original master tapes. After the critical voices would not lessen, a statement was released on the official Bowie website announcing corrected replacement disks for the

629:, Visconti became frustrated with the lack of studio staff present at the Château. At Hansa however, he was assisted by in-house engineer Eduard Meyer, whom Visconti recalled was critical in maintaining a positive atmosphere. Likewise, the mood during 1791:

as the more ground-breaking record owing to its daring experimental achievements. Pegg writes that the album is rather seen as an extension or refinement of its predecessor's achievements rather than a "definitive new work". Seabrook notes that

903:". Musically, the song is noted by biographers as different than the rest of the songs on the album, in that the themes present reflect ideals from the previous decade rather than the contemporary, while O'Leary likens its sound more to that of 2046:

were greeted with acclaim. Bowie and Glass remained in contact with each other until 2003 and discussed making a third symphony, which never came to fruition. After Bowie's death in 2016, Glass stated the two had talked about adapting

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on "Moss Garden" which, together with synths, evoke a sound resembling aeroplanes flying overhead; Bowie further emphasises his fascination with Japan by stating he's "under Japanese influence" in "Blackout". "Moss Garden" segues into

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that September. It was released in CD, vinyl, and digital formats, as part of this compilation and then separately in February 2018. A volume shift in the 2017 remaster of the title track received ire from fans and critics, but

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had originally been approached to contribute, but shortly before the sessions began, he was contacted by an unknown person and informed that Bowie had changed his mind, although later interviews with Bowie suggested otherwise.

1144:. And there's David Bowie ..." Trynka praises the slogan as "a masterful piece of positioning that allowed David to remain aloof from a punk movement that, like glam before it, would turn into a parody of itself." Unlike 1037:. Pegg describes Bowie's pose as "a wild-eyed Bowie locked in a rigid pose of serio-comic agitation, raising a flat palm as though he has just mimetically lifted the final mask of artifice from his face." In an interview with 916:

The instrumentals are described by Buckley as dark and gloomy. "Sense of Doubt" puts a repeating four-note piano motif against a set of synthesisers to paint an image of a barren landscape. Bowie plays the Japanese instrument

637:. Bowie in particular was in a healthier state of mind. He and Visconti would travel around Berlin frequently and one on such occasion, they met Antonia Maass, a local jazz singer who would go on to provide backing vocals on 1087:", respectively, Bowie re-recorded his vocals in both languages, with lyrics translated by Antonia Maass for the German release. Despite the song's later mass acclaim, it was initially a failure, peaking at number 24 on the 5684: 831:

writes that the record evokes "both past and future". It also follows the same structure as its predecessor, with side one featuring more conventional tracks, and side two featuring mostly instrumental tracks.

1834:

similarly praised the record, calling Bowie's vocal performances some of his finest and highlighted Fripp as the standout. In a review in which he commended the entire Berlin Trilogy, Dombal identified

534:, Bowie was ready to begin work on his next record. He and Eno spent a few weeks devising concepts and ideas for the new album before they were joined by Visconti, who was busy with other commitments. 1320:

lamented the way Bowie's "fluctuating pop interests caused him to shift from style to style faster than his ability to master them", ultimately calling it one of the artist's "least arresting turns".

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feel more "integrated"; having "Sense of Doubt", "Moss Garden" and "Neuköln" flow from one to the next "give the listener the feeling that was...meant to be experienced as a unified whole".

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had the advantage of being released first and seen as "the greatest and canniest musical move" of Bowie's entire career. However, compared to other records released in 1977, he writes that

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approaches, albeit with more positive tones, atmospheres and passionate performances. The album also follows the same structure as its predecessor, side one featuring more conventional

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has been reissued several times. RCA reissued the album on vinyl in 1980 and released it on compact disc for the first time in the mid-1980s. It was subsequently reissued in 1991 by

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has received enduring praise, particularly recognised for Fripp's contributions and the album's place within Bowie's longterm artistic development. Though critical opinion has viewed

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The majority of the tracks were composed on the spot in the studio, the lyrics not being written until Bowie stood in front of the microphone. The music builds upon its predecessor's

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named it "album of the year", calling it and its predecessor "among the most adventurous and notably challenging records yet thrust upon the rock audience." Angus MacKinnon of

1011:. "V-2 Schneider" is also notable for having an off-beat saxophone part played by Bowie, who began the take on the wrong beat but decided he liked it better and kept it as is. 5506: 595:

as the core band. Bowie played piano, having gotten significantly more experience playing the instrument during his time with Pop. An addition to the lineup was the guitarist

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CD and LP; the replacement disc offer lasted until June 2018. The amended remaster featured on the replacement discs was also used for the standalone CD and LP release of

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chart, spending 19 weeks on the chart. Doggett writes that the album ended a string of eight top 20 albums in the US, becoming his worst-selling album there since 1971's

1363:"prompts a much more enthusiastic reading of the collaboration, which here takes the form of a union of Bowie's dramatic instincts and Eno's unshakable sonic serenity". 6579:

Peraino, Judith A. (2015). "Synthesizing Difference: The Queer Circuits of Early Synthpop". In Kaliberg, Jeffrey; Bloechl, Olivia Ashley; Lowe, Melanie Diane (eds.).

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praise from Visconti and Eno, who were impressed with Fripp's ability to play for songs he had never heard before with such "virtuosity". According to the biographer

7772: 41: 2026:. Like its predecessor, Glass acknowledged Eno's contributions as equal to Bowie's on the original album and credited the movements to the two equally. Unlike the 8192: 4507: 3993: 5407: 5376: 5140: 1863:

is mesmerizing. Even on its gloomiest tracks, there's this upbeat, impassioned impression that everything's okay, even just for one day." In 2020, Brian Kay of

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gave the album a more mixed assessment, calling it "disjointed" and criticised the instrumentals on side two as having less "continuity" than the ones found on

4377: 7258: 1884: 1496: 5438: 5255: 3954: 909:(1971) than the rest of the album. Biographers also consider the album's closer, "The Secret Life of Arabia", as a precursor to what Bowie would explore on 8376: 7955: 7670: 1265:." Needs ultimately described the album as "a strange, cold sometimes impenetrable album, but Bowie makes all these unlikely ingredients work." Writing in 891:" was the only song written before the sessions began and was originally intended to be the album's title track. The lyrics are influenced by the works of 7698: 2124: 454: 7554: 4453: 1071:, that features Bowie in the same jacket on the album cover against a backdrop of white light. For the German and French releases of the single, titled " 6168: 4130: 3549: 3277: 8341: 7948: 7881: 1296:

stuns for just track. The rest is clever, but not brilliant and you expect no less from Bowie. In that sense it's a disappointment, a come-down from

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also named it the magazine's "album of the year", calling it Bowie's "most moving performance in years" and commended the artist's growing maturity.

1889: 438:, has remained one of his best-known and most-acclaimed songs. An altered and obscured version of the cover artwork was later used for the cover of 3516: 8336: 2648: 2191: 1197: 267: 7251: 4184: 1787:

was the best-received work of the Berlin Trilogy on release, in subsequent decades critical and public opinion has typically fallen in favour of

1292:. Lott further considered Bowie's vocals "hollow" and the lyrics "opaque". Overall, although he felt it was intriguing, he stated: "As an album, 388:

was a commercial success, peaking at number 3 in the UK and number 35 in the US. It was the best-received work of the Berlin Trilogy on release;

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each named it their respective album of the year. Bowie promoted the album extensively with television appearances and interviews. He supported

7300: 5776: 2878: 1160: 326:, released in January the same year, and the only one wholly recorded in Berlin. Sessions took place in mid-1977 after Bowie completed work on 7645: 6893: 6868: 6783: 6757: 6729: 6697: 6678: 6654: 6631: 6604: 6569: 6543: 6520: 6492: 6469: 6439: 6416: 6064: 6032: 5881: 5562: 5304: 4994: 4879: 4833: 4297: 3349: 7424: 6256: 4544: 2710: 7800: 7223: 6197: 5224: 4932: 1458: 7994: 7747: 2076:

cover. This version has the word "'Heroes'" crossed out and Bowie's face obscured by an opaque white box reading "The Next Day". Designer

1473: 1411: 1208:" as the B-side. It became a minor success in the UK, peaking at number 39 on the UK Singles Chart, staying on the chart for three weeks. 409: 7691: 6484: 2990: 7846: 7617: 7378: 7188: 7040: 6956: 5745: 7568: 2227: 431: 244: 7909: 7624: 7582: 7575: 7033: 6810: 6664: 5650: 5516: 1938: 1165: 7874: 7705: 4736: 4098: 683:

s process, with the basic backing tracks for side one being completed in just two days. Although he fed Davis's drums through his

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throughout; a kiss between Visconti and Maass at the foot of the Wall inspired a lyric for the title track. Bowie's vocal for "

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and Bowie himself, who instead opted to tour as Pop's keyboardist. After the tour's completion, Bowie and Pop returned to

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with Iggy Pop, Bowie became fascinated with Pop's ability to improvise lyrics while standing at the microphone. For

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and remained on the chart for 33 weeks. It fared less favourably in the US, where it peaked at number 35 on the

8361: 8234: 7712: 7519: 7484: 6947: 6939: 5998: 2636: 2455: 1355:, who highlighted Eno's involvement. He contended that after Bowie's "auteurist exploitation" of the former on 588: 7853: 7216: 4779: 4443: 2100:

image, and what the album is saying about somebody who's looking back at his age...it just felt appropriate."

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magazine further praised the record, noting that Bowie appeared to be continuing the musical explorations of

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still "sounds like a blast from the future". Perone finds that the mix of songs and instrumentals makes

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extensively, conducting numerous interviews and performing on various television programmes, including

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The cover photo was taken by Japanese photographer Masayoshi Sukita. Like the artwork for Iggy Pop's

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was panned by both critics and audiences. Bowie himself was critical of the film, calling it "my 32

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when creating the instrumentals, including on "V-2 Schneider", "Sense of Doubt" and "Moss Garden".

6156: 5507:"Review: Philip Glass Takes David Bowie and the Symphony to New Places with a Stupendous 'Lodger'" 4534: 4120: 8009: 7005: 6744: 6461: 6248: 4942: 4825: 4760: 2518: 2508: 2088:. He further emphasised: "We tried out every single Bowie cover there's been, but it ended up as 2077: 1564: 1428: 1306:

also gave a mixed assessment, calling it an "extension" of both "Bowie's cosmic rock vision" and

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with two bonus tracks, including the outtake "Abdulmajid". A further CD release in 1999 by EMI/

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because it's such an iconic album, and the image on the front has the right kind of distance...

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lies in the details, but the record is equally challenging and groundbreaking." Ryan Dombal of

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it, there's not a great deal that I actually like...There's a lot more heart and emotion in

1088: 931: 811: 761: 356: 117: 5964:"InfoDisc : Tous les Albums classés par Artiste > Choisir Un Artiste Dans la Liste" 5753: 930:

in Berlin. The track uses sound to capture the feeling of despair and desperation that the

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Goble, Blake; Blackard, Cap; Levy, Pat; Phillips, Lior; Sackllah, David (8 January 2016).

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Sisältää hitin - 2. laitos Levyt ja esittäjät Suomen musiikkilistoilla 1.1.1960–30.6.2021

3593:(Rykodisc). Groundbreaking ambient electronic work from one of pop's most enduring icons. 1091:

and failing to chart in the US. Pegg and Chris O'Leary note that it wasn't until Bowie's

8292: 8282: 8255: 8239: 8126: 8039: 8019: 7860: 7561: 7314: 7152: 7026: 6646: 6535: 5913: 5636: 4439: 4090: 3282: 2587: 2501: 2489: 2343: 2116: 1934: 1907: 1441: 1317: 1205: 1141: 773: 613: 507: 435: 317: 271: 227: 4815: 8325: 7934: 7895: 7603: 6721: 6711: 6707: 6668: 6553: 6512: 6502: 5994: 4964: 4871: 4602: 4570: 4539: 4372: 3468: 3345: 3079: 2761: 2467: 2449: 2396: 2325: 1455: 1386: 1351: 1284: 1186: 992: 836: 815: 684: 609: 584: 503: 479: 360: 313: 254: 169: 122: 5685:"Review: David Bowie's Heroically Experimental Berlin Era Explored in 11-CD Box Set" 5104: 4337: 1811:

Retrospective reviews praise Bowie's growth as an artist and Fripp's contributions.

985:, Bowie paid tribute by naming the album after Neu!'s track "Hero" from their album 8244: 8219: 8209: 8034: 8014: 7916: 7786: 7540: 7459: 7452: 7445: 7307: 7286: 7209: 7110: 6991: 6977: 6408: 6282: 5135: 4861: 2887: 2461: 2443: 2209: 2068: 1999: 1983: 1942: 1921: 1437: 1239: 1026: 1008: 982: 892: 853: 849: 600: 596: 592: 568: 553: 440: 396: 381: 349: 345: 147: 6596: 6506: 1808:

has nonetheless been regarded as one of Bowie's best and most influential works.

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October 1977, with the catalogue number RCA PL 12522. Its release came amid the

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and Neu! Earlier in 1977, Kraftwerk name-checked both Bowie and Iggy Pop on the

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cards. According to Chris O'Leary, these cards were "part-fortune cookie, part-

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According to the biographer Thomas Jerome Seabrook, the recording process for

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MacKinnon, Angus (13 September 1980). "The Future Isn't What It Used to Be".

1941:, who referred to the "unconscious influence" of Bowie on his singing style, 1136:

movement, whose music and fashion had been influenced by Bowie. RCA marketed

8083: 7417: 6584: 5831: 2981:"The History of David Bowie's Berlin Trilogy: 'Low,' 'Heroes,' and 'Lodger'" 2437: 2240: 1133: 1004: 950: 942: 657: 649: 604: 563: 499: 309: 1436:

in May 1978. Bowie later said that it was a Christmas present for his son,

6334: 1887:. The album was also included in the 2018 edition of Robert Dimery's book 579:

Most of the album was recorded with the same personnel as its predecessor

8287: 6449: 6052: 5716:"Parlophone respond to David Bowie 'Berlin' box set mastering criticisms" 5613: 4775: 4359: 3476: 3226: 2698: 2112: 1816: 1527: 1349:

Some reviewers commented on Eno's contributions, including Bart Testa of

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Trixie A. Balm liked side one but dismissed side two, ultimately finding

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The album was a commercial success in the UK, peaking at number 3 on the

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was released in January 1977, receiving little to no promotion from both

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in September the same year, and again from a different venue in 2018 on

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as Bowie's fifth-greatest album, stating that "The weary 'optimism' of

999:. However, many British listeners assumed "V-2" was a reference to the 700: 6361:"David Bowie en chiffres : un artiste culte, mais pas si vendeur" 5777:"Parlophone Call Time on the David Bowie Heroes Replacement Programme" 1851:

was voted Bowie's eighth best album. Five years later, the writers of

8132: 3950: 2674: 2035: 5400:"Love Approval Thirteen: Ian Astbury of the Cult's Favourite Albums" 2119:, without bonus tracks, featured 24-bit digitally remastered sound. 1261:, while at the same time, allowing listeners time to "catch up with 1472:

in February 1978, Bowie began rehearsals for an upcoming tour. The

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praised it as "a cryptic product of a high order of intelligence."

6056: 5952:(in Finnish). Helsinki: Kustannusosakeyhtiö Otava. pp. 36–37. 4481: 4479:

Balm, Trixie A. (February 1978). "David Bowie: '"Heroes"' (RCA)".

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and follow several characters that are, in O'Leary's words, "part-

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throughout 1978, live performances from which appear on multiple

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Denyer, Ralph (September 1978). "Interview with George Murray".

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For the album, Bowie, Visconti and Eno regrouped at Hansa Studio

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is regarded as one of Bowie's best, most influential works. The

6850: 3350:"Eno Part 2: Another False World — How to Make A Modern Record" 556:

as a ballroom. The studio was located about 500 yards from the

6846: 5836: 5632: 5260: 4937: 4672: 3988: 3912: 3910: 3354: 3313: 3311: 3309: 3307: 3305: 3244: 3242: 1697: 1043: 706: 506:; the album was the first in what came to be known as Bowie's 390: 6971:

The Rise and Fall of Ziggy Stardust and the Spiders from Mars

3538:

Blackard, Cap; Graves, Wren; Manning, Erin (6 January 2016).

3054: 3052: 1440:, then seven years old. He then played then lead role in the 3144: 3142: 3140: 3138: 3136: 3134: 2532: 2423:

Personnel per the liner notes and biographer Nicholas Pegg.

2080:

explained that Bowie had a feeling of isolation when making

5591: 5589: 3947:"Take a Peek at David Bowie's Idiosyncratic Art Collection" 1916: 843:

featured lyrics of autobiographical nature, the lyrics of "

6027:(in Italian). Amazon Digital Services LLC - Kdp Print Us. 5431:"Grit in One's Third Eye: Robyn Hitchcock's Baker's Dozen" 3617: 3615: 3422: 3420: 3407: 3405: 3403: 3401: 856:, who was known for his outlandish publicity stunts, and " 788:

As the second release of the Berlin Trilogy, the music on

524:

in West Berlin, where they recorded Pop's next solo album

367:

tracks and side two featuring mostly instrumental tracks.

4017: 4015: 3837: 3835: 3790: 3788: 3724: 3722: 6279:"Canadian album certifications – David Bowie – Heroes" 5369:"Oh L'Amour: Vince Clarke of Erasure's Favourite Albums" 6481:

David Bowie All the Songs: The Story Behind Every Track

6432:

Strange Fascination – David Bowie: The Definitive Story

6405:

Strange Fascination – David Bowie: The Definitive Story

6335:"British album certifications – David Bowie – Heroes" 5876:. St Ives, NSW: Australian Chart Book. pp. 43–44. 5832:"Breaking down David Bowie's 'Heroes' – Track-by-track" 5536: 5534: 5476: 5474: 5472: 5470: 5468: 633:

was brighter and more optimistic than the sessions for

5557:(10th ed.). US: Krause Publications. p. 87. 4821:

Christgau's Record Guide: Rock Albums of the Seventies

4177:"'Beauty and the Beast' – Full Official Chart History" 3775: 3773: 3771: 3769: 3669: 3667: 3665: 3663: 3661: 3636: 3634: 3632: 3630: 743:

Following the initial sessions in July, recording for

6508:

The Man Who Sold the World: David Bowie and the 1970s

5338:"Souvenirs: Andy McCluskey of OMD's Favourite Albums" 3507:"Ranking: Every David Bowie Album From Worst to Best" 3121: 3119: 3117: 3115: 3113: 3111: 5984:

Note: user must select 'David BOWIE' from drop-down.

5899:(in German). Hung Medien. Retrieved 18 August 2018. 3459: 3457: 3455: 3453: 3451: 3340: 3338: 3173:

Hughes, Rob (February 2015). "Prog? It's a Prison".

810:, while also further continuing Bowie's work in the 296:

is the twelfth studio album by the English musician

8263:

David Bowie Narrates Prokofiev's Peter and the Wolf

8202: 8109: 8076: 8048: 7972: 7926: 7831: 7757: 7655: 7476: 7409: 7363: 7331: 7166: 7134: 6932: 6805:. London: Flame Tree Publishing. pp. 172–173. 6049:

Oricon Album Chart Book: Complete Edition 1970–2005

5933:(in Dutch). Hung Medien. Retrieved 18 August 2018. 4933:"David Bowie – Station To Station/Low/Heroes/Stage" 2315: 2304: 2181: 2170: 1925:(1991) at Hansa by the Wall in Berlin in honour of 1418:Upon completion of his promotional appearances for 1233:received very positive reviews from music critics. 1115:—David Bowie discussing his extensive promotion of 668:

cards, which were intended to spark creative ideas.

571:(pictured in 1974) greatly influenced the songs on 226: 210:

David Bowie Narrates Prokofiev's Peter and the Wolf

177: 158: 146: 130: 99: 84: 76: 61: 48: 34: 7322:David Bowie at the Kit Kat Klub (Live New York 99) 6532:Ashes to Ashes: The Songs of David Bowie 1976–2016 3073: 3071: 3069: 3067: 2440: – synthesisers, keyboards, guitar treatments 1393:finished 21st in the voting for 1977's top album. 656:marked the second collaboration between Bowie and 5678: 5676: 4780:"Bowie's Many Faces Are Profiled on Compact Disc" 4731:Welcome to the Blackout [Live London '78] 792:expands on the material found on its predecessor 676:began at a very quick pace, following along from 486:. There, Bowie produced Pop's debut studio album 5010:Griffiths, Nick (September 1991). "David Bowie: 2012:. A follow-up to his earlier 1992 adaptation of 1929:being recorded there. Other artists inspired by 1422:, Bowie recorded narration for an adaptation of 1342:s Juan Rodriguez commented on the "melodramatic 6772:David Bowie – Starman: The Definitive Biography 2951:Shipments figures based on certification alone. 2430: – vocals, keyboards, guitars, saxophone, 1911:, his ambition was to "do something as good as 1905:'s comment in 1980 that, when making his album 1901:An early instance of the album's influence was 1099: 530:from May to June 1977. By the time he finished 8193:We Were So Turned On: A Tribute to David Bowie 5256:"The 500 Greatest Albums of All Time: 400–301" 5164:"David Bowie's 20 greatest ever songs, ranked" 1727: 482:, France, to escape from the drug culture of 308:. Recorded in collaboration with the musician 6862: 4268:(60 Years of Bowie ed.). pp. 70–73. 3974: 3972: 2051:for the third symphony, which adapted as his 995:" is inspired by and named after Kraftwerk's 8: 7315:Look at the Moon! (Live Phoenix Festival 97) 6092:"Norwegiancharts.com – David Bowie – Heroes" 5995:"Offiziellecharts.de – David Bowie – Heroes" 5553:Thompson, Dave (2019). Kennedy, Paul (ed.). 5194:"Readers' Poll: The Best David Bowie Albums" 4498:"Season's Wishes: Rock Albums and Film Fare" 2084:and he wanted to recapture that feeling for 2072:, is an altered and obscured version of the 1975:(1978), according to engineer Steve Parker. 1653: 1608: 1570: 1532: 6690:Bowie in Berlin: A New Career in a New Town 5862: 5860: 5459: 5131:"David Bowie's 50 greatest songs – ranked!" 4049: 3984:"David Bowie: Who Was That (Un)Masked Man?" 3928: 3806: 3756: 3709: 3384: 3329: 3210: 2063:as "part of the new classics of our time". 1945:, who called it a "rebellion inspiration", 1278:The record was not without its detractors. 1140:with the slogan "There's Old Wave. There's 818:genres. Like its predecessor, the songs on 8045: 7328: 7131: 6869: 6855: 6847: 6581:Rethinking Difference in Music Scholarship 6116:"Swedishcharts.com – David Bowie – Heroes" 6104:"Spanishcharts.com – David Bowie – Heroes" 6011:"Italiancharts.com – David Bowie – Heroes" 5897:"Austriancharts.at – David Bowie – Heroes" 4205: 3916: 3897: 3602: 2974: 2972: 2970: 2968: 2862: 2815: 2781: 2541: 2473:Antonia Maass (Maaß) – backing vocals 2122:In 2017, the album was remastered for the 1507: 973:. Although the influence of Kraftwerk and 736:sessions, Eno and Bowie only used them on 40: 31: 7350:Live at La Cigale, Paris, 25th June, 1989 7259:Welcome to the Blackout (Live London '78) 6304:"Dutch gold discs for Low and Heroes LPs" 6118:. Hung Medien. Retrieved 18 August 2018. 6106:. Hung Medien. Retrieved 18 August 2018. 6094:. Hung Medien. Retrieved 18 August 2018. 6082:. Hung Medien. Retrieved 18 August 2018. 6013:. Hung Medien. Retrieved 18 August 2018. 5038: 3235:(60 Years of Bowie ed.). p. 69. 1484:made up the majority of the shows, while 711:takes, but they weren't nearly as good." 7773:Ziggy Stardust and the Spiders from Mars 7308:No Trendy Réchauffé (Live Birmingham 95) 6560:(revised and updated ed.). London: 6222:(in French). infodisc.fr. Archived from 6140:"David Bowie | Artist | Official Charts" 6128:"Swisscharts.com – David Bowie – Heroes" 5826: 5824: 5651:"A New Career In A New Town (1977–1982)" 5582:(CD booklet). UK: RCA Records. PD 83857. 5323: 5291:(Revised and Updated ed.). London: 5289:1001 Albums You Must Hear Before You Die 5066: 5050: 4710: 4645: 4249: 4245: 4229: 4091:""Heroes" – Full Official Chart History" 3438: 3426: 3317: 3248: 3160: 3058: 3043: 2298: 2164: 1890:1001 Albums You Must Hear Before You Die 1883:ranked the album 329th in their list of 1346:from the genre's leading practitioner". 963:, which was Kraftwerk's response to the 714:Overall, Eno had a much greater role on 448:has been reissued several times and was 6130:. Hung Medien. Retrieved 25 July 2020. 5931:"Dutchcharts.nl – David Bowie – Heroes" 5287:Dimery, Robert; Lydon, Michael (2018). 5078: 4698: 4151: 4065: 4037: 4021: 3932: 3885: 3881: 3857: 3853: 3841: 3794: 3744: 3728: 3685: 3606: 3570: 3500: 3498: 3392: 3221: 3219: 3148: 3027: 2964: 2947: 2931: 2486:Tony Visconti – producer, engineer 2404: 2284: 7699:A New Career in a New Town (1977–1982) 6377: 6220:"Les Albums (CD) de 1977 par InfoDisc" 5943:Pennanen, Timo (2021). "David Bowie". 5429:Marszalek, Julian (11 February 2013). 5086: 4615:from the original on 15 September 2020 4603:"The 1977 Pazz & Jop Critics Poll" 4077: 3826: 3652: 3621: 3442: 3278:"Classic Tracks: David Bowie 'Heroes'" 2833:Australian Albums (Kent Music Report) 2125:A New Career in a New Town (1977–1982) 1461:rolled into one" in an interview with 1217:which failed to chart despite having " 1178:(where he performed the title track). 1025:, the cover is a nod to German artist 612:, Fripp was not Bowie's first choice. 455:A New Career in a New Town (1977–1982) 5787:from the original on 12 February 2019 4583:from the original on 29 February 2016 4510:from the original on 29 December 2021 4163: 3822: 3713: 2979:Mastropolo, Frank (11 January 2016). 2932: 2405: 2285: 1965:as "the reference album" when making 1513: 498:, in collaboration with the musician 7: 7294:Something in the Air (Live Paris 99) 7252:Cracked Actor (Live Los Angeles '74) 5845:from the original on 29 January 2016 5595: 5540: 5492: 5480: 5319: 5082: 5062: 4909:from the original on 19 October 2016 4714: 4686: 4657: 4633: 4496:Rodriguez, Juan (17 December 1977). 4241: 4217: 4187:from the original on 30 October 2020 4053: 4033: 3996:from the original on 5 December 2020 3901: 3869: 3810: 3779: 3760: 3740: 3697: 3673: 3640: 3582: 3411: 3388: 3125: 3096:from the original on 24 January 2016 3039: 3023: 3011: 2817:1978 year-end chart performance for 2783:1977 year-end chart performance for 852:", a tribute to the American artist 664:, the sessions saw the use of Eno's 7301:I'm Only Dancing (The Soul Tour 74) 6359:Breteau, Pierre (11 January 2016). 6259:from the original on 29 August 2021 6191:"Dutch charts jaaroverzichten 1977" 6171:from the original on 24 August 2021 4547:from the original on 9 January 2016 4456:from the original on 17 August 2021 4262:Gittins, Ian (2007). "Art Decade". 4133:from the original on 24 August 2021 3957:from the original on 21 August 2019 3540:"A Beginner's Guide to David Bowie" 1919:chose to record their Eno-produced 1885:the 500 Greatest Albums of All Time 1729: 1161:Bing Crosby's Merrie Olde Christmas 796:. The songs have been described by 426:as the more groundbreaking record, 316:, it was the second release of his 8377:Art rock albums by English artists 7189:Ziggy Stardust: The Motion Picture 6616:The Words and Music of David Bowie 6080:"Charts.nz – David Bowie – Heroes" 5441:from the original on 23 April 2022 5410:from the original on 23 April 2022 5379:from the original on 23 April 2022 5348:from the original on 23 April 2022 5143:from the original on 22 March 2020 4792:from the original on 16 April 2016 4428:– via worldradiohistory.com. 4380:from the original on 10 April 2021 4300:from the original on 21 April 2021 4101:from the original on 20 April 2021 3945:Cascone, Sarah (12 January 2016). 3552:from the original on 25 March 2016 3519:from the original on 11 March 2018 3362:from the original on 19 April 2021 2993:from the original on 29 March 2016 2498: – assistant engineer, mixing 2470: – percussion, backing vocals 1509:Retrospective professional ratings 1054:The title track was chosen as the 336:. Much of the same personnel from 25: 7910:The Best of David Bowie 1980/1987 7625:The Best of David Bowie 1980/1987 7583:The Best of David Bowie 1974/1979 7576:The Best of David Bowie 1969/1974 7034:Scary Monsters (and Super Creeps) 5752:. 11 October 2017. Archived from 5726:from the original on 9 April 2018 5714:Sinclair, Paul (3 October 2017). 5555:Goldmine Record Album Price Guide 5398:Marszalek, Julian (30 May 2012). 5367:Turner, Luke (19 December 2013). 5254:Barker, Emily (25 October 2013). 4978:The New Rolling Stone Album Guide 4867:The Encyclopedia of Popular Music 4842:from the original on 4 March 2016 4420:from the original on 8 March 2021 3483:from the original on 17 June 2012 2066:The cover of Bowie's 2013 album, 1939:Orchestral Manoeuvres in the Dark 1655: 1610: 1572: 1534: 1166:Peace on Earth/Little Drummer Boy 370:The cover photo, like Iggy Pop's 8342:Albums produced by Tony Visconti 8306: 8305: 8186:The Life Aquatic Studio Sessions 7287:Ouvrez le Chien (Live Dallas 95) 6688:Seabrook, Thomas Jerome (2008). 6200:from the original on 12 May 2014 5683:Grow, Kory (28 September 2017). 5204:from the original on 29 May 2021 4895:Robbins, Ira (1 November 1991). 4870:(5th concise ed.). London: 4623:– via robertchristgau.com. 4591:– via robertchristgau.com. 3276:Buskin, Richard (October 2004). 3078:Dombal, Ryan (22 January 2015). 1748: 1743: 1738: 1733: 1728: 1674: 1669: 1664: 1659: 1654: 1624: 1619: 1614: 1609: 1591: 1586: 1581: 1576: 1571: 1553: 1548: 1543: 1538: 1533: 1110:and, especially, the new album. 1067:, shot in Paris and directed by 691:, Visconti used it sparingly on 660:(pictured in 2008). Compared to 27:1977 studio album by David Bowie 7748:Brilliant Adventure (1992–2001) 7439:Live EP (Live at Fashion Rocks) 6803:A Brief History of Album Covers 5873:Australian Chart Book 1970–1992 4533:Testa, Bart (12 January 1978). 4413:. 29 October 1977. p. 82. 1271:, American musician and author 452:in 2017 as part of the box set 8337:Albums produced by David Bowie 7794:Tin Machine Live: Oy Vey, Baby 7343:Tin Machine Live: Oy Vey, Baby 6249:"Jaaroverzichten – Album 1978" 6059:: Oricon Entertainment. 2006. 5775:Sinclair, Paul (8 June 2018). 5657:. 12 July 2016. Archived from 5505:Swed, Mark (11 January 2019). 2305: 2171: 862:New York City blackout of 1977 776:, the son of silent film star 434:, initially unsuccessful as a 1: 7692:Who Can I Be Now? (1974–1976) 7569:The Deram Anthology 1966–1968 6717:Spin Alternative Record Guide 6339:British Phonographic Industry 6315:. 5 November 1977. p. 14 6025:M&D Borsa Album 1964–2019 5966:. infodisc.fr. Archived from 5909:"Top RPM Albums: Issue 5508a" 4388:– via Rock's Backpages 4308:– via Rock's Backpages 4004:– via Rock's Backpages 3370:– via Rock's Backpages 2841:Dutch Albums (Album Top 100) 2799:Dutch Albums (Album Top 100) 2543:Weekly chart performance for 1772:Spin Alternative Record Guide 1722:The Rolling Stone Album Guide 1648:Encyclopedia of Popular Music 1468:After filming his scenes for 1450:. Released in February 1979, 1300:." In the US, a reviewer for 934:who lived there experienced. 492:(1977) and recorded his own, 7875:Bowie – The Video Collection 7706:Loving the Alien (1983–1988) 7266:Serious Moonlight (Live '83) 6597:10.1017/CBO9781139208451.010 6458:Bowie: An Illustrated Record 6146:. Retrieved 18 August 2018. 6001:. Retrieved 18 August 2018. 5921:. Retrieved 18 August 2018. 5223:Kay, Brian (February 2020). 4571:"Christgau's Consumer Guide" 4444:"Which Way for David Bowie?" 2754: 2739: 2727: 2715: 2703: 2691: 2653: 2641: 2617: 2605: 2593: 2579: 2434:, tambourine, backing vocals 1843:In a 2013 readers' poll for 748:contemplation." When making 466:In the second half of 1976, 5919:Library and Archives Canada 5225:"Top 10 David Bowie Albums" 5162:Eames, Tom (26 June 2020). 4518:– via Newspapers.com 4464:– via Newspapers.com 4348:– via up-to-date.com. 3179:. No. 206. p. 73. 2483:David Bowie – producer 2392:"The Secret Life of Arabia" 1998:In 1997, American composer 1986:(pictured in 1993) adapted 1333:"doesn't rock". In Canada, 1200:" as the second single on 6 376:, is a nod to the painting 260:Released: 23 September 1977 8393: 6957:The Man Who Sold the World 6710:(1995). "David Bowie". In 6624:Greenwood Publishing Group 6589:Cambridge University Press 6384:: CS1 maint: url-status ( 5336:Wade, Ian (8 April 2013). 5103:. AllMusic. Archived from 5101:"'"Heroes"' – David Bowie" 5028:. No. 15. p. 80. 4981:(4th ed.). New York: 4967:(2004). "David Bowie". In 4735:. AllMusic. Archived from 4727:Erlewine, Stephen Thomas. 2504: – assistant engineer 2158:All tracks are written by 2096:, in combination with the 2038:by American choreographer 926:", which is named after a 864:. Like the second side of 18:Heroes (David Bowie album) 8301: 7741:Brilliant Live Adventures 6884: 6776:Little, Brown and Company 6692:. London: Jawbone Press. 6614:Perone, James E. (2007). 6485:Black Dog & Leventhal 4764:. No. 48. June 2006. 4758:"David Bowie: "Heroes"". 3229:(2007). "Making Heroes". 2948: 2937: 2911: 2900: 2885: 2877: 2874: 2871: 2864:Sales certifications for 2840: 2832: 2827: 2824: 2806: 2798: 2793: 2790: 2759: 2744: 2732: 2720: 2708: 2696: 2684: 2672: 2658: 2646: 2634: 2622: 2610: 2598: 2584: 2572: 2560: 2553: 2550: 2464: – drums, percussion 2388: 2370: 2356: 2338: 2320: 2312: 2309: 2267: 2249: 2222: 2204: 2186: 2178: 2175: 2055:in 2019. Glass described 2002:adapted the album into a 1521: 1518: 1426:'s classical composition 285: 237: 222: 185: 65:14 October 1977 39: 8215:Angie Bowie (first wife) 8179:Symphony No. 12 "Lodger" 7889:Jump: Interactive CD-ROM 7713:Spying Through a Keyhole 7485:The World of David Bowie 7245:Live Nassau Coliseum '76 6558:The Complete David Bowie 6513:HarperCollins Publishers 6434:. London: Virgin Books. 5999:GfK Entertainment Charts 5841:. BBC. 27 January 2016. 4864:(2011). "Bowie, David". 4328:""Heroes": A Communique" 4121:"'Heroes' Chart History" 3465:Erlewine, Stephen Thomas 2523: – cover photograph 1636:Christgau's Record Guide 1410:Bowie performing on the 860:", which references the 685:Eventide H910 Harmonizer 277:Released: 6 January 1978 8172:Symphony No. 4 "Heroes" 7671:The Platinum Collection 6714:; Marks, Craig (eds.). 6673:. London: Time Warner. 6670:Bowie: Loving the Alien 6530:O'Leary, Chris (2019). 6403:Buckley, David (1999). 5746:""Heroes" album update" 4816:"David Bowie: "Heroes"" 4520:(subscription required) 4466:(subscription required) 4390:(subscription required) 4310:(subscription required) 4181:Official Charts Company 4095:Official Charts Company 4006:(subscription required) 3372:(subscription required) 2613:Suomen virallinen lista 2585:Canada Top Albums/CDs ( 1990:into a classical music 1915:." The Irish rock band 1813:Stephen Thomas Erlewine 1497:Welcome to the Blackout 1049:The Sons of Silent Ages 599:, formerly of the band 8000:Serious Moonlight Tour 7720:Clareville Grove Demos 7685:Five Years (1969–1973) 7555:The Singles Collection 7425:BBC Sessions 1969–1972 7069:The Buddha of Suburbia 6899:Awards and nominations 6801:Draper, Jason (2008). 6750:Crown Publishing Group 6479:Clerc, Benoît (2021). 4220:, pp. 34–35, 781. 4206:Carr & Murray 1981 3917:Carr & Murray 1981 3898:Carr & Murray 1981 3603:Carr & Murray 1981 2507:Jonathan Wyner – 2255:Sons of the Silent Age 2042:. Both the ballet and 1995: 1415: 1112: 977:are less prominent on 889:Sons of the Silent Age 669: 576: 567:The guitar playing of 8367:Virgin Records albums 8270:Heteropoda davidbowie 8144:Statue of David Bowie 8099:The Spiders from Mars 7949:Black Tie White Noise 7882:Black Tie White Noise 7854:Jazzin' for Blue Jean 7840:Love You till Tuesday 7432:Earthling in the City 7379:Love You till Tuesday 7217:Live Santa Monica '72 7062:Black Tie White Noise 6665:Sandford, Christopher 6620:Westport, Connecticut 6454:Murray, Charles Shaar 6023:Racca, Guido (2019). 4931:(11 September 1998). 3980:Shaar Murray, Charles 2986:Ultimate Classic Rock 2807:French Albums (SNEP) 2452: – rhythm guitar 2034:was developed into a 1981: 1409: 868:, the imagery of the 652: 566: 380:by the German artist 330:'s second solo album 304:October 1977 through 8165:Symphony No. 1 "Low" 7548:Early On (1964–1966) 6647:Miller Freeman Books 6591:. pp. 287–314. 5781:Super Deluxe Edition 5720:Super Deluxe Edition 5627:David Bowie (1999). 5608:David Bowie (1991). 5578:David Bowie (1984). 5229:Classic Rock History 5085:, pp. 389–391; 4983:Simon & Schuster 4902:Entertainment Weekly 4569:(26 December 1977). 4248:, pp. 182–193; 3982:(12 November 1977). 3545:Consequence of Sound 3512:Consequence of Sound 3026:, pp. 386–388; 2685:New Zealand Albums ( 2192:Beauty and the Beast 2162:, except where noted 1865:Classic Rock History 1853:Consequence of Sound 1686:Entertainment Weekly 1474:Isolar II world tour 1204:January 1978, with " 1198:Beauty and the Beast 1164:(where he recorded " 1039:Charles Shaar Murray 960:Trans-Europe Express 839:writes that whereas 799:Consequence of Sound 543:Studio and personnel 476:Château d'Hérouville 410:Isolar II world tour 268:Beauty and the Beast 8089:The Thin White Duke 7980:Ziggy Stardust Tour 7766:The 1980 Floor Show 7727:The 'Mercury' Demos 7639:Nothing Has Changed 6641:Rule, Greg (1999). 6229:on 21 February 2014 5813:(liner notes). UK: 5598:, pp. 389–390. 5495:, pp. 490–491. 5462:, pp. 351–354. 5326:, pp. 182–193. 5200:. 16 January 2013. 5069:, pp. 172–173. 5053:, pp. 172–173. 4739:on 21 November 2020 4701:, pp. 293–295. 4689:, pp. 571–575. 4660:, pp. 660–661. 4611:. 23 January 1978. 4442:(8 November 1977). 4340:on 16 February 2021 4252:, pp. 191–192. 4232:, pp. 191–192. 4154:, pp. 340–341. 4056:, pp. 111–112. 3989:New Musical Express 3872:, pp. 40, 187. 3609:, pp. 320–325. 3414:, pp. 390–391. 3348:(3 December 1977). 3320:, pp. 161–162. 3290:on 10 February 2021 3263:Sound International 3251:, pp. 164–165. 3151:, pp. 277–279. 3061:, pp. 159–161. 3046:, pp. 148–152. 3014:, pp. 384–388. 2868: 2821: 2787: 2735:Schweizer Hitparade 2561:Australian Albums ( 2547: 2458: – bass guitar 2446: – lead guitar 2301: 2167: 1967:the Walker Brothers 1510: 1015:Artwork and release 616:of the German band 344:, augmented by the 8357:RCA Records albums 8352:EMI Records albums 8347:David Bowie albums 8220:Duncan Jones (son) 7917:The Next Day Extra 7734:Conversation Piece 7453:The Next Day Extra 7006:Station to Station 6843:(list of releases) 6745:Bowie: A Biography 6724:. pp. 55–57. 6462:Eel Pie Publishing 5973:on 7 November 2011 5695:on 11 October 2020 5639:. 7243 521908 0 5. 5631:(CD booklet). UK: 5629:"Heroes" (reissue) 5612:(CD booklet). US: 5610:"Heroes" (reissue) 5519:on 8 November 2020 5268:on 15 October 2020 5235:on 31 October 2020 4826:Ticknor and Fields 4362:(8 October 1977). 3900:, pp. 87–90; 3605:, pp. 91–92; 3441:, pp. 80–81; 2863: 2816: 2782: 2765:Top LPs & Tape 2697:Norwegian Albums ( 2637:Offizielle Top 100 2551:Chart (1977–2018) 2542: 2509:mastering engineer 2299: 2165: 2149:in February 2018. 2078:Jonathan Barnbrook 1996: 1982:American composer 1508: 1429:Peter and the Wolf 1416: 1225:Critical reception 1190:Top LPs & Tape 1058:and released on 23 970:Station to Station 941:was influenced by 932:Turkish immigrants 724:Oblique Strategies 670: 666:Oblique Strategies 577: 8372:Parlophone albums 8319: 8318: 8277:342843 Davidbowie 8072: 8071: 8064:It's My Life Tour 8010:Sound+Vision Tour 8005:Glass Spider Tour 7985:Diamond Dogs Tour 7808:Reality: Tour Ed. 7780:Serious Moonlight 7590:Bowie at the Beeb 7506:The Best of Bowie 7467:Is It Any Wonder? 7359: 7358: 7231:Bowie at the Beeb 7162: 7161: 7055:Never Let Me Down 6785:978-0-31603-225-4 6759:978-0-307-71699-6 6731:978-0-679-75574-6 6699:978-1-90600-208-4 6680:978-0-306-80854-8 6656:978-0-87930-582-6 6645:. San Francisco: 6633:978-0-27599-245-3 6606:978-1-10702-667-4 6571:978-1-78565-365-0 6545:978-1-91224-830-8 6522:978-0-06-202466-4 6494:978-0-7624-7471-4 6483:. New York City: 6471:978-0-38077-966-6 6441:978-0-75351-002-5 6418:978-1-85227-784-0 6066:978-4-87131-077-2 6034:978-1-0947-0500-2 5883:978-0-646-11917-5 5564:978-1-44024-891-7 5512:Los Angeles Times 5306:978-1-78840-080-0 5174:on 10 August 2020 5129:(19 March 2020). 4996:978-0-7432-0169-8 4945:on 17 August 2000 4881:978-0-85712-595-8 4835:978-0-89919-026-6 4812:Christgau, Robert 4676:. pp. 32–37. 4608:The Village Voice 4576:The Village Voice 4567:Christgau, Robert 4449:Los Angeles Times 4404:"Top Album Picks" 4208:, pp. 91–93. 3919:, pp. 91–92. 3829:, pp. 65–71. 3624:, pp. 65–71. 2957: 2956: 2952: 2922: 2855: 2854: 2848: 2847: 2814: 2813: 2773: 2772: 2723:Sverigetopplistan 2673:Japanese Albums ( 2573:Austrian Albums ( 2563:Kent Music Report 2415: 2414: 2295: 2294: 2032:"Heroes" Symphony 2009:"Heroes" Symphony 1781: 1780: 1402:Subsequent events 1366:The Village Voice 1313:Los Angeles Times 1221:" as the B-side. 1148:, Bowie promoted 1101:I didn't promote 997:Florian Schneider 808:experimental rock 645:Recording process 502:and the producer 474:relocated to the 312:and the producer 289: 288: 218: 217: 113:experimental rock 16:(Redirected from 8384: 8309: 8308: 8138:Phillip Jeffries 8059:Tin Machine Tour 8046: 7963:Moonage Daydream 7956:Sound and Vision 7822:Glastonbury 2000 7801:VH1 Storytellers 7534:Fame and Fashion 7492:Images 1966–1967 7400:Moonage Daydream 7329: 7273:Glastonbury 2000 7224:VH1 Storytellers 7196:Santa Monica '72 7132: 6871: 6864: 6857: 6848: 6824: 6789: 6763: 6735: 6703: 6684: 6660: 6637: 6610: 6575: 6549: 6526: 6498: 6475: 6445: 6430: (2005) . 6429: 6422: 6390: 6389: 6383: 6375: 6373: 6371: 6356: 6350: 6349: 6347: 6345: 6331: 6325: 6324: 6322: 6320: 6308: 6300: 6294: 6293: 6291: 6289: 6275: 6269: 6268: 6266: 6264: 6245: 6239: 6238: 6236: 6234: 6228: 6216: 6210: 6209: 6207: 6205: 6195: 6187: 6181: 6180: 6178: 6176: 6153: 6147: 6137: 6131: 6125: 6119: 6113: 6107: 6101: 6095: 6089: 6083: 6077: 6071: 6070: 6045: 6039: 6038: 6020: 6014: 6008: 6002: 5992: 5986: 5982: 5980: 5978: 5972: 5960: 5954: 5953: 5951: 5940: 5934: 5928: 5922: 5906: 5900: 5894: 5888: 5887: 5864: 5855: 5854: 5852: 5850: 5828: 5819: 5818: 5803: 5797: 5796: 5794: 5792: 5772: 5766: 5765: 5763: 5761: 5742: 5736: 5735: 5733: 5731: 5711: 5705: 5704: 5702: 5700: 5691:. Archived from 5680: 5671: 5670: 5668: 5666: 5647: 5641: 5640: 5624: 5618: 5617: 5605: 5599: 5593: 5584: 5583: 5575: 5569: 5568: 5550: 5544: 5538: 5529: 5528: 5526: 5524: 5515:. Archived from 5502: 5496: 5490: 5484: 5478: 5463: 5457: 5451: 5450: 5448: 5446: 5426: 5420: 5419: 5417: 5415: 5395: 5389: 5388: 5386: 5384: 5364: 5358: 5357: 5355: 5353: 5333: 5327: 5317: 5311: 5310: 5284: 5278: 5277: 5275: 5273: 5264:. Archived from 5251: 5245: 5244: 5242: 5240: 5231:. Archived from 5220: 5214: 5213: 5211: 5209: 5190: 5184: 5183: 5181: 5179: 5170:. Archived from 5159: 5153: 5152: 5150: 5148: 5127:Petridis, Alexis 5123: 5117: 5116: 5114: 5112: 5096: 5090: 5076: 5070: 5060: 5054: 5048: 5042: 5036: 5030: 5029: 5007: 5001: 5000: 4973:Hoard, Christian 4969:Brackett, Nathan 4961: 4955: 4954: 4952: 4950: 4941:. Archived from 4925: 4919: 4918: 4916: 4914: 4892: 4886: 4885: 4858: 4852: 4851: 4849: 4847: 4808: 4802: 4801: 4799: 4797: 4778:(10 June 1990). 4772: 4766: 4765: 4755: 4749: 4748: 4746: 4744: 4724: 4718: 4708: 4702: 4696: 4690: 4684: 4678: 4677: 4667: 4661: 4655: 4649: 4643: 4637: 4631: 4625: 4624: 4622: 4620: 4599: 4593: 4592: 4590: 4588: 4563: 4557: 4556: 4554: 4552: 4530: 4524: 4523: 4521: 4517: 4515: 4493: 4487: 4486: 4476: 4470: 4469: 4467: 4463: 4461: 4436: 4430: 4429: 4427: 4425: 4419: 4408: 4400: 4394: 4393: 4391: 4387: 4385: 4356: 4350: 4349: 4347: 4345: 4336:. Archived from 4320: 4314: 4313: 4311: 4307: 4305: 4282:(October 1977). 4276: 4270: 4269: 4259: 4253: 4239: 4233: 4227: 4221: 4215: 4209: 4203: 4197: 4196: 4194: 4192: 4173: 4167: 4161: 4155: 4149: 4143: 4142: 4140: 4138: 4117: 4111: 4110: 4108: 4106: 4087: 4081: 4075: 4069: 4063: 4057: 4047: 4041: 4031: 4025: 4019: 4010: 4009: 4007: 4003: 4001: 3976: 3967: 3966: 3964: 3962: 3942: 3936: 3926: 3920: 3914: 3905: 3895: 3889: 3879: 3873: 3867: 3861: 3851: 3845: 3839: 3830: 3820: 3814: 3804: 3798: 3792: 3783: 3777: 3764: 3754: 3748: 3738: 3732: 3726: 3717: 3707: 3701: 3695: 3689: 3683: 3677: 3671: 3656: 3650: 3644: 3638: 3625: 3619: 3610: 3600: 3594: 3580: 3574: 3568: 3562: 3561: 3559: 3557: 3535: 3529: 3528: 3526: 3524: 3502: 3493: 3492: 3490: 3488: 3461: 3446: 3436: 3430: 3424: 3415: 3409: 3396: 3382: 3376: 3375: 3373: 3369: 3367: 3342: 3333: 3327: 3321: 3315: 3300: 3299: 3297: 3295: 3286:. Archived from 3273: 3267: 3266: 3258: 3252: 3246: 3237: 3236: 3223: 3214: 3208: 3181: 3180: 3170: 3164: 3158: 3152: 3146: 3129: 3123: 3106: 3105: 3103: 3101: 3075: 3062: 3056: 3047: 3037: 3031: 3021: 3015: 3009: 3003: 3002: 3000: 2998: 2976: 2950: 2918: 2912:United Kingdom ( 2869: 2822: 2788: 2721:Swedish Albums ( 2709:Spanish Albums ( 2659:Italian Albums ( 2647:Italian Albums ( 2611:Finnish Albums ( 2548: 2533: 2522: 2514:Masayoshi Sukita 2492: – engineer 2408: 2307: 2302: 2288: 2234: 2230: 2173: 2168: 1753: 1752: 1751: 1747: 1746: 1742: 1741: 1737: 1736: 1732: 1731: 1679: 1678: 1677: 1673: 1672: 1668: 1667: 1663: 1662: 1658: 1657: 1629: 1628: 1627: 1623: 1622: 1618: 1617: 1613: 1612: 1596: 1595: 1594: 1590: 1589: 1585: 1584: 1580: 1579: 1575: 1574: 1558: 1557: 1556: 1552: 1551: 1547: 1546: 1542: 1541: 1537: 1536: 1511: 1424:Sergei Prokofiev 1384: 1371:Robert Christgau 1341: 1328: 1203: 1196:. RCA released " 1131: 1120: 1089:UK Singles Chart 1086: 1082: 1078: 1074: 1061: 937:The majority of 883: 879: 784:Music and lyrics 762:Mountain Studios 718:than he had for 682: 550: 384:. Upon release, 303: 300:, released on 14 278: 275: 261: 258: 251: 247: 187: 186: 142: 141: 137: 80:July–August 1977 72: 70: 44: 32: 21: 8392: 8391: 8387: 8386: 8385: 8383: 8382: 8381: 8362:Rykodisc albums 8322: 8321: 8320: 8315: 8297: 8283:Tao Jones Index 8198: 8111: 8105: 8068: 8044: 7968: 7922: 7827: 7753: 7651: 7513:Changestwobowie 7499:Changesonebowie 7472: 7405: 7355: 7327: 7280:ChangesNowBowie 7203:LiveAndWell.com 7158: 7130: 6999:Young Americans 6928: 6880: 6875: 6831: 6813: 6800: 6797: 6795:Further reading 6792: 6786: 6766: 6760: 6738: 6732: 6706: 6700: 6687: 6681: 6663: 6657: 6640: 6634: 6613: 6607: 6578: 6572: 6552: 6546: 6529: 6523: 6501: 6495: 6478: 6472: 6448: 6442: 6427: 6425: 6419: 6402: 6398: 6393: 6376: 6369: 6367: 6358: 6357: 6353: 6343: 6341: 6333: 6332: 6328: 6318: 6316: 6306: 6302: 6301: 6297: 6287: 6285: 6277: 6276: 6272: 6262: 6260: 6247: 6246: 6242: 6232: 6230: 6226: 6218: 6217: 6213: 6203: 6201: 6193: 6189: 6188: 6184: 6174: 6172: 6155: 6154: 6150: 6144:UK Albums Chart 6138: 6134: 6126: 6122: 6114: 6110: 6102: 6098: 6090: 6086: 6078: 6074: 6067: 6047: 6046: 6042: 6035: 6022: 6021: 6017: 6009: 6005: 5993: 5989: 5976: 5974: 5970: 5962: 5961: 5957: 5949: 5942: 5941: 5937: 5929: 5925: 5907: 5903: 5895: 5891: 5884: 5866: 5865: 5858: 5848: 5846: 5830: 5829: 5822: 5805: 5804: 5800: 5790: 5788: 5774: 5773: 5769: 5759: 5757: 5756:on 3 March 2018 5744: 5743: 5739: 5729: 5727: 5713: 5712: 5708: 5698: 5696: 5682: 5681: 5674: 5664: 5662: 5661:on 29 July 2014 5649: 5648: 5644: 5626: 5625: 5621: 5607: 5606: 5602: 5594: 5587: 5577: 5576: 5572: 5565: 5552: 5551: 5547: 5539: 5532: 5522: 5520: 5504: 5503: 5499: 5491: 5487: 5479: 5466: 5458: 5454: 5444: 5442: 5428: 5427: 5423: 5413: 5411: 5397: 5396: 5392: 5382: 5380: 5366: 5365: 5361: 5351: 5349: 5335: 5334: 5330: 5322:, p. 392; 5318: 5314: 5307: 5286: 5285: 5281: 5271: 5269: 5253: 5252: 5248: 5238: 5236: 5222: 5221: 5217: 5207: 5205: 5192: 5191: 5187: 5177: 5175: 5161: 5160: 5156: 5146: 5144: 5125: 5124: 5120: 5110: 5108: 5098: 5097: 5093: 5081:, p. 280; 5077: 5073: 5065:, p. 392; 5061: 5057: 5049: 5045: 5037: 5033: 5009: 5008: 5004: 4997: 4963: 4962: 4958: 4948: 4946: 4927: 4926: 4922: 4912: 4910: 4894: 4893: 4889: 4882: 4860: 4859: 4855: 4845: 4843: 4836: 4810: 4809: 4805: 4795: 4793: 4785:Chicago Tribune 4774: 4773: 4769: 4757: 4756: 4752: 4742: 4740: 4726: 4725: 4721: 4713:, p. 187; 4709: 4705: 4697: 4693: 4685: 4681: 4669: 4668: 4664: 4656: 4652: 4644: 4640: 4632: 4628: 4618: 4616: 4601: 4600: 4596: 4586: 4584: 4565: 4564: 4560: 4550: 4548: 4532: 4531: 4527: 4519: 4513: 4511: 4495: 4494: 4490: 4478: 4477: 4473: 4465: 4459: 4457: 4440:Hilburn, Robert 4438: 4437: 4433: 4423: 4421: 4417: 4406: 4402: 4401: 4397: 4389: 4383: 4381: 4368:(RCA PL 12622)" 4358: 4357: 4353: 4343: 4341: 4322: 4321: 4317: 4309: 4303: 4301: 4278: 4277: 4273: 4261: 4260: 4256: 4244:, p. 392; 4240: 4236: 4228: 4224: 4216: 4212: 4204: 4200: 4190: 4188: 4175: 4174: 4170: 4162: 4158: 4150: 4146: 4136: 4134: 4119: 4118: 4114: 4104: 4102: 4089: 4088: 4084: 4076: 4072: 4064: 4060: 4048: 4044: 4036:, p. 111; 4032: 4028: 4020: 4013: 4005: 3999: 3997: 3978: 3977: 3970: 3960: 3958: 3944: 3943: 3939: 3927: 3923: 3915: 3908: 3896: 3892: 3884:, p. 281; 3880: 3876: 3868: 3864: 3856:, p. 280; 3852: 3848: 3840: 3833: 3825:, p. 290; 3821: 3817: 3805: 3801: 3793: 3786: 3778: 3767: 3755: 3751: 3743:, p. 110; 3739: 3735: 3727: 3720: 3708: 3704: 3696: 3692: 3684: 3680: 3672: 3659: 3651: 3647: 3639: 3628: 3620: 3613: 3601: 3597: 3585:, p. 233: 3581: 3577: 3569: 3565: 3555: 3553: 3537: 3536: 3532: 3522: 3520: 3504: 3503: 3496: 3486: 3484: 3463: 3462: 3449: 3437: 3433: 3425: 3418: 3410: 3399: 3391:, p. 296; 3383: 3379: 3371: 3365: 3363: 3344: 3343: 3336: 3328: 3324: 3316: 3303: 3293: 3291: 3275: 3274: 3270: 3260: 3259: 3255: 3247: 3240: 3225: 3224: 3217: 3209: 3184: 3172: 3171: 3167: 3159: 3155: 3147: 3132: 3124: 3109: 3099: 3097: 3077: 3076: 3065: 3057: 3050: 3042:, p. 489; 3038: 3034: 3022: 3018: 3010: 3006: 2996: 2994: 2978: 2977: 2966: 2962: 2917: 2879:Certified units 2861: 2856: 2780: 2778:Year-end charts 2662:Musica e dischi 2635:German Albums ( 2623:French Albums ( 2555: 2540: 2530: 2516: 2421: 2416: 2406: 2296: 2286: 2232: 2228: 2155: 2106: 1955:Robyn Hitchcock 1899: 1749: 1744: 1739: 1734: 1675: 1670: 1665: 1660: 1625: 1620: 1615: 1603:Chicago Tribune 1592: 1587: 1582: 1577: 1554: 1549: 1544: 1539: 1506: 1504:Critical legacy 1444:-directed film 1404: 1399: 1382: 1339: 1326: 1227: 1201: 1183:UK Albums Chart 1175:Top of the Pops 1129: 1122: 1114: 1084: 1080: 1076: 1072: 1059: 1017: 1001:type of rockets 947:Tangerine Dream 901:Bewlay Brothers 881: 877: 786: 778:Charlie Chaplin 680: 647: 548: 545: 540: 522:Hansa Tonstudio 470:and his friend 464: 301: 281: 276: 265: 264: 259: 249: 245: 242: 241: 213: 204: 195: 139: 135: 134: 68: 66: 57: 28: 23: 22: 15: 12: 11: 5: 8390: 8388: 8380: 8379: 8374: 8369: 8364: 8359: 8354: 8349: 8344: 8339: 8334: 8324: 8323: 8317: 8316: 8314: 8313: 8302: 8299: 8298: 8296: 8295: 8290: 8285: 8280: 8273: 8266: 8259: 8256:The Nomad Soul 8252: 8247: 8242: 8240:Berlin Trilogy 8237: 8232: 8227: 8222: 8217: 8212: 8206: 8204: 8200: 8199: 8197: 8196: 8189: 8182: 8175: 8168: 8161: 8154: 8147: 8140: 8135: 8130: 8127:David Bowie Is 8123: 8115: 8113: 8107: 8106: 8104: 8103: 8102: 8101: 8094:Ziggy Stardust 8091: 8086: 8080: 8078: 8074: 8073: 8070: 8069: 8067: 8066: 8061: 8055: 8053: 8043: 8042: 8040:A Reality Tour 8037: 8032: 8027: 8022: 8020:Earthling Tour 8017: 8012: 8007: 8002: 7997: 7992: 7987: 7982: 7976: 7974: 7970: 7969: 7967: 7966: 7959: 7952: 7945: 7938: 7930: 7928: 7924: 7923: 7921: 7920: 7913: 7906: 7899: 7892: 7885: 7878: 7871: 7864: 7861:Day-In Day-Out 7857: 7850: 7843: 7835: 7833: 7829: 7828: 7826: 7825: 7818: 7815:A Reality Tour 7811: 7804: 7797: 7790: 7783: 7776: 7769: 7761: 7759: 7758:Concert videos 7755: 7754: 7752: 7751: 7744: 7737: 7730: 7723: 7716: 7709: 7702: 7695: 7688: 7681: 7674: 7667: 7664:Sound + Vision 7659: 7657: 7653: 7652: 7650: 7649: 7642: 7635: 7628: 7621: 7618:The Collection 7614: 7607: 7600: 7593: 7586: 7579: 7572: 7565: 7562:Rarestonebowie 7558: 7551: 7544: 7537: 7530: 7523: 7516: 7509: 7502: 7495: 7488: 7480: 7478: 7474: 7473: 7471: 7470: 7463: 7456: 7449: 7442: 7435: 7428: 7421: 7413: 7411: 7407: 7406: 7404: 7403: 7396: 7389: 7382: 7375: 7367: 7365: 7361: 7360: 7357: 7356: 7354: 7353: 7346: 7338: 7336: 7326: 7325: 7318: 7311: 7304: 7297: 7290: 7283: 7276: 7269: 7262: 7255: 7248: 7241: 7238:A Reality Tour 7234: 7227: 7220: 7213: 7206: 7199: 7192: 7185: 7178: 7170: 7168: 7164: 7163: 7160: 7159: 7157: 7156: 7153:Tin Machine II 7149: 7141: 7139: 7129: 7128: 7121: 7114: 7107: 7100: 7093: 7086: 7079: 7072: 7065: 7058: 7051: 7044: 7037: 7030: 7023: 7016: 7009: 7002: 6995: 6988: 6981: 6974: 6967: 6960: 6953: 6945: 6936: 6934: 6930: 6929: 6927: 6926: 6924:Art collection 6921: 6916: 6911: 6906: 6901: 6896: 6891: 6885: 6882: 6881: 6876: 6874: 6873: 6866: 6859: 6851: 6845: 6844: 6830: 6829:External links 6827: 6826: 6825: 6811: 6796: 6793: 6791: 6790: 6784: 6764: 6758: 6736: 6730: 6712:Weisbard, Eric 6708:Sheffield, Rob 6704: 6698: 6685: 6679: 6661: 6655: 6643:Electro Shock! 6638: 6632: 6611: 6605: 6576: 6570: 6554:Pegg, Nicholas 6550: 6544: 6536:Repeater Books 6527: 6521: 6503:Doggett, Peter 6499: 6493: 6476: 6470: 6446: 6440: 6423: 6417: 6399: 6397: 6394: 6392: 6391: 6351: 6326: 6295: 6270: 6253:dutchcharts.nl 6240: 6211: 6182: 6161:Chart History" 6148: 6132: 6120: 6108: 6096: 6084: 6072: 6065: 6040: 6033: 6015: 6003: 5987: 5955: 5935: 5923: 5901: 5889: 5882: 5856: 5820: 5798: 5767: 5750:DavidBowie.com 5737: 5706: 5672: 5655:DavidBowie.com 5642: 5619: 5600: 5585: 5570: 5563: 5545: 5543:, p. 466. 5530: 5497: 5485: 5483:, p. 493. 5464: 5452: 5437:. p. 12. 5421: 5390: 5359: 5328: 5312: 5305: 5279: 5246: 5215: 5185: 5154: 5118: 5107:on 4 July 2019 5099:Raggett, Ned. 5091: 5089:, p. 334. 5071: 5055: 5043: 5039:Sheffield 1995 5031: 5002: 4995: 4965:Sheffield, Rob 4956: 4920: 4887: 4880: 4853: 4834: 4803: 4767: 4750: 4733:– David Bowie" 4719: 4717:, p. 393. 4703: 4691: 4679: 4662: 4650: 4648:, p. 197. 4638: 4636:, p. 489. 4626: 4594: 4558: 4525: 4506:. p. 31. 4488: 4471: 4452:. p. 70. 4431: 4395: 4364:"David Bowie: 4351: 4326:(April 1978). 4315: 4284:"David Bowie: 4271: 4254: 4234: 4222: 4210: 4198: 4168: 4166:, p. 276. 4156: 4144: 4112: 4082: 4080:, p. 334. 4070: 4068:, p. 284. 4058: 4042: 4040:, p. 282. 4026: 4024:, p. 282. 4011: 3968: 3937: 3935:, p. 336. 3921: 3906: 3904:, p. 384. 3890: 3888:, p. 339. 3874: 3862: 3860:, p. 337. 3846: 3844:, p. 280. 3831: 3815: 3813:, p. 252. 3799: 3797:, p. 334. 3784: 3782:, p. 111. 3765: 3763:, p. 110. 3749: 3747:, p. 333. 3733: 3731:, p. 281. 3718: 3716:, p. 290. 3702: 3700:, p. 142. 3690: 3688:, p. 341. 3678: 3676:, p. 392. 3657: 3655:, p. 331. 3645: 3643:, p. 391. 3626: 3611: 3595: 3575: 3573:, p. 307. 3563: 3530: 3494: 3473:– David Bowie" 3447: 3445:, p. 333. 3431: 3429:, p. 169. 3416: 3397: 3395:, p. 337. 3377: 3346:MacDonald, Ian 3334: 3322: 3301: 3283:Sound on Sound 3268: 3253: 3238: 3215: 3182: 3165: 3163:, p. 162. 3153: 3130: 3128:, p. 390. 3107: 3080:"David Bowie: 3063: 3048: 3032: 3030:, p. 272. 3016: 3004: 2963: 2961: 2958: 2955: 2954: 2946: 2945: 2942: 2939: 2935: 2934: 2930: 2929: 2926: 2923: 2909: 2908: 2905: 2902: 2898: 2897: 2894: 2891: 2883: 2882: 2876: 2873: 2860: 2859:Certifications 2857: 2853: 2852: 2846: 2845: 2842: 2838: 2837: 2834: 2830: 2829: 2826: 2812: 2811: 2808: 2804: 2803: 2800: 2796: 2795: 2792: 2779: 2776: 2774: 2771: 2770: 2767: 2757: 2756: 2753: 2742: 2741: 2738: 2733:Swiss Albums ( 2730: 2729: 2726: 2718: 2717: 2714: 2706: 2705: 2702: 2694: 2693: 2690: 2682: 2681: 2678: 2670: 2669: 2666: 2656: 2655: 2652: 2644: 2643: 2640: 2632: 2631: 2628: 2620: 2619: 2616: 2608: 2607: 2604: 2599:Dutch Albums ( 2596: 2595: 2592: 2582: 2581: 2578: 2570: 2569: 2566: 2558: 2557: 2552: 2539: 2536: 2531: 2529: 2526: 2525: 2524: 2511: 2505: 2502:Eugene Chaplin 2499: 2496:David Richards 2493: 2490:Colin Thurston 2487: 2484: 2475: 2474: 2471: 2465: 2459: 2453: 2447: 2441: 2435: 2420: 2417: 2413: 2412: 2409: 2403: 2402: 2399: 2393: 2390: 2386: 2385: 2382: 2379: 2372: 2368: 2367: 2364: 2361: 2358: 2354: 2353: 2350: 2347: 2344:Sense of Doubt 2340: 2336: 2335: 2332: 2329: 2322: 2318: 2317: 2314: 2311: 2308: 2297: 2293: 2292: 2289: 2283: 2282: 2279: 2276: 2269: 2265: 2264: 2261: 2258: 2251: 2247: 2246: 2243: 2237: 2224: 2220: 2219: 2216: 2213: 2206: 2202: 2201: 2198: 2195: 2188: 2184: 2183: 2180: 2177: 2174: 2156: 2154: 2151: 2105: 2102: 2028:"Low" Symphony 2019:"Low" Symphony 2006:piece, titled 1935:Andy McCluskey 1908:Double Fantasy 1898: 1895: 1779: 1778: 1775: 1767: 1766: 1763: 1755: 1754: 1725: 1717: 1716: 1713: 1705: 1704: 1701: 1693: 1692: 1689: 1681: 1680: 1651: 1643: 1642: 1639: 1631: 1630: 1606: 1598: 1597: 1568: 1560: 1559: 1530: 1524: 1523: 1520: 1516: 1515: 1505: 1502: 1486:Ziggy Stardust 1442:David Hemmings 1412:Isolar II tour 1403: 1400: 1398: 1395: 1389:critics poll, 1387:Pazz & Jop 1318:Robert Hilburn 1226: 1223: 1206:Sense of Doubt 1098: 1016: 1013: 945:bands such as 827:." Biographer 785: 782: 774:Eugene Chaplin 770:David Richards 646: 643: 614:Michael Rother 544: 541: 539: 536: 508:Berlin Trilogy 463: 460: 318:Berlin Trilogy 287: 286: 283: 282: 280: 279: 272:Sense of Doubt 262: 238: 235: 234: 224: 223: 220: 219: 216: 215: 206: 197: 183: 182: 175: 174: 173: 172: 167: 162: 156: 155: 150: 144: 143: 132: 128: 127: 126: 125: 120: 115: 110: 103: 97: 96: 86: 82: 81: 78: 74: 73: 63: 59: 58: 53: 46: 45: 37: 36: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 8389: 8378: 8375: 8373: 8370: 8368: 8365: 8363: 8360: 8358: 8355: 8353: 8350: 8348: 8345: 8343: 8340: 8338: 8335: 8333: 8330: 8329: 8327: 8312: 8304: 8303: 8300: 8294: 8291: 8289: 8286: 8284: 8281: 8279: 8278: 8274: 8272: 8271: 8267: 8265: 8264: 8260: 8258: 8257: 8253: 8251: 8248: 8246: 8243: 8241: 8238: 8236: 8233: 8231: 8230:Junior's Eyes 8228: 8226: 8223: 8221: 8218: 8216: 8213: 8211: 8208: 8207: 8205: 8201: 8195: 8194: 8190: 8188: 8187: 8183: 8181: 8180: 8176: 8174: 8173: 8169: 8167: 8166: 8162: 8160: 8159: 8155: 8153: 8152: 8148: 8146: 8145: 8141: 8139: 8136: 8134: 8131: 8129: 8128: 8124: 8121: 8117: 8116: 8114: 8108: 8100: 8097: 8096: 8095: 8092: 8090: 8087: 8085: 8082: 8081: 8079: 8075: 8065: 8062: 8060: 8057: 8056: 8054: 8052: 8047: 8041: 8038: 8036: 8033: 8031: 8028: 8026: 8023: 8021: 8018: 8016: 8013: 8011: 8008: 8006: 8003: 8001: 7998: 7996: 7993: 7991: 7988: 7986: 7983: 7981: 7978: 7977: 7975: 7971: 7965: 7964: 7960: 7958: 7957: 7953: 7951: 7950: 7946: 7944: 7943: 7939: 7937: 7936: 7935:Cracked Actor 7932: 7931: 7929: 7927:Documentaries 7925: 7919: 7918: 7914: 7912: 7911: 7907: 7905: 7904: 7900: 7898: 7897: 7896:Best of Bowie 7893: 7891: 7890: 7886: 7884: 7883: 7879: 7877: 7876: 7872: 7870: 7869: 7865: 7863: 7862: 7858: 7856: 7855: 7851: 7849: 7848: 7844: 7842: 7841: 7837: 7836: 7834: 7830: 7824: 7823: 7819: 7817: 7816: 7812: 7810: 7809: 7805: 7803: 7802: 7798: 7796: 7795: 7791: 7789: 7788: 7784: 7782: 7781: 7777: 7775: 7774: 7770: 7768: 7767: 7763: 7762: 7760: 7756: 7750: 7749: 7745: 7743: 7742: 7738: 7736: 7735: 7731: 7729: 7728: 7724: 7722: 7721: 7717: 7715: 7714: 7710: 7708: 7707: 7703: 7701: 7700: 7696: 7694: 7693: 7689: 7687: 7686: 7682: 7680: 7679: 7675: 7673: 7672: 7668: 7666: 7665: 7661: 7660: 7658: 7654: 7648: 7647: 7643: 7641: 7640: 7636: 7634: 7633: 7629: 7627: 7626: 7622: 7620: 7619: 7615: 7613: 7612: 7608: 7606: 7605: 7604:Best of Bowie 7601: 7599: 7598: 7594: 7592: 7591: 7587: 7585: 7584: 7580: 7578: 7577: 7573: 7571: 7570: 7566: 7564: 7563: 7559: 7557: 7556: 7552: 7550: 7549: 7545: 7543: 7542: 7538: 7536: 7535: 7531: 7529: 7528: 7524: 7522: 7521: 7517: 7515: 7514: 7510: 7508: 7507: 7503: 7501: 7500: 7496: 7494: 7493: 7489: 7487: 7486: 7482: 7481: 7479: 7475: 7469: 7468: 7464: 7462: 7461: 7457: 7455: 7454: 7450: 7448: 7447: 7443: 7441: 7440: 7436: 7434: 7433: 7429: 7427: 7426: 7422: 7420: 7419: 7415: 7414: 7412: 7408: 7402: 7401: 7397: 7395: 7394: 7390: 7388: 7387: 7383: 7381: 7380: 7376: 7374: 7373: 7372:Christiane F. 7369: 7368: 7366: 7362: 7352: 7351: 7347: 7345: 7344: 7340: 7339: 7337: 7335: 7330: 7324: 7323: 7319: 7317: 7316: 7312: 7310: 7309: 7305: 7303: 7302: 7298: 7296: 7295: 7291: 7289: 7288: 7284: 7282: 7281: 7277: 7275: 7274: 7270: 7268: 7267: 7263: 7261: 7260: 7256: 7254: 7253: 7249: 7247: 7246: 7242: 7240: 7239: 7235: 7233: 7232: 7228: 7226: 7225: 7221: 7219: 7218: 7214: 7212: 7211: 7207: 7205: 7204: 7200: 7198: 7197: 7193: 7191: 7190: 7186: 7184: 7183: 7179: 7177: 7176: 7172: 7171: 7169: 7165: 7155: 7154: 7150: 7148: 7147: 7143: 7142: 7140: 7138: 7133: 7127: 7126: 7122: 7120: 7119: 7115: 7113: 7112: 7108: 7106: 7105: 7101: 7099: 7098: 7094: 7092: 7091: 7087: 7085: 7084: 7080: 7078: 7077: 7073: 7071: 7070: 7066: 7064: 7063: 7059: 7057: 7056: 7052: 7050: 7049: 7045: 7043: 7042: 7038: 7036: 7035: 7031: 7029: 7028: 7024: 7022: 7021: 7017: 7015: 7014: 7010: 7008: 7007: 7003: 7001: 7000: 6996: 6994: 6993: 6989: 6987: 6986: 6982: 6980: 6979: 6975: 6973: 6972: 6968: 6966: 6965: 6961: 6959: 6958: 6954: 6952: 6950: 6946: 6944: 6942: 6938: 6937: 6935: 6933:Studio albums 6931: 6925: 6922: 6920: 6917: 6915: 6912: 6910: 6907: 6905: 6902: 6900: 6897: 6895: 6892: 6890: 6887: 6886: 6883: 6879: 6872: 6867: 6865: 6860: 6858: 6853: 6852: 6849: 6842: 6838: 6837: 6833: 6832: 6828: 6822: 6818: 6814: 6812:9781847862112 6808: 6804: 6799: 6798: 6794: 6787: 6781: 6777: 6773: 6769: 6765: 6761: 6755: 6751: 6747: 6746: 6741: 6737: 6733: 6727: 6723: 6722:Vintage Books 6719: 6718: 6713: 6709: 6705: 6701: 6695: 6691: 6686: 6682: 6676: 6672: 6671: 6666: 6662: 6658: 6652: 6648: 6644: 6639: 6635: 6629: 6625: 6621: 6617: 6612: 6608: 6602: 6598: 6594: 6590: 6586: 6582: 6577: 6573: 6567: 6563: 6559: 6555: 6551: 6547: 6541: 6537: 6533: 6528: 6524: 6518: 6514: 6510: 6509: 6504: 6500: 6496: 6490: 6486: 6482: 6477: 6473: 6467: 6463: 6459: 6455: 6451: 6447: 6443: 6437: 6433: 6424: 6420: 6414: 6410: 6406: 6401: 6400: 6395: 6387: 6381: 6366: 6362: 6355: 6352: 6340: 6336: 6330: 6327: 6314: 6313: 6305: 6299: 6296: 6284: 6280: 6274: 6271: 6258: 6254: 6250: 6244: 6241: 6225: 6221: 6215: 6212: 6199: 6192: 6186: 6183: 6170: 6166: 6162: 6160: 6152: 6149: 6145: 6141: 6136: 6133: 6129: 6124: 6121: 6117: 6112: 6109: 6105: 6100: 6097: 6093: 6088: 6085: 6081: 6076: 6073: 6068: 6062: 6058: 6054: 6050: 6044: 6041: 6036: 6030: 6026: 6019: 6016: 6012: 6007: 6004: 6000: 5997:(in German). 5996: 5991: 5988: 5985: 5969: 5965: 5959: 5956: 5948: 5947: 5939: 5936: 5932: 5927: 5924: 5920: 5916: 5915: 5910: 5905: 5902: 5898: 5893: 5890: 5885: 5879: 5875: 5874: 5869: 5863: 5861: 5857: 5844: 5840: 5838: 5833: 5827: 5825: 5821: 5816: 5812: 5808: 5802: 5799: 5786: 5782: 5778: 5771: 5768: 5755: 5751: 5747: 5741: 5738: 5725: 5721: 5717: 5710: 5707: 5694: 5690: 5689:Rolling Stone 5686: 5679: 5677: 5673: 5660: 5656: 5652: 5646: 5643: 5638: 5634: 5630: 5623: 5620: 5615: 5611: 5604: 5601: 5597: 5592: 5590: 5586: 5581: 5574: 5571: 5566: 5560: 5556: 5549: 5546: 5542: 5537: 5535: 5531: 5518: 5514: 5513: 5508: 5501: 5498: 5494: 5489: 5486: 5482: 5477: 5475: 5473: 5471: 5469: 5465: 5461: 5456: 5453: 5440: 5436: 5432: 5425: 5422: 5409: 5406:. p. 4. 5405: 5401: 5394: 5391: 5378: 5375:. p. 7. 5374: 5370: 5363: 5360: 5347: 5344:. p. 3. 5343: 5339: 5332: 5329: 5325: 5324:Sandford 1997 5321: 5316: 5313: 5308: 5302: 5298: 5294: 5290: 5283: 5280: 5267: 5263: 5262: 5257: 5250: 5247: 5234: 5230: 5226: 5219: 5216: 5203: 5199: 5198:Rolling Stone 5195: 5189: 5186: 5173: 5169: 5165: 5158: 5155: 5142: 5138: 5137: 5132: 5128: 5122: 5119: 5106: 5102: 5095: 5092: 5088: 5084: 5080: 5075: 5072: 5068: 5067:Seabrook 2008 5064: 5059: 5056: 5052: 5051:Seabrook 2008 5047: 5044: 5041:, p. 55. 5040: 5035: 5032: 5027: 5026: 5021: 5017: 5013: 5006: 5003: 4998: 4992: 4988: 4984: 4980: 4979: 4974: 4970: 4966: 4960: 4957: 4944: 4940: 4939: 4934: 4930: 4924: 4921: 4908: 4904: 4903: 4898: 4891: 4888: 4883: 4877: 4873: 4872:Omnibus Press 4869: 4868: 4863: 4862:Larkin, Colin 4857: 4854: 4841: 4837: 4831: 4827: 4823: 4822: 4817: 4813: 4807: 4804: 4791: 4787: 4786: 4781: 4777: 4771: 4768: 4763: 4762: 4754: 4751: 4738: 4734: 4732: 4723: 4720: 4716: 4712: 4711:Sandford 1997 4707: 4704: 4700: 4695: 4692: 4688: 4683: 4680: 4675: 4674: 4666: 4663: 4659: 4654: 4651: 4647: 4646:Seabrook 2008 4642: 4639: 4635: 4630: 4627: 4614: 4610: 4609: 4604: 4598: 4595: 4582: 4578: 4577: 4572: 4568: 4562: 4559: 4546: 4542: 4541: 4540:Rolling Stone 4536: 4529: 4526: 4509: 4505: 4504: 4499: 4492: 4489: 4485:. p. 59. 4484: 4483: 4475: 4472: 4455: 4451: 4450: 4445: 4441: 4435: 4432: 4416: 4412: 4405: 4399: 4396: 4379: 4375: 4374: 4373:Record Mirror 4369: 4367: 4361: 4355: 4352: 4339: 4335: 4334: 4329: 4325: 4319: 4316: 4299: 4295: 4294: 4289: 4287: 4281: 4275: 4272: 4267: 4266: 4258: 4255: 4251: 4250:Seabrook 2008 4247: 4246:Sandford 1997 4243: 4238: 4235: 4231: 4230:Seabrook 2008 4226: 4223: 4219: 4214: 4211: 4207: 4202: 4199: 4186: 4182: 4178: 4172: 4169: 4165: 4160: 4157: 4153: 4148: 4145: 4132: 4128: 4127: 4122: 4116: 4113: 4100: 4096: 4092: 4086: 4083: 4079: 4074: 4071: 4067: 4062: 4059: 4055: 4051: 4046: 4043: 4039: 4035: 4030: 4027: 4023: 4018: 4016: 4012: 3995: 3991: 3990: 3985: 3981: 3975: 3973: 3969: 3956: 3952: 3948: 3941: 3938: 3934: 3930: 3925: 3922: 3918: 3913: 3911: 3907: 3903: 3899: 3894: 3891: 3887: 3883: 3878: 3875: 3871: 3866: 3863: 3859: 3855: 3850: 3847: 3843: 3838: 3836: 3832: 3828: 3824: 3819: 3816: 3812: 3808: 3803: 3800: 3796: 3791: 3789: 3785: 3781: 3776: 3774: 3772: 3770: 3766: 3762: 3758: 3753: 3750: 3746: 3742: 3737: 3734: 3730: 3725: 3723: 3719: 3715: 3711: 3706: 3703: 3699: 3694: 3691: 3687: 3682: 3679: 3675: 3670: 3668: 3666: 3664: 3662: 3658: 3654: 3649: 3646: 3642: 3637: 3635: 3633: 3631: 3627: 3623: 3618: 3616: 3612: 3608: 3604: 3599: 3596: 3592: 3588: 3584: 3579: 3576: 3572: 3567: 3564: 3551: 3548:. p. 2. 3547: 3546: 3541: 3534: 3531: 3518: 3514: 3513: 3508: 3501: 3499: 3495: 3482: 3478: 3474: 3472: 3466: 3460: 3458: 3456: 3454: 3452: 3448: 3444: 3440: 3439:Seabrook 2008 3435: 3432: 3428: 3427:Seabrook 2008 3423: 3421: 3417: 3413: 3408: 3406: 3404: 3402: 3398: 3394: 3390: 3386: 3381: 3378: 3361: 3357: 3356: 3351: 3347: 3341: 3339: 3335: 3331: 3326: 3323: 3319: 3318:Seabrook 2008 3314: 3312: 3310: 3308: 3306: 3302: 3289: 3285: 3284: 3279: 3272: 3269: 3264: 3257: 3254: 3250: 3249:Seabrook 2008 3245: 3243: 3239: 3234: 3233: 3228: 3222: 3220: 3216: 3212: 3207: 3205: 3203: 3201: 3199: 3197: 3195: 3193: 3191: 3189: 3187: 3183: 3178: 3177: 3169: 3166: 3162: 3161:Seabrook 2008 3157: 3154: 3150: 3145: 3143: 3141: 3139: 3137: 3135: 3131: 3127: 3122: 3120: 3118: 3116: 3114: 3112: 3108: 3095: 3091: 3090: 3085: 3084:Album Review" 3083: 3074: 3072: 3070: 3068: 3064: 3060: 3059:Seabrook 2008 3055: 3053: 3049: 3045: 3044:Seabrook 2008 3041: 3036: 3033: 3029: 3025: 3020: 3017: 3013: 3008: 3005: 2992: 2988: 2987: 2982: 2975: 2973: 2971: 2969: 2965: 2959: 2953: 2943: 2940: 2936: 2927: 2924: 2921: 2920:1999 release 2915: 2910: 2906: 2903: 2899: 2895: 2892: 2889: 2884: 2880: 2875:Certification 2870: 2867: 2858: 2851: 2843: 2839: 2835: 2831: 2825:Chart (1978) 2823: 2820: 2809: 2805: 2801: 2797: 2791:Chart (1977) 2789: 2786: 2777: 2775: 2768: 2766: 2764: 2758: 2751: 2747: 2743: 2736: 2731: 2724: 2719: 2712: 2707: 2700: 2695: 2688: 2683: 2679: 2676: 2671: 2667: 2664: 2663: 2657: 2650: 2645: 2638: 2633: 2629: 2626: 2621: 2614: 2609: 2602: 2601:Album Top 100 2597: 2590: 2589: 2583: 2576: 2571: 2567: 2564: 2559: 2549: 2546: 2538:Weekly charts 2537: 2535: 2534: 2527: 2520: 2515: 2512: 2510: 2506: 2503: 2500: 2497: 2494: 2491: 2488: 2485: 2482: 2481: 2480: 2479: 2472: 2469: 2468:Tony Visconti 2466: 2463: 2460: 2457: 2456:George Murray 2454: 2451: 2450:Carlos Alomar 2448: 2445: 2442: 2439: 2436: 2433: 2429: 2426: 2425: 2424: 2418: 2411:20:30 (40:19) 2410: 2407:Total length: 2400: 2398: 2397:Carlos Alomar 2394: 2391: 2387: 2383: 2380: 2377: 2373: 2369: 2365: 2362: 2360:"Moss Garden" 2359: 2355: 2351: 2348: 2345: 2341: 2337: 2333: 2330: 2327: 2326:V-2 Schneider 2323: 2319: 2303: 2290: 2287:Total length: 2280: 2277: 2274: 2270: 2266: 2262: 2259: 2256: 2252: 2248: 2244: 2242: 2238: 2235: 2225: 2221: 2217: 2214: 2211: 2207: 2203: 2199: 2196: 2193: 2189: 2185: 2169: 2163: 2161: 2153:Track listing 2152: 2150: 2148: 2144: 2139: 2134: 2130: 2127: 2126: 2120: 2118: 2114: 2110: 2103: 2101: 2099: 2095: 2091: 2087: 2083: 2079: 2075: 2071: 2070: 2064: 2062: 2058: 2054: 2053:12th symphony 2050: 2045: 2041: 2037: 2033: 2029: 2025: 2021: 2020: 2015: 2011: 2010: 2005: 2001: 1993: 1989: 1985: 1980: 1976: 1974: 1973: 1968: 1964: 1960: 1956: 1952: 1948: 1944: 1940: 1936: 1932: 1928: 1924: 1923: 1918: 1914: 1910: 1909: 1904: 1896: 1894: 1892: 1891: 1886: 1882: 1878: 1874: 1871:, along with 1870: 1866: 1862: 1858: 1854: 1850: 1846: 1845:Rolling Stone 1841: 1838: 1833: 1832: 1827: 1823: 1818: 1814: 1809: 1807: 1803: 1799: 1795: 1790: 1786: 1776: 1774: 1773: 1769: 1768: 1764: 1762: 1761: 1757: 1756: 1726: 1724: 1723: 1719: 1718: 1714: 1712: 1711: 1707: 1706: 1702: 1700: 1699: 1695: 1694: 1690: 1688: 1687: 1683: 1682: 1652: 1650: 1649: 1645: 1644: 1640: 1638: 1637: 1633: 1632: 1607: 1605: 1604: 1600: 1599: 1569: 1567: 1566: 1562: 1561: 1531: 1529: 1526: 1525: 1517: 1514:Review scores 1512: 1503: 1501: 1499: 1498: 1493: 1492: 1487: 1483: 1479: 1475: 1471: 1470:Just a Gigolo 1466: 1464: 1460: 1457: 1456:Elvis Presley 1453: 1452:Just a Gigolo 1449: 1448: 1447:Just a Gigolo 1443: 1439: 1435: 1431: 1430: 1425: 1421: 1413: 1408: 1401: 1396: 1394: 1392: 1388: 1381: 1377: 1372: 1368: 1367: 1362: 1358: 1354: 1353: 1352:Rolling Stone 1347: 1345: 1338: 1337: 1332: 1325: 1324: 1319: 1315: 1314: 1309: 1305: 1304: 1299: 1295: 1291: 1287: 1286: 1285:Record Mirror 1281: 1276: 1274: 1270: 1269: 1264: 1260: 1256: 1255: 1250: 1246: 1242: 1241: 1236: 1232: 1224: 1222: 1220: 1215: 1211: 1207: 1199: 1195: 1191: 1189: 1184: 1179: 1177: 1176: 1171: 1167: 1163: 1162: 1157: 1156: 1151: 1147: 1143: 1139: 1135: 1127: 1121: 1118: 1111: 1109: 1104: 1097: 1094: 1090: 1070: 1069:Nick Ferguson 1066: 1057: 1052: 1050: 1046: 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PL 12522. 5815:RCA Records 5807:David Bowie 5791:12 February 5665:21 February 5523:28 November 5445:4 September 5435:The Quietus 5414:4 September 5404:The Quietus 5383:4 September 5373:The Quietus 5352:4 September 5342:The Quietus 5272:21 November 5239:21 November 5178:12 November 5111:22 November 5087:Trynka 2011 4985:. pp. 4796:11 November 4743:21 November 4514:29 December 4503:The Gazette 4333:Hit Parader 4280:Needs, Kris 4078:Trynka 2011 4052:, chap. 2; 3931:, chap. 2; 3827:Perone 2007 3809:, chap. 2; 3759:, chap. 2; 3712:, chap. 2; 3653:Trynka 2011 3622:Perone 2007 3443:Trynka 2011 3387:, chap. 2; 2517: [ 2428:David Bowie 2160:David Bowie 2040:Twyla Tharp 1947:Ian Astbury 1903:John Lennon 1434:as an album 1432:, released 1336:The Gazette 1273:Patti Smith 1268:Hit Parader 1235:Allan Jones 1124:RCA issued 1065:music video 1056:lead single 1005:German army 965:title track 955:title track 870:Berlin Wall 835:The author 829:Paul Trynka 558:Berlin Wall 518:RCA Records 484:Los Angeles 468:David Bowie 432:title track 414:live albums 306:RCA Records 298:David Bowie 179:David Bowie 166:David Bowie 93:West Berlin 55:David Bowie 8326:Categories 8250:Ava Cherry 8077:Characters 8025:Hours Tour 7611:Club Bowie 7597:All Saints 7175:David Live 6964:Hunky Dory 6534:. 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