94:
145:
183:
210:
in 1993 and taught there through the year 2000. His awards and honors also include the SEAMUS Award for
Lifelong Achievement (2000), and a prize from the International Society of Bassists (1977). In 1969, he was Distinguished Visiting Professor at Ohio State University. He was one of two participants
105:
to join the
University of Illinois Center for Advanced Computation for 1963-64, at the conclusion of which he was asked to stay on as a member of the faculty. In Illinois, Brün began research on composition with computers, which resulted in pieces for tape and instruments, tape alone, and graphics.
190:
Brün was instrumental in helping the then fledgling
Computer Music Association get started in the middle 1970s, helping host conferences at the University of Illinois in 1975, and again in 1987. He was invited to give the keynote address at their annual conference in 1985.
90:. During the 1950s, he also worked as composer and conductor of music for the theater, gave lectures and seminars emphasizing the function of music in society, and did a series of broadcasts on contemporary music.
603:
957:
1266:
160:(Professor of Electrical Engineering, Physics, and Biology) on cybernetics, heuristics, composition, cognition, and social change. In 1974, the members of the class published the book
950:
1296:
1306:
1291:
943:
40:
63:, Eli Friedman and Frank Pelleg. While in Palestine, he also worked as a jazz pianist. In 1948, he received a scholarship to further his studies at
807:"Techniques for Thwarting Hegemony: Anticommunication and Gesture-Inhibiting Musical Material as Compositional Resource in the Music of Herbert Brün"
1311:
1281:
875:
186:
The
Performers Workshop Ensemble. Left to right: Lesley Olson, Sam Magrill, Pam Richman, Susan Parenti, Arun Chandra, Mark Sullivan, Mark Enslin
1286:
1301:
767:
870:
1331:
1326:
967:
757:
753:
681:
673:
648:
462:
454:
440:
426:
412:
79:
1336:
1256:
203:
1321:
1316:
234:
Brün's students at the
University of Illinois were referred to, often pejoratively, as Brünettes. His notable students include
1261:
251:
902:
714:
176:
771:
704:
195:
207:
575:
123:
811:
640:
1044:
171:
by linking and merging tiny portions of waveforms. (Efforts along similar lines are described in the article
397:
266:, an intellectual, writer, and teacher of social theory; she was the daughter of the famous German actors
52:
708:
696:
1196:
1052:
235:
590:"S/R 20: An Appeal from American Jews to the Green Party of Germany to Stop the Bombing of Yugoslavia"
1276:
1271:
980:
1188:
561:
928:
263:
68:
852:
836:
172:
157:
56:
141:(1968). The latter was a series of computer graphics for interpretation by composer/performers.
93:
775:
844:
828:
749:
734:
726:
722:
685:
677:
669:
654:
644:
458:
450:
436:
422:
408:
1068:
1060:
996:
820:
718:
634:
24:
219:
invited jointly by the
Hochschule der Künste and the Technische Universität Berlin (1978);
1172:
1164:
1140:
906:
133:
in the late 1960s as he pursued an interest in designing processes. This work resulted in
435:, edited by Mark Enslin, Susan Parenti, Andrew Trull. Champaign, IL: Non Sequitur Press.
421:, edited by Mark Enslin, Susan Parenti, Andrew Trull. Champaign, IL: Non Sequitur Press.
1233:
1212:
1180:
1036:
199:
102:
28:
1250:
1020:
856:
700:
271:
267:
239:
935:
144:
1225:
1156:
1148:
1132:
1124:
1116:
1108:
1100:
1004:
763:
259:
60:
1076:
1028:
1012:
32:
1092:
920:
848:
738:
64:
832:
658:
255:
912:
449:, edited by Arun Chandra. Middletown, CT: Wesleyan University Press, 2004.
231:
at the annual convention of the
Percussive Arts Society, St. Louis (1987).
824:
589:
1204:
988:
790:
604:"Twenty Israeli Composers: Voices of a Culture 081432648X, 9780814326480"
119:
20:
840:
806:
156:
From 1968–74, he co-taught courses at the
Biological Computer Lab with
130:
83:
689:
168:
101:
After a lecture tour of the United States in 1962, he was invited by
87:
36:
562:"A Heartbreaking Letter from a Muslim American to Non-Muslim Allies"
167:
In 1972, Brün created a new synthesis technique which generated new
182:
730:
181:
143:
92:
75:
393:
Karlsruhe: G. Braun, 1971. Accompanied by a 10-inch LP recording.
122:
programming language developed by Hiller and Robert Baker at the
51:
Brün left
Germany in 1936 to study piano and composition at the
939:
636:
When Music
Resists Meaning: The Major Writings of Herbert Brün
447:
When Music Resists Meaning: The Major Writings of Herbert Brün
897:
793:. School of Music, University of Illinois at Urbana-Champaign
211:
from the United States invited by UNESCO to their symposium
43:
from 1962 until he retired, several years before his death.
227:
at the University of Missouri (Kansas City) (1983); and
536:
505:
503:
501:
499:
497:
495:
520:
518:
343:(1977) (SAWDUST No. 2) (optional percussion and tape)
223:
at the University of Maryland, Baltimore (May 1982);
254:
family in Berlin. Many of his relatives died in the
548:
407:. Champaign, IL; London: Princelet Editions, 1990.
307:
Trio, for flute, double-bass, and percussion (1964)
74:His work as an electronic-music composer began in
55:(later renamed Israel Academy of Music) in (then)
616:
325:(1968/1984) (optional chamber ensemble and tape)
194:Brün was awarded an honorary doctorate from the
1267:University of Illinois Urbana-Champaign faculty
710:The New Grove Dictionary of Music and Musicians
175:.) From 1980 on, he toured and taught with the
951:
8:
958:
944:
936:
106:His compositions from this period include
41:University of Illinois at Urbana-Champaign
576:"To Herbert Brün | Donnacha Dennehy"
509:
304:('Wayfaring Sounds') (1962) (tape alone)
19:(July 9, 1918 – November 6, 2000) was a
723:10.1093/gmo/9781561592630.article.48268
524:
479:
486:
289:Sonatina for viola alone, Op.12 (1950)
7:
1297:20th-century American male musicians
923:Teaching the Function of Time in Art
805:Kowalkowski, Jeffrey (Summer 2008).
367:(1981) (SAWDUST No. 6) (tape alone)
361:(1980) (SAWDUST No. 5) (tape alone)
355:(1979) (SAWDUST No. 4) (tape alone)
349:(1978) (SAWDUST No. 3) (tape alone)
337:(1976) (SAWDUST No. 1) (tape alone)
319:(1964) (chamber ensemble and tape)
14:
1307:Immigrants to Mandatory Palestine
1292:Experimental Music Studios alumni
968:SEAMUS Lifetime Achievement Award
909: (archived February 24, 2005)
97:Herbert Brün in his studio (1995)
204:American Society for Cybernetics
1312:Immigrants to the United States
1282:20th-century American composers
86:, and at the Siemens studio in
405:My Words and Where I Want Them
400:, Vol. 5, No. 2, summer, 1981.
371:Sentences Now Open Wide (SNOW)
208:School for Designing a Society
162:The Cybernetics of Cybernetics
1:
1287:20th-century German musicians
930:Articles and associated works
396:Computer-generated graphics.
206:in 1993. He helped found the
177:Performers' Workshop Ensemble
768:"Electronic Music in Israel"
715:Macmillan Publishers Limited
713:. Vol. 4 (2 ed.).
391:Über Musik und zum Computer.
39:, Germany, he taught at the
1302:Emigrants from Nazi Germany
915:Technology and the Composer
772:Electronic Music Foundation
633:Chandra, Arun, ed. (2004).
250:Herbert Brün was born to a
196:Goethe University Frankfurt
1353:
1332:Jewish classical musicians
1327:20th-century American Jews
871:"Marianne Brün (obituary)"
292:String Quartet No.2 (1957)
129:Brün began programming in
124:Experimental Music Studios
78:in the late 1950s, at the
975:
812:Perspectives of New Music
641:Wesleyan University Press
419:Irresistible Observations
286:for piano, Op.1 (1940–45)
549:Kowalkowski, Summer 2008
118:was generated using the
1337:Jewish American artists
1257:American male composers
379:(1996) (viola and tape)
1322:Experimental composers
1317:Pupils of Stefan Wolpe
398:Computer Music Journal
187:
179:, a group he founded.
153:
98:
53:Jerusalem Conservatory
1262:Composers from Berlin
1220:Scott A. Wyatt (2018)
1053:Bebe and Louis Barron
825:10.1353/pnm.2008.0005
695:Enslin, Mark (2001).
617:The News-Gazette 2014
377:on stilts among ducks
262:. He was married to
236:Stuart Saunders Smith
225:Composer in Residence
221:Composer in residence
185:
152:; random seed: 540802
147:
96:
981:Vladimir Ussachevsky
898:Herbert Brün website
717:. pp. 499–500.
213:Music and Technology
150:mutatis mutandis 242
564:. 10 December 2015.
331:(1972) (tape alone)
298:(1958) (tape alone)
69:Columbia University
317:Sonoriferous Loops
188:
173:Granular synthesis
158:Heinz von Foerster
154:
99:
1244:
1243:
433:Sighs in Disguise
1344:
1237:
1229:
1221:
1216:
1208:
1200:
1192:
1184:
1176:
1168:
1160:
1152:
1144:
1136:
1128:
1120:
1112:
1104:
1096:
1088:
1080:
1072:
1069:Pauline Oliveros
1064:
1061:Morton Subotnick
1056:
1048:
1040:
1032:
1024:
1016:
1008:
1000:
997:Mario Davidovsky
992:
984:
960:
953:
946:
937:
886:
884:
883:
876:The News-Gazette
866:
864:
863:
801:
799:
798:
791:"History of EMS"
786:
784:
783:
774:. Archived from
764:Gluck, Robert J.
748:
746:
745:
668:
666:
665:
620:
614:
608:
607:
600:
594:
593:
586:
580:
579:
572:
566:
565:
558:
552:
546:
540:
537:"History of EMS"
534:
528:
522:
513:
507:
490:
484:
302:Klange unterwegs
198:(1999), and the
139:mutatis mutandis
1352:
1351:
1347:
1346:
1345:
1343:
1342:
1341:
1247:
1246:
1245:
1240:
1232:
1224:
1219:
1211:
1203:
1195:
1187:
1179:
1173:George E. Lewis
1171:
1165:Laurie Anderson
1163:
1155:
1147:
1141:Miller Puckette
1139:
1131:
1123:
1115:
1107:
1099:
1091:
1083:
1075:
1067:
1059:
1051:
1043:
1035:
1027:
1019:
1011:
1003:
995:
987:
979:
971:
970:
964:
907:Wayback Machine
894:
889:
881:
879:
869:
861:
859:
804:
796:
794:
789:
781:
779:
762:
743:
741:
697:"Brün, Herbert"
694:
663:
661:
651:
632:
628:
623:
615:
611:
602:
601:
597:
588:
587:
583:
574:
573:
569:
560:
559:
555:
547:
543:
535:
531:
523:
516:
508:
493:
485:
481:
477:
472:
445:Brün, Herbert.
431:Brün, Herbert.
417:Brün, Herbert.
403:Brün, Herbert.
389:Brün, Herbert.
386:
280:
248:
217:Guest Professor
215:(1970). He was
202:medal from the
116:Non Sequitur VI
112:Non Sequitur VI
49:
12:
11:
5:
1350:
1348:
1340:
1339:
1334:
1329:
1324:
1319:
1314:
1309:
1304:
1299:
1294:
1289:
1284:
1279:
1274:
1269:
1264:
1259:
1249:
1248:
1242:
1241:
1239:
1238:
1234:Annea Lockwood
1230:
1222:
1217:
1213:Carla Scaletti
1209:
1201:
1193:
1189:Barry Schrader
1185:
1181:Laurie Spiegel
1177:
1169:
1161:
1153:
1145:
1137:
1129:
1121:
1113:
1105:
1097:
1089:
1081:
1073:
1065:
1057:
1049:
1041:
1037:Milton Babbitt
1033:
1025:
1017:
1009:
1001:
993:
985:
976:
973:
972:
966:
965:
963:
962:
955:
948:
940:
934:
933:
926:
921:Brün article:
918:
913:Brün article:
910:
900:
893:
892:External links
890:
888:
887:
867:
819:(2): 237–243.
802:
787:
760:
701:Sadie, Stanley
692:
649:
629:
627:
624:
622:
621:
609:
595:
581:
567:
553:
551:, p. 239.
541:
529:
514:
491:
478:
476:
473:
471:
468:
467:
466:
443:
429:
415:
401:
394:
385:
382:
381:
380:
374:
368:
365:I toLD YOU so!
362:
356:
350:
344:
338:
332:
329:Piece of Prose
326:
320:
314:
308:
305:
299:
293:
290:
287:
279:
278:Selected works
276:
247:
244:
229:Guest Composer
200:Norbert Wiener
103:Lejaren Hiller
71:through 1950.
48:
45:
29:computer music
13:
10:
9:
6:
4:
3:
2:
1349:
1338:
1335:
1333:
1330:
1328:
1325:
1323:
1320:
1318:
1315:
1313:
1310:
1308:
1305:
1303:
1300:
1298:
1295:
1293:
1290:
1288:
1285:
1283:
1280:
1278:
1275:
1273:
1270:
1268:
1265:
1263:
1260:
1258:
1255:
1254:
1252:
1235:
1231:
1227:
1223:
1218:
1214:
1210:
1206:
1202:
1198:
1194:
1190:
1186:
1182:
1178:
1174:
1170:
1166:
1162:
1158:
1154:
1150:
1146:
1142:
1138:
1134:
1130:
1126:
1122:
1118:
1114:
1110:
1106:
1102:
1098:
1094:
1090:
1086:
1082:
1078:
1074:
1070:
1066:
1062:
1058:
1054:
1050:
1046:
1045:Charles Dodge
1042:
1038:
1034:
1030:
1026:
1022:
1021:John Chowning
1018:
1014:
1010:
1006:
1002:
998:
994:
990:
986:
982:
978:
977:
974:
969:
961:
956:
954:
949:
947:
942:
941:
938:
932:
931:
927:
925:
924:
919:
917:
916:
911:
908:
904:
901:
899:
896:
895:
891:
878:
877:
872:
868:
858:
854:
850:
846:
842:
838:
834:
830:
826:
822:
818:
814:
813:
808:
803:
792:
788:
778:on 2009-07-26
777:
773:
769:
765:
761:
759:
758:1-5615-9239-0
755:
754:0-3336-0800-3
751:
740:
736:
732:
728:
724:
720:
716:
712:
711:
706:
705:Tyrrell, John
702:
698:
693:
691:
687:
684:(paperback),
683:
682:0-8195-6670-5
679:
675:
674:0-8195-6669-1
671:
660:
656:
652:
650:9780819566690
646:
642:
638:
637:
631:
630:
625:
618:
613:
610:
605:
599:
596:
591:
585:
582:
577:
571:
568:
563:
557:
554:
550:
545:
542:
538:
533:
530:
526:
521:
519:
515:
511:
510:Chandra, 2004
506:
504:
502:
500:
498:
496:
492:
488:
483:
480:
474:
469:
464:
463:0-8195-6670-5
460:
456:
455:0-8195-6669-1
452:
448:
444:
442:
441:0-9662448-5-0
438:
434:
430:
428:
427:0-9662448-6-9
424:
420:
416:
414:
413:0-86298-028-3
410:
406:
402:
399:
395:
392:
388:
387:
383:
378:
375:
372:
369:
366:
363:
360:
357:
354:
353:A Mere Ripple
351:
348:
345:
342:
339:
336:
333:
330:
327:
324:
321:
318:
315:
312:
311:Futility 1964
309:
306:
303:
300:
297:
294:
291:
288:
285:
282:
281:
277:
275:
273:
272:Johanna Hofer
269:
268:Fritz Kortner
265:
264:Marianne Brün
261:
257:
253:
252:German Jewish
245:
243:
241:
240:Sarah Hennies
237:
232:
230:
226:
222:
218:
214:
209:
205:
201:
197:
192:
184:
180:
178:
174:
170:
165:
163:
159:
151:
146:
142:
140:
136:
132:
127:
125:
121:
117:
113:
109:
108:Futility 1964
104:
95:
91:
89:
85:
81:
77:
72:
70:
66:
62:
58:
54:
46:
44:
42:
38:
34:
33:cybernetician
30:
26:
23:, pioneer of
22:
18:
1226:Gordon Mumma
1157:Curtis Roads
1149:Larry Austin
1133:Joel Chadabe
1125:Alvin Lucier
1117:Wendy Carlos
1109:Barry Vercoe
1101:Jon Appleton
1085:Herbert Brün
1084:
1005:Otto Luening
929:
922:
914:
880:. Retrieved
874:
860:. Retrieved
816:
810:
795:. Retrieved
780:. Retrieved
776:the original
742:. Retrieved
709:
662:. Retrieved
635:
612:
598:
584:
570:
556:
544:
532:
525:Enslin, 2001
482:
446:
432:
418:
404:
390:
384:Publications
376:
370:
364:
358:
352:
346:
340:
334:
328:
323:Infraudibles
322:
316:
313:(tape alone)
310:
301:
295:
283:
260:World War II
249:
233:
228:
224:
220:
216:
212:
193:
189:
166:
161:
155:
149:
138:
135:Infraudibles
134:
128:
115:
111:
107:
100:
73:
61:Stefan Wolpe
50:
17:Herbert Brün
16:
15:
1277:2000 deaths
1272:1918 births
1077:Paul Lansky
1029:Max Mathews
1013:Robert Moog
487:Gluck, 2006
296:Anepigraphe
284:Five Pieces
137:(1968) and
110:(1964) and
1251:Categories
1197:Dave Smith
1093:Don Buchla
882:2021-07-09
862:2021-03-31
849:6733252229
797:2022-09-01
782:2013-12-16
744:2021-03-31
739:5713602733
731:2012002055
690:2003-66582
664:2021-03-31
626:References
80:WDR studio
65:Tanglewood
35:. Born in
25:electronic
903:ICMA obit
857:258132700
833:0031-6016
676:(cloth),
659:474495643
470:Citations
359:U-TURN-TO
341:More Dust
256:Holocaust
57:Palestine
1205:Pamela Z
989:Les Paul
841:25652394
766:(2006).
707:(eds.).
457:(cloth)
148:series:
120:MUSICOMP
114:(1966).
21:composer
905:at the
347:Dustiny
258:during
169:timbres
131:FORTRAN
84:Cologne
1236:(2020)
1228:(2019)
1215:(2017)
1207:(2016)
1199:(2015)
1191:(2014)
1183:(2013)
1175:(2012)
1167:(2011)
1159:(2010)
1151:(2009)
1143:(2008)
1135:(2007)
1127:(2006)
1119:(2005)
1111:(2004)
1103:(2003)
1095:(2002)
1087:(2001)
1079:(2000)
1071:(1999)
1063:(1998)
1055:(1997)
1047:(1996)
1039:(1995)
1031:(1994)
1023:(1993)
1015:(1991)
1007:(1990)
999:(1989)
991:(1988)
983:(1987)
855:
847:
839:
831:
752:
737:
729:
688:
680:
672:
657:
647:
465:(pbk.)
461:
453:
439:
425:
411:
373:(1984)
88:Munich
47:Career
37:Berlin
31:, and
853:S2CID
837:JSTOR
699:. In
475:Notes
76:Paris
59:with
845:OCLC
829:ISSN
750:ISBN
735:OCLC
727:LCCN
686:LCCN
678:ISBN
670:ISBN
655:OCLC
645:ISBN
459:ISBN
451:ISBN
437:ISBN
423:ISBN
409:ISBN
335:Dust
270:and
246:Life
238:and
67:and
27:and
821:doi
719:doi
82:in
1253::
873:.
851:.
843:.
835:.
827:.
817:46
815:.
809:.
770:.
756:,
733:.
725:.
703:;
653:.
643:.
639:.
517:^
494:^
274:.
242:.
164:.
126:.
959:e
952:t
945:v
885:.
865:.
823::
800:.
785:.
747:.
721::
667:.
619:.
606:.
592:.
578:.
539:.
527:.
512:.
489:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.