Knowledge (XXG)

Herbert Brün

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in 1993 and taught there through the year 2000. His awards and honors also include the SEAMUS Award for Lifelong Achievement (2000), and a prize from the International Society of Bassists (1977). In 1969, he was Distinguished Visiting Professor at Ohio State University. He was one of two participants
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to join the University of Illinois Center for Advanced Computation for 1963-64, at the conclusion of which he was asked to stay on as a member of the faculty. In Illinois, Brün began research on composition with computers, which resulted in pieces for tape and instruments, tape alone, and graphics.
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Brün was instrumental in helping the then fledgling Computer Music Association get started in the middle 1970s, helping host conferences at the University of Illinois in 1975, and again in 1987. He was invited to give the keynote address at their annual conference in 1985.
90:. During the 1950s, he also worked as composer and conductor of music for the theater, gave lectures and seminars emphasizing the function of music in society, and did a series of broadcasts on contemporary music. 603: 957: 1266: 160:(Professor of Electrical Engineering, Physics, and Biology) on cybernetics, heuristics, composition, cognition, and social change. In 1974, the members of the class published the book 950: 1296: 1306: 1291: 943: 40: 63:, Eli Friedman and Frank Pelleg. While in Palestine, he also worked as a jazz pianist. In 1948, he received a scholarship to further his studies at 807:"Techniques for Thwarting Hegemony: Anticommunication and Gesture-Inhibiting Musical Material as Compositional Resource in the Music of Herbert Brün" 1311: 1281: 875: 186:
The Performers Workshop Ensemble. Left to right: Lesley Olson, Sam Magrill, Pam Richman, Susan Parenti, Arun Chandra, Mark Sullivan, Mark Enslin
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Brün's students at the University of Illinois were referred to, often pejoratively, as Brünettes. His notable students include
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by linking and merging tiny portions of waveforms. (Efforts along similar lines are described in the article
397: 266:, an intellectual, writer, and teacher of social theory; she was the daughter of the famous German actors 52: 708: 696: 1196: 1052: 235: 590:"S/R 20: An Appeal from American Jews to the Green Party of Germany to Stop the Bombing of Yugoslavia" 1276: 1271: 980: 1188: 561: 928: 263: 68: 852: 836: 172: 157: 56: 141:(1968). The latter was a series of computer graphics for interpretation by composer/performers. 93: 775: 844: 828: 749: 734: 726: 722: 685: 677: 669: 654: 644: 458: 450: 436: 422: 408: 1068: 1060: 996: 820: 718: 634: 24: 219:
invited jointly by the Hochschule der Künste and the Technische Universität Berlin (1978);
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in the late 1960s as he pursued an interest in designing processes. This work resulted in
435:, edited by Mark Enslin, Susan Parenti, Andrew Trull. Champaign, IL: Non Sequitur Press. 421:, edited by Mark Enslin, Susan Parenti, Andrew Trull. Champaign, IL: Non Sequitur Press. 1233: 1212: 1180: 1036: 199: 102: 28: 1250: 1020: 856: 700: 271: 267: 239: 935: 144: 1225: 1156: 1148: 1132: 1124: 1116: 1108: 1100: 1004: 763: 259: 60: 1076: 1028: 1012: 32: 1092: 920: 848: 738: 64: 832: 658: 255: 912: 449:, edited by Arun Chandra. Middletown, CT: Wesleyan University Press, 2004. 231:
at the annual convention of the Percussive Arts Society, St. Louis (1987).
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From 1968–74, he co-taught courses at the Biological Computer Lab with
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After a lecture tour of the United States in 1962, he was invited by
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In 1972, Brün created a new synthesis technique which generated new
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Karlsruhe: G. Braun, 1971. Accompanied by a 10-inch LP recording.
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programming language developed by Hiller and Robert Baker at the
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Brün left Germany in 1936 to study piano and composition at the
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When Music Resists Meaning: The Major Writings of Herbert Brün
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When Music Resists Meaning: The Major Writings of Herbert Brün
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from the United States invited by UNESCO to their symposium
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from 1962 until he retired, several years before his death.
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at the University of Missouri (Kansas City) (1983); and
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at the University of Maryland, Baltimore (May 1982);
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family in Berlin. Many of his relatives died in the
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Trio, for flute, double-bass, and percussion (1964)
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From 1980 on, he toured and taught with the 951: 8: 958: 944: 936: 106:His compositions from this period include 41:University of Illinois at Urbana-Champaign 576:"To Herbert Brün | Donnacha Dennehy" 509: 304:('Wayfaring Sounds') (1962) (tape alone) 19:(July 9, 1918 – November 6, 2000) was a 723:10.1093/gmo/9781561592630.article.48268 524: 479: 486: 289:Sonatina for viola alone, Op.12 (1950) 7: 1297:20th-century American male musicians 923:Teaching the Function of Time in Art 805:Kowalkowski, Jeffrey (Summer 2008). 367:(1981) (SAWDUST No. 6) (tape alone) 361:(1980) (SAWDUST No. 5) (tape alone) 355:(1979) (SAWDUST No. 4) (tape alone) 349:(1978) (SAWDUST No. 3) (tape alone) 337:(1976) (SAWDUST No. 1) (tape alone) 319:(1964) (chamber ensemble and tape) 14: 1307:Immigrants to Mandatory Palestine 1292:Experimental Music Studios alumni 968:SEAMUS Lifetime Achievement Award 909: (archived February 24, 2005) 97:Herbert Brün in his studio (1995) 204:American Society for Cybernetics 1312:Immigrants to the United States 1282:20th-century American composers 86:, and at the Siemens studio in 405:My Words and Where I Want Them 400:, Vol. 5, No. 2, summer, 1981. 371:Sentences Now Open Wide (SNOW) 208:School for Designing a Society 162:The Cybernetics of Cybernetics 1: 1287:20th-century German musicians 930:Articles and associated works 396:Computer-generated graphics. 206:in 1993. He helped found the 177:Performers' Workshop Ensemble 768:"Electronic Music in Israel" 715:Macmillan Publishers Limited 713:. Vol. 4 (2 ed.). 391:Über Musik und zum Computer. 39:, Germany, he taught at the 1302:Emigrants from Nazi Germany 915:Technology and the Composer 772:Electronic Music Foundation 633:Chandra, Arun, ed. (2004). 250:Herbert Brün was born to a 196:Goethe University Frankfurt 1353: 1332:Jewish classical musicians 1327:20th-century American Jews 871:"Marianne Brün (obituary)" 292:String Quartet No.2 (1957) 129:Brün began programming in 124:Experimental Music Studios 78:in the late 1950s, at the 975: 812:Perspectives of New Music 641:Wesleyan University Press 419:Irresistible Observations 286:for piano, Op.1 (1940–45) 549:Kowalkowski, Summer 2008 118:was generated using the 1337:Jewish American artists 1257:American male composers 379:(1996) (viola and tape) 1322:Experimental composers 1317:Pupils of Stefan Wolpe 398:Computer Music Journal 187: 179:, a group he founded. 153: 98: 53:Jerusalem Conservatory 1262:Composers from Berlin 1220:Scott A. Wyatt (2018) 1053:Bebe and Louis Barron 825:10.1353/pnm.2008.0005 695:Enslin, Mark (2001). 617:The News-Gazette 2014 377:on stilts among ducks 262:. He was married to 236:Stuart Saunders Smith 225:Composer in Residence 221:Composer in residence 185: 152:; random seed: 540802 147: 96: 981:Vladimir Ussachevsky 898:Herbert Brün website 717:. pp. 499–500. 213:Music and Technology 150:mutatis mutandis 242 564:. 10 December 2015. 331:(1972) (tape alone) 298:(1958) (tape alone) 69:Columbia University 317:Sonoriferous Loops 188: 173:Granular synthesis 158:Heinz von Foerster 154: 99: 1244: 1243: 433:Sighs in Disguise 1344: 1237: 1229: 1221: 1216: 1208: 1200: 1192: 1184: 1176: 1168: 1160: 1152: 1144: 1136: 1128: 1120: 1112: 1104: 1096: 1088: 1080: 1072: 1069:Pauline Oliveros 1064: 1061:Morton Subotnick 1056: 1048: 1040: 1032: 1024: 1016: 1008: 1000: 997:Mario Davidovsky 992: 984: 960: 953: 946: 937: 886: 884: 883: 876:The News-Gazette 866: 864: 863: 801: 799: 798: 791:"History of EMS" 786: 784: 783: 774:. Archived from 764:Gluck, Robert J. 748: 746: 745: 668: 666: 665: 620: 614: 608: 607: 600: 594: 593: 586: 580: 579: 572: 566: 565: 558: 552: 546: 540: 537:"History of EMS" 534: 528: 522: 513: 507: 490: 484: 302:Klange unterwegs 198:(1999), and the 139:mutatis mutandis 1352: 1351: 1347: 1346: 1345: 1343: 1342: 1341: 1247: 1246: 1245: 1240: 1232: 1224: 1219: 1211: 1203: 1195: 1187: 1179: 1173:George E. Lewis 1171: 1165:Laurie Anderson 1163: 1155: 1147: 1141:Miller Puckette 1139: 1131: 1123: 1115: 1107: 1099: 1091: 1083: 1075: 1067: 1059: 1051: 1043: 1035: 1027: 1019: 1011: 1003: 995: 987: 979: 971: 970: 964: 907:Wayback Machine 894: 889: 881: 879: 869: 861: 859: 804: 796: 794: 789: 781: 779: 762: 743: 741: 697:"Brün, Herbert" 694: 663: 661: 651: 632: 628: 623: 615: 611: 602: 601: 597: 588: 587: 583: 574: 573: 569: 560: 559: 555: 547: 543: 535: 531: 523: 516: 508: 493: 485: 481: 477: 472: 445:Brün, Herbert. 431:Brün, Herbert. 417:Brün, Herbert. 403:Brün, Herbert. 389:Brün, Herbert. 386: 280: 248: 217:Guest Professor 215:(1970). He was 202:medal from the 116:Non Sequitur VI 112:Non Sequitur VI 49: 12: 11: 5: 1350: 1348: 1340: 1339: 1334: 1329: 1324: 1319: 1314: 1309: 1304: 1299: 1294: 1289: 1284: 1279: 1274: 1269: 1264: 1259: 1249: 1248: 1242: 1241: 1239: 1238: 1234:Annea Lockwood 1230: 1222: 1217: 1213:Carla Scaletti 1209: 1201: 1193: 1189:Barry Schrader 1185: 1181:Laurie Spiegel 1177: 1169: 1161: 1153: 1145: 1137: 1129: 1121: 1113: 1105: 1097: 1089: 1081: 1073: 1065: 1057: 1049: 1041: 1037:Milton Babbitt 1033: 1025: 1017: 1009: 1001: 993: 985: 976: 973: 972: 966: 965: 963: 962: 955: 948: 940: 934: 933: 926: 921:Brün article: 918: 913:Brün article: 910: 900: 893: 892:External links 890: 888: 887: 867: 819:(2): 237–243. 802: 787: 760: 701:Sadie, Stanley 692: 649: 629: 627: 624: 622: 621: 609: 595: 581: 567: 553: 551:, p. 239. 541: 529: 514: 491: 478: 476: 473: 471: 468: 467: 466: 443: 429: 415: 401: 394: 385: 382: 381: 380: 374: 368: 365:I toLD YOU so! 362: 356: 350: 344: 338: 332: 329:Piece of Prose 326: 320: 314: 308: 305: 299: 293: 290: 287: 279: 278:Selected works 276: 247: 244: 229:Guest Composer 200:Norbert Wiener 103:Lejaren Hiller 71:through 1950. 48: 45: 29:computer music 13: 10: 9: 6: 4: 3: 2: 1349: 1338: 1335: 1333: 1330: 1328: 1325: 1323: 1320: 1318: 1315: 1313: 1310: 1308: 1305: 1303: 1300: 1298: 1295: 1293: 1290: 1288: 1285: 1283: 1280: 1278: 1275: 1273: 1270: 1268: 1265: 1263: 1260: 1258: 1255: 1254: 1252: 1235: 1231: 1227: 1223: 1218: 1214: 1210: 1206: 1202: 1198: 1194: 1190: 1186: 1182: 1178: 1174: 1170: 1166: 1162: 1158: 1154: 1150: 1146: 1142: 1138: 1134: 1130: 1126: 1122: 1118: 1114: 1110: 1106: 1102: 1098: 1094: 1090: 1086: 1082: 1078: 1074: 1070: 1066: 1062: 1058: 1054: 1050: 1046: 1045:Charles Dodge 1042: 1038: 1034: 1030: 1026: 1022: 1021:John Chowning 1018: 1014: 1010: 1006: 1002: 998: 994: 990: 986: 982: 978: 977: 974: 969: 961: 956: 954: 949: 947: 942: 941: 938: 932: 931: 927: 925: 924: 919: 917: 916: 911: 908: 904: 901: 899: 896: 895: 891: 878: 877: 872: 868: 858: 854: 850: 846: 842: 838: 834: 830: 826: 822: 818: 814: 813: 808: 803: 792: 788: 778:on 2009-07-26 777: 773: 769: 765: 761: 759: 758:1-5615-9239-0 755: 754:0-3336-0800-3 751: 740: 736: 732: 728: 724: 720: 716: 712: 711: 706: 705:Tyrrell, John 702: 698: 693: 691: 687: 684:(paperback), 683: 682:0-8195-6670-5 679: 675: 674:0-8195-6669-1 671: 660: 656: 652: 650:9780819566690 646: 642: 638: 637: 631: 630: 625: 618: 613: 610: 605: 599: 596: 591: 585: 582: 577: 571: 568: 563: 557: 554: 550: 545: 542: 538: 533: 530: 526: 521: 519: 515: 511: 510:Chandra, 2004 506: 504: 502: 500: 498: 496: 492: 488: 483: 480: 474: 469: 464: 463:0-8195-6670-5 460: 456: 455:0-8195-6669-1 452: 448: 444: 442: 441:0-9662448-5-0 438: 434: 430: 428: 427:0-9662448-6-9 424: 420: 416: 414: 413:0-86298-028-3 410: 406: 402: 399: 395: 392: 388: 387: 383: 378: 375: 372: 369: 366: 363: 360: 357: 354: 353:A Mere Ripple 351: 348: 345: 342: 339: 336: 333: 330: 327: 324: 321: 318: 315: 312: 311:Futility 1964 309: 306: 303: 300: 297: 294: 291: 288: 285: 282: 281: 277: 275: 273: 272:Johanna Hofer 269: 268:Fritz Kortner 265: 264:Marianne Brün 261: 257: 253: 252:German Jewish 245: 243: 241: 240:Sarah Hennies 237: 232: 230: 226: 222: 218: 214: 209: 205: 201: 197: 192: 184: 180: 178: 174: 170: 165: 163: 159: 151: 146: 142: 140: 136: 132: 127: 125: 121: 117: 113: 109: 108:Futility 1964 104: 95: 91: 89: 85: 81: 77: 72: 70: 66: 62: 58: 54: 46: 44: 42: 38: 34: 33:cybernetician 30: 26: 23:, pioneer of 22: 18: 1226:Gordon Mumma 1157:Curtis Roads 1149:Larry Austin 1133:Joel Chadabe 1125:Alvin Lucier 1117:Wendy Carlos 1109:Barry Vercoe 1101:Jon Appleton 1085:Herbert Brün 1084: 1005:Otto Luening 929: 922: 914: 880:. Retrieved 874: 860:. Retrieved 816: 810: 795:. Retrieved 780:. Retrieved 776:the original 742:. Retrieved 709: 662:. Retrieved 635: 612: 598: 584: 570: 556: 544: 532: 525:Enslin, 2001 482: 446: 432: 418: 404: 390: 384:Publications 376: 370: 364: 358: 352: 346: 340: 334: 328: 323:Infraudibles 322: 316: 313:(tape alone) 310: 301: 295: 283: 260:World War II 249: 233: 228: 224: 220: 216: 212: 193: 189: 166: 161: 155: 149: 138: 135:Infraudibles 134: 128: 115: 111: 107: 100: 73: 61:Stefan Wolpe 50: 17:Herbert Brün 16: 15: 1277:2000 deaths 1272:1918 births 1077:Paul Lansky 1029:Max Mathews 1013:Robert Moog 487:Gluck, 2006 296:Anepigraphe 284:Five Pieces 137:(1968) and 110:(1964) and 1251:Categories 1197:Dave Smith 1093:Don Buchla 882:2021-07-09 862:2021-03-31 849:6733252229 797:2022-09-01 782:2013-12-16 744:2021-03-31 739:5713602733 731:2012002055 690:2003-66582 664:2021-03-31 626:References 80:WDR studio 65:Tanglewood 35:. Born in 25:electronic 903:ICMA obit 857:258132700 833:0031-6016 676:(cloth), 659:474495643 470:Citations 359:U-TURN-TO 341:More Dust 256:Holocaust 57:Palestine 1205:Pamela Z 989:Les Paul 841:25652394 766:(2006). 707:(eds.). 457:(cloth) 148:series: 120:MUSICOMP 114:(1966). 21:composer 905:at the 347:Dustiny 258:during 169:timbres 131:FORTRAN 84:Cologne 1236:(2020) 1228:(2019) 1215:(2017) 1207:(2016) 1199:(2015) 1191:(2014) 1183:(2013) 1175:(2012) 1167:(2011) 1159:(2010) 1151:(2009) 1143:(2008) 1135:(2007) 1127:(2006) 1119:(2005) 1111:(2004) 1103:(2003) 1095:(2002) 1087:(2001) 1079:(2000) 1071:(1999) 1063:(1998) 1055:(1997) 1047:(1996) 1039:(1995) 1031:(1994) 1023:(1993) 1015:(1991) 1007:(1990) 999:(1989) 991:(1988) 983:(1987) 855:  847:  839:  831:  752:  737:  729:  688:  680:  672:  657:  647:  465:(pbk.) 461:  453:  439:  425:  411:  373:(1984) 88:Munich 47:Career 37:Berlin 31:, and 853:S2CID 837:JSTOR 699:. 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Index

composer
electronic
computer music
cybernetician
Berlin
University of Illinois at Urbana-Champaign
Jerusalem Conservatory
Palestine
Stefan Wolpe
Tanglewood
Columbia University
Paris
WDR studio
Cologne
Munich

Lejaren Hiller
MUSICOMP
Experimental Music Studios
FORTRAN

Heinz von Foerster
timbres
Granular synthesis
Performers' Workshop Ensemble

Goethe University Frankfurt
Norbert Wiener
American Society for Cybernetics
School for Designing a Society

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