379:). They have a conversation about their lives before Tessa returns to her birthday party. Vivienne then attends a performance in which Jordan is playing the drums. After the performance, she is invited to sing on stage. Vivienne sings the song "Unfollow the Rules" by Rufus Wainwright. She later has sex with Jordan at his apartment. She gets into a Lyft and meets Sami again, who drives her to Nick's house. Nick is dismayed that Vivienne has once again shown up unannounced. Lucie comes out of her bedroom to see what the commotion is about. Nick excuses himself to allow Vivienne some time with Lucie. In her bedroom, Lucie plays her song to her mother and is met with adoration by Vivienne. Before Lucie falls asleep, Vivienne expresses her regrets about not being there for her. Vivienne kisses Lucie goodnight and goes into the living room to see Nick watching an old French movie. They converse before Nick realizes something is wrong with Vivienne. Nick reprimands her for prioritizing work over what is actually important. Before they conclude their conversation, Nick wants Vivienne to update him about her condition before they decide how to disclose her condition to Lucie. Nick then holds her hand and expresses that he really does care for her and is scared. Vivienne then pulls her hand away from Nick and returns to Lucie's bedroom. She sits down beside Lucie's bed and spends the night shaking and weeping.
364:), the Lyft driver, gets into a heated argument over the phone. Vivienne, visibly uncomfortable in her Lyft ride, demands to get off early. She returns home and is greeted by her mother who bombards her with questions. Vivienne becomes increasingly annoyed and replies rudely to Jeanne. Jeanne apologizes to her and leaves the kitchen. After drinking a glass of wine, Vivienne locks herself in her room, sees a picture of her daughter, Lucie (Gus Birney), and starts crying. She realizes what she has done to her mother and goes out to apologize and hug her. Subsequently, she recalls that she has left her dress in her Lyft and calls Sami to retrieve it. Sami arrives outside Vivienne's house to return her dress. As he is about to drive off, Vivienne halts him and asks if she can catch a ride. Sami rejects her request and drives off.
569:—works in spurts" while praising the appearance of Zellweger, describing the film as "heightened by the magnetic Renée Zellweger, barely concealing her suburban rage behind a cheerfully swirled glass of wine." Overall she felt, however, "for most of the film, Parker's Vivienne is bland and forgettable."
538:
is deliberately slow, hoping to provide viewers a chance to share the torturous mental anguish
Vivienne is going through. The process only succeeds in boring us to death. This is no fault of Parker, who also produced the film, but of Fabien Constant, an inexperienced film director best known for TV
382:
The next morning, Vivienne sneaks out of Nick's house. She returns home to pack for her surgery and leaves the house. She takes a Lyft and is chauffeured by Sami once again. While driving, Sami turns around to check out
Vivienne, but Vivienne avoids eye contact and takes a nap for the remainder of
558:
should be so gentle. 'I'm not done yet,' Vivienne declares. But we never even see her get started." Erhlich also found that "a chance run-in with an estranged friend (Renée
Zellweger, in a very welcome cameo) leaves all sorts of meat on the table, minutes of screen time wasted on the vague
348:). After the rehearsal, Jordan asks Vivienne out for coffee and is refused due to the interview. Their fingers linger on his drum set, implying they are in a romantic relationship. Afterward, Vivienne goes up to the second floor with Jordan. They begin making out passionately.
351:
Afterwards, Vivienne continues to wander around aimlessly as she makes her way to the interview. She passes by a clothing store and buys an expensive dress. She then attends the interview but does not seem like she is into the conversation with the interviewer, Oona
344:). Vivienne finally reaches the studio and is greeted by Ben. He informs her that she has an interview right after the rehearsal. As she approaches her bandmates, she apologizes for being late. She begins hugging everyone else except the drummer, Jordan (
38:
529:
found that "Constant can't decide whether
Vivienne is keeping her emotions buried deep inside or wearing them on her sleeve, and because Parker plays it somewhere in between, we rely on other characters to elucidate the situation." Rex Reed of
383:
the Lyft ride. She is later awakened by Sami. Outside the hospital, due to
Vivienne's request, both Vivienne and Sami get out of the car for coffee. She begins walking away from Sami. While on the hospital bed, Vivienne removes her jewelry.
371:), house unannounced. Nick invites her to dinner and she politely declines. Vivienne decides to leave Nick's house. She bids Nick and Lucie farewell. She continues wandering around aimlessly and has a conversation with an older lady (
340:), that she has a terminal brain tumor. After the visit with Dr. Holt, Vivienne walks aimlessly around New York City. She receives multiple phone calls from her mother, Jeanne (
668:
989:
724:
1024:
752:
984:
838:
1014:
999:
696:
1004:
979:
1009:
777:
375:). Vivienne then calls Ben to arrange a meeting. As she travels to their meeting spot, she happens upon her old friend, Tessa (
554:
felt that "for an homage boasting a far more fatal outlook than Varda's original, it's frustrating and kind of perverse that
559:
understanding that growing older requires people to tighten their emotional bandwidth." In a mixed review, Dana
Schwartz of
613:
1019:
994:
494:
642:
477:
had joined the cast in the role of Parker's mother. Principal photography started in July 2017 in New York City.
305:. The film was shot in 16 days in New York City, and follows Vivienne (Parker), a singer who is diagnosed with a
673:
517:
921:
810:
17:
753:"Tribeca 2018 Lineup Includes 'Disobedience,' 'The Miseducation of Cameron Post,' 'The Seagull,' and More"
669:"Sarah Jessica Parker says deeply 'emotional' role as singer diagnosed with brain tumor hit close to home"
782:
486:
446:
357:
336:), that she is late for a rehearsal. Afterwards, Vivienne finds out from her doctor, Dr. Marianne Holt (
313:
209:
316:
on April 19, 2018. It was released in the United States on
November 9, 2018, by AMBI Distribution and
561:
392:
329:
288:
133:
96:
78:
974:
544:
512:, the film holds an approval rating of 23% based on 22 reviews, with an average rating of 4/10. On
360:). Their conversation ends with Vivienne rushing off for her Lyft. Throughout her Lyft ride, Sami (
301:
534:
similarly found the film "Bleak and paced with the energy of drops of water from a plumbing leak,
843:
729:
701:
525:
493:
acquired North
American distribution rights to the film, with AMBI distributing theatrically and
490:
317:
839:"Sarah Jessica Parker's 'Here And Now' To Hit Theaters In November In AMBI & Paramount Deal"
428:
376:
120:
948:
725:"Renée Zellweger, Isabella Rossellini, Common & Others Join Cast Of 'Best Day Of My Life'"
506:
474:
422:
341:
116:
74:
959:
870:
643:"'Blue Night' Review: Sarah Jessica Parker Shines In a Dour Homage to Agnès Varda—Tribeca"
594:
589:
509:
404:
333:
104:
787:
497:
handling the digital and VOD release, and set the film for a
November 9, 2018, release.
875:
440:
416:
361:
337:
296:
284:
112:
968:
520:
score of 45 out of 100, based on ten critics, indicating "mixed or average reviews".
410:
345:
108:
458:
452:
372:
353:
306:
151:
37:
697:"Jacqueline Bisset Joins Sarah Jessica Parker's 'Best Day of My Life' (EXCLUSIVE)"
922:"'Here and Now' is a bleary, boring misstep for Sarah Jessica Parker: EW review"
896:
398:
368:
292:
100:
59:
953:
900:
865:
513:
434:
550:
815:
942:
332:) trembling blue eyes. Vivienne receives a call from her manager, Ben (
16:"Best Day of My Life (film)" redirects here. For the 2002 film, see
811:"Paramount Claims Rights to Sarah Jessica Parker's 'Here and Now'"
548:(1962), was negatively compared to the original. David Erhlich of
565:
found that "the premise—an homage to the 1962 Agnès Varda film
489:
on April 19, 2018. Shortly after, AMBI Distribution and
539:
commercials, who is making his feature-film debut."
256:
248:
240:
230:
191:
183:
157:
147:
139:
129:
89:
65:
55:
47:
30:
295:. It has been described as an homage to the 1962
328:The film starts with a close-up of Vivienne's (
8:
356:). After the interview, Vivienne meets Ray (
636:
634:
287:film directed by Fabien Constant, starring
36:
27:
607:
605:
542:The film, widely considered an homage to
990:Films about cancer in the United States
578:
485:The film had its world premiere at the
1025:English-language romantic drama films
584:
582:
7:
667:McCarthy, Kelly (November 2, 2018).
473:In July 2017, it was announced that
367:Vivienne arrives at her ex, Nick's (
614:"Tribeca Film Review: 'Blue Night'"
866:"Here and Now (Blue Night) (2018)"
837:Hipes, Patrick (August 16, 2018).
809:Fuster, Jeremy (August 16, 2018).
14:
641:Ehrlich, David (April 20, 2018).
612:Debruge, Peter (April 20, 2018).
495:Paramount Home Media Distribution
312:It had its world premiere at the
751:Raup, Jordan (March 7, 2018).
723:Busch, Anita (July 11, 2017).
695:McNary, Dave (July 25, 2017).
1:
985:American romantic drama films
1015:2010s English-language films
1000:Films scored by Amie Doherty
1041:
1005:Films set in New York City
215:November 9, 2018
15:
980:2018 romantic drama films
42:Theatrical release poster
35:
1010:Paramount Pictures films
200:April 19, 2018
175:Pretty Match Productions
18:The Best Day of My Life
897:"Here and Now Reviews"
783:Tribeca Film Festival
590:"Here and Now (2018)"
487:Tribeca Film Festival
314:Tribeca Film Festival
283:) is a 2018 American
210:Tribeca Film Festival
1020:2010s American films
562:Entertainment Weekly
464:Cliff Moylan as Joey
443:as Dr. Marianne Holt
393:Sarah Jessica Parker
330:Sarah Jessica Parker
289:Sarah Jessica Parker
223: (United States)
134:Javier Aguirresarobe
97:Sarah Jessica Parker
79:Sarah Jessica Parker
995:Films about singers
274:Best Day of My Life
271:(originally titled
844:Deadline Hollywood
790:on August 23, 2019
730:Deadline Hollywood
491:Paramount Pictures
318:Paramount Pictures
172:Big Indie Pictures
25:2018 American film
523:Peter Debruge of
516:, the film has a
507:review aggregator
475:Jacqueline Bisset
423:Jacqueline Bisset
342:Jacqueline Bisset
264:
263:
187:AMBI Distribution
117:Jacqueline Bisset
1032:
930:
929:
918:
912:
911:
909:
907:
893:
887:
886:
884:
882:
862:
856:
855:
853:
851:
834:
828:
827:
825:
823:
806:
800:
799:
797:
795:
786:. Archived from
774:
768:
767:
765:
763:
748:
742:
741:
739:
737:
720:
714:
713:
711:
709:
692:
686:
685:
683:
681:
664:
658:
657:
655:
653:
638:
629:
628:
626:
624:
609:
600:
599:
586:
567:Cléo From 5 to 7
545:Cléo from 5 to 7
518:weighted average
302:Cléo from 5 to 7
222:
220:
207:
205:
143:Malcolm Jamieson
75:Andrea Iervolino
40:
28:
1040:
1039:
1035:
1034:
1033:
1031:
1030:
1029:
965:
964:
960:Rotten Tomatoes
939:
934:
933:
920:
919:
915:
905:
903:
895:
894:
890:
880:
878:
871:Rotten Tomatoes
864:
863:
859:
849:
847:
836:
835:
831:
821:
819:
808:
807:
803:
793:
791:
776:
775:
771:
761:
759:
750:
749:
745:
735:
733:
722:
721:
717:
707:
705:
694:
693:
689:
679:
677:
666:
665:
661:
651:
649:
640:
639:
632:
622:
620:
611:
610:
603:
595:Box Office Mojo
588:
587:
580:
575:
510:Rotten Tomatoes
503:
483:
471:
429:Renée Zellweger
389:
377:Renée Zellweger
326:
233:
226:
218:
216:
203:
201:
194:
179:
178:
162:
160:
125:
121:Renée Zellweger
119:
115:
111:
107:
103:
99:
85:
81:
77:
73:
51:Fabien Constant
43:
26:
21:
12:
11:
5:
1038:
1036:
1028:
1027:
1022:
1017:
1012:
1007:
1002:
997:
992:
987:
982:
977:
967:
966:
963:
962:
951:
938:
937:External links
935:
932:
931:
913:
888:
857:
829:
801:
769:
757:The Film Stage
743:
715:
687:
659:
630:
601:
577:
576:
574:
571:
502:
499:
482:
479:
470:
467:
466:
465:
462:
461:as Older Woman
456:
450:
444:
441:Mary Beth Peil
438:
432:
426:
420:
417:Waleed Zuaiter
414:
408:
402:
396:
388:
385:
362:Waleed Zuaiter
338:Mary Beth Peil
325:
322:
285:romantic drama
262:
261:
258:
254:
253:
250:
246:
245:
242:
238:
237:
234:
231:
228:
227:
225:
224:
213:
197:
195:
192:
189:
188:
185:
184:Distributed by
181:
180:
177:
176:
173:
170:
166:
165:
163:
158:
155:
154:
149:
145:
144:
141:
137:
136:
131:
130:Cinematography
127:
126:
124:
123:
113:Waleed Zuaiter
93:
91:
87:
86:
84:
83:
82:Monika Barcadi
69:
67:
63:
62:
57:
53:
52:
49:
45:
44:
41:
33:
32:
24:
13:
10:
9:
6:
4:
3:
2:
1037:
1026:
1023:
1021:
1018:
1016:
1013:
1011:
1008:
1006:
1003:
1001:
998:
996:
993:
991:
988:
986:
983:
981:
978:
976:
973:
972:
970:
961:
957:
956:
952:
950:
946:
945:
941:
940:
936:
927:
923:
917:
914:
902:
898:
892:
889:
877:
873:
872:
867:
861:
858:
846:
845:
840:
833:
830:
818:
817:
812:
805:
802:
789:
785:
784:
779:
773:
770:
758:
754:
747:
744:
736:September 29,
732:
731:
726:
719:
716:
708:September 29,
704:
703:
698:
691:
688:
676:
675:
670:
663:
660:
648:
644:
637:
635:
631:
619:
615:
608:
606:
602:
597:
596:
591:
585:
583:
579:
572:
570:
568:
564:
563:
557:
553:
552:
547:
546:
540:
537:
533:
528:
527:
521:
519:
515:
511:
508:
500:
498:
496:
492:
488:
480:
478:
476:
468:
463:
460:
457:
454:
451:
448:
447:Michael Potts
445:
442:
439:
436:
433:
430:
427:
424:
421:
418:
415:
412:
411:Taylor Kinney
409:
406:
403:
400:
397:
394:
391:
390:
386:
384:
380:
378:
374:
370:
365:
363:
359:
358:Michael Potts
355:
349:
347:
346:Taylor Kinney
343:
339:
335:
331:
323:
321:
319:
315:
310:
308:
304:
303:
298:
294:
290:
286:
282:
281:
276:
275:
270:
269:
259:
255:
251:
247:
244:United States
243:
239:
235:
229:
214:
211:
199:
198:
196:
193:Release dates
190:
186:
182:
174:
171:
168:
167:
164:
156:
153:
150:
146:
142:
138:
135:
132:
128:
122:
118:
114:
110:
109:Taylor Kinney
106:
102:
98:
95:
94:
92:
88:
80:
76:
72:Alison Benson
71:
70:
68:
64:
61:
58:
54:
50:
46:
39:
34:
29:
23:
19:
955:Here and Now
954:
944:Here and Now
943:
925:
916:
904:. Retrieved
891:
879:. Retrieved
869:
860:
848:. Retrieved
842:
832:
820:. Retrieved
814:
804:
792:. Retrieved
788:the original
781:
778:"Blue Night"
772:
760:. Retrieved
756:
746:
734:. Retrieved
728:
718:
706:. Retrieved
700:
690:
678:. Retrieved
672:
662:
650:. Retrieved
646:
621:. Retrieved
617:
593:
566:
560:
555:
549:
543:
541:
536:Here and Now
535:
532:The Observer
531:
524:
522:
504:
484:
472:
459:Venida Evans
453:Phillipa Soo
381:
373:Venida Evans
366:
354:Phillipa Soo
350:
327:
311:
307:glioblastoma
300:
279:
278:
273:
272:
268:Here and Now
267:
266:
265:
232:Running time
152:Amie Doherty
31:Here and Now
22:
881:October 10,
680:January 26,
399:Simon Baker
395:as Vivienne
369:Simon Baker
297:Agnès Varda
293:Simon Baker
101:Simon Baker
66:Produced by
60:Laura Eason
48:Directed by
975:2018 films
969:Categories
901:Metacritic
822:August 16,
794:August 16,
762:August 16,
573:References
556:Blue Night
514:Metacritic
469:Production
435:Gus Birney
280:Blue Night
277:and later
257:Box office
236:91 minutes
219:2018-11-09
204:2018-04-19
169:AMBI Group
159:Production
56:Written by
647:IndieWire
551:IndieWire
501:Reception
425:as Jeanne
413:as Jordan
161:companies
140:Edited by
876:Fandango
850:July 15,
816:The Wrap
674:ABC News
652:June 16,
623:June 16,
437:as Lucie
431:as Tessa
260:$ 13,892
249:Language
148:Music by
90:Starring
906:May 16,
702:Variety
618:Variety
526:Variety
481:Release
455:as Oona
419:as Sami
401:as Nick
252:English
241:Country
217: (
202: (
926:EW.com
449:as Ray
407:as Ben
405:Common
334:Common
208: (
105:Common
299:film
949:IMDb
908:2020
883:2021
852:2023
824:2018
796:2018
764:2018
738:2017
710:2017
682:2019
654:2018
625:2018
387:Cast
324:Plot
291:and
958:at
947:at
505:On
971::
924:.
899:.
874:.
868:.
841:.
813:.
780:.
755:.
727:.
699:.
671:.
645:.
633:^
616:.
604:^
592:.
581:^
320:.
309:.
928:.
910:.
885:.
854:.
826:.
798:.
766:.
740:.
712:.
684:.
656:.
627:.
598:.
352:(
221:)
212:)
206:)
20:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
