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aesthetics. The retired shogun invited many artists, poets, and court nobles to his villa, encouraging the development of their arts. A vast and priceless collection of artifacts came together, which was known as the
340:-style room called the DÅjinsai. It originally had a fireplace built into the floor, and due to this, the DÅjinsai is considered the earliest extant example of a room designed for use as a tea room.
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but with a distinctly
Japanese aesthetic. This is what became known as the "Higashiyama Culture" due to the centrality of Yoshimasa's influence, and named after the district in
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where he built his retreat. Yoshimasa did not single-handedly contribute to the aesthetic, but recruited artistic talents, sponsoring them, and provided valuable critique.
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ink painting. Much of what is commonly seen today as
Japanese Zen aesthetics originated in this period. Higashiyama culture is often contrasted with Kitayama bunka
693:"A Theory of Culture during the Åei and EikyÅ periods: Between Popular Views of History on "Kitayama Culture" and "Higashiyama Culture" | Team Research 2018"
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353:, a small alcove in which scrolls are hung, and flowers or other small articles are placed to enhance the aesthetic feel of the room. The great ink-painter
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There were many architectural innovations in this period, exhibited in the
Ginkaku-ji in particular, which would later become core elements in the
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Interior of the Kuri, the main building of the RyÅan-ji, featuring elements of traditional
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656:"A brief history of the arts of Japan: the Kamakura to Azuchi-Momoyama periods (article)"
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Yasuhiko Murai, tr. Alfred
Birnbaum, "A Brief History of Tea in Japan." Chapter One in
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spent much time at the
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Among the figures who influenced the
Higashiyama culture are the following:
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254:(the Temple of the Silver Pavilion) after his death. It is situated in
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Yoshimasa and the Silver
Pavilion: The Creation of the Soul of Japan
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Yoshimasa and the Silver
Pavilion: The Creation of the Soul of Japan
610:. Columbia University Press; First Edition. pp. 71â72, 78â79.
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style of 17th century architecture. One of these elements was the
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tea ceremony. Tea ceremonies would be further formalized by
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543:"Zhou Maoshu Appreciating Lotuses", a hanging scroll by
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of
Japanese painting as well as an early version of the
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Yoshimasa's retirement villa was turned into the temple
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Oriental Translation Fund of Great Britain and Ireland
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JAANUS: Japanese Architecture and Art Net Users System
412:): The former-Shogun Yoshimasa died at age 56 in his
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of the 14th century renewed diplomatic relations with
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203:, the "Kitayama Culture" came earlier in the
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393:Notable dates within this period include:
334:The TÅgu-DÅ building structure includes a
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215:, representative of Higashiyama culture.
680:CHANOYU: The Urasenke Tradition of Tea.
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30:For other uses of "Higashiyama", see
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399:Bummei 14, 4th day of the 2nd month
410:Entoku 2, 7th day of the 1st month
25:
798:. Cambridge Scholars Publishing.
632:"JAANUS / Higashiyama bunka æ±å±±æå"
285:- a Zen-Buddhist monk and painter
53:in the Higashiyama hills of Kyoto
551:
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484:Zhou Maoshu Appreciating Lotuses
151:Based largely on the ideals and
49:, the residence of the Ashikaga
778:Annales des empereurs du Japon.
124:, latter half of 15th century)
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69:that includes innovations in
32:Higashiyama (disambiguation)
583:National Treasures of Japan
301:- a master of the Japanese
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796:Zen-Life: Ikkyu and Beyond
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794:Steiner, Evgeny. (2014).
752:Columbia University Press
311:- a master playwright of
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175:(Japanese tea ceremony),
558:"SeikÅji engi emaki" by
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27:Japanese cultural period
771:, Isaac, ed. (1834), ,
401:): Construction of the
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588:Japanese architecture
509:Tokyo National Museum
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371:in the 16th century.
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207:. In this comparison
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774:Nipon o daï itsi ran
268:Higashiyama Treasure
181:(flower arranging),
161:Five Mountain System
731:"Higashiyama Bunka"
397:February 21, 1482 (
59:Higashiyama culture
743:, Donald. (2003).
697:www.nichibun.ac.jp
682:Weatherhill, 1988.
500:SeikÅji engi emaki
418:Higashiyama bunka.
408:January 27, 1490 (
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130:Ashikaga Shogunate
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98:) of capital city
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65:) is a segment of
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291:- founder of the
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359:KanÅ school
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283:SesshÅ« TÅyÅ
185:drama, and
96:Higashiyama
75:visual arts
814:Categories
750:New York:
725:References
715:Titsingh,
702:2023-12-10
665:2023-12-10
641:2023-12-10
444:Karesansui
405:commenced.
384:Karesansui
252:Ginkaku-ji
213:Ginkaku-ji
209:Kinkaku-ji
153:aesthetics
524:"View of
454:Daisen-in
263:wabi-sabi
166:wabi-sabi
142:Yoshimasa
138:Yoshinori
769:Titsingh
567:See also
466:View of
448:RyÅan-ji
439:JishÅ-ji
424:Examples
388:RyÅan-ji
350:tokonoma
330:Examples
315:theater.
259:SakyÅ-ku
225:washitsu
47:JishÅ-ji
781:Paris:
717:p. 361.
364:chanoyu
256:Kyoto's
178:ikebana
106:History
79:theatre
43:Ginkaku
802:
789:Sansom
776:; ou,
758:
614:
530:Sesshū
473:Sesshū
325:poetry
240:, and
237:tatami
231:fusuma
188:sumi-e
115:ShÅgun
88:shÅgun
73:, the
61:(æ±å±±æå
51:shÅgun
741:Keene
594:Notes
528:" by
345:shoin
337:shoin
323:renga
243:shÅji
172:chadÅ
146:Kyoto
100:Kyoto
800:ISBN
756:ISBN
612:ISBN
319:SÅgi
197:åå±±æå
128:The
77:and
57:The
503:by
471:by
446:of
386:of
313:Noh
183:Noh
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