888:, where it entered at number 89. Released in May, the second single "When He's Gone" was unsuccessful on the charts, despite its sleeve featuring what biographers Melinda Bileyu, Hector Cook and Andrew Môn Hughes describe as "a great picture of Maurice with his hands crossed over his face". The third single, "The Only Love", featured a sleeve depicting Maurice's daughter Samantha; released in August only in certain regions, it was similarly unsuccessful, although Barry's fondness for it led to it him performing it solo on the accompanying European tour, in a spot typically reserved for "Words".
924:
4518:
1442:, believed the album to be "good, even if it could have been better", writing that despite their age, the group "still sound inspired" and continue to "combine eloquent, three-part harmonies with solid songwriting". However, he criticised how the vocals are "mixed into oblivion" beneath the electronics and effects, which get "old real quick". Similarly, Barbara Jaegar of
1364:
1359:
1354:
1326:
1293:
1236:
1231:
1226:
1198:
1193:
1153:
1120:
1115:
1110:
1349:
1344:
1321:
1316:
1311:
1288:
1283:
1278:
1221:
1216:
1188:
1183:
1148:
1143:
1138:
1105:
1100:
1051:" in full, with "no apologies, no embarrassment"; Stanley comments: "The balance between past, present and future more closely aligned." To ease demand for further shows, the Bee Gees played an additional date in Birmingham, finishing the tour, and the brothers went on a break, during which, Barry then made a
1429:, that the Bee Gees were perhaps making "the best music of their careers", deeming it a "worthy" work that occasionally "stumbles on its own covert ambitions". He believed that, because of the album's numerous melodic quirks – including the minor-key chorus on "Evolution" – its songs "play like shorts at an
1591:
rose to commercial prominence, adding that the musician's "coiffed guitar workouts" diminished the impact of the album's contemporary drum programming. He also believed that the album was overlong – with only two songs shorter than five minutes – and while praising other songs and admiring the Gibbs'
783:
Another of the album's art rock songs, the slinky "Ghost Train" finds the Gibbs exploring unusual lyrical territory. Stanley deems it a "wild grab bag" that defines the album, noting the "nervous energy" of its intro and the chorus' mix of Barry's fast phrasing, Robin's upper register vocals and the
775:
beat, which – in common with the title track – joins the bass in burying the group's high harmonies. Barry's melodic love ballad "Happy Ever After" features an unusual structure, multi-part melody, understated guitar work, and vocals that soar above its "hypnotic interplay of synthesizer rhythm, bass
533:'s engineer Femi Jiya. Barry denied that financial gain was their motivation for recording the album, saying: "We don't make records to make money – we don't need to anymore. But we are creative people and we want to have hits, to make records that people like. I don't see anything wrong with that."
1481:
believed their self-production meant there was no one present to curtail their bad ideas. He criticised its similarities to Yes, calling the title track "the worst of art rock", and describes the album's music as having "a sterile, antiseptic feel of musicians who spend too much time with machines.
847:
was a priority release for the label, they spent a large budget on promotion in a manner important not only to Warner but for the group themselves, adding: "They always want to come back again and show their abilities." The promotional campaign was targeted largely at
Germany, the biggest European
1456:
that nonetheless "sometimes crashes under the weight of its own ambitions", praising the "meticulously arranged" love songs but panning the art-rock songs, saying: "Downplaying their voices in favour of heavy electronic instrumentation and studio gimmicks, the sound is sterile and unappealing."
1019:
representative, Ann
Grootjans, intervened; believing the absence of "When He's Gone" from record shops was evidence of the Bee Gees falling victim to negligence from Warner Bros., rather than proof of a lack of genuine popularity, she and other fan club members pasted posters promoting the show
633:
While commenting that the Bee Gees were continuing to put "a bit more distance between their new and old selves", reviewer
Deborah Wilker comments that the diverse album profiles features typical of the Bee Gees, such as "airy arrangements that sail over pretty melodies, fluid harmonies, strong
600:." As the album's engineer, Jiya favoured hard, loud percussion – a mix of live and synthesized beats – and brought it to the front of the mix, pushing the Gibbs' vocals further back. Resultingly, although the group's vocals were usually their focal point, the album downplays them in favour of
3720:
1492:, Carlo Wolff called it a "superbly crafted" album with "inhumanly perfect playing and singing and meticulous production". However, he believed the album ultimately fails as it " virtuosity too far and the tunes, no matter how well-made, don't contextualise each other."
560:
soon after the compilation, Barry said: "The new album will surprise a lot of people, and it's perfectly timed after this greatest hits package, the old and the new." In
February 1991, before the new album's release, the Bee Gees were surprised with an appearance on
1471:
viewers. She comments that their "falsettos, harmonies and victim-of-love themes" remained, but not the "tender emotion" typical of their work, as it "drowns in the cold synths and harsh drum machines that further stunt this album's already questionable potential."
31:
899:
believed its only commercial hopes in the country would be if adult contemporary radio stations "picked up on the smooth melodies" of "Secret Love" and "Happy Ever After". On 2 May, the Bee Gees performed "When He's Gone" and "To Love
Somebody" on
678:
was deliberately undercut by the group changing the track sequence for the final record. Lyrical themes include romance, heartache and dating, with the group's characteristic falsettos and harmonies intact. The music has been compared to
402:. Music critics commented on the album's dense production and lengthy songs, which some Bee Gees biographers have dismissed. The Bee Gees promoted the album with a 1991 European tour that spanned 23 cities; it included several shows in
943:
ran from May–July 1991 and spanned 23 cities. A large part of the tour was scheduled for
Germany, alongside gigs in Britain, Austria, France, Italy, the Netherlands Spain and Switzerland. The tour began on 25 May at Ostseehalle in
816:, with cryptic lyrics that possibly hint at a sexual encounter, and vocals that are buried in the mix beneath its danceable rhythm track. "True Confessions" features high-pitched parts, while "Evolution" features an unusual
673:
lyrical weirdness", adding that – according to Bee Gees scholar Joseph
Brennan – the album originally revolved around a dreamlike, contradictory story of "secret love" that might be "all in the singer's head", but that this
910:
the following evening, performing "When He's Gone" and "One" and agreeing to be interviewed – this marked the album's only promotion in the US, although a special on the band's career was broadcast later in 1991 on
864:
issued a pullout advertorial. Commenting on the group's new direction, Toft commented: "The Bee Gees are always good at being contemporary. They update their sound at the right time. But it is still very Bee Gees."
450:
was an
American top-ten hit. Beginning in May 1989, the Bee Gees undertook the One for All tour, their first live in tour in nearly a decade, as a sign of enthusiasm for their new material. The tour began in
1566:'s Paul Sexton commented on how the Bee Gees applied their signature harmonies to "a more modern dance feel", aided by the heavy drums and "electronic effects." Hughes also commented that both
529:. As was often the case with Bee Gees albums, Barry and Maurice contributed guitar work, while Maurice also performed keyboards. It was the first of two consecutive Bee Gees albums to feature
4602:
852:
was scheduled for nationwide rotation throughout April, and was also run in
Holland and Austria; additionally, the group were scheduled for an appearance on the German television show
4612:
4607:
4577:
3698:
2164:
2134:
4397:
2412:
4582:
4572:
4592:
3694:
3338:
4632:
4597:
4587:
4405:
3925:
3223:
4642:
4637:
4344:
4647:
4617:
669:
is longer than the group's earlier albums, exceeding an hour in length. Stanley believes that the album compensates for its lack of musical subtlety with "
4501:
1576:(1993) "explored a myriad of different sounds compared to their predecessors", and were successful in the UK and Europe but overlooked in North America.
4361:
630:
believes that in moving the group's trademark falsettos behind the "heavy drum programming", the Bee Gees' sound had become "more
American" than usual.
4657:
4652:
4496:
3563:
2015:
831:
was released on 25 March 1991 in the UK, becoming the Bee Gees' third album for Warner Bros. Records, who expected it to achieve the same success as
536:
In late 1990, after the completion of the album, the Bee Gees' status in music culture was recognised with the career-spanning retrospective box set
4627:
4622:
4567:
556:" (1968) was issued instead. The marketing strategy was effective the album was a success in the UK, Europe and Australia. Commenting on releasing
3988:
1583:
as, "by any reasonable standard, terrible." Stanley believes that the record is "something like an over-egged cocktail" next to the "nightcap" of
1562:
techniques only now entering the pop mainstream." Earlier, the magazine had praised the album's "trademark harmonies and lite-R&B stylings".
1548:
marked the end of the Bee Gees' commitments to Warner Bros. Records, whom the group believed underpromoted the record. In 1997, Timothy White of
4562:
4557:
4392:
4186:
2125:
1383:, called it a diverse, pleasant album which should both encourage positive perceptions of the Bee Gees and "find an audience with loyal fans".
654:
approach to production". Fellow journalist Dave Larsen believed that, to achieve a contemporary sound, the Bee Gees used beats reminiscent of
3814:
3795:
563:
549:
4277:
1587:, drawing attention to its heavy production. He noted that the 'hair metal' style of Kendall's guitar work was about to lose popularity as
1525:, William Ruhlmann called it a "misstep" on which the Bee Gees attempted to "go really contemporary" and sound like Prince, adding: "The
634:
musicianship and light production". The music is more uptempo than that of its two immediate predecessors, which were more focused on an
1554:
commented that although it was the Bee Gees' "most unremarked album" in the US, its "resourceful production sowed the seeds of both the
1505:" production and "crafted-rather-than-felt" lyrics, but believed its biggest problem was the lengthiness of the songs. Reviewing it for
3125:
4097:
3845:
3399:
3137:
638:
style, and some songs feature tough grooves. However, journalist William R. Macklin considers all three albums to uniformly comprise "
4122:
3462:
3321:
3266:
3067:
3575:
3519:
3423:
347:
Femi Jiya, whose preference for hard, loud percussion ensured that the drums and beats are loud in the mix, pushing the Bee Gees'
4147:
2878:
2826:
2757:
2719:
2675:
2637:
2601:
2565:
2533:
2355:
768:
3450:
3387:
4323:
4242:
4154:
3587:
3531:
1511:, the Stud Brothers criticised the music for plodding and the "helium delirium" for sounding "tired and out of breath". In the
1872:
522:
4552:
3346:
513:-based Middle Ear Studios for almost a year, primarily recording it between August and December 1990. Like its predecessors,
3235:
960:, but it was dropped from the setlist thereafter. Elsewhere on the tour, "Words" received a five-minute standing ovation in
308:, released on 25 March 1991 in the United Kingdom and 14 May 1991 in the United States. It was their third and final album
4418:
4235:
4065:
3304:
1335:
1207:
544:
437:
200:
4249:
4228:
4179:
4030:
4002:
3732:
2406:
2149:
880:
and number 21 in the Netherlands. The lead single, "Secret Love", was released in February, reaching number five on the
620:, the group " out of their way to sound like anything but themselves" by purposely de-emphasising their "highly breathy
538:
463:
1533:
harmonies, and it's all overdone. You can't really blame a band that has had recurring success by faithfully following
390:
and was also successful in Germany, where it was heavily promoted. However, it did not chart in the United States. The
4448:
4256:
1668:
748:
395:
253:
776:
and percussion". The funky, energetic dance song "Party with No Name" features heavy bass, and has been compared to "
884:
and number two in Germany and Austria; additionally, it was met with success in the Netherlands, Denmark and on the
4270:
4207:
1379:
1032:
525:– both of whom had played with the band before – as well as keyboardist and programmer Tim Moore and percussionist
2962:
707:
song, defined by what reviewer Dean Lynn Ford calls a "cluttered, clanking and highly cerebral" sound that evokes
4366:
4221:
4129:
3932:
1417:
1407:
1302:
1269:
1129:
455:, before reaching the United States, Australia and finally in Japan in December. In 1990, as recognition of what
3753:
4542:
4412:
3547:
2003:
973:
4058:
2264:
1572:
218:
987:
venue were filmed for an hour-long TV special and limited edition VHS release; notably, Barry wore different
616:, and the sound has been variously described by some as cold and mechanical or sharp and clear. According to
4172:
4072:
4037:
3960:
3603:
2054:
1444:
1394:
895:
was released on 14 May 1991. Unlike its predecessors, it did not chart there. In their review of the album,
432:
318:
2912:
4371:
4302:
3838:
612:. The "heavy production and programmed rhythms" contribute to the album's "less pop approach" relative to
581:
4330:
4263:
4016:
3195:
1459:
1057:
796:
and then an abrupt end with a door slamming and Barry defiantly shouting, 'Right!'." "Dimensions" is an
767:, it features a beat evocative of the early 1960s, and has been compared to the Bee Gees' earlier song "
601:
553:
356:
956:. On this opening night, "Wish You Were Here" was played by the group in tribute to their late brother
1517:, Larsen believed young audiences would be put off by the group's high-pitched singing, writing that "
4547:
4387:
4309:
4044:
4023:
1979:
1550:
639:
442:
427:
423:
368:
324:
313:
309:
151:
3599:
2987:
4200:
4115:
3309:
3284:
1991:
1497:
849:
797:
708:
447:
112:
3641:
4458:
3946:
3510:
N.B. The High Point number in the NAT column represents the release's peak on the national chart.
3031:
1039:
on 6 July, and at London's Wembley Arena the following evening; the latter was broadcast live on
949:
635:
3009:
2787:
4521:
4463:
4443:
4295:
4090:
3995:
3981:
3831:
3810:
3791:
3646:
3458:
3395:
3317:
3262:
3133:
3083:
3063:
2966:
2027:
1686:
1559:
1521:
makes it painfully clear that you can't keep a bad sound down." In a retrospective review for
1513:
885:
840:
785:
688:
530:
344:
340:
266:
3313:
784:
group's combined harmonies. He also highlights its especially complicated structure, and the
4316:
4193:
3939:
3299:
1534:
1488:
1477:
1438:
1245:
1052:
1048:
988:
923:
881:
860:
854:
684:
643:
626:
597:
457:
399:
117:
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4433:
4337:
3967:
3231:
2050:
2039:
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1174:
869:
605:
467:
period in a set of interviews, but these were largely ignored by the public. When playing
387:
364:
166:
102:
3669:
777:
771:" (1985). "When He's Gone", which features Robin on lead vocals, is driven by a thumping
2937:
30:
4438:
3893:
3888:
3616:
3208:
2219:
1912:
1878:
1563:
1390:
1162:
965:
912:
715:
ladder to heaven", as well as a jerky chorus melody that Stanley compares to mid-1980s
493:
has been described as a further attempt to move the band beyond their association with
480:
236:
4536:
4214:
3543:
1760:
1530:
1463:
reviewer Lynn Dean Ford believes that the Bee Gees were aiming for a new audience of
813:
804:" is a standard Bee Gees ballad, one which Stanley argues to foreshadow the boy band
801:
760:
675:
621:
472:
461:
described as their "serious image problem", the Bee Gees repudiated their late 1970s
348:
279:
808:. Considered a strong example of the group's harmonic sense, "Human Sacrifice" is a
552:" (1977) was reissued as a single in the United Kingdom, while in the Netherlands, "
4488:
3953:
3903:
3898:
3880:
1884:
1866:
1850:
1626:
1588:
1555:
1507:
1398:
953:
901:
789:
720:
670:
659:
609:
526:
518:
506:
380:
360:
179:
156:
143:
984:
928:
4009:
3908:
1967:
1475:
While noting the group's efforts to sound less like themselves, David Bauder of
1062:
1044:
1040:
1008:
877:
772:
756:
736:
728:
655:
651:
510:
411:
352:
92:
84:
72:
1415:, enough to "keep them from oblivion" if not enough for a "triumphant return".
4483:
4423:
3974:
3873:
3866:
1916:
1844:
1838:
1622:
1618:
1502:
1393:
believed it to be a "fine" record that, while not "too thrilling" for fans of
1036:
872:, peaking at number 24. It also reached number two in Germany, number four in
712:
692:
680:
502:
498:
175:
171:
107:
4478:
4473:
1004:
992:
969:
961:
957:
906:
817:
793:
752:
724:
548:
was concurrently released to capitalise on the lucrative Christmas market. "
376:
97:
1600:, the Gibbs pursued a softer, less overbearing sound than the "overthought
1043:. In contrast to their 1989 show at the arena, the Bee Gees now performed "
3854:
3786:
Bilyeu, Melinda; Cook, Hector; Hughes, Andrew Môn (2011). "Lonely Days".
1522:
1483:
1402:
1092:
1021:
1016:
1012:
805:
716:
704:
484:
372:
305:
187:
44:
422:
Having kept a low profile for much of the 1980s, the Bee Gees signed to
4453:
4428:
3191:
1430:
873:
452:
76:
3498:"Bee Gees ARIA chart history (albums), received from ARIA in May 2024"
3302:(2004). "The Bee Gees". In Brackett, Nathan; Hoard, Christian (eds.).
1601:
980:
932:
764:
468:
407:
403:
391:
2855:
Quantick, David (13 April 1991). "The Bee Gees High Civliization".
304:
is the nineteenth studio album by British-Australian pop group the
3788:
The Ultimate Biography of the Bee Gees: Tales of the Brothers Gibb
1025:
996:
922:
740:
487:, but were visibly taken aback by the positive audience reaction.
329:
38:
3695:"Austrian album certifications – Bee Gees – High Civilization"
1468:
1000:
945:
935:(pictured 2007), where the Bee Gees recorded three shows in 1991
809:
744:
732:
3827:
2913:"'High Civilization': How The Bee Gees Advanced Into The 1990s"
1421:
reviewer William R. Macklin considered it further proof, after
517:
was recorded with a small group of musicians, namely guitarist
398:" was issued as the lead single and reached number five on the
3497:
3457:. Tewkesbury, Gloucestershire, England: Sonicbond Publishing.
1464:
1385:
1257:
1943:
1015:
was also to be cancelled over poor ticket sales, although a
542:, while outside the United States, the 21-track compilation
3823:
1537:
trends for trying it, but you can blame them for failing."
539:
Tales from the Brothers Gibb: A History in Song, 1967-1990
509:– produced the album themselves and worked on it in their
1579:
Among biographers of the group, David N. Meyer described
3754:"The Official Swiss Charts and Music Community: Awards (
1031:
The tour was scheduled to end with English shows at the
1397:, was "still about eight trillion times less dull than
475:
on the One for All tour, the group had truncated their
964:, while during the first of five open-air concerts in
904:'s late night talk show, followed by an appearance on
665:
As the first Bee Gees album issued primarily as a CD,
3522:(in German). Hung Medien. Retrieved 29 January 2022.
995:
fingers. Moving the tour beyond Germany, concerts in
3544:"Offiziellecharts.de – Bee Gees – High Civilization"
3534:(in Dutch). Hung Medien. Retrieved 29 January 2022.
1922:
Jeff Lancaster – art direction, design, illustration
328:(1989), and was self-produced by the group in their
4380:
4354:
4287:
4164:
4139:
4107:
4082:
3917:
1644:
1633:
1486:, all these songs would shrivel into nothing." For
339:was the first of two Bee Gees albums recorded with
235:
185:
165:
142:
126:
83:
67:
59:
51:
37:
23:
3576:"Swedishcharts.com – Bee Gees – High Civilization"
3520:"Austriancharts.at – Bee Gees – High Civilization"
691:" all feature Kendall's wailing, late 1980s-style
4603:Contemporary R&B albums by Australian artists
976:", although the crowd finished the song for him.
440:". This was followed by the similarly successful
3588:"Swisscharts.com – Bee Gees – High Civilization"
3164:
3111:
2471:
2459:
2440:
2328:
2316:
2304:
2292:
436:(1987), featuring the worldwide number one hit "
3532:"Dutchcharts.nl – Bee Gees – High Civilization"
2411:: CS1 maint: others in cite AV media (notes) (
2184:Shipments figures based on certification alone.
1411:wrote that the group "show a little muscle" on
386:On release, the album reached number 24 on the
4613:Contemporary R&B albums by English artists
4608:Contemporary R&B albums by British artists
4406:A Kick in the Head Is Worth Eight in the Pants
3926:The Bee Gees Sing and Play 14 Barry Gibb Songs
3368:Stud Brothers, The (20 April 1991). "Albums".
3282:Quantick, David (13 April 1991). "Long Play".
3206:King, Frank (19 May 1991). "Recent Releases".
3062:. Edinburgh: Canongate Books. pp. 77–78.
2788:"High Civilization Review by William Ruhlmann"
2638:"Releases range from frothy to tried and true"
1308:
1135:
687:songs "Party with No Name", "Dimensions" and "
4345:The Bee Gees: How Can You Mend a Broken Heart
3839:
1853:– keyboards, guitars, vocals, lead vocals (7)
650:as a big-sounding album with a "wide-screen,
8:
4578:Electronic rock albums by Australian artists
2504:
2502:
2500:
1341:
1275:
1213:
1180:
1097:
3175:
3173:
3160:
3158:
3156:
3107:
3105:
3103:
3101:
2990:(in German). austriancharts.at. Hung Medien
2850:
2848:
2498:
2496:
2494:
2492:
2490:
2488:
2486:
2484:
2482:
2480:
2180:Sales figures based on certification alone.
3846:
3832:
3824:
3590:. Hung Medien. Retrieved 29 January 2022.
3578:. Hung Medien. Retrieved 29 January 2022.
3560:"Album Top 40 slágerlista – 1991. 30. hét"
2713:
2711:
2709:
2707:
2705:
2703:
2701:
2699:
2697:
2113:
2072:
1952:
1072:
800:-style diversion with heavy drums, while "
588:returns to the clattering percussion from
335:Recorded with a small group of musicians,
312:, following the release of the successful
29:
20:
4583:Electronic rock albums by English artists
4573:Electronic rock albums by British artists
3053:
3051:
3049:
2906:
2904:
2902:
2900:
2820:
2818:
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2559:
2557:
2555:
2527:
2525:
2523:
2521:
2519:
2517:
2393:
2391:
2389:
497:. The members of the Bee Gees – brothers
4593:Dance music albums by Australian artists
3721:"Gold-/Platin-Datenbank (Bee Gees;
3381:
3379:
2872:
2870:
2868:
2866:
2349:
2347:
2345:
2343:
2341:
2339:
2337:
1630:
1596:was a tough listen." He notes that, for
948:, Germany, a venue previously played by
4633:Electronic albums by Australian artists
4362:The Bee Gees' concerts in 1967 and 1968
3790:(New ed.). London: Omnibus Press.
3484:
3179:
2751:
2749:
2747:
2745:
2743:
2741:
2508:
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2426:
2424:
2422:
2380:
2258:
2256:
2254:
2252:
2250:
2248:
2246:
2244:
2242:
2240:
2205:
2176:
792:of a children's playground, a military
383:lyrical imagery and themes of romance.
4187:Rare, Precious and Beautiful, Volume 2
3430:. Vol. 109, no. 7. p. 3
3394:. London: Da Capo Press. p. 284.
3224:"Review: Bee Gees – High Civilization"
3058:Strong, Martin C. (2006). "Bee Gees".
2669:
2667:
2665:
2663:
2661:
2659:
2404:
2213:
2211:
2209:
4598:Dance music albums by English artists
4588:Dance music albums by British artists
3261:. London: Virgin Books. p. 115.
2781:
2779:
2401:(liner). Bee Gees. Warner Bros. 1991.
1078:
1028:, and the show sold out within days.
848:market for the group. Accordingly, a
483:, undercutting them with jokes about
18:1991 studio album by the Bee Gees
7:
4643:Electronic albums by English artists
4638:Electronic albums by British artists
4278:Timeless: The All-Time Greatest Hits
3259:Virgin Encyclopedia of Popular Music
3132:. Germany: Verlag Friedrich Pustet.
1482:If someone pulled the plug on their
1448:considered it a worthy follow-up to
4648:Techno albums by Australian artists
3805:Stanley, Bob (2023). "Manchester".
3422:White, Timothy (15 February 1997).
2718:Macklin, William R. (6 June 1991).
2100:Swiss Albums (Schweizer Hitparade)
2092:German Albums (Offizielle Top 100)
1592:adventurousness, he conceded that "
1310:
1137:
4618:Disco albums by Australian artists
3424:"Bee Gees: 'Still' Taking Chances"
3257:Larkin, Colin (1997). "Bee Gees".
2220:"Bee Gees Biography by Bruce Eder"
1909:John Merchant – assistant engineer
1863:Tim Moore – keyboards, programming
972:disrupted Robin's performance of "
868:The album spent five weeks on the
367:and synthesisers, and features an
351:further back. The album favours a
14:
3305:The New Rolling Stone Album Guide
2825:Jaegar, Barbara (1 August 1991).
2758:"Bee Gees' comeback questionable"
1343:
1277:
1215:
1182:
1099:
843:for Warner Bros., noted that, as
4658:Techno albums by English artists
4653:Techno albums by British artists
4517:
4516:
4148:Here at Last... Bee Gees... Live
3670:"Schweizer Jahreshitparade 1991"
3650:(in German). offiziellecharts.de
3337:Caro, Mark (19 September 1991).
3222:Caro, Mark (19 September 1991).
2354:Baxter, Robert (4 August 1991).
1826:Adapted from the liner notes of
1362:
1357:
1352:
1347:
1342:
1324:
1319:
1314:
1309:
1291:
1286:
1281:
1276:
1234:
1229:
1224:
1219:
1214:
1196:
1191:
1186:
1181:
1151:
1146:
1141:
1136:
1118:
1113:
1108:
1103:
1098:
939:A European tour in promotion of
4628:Disco albums by English artists
4623:Disco albums by British artists
4568:Albums produced by Maurice Gibb
4243:Their Greatest Hits: The Record
3807:Bee Gees: Children of the World
3764:. IFPI Switzerland. Hung Medien
3600:"Official Albums Chart Top 100"
2756:Ford, Lynn Dean (3 June 1991).
2636:Wilker, Deborah (23 May 1991).
2600:Bauder, David (9 August 1991).
2263:Tilli, Robert (23 March 1991).
991:at each concert to protect his
747:. The record's shortest song, "
727:lyrics depict a journey across
3388:""The enigma with the stigma""
3165:Bilyeu, Cook & Hughes 2011
3112:Bilyeu, Cook & Hughes 2011
3034:. GfK Dutch Charts Hung Medien
2911:Sexton, Paul (25 March 2024).
2472:Bilyeu, Cook & Hughes 2011
2460:Bilyeu, Cook & Hughes 2011
2441:Bilyeu, Cook & Hughes 2011
2329:Bilyeu, Cook & Hughes 2011
2317:Bilyeu, Cook & Hughes 2011
2305:Bilyeu, Cook & Hughes 2011
2293:Bilyeu, Cook & Hughes 2011
1893:Maxine Waters – backing vocals
1634:
719:. Deemed a world-weary "quasi-
703:The album's title track is an
410:concert that was broadcast on
1:
4563:Albums produced by Robin Gibb
4558:Albums produced by Barry Gibb
4236:The Very Best of the Bee Gees
4098:New York Mining Disaster 1941
3606:. Retrieved 29 January 2022.
3550:. Retrieved 29 January 2022.
3012:. swisscharts.com Hung Medien
2877:Wolff, Carlo (18 July 1991).
2564:Fisher, Harry (1 June 1991).
2084:Austrian Albums (Ö3 Austria)
1906:Femi Jiya – engineer, mixing
1890:Julia Waters – backing vocals
1529:sounds silly with those near-
1336:The Rolling Stone Album Guide
1208:Encyclopedia of Popular Music
907:Into the Night with Rick Dees
592:– which had been absent from
545:The Very Best of the Bee Gees
201:The Very Best of the Bee Gees
4229:Tales from the Brothers Gibb
4180:Rare, Precious and Beautiful
3809:. London: Nine Eight Books.
3733:Bundesverband Musikindustrie
3642:"Top 100 Album-Jahrescharts"
3617:"Jahreshitparade Alben 1991"
3339:"Bee Gees High Civilization"
3130:Kiel: Kleine Stadtgeschichte
3124:Junghölter, Manuela (2016).
2538:Dayton Daily News: Go! Music
2532:Larsen, Dave (7 June 1991).
2059:
2044:
2032:
2020:
2008:
1996:
1984:
1928:Dick Bouchard – illustration
1903:Bee Gees – producers, mixing
371:array of material including
4449:Billy Thorpe and the Aztecs
4398:List of unreleased material
3449:Hughes, Andrew Mon (2021).
3392:The Bee Gees: The Biography
1931:Diego Uchitel – photography
1881:– drums (3, 8) (uncredited)
886:Coca-Cola Eurochart Hot 100
4674:
4208:Best of Bee Gees, Volume 2
3566:. Retrieved 1 March 2024.
3060:The Great Rock Discography
2883:The Boston Globe: Calendar
2724:The Philadelphia Inquirerq
2642:South Florida Sun Sentinel
1617:All tracks are written by
1380:South Florida Sun Sentinel
1373:Deborah Wilker, reviewing
1246:The Great Rock Discography
1033:National Exhibition Centre
1011:were cancelled. A show in
839:. Lars Toft, the European
763:. Considered a tribute to
596:– with "on-the-money 1991
4512:
4367:Spirits Having Flown Tour
3861:
3455:The Bee Gees in the 1960s
2680:Anderson Independent-Mail
2674:Kot, Greg (9 June 1991).
2177:
2162:
2147:
2132:
2124:
2121:
2118:
2099:
2091:
2083:
2078:
2075:
2049:
2037:
2025:
2013:
2001:
1989:
1977:
1965:
1958:
1955:
1939:Charts and certifications
1801:
1787:
1773:
1755:
1741:
1727:
1713:
1699:
1681:
1663:
1649:
1641:
1638:
1418:The Philadelphia Inquirer
1408:Anderson Independent-Mail
1270:The Philadelphia Inquirer
1130:Anderson Independent-Mail
1086:
1083:
989:fingerless cycling gloves
293:
246:
231:
194:
28:
4413:The Barry Gibb Talk Show
3548:GfK Entertainment Charts
3386:Meyer, David N. (2013).
1934:Gary Borman – management
1925:Lou Beach – illustration
1873:George "Chocolate" Perry
1401:. Which is fine by me."
580:According to biographer
576:Musical style and themes
523:George "Chocolate" Perry
418:Background and recording
4173:Turn Around, Look at Us
4073:This Is Where I Came In
3604:Official Charts Company
2965:. offiziellecharts.de.
479:songs into a reluctant
406:that were filmed and a
259:Released: February 1991
4393:List of songs recorded
4372:One for All World Tour
3989:To Whom It May Concern
3508:– via Imgur.com.
2534:"Recordings on Review"
1501:criticised the "bland
936:
919:High Civilization Tour
608:, studio gimmicks and
604:such as synthesisers,
602:electronic instruments
379:. The record features
357:electronic instruments
63:August – December 1990
4553:Warner Records albums
4502:Redcliffe, Queensland
4331:The Ultimate Bee Gees
4264:The Ultimate Bee Gees
4059:Size Isn't Everything
4017:Children of the World
2762:The Indianapolis Star
1598:Size Isn't Everything
1573:Size Isn't Everything
1460:The Indianapolis Star
1058:Only Fools and Horses
926:
824:Release and promotion
711:"building a brink-of-
662:("Human Sacrifice").
550:How Deep Is Your Love
426:for their successful
285:Released: August 1991
219:Size Isn't Everything
4497:Douglas, Isle of Man
4310:The Bee Gees Special
4123:Saturday Night Fever
4024:Spirits Having Flown
3310:Simon & Schuster
1858:Additional personnel
1717:"Party With No Name"
1074:Professional ratings
709:construction workers
646:pop", and describes
495:Saturday Night Fever
477:Saturday Night Fever
464:Saturday Night Fever
424:Warner Bros. Records
310:Warner Bros. Records
71:Middle Ear Studios (
4493:Statue of Bee Gees
4201:Inception/Nostalgia
3343:The Chicago Tribune
3285:New Musical Express
2786:Ruhlmann, William.
2407:cite AV media notes
2115:
2040:Schweizer Hitparade
1966:Australian Albums (
1653:"High Civilization"
1498:The Chicago Tribune
1075:
858:, and the magazine
850:radio advertisement
812:song influenced by
658:("Dimensions") and
624:". Robert Tilli of
4165:Compilation albums
3228:chicagotribune.com
3182:, pp. 305–306
3167:, pp. 598–599
3114:, pp. 597–598
2511:, pp. 304–305
2383:, pp. 302–303
2114:
2014:Hungarian Albums (
2004:Offizielle Top 100
1791:"True Confessions"
1703:"Happy Ever After"
1570:and its follow-up
1436:Harry Fisher, for
1073:
1069:Critical reception
950:the Rolling Stones
937:
636:adult contemporary
272:Released: May 1991
241:High Civilization
4530:
4529:
4464:One World Project
4222:Bee Gees Greatest
4052:High Civilization
3996:Life in a Tin Can
3933:Spicks and Specks
3816:978-1-7887-0541-7
3797:978-0-7119-8748-7
3758:High Civilization
3725:High Civilisation
3647:GfK Entertainment
3621:austriancharts.at
3300:Cross, Charles R.
3192:High Civilization
2988:"Austrian Albums"
2967:GfK Entertainment
2399:High Civilization
2272:Music & Media
2197:
2196:
2190:
2189:
2185:
2181:
2107:
2106:
2064:
2063:
2028:Sverigetopplistan
1978:Austrian Albums (
1841:– vocals, guitars
1828:High Civilization
1815:
1814:
1777:"Human Sacrifice"
1606:High Civilization
1594:High Civilization
1581:High Civilization
1568:High Civilization
1546:High Civilization
1519:High Civilization
1514:Dayton Daily News
1413:High Civilization
1375:High Civilization
1371:
1370:
1020:across Brussels,
941:High Civilization
893:High Civilization
845:High Civilization
841:marketing manager
829:High Civilization
788:outro featuring "
667:High Civilization
648:High Civilization
627:Music & Media
586:High Civilization
564:This Is Your Life
558:High Civilization
515:High Civilization
491:High Civilization
337:High Civilization
301:High Civilization
297:
296:
227:
226:
210:High Civilization
24:High Civilization
4665:
4520:
4519:
4419:The Rattlesnakes
4317:One for All Tour
4194:Best of Bee Gees
3848:
3841:
3834:
3825:
3820:
3801:
3774:
3773:
3771:
3769:
3761:
3757:
3750:
3744:
3743:
3741:
3739:
3728:
3724:
3717:
3711:
3710:
3708:
3706:
3691:
3685:
3684:
3682:
3680:
3666:
3660:
3659:
3657:
3655:
3638:
3632:
3631:
3629:
3627:
3613:
3607:
3597:
3591:
3585:
3579:
3573:
3567:
3562:(in Hungarian).
3557:
3551:
3541:
3535:
3529:
3523:
3517:
3511:
3509:
3507:
3505:
3494:
3488:
3482:
3476:
3475:
3473:
3471:
3446:
3440:
3439:
3437:
3435:
3419:
3413:
3412:
3410:
3408:
3383:
3374:
3373:
3365:
3359:
3358:
3356:
3354:
3349:on 27 April 2014
3345:. Archived from
3334:
3328:
3327:
3308:(4th ed.).
3296:
3290:
3289:
3279:
3273:
3272:
3254:
3248:
3247:
3245:
3243:
3234:. Archived from
3219:
3213:
3204:
3198:
3189:
3183:
3177:
3168:
3162:
3151:
3150:
3148:
3146:
3121:
3115:
3109:
3096:
3095:
3093:
3091:
3080:
3074:
3073:
3055:
3044:
3043:
3041:
3039:
3028:
3022:
3021:
3019:
3017:
3006:
3000:
2999:
2997:
2995:
2984:
2978:
2977:
2975:
2973:
2959:
2953:
2952:
2950:
2948:
2934:
2928:
2927:
2925:
2923:
2908:
2895:
2894:
2892:
2890:
2874:
2861:
2860:
2852:
2843:
2842:
2840:
2838:
2822:
2803:
2802:
2800:
2798:
2783:
2774:
2773:
2771:
2769:
2753:
2736:
2735:
2733:
2731:
2715:
2692:
2691:
2689:
2687:
2676:"Record Reviews"
2671:
2654:
2653:
2651:
2649:
2633:
2618:
2617:
2615:
2613:
2606:The Miami Herald
2597:
2582:
2581:
2579:
2577:
2570:The Morning Call
2561:
2550:
2549:
2547:
2545:
2529:
2512:
2506:
2475:
2469:
2463:
2457:
2444:
2438:
2417:
2416:
2410:
2402:
2395:
2384:
2378:
2372:
2371:
2369:
2367:
2351:
2332:
2326:
2320:
2314:
2308:
2302:
2296:
2290:
2284:
2283:
2281:
2279:
2269:
2260:
2235:
2234:
2232:
2230:
2215:
2183:
2179:
2116:
2073:
2026:Swedish Albums (
1953:
1944:
1636:
1631:
1535:contemporary pop
1489:The Boston Globe
1478:The Miami Herald
1439:The Morning Call
1367:
1366:
1365:
1361:
1360:
1356:
1355:
1351:
1350:
1346:
1345:
1329:
1328:
1327:
1323:
1322:
1318:
1317:
1313:
1312:
1296:
1295:
1294:
1290:
1289:
1285:
1284:
1280:
1279:
1239:
1238:
1237:
1233:
1232:
1228:
1227:
1223:
1222:
1218:
1217:
1201:
1200:
1199:
1195:
1194:
1190:
1189:
1185:
1184:
1156:
1155:
1154:
1150:
1149:
1145:
1144:
1140:
1139:
1123:
1122:
1121:
1117:
1116:
1112:
1111:
1107:
1106:
1102:
1101:
1076:
1053:cameo appearance
897:The Courier-Post
882:UK Singles Chart
876:, number six in
683:and Prince. The
644:state-of-the-art
618:The Courier-Post
606:electronic drums
598:drum programming
458:The Courier-Post
400:UK Singles Chart
365:programmed drums
286:
283:
273:
270:
260:
257:
196:
195:
138:
137:
133:
33:
21:
4673:
4672:
4668:
4667:
4666:
4664:
4663:
4662:
4543:Bee Gees albums
4533:
4532:
4531:
4526:
4508:
4469:Robert Stigwood
4434:The Bloomfields
4376:
4350:
4338:In Our Own Time
4303:Cucumber Castle
4283:
4160:
4135:
4103:
4078:
3968:Cucumber Castle
3913:
3857:
3852:
3817:
3804:
3798:
3785:
3777:
3767:
3765:
3759:
3755:
3752:
3751:
3747:
3737:
3735:
3726:
3722:
3719:
3718:
3714:
3704:
3702:
3693:
3692:
3688:
3678:
3676:
3668:
3667:
3663:
3653:
3651:
3640:
3639:
3635:
3625:
3623:
3615:
3614:
3610:
3598:
3594:
3586:
3582:
3574:
3570:
3558:
3554:
3542:
3538:
3530:
3526:
3518:
3514:
3503:
3501:
3496:
3495:
3491:
3483:
3479:
3469:
3467:
3465:
3448:
3447:
3443:
3433:
3431:
3421:
3420:
3416:
3406:
3404:
3402:
3385:
3384:
3377:
3367:
3366:
3362:
3352:
3350:
3336:
3335:
3331:
3324:
3298:
3297:
3293:
3281:
3280:
3276:
3269:
3256:
3255:
3251:
3241:
3239:
3232:Chicago Tribune
3221:
3220:
3216:
3205:
3201:
3190:
3186:
3178:
3171:
3163:
3154:
3144:
3142:
3140:
3123:
3122:
3118:
3110:
3099:
3089:
3087:
3082:
3081:
3077:
3070:
3057:
3056:
3047:
3037:
3035:
3030:
3029:
3025:
3015:
3013:
3008:
3007:
3003:
2993:
2991:
2986:
2985:
2981:
2971:
2969:
2963:"German Albums"
2961:
2960:
2956:
2946:
2944:
2942:Official Charts
2936:
2935:
2931:
2921:
2919:
2910:
2909:
2898:
2888:
2886:
2876:
2875:
2864:
2854:
2853:
2846:
2836:
2834:
2824:
2823:
2806:
2796:
2794:
2785:
2784:
2777:
2767:
2765:
2755:
2754:
2739:
2729:
2727:
2717:
2716:
2695:
2685:
2683:
2673:
2672:
2657:
2647:
2645:
2635:
2634:
2621:
2611:
2609:
2602:"Album Reviews"
2599:
2598:
2585:
2575:
2573:
2563:
2562:
2553:
2543:
2541:
2531:
2530:
2515:
2507:
2478:
2470:
2466:
2458:
2447:
2439:
2420:
2403:
2397:
2396:
2387:
2379:
2375:
2365:
2363:
2353:
2352:
2335:
2327:
2323:
2315:
2311:
2303:
2299:
2291:
2287:
2277:
2275:
2267:
2262:
2261:
2238:
2228:
2226:
2217:
2216:
2207:
2203:
2198:
2182:
2126:Certified units
2112:
2071:
2069:Year-end charts
2002:German Albums (
1960:
1951:
1941:
1915:– mastering at
1900:
1824:
1818:
1816:
1734:Barry and Robin
1692:Robin and Barry
1674:Barry and Robin
1656:Robin and Barry
1614:
1604:apocalypse" of
1543:
1363:
1358:
1353:
1348:
1325:
1320:
1315:
1292:
1287:
1282:
1235:
1230:
1225:
1220:
1197:
1192:
1187:
1175:Chicago Tribune
1152:
1147:
1142:
1119:
1114:
1109:
1104:
1071:
979:Three shows at
921:
870:UK Albums Chart
855:Wetten, dass..?
826:
751:" is a melodic
723:", its unusual
701:
610:special effects
578:
573:
420:
388:UK Albums Chart
349:vocal harmonies
289:
284:
277:
276:
271:
264:
263:
258:
251:
250:
222:
213:
204:
161:
135:
131:
130:
122:
47:
19:
12:
11:
5:
4671:
4669:
4661:
4660:
4655:
4650:
4645:
4640:
4635:
4630:
4625:
4620:
4615:
4610:
4605:
4600:
4595:
4590:
4585:
4580:
4575:
4570:
4565:
4560:
4555:
4550:
4545:
4535:
4534:
4528:
4527:
4525:
4524:
4513:
4510:
4509:
4507:
4506:
4505:
4504:
4499:
4491:
4486:
4481:
4476:
4471:
4466:
4461:
4456:
4451:
4446:
4441:
4436:
4431:
4426:
4421:
4416:
4409:
4402:
4401:
4400:
4395:
4384:
4382:
4378:
4377:
4375:
4374:
4369:
4364:
4358:
4356:
4352:
4351:
4349:
4348:
4341:
4334:
4327:
4324:One Night Only
4320:
4313:
4306:
4299:
4291:
4289:
4285:
4284:
4282:
4281:
4274:
4267:
4260:
4253:
4246:
4239:
4232:
4225:
4218:
4211:
4204:
4197:
4190:
4183:
4176:
4168:
4166:
4162:
4161:
4159:
4158:
4155:One Night Only
4151:
4143:
4141:
4137:
4136:
4134:
4133:
4126:
4119:
4111:
4109:
4105:
4104:
4102:
4101:
4094:
4086:
4084:
4083:Extended plays
4080:
4079:
4077:
4076:
4069:
4062:
4055:
4048:
4041:
4034:
4027:
4020:
4013:
4006:
3999:
3992:
3985:
3978:
3971:
3964:
3957:
3950:
3943:
3936:
3929:
3921:
3919:
3915:
3914:
3912:
3911:
3906:
3901:
3896:
3894:Vince Melouney
3891:
3889:Colin Petersen
3885:
3884:
3877:
3870:
3862:
3859:
3858:
3853:
3851:
3850:
3843:
3836:
3828:
3822:
3821:
3815:
3802:
3796:
3776:
3775:
3745:
3712:
3686:
3661:
3633:
3608:
3592:
3580:
3568:
3552:
3536:
3524:
3512:
3489:
3487:, pp. 311
3477:
3463:
3441:
3414:
3401:978-0306820250
3400:
3375:
3360:
3329:
3322:
3291:
3274:
3267:
3249:
3238:on 7 July 2012
3214:
3209:Calgary Herald
3199:
3184:
3169:
3152:
3139:978-3791727455
3138:
3116:
3097:
3075:
3068:
3045:
3032:"Dutch Albums"
3023:
3010:"Swiss Albums"
3001:
2979:
2954:
2929:
2917:UDiscoverMusic
2896:
2862:
2844:
2804:
2775:
2737:
2693:
2655:
2619:
2583:
2551:
2513:
2476:
2464:
2445:
2418:
2385:
2373:
2333:
2321:
2309:
2297:
2285:
2236:
2204:
2202:
2199:
2195:
2194:
2188:
2187:
2175:
2174:
2171:
2168:
2160:
2159:
2156:
2153:
2145:
2144:
2141:
2138:
2130:
2129:
2123:
2120:
2111:
2110:Certifications
2108:
2105:
2104:
2101:
2097:
2096:
2093:
2089:
2088:
2085:
2081:
2080:
2077:
2070:
2067:
2065:
2062:
2061:
2058:
2047:
2046:
2043:
2038:Swiss Albums (
2035:
2034:
2031:
2023:
2022:
2019:
2011:
2010:
2007:
1999:
1998:
1995:
1990:Dutch Albums (
1987:
1986:
1983:
1975:
1974:
1971:
1963:
1962:
1957:
1950:
1947:
1942:
1940:
1937:
1936:
1935:
1932:
1929:
1926:
1923:
1920:
1919:(New York, NY)
1913:Howie Weinberg
1910:
1907:
1904:
1899:
1896:
1895:
1894:
1891:
1888:
1882:
1879:Scott F. Crago
1876:
1870:
1864:
1855:
1854:
1848:
1842:
1823:
1820:
1813:
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1809:
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1735:
1732:
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1721:
1718:
1715:
1711:
1710:
1707:
1704:
1701:
1697:
1696:
1693:
1690:
1687:When He's Gone
1683:
1679:
1678:
1675:
1672:
1665:
1661:
1660:
1657:
1654:
1651:
1647:
1646:
1643:
1640:
1637:
1615:
1613:
1610:
1564:UDiscoverMusic
1542:
1539:
1391:David Quantick
1369:
1368:
1339:
1331:
1330:
1306:
1298:
1297:
1273:
1265:
1264:
1261:
1253:
1252:
1249:
1241:
1240:
1211:
1203:
1202:
1178:
1170:
1169:
1166:
1163:Calgary Herald
1158:
1157:
1133:
1125:
1124:
1095:
1089:
1088:
1085:
1081:
1080:
1070:
1067:
920:
917:
913:Disney Channel
825:
822:
769:Chain Reaction
700:
697:
689:When He's Gone
577:
574:
572:
569:
446:(1989), whose
419:
416:
361:studio effects
295:
294:
291:
290:
288:
287:
274:
267:When He's Gone
261:
247:
244:
243:
233:
232:
229:
228:
225:
224:
215:
206:
192:
191:
183:
182:
169:
163:
162:
160:
159:
154:
148:
146:
140:
139:
128:
124:
123:
121:
120:
115:
110:
105:
100:
95:
89:
87:
81:
80:
69:
65:
64:
61:
57:
56:
53:
49:
48:
42:
35:
34:
26:
25:
17:
13:
10:
9:
6:
4:
3:
2:
4670:
4659:
4656:
4654:
4651:
4649:
4646:
4644:
4641:
4639:
4636:
4634:
4631:
4629:
4626:
4624:
4621:
4619:
4616:
4614:
4611:
4609:
4606:
4604:
4601:
4599:
4596:
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4591:
4589:
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4584:
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4579:
4576:
4574:
4571:
4569:
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4564:
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4559:
4556:
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4544:
4541:
4540:
4538:
4523:
4515:
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4511:
4503:
4500:
4498:
4495:
4494:
4492:
4490:
4487:
4485:
4482:
4480:
4477:
4475:
4472:
4470:
4467:
4465:
4462:
4460:
4457:
4455:
4452:
4450:
4447:
4445:
4442:
4440:
4437:
4435:
4432:
4430:
4427:
4425:
4422:
4420:
4417:
4414:
4410:
4408:
4407:
4403:
4399:
4396:
4394:
4391:
4390:
4389:
4386:
4385:
4383:
4379:
4373:
4370:
4368:
4365:
4363:
4360:
4359:
4357:
4353:
4347:
4346:
4342:
4340:
4339:
4335:
4333:
4332:
4328:
4326:
4325:
4321:
4319:
4318:
4314:
4312:
4311:
4307:
4305:
4304:
4300:
4298:
4297:
4293:
4292:
4290:
4286:
4280:
4279:
4275:
4273:
4272:
4268:
4266:
4265:
4261:
4259:
4258:
4254:
4252:
4251:
4247:
4245:
4244:
4240:
4238:
4237:
4233:
4231:
4230:
4226:
4224:
4223:
4219:
4217:
4216:
4215:Bee Gees Gold
4212:
4210:
4209:
4205:
4203:
4202:
4198:
4196:
4195:
4191:
4189:
4188:
4184:
4182:
4181:
4177:
4175:
4174:
4170:
4169:
4167:
4163:
4157:
4156:
4152:
4150:
4149:
4145:
4144:
4142:
4138:
4132:
4131:
4130:Staying Alive
4127:
4125:
4124:
4120:
4118:
4117:
4113:
4112:
4110:
4106:
4100:
4099:
4095:
4093:
4092:
4088:
4087:
4085:
4081:
4075:
4074:
4070:
4068:
4067:
4063:
4061:
4060:
4056:
4054:
4053:
4049:
4047:
4046:
4042:
4040:
4039:
4035:
4033:
4032:
4028:
4026:
4025:
4021:
4019:
4018:
4014:
4012:
4011:
4007:
4005:
4004:
4000:
3998:
3997:
3993:
3991:
3990:
3986:
3984:
3983:
3979:
3977:
3976:
3972:
3970:
3969:
3965:
3963:
3962:
3958:
3956:
3955:
3951:
3949:
3948:
3944:
3942:
3941:
3940:Bee Gees' 1st
3937:
3935:
3934:
3930:
3928:
3927:
3923:
3922:
3920:
3918:Studio albums
3916:
3910:
3907:
3905:
3902:
3900:
3897:
3895:
3892:
3890:
3887:
3886:
3883:
3882:
3878:
3876:
3875:
3871:
3869:
3868:
3864:
3863:
3860:
3856:
3849:
3844:
3842:
3837:
3835:
3830:
3829:
3826:
3818:
3812:
3808:
3803:
3799:
3793:
3789:
3784:
3783:
3782:
3781:
3763:
3749:
3746:
3734:
3731:(in German).
3730:
3716:
3713:
3700:
3697:(in German).
3696:
3690:
3687:
3675:
3671:
3665:
3662:
3649:
3648:
3643:
3637:
3634:
3622:
3618:
3612:
3609:
3605:
3601:
3596:
3593:
3589:
3584:
3581:
3577:
3572:
3569:
3565:
3561:
3556:
3553:
3549:
3546:(in German).
3545:
3540:
3537:
3533:
3528:
3525:
3521:
3516:
3513:
3499:
3493:
3490:
3486:
3481:
3478:
3466:
3464:9781789522211
3460:
3456:
3452:
3445:
3442:
3429:
3425:
3418:
3415:
3403:
3397:
3393:
3389:
3382:
3380:
3376:
3371:
3364:
3361:
3348:
3344:
3340:
3333:
3330:
3325:
3323:0-7432-0169-8
3319:
3315:
3311:
3307:
3306:
3301:
3295:
3292:
3288:. p. 33.
3287:
3286:
3278:
3275:
3270:
3268:1-85227 745 9
3264:
3260:
3253:
3250:
3237:
3233:
3229:
3225:
3218:
3215:
3211:
3210:
3203:
3200:
3197:
3193:
3188:
3185:
3181:
3176:
3174:
3170:
3166:
3161:
3159:
3157:
3153:
3141:
3135:
3131:
3127:
3126:"Hintergrund"
3120:
3117:
3113:
3108:
3106:
3104:
3102:
3098:
3085:
3079:
3076:
3071:
3069:1-84195-827-1
3065:
3061:
3054:
3052:
3050:
3046:
3033:
3027:
3024:
3011:
3005:
3002:
2989:
2983:
2980:
2968:
2964:
2958:
2955:
2943:
2939:
2933:
2930:
2918:
2914:
2907:
2905:
2903:
2901:
2897:
2884:
2880:
2873:
2871:
2869:
2867:
2863:
2858:
2851:
2849:
2845:
2832:
2828:
2827:"Quick Spins"
2821:
2819:
2817:
2815:
2813:
2811:
2809:
2805:
2793:
2789:
2782:
2780:
2776:
2763:
2759:
2752:
2750:
2748:
2746:
2744:
2742:
2738:
2725:
2721:
2714:
2712:
2710:
2708:
2706:
2704:
2702:
2700:
2698:
2694:
2681:
2677:
2670:
2668:
2666:
2664:
2662:
2660:
2656:
2643:
2639:
2632:
2630:
2628:
2626:
2624:
2620:
2607:
2603:
2596:
2594:
2592:
2590:
2588:
2584:
2571:
2567:
2560:
2558:
2556:
2552:
2539:
2535:
2528:
2526:
2524:
2522:
2520:
2518:
2514:
2510:
2505:
2503:
2501:
2499:
2497:
2495:
2493:
2491:
2489:
2487:
2485:
2483:
2481:
2477:
2474:, p. 595
2473:
2468:
2465:
2462:, p. 596
2461:
2456:
2454:
2452:
2450:
2446:
2443:, p. 597
2442:
2437:
2435:
2433:
2431:
2429:
2427:
2425:
2423:
2419:
2414:
2408:
2400:
2394:
2392:
2390:
2386:
2382:
2377:
2374:
2361:
2357:
2350:
2348:
2346:
2344:
2342:
2340:
2338:
2334:
2331:, p. 594
2330:
2325:
2322:
2319:, p. 593
2318:
2313:
2310:
2307:, p. 591
2306:
2301:
2298:
2295:, p. 590
2294:
2289:
2286:
2273:
2266:
2259:
2257:
2255:
2253:
2251:
2249:
2247:
2245:
2243:
2241:
2237:
2225:
2221:
2218:Eder, Bruce.
2214:
2212:
2210:
2206:
2200:
2193:
2186:
2172:
2169:
2167:Switzerland)
2166:
2163:Switzerland (
2161:
2157:
2154:
2151:
2146:
2142:
2139:
2136:
2131:
2127:
2122:Certification
2117:
2109:
2102:
2098:
2094:
2090:
2086:
2082:
2076:Chart (1991)
2074:
2068:
2066:
2056:
2052:
2048:
2041:
2036:
2029:
2024:
2017:
2012:
2005:
2000:
1993:
1992:Album Top 100
1988:
1981:
1976:
1972:
1969:
1964:
1956:Chart (1991)
1954:
1949:Weekly charts
1948:
1946:
1945:
1938:
1933:
1930:
1927:
1924:
1921:
1918:
1914:
1911:
1908:
1905:
1902:
1901:
1897:
1892:
1889:
1886:
1883:
1880:
1877:
1875:– bass guitar
1874:
1871:
1868:
1865:
1862:
1861:
1860:
1859:
1852:
1849:
1846:
1843:
1840:
1837:
1836:
1835:
1834:
1830:
1829:
1821:
1819:
1810:
1807:
1804:
1800:
1796:
1793:
1790:
1786:
1782:
1779:
1776:
1772:
1768:
1765:
1762:
1761:The Only Love
1758:
1754:
1750:
1747:
1744:
1740:
1736:
1733:
1731:"Ghost Train"
1730:
1726:
1722:
1719:
1716:
1712:
1708:
1705:
1702:
1698:
1694:
1691:
1688:
1684:
1680:
1676:
1673:
1670:
1666:
1662:
1658:
1655:
1652:
1648:
1642:Lead vocal(s)
1632:
1629:
1628:
1624:
1620:
1612:Track listing
1611:
1609:
1607:
1603:
1599:
1595:
1590:
1586:
1582:
1577:
1575:
1574:
1569:
1565:
1561:
1557:
1553:
1552:
1547:
1540:
1538:
1536:
1532:
1528:
1524:
1520:
1516:
1515:
1510:
1509:
1504:
1500:
1499:
1495:Mark Caro of
1493:
1491:
1490:
1485:
1480:
1479:
1473:
1470:
1466:
1462:
1461:
1455:
1451:
1447:
1446:
1441:
1440:
1434:
1432:
1428:
1424:
1420:
1419:
1414:
1410:
1409:
1404:
1400:
1396:
1392:
1388:
1387:
1382:
1381:
1376:
1340:
1338:
1337:
1333:
1332:
1307:
1305:
1304:
1300:
1299:
1274:
1272:
1271:
1267:
1266:
1262:
1260:
1259:
1255:
1254:
1250:
1248:
1247:
1243:
1242:
1212:
1210:
1209:
1205:
1204:
1179:
1177:
1176:
1172:
1171:
1167:
1165:
1164:
1160:
1159:
1134:
1132:
1131:
1127:
1126:
1096:
1094:
1091:
1090:
1082:
1079:Review scores
1077:
1068:
1066:
1064:
1060:
1059:
1054:
1050:
1049:Stayin' Alive
1046:
1042:
1038:
1034:
1029:
1027:
1023:
1018:
1014:
1010:
1006:
1002:
998:
994:
990:
986:
982:
977:
975:
971:
967:
963:
959:
955:
951:
947:
942:
934:
930:
925:
918:
916:
914:
909:
908:
903:
898:
894:
889:
887:
883:
879:
875:
871:
866:
863:
862:
857:
856:
851:
846:
842:
838:
834:
830:
823:
821:
819:
815:
811:
807:
803:
802:The Only Love
799:
795:
791:
790:sound effects
787:
781:
779:
774:
770:
766:
762:
758:
755:that eschews
754:
750:
746:
742:
738:
734:
730:
726:
722:
718:
714:
710:
706:
698:
696:
695:guitar work.
694:
690:
686:
682:
677:
672:
668:
663:
661:
657:
653:
649:
645:
641:
637:
631:
629:
628:
623:
619:
615:
611:
607:
603:
599:
595:
591:
587:
583:
575:
570:
568:
566:
565:
559:
555:
551:
547:
546:
541:
540:
534:
532:
528:
524:
520:
516:
512:
508:
504:
500:
496:
492:
488:
486:
482:
478:
474:
473:Wembley Arena
470:
466:
465:
460:
459:
454:
449:
445:
444:
439:
438:You Win Again
435:
434:
429:
425:
417:
415:
413:
409:
405:
401:
397:
393:
389:
384:
382:
378:
374:
370:
366:
362:
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354:
350:
346:
342:
338:
333:
331:
327:
326:
321:
320:
315:
311:
307:
303:
302:
292:
281:
280:The Only Love
275:
268:
262:
255:
249:
248:
245:
242:
238:
234:
230:
221:
220:
216:
212:
211:
207:
203:
202:
198:
197:
193:
189:
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55:25 March 1991
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4489:Spencer Gibb
4404:
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4091:The Bee Gees
4089:
4071:
4066:Still Waters
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4015:
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3945:
3938:
3931:
3924:
3904:Dennis Bryon
3899:Alan Kendall
3881:Maurice Gibb
3879:
3872:
3865:
3806:
3787:
3780:Bibliography
3779:
3778:
3766:. Retrieved
3748:
3736:. Retrieved
3715:
3703:. Retrieved
3689:
3677:. Retrieved
3674:hitparade.ch
3673:
3664:
3652:. Retrieved
3645:
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3492:
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3480:
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3427:
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3391:
3370:Melody Maker
3369:
3363:
3351:. Retrieved
3347:the original
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3240:. Retrieved
3236:the original
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3180:Stanley 2023
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2916:
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2882:
2879:"Recordings"
2856:
2835:. Retrieved
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2509:Stanley 2023
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2381:Stanley 2023
2376:
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2360:Courier-Post
2359:
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2312:
2300:
2288:
2276:. Retrieved
2271:
2227:. Retrieved
2223:
2191:
2178:
1887:– percussion
1885:Lenny Castro
1867:Alan Kendall
1857:
1856:
1851:Maurice Gibb
1832:
1831:
1827:
1825:
1817:
1745:"Dimensions"
1627:Maurice Gibb
1616:
1605:
1597:
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1399:Phil Collins
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782:
778:Jive Talkin'
721:protest song
702:
671:high-concept
666:
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660:Mariah Carey
647:
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527:Lenny Castro
521:and bassist
519:Alan Kendall
514:
507:Maurice Gibb
494:
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385:
381:high concept
377:love ballads
336:
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240:
217:
209:
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199:
180:Maurice Gibb
157:Warner Music
152:Warner Bros.
39:Studio album
15:
4548:1991 albums
4459:Amen Corner
4388:Discography
4288:Videography
4250:Number Ones
4140:Live albums
4108:Soundtracks
4031:Living Eyes
4010:Main Course
4003:Mr. Natural
3909:Blue Weaver
3768:16 February
3738:16 February
3705:16 February
3312:. pp.
3084:"US Albums"
1805:"Evolution"
1669:Secret Love
1560:drum'n'bass
1527:techno-rock
1431:art theater
1063:Miami Twice
1045:Night Fever
1041:BBC Radio 1
1009:Montpellier
966:Saarbrücken
891:In the US,
878:Switzerland
786:psychedelic
757:dance music
749:Secret Love
737:Afghanistan
729:Los Angeles
656:Bobby Brown
652:Technicolor
582:Bob Stanley
571:Composition
511:Miami Beach
448:title track
412:BBC Radio 1
396:Secret Love
355:style with
322:(1987) and
254:Secret Love
103:techno-rock
73:Miami Beach
4537:Categories
4484:Steve Gibb
4444:The Groove
4424:Humpy Bong
4257:Love Songs
3975:2 Years On
3947:Horizontal
3874:Robin Gibb
3867:Barry Gibb
3679:29 January
3654:29 January
3626:29 January
3090:9 November
3086:. AllMusic
3038:9 November
3016:9 November
2994:9 November
2938:"Bee Gees"
2831:The Record
2265:"Bee Gees"
2201:References
1980:Ö3 Austria
1917:Masterdisk
1898:Production
1845:Robin Gibb
1839:Barry Gibb
1503:Euro-disco
1445:The Record
1303:The Record
1037:Birmingham
780:" (1975).
773:syncopated
713:Armageddon
693:glam metal
685:electronic
375:songs and
363:, such as
190:chronology
118:electronic
108:Euro-disco
4479:Andy Gibb
4474:Hugh Gibb
4271:Mythology
3982:Trafalgar
3428:Billboard
3242:31 August
2566:"Records"
2170:Platinum
2155:Platinum
2148:Germany (
2137:Austria)
2133:Austria (
2079:Position
2051:UK Albums
1961:position
1869:– guitars
1822:Personnel
1551:Billboard
1531:Chipmunks
1484:computers
1389:reviewer
1061:special "
1005:La Coruna
993:arthritic
985:Waldbühne
970:power cut
962:Frankfurt
929:Waldbühne
818:minor-key
794:drum loop
761:bubblegum
753:love song
725:dystopian
622:harmonies
394:tribute "
4522:Category
3855:Bee Gees
3470:8 August
3434:8 August
3407:8 August
3196:AllMusic
3145:7 August
2947:8 August
2922:8 August
2797:8 August
2792:AllMusic
2356:"Sounds"
2229:7 August
2224:AllMusic
2158:500,000
1847:– vocals
1833:Bee Gees
1523:AllMusic
1403:Greg Kot
1395:the Farm
1377:for the
1093:AllMusic
1022:Flanders
1017:fan club
1013:Brussels
820:chorus.
806:Westlife
717:Level 42
705:art rock
640:eclectic
485:falsetto
428:comeback
373:art rock
369:eclectic
345:engineer
332:studio.
314:comeback
306:Bee Gees
188:Bee Gees
167:Producer
60:Recorded
52:Released
45:Bee Gees
41: by
4454:Toe Fat
4439:Tin Tin
4429:The Fut
4381:Related
3701:Austria
3504:14 July
3451:"1990s"
3353:31 July
2889:28 July
2837:28 July
2768:28 July
2730:26 July
2686:26 July
2648:26 July
2612:26 July
2576:28 July
2544:28 July
2366:26 July
2278:31 July
2173:50,000
2143:25,000
2128:/sales
2119:Region
1748:Maurice
1405:of the
1055:in the
1047:" and "
874:Austria
814:hip hop
798:R&B
676:concept
453:Germany
316:albums
237:Singles
223:(1993)
214:(1991)
205:(1990)
113:R&B
77:Florida
4116:Melody
4038:E.S.P.
3961:Odessa
3813:
3794:
3564:MAHASZ
3500:. ARIA
3461:
3398:
3320:
3265:
3136:
3066:
2192:
2016:MAHASZ
1645:Length
1602:techno
1589:grunge
1556:jungle
1541:Legacy
1450:E.S.P.
1423:E.S.P.
1087:Rating
1084:Source
981:Berlin
974:Juliet
933:Berlin
833:E.S.P.
765:Motown
590:E.S.P.
531:Prince
481:medley
469:London
433:E.S.P.
430:album
408:London
404:Berlin
392:Motown
341:Prince
319:E.S.P.
127:Length
68:Studio
4355:Tours
3760:'
3756:'
3727:'
3723:'
3372:: 36.
2972:7 May
2859:: 35.
2833:: D-9
2764:: D-4
2726:: 9-D
2720:"Pop"
2608:: 215
2572:: A70
2268:(PDF)
2140:Gold
1808:Barry
1794:Barry
1780:Barry
1766:Barry
1720:Barry
1706:Barry
1639:Title
1623:Robin
1619:Barry
1026:Liege
997:Milan
954:Queen
861:Stern
741:Cairo
699:Songs
554:Words
503:Robin
499:Barry
353:dance
330:Miami
239:from
176:Robin
172:Barry
144:Label
93:Dance
85:Genre
4296:Idea
3954:Idea
3811:ISBN
3792:ISBN
3770:2012
3740:2012
3707:2012
3699:IFPI
3681:2022
3656:2022
3628:2022
3506:2024
3472:2024
3459:ISBN
3436:2024
3409:2024
3396:ISBN
3355:2024
3318:ISBN
3263:ISBN
3244:2011
3147:2024
3134:ISBN
3092:2014
3064:ISBN
3040:2014
3018:2014
2996:2014
2974:2018
2949:2024
2924:2024
2891:2024
2885:: 12
2839:2024
2799:2024
2770:2024
2732:2024
2688:2024
2682:: 5E
2650:2024
2644:: 3E
2614:2024
2578:2024
2546:2024
2540:: 17
2413:link
2368:2024
2362:: 2F
2280:2024
2274:: 13
2231:2024
2165:IFPI
2150:BVMI
2135:IFPI
1973:126
1968:ARIA
1959:Peak
1811:5:36
1797:5:14
1783:5:37
1769:5:32
1751:5:25
1737:6:02
1723:4:50
1709:6:15
1695:5:53
1677:3:36
1659:5:27
1625:and
1558:and
1469:VH-1
1467:and
1452:and
1425:and
1263:6/10
1251:3/10
1024:and
1007:and
1001:Lyon
968:, a
958:Andy
952:and
946:Kiel
927:The
835:and
810:funk
759:for
745:Iran
743:and
733:Rome
505:and
359:and
186:The
178:and
43:the
4045:One
3194:at
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2103:17
2095:18
2087:18
2060:24
2055:OCC
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2021:15
1997:21
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1788:10.
1635:No.
1585:One
1465:MTV
1454:One
1433:".
1427:One
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1258:NME
1065:".
1035:in
983:'s
837:One
681:Yes
614:One
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