44:
758:(2011), described by O'Hagan as a "spring album". He said that the band's slowed output was due to low finances, and that he could only sustain a career in music through arrangement commissions. He could not afford commercial studios and recorded in improvised spaces "as much as possible, which allowed the budget to go on strings and brass. But I also wanted to create more space on the records. I was tired of density." In 2013, the group contributed a song, "Living on a Farm", to an episode of the children's television programme
665:
396:
593:, while its lyrics loosely address themes of "nomadism, nostalgia, film and musical theatre, and the effects of colonialism". In the US, the album was issued with a 40-minute bonus CD containing material that was previously unreleased in that region. Dominic Murcott then joined the group on vibraphone and marimba.
801:
with our catalog, and I’ve really been wanting to get them remastered and pressed on vinyl, and maybe do an expanded series like
Stereolab have done. If we can get that to happen, we’ll tour. ... Then we might use that as an opportunity to officially retire—it would be a great way to close that book,
785:
critic Robert Ham summarized the plot as "extended anecdotes to comment on the rapid changes happening in London, particularly in
Peckham, a region in the southeastern part of the city where O'Hagan has lived for over 20 years." The play originally featured a cast of actors and actresses, but when a
567:
in the quest for building the perfect orchestrated pop masterpiece." O'Hagan responded to the Beach Boys comparisons that the album had drawn: " has been the biggest influence in my career to date. I was always shy how much I liked him, but this time I decided to be blatant about it." He was also
436:
as "the beginning of the great pop experiment, rock and roll got hold of the whole thing and stopped it," and intended his new band to carry on in a similar tradition. He continued to make guest appearances on later
Stereolab releases. Visser departed the group and was replaced by guitarist John
652:(2003), collected tracks from their main discography up to this point. Additionally, it included rarities that had been released as B-sides or bonus tracks on Japanese and American editions of their albums, while one song, "Vampo Brazil", was a previously unreleased outtake from the
729:
The band does not make a living, but my arrangements and collaborations just about do. ... So an unmarketable band does have consequences. Tours have to be underwritten and those days are gone I'm afraid. ... We never get to the U.S. now because it’s too expensive.
786:
studio album adaptation was released in 2016, the record only featured instrumental performances. O'Hagan explained that this was because the label felt that its promotion "would be difficult as the record would appear to be from a different medium."
325:
hot-air balloon that he saw in a magazine. Around 1991 or 1992, the name was recycled for a new band formed by Sean O'Hagan, Marcus
Holdaway, Jon Fell and Rob Allum. They could not afford to record a full album, and instead released an EP, titled
751:
reviewer Eric Harvey wrote that the album "emerge as the most enjoyable High Llamas record in over a decade. ... with a bounce and sway nearly absent from its largely rhythmless predecessor." Another four years went by until their next release,
372:." He also mentioned his frustration with the state of modern rock music, calling it "the most conformist, corporate thing out there." For "years", he said, he "was bored shitless by guitar rock ... From looking at the Beach Boys, I saw the
483:, but only received substantial sales and acclaim after being rereleased a year later. It was first reissued on the band's Alpaca Parks imprint, then by Delmore Recordings in the United States, and once more by the major label
43:
568:
hesitant to be associated with the ork-pop movement, saying that the group's "music is a hybrid of stuff from the last 50, 20 or 30 years ... It's definitely about making music for tomorrow."
720:," the High Llamas failed to attract a comparative following and were seen as "a little too esoteric and experimental to threaten a mainstream that had once warmed to the strong melodies of
811:, was released under the High Llamas banner. The album contains elements of R&B and hip-hop, and features vocal contributions from singer Rae Morris and O'Hagan's daughter Livvy.
341:, O'Hagan said, "I was quite happy with what we were doing, there wasn't really anything remarkable about it, and it wasn't really the kind of music that I enjoyed listening to ...
418:. He became their keyboardist, initially as a temporary replacement, but O'Hagan was "allowed to make suggestions and the fun started." His first record appearance was on the EP
430:(1994). Influenced by his time with Gane, O'Hagan decided to revamp his creative aspirations for the High Llamas. In a 1997 article, O'Hagan spoke of the Beach Boys' 1966 album
581:(1996), was released on Alpaca Park, and reached number 62 in the UK, again for a one-week stay. He described the work as a fusion between the music of the "post mid-European
1385:
1462:
793:. During an interview to promote the record, he commented that the High Llamas were not defunct and that he was attempting to secure the rights to the band's work from
1426:
264:
O'Hagan formed the High Llamas after the breakup of his group
Microdisney. The band initially played in a more conventional acoustic pop style, but after he joined
1768:
2470:
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380:
thing. These people were investigating harmonies in really interesting, nearly orchestral ways, but they were using subversive sounds to do it."
253:, with drummer Rob Allum and ex-Microdisney bassist Jon Fell. O'Hagan has led the group since its formation. Their music is often compared to
2465:
1801:
1649:
1622:
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1258:
499:
stated that the album was released "almost as an afterthought , with virtually no fanfare." Also in 1994, the High Llamas accompanied
2177:
571:
O'Hagan recalled that "we had everybody knocking the door down saying, 'here take the money and make the record.'" The follow-up to
712:(2003), music critic Nig Hodgkins commented that despite "adventurous breakthroughs by previously obscure American bands such as
1470:
1463:"Painters Paint: The Definitive Career-Spanning Interview (to date) With The High Llamas' Sean O'Hagan (Snowbug and Buzzle Bee)"
704:
arrangements. The latter marked the arrival of an additional member, Pete Aves, on guitars and banjo. Unterberger referred to
2455:
2351:
955:
577:
388:
317:, broke up. To support himself, O'Hagan briefly worked as a rock music journalist, and in 1990, released a solo album titled
288:
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for a one-week stay. It was recorded with a £4000 budget in the span of a few months, and anticipated the mid 1990s
1962:
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677:
314:
141:
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was well-received from within the record industry, and it became a commonly recommended album among
British
2156:
606:'s "paradoxical" combination of "chill" or digital sounds and "boisterous" rhythms. It was accompanied by
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361:
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512:
Although the shorthand description of the High Llamas usually involves phrases like "shameless
2029:
1941:
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1982:
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257:, a band he acknowledges as an influence, although more prominent influences were drawn from
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358:
330:. Under a French label, the EP was reissued with two additional tracks, which became the LP
269:
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2008:
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602:(1998) pushed the band further into electronics. According to O'Hagan, it was named for
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373:
2121:"Josh Holloway Visits 'Yo Gabba Gabba!' As A Guitar-Playing Farmer (PHOTO, VIDEO)"
50:
From left: Murcott (obscured), Holdaway, Allum, O'Hagan, Fell (obscured) and Aves.
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1250:
Catch a Wave: The Rise, Fall, and
Redemption of the Beach Boys' Brian Wilson
1116:
807:
407:
399:
365:
268:
as a keyboardist, he was inspired to revamp the group's music closer to the
265:
238:
78:
17:
1641:
The Rock Snob's
Dictionary: An Essential Lexicon Of Rockological Knowledge
516:
imitators," that's never really been the case. Even on their most overtly
2034:
2013:
1967:
1946:
1926:
1880:
1726:
1705:
1520:
644:. The album was met with poor sales, and was their last before departing
631:
545:
label representatives. The band were soon tagged as part of the nascent "
492:
411:
2365:
1427:"A beginner's guide to the sweet, stinging nostalgia of The Beach Boys"
996:
636:
546:
93:
708:
as "a high achievement for the Llamas with both critics and fans." In
686:(2000), which saw the band experimenting more with their sound, while
585:
era" and the "really screwed up West Coast
American sort of music, of
555:
piece as "a new breed of popsmiths going back to such inspirations as
1360:
242:
64:
2178:"Pull Up A Chair For A Spoken Gem: A Conversation With Sean O'Hagan"
1793:
Buried
Treasure Volume 2: Overlooked, Forgetten and Uncrowned Albums
542:
386:
writer Noel Murray remarked that without the Beach Boys' 1968 album
1769:"The Goat Looks In: Interview with Sean O'Hagan of the High Llamas"
2243:
701:
663:
394:
596:
The High Llamas' American and British fanbase continued to grow.
369:
2247:
479:
465:
fad. The album received press coverage from magazines such as
2213:
https://theartsdesk.com/new-music/album-high-llamas-hey-panda
2141:
424:(1993), and he remained a full-time member of the band until
410:
concert in the early 1990s, O'Hagan met the band's founders
292:(1996) nearly led to a collaboration with the Beach Boys.
789:
In 2019, Drag City released O'Hagan's second solo album,
2228:
223:
2202:
https://www.popmatters.com/high-llamas-hey-panda-review
640:(1999) featured Stereolab vocalists Lætitia Sadier and
767:
In 2014, the High Llamas premiered a theatrical play,
668:
O'Hagan performing with the High Llamas in Spain, 2011
589:
variety". It incorporated more electronic sounds than
634:, Stock, Hausen & Walkman, and the High Llamas.
2417:
2329:
890:
882:
874:
867:
245:circa 1991. They were founded by singer-songwriter
218:
214:
197:
193:
164:
160:
150:
118:
102:
71:
60:
55:
34:
1545:. Vol. 30, no. 43. New York Media, LLC.
1225:"A year in song (40 great tracks in 40 sentences)"
337:At this point, the band's style was conventional
507:, as his backing band for a brief concert tour.
402:performing in London, 1994 (O'Hagan not present)
1279:"The High Llamas: Here Come the Rattling Trees"
727:
510:
1598:
1596:
1594:
1592:
1590:
745:(2007) received generally favourable reviews.
2259:
1963:"Retrospective, Rarities & Instrumentals"
1346:
1344:
1342:
1340:
1338:
610:(1998), an album consisting of seven remixed
392:, "the High Llamas probably wouldn't exist."
8:
1406:"The Year in Music - Subculture of the Year"
528:and European film soundtracks, are obvious.
1304:
1302:
1300:
1298:
1296:
1294:
650:Retrospective, Rarities & Instrumentals
2266:
2252:
2244:
1815:
1813:
1379:
1377:
1375:
1373:
1272:
1270:
1175:
1139:
904:
672:The High Llamas started recording for the
31:
1665:
1663:
1661:
1509:
1507:
1414:. Vol. 14, no. 1. January 1998.
1365:The High Llamas may have started in 1991.
1154:Retrospective, Rarities and Instrumentals
1691:
1689:
1687:
1311:"Building A Perfect Ork-Pop Masterpiece"
276:sound he preferred. Their second album,
1762:
1760:
1758:
1756:
1672:"High Llamas Hope to Scale U.S. Market"
1215:
286:revivalist movement, and its follow-up
1562:
1560:
864:
524:, other influences, such as Brazilian
1456:
1454:
840:Dominic Murcott – vibraphone, marimba
797:, "who are extremely reluctant to do
692:(2003) eschewed electric guitars and
7:
1386:"The High Llamas: A Different Breed"
487:. British music journalists praised
321:. The name came from a picture of a
2142:"Living On A Farm / Yo Gabba Gabba"
1897:"The High Llamas - Cold and Bouncy"
353:... a lot of soundtrack music like
48:The High Llamas performing in 2008.
2471:Musical groups established in 1991
1767:Woullard, Clayton (4 March 2016).
1670:Sexton, Paul (23 September 1995).
1638:Kamp, David; Daly, Steven (2005).
837:Marcus Holdaway – cello, keyboards
457:, an album that reached 94 on the
451:In 1994, the High Llamas released
282:(1994), anticipated the mid 1990s
25:
2080:Harvey, Eric (21 February 2007).
1822:"Sean O'Hagan: The Highest Llama"
1535:Smith, Ethan (10 November 1997).
1277:Caldwell, Rob (18 January 2016).
2461:Drag City (record label) artists
2176:Kyle, Joseph (25 October 2019).
1796:. Liberties Press. p. 124.
1425:Murray, Noel (16 October 2014).
1223:Murray, Noel (6 December 2011).
828:– lead vocals, keyboards, guitar
549:" movement, described in a 1996
42:
2155:Ham, Robert (20 January 2016).
1895:Westlund, Joshua (April 1998).
1487:The A to X of Alternative Music
503:, co-founder of the 1960s band
261:and European film soundtracks.
2157:"Here Come the Rattling Trees"
1644:. Broadway Books. p. 52.
1490:. A&C Black. p. 244.
1461:Popshifter (30 January 2011).
1:
1384:Page, Tim (10 January 1999).
853:Anita Visser – vocals, guitar
108:
2466:Pop music groups from London
2401:Here Come the Rattling Trees
2101:Neyland, Nick (4 May 2011).
1820:Lien, James (October 1997).
1321:Nielsen Business Media, Inc.
1309:Rosen, Craig (25 May 1996).
1098:Here Come the Rattling Trees
805:In March 2024, a new album,
770:Here Come the Rattling Trees
421:Space Age Bachelor Pad Music
1741:Broome, Eric (March 1998).
1722:"Checking in, Checking Out"
1607:. In Buckley, Peter (ed.).
869:The High Llamas discography
2497:
648:. A two-disc compilation,
520:-influenced album, 1994's
27:Anglo-Irish avant-pop band
2281:
1987:Domino Publishing Company
1613:. Rough Guides. pp.
1188:
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1147:
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1095:
1076:
1057:
1035:
1013:
994:
972:
953:
934:
917:
912:
909:
41:
2140:Peepshow (15 May 2014).
2030:"Beet, Maize & Corn"
1872:Erlewine, Stephen Thomas
791:Radum Calls, Radum Calls
533:—Stewart Mason, AllMusic
305:In 1988, the Irish band
1610:The Rough Guide to Rock
1573:Official Charts Company
1253:. Rodale. p. 284.
1124:Released: 29 March 2024
710:The Rough Guide to Rock
2380:Beet, Maize & Corn
1603:Hodgkins, Nig (2003).
1514:McClintock, J. Scott.
1484:Taylor, Steve (2006).
1038:Beet, Maize & Corn
732:
706:Beet, Maize & Corn
689:Beet, Maize & Corn
669:
530:
403:
378:Yellow Magic Orchestra
56:Background information
2456:Chamber pop musicians
1827:CMJ New Music Monthly
1790:Hagerty, Dan (2016).
1363:on 4 September 2017.
856:John Bennett – guitar
795:Universal Music Group
775:Tristan Bates Theatre
667:
398:
1473:on 25 December 2017.
2451:Avant-pop musicians
2126:The Huffington Post
1697:Unterberger, Richie
1391:The Washington Post
1177:
1141:
906:
735:—Sean O'Hagan, 2016
680:record labels with
427:Mars Audiac Quintet
237:are an Anglo-Irish
2481:V2 Records artists
2144:– via Vimeo.
2007:Hoard, Christian.
1245:Carlin, Peter Ames
1176:
1140:
966:Label: Alpaca Park
905:
883:Compilation albums
843:Pete Aves – guitar
802:don’t you think?"
670:
614:tracks created by
497:Richie Unterberger
406:After attending a
404:
362:experimental music
2438:
2437:
1983:"The High Llamas"
1942:"Snowbug Credits"
1854:"Signal to Noise"
1803:978-1-910742-74-7
1743:"The High Llamas"
1701:"The High Llamas"
1651:978-0-7679-1873-2
1624:978-1-85828-457-6
1605:"The High Llamas"
1542:New York Magazine
1497:978-0-8264-8217-4
1351:The High Llamas.
1260:978-1-59486-320-2
1207:
1206:
1169:
1168:
1133:
1132:
898:
897:
834:Rob Allum – drums
587:the Wrecking Crew
376:thing the early
232:
231:
16:(Redirected from
2488:
2418:Related articles
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1779:on 5 March 2017.
1775:. Archived from
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1732:
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1720:Mason, Stewart.
1717:
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1469:. Archived from
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1435:. Archived from
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1402:
1396:
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1381:
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1359:. Archived from
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1333:
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1323:pp. 1, 92.
1306:
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1241:
1235:
1234:
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1178:
1142:
1127:Label: Drag City
1108:Label: Drag City
1089:Label: Drag City
1070:Label: Drag City
907:
870:
865:
831:John Fell – bass
736:
718:the Flaming Lips
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2359:Cold and Bouncy
2325:
2306:Dominic Murcott
2301:Marcus Holdaway
2277:
2275:The High Llamas
2272:
2235:The High Llamas
2227:
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2129:. 24 July 2013.
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2060:CBS Interactive
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1858:Signal to Noise
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1773:Clay the Scribe
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1439:on 23 June 2018
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975:Cold and Bouncy
868:
863:
817:
761:Yo! Gabba Gabba
738:
734:
662:
654:Cold and Bouncy
612:Cold and Bouncy
599:Cold and Bouncy
536:
532:
459:UK Albums Chart
449:
315:Cathal Coughlan
303:
298:
241:band formed in
235:The High Llamas
222:
198:
184:Dominic Murcott
181:Marcus Holdaway
146:
111:
103:
98:
51:
49:
37:
36:The High Llamas
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2222:External links
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2147:
2132:
2112:
2103:"Talahomi Way"
2093:
2082:"Can Cladders"
2072:
2050:"Can Cladders"
2041:
2020:
1999:
1974:
1953:
1933:
1912:
1887:
1863:
1845:
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1752:
1733:
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1527:
1516:"Sean O'Hagan"
1503:
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1397:
1369:
1357:highllamas.com
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1198:Released: 1998
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1086:Released: 2011
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1067:Released: 2007
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1045:Released: 2003
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1023:Released: 2000
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1004:Released: 1999
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982:Released: 1998
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963:Released: 1996
959:
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944:Released: 1994
940:
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925:Released: 1992
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841:
838:
835:
832:
829:
816:
813:
726:
661:
658:
561:Burt Bacharach
509:
463:easy-listening
448:
439:
416:Lætitia Sadier
351:Van Dyke Parks
347:the Left Banke
343:the Beach Boys
302:
299:
297:
294:
284:easy-listening
255:the Beach Boys
249:, formerly of
230:
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2338:Santa Barbara
2335:
2334:
2332:
2330:Studio albums
2328:
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2229:Official site
2226:
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2042:
2037:
2036:
2031:
2028:Sendra, Tim.
2024:
2021:
2016:
2015:
2010:
2003:
2000:
1988:
1984:
1978:
1975:
1970:
1969:
1964:
1961:Sendra, Tim.
1957:
1954:
1949:
1948:
1943:
1937:
1934:
1929:
1928:
1923:
1922:"Lollo Rosso"
1920:Sendra, Tim.
1916:
1913:
1908:
1904:
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1680:. p. 22.
1679:
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1575:
1574:
1569:
1568:"High Llamas"
1563:
1561:
1557:
1552:
1548:
1544:
1543:
1538:
1537:"Do It Again"
1531:
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1433:
1432:The A.V. Club
1428:
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1231:
1230:The A.V. Club
1226:
1219:
1216:
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947:Label: Target
946:
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938:
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927:
924:
923:
922:
920:
919:Santa Barbara
916:
908:
903:
902:
901:Studio albums
893:
889:
885:
881:
877:
875:Studio albums
873:
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779:Covent Garden
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660:2000s–present
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616:Mouse on Mars
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383:The A.V. Club
379:
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335:
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332:Santa Barbara
329:
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323:Victorian era
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45:
40:
33:
30:
19:
2406:
2399:
2394:Talahomi Way
2392:
2387:Can Cladders
2385:
2378:
2371:
2364:
2357:
2350:
2343:
2336:
2322:Anita Visser
2319:John Burnett
2312:Sean O'Hagan
2310:
2305:
2300:
2295:
2290:
2285:
2274:
2208:
2197:
2185:. Retrieved
2181:
2171:
2160:
2150:
2135:
2124:
2115:
2106:
2096:
2085:
2075:
2063:. Retrieved
2053:
2044:
2033:
2023:
2012:
2009:"Buzzle Bee"
2002:
1990:. Retrieved
1986:
1977:
1966:
1956:
1945:
1936:
1925:
1915:
1906:
1900:
1890:
1879:
1866:
1857:
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1825:
1792:
1785:
1777:the original
1772:
1746:
1736:
1725:
1715:
1704:
1675:
1640:
1633:
1609:
1577:. Retrieved
1571:
1540:
1530:
1519:
1486:
1479:
1471:the original
1466:
1441:. Retrieved
1437:the original
1430:
1420:
1409:
1400:
1389:
1364:
1361:the original
1356:
1314:
1282:
1249:
1239:
1228:
1218:
1189:
1171:
1170:
1153:
1135:
1134:
1115:
1096:
1079:Talahomi Way
1077:
1060:Can Cladders
1058:
1036:
1014:
995:
973:
954:
935:
918:
900:
899:
847:
846:
826:Sean O'Hagan
819:
818:
806:
804:
798:
790:
788:
782:
777:in London's
768:
766:
759:
755:Talahomi Way
753:
746:
742:Can Cladders
740:
739:
733:
728:
721:
709:
705:
696:in favor of
694:synthesizers
687:
681:
671:
653:
649:
635:
628:Jim O'Rourke
624:Schneider TM
611:
607:
597:
595:
590:
576:
572:
570:
565:Phil Spector
557:Brian Wilson
550:
538:
537:
531:
521:
517:
514:Brian Wilson
511:
488:
485:Epic Records
478:
472:
466:
452:
450:
445:
441:
431:
425:
419:
405:
387:
381:
374:Martin Denny
336:
331:
327:
318:
311:Sean O'Hagan
304:
287:
277:
263:
247:Sean O'Hagan
234:
233:
208:John Bennett
205:Anita Visser
199:Past members
171:Sean O'Hagan
104:Years active
29:
2425:Microdisney
2345:Gideon Gaye
2187:10 November
2065:24 December
1992:24 December
1747:Mean Street
1191:Lollo Rosso
1136:Compilation
937:Gideon Gaye
861:Discography
722:Gideon Gaye
714:Mercury Rev
642:Mary Hansen
608:Lollo Rosso
604:electronica
591:Gideon Gaye
583:Stockhausen
573:Gideon Gaye
539:Gideon Gaye
522:Gideon Gaye
489:Gideon Gaye
454:Gideon Gaye
442:Gideon Gaye
319:High Llamas
307:Microdisney
279:Gideon Gaye
251:Microdisney
155:Microdisney
128:Alpaca Park
112: 1991
89:chamber pop
84:electronica
18:High Llamas
2445:Categories
2373:Buzzle Bee
2182:The Recoup
2055:Metacritic
1579:7 November
1467:Popshifter
1353:"About Us"
1284:PopMatters
1210:References
1016:Buzzle Bee
928:Label: JBM
683:Buzzle Bee
656:sessions.
646:V2 Records
526:bossa nova
518:Pet Sounds
501:Arthur Lee
433:Pet Sounds
359:electronic
355:John Barry
339:guitar pop
274:orchestral
270:electronic
259:bossa nova
224:highllamas
151:Spinoff of
2476:Stereolab
2430:Stereolab
2408:Hey Panda
2296:John Fell
2291:Pete Aves
2286:Rob Allum
2162:Pitchfork
2107:Pitchfork
2087:Pitchfork
1840:1074-6978
1677:Billboard
1551:0028-7369
1329:0006-2510
1316:Billboard
1201:Label: V2
1163:Label: V2
1117:Hey Panda
1050:Drag City
1028:Duophonic
1007:Label: V2
808:Hey Panda
783:Pitchfork
773:, at the
748:Pitchfork
678:Drag City
674:Duophonic
620:Cornelius
552:Billboard
437:Bennett.
408:Stereolab
400:Stereolab
366:Kraftwerk
309:, led by
301:Formation
266:Stereolab
239:avant-pop
187:Pete Aves
178:Rob Allum
142:Drag City
137:Duophonic
79:Avant-pop
67:, England
2239:Facebook
2035:AllMusic
2014:AllMusic
1968:AllMusic
1947:AllMusic
1927:AllMusic
1881:AllMusic
1876:"Hawaii"
1727:AllMusic
1706:AllMusic
1521:AllMusic
1247:(2006).
1184:Release
1172:Remix EP
1148:Release
913:Release
799:anything
632:Kid Loco
493:AllMusic
412:Tim Gane
328:Apricots
175:Jon Fell
114:–present
2366:Snowbug
1860:. 2007.
1615:493–494
1443:23 June
1048:Label:
1026:Label:
997:Snowbug
985:Label:
891:Remixes
820:Current
815:Members
637:Snowbug
547:ork-pop
543:A&R
495:critic
446:Snowbug
389:Friends
296:History
219:Website
165:Members
94:ork-pop
2352:Hawaii
1838:
1800:
1648:
1621:
1549:
1494:
1327:
1257:
1181:Title
1145:Title
956:Hawaii
910:Title
848:Former
698:string
578:Hawaii
563:, and
491:, but
357:, and
289:Hawaii
243:London
125:Target
119:Labels
72:Genres
65:London
61:Origin
702:brass
364:like
2189:2019
2067:2017
1994:2017
1909:(4).
1902:Spin
1836:ISSN
1798:ISBN
1646:ISBN
1619:ISBN
1581:2017
1547:ISSN
1492:ISBN
1445:2018
1411:Spin
1325:ISSN
1255:ISBN
716:and
700:and
676:and
505:Love
477:and
474:Mojo
414:and
370:Neu!
368:and
345:...
313:and
272:and
226:.com
2237:on
724:."
480:NME
2447::
2180:.
2159:.
2123:.
2105:.
2084:.
2058:.
2052:.
2032:.
2011:.
1985:.
1965:.
1944:.
1924:.
1907:14
1905:.
1899:.
1878:.
1874:.
1856:.
1834:.
1832:50
1830:.
1824:.
1812:^
1771:.
1755:^
1745:.
1724:.
1703:.
1699:.
1686:^
1674:.
1660:^
1617:.
1589:^
1570:.
1559:^
1539:.
1518:.
1506:^
1465:.
1453:^
1429:.
1408:.
1388:.
1372:^
1355:.
1337:^
1319:.
1313:.
1293:^
1281:.
1269:^
1227:.
987:V2
878:10
781:.
764:.
630:,
626:,
622:,
618:,
575:,
559:,
471:,
349:,
334:.
132:V2
109:c.
2267:e
2260:t
2253:v
2191:.
2165:.
2109:.
2090:.
2069:.
2038:.
2017:.
1996:.
1971:.
1950:.
1930:.
1884:.
1842:.
1806:.
1749:.
1730:.
1709:.
1654:.
1627:.
1583:.
1553:.
1524:.
1500:.
1447:.
1394:.
1331:.
1287:.
1263:.
1233:.
894:1
886:1
468:Q
444:–
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
