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highlife as they did not reach the class of the couples going inside, who not only had to pay a relatively high entrance fee of about 7s 6d (seven shillings and sixpence), but also had to wear full evening dress, including top-hats if they could afford it." From the 1930s, highlife spread via
Ghanaian workers to
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Economic problems led to a mass migration of
Ghanaians in the 1960s looking for more opportunities and after that political instability in the '70s and '80s would cause more people and many prominent highlife musicians to leave and create clusters of communities across the west with Germany being a
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and his Akan Trio helped to popularize guitar band highlife, and would release over 400 records during Nyame's lifetime. Dance band highlife, by contrast, was more rooted in urban settings. In the post-war period, larger dance orchestras began to be replaced by smaller professional dance bands,
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in 1973 that the term 'highlife' appeared in the early 1920s "as a catch-phrase for the orchestrated indigenous songs played at clubs by such early dance bands as the Jazz Kings, the Cape Coast Sugar Babies, the
Sekondi Nanshamang and later the Accra Orchestra. The people outside called it the
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Considered one of the most popular music genres to both
Ghanaians and its diaspora, gospel highlife has outlived burger highlife because of its success in blurring the lines between religion and pop culture. This genre is similar to burger highlife but its inspiration comes from
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In the 1940s, the music diverged into two distinct streams: dance band highlife and guitar band highlife. Guitar band highlife featured smaller bands and, at least initially, was most common in rural areas. Because of the history of stringed instruments like the
288:, also known as maringa in Sierra Leone, was one style that originated on coastal locations when local musicians began using portable instruments brought by traders and fused it with local string and percussion instruments. It was usually played in a syncopated
316:. After these musicians saw how the West Indian regimental bandsmen practiced traditional music in their spare time it inspired them to do the same. The fusion of linear marching music with polyrhythmic local music created a danceable style called
292:. This music was played in low class palm-wine bars at ports where sailors, dock workers, and working class locals would drink and listen to the music. Eventually this genre worked its way inland and a more Africanized version came containing 12/8
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typified by the success of E.T. Mensah and the Tempos. As foreign troops departed, the primary audiences became increasingly
Ghanaian, and the music changed to cater to their tastes. Mensah's fame soared after he played with
448:. The music became associated with migrants who would travel between Germany and Ghana. It also would become defined by its use of modern technologies; by the late '90s, productions used solely electronic instruments.
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Ghanaians in
Germany created a secular style of highlife that combined the genre with funk, disco, and synth-pop. It is believed it was called burger highlife because the largest communities of Ghanaians resided in
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465:. Its significance within the communities stems from the religious institution's ability to provide social and cultural infrastructure for the Ghanaian diaspora in Germany.
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back in touch with the music of Africa, as awareness of
African influence on Afro-American music was lacking before the "African musical renaissance" of the late '50s.
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melodies. It uses the melodic and main rhythmic structures of traditional
African music, but is typically played with Western instruments. Highlife is characterized by
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and Louis
Armstrong who played in Ghana (1956 and 1960). Armstrong's All Stars member Edmond Hall came to Ghana in 1959 to set up a short-lived jazz in Accra.
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Orchestra along the country's coast. The high class audience members who enjoyed the music in select clubs gave the music its name. The dance orchestra leader
196:, all perfected this sound by infusing traditional Africa drums and western "Native Blues". After the Second World War its popularity came back within the
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422:, who served as band leader to the Black Beats. Some other early bands were, the Red Spots, the Rhythm Aces, the Ramblers and Broadway-Uhuru.
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globally through its integration with religious institutions and the positive effect it had on immigrating
Ghanaians leaving their homeland.
344:). Highlife was associated with the local African aristocracy during the colonial period, and was played by numerous bands including the
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in Accra in May 1956, and he eventually earned the nickname, the "King of Highlife". Also important from the 1950s onward was musician
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sailors from Liberia, to create highlife's two-finger picking style. Guitar band highlife also featured singing, drums and claves.
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in European forts across West Africa. The military would use local musicians in their brass band regiments and taught them linear
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was one notable musician who played with E.T. Mensah and the Tempos before moving to America and working with musicians such as
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An invitation to a concert featuring Louis Armstrong "from America" and E. T. Mensah and his Tempos Band "of West African Fame"
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of the British and through its trade routes in coastal areas. It describes multiple local fusions of African metre and western
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were important musicians in Ghana. From the late 1950s, famous jazz musicians began to visit Ghana, such as
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The origins of Highlife stem from colonialism and trading in West Africa through regional styles of music.
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and the influence of the diverse culture and flavor of Nigeria, mixed and perfected it to form
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Highlife gained popularity and the genre spread throughout West African regions. Pioneers like
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that is typical of African music. Recently it has acquired an uptempo, synth-driven sound.
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in the region, musicians were happy to incorporate the guitar. They also used the
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among other West African countries, where the music quickly gained popularity.
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The globalization of musics in transit : music migration and tourism
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The Clave Matrix; Afro-Cuban Rhythm: Its Principles and African Origins
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503: in this section. Unsourced material may be challenged and removed.
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which became the country's most popular music genre in the 1960s.
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Highlife has remained a part of popular music for Ghanaians and
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which lead the band and its use of the two-finger plucking
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in 1963, featuring compositions by West African musicians
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that originated along the coastal cities of present-day
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highlife guitar part is modeled after an Afro-Cuban
711:Eyre, Banning (2006: 9). "Highlife guitar example"
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664:"The Early History of West African Highlife Music"
1007:Highlife Giants: West African Dance Band Pioneers
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844:: CS1 maint: multiple names: authors list (
810:Ruxandra, Krüger, Simone Trandafoiu (2014).
300:when production of the records was stopped.
1009:. Abuja (Nigeria): Cassava Republic Press.
951:. Washington (DC): Three Continents Press.
863:. London: Off The Record Press. p. 10.
308:A style of highlife that resembled western
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261:Top: clave. Bottom: highlife guitar part (
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971:. Philadelphia: Temple University Press.
519:Learn how and when to remove this message
876:1985 publisher Lynne Rienner Publishers
775:. Greenwood Publishing Group. pp.
767:Salm, Steven J.; Falola, Toyin (2002).
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597:recorded a song called "High Life" on
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610:had a song called "Highlife" on the
501:adding citations to reliable sources
590:(Kofi Ghanaba) ("Mystery of Love").
893:Kelley, Robin D. G. (2012-03-01).
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431:preferred destination because of
963:also Colorado:Passeggiata Press.
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158:in the 19th century, during its
816:. Routledge. pp. 252–266.
488:needs additional citations for
896:Africa Speaks, America Answers
861:E. T. Mensah: King of Highlife
556:Africa Speaks, America Answers
324:Dance and guitar band highlife
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988:E. T. Mensah King of Highlife
905:10.4159/harvard.9780674065246
734:Peñalosa, David (2010: 247).
771:Culture and Customs of Ghana
433:its relaxed immigration laws
947:Music Makers of West Africa
336:with Ghanaian rhythms like
242:guajeo as shown below. The
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21:High life (disambiguation)
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930:Retrieved 27 January 2021
738:. Redway, CA: Bembe Inc.
680:10.1017/S0261143000003524
578:recorded an album called
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1675:Ghanaian styles of music
459:Charismatic Christianity
637:Ghanaian Highlife Forms
364:'s older brother) told
350:Cape Coast Sugar Babies
1604:Sudanese popular music
1005:Collins, John (2016).
986:Collins, John (1996).
969:West African Pop Roots
967:Collins, John (1992).
943:Collins, John (1985).
859:Collins, John (1986).
662:Collins, John (1989).
612:album of the same name
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16:Ghanaian musical genre
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426:The Ghanaian diaspora
405:style, borrowed from
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19:For other uses, see
1224:African heavy metal
874:Musicmakers of West
304:Brass-band highlife
186:Cardinal Rex Lawson
160:history as a colony
75:British West Africa
899:. pp. 11–40.
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210:Igbo highlife
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194:Victor Uwaifo
191:
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136:Ijaw Highlife
133:
132:Igbo Highlife
129:
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114:Fusion genres
112:
106:
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56:African music
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51:Akan folklore
50:
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27:
22:
1562:Santé engagé
1505:Moroccan pop
1420:Kadongo Kamu
1400:Isicathamiya
1372:
1343:Coupé-décalé
1202:Zimdancehall
1072:desert blues
1006:
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968:
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923:
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869:
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812:
790:. Retrieved
770:
735:
712:
671:
667:
621:
618:Craig Harris
598:
593:Saxophonist
584:Bobby Benson
579:
576:Randy Weston
569:
555:
552:Red Saunders
546:
538:Kofi Ghanaba
535:
515:
506:
495:Please help
490:verification
487:
455:
442:
429:
402:
395:
371:Sierra Leone
366:John Collins
337:
327:
307:
298:World War II
284:
276:
251:
244:bell pattern
238:
226:
214:
183:
179:guitar style
147:
146:
140:Edo Highlife
78:(modern-day
1251:Ambasse bey
1168:Zenji flava
1163:Bongo Flava
542:Ahmad Jamal
362:E.T. Mensah
310:brass bands
294:polyrhythms
239:clave motif
229:arpeggiated
198:Igbo people
190:E.T. Mensah
152:music genre
1659:Categories
1629:Ziglibithy
1475:Marrabenta
1460:Mahraganat
1323:Chimurenga
1180:Zimbabwean
1146:Senegalese
1054:Genres of
643:References
606:Guitarist
588:Guy Warren
548:Guy Warren
420:King Bruce
411:E.K. Nyame
346:Jazz Kings
71:Gold Coast
1619:Wassoulou
1535:Palm-wine
1425:Kidandali
1333:Coladeira
1301:Cape jazz
1286:Bend-skin
1276:Bantowbol
1236:Afro-soul
1219:Afro-rock
1214:Afrobeats
1158:Tanzanian
1131:Mauritian
840:cite book
832:900017261
688:0261-1430
338:osibisaba
290:4/4 metre
246:known in
1665:Highlife
1520:Ndombolo
1510:Motswako
1490:Mbaqanga
1373:Highlife
1348:Edo Funk
1316:Moroccan
1311:Algerian
1271:Bajourou
1246:Amapiano
1209:Afrobeat
1175:Togolese
1141:Nigerien
1136:Nigerian
1126:Moroccan
1121:Malawian
1094:Ghanaian
1084:Algerian
631:See also
580:Highlife
574:Pianist
570:Source:
148:Highlife
100:Afrobeat
29:Highlife
1644:Zouglou
1639:Zoblazo
1614:Tabanka
1599:Soukous
1594:Singeli
1545:Raï'n'B
1530:Odi Pop
1465:Makossa
1455:Madiaba
1430:Kizomba
1395:Hiplife
1296:Bikutsi
1281:Batuque
1229:Zamrock
1099:Ivorian
1089:Gambian
626:(1993).
623:F-Stops
614:(1990).
603:(1981).
600:Rejoice
446:Hamburg
403:dagomba
399:seprewa
379:Nigeria
375:Liberia
334:calypso
330:foxtrot
223:History
202:Nigeria
175:guitars
120:Raglife
105:Hiplife
95:Makossa
69:1870s,
1609:Taarab
1584:Shaabi
1572:Seggae
1557:Salegy
1552:Sakara
1485:Mbalax
1480:Maloya
1470:Marabi
1450:Logobi
1440:Kwaito
1435:Kuduro
1358:Funaná
1306:Chaabi
1266:Azonto
1261:Assiko
1197:Seggae
1109:Boomba
1104:Kenyan
1013:
994:
975:
955:
911:
880:
830:
820:
792:30 May
783:
779:–185.
742:
719:
696:931273
694:
686:
383:Gambia
352:, and
233:guajeo
58:genres
54:other
1624:Zaley
1579:Semba
1525:Njuup
1500:Morna
1495:Mbube
1445:Kwela
1405:Jaiva
1390:Hipco
1363:Gnawa
1291:Benga
1256:Apala
1114:Genge
692:JSTOR
532:1950s
354:Accra
342:Fante
318:adaha
252:clave
206:riffs
171:horns
168:jazzy
156:Ghana
80:Ghana
48:music
1567:Sega
1415:Jùjú
1368:Gqom
1353:Fuji
1328:Colá
1241:Alté
1011:ISBN
992:ISBN
973:ISBN
953:ISBN
909:ISBN
878:ISBN
846:link
828:OCLC
818:ISBN
794:2017
781:ISBN
740:ISBN
717:ISBN
684:ISSN
461:and
381:and
332:and
267:Play
248:Cuba
237:3-2
173:and
164:jazz
46:Akan
1540:Raï
1410:Jit
901:doi
777:181
676:doi
499:by
407:Kru
250:as
200:of
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