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element of personification in her work mimicking a self portrait. Her artistic interests consist of architecture, fashion, textiles, and colour. All of her work illustrates her motif as isolated. Sometimes her compositions seem as if they were posed, and some of her other works look like she was at a great distance observing and recording. Her work is entangled with the idea of repetitive movement and minimal materiality. Lloyd's video instillations are made to be continuous with the intention of the start and end of the work being conditional upon the viewer. She takes an unpolished, hands-on approach to filmmaking with her favourite medium being a
106:. Lloyd does not consider herself to be a filmmaker, rather an artist who uses film as a tool to create art. Her work encapsulates the wider temporal experience of the viewer with physical space playing an important role. Typically Lloyd will create an immersive experience for the viewer through this use of space, often influencing their movement through her art. The equipment that has been used to display her images include: monitors, projectors, stands, and cabling. Lloyd prefers to use versatile technological equipment in her work for both aesthetic purposes and convenience. In 2020,
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Hilary Lloyd's work is derived from her observation of people, objects, and spaces. She says that her work does not need to be understood, and that she often does not understand it herself. She purposefully films people who are aware that they are being filmed and act accordingly. This allows for an
118:, 1999. This captures sunlight reflecting off water, shown on a Sony monitor on a one-minute loop. “It is spell-binding,” Fox remarked, indicative of “the kind of beauty to be found anywhere”. During the coronavirus lockdown in May 2020 gallerist
93:. She now works and lives in London while researching at Central Saint Martins and has exhibited internationally in cities such as New York, Venice and Basel.
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is an
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curated a mixed exhibition online which included Lloyd’s 1999 video titled
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114:’s collection” for BBC television and included Lloyd’s video piece,
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made a personal tour of “some of the most profound artworks from
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Sailor, Collage study of masculinity, Random Acts 2017
391:"Turner prize 2011 contenders: Hilary Lloyd - video"
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653:Turner Prize Nominee 2011, TateShots interview
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503:"Hilary Lloyd at Blaffer Art Museum, 2016"
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475:Magazine, Wallpaper* (25 November 2019).
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427:"Hilary Lloyd – Chisenhale Gallery"
688:21st-century English women artists
73:arts centre was nominated for the
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313:Matthew Cain (5 December 2011),
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713:21st-century English artists
693:English contemporary artists
625:"Hilary Lloyd - Exhibitions"
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698:20th-century English women
574:. Sadie Coles. 15 May 2020
209:Museum fĂĽr Gegenwartskunst
338:"Hilary Lloyd, lecturer"
85:She was born in 1964 in
550:"Museums In Quarantine"
151:, Focal Point Gallery,
89:and studied art at the
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116:One Minute of Water
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169:Temple Bar Gallery
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634:11 December
512:12 December
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432:12 December
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340:. UAL. 2015
159:Awful Girls
130:Exhibitions
120:Sadie Coles
677:Categories
534:10 January
481:Wallpaper*
300:References
53:Occupation
668:Studio #2
403:0261-3077
264:Studio #2
246:Tramway,
241:Raven Row
81:Biography
77:in 2011.
71:Raven Row
229:New York
135:Car Park
507:YouTube
296:(2006)
294:MĂĽnchen
260:(2009)
250:(2009)
248:Glasgow
237:(2011)
231:(2011)
215:(2012)
199:Balfour
185:(2016)
183:Houston
175:(2017)
165:Woodall
155:(2017)
149:Theatre
145:(2019)
87:Halifax
44:Halifax
578:18 May
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173:Dublin
143:London
556:3 May
368:3 May
344:3 May
323:3 May
280:Films
258:Dijon
213:Basel
189:Robot
636:2020
580:2020
558:2020
536:2013
514:2020
488:2020
462:2020
434:2020
410:2020
399:ISSN
370:2020
346:2020
325:2020
124:Rich
97:Work
36:1964
31:Born
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