651:. Dame Cortlandt finds his behaviour incomprehensible. Erling and Tortenssen now learn that their court appointments are a sham. Nanna and Thora reject their marriage proposals, given their impoverished status. Fed up with Griffenfeld's incessant practical jokes, Erling and Tortenssen assemble the townspeople, and are joined by Dame Cortlandt, who has realised what is going on, and they plan to go to Copenhagen to complain to the Prince personally. When Griffenfeld arrives, he tells them that the Regent is already in Elsinore to hear their complaints. The chorus are jubilant that their grievances will finally be heard, while Griffenfeld and his daughters pretend to be alarmed and to beg for mercy.
660:
arrives in a great ceremony. As evidence of the
Governor's practical jokes, Harold and the Hussars dance a ballet for him. The Regent announces that Erling and Tortenssen's previous appointments are confirmed, and they are elevated to the nobility. Corporal Harold is promoted to Colonel, Mats Munck is promoted to Governor, and Griffenfeld is degraded to the rank of Private. Lastly, he commands that Erling and Tortenssen marry Griffenfeld's daughters, and he invites the whole village to a banquet at the castle. After the chorus have left, Griffenfeld tells "Egilsson" that he is pleased with how well the joke is working. He ignores that his joke on Dame Cortlandt backfired.
671:, but now he is not interested. Mats asks a nearby sentry if he is obliged to marry her. Griffenfeld changes places with the sentry, and says that he must. Griffenfeld is delighted that, once again, all of his practical jokes are working beautifully, but his daughters are starting to feel some remorse over their treatment of Erling and Tortenssen. The new nobles make a pretence of behaving haughtily towards the young ladies, but soon crumble before the feminine tears. Left alone, the girls finally admit that they have real feelings for the men.
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been named
Physician to the King. The two men are in love with Nanna and Thora, the daughters of Elsinore's governor, George Griffenfeld. Until now, the girls have scornfully refused the two suitors' advances. The young men hope for better luck, now that they have secured royal appointments. Nanna and Thora appear, and they appear receptive to the men's entreaties. But after the men leave, the girls admit that the appointments are a practical joke, one of many their father has perpetrated on the citizens of Elsinore.
773:. The paper thought Carr's music an inferior copy of the Sullivan style, but nevertheless better than "that more vulgar mould in which he has found favour with the purveyors of variety entertainments." The paper judged the cast "exceptionally strong". Its comments on Nancy McIntosh accorded, to some degree, with Sullivan's: " has of late made rapid progress and has become an actress of decided skill and charm, though her voice and singing are scarcely as good as they were when she came out."
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statue, but he tells her that he is a mere strolling player, Nils
Egilsson. After she leaves, he encounters Griffenfeld, who also notices the resemblance. Seeing another opportunity for a practical joke, Griffenfeld asks "Egilsson" to impersonate the Prince Regent – dispensing fake honours to the townspeople, which will later be revealed as amusing hoaxes. Christina overhears their agreement, but left alone with the Regent once again, promises not to divulge their secret.
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for fun, he had proposed marriage to the extraordinarily wealthy Dame Hecla
Cortlandt. He now wants to break off the engagement, but he fears her dangerous temper. When she arrives, Griffenfeld asks her what she would do if, hypothetically, his proposal turned out to be a ruse. Her angry reply leaves him terrified. With his two daughters, he plots to trick Mats Munck, the local
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The people of
Elsinore await their audience with the Regent. Mats Munck has drawn up their complaints in a formal legal document. Christina assures them that she foresees the Governor's downfall. Nanna and Thora beg forgiveness for their father, but the crowd will have none of it. Finally, the Regent
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The King's
Hussars enter, led by Corporal Harold. The Governor has compelled them to dance like ballet-girls every day from 10 to 2. Griffenfeld joins them, and chastises the Hussars for their lack of a sense of humour. He admits to Harold, however, that one of his practical jokes has backfired. Just
631:
The people of
Elsinore celebrate a newly unveiled statue of the Prince Regent. Its creator, Erling Sykke, has been named Sculptor to the Royal Family. After the townspeople leave, Christina remains, transfixed. She tells Erling that she is in love with the statue. Erling's friend, Dr. Tortenssen, has
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rated
Gilbert's libretto "a pretty fair specimen" of "genuine Gilbertian humour", but lamented the absence of Sullivan; of Carr's contribution, it said, "the music is neat, easy, the technical writing skilful, the orchestration correct; in fact there is nothing wrong with it. And this is the gravest
643:
After they leave, the Prince Regent appears, in disguise, dressed as a "tattered vagabond". He has received many complaints about
Griffenfeld's behaviour from the citizens of Elsinore, and he wants to see for himself if they are true. He encounters Christina, who is struck by his resemblance to the
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Everyone gathers for the weddings, but
Griffenfeld abruptly announces that the Regent's visit was a sham, and all of the honours he dispensed were practical jokes. But "Egilsson" turns the tables, and announces that he is the real Regent. All of the honours are to become permanent, and likewise
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in Wolfson 1976, p. 65). The London run of just over five months (162 performances, closing on 6 April 1895), cut short because of an influenza epidemic, was a disappointment. Nevertheless, the opera had a respectable provincial tour and a Broadway production opening at the former
144:, along with many of the critics, had found her unimpressive and did not want her in any more of his operas. The two men were not able to settle their differences, and Gilbert and Sullivan once again had to find different partners.
100:, who was to become a major West End star. It was also produced in New York in 1895, and in German translation at the Carltheater, Vienna, in both 1895 and 1897. The opera also enjoyed a British provincial tour.
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Mats Munck has a meeting with Dame Cortlandt, in which she believes she is consulting him on arrangements for her marriage with Griffenfeld, but Mats believes that she plans to marry
53:. The piece concerns a practical-joking governor whose pranks threaten to make everyone miserable, until the Prince Regent kindly foils the governor's plans. Towards the end of the
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about their lives. Meanwhile, Dame Cortlandt once again confronts Mats Munck. She insists that she was engaged to the Governor. Now that Mats is Governor, she is engaged to
128:. Encouraged by the modest success of this piece, the two agreed to write a new piece. In January 1894, Gilbert was ready with the scenario for a libretto that would become
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132:, and which he hoped Sullivan would set to music. But the two collaborators disagreed over the casting of the leading lady. Gilbert insisted on using his protege,
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304:, on 27 October 1894. The production and libretto received enthusiastic notices, though the score met a mixed reception. After the opera opened, Gilbert wrote to
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887:. Paper presented at the Victorian Interdisciplinary Studies Association of the Western United States annual conference in October 2002, accessed 26 March 2008
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Griffenfeld's demotion to the rank of Private is confirmed. The Regent asks Christina to marry him, and all of the couples are happily united.
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216:, in 1877, in which he pursued his anti-semitic, anti-suffrage and anti-homosexual social agenda. The journal was often sued for libel.
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concurred, attributing the "undeniable triumph" of the piece solely to Gilbert's "inventive genius as a librettist and stage manager."
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feuded with Gilbert in 1877, had been a frequent theatrical critic of Gilbert's. Labouchère founded a personal weekly journal,
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unsuccessfully, Gilbert selected Carr as the composer for the new piece. Carr had enjoyed success in musical comedy, with
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From the late 1870s through the 1880s, Gilbert wrote a series of successful comic operas, working almost exclusively with
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disagreed with the positive assessments, calling the libretto "the worst that Mr. Gilbert ever wrote – worse even than
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reproach one can make to a writer of opéra-bouffe music – plenty should be the matter with it." The critic of
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in London opened on 27 October 1894, and closed on 6 April 1895 after 162 performances. For the cast of
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becoming quickly popular. Gilbert added elements of the new genre to his later works. In the case of
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By 1894, the popular trend on the London stage had moved from traditional comic opera to a new genre,
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declined to write the music for this piece after Gilbert insisted on casting his protege,
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1. With anger stern ... A hive of bees, as I've heard say – Chorus; Christina and Regent
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949:. The Gilbert and Sullivan Archive, 28 December 2008, accessed 28 November 2010
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6. So this is how you'd have us sue you – Thora, Nanna, Erling and Tortenssen
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4. One day the Syndic of this town – Syndic, Dame, Sentry and Griffenfeld
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accused Gilbert of poaching the D'Oyly Carte chorus. Choreography was by
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Harold is enjoying his new rank. He and Blanca decide to write a
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partnership dissolved for several years after the production of
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6. Now what would I do if you proved untrue – Dame and Governor
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9. Now if you would atone – Regent and Governor with Christina
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Contradiction Contradicted – The Plays of W. S. Gilbert
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4. If all is as you say – Nanna, Thora, Erling and Tortenssen
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Final Curtain – The Last Gilbert and Sullivan Operas
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3. Oh my goodness, here's the nobility! – Nanna and Thora
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5. When a gentleman supposes – Nanna, Thora and Governor
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10. Now all that we've agreed upon, O – Dame and Syndic
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8. Finale: Now all that we've agreed upon, O – Company
843:"Production of Mr. W. S. Gilbert's New Comic Opera",
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praised Gilbert's libretto, rating it his best since
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3. There once was a corporal bold – Harold and Blanca
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5. Here are the warriors all ablaze – Chorus of Girls
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W. S. Gilbert, A Classic Victorian & His Theatre
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7. Oh what a fund of joy – Nanna, Thora and Governor
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The opera premiered instead under the management of
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987:Adams, W. Davenport, "The Decline of Comic Opera",
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1. Set the merry bunting flying – Erling, Christina
323:on 14 October 1895, which ran for 88 performances.
202:, among other satiric targets, Gilbert ridicules
972:, the English Operetta, at The Broadway Theatre"
750:7. Ring the bells and bang the brasses! – Chorus
151:Third verse of "When a gentleman supposes" from
363:disguised as Nils Egilsson, a strolling player
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1006:Gilbert and Sullivan – A Dual Biography
710:8. A King who is pestered with cares – Regent
136:, in the part, who had played the heroine in
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722:12. Finale: Come hither, ev'ry one – Company
1383:People associated with Gilbert and Sullivan
1356:International Gilbert and Sullivan Festival
73:, did not feel that McIntosh was adequate.
1351:Cultural influence of Gilbert and Sullivan
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917:, Vol. 26, No. 3 (Fall, 1993), pp. 134–142
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692:2. When I bestow my bosom's store – Erling
554:a lady of property, engaged to Griffenfeld
65:, in the lead role; Sullivan and producer
1102:at The Gilbert & Sullivan Discography
1065:. London: Chappell & Company Limited.
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735:2. Quixotic is his enterprise – Governor
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24:
1373:List of compositions by Arthur Sullivan
859:"His Excellency at the Lyric Theatre",
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382:Governor of Elsinore, a practical joker
1131:Programme from the original production
1080:at The Gilbert & Sullivan Archive
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232:, Gilbert was able to engage former
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608:Contemporary press cartoon showing
268:. Many of the choristers from the
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1027:. Associated University Presses.
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1388:Works about Gilbert and Sullivan
224:The original production at the
18:His Excellency (disambiguation)
449:Corporal of the King's Hussars
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911:and the Uses of Antisemitism"
915:Victorian Periodicals Review
804:Bibliography of W.S. Gilbert
1561:Operas by Frank Osmond Carr
1046:. Oxford University Press.
1008:. Oxford University Press.
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1361:W. S. Gilbert bibliography
1331:D'Oyly Carte Opera Company
719:11. My wedded life – Nanna
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1042:Stedman, Jane W. (1996).
1023:Crowther, Andrew (2000).
863:, 3 November 1894, p. 481
794:, which was bad enough."
1004:Ainger, Michael (2002).
991:, 1 October 1895, p. 203
929:, 31 December 1957, p. 6
896:Stedman, pp. 157 and 255
872:Vorder Bruegge, Andrew (
831:, 29 October 1894, p. 12
140:. Sullivan and producer
1551:English-language operas
1288:The Yeomen of the Guard
1246:The Pirates of Penzance
978:, 15 October 1895, p. 5
847:, 29 October 1894, p. 8
845:The Manchester Guardian
776:The Manchester Guardian
286:, and costumes were by
1541:Works by W. S. Gilbert
1061:Wolfson, John (1976).
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552:Dame Hecla Cortlandt,
538:Griffenfeld's daughter
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1423:The Sapphire Necklace
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298:Lyric Theatre, London
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1556:English comic operas
1346:Bridget D'Oyly Carte
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1180:Gilbert and Sullivan
905:Hirshfield, Claire.
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380:George Griffenfeld,
173:, after approaching
142:Richard D'Oyly Carte
114:Gilbert and Sullivan
69:, proprietor of the
67:Richard D'Oyly Carte
55:Gilbert and Sullivan
16:For other uses, see
1571:Fiction set in 1801
1341:Rupert D'Oyly Carte
947:: Background Notes"
883:10 May 2011 at the
874:Winthrop University
861:The Saturday Review
781:The Saturday Review
45:with a libretto by
1479:The Rose of Persia
1431:The Contrabandista
976:The New York Times
758:Critical reception
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49:and music by
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571:
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1546:1894 operas
1520:WikiProject
1455:Haddon Hall
1415:Cox and Box
1393:Adaptations
1378:Grim's Dyke
1336:Helen Carte
1326:Savoy opera
989:The Theatre
786:The Theatre
530:Jessie Bond
500:Christina,
441:John Le Hay
433:of Elsinore
348:Voice type
306:Helen Carte
280:Helen Carte
258:John Le Hay
254:Jessie Bond
234:Savoy opera
220:Productions
189:(1893) and
94:Jessie Bond
43:comic opera
30:Jessie Bond
1535:Categories
1490:(1901) w/
1274:The Mikado
1136:Review of
1093:The Sketch
998:References
770:The Mikado
593:May Cross
236:stalwarts
104:Background
1281:Ruddigore
1142:The Times
927:The Times
829:The Times
764:The Times
614:Grossmith
559:contralto
1510:Category
1260:Iolanthe
1253:Patience
881:Archived
798:See also
621:Elsinore
600:Synopsis
570:Blanca,
465:A sentry
447:Harold,
420:baritone
369:baritone
183:(1892),
155:, Act II
32:as Nanna
1447:Ivanhoe
1439:The Zoo
1319:Related
1218:Thespis
610:Gilbert
542:soprano
536:Thora,
518:Nanna,
507:soprano
275:Mirette
192:Go-Bang
180:In Town
1566:Operas
1492:German
1482:(1899)
1474:(1898)
1466:(1894)
1458:(1892)
1450:(1891)
1442:(1875)
1434:(1867)
1426:(1867)
1418:(1866)
1210:Operas
1095:, 1894
1050:
1031:
1012:
727:Act II
655:Act II
638:Syndic
584:Elsa,
431:Syndic
367:lyric
316:quoted
311:Mikado
264:star,
138:Utopia
112:. The
1091:, in
909:Truth
810:Notes
684:Act I
627:Act I
612:with
403:tenor
345:Role
327:Roles
213:Truth
1048:ISBN
1029:ISBN
1010:ISBN
454:bass
252:and
92:and
1140:in
876:).
669:him
649:him
314:" (
198:In
1537::
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934:^
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836:^
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361:,
290:.
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240:,
88:,
1172:e
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1158:v
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968:"
943:"
20:.
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