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Historic Music Past Tense Future

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244:, called the album "an historic meeting," and stated: "While Brötzmann and Parker were playing regularly in various configurations by this point, the addition of Graves on drums incites the group to blazing heights. One is reminded of the ardent propulsive energy that Graves brought to sessions with New York Art Quartet, Giuseppi Logan or Albert Ayler in the 1960s, and here, his choreographed polyrhythms recall those celebrated alliances while drawing on the depth of his sonic research over the subsequent decades." 29: 197: 192: 187: 182: 177: 260:
stated: "Brötzmann, Graves and Parker start strong and then get even stronger as the double LP progresses, finding scorching levels of intensity and uncanny interplay, the flames rising higher and higher. Freedom music, yeah, but with a focus and imagination that never lets you forget you're in the
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awarded the album 5 stars, and commented: "This is one of those recordings that might be welcomed with simply respectful silence and celebration, or you might want to shout along at times... it's a kind of simultaneous Jeremiad and Hymn of Praise, for all the life missed, all the life lived and all
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wrote: "While the individual voice of each player is palpable, the long-term bond of Parker and Brötzmann is forced to adjust to the drummer's singular attack, a tom-heavy polymetric whirlwind that digs deeper into time than most of us can reckon with. The music is characteristically visceral, but
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the life possible, a vast collective utterance that has passed beyond all notions of comprehensible speech into absolute screaming and pounding, spell, convulsion, prayer and dance, at the seeming limits of human expression."
253:, Phil Freeman called the album "incredible," and wrote: "Both saxophonist and drummer are in thunderous form on the four side-long jams that make up this double LP... with Parker keeping a steady pulse in the middle." 1592: 1469: 1744: 142:
in New York City, and was released in 2022 by Black Editions Archive, a label focused on historical free jazz, with emphasis on the release of previously unavailable recordings by Graves.
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included the album in the publication's weekly playlist of notable new music, calling the musicians "lions of the avant-garde."
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the challenge for the listener is less in its energy than its groove-fracturing content."
110: 746: 1576: 1310: 1254: 1202: 1058: 1027: 995: 975: 966: 739: 684: 599: 310: 233: 219: 131: 45: 1790: 1552: 1528: 418:"Peter Brötzmann / Milford Graves / William Parker: Historic Music Past Tense Future" 338:"Peter Brötzmann / Milford Graves / William Parker: Historic Music Past Tense Future" 547:"Peter Brötzmann, Milford Graves, William Parker - Historic Music Past Tense Future" 496:"Peter Brötzmann, Milford Graves, William Parker — Historic Music Past Tense Future" 1736: 1656: 1314: 1258: 999: 958: 672: 636: 363:"Peter Brötzmann, Milford Graves, William Parker: Historic Music Past Tense Future" 96: 1391:
Years given are for the recording(s), not first release, unless stated otherwise.
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Years given are for the recording(s), not first release, unless stated otherwise.
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Years given are for the recording(s), not first release, unless stated otherwise.
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2022 live album by Peter Brötzmann, Milford Graves, and William Parker
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All compositions by Peter Brötzmann, Milford Graves, and William Parker.
1077: 1350: 444:"Kamasi Washington Blasts Into a Fresh Era, and 13 More New Songs" 36: 799: 568: 139: 76: 1354: 803: 572: 1745:
The intellect given birth to here (eternity) is too young
1763: 1520: 1397: 1332: 1041: 846: 781: 714: 615: 109: 95: 83: 72: 64: 56: 35: 21: 1366: 815: 584: 8: 174: 1373: 1359: 1351: 1266:Tribute to Albert Ayler Live at the Dynamo 822: 808: 800: 591: 577: 569: 149: 27: 18: 1494:Still Quite Popular After All Those Years 1446:The Nearer the Bone, the Sweeter the Meat 494:Rosenstein, Michael (February 16, 2022). 442:Russonello, Giovanni (February 4, 2022). 126:is a double-LP live album by saxophonist 1561:Andrew Cyrille Meets Brötzmann in Berlin 855:Through Acceptance of the Mystery Peace 329: 470:"Complete Communion: Jazz For January" 1817:William Parker (musician) live albums 411: 409: 155: 7: 1237:(2006, 2007, 2009, 2011, & 2012) 468:Margasak, Peter (January 31, 2022). 416:Broomer, Stuart (February 2, 2022). 1665:Never Too Late But Always Too Early 522:"The Month In Jazz – February 2022" 520:Freeman, Phil (February 22, 2022). 138:. It was recorded in March 2002 at 707:and Bill Laswell, 2015 & 2016) 14: 1118:Mass for the Healing of the World 176: 1673:Historic Music Past Tense Future 1194:Historic Music Past Tense Future 755:Historic Music Past Tense Future 387:Ehlers, Michael (January 2022). 240:Michael Rosenstein, writing for 195: 190: 185: 180: 175: 123:Historic Music Past Tense Future 22:Historic Music Past Tense Future 1713:The Brain of the Dog in Section 991:Out of This World's Distortions 723:The Complete Yale Concert, 1966 1181:(2001, 2002, 2007, & 2008) 1: 1633:Little Birds Have Fast Hearts 115:Michael Ehlers, Peter Kolovos 551:Doom and Gloom from the Tomb 258:Doom and Gloom from the Tomb 1807:Peter Brötzmann live albums 1242:Double Sunrise Over Neptune 1838: 1812:Milford Graves live albums 1545:Opened, But Hardly Touched 1430:Brötzmann/Van Hove/Bennink 863:Compassion Seizes Bed-Stuy 1802:2022 collaborative albums 1388: 1340:Other Dimensions in Music 1178:I Plan to Stay a Believer 1094:Sunrise in the Tone World 837: 774:(with Bill Laswell, 2014) 606: 261:hands of three masters." 216:The Free Jazz Collective' 163: 160: 26: 1625:The Chicago Octet/Tentet 1609:Live at the Empty Bottle 983:Uncle Joe's Spirit House 422:The Free Jazz Collective 313:– drums, vocals, dancing 170:The Free Jazz Collective 1537:3 Points and a Mountain 668:Space/Time – Redemption 206:Giovanni Russonello of 1510:Memories of a Tunicate 639:and Hugh Glover, 1976) 632:Children of the Forest 101:Black Editions Archive 1822:Live free jazz albums 1776:Globe Unity Orchestra 1641:From Valley to Valley 1154:Raincoat in the River 735:Dialogue of the Drums 1753:The Catch of a Ghost 1585:Whatthefuckdoyouwant 1322:Essence of Ellington 1162:Eloping with the Sun 1146:Fractured Dimensions 789:New York Art Quartet 367:Black Editions Group 319:– bass, doussn'gouni 151:Professional ratings 1697:American Landscapes 1070:In Order to Survive 1007:The Gowanus Session 907:Bob's Pink Cadillac 899:Raining on the Moon 644:Meditation Among Us 624:Percussion Ensemble 553:. February 21, 2022 342:Jazz Music Archives 152: 1138:Mayor of Punkville 247:In an article for 226:In an article for 209:The New York Times 150: 1784: 1783: 1681:The Bishop's Move 1532:(1968 & 1970) 1486:Tales Out of Time 1478:The Dried Rat–Dog 1348: 1347: 1286:Winter Sun Crying 1250:Farmers by Nature 1105:(1997 & 1998) 1102:The Peach Orchard 1023:2 Blues for Cecil 887:Piercing the Veil 797: 796: 700:Sacred Ceremonies 652:Grand Unification 204: 203: 119: 118: 105: 1829: 1797:2022 live albums 1764:Related articles 1729:3 Nights in Oslo 1705:Lost & Found 1617:The Wels Concert 1502:I Surrender Dear 1438:Schwarzwaldfahrt 1375: 1368: 1361: 1352: 1333:Related articles 1271:Roy Campbell Jr. 1234:Wood Flute Songs 1055:Charles Brackeen 943:Alphaville Suite 871:Painter's Spring 824: 817: 810: 801: 782:Related articles 705:Wadada Leo Smith 593: 586: 579: 570: 563: 562: 560: 558: 543: 537: 536: 534: 532: 517: 511: 510: 508: 506: 491: 485: 484: 482: 480: 465: 459: 458: 456: 454: 439: 433: 432: 430: 428: 413: 404: 403: 401: 399: 384: 378: 377: 375: 373: 359: 353: 352: 350: 348: 334: 294:"Side D" – 16:42 291:"Side C" – 17:25 281:"Side B" – 18:25 278:"Side A" – 15:33 200: 199: 198: 194: 193: 189: 188: 184: 183: 179: 178: 153: 140:CB's 313 Gallery 103: 77:CB's 313 Gallery 31: 19: 1837: 1836: 1832: 1831: 1830: 1828: 1827: 1826: 1787: 1786: 1785: 1780: 1759: 1516: 1406:For Adolphe Sax 1393: 1384: 1382:Peter Brötzmann 1379: 1349: 1344: 1328: 1306:Love and Ghosts 1294:Medicine Buddha 1226:For Percy Heath 1199:Peter Brötzmann 1126:2 Days in April 1110:Posium Pendasem 1050:Melodic Art–Tet 1037: 1012:Thollem McDonas 972:Anthony Braxton 951:Corn Meal Dance 842: 833: 828: 798: 793: 777: 760:Peter Brötzmann 710: 689:Roscoe Mitchell 611: 602: 597: 567: 566: 556: 554: 545: 544: 540: 530: 528: 519: 518: 514: 504: 502: 500:Dusted Magazine 493: 492: 488: 478: 476: 467: 466: 462: 452: 450: 441: 440: 436: 426: 424: 415: 414: 407: 397: 395: 386: 385: 381: 371: 369: 361: 360: 356: 346: 344: 336: 335: 331: 326: 305:Peter Brötzmann 301: 288: 275: 267: 242:Dusted Magazine 196: 191: 186: 181: 148: 128:Peter Brötzmann 102: 79:, New York City 52: 42:Peter Brötzmann 17: 12: 11: 5: 1835: 1833: 1825: 1824: 1819: 1814: 1809: 1804: 1799: 1789: 1788: 1782: 1781: 1779: 1778: 1773: 1767: 1765: 1761: 1760: 1758: 1757: 1749: 1741: 1733: 1725: 1717: 1709: 1701: 1693: 1685: 1677: 1669: 1661: 1653: 1645: 1637: 1629: 1621: 1613: 1605: 1601:Die Like a Dog 1597: 1589: 1581: 1577:Berlin Djungle 1573: 1565: 1557: 1549: 1541: 1533: 1524: 1522: 1518: 1517: 1515: 1514: 1506: 1498: 1490: 1482: 1474: 1466: 1458: 1450: 1442: 1434: 1426: 1418: 1410: 1401: 1399: 1395: 1394: 1389: 1386: 1385: 1380: 1378: 1377: 1370: 1363: 1355: 1346: 1345: 1343: 1342: 1336: 1334: 1330: 1329: 1327: 1326: 1318: 1311:Gerald Cleaver 1302: 1290: 1282: 1262: 1255:Gerald Cleaver 1246: 1238: 1230: 1222: 1214: 1206: 1203:Milford Graves 1190: 1182: 1174: 1158: 1150: 1142: 1134: 1122: 1114: 1106: 1098: 1090: 1074: 1066: 1059:Ahmed Abdullah 1045: 1043: 1039: 1038: 1036: 1035: 1028:Andrew Cyrille 1019: 1003: 996:Gerald Cleaver 987: 979: 976:Milford Graves 967:Beyond Quantum 963: 955: 947: 939: 927: 919: 911: 903: 895: 883: 879:O'Neal's Porch 875: 867: 859: 850: 848: 844: 843: 838: 835: 834: 831:William Parker 829: 827: 826: 819: 812: 804: 795: 794: 792: 791: 785: 783: 779: 778: 776: 775: 767: 764:William Parker 751: 743: 740:Andrew Cyrille 731: 718: 716: 712: 711: 709: 708: 696: 693:Scott Robinson 685:Marshall Allen 676: 664: 656: 648: 640: 628: 619: 617: 613: 612: 607: 604: 603: 600:Milford Graves 598: 596: 595: 588: 581: 573: 565: 564: 538: 512: 486: 460: 448:New York Times 434: 405: 379: 354: 328: 327: 325: 322: 321: 320: 317:William Parker 314: 311:Milford Graves 308: 300: 297: 296: 295: 292: 287: 284: 283: 282: 279: 274: 271: 266: 263: 256:A reviewer at 234:Peter Margasak 220:Stuart Broomer 202: 201: 172: 166: 165: 162: 158: 157: 147: 144: 136:William Parker 134:, and bassist 132:Milford Graves 117: 116: 113: 107: 106: 99: 93: 92: 87: 81: 80: 74: 70: 69: 68:March 29, 2002 66: 62: 61: 58: 54: 53: 50:William Parker 46:Milford Graves 40: 33: 32: 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 1834: 1823: 1820: 1818: 1815: 1813: 1810: 1808: 1805: 1803: 1800: 1798: 1795: 1794: 1792: 1777: 1774: 1772: 1769: 1768: 1766: 1762: 1755: 1754: 1750: 1747: 1746: 1742: 1739: 1738: 1734: 1731: 1730: 1726: 1723: 1722: 1718: 1715: 1714: 1710: 1707: 1706: 1702: 1699: 1698: 1694: 1691: 1690: 1686: 1683: 1682: 1678: 1675: 1674: 1670: 1667: 1666: 1662: 1659: 1658: 1654: 1651: 1650: 1646: 1643: 1642: 1638: 1635: 1634: 1630: 1627: 1626: 1622: 1619: 1618: 1614: 1611: 1610: 1606: 1603: 1602: 1598: 1595: 1594: 1590: 1587: 1586: 1582: 1579: 1578: 1574: 1571: 1570: 1566: 1563: 1562: 1558: 1555: 1554: 1550: 1547: 1546: 1542: 1539: 1538: 1534: 1531: 1530: 1529:Fuck de Boere 1526: 1525: 1523: 1519: 1512: 1511: 1507: 1504: 1503: 1499: 1496: 1495: 1491: 1488: 1487: 1483: 1480: 1479: 1475: 1472: 1471: 1467: 1464: 1463: 1459: 1456: 1455: 1451: 1448: 1447: 1443: 1440: 1439: 1435: 1432: 1431: 1427: 1424: 1423: 1419: 1416: 1415: 1411: 1408: 1407: 1403: 1402: 1400: 1398:Studio albums 1396: 1392: 1387: 1383: 1376: 1371: 1369: 1364: 1362: 1357: 1356: 1353: 1341: 1338: 1337: 1335: 1331: 1324: 1323: 1319: 1316: 1312: 1308: 1307: 1303: 1300: 1296: 1295: 1291: 1288: 1287: 1283: 1280: 1276: 1272: 1268: 1267: 1263: 1260: 1256: 1252: 1251: 1247: 1244: 1243: 1239: 1236: 1235: 1231: 1228: 1227: 1223: 1220: 1219: 1215: 1212: 1211: 1207: 1204: 1200: 1196: 1195: 1191: 1188: 1187: 1183: 1180: 1179: 1175: 1172: 1168: 1164: 1163: 1159: 1156: 1155: 1151: 1148: 1147: 1143: 1140: 1139: 1135: 1132: 1131:Fred Anderson 1128: 1127: 1123: 1120: 1119: 1115: 1112: 1111: 1107: 1104: 1103: 1099: 1096: 1095: 1091: 1088: 1084: 1080: 1079: 1075: 1072: 1071: 1067: 1064: 1060: 1056: 1052: 1051: 1047: 1046: 1044: 1040: 1033: 1029: 1025: 1024: 1020: 1017: 1013: 1009: 1008: 1004: 1001: 997: 993: 992: 988: 985: 984: 980: 977: 973: 969: 968: 964: 961: 960: 956: 953: 952: 948: 945: 944: 940: 937: 933: 932: 928: 925: 924: 923:Luc's Lantern 920: 917: 916: 912: 909: 908: 904: 901: 900: 896: 893: 889: 888: 884: 881: 880: 876: 873: 872: 868: 865: 864: 860: 857: 856: 852: 851: 849: 847:Studio albums 845: 841: 836: 832: 825: 820: 818: 813: 811: 806: 805: 802: 790: 787: 786: 784: 780: 773: 772: 768: 765: 761: 757: 756: 752: 749: 748: 744: 741: 737: 736: 732: 729: 725: 724: 720: 719: 717: 713: 706: 702: 701: 697: 694: 690: 686: 682: 681: 677: 674: 670: 669: 665: 662: 661: 657: 654: 653: 649: 646: 645: 641: 638: 634: 633: 629: 626: 625: 621: 620: 618: 616:Studio albums 614: 610: 605: 601: 594: 589: 587: 582: 580: 575: 574: 571: 552: 548: 542: 539: 527: 523: 516: 513: 501: 497: 490: 487: 475: 471: 464: 461: 449: 445: 438: 435: 423: 419: 412: 410: 406: 394: 390: 383: 380: 368: 364: 358: 355: 343: 339: 333: 330: 323: 318: 315: 312: 309: 306: 303: 302: 298: 293: 290: 289: 285: 280: 277: 276: 272: 270: 265:Track listing 264: 262: 259: 254: 252: 251: 245: 243: 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Retrieved 341: 332: 268: 257: 255: 248: 246: 241: 239: 227: 225: 215: 214: 207: 205: 169: 122: 121: 120: 1649:Stone/Water 1521:Live albums 1414:Machine Gun 1210:Sound Unity 1186:Spontaneous 1171:Hamid Drake 1063:Roger Blank 1042:Live albums 1032:Enrico Rava 936:Hamid Drake 931:Summer Snow 892:Hamid Drake 858:(1974-1979) 715:Live albums 680:Flow States 474:The Quietus 229:The Quietus 1791:Categories 1299:Billy Bang 1275:Joe McPhee 1167:Joe Morris 1016:Nels Cline 728:Don Pullen 324:References 130:, drummer 37:Live album 1771:Last Exit 1569:Pica Pica 1470:Songlines 1462:Last Home 1087:John Zorn 915:Scrapbook 771:The Stone 526:Stereogum 299:Personnel 250:Stereogum 146:Reception 90:Free jazz 1721:Woodcuts 1593:Hyperion 1454:Low Life 393:The Wire 111:Producer 65:Recorded 57:Released 39: by 1422:Nipples 1317:, 2011) 1301:, 2009) 1281:, 2008) 1261:, 2008) 1218:Requiem 1205:, 2002) 1173:, 2001) 1133:, 1999) 1089:, 1993) 1065:, 1974) 1034:, 2021) 1018:, 2012) 1002:, 2010) 978:, 2008) 938:, 2005) 894:, 2000) 766:, 2002) 742:, 1974) 730:, 1966) 695:, 2015) 675:, 2013) 660:Stories 307:– reeds 104:BEA-001 1756:(2019) 1748:(2018) 1740:(2013) 1732:(2009) 1724:(2008) 1716:(2007) 1708:(2006) 1700:(2006) 1692:(2005) 1684:(2003) 1676:(2002) 1668:(2001) 1660:(1999) 1652:(1999) 1644:(1998) 1636:(1997) 1628:(1997) 1620:(1996) 1612:(1996) 1604:(1993) 1596:(1992) 1588:(1987) 1580:(1984) 1572:(1982) 1564:(1982) 1556:(1981) 1548:(1980) 1540:(1979) 1513:(2019) 1505:(2018) 1497:(2004) 1489:(2002) 1481:(1994) 1473:(1991) 1465:(1990) 1457:(1987) 1449:(1979) 1441:(1977) 1433:(1973) 1425:(1969) 1417:(1968) 1409:(1967) 1325:(2012) 1309:(with 1297:(with 1289:(2009) 1277:, and 1269:(with 1253:(with 1245:(2007) 1229:(2005) 1221:(2004) 1213:(2004) 1197:(with 1189:(2002) 1165:(with 1157:(2001) 1149:(1999) 1141:(1999) 1129:(with 1121:(1998) 1113:(1998) 1097:(1995) 1081:(with 1078:Harras 1073:(1993) 1061:, and 1053:(with 1026:(with 1010:(with 994:(with 986:(2010) 970:(with 962:(2007) 954:(2007) 946:(2007) 934:(with 926:(2004) 918:(2002) 910:(2001) 902:(2001) 890:(with 882:(2000) 874:(2000) 866:(1995) 758:(with 750:(1976) 738:(with 726:(with 703:(with 691:, and 683:(with 671:(with 663:(2000) 655:(1997) 647:(1977) 635:(with 627:(1965) 557:May 3, 531:May 3, 505:May 3, 479:May 3, 453:May 3, 427:May 3, 398:May 3, 372:May 3, 347:May 3, 286:Disc 2 273:Disc 1 164:Rating 161:Source 48:, and 1553:Alarm 97:Label 85:Genre 73:Venue 1689:Guts 1313:and 1257:and 1201:and 1169:and 1085:and 1030:and 1014:and 998:and 974:and 762:and 747:Bäbi 559:2022 533:2022 507:2022 481:2022 455:2022 429:2022 400:2022 374:2022 349:2022 60:2022 1793:: 1273:, 1057:, 687:, 549:. 524:. 498:. 472:. 446:. 420:. 408:^ 391:. 365:. 340:. 232:, 218:s 44:, 1374:e 1367:t 1360:v 823:e 816:t 809:v 592:e 585:t 578:v 561:. 535:. 509:. 483:. 457:. 431:. 402:. 376:. 351:.

Index


Live album
Peter Brötzmann
Milford Graves
William Parker
CB's 313 Gallery
Genre
Free jazz
Label
Producer
Peter Brötzmann
Milford Graves
William Parker
CB's 313 Gallery
The New York Times
Stuart Broomer
The Quietus
Peter Margasak
Stereogum
Peter Brötzmann
Milford Graves
William Parker
"Peter Brötzmann / Milford Graves / William Parker: Historic Music Past Tense Future"
"Peter Brötzmann, Milford Graves, William Parker: Historic Music Past Tense Future"
"Listen: exclusive Milford Graves treasures from the Black Editions Archive"


"Peter Brötzmann / Milford Graves / William Parker: Historic Music Past Tense Future"
"Kamasi Washington Blasts Into a Fresh Era, and 13 More New Songs"
"Complete Communion: Jazz For January"

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