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Rashidi shot the film with webcam and mobile phone cameras between 2002 and 2004. Each segment of the film was shot and edited separately, and compiled together in 2008 for the final version. Rashidi used archival footage from the early films of cinema and integrated them with the rest of material in
142:. The film is an experimental derivation from the concept of cinema, expressing this perception through images and sound. The 33 minute film reflects the notion of seventh art with complete personal and free interpretation.
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order to create the sense of history. The film is heavily saturated, grainy and full of distorted images. The soundscape designed by
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History of Cinema premiered at the Global Cinema
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