History of Blake's 7

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of the series. Providing a large amount of material in a short time would prove difficult for Nation. Admitting that he had agreed to write every episode out of "ego and supreme confidence", Nation later recalled that he returned home following the commission and told his wife, "I think I've got myself into deep trouble!" Nation informed Boucher that he would only be able to deliver the first draft of each script, telling Boucher, "...you can have rewrites or you can have the next episode: which do you want?" As a result, while Nation created the plots, Boucher provided a great deal of input into the characters and dialogue. According to Boucher, "Terry came up with the characters, he came up with thirteen good stories, but he didn't come up with the dialogue. I remember saying, and I think it's pretty close to the truth, that for a long time,

955:. This document noted that "...the Federation must be shown to be even more powerful, even more ruthless and even more intelligent". To show this, the producers decided that one of the main characters would die. Nation, unhappy with Michael Keating's interpretation of the role, was keen for Vila to be killed. Nation's view was opposed by Boucher and Maloney because the character was popular with viewers. A commissioned Audience Research Report on the first series had indicated that Avon was the most popular character followed by Blake, Jenna, Vila, Cally and Gan. It is likely that this report influenced the decision to kill Gan. 2132:, Boucher decided that concluding the series in a shoot-out would provide a more memorable ending. Apart from Blake, the characters' fates would be deliberately ambiguous in case a fifth series was commissioned. Blake was to be given the dying words; "Oh Avon, I didn't take any of them on trust... except you... You are my... only friend", but these were removed because Blake's ability to deliver them after the violence of his shooting stretched credibility. 863:. Shooting schedules began to overrun, leading to expensive remounts and to cast members being taken out of rehearsals, either for pre-filming or for remounts of scenes that had not been filmed on schedule. These problems peaked in January 1978 when, in the course of one week, the cast were working on four different episodes for four different directors. Recording was further complicated when Stephen Greif, playing Travis, ruptured his 130:, the BBC's Head of Serials, to discuss ideas for new television series. Marsh was looking for formats for co-productions with American television channels. Nation suggested a number of ideas, mostly for crime dramas, none of which appealed to Marsh. According to Nation, "...the interview was drawing to a close when I surprised myself by starting to detail a new science fiction adventure 'Have you got a title?' someone asked. 1373:. Because of the difficulties caused by the use of strike filming, Series Two was recorded using block filming. This filming method involved a month of location filming for the first six episodes before the studio videotape recording of those episodes, each director being assigned to work on two episodes. The process was repeated for the next six episodes and the final episode would be recorded on its own. 1543:, the scenes for which were filmed on the series' final day of recording, Friday 7 March 1980. Special effects designer Jim Francis, who had the task of destroying the sets on camera, recalled; "It was a big set to destroy. All the pyrotechnics and the big beams dropping from the ceiling could only be done once, which meant we couldn't rehearse it. Everybody did what they were told, and it looked great". 2554:). The series attracted an average of 8.5 million viewers. The apparent massacre at the end of the final episode provoked a strong reaction from many viewers, who were upset to see their heroes meet a grisly fate. Chris Boucher believed that the date on which the final episode was broadcast – 21 December 1981 – was unfortunate, and has since described himself as "the man who killed 148:. Group of villains being escorted onto a rocket ship (transported) which goes astray and lands on an alien planet, where inhabitants are planning to invade and destroy Earth. Possibly live underground." Nation left the meeting with a commission for a pilot script and "...the bewildered feeling that I could not trace the source of the idea". Nation submitted his pilot script, titled " 1778:

was a waste of time, and saw other actors who all seemed nearer the right age. When I went to see David Maloney his advice to me was to keep my performance as gritty as possible". Maloney was concerned that Pacey's curly hair made Pacey look similar to Gareth Thomas. Judith Smith, Maloney's production secretary, recalled that "...there was all the rigmarole about trying to

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proposed for this series involved Avon recruiting scientists and using their expertise to resist the Federation. Because this would impose a running order on the episodes, and because the rebels could become too powerful, the scripts often ended with the scientist dead and the rebels gaining nothing.

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than the Vila portrayed on screen. The character of Arco Trent was described as a powerful figure in the Administration who had become a scapegoat for a group of corrupt officials involved in arms dealing. Arco would plot against Blake but would gain respect for him after Blake saves his life. Arco's

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was cast as Tarrant. Pacey was told about the part by Chris Boucher at the BBC bar. Remembering his audition, Pacey said, "...reading the character breakdown, and it said, 'Del Tarrant is thirty-five years old-' and I thought, 'This is a bit silly, I'm only twenty-one'. I went downstairs thinking it

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was originally planned as the fourth episode. This story would have re-introduced the character Travis, first seen in the pilot script, now with a mechanical arm and an eye patch. Travis would be ordered by his superior officer, "Commander Shervalan", to recapture Blake. This script's plot elements

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Early in 1977, Nation was commissioned to write four more episodes for Series One and five episodes for Series Two. He was now contracted to write all thirteen episodes of the first series. The BBC had expanded Nation's writing commitment in order that Nation's high-profile would help the promotion

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to be transmitted, although the agent who betrays Glyd's group and plots Blake's conviction was named Cral Travis, rather than Dev Tarrant in the transmitted episode. The proposed characters for the series were: Rog (later changed to Roj) Blake, Vila Restal, Jenna Stannis, Kerr Avon, Olag Gan, Arco

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Unknown to Ridge, Thomas was determined to eliminate any ambiguity over Blake's death. He had arranged with the visual effects team to ensure that as much blood as possible was seen when Blake was killed. Ridge was somewhat shocked when Thomas set off the charge to create the gunshot effect during

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crew's new leader and would ultimately betray the crew to the Federation for personal profit. Maloney was concerned that casting an older, well-known actor for the final series of an established series would be difficult. He persuaded Nation to change 'The Captain' – now named Del Tarrant – into a

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by Pip and Jane Baker – in which Blake, Gan and Jenna would infiltrate a Federation facility attempting to create 'super-soldiers' by administering drugs to humans, leading to Blake and Gan becoming exposed to the drugs and Jenna being held by Servalan as an inducement for the scientist behind the

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Terry Nation was commissioned to write five episodes for Series Two: episode one, which would resolve the cliffhanger from Series One; episode 6, in which Blake would assault Storm Mountain; episode 10, which would be a stand-alone adventure and episodes 12 and 13, a two-part finale in which Blake

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was planned, which would revolve around Blake's attempt to attack the Federation Supreme Computer Control. This would be located at a place called Storm Mountain which, when attacked by Blake in a mid-series climax, would be discovered to be a decoy. The rest of the series would follow Blake as he

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At the early planning stage, it was unclear which of the regular cast would be returning. Jan Chappell had become dissatisfied with the role of Cally. Chappell was asked to reprise the role, first for six episodes, then three and finally one. She declined, but recorded an uncredited voiceover for

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The scripting problems intensified in September 1978 when Nation informed Boucher that he was having problems writing the two-part finale. Nation had made several aborted attempts to write episode twelve and had not begun writing episode thirteen. Nation's scripts were cancelled and the final two

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were commissioned to write the remainder of the episodes. It was intended that Boucher would write episode two, which would re-introduce Travis and Servalan; Holmes would write episode three, which would be an Orac story and Boucher would then provide the fourth episode, which would introduce the

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The series' animated title sequence was created by Bob Blagden, and was based partially on suggestions given by Nation in his draft pilot script. Nation had envisaged a vast computer that would print out pictures of each of the characters; these would be deposited in a tray marked "Enemies of the

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to meet Terry Nation – who was now working as a Hollywood producer – to discuss the series' new format. Nation approved the changes but played little part in the development of this series. Director Mary Ridge returned, directing the first episode to ensure continuity with Series Three's closing

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In Series Two, some cast changes occurred. David Jackson (Gan) was not upset that his character would die because Jackson was given little to do in many episodes. According to Chris Boucher, Jackson once passed him a note with the word 'four' written on it. When Boucher queried the note, Jackson

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Jacqueline Pearce had fallen ill and was hospitalised shortly after Series Three had finished recording. Believing that Pearce may not be available, a new female villain – Commissioner Sleer – was devised. When Pearce indicated her availability for the series, Sleer became Servalan's pseudonym,

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Planning for the third series began in November 1978. Gareth Thomas' departure meant the series would continue without Blake. According to David Maloney, "...a decision had to be made to go with a third series or stop it completely. Terry Nation, naturally, was for going on with it, and I think

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began in January 1978 after three episodes of the first series had been screened. Maloney and Boucher met with Nation and his agent Roger Hancock, to discuss the new series. New writers would be engaged and, although Nation would be consulted on general storylines, he would not be involved in

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that explained the format of the series, the characters' backgrounds and outlined the various technical terms – such as "spacials" and "teleport" - that the series employed. Boucher wanted to write for the series and in May 1978 received clearance to write up to three scripts. Robert Holmes,

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spacecraft. Murray-Leach "...turned the ship around, so it was drawn to look as if it were going one way but flew the other way. In fact, if you take the line of flow, the angles go with it to get a sense of speed, and we turned that around so the 'wings' all canted forwards, not backwards".

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Trent, Tone Selman and Brell Klein. The descriptions of Blake, Jenna and Gan are similar to those of the developed characters. However, Vila's character is somewhat different, described as "thirty five, a good-looking athletic", he appeared more similar to the popular fictional character

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Because of the uncertainty over Jan Chappell's availability, most of the early scripts were written for Cally, whose lines were given to Soolin. A scene of Vila crying while hiding from Avon, whom he believes is intent on killing him, was removed from the final edit of the episode

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Avon, still the leader of the group, was portrayed as being increasingly determined to destroy the Federation, in contrast to the first series where Avon had dismissed Blake's aims as insane, his own being to obtain wealth. Avon becomes increasingly self-centred and paranoid: in

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crew would search for the missing Blake and in a mid-series climax would discover his grave. Nation was commissioned to write the first two episodes, which would establish the new format and characters. The final story of the series would, it was intended, conclude

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was cast to replace Greif in the role of Space Commander Travis. It was decided that Orac would become a regular character. Derek Farr, who had voiced Orac in its debut, was unavailable and Peter Tuddenham, who was already voicing Zen, was engaged to play Orac.

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s destruction led to major changes to the series' format. Chris Boucher has suggested that the fourth series can be viewed as an entirely new series. In this series, the rebels would have a planetary base on the planet Xenon – spelt Zenon in early drafts. The

289:. Nation later recalled: "During those thirteen weeks, I ran entirely out of ideas, and I'd sit around and walk for days, saying, 'There are no more ideas, that's it! I've shot it all and it's gone'." One episode badly affected by Nation's difficulties was 1302:

At the end of Series Two, the actors' 26-episode contracts would expire. Neither Gareth Thomas nor Sally Knyvette wished to return for a third series. Thomas was disappointed not to be allowed to direct a few episodes, and had been offered a role with the

1863:. This script was prompted by a request by Michael Keating, who later recalled, "...my daughter, who was about five or six at the time, thought Vila was stupid; Chris Boucher said, 'I'll write you a story where you get the girl'". Difficulties arose with 1346:. While Nation's original outline for the two-part series finale involved Jenna and Vila being killed, Boucher was aware that Gan's death had upset some viewers, and chose to have Blake and Jenna disappear from the narrative between the end of 1524:. The difficulties experienced with the script-writing of Series Three meant that the story arc was largely abandoned, although there are references to Avon's search for Federation torturer 'Shrinker' in episodes prior to their encounter in 2120:, involved Blake returning to lead an assault on the Federation on Earth, finally defeating them. This idea was rejected by Lorrimer, who thought it "...would be like five men trying to defeat the German army". Influenced by the films 2115:

would be renewed for a fifth series. Boucher was disappointed; he thought that an additional series would have enabled the cast and crew to become comfortable with the new format. The first proposal for the series' conclusion, titled

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To replace Cally, Boucher created Soolin, a 25-year-old gunslinger. The character's name partly derived from Boucher's wife's name, Lynn. Soolin had killed the man who raised and trained her in revenge for his murder of her parents.

640:, a "...new and major BBC television series of space adventure" set in the "third century of the second calendar", was in development, stating that 13 episodes would be produced at a cost of £750,000. Casting was now in progress. 1494:

By December, the idea of a new lead character, 'The Captain', was mooted. The Captain, envisaged as being aged between 35 and 55, would be veteran of the Intergalactic War that began in Series Two. 'The Captain' would become the

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Instead of Tarrant, Avon would become the lead character of the series. The intention was to soften the character of Avon and make him more moralistic. This was resisted vehemently by Paul Darrow who believed that it was Avon's

219: 1803:. Nation "...thought it would be interesting to have a girl who was aggressive, to have somebody who would kill first and ask questions later, and it was nice to give what are generally masculine attitudes to a woman". 855:. Strike filming involved pre-filming, either on location or at a film studio, immediately before entering rehearsals for the scenes to be recorded in the videotape studios. This method worked well for a series such as 738:. The directors would work in rotation, each directing four episodes. Episode seven would be directed by Paul Ciappessoni. Mayne was killed in a boating accident and was replaced by Vere Lorrimer. The eighth episode, 964:

would reach Star One and would uncover a plot by aliens to invade the galaxy, forcing Blake to ally himself with the Federation to defeat the aliens. In interviews given by Terry Nation, he suggested that the

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Vere Lorrimer decided that the new series should be darker and less glamorous than its predecessors. The crew would acquire a new spacecraft that should be somewhat cramped and more functional, akin to the

1009:-style society. This plan was later revised; Boucher would write episodes two and three, taking the story centred on Orac, while Holmes would write the fourth episode, which would introduce Storm Mountain. 2509:, took place between 13 and 15 October 1981. Following rehearsals, recording began in the studio at BBC Television Centre on 5 November 1981. The final shoot-out was recorded on 6 November. Recording on 1930:

began at BBC Television Centre in late 1979, which disrupted many BBC programmes. When filming was completed and the cast and crew were ready for recording at Television Centre, the strike had ended and

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Nation wrote the first 13-episode series and contributed a further six scripts in the second and third series. Twelve additional writers provided material for the series. After three successful series,

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would be Avon, a self-serving, treacherous coward. The characters of Selman and Klein did not appear in the pilot script, which noted that these characters would join the series in a later episode.

2067:. The other directors hired for the series were David Sullivan Proudfoot, Vivienne Cozens, Brian Lighthill and Viktors Ritelis. When David Sullivan Proudfoot was taken ill during the shooting of 337:

The characters of Trent, Selman and Klein were removed from the series, although Trent and Selman appeared as Blake's fellow prisoners and were then killed in the broadcast version of

1943:, Maloney persuaded Gareth Thomas to reprise the role of Blake. Thomas was not available for the studio recording days so his scenes were filmed in a village hall near Pyrton Hill, 345:

would now comprise Blake himself; Avon, who acquired the scheming nature of Arco Trent; Vila, who now acquired the cowardly aspect originally planned for Avon; Jenna; Gan; Zen, the

2108:, Avon kills his former comrade whom he accuses of betrayal, unaware that Blake was playing a double game in order to recruit freedom fighters genuinely opposed to the Federation. 1981:

was shown on a Tuesday; the series returned to its regular time the following week. The series was watched by an average of 9.5 million viewers. When the final episode,

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would be worn by the actress when Cally entered a telepathic trance, giving her a more alien appearance. These ideas were finally abandoned to reduce costs and save time.

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Nation was requested to write several scripts and to influence the format of the new series. As before, a story arc was planned. During the first half of the series, the

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Murray-Leach's role as designer of the ship proved to be contentious with the series' special effects designer, Ian Scoones. Scoones found Murray-Leach's design for the

1418:, the opening episode of Series Two, was broadcast on Tuesday, 9 January 1979 at 7:20 pm with subsequent episodes following at about the same time each Tuesday. 2005:

as he watched its broadcast at home. He telephoned BBC Presentation and instructed that an announcement be made during the end credits that the series would return.

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qualities that appealed to viewers. Darrow was also sceptical of the idea of Avon searching for Blake, considering Avon's oft-stated aim of taking control of the

810:, the first episode to be recorded but the second to be broadcast. The model filming for this episode, the first piece of filming for the series, took place at 2513:

concluded on Saturday 7 November 1981. A new title sequence, featuring a new logo for the series, was created by Doug Burd. Vere Lorrimer wrote lyrics, titled

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computer; and a new character: the telepathic alien, Cally, who was added to balance the gender mix among the cast. This character had similarities to that of

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was first broadcast on BBC1 on 2 January at 6:00 pm. Subsequent episodes were broadcast on Mondays at 7:15 pm. It would compete against the popular

1947:, where the scenes set on the planet Terminal were being filmed. While on location for that episode, an accident occurred during a rehearsal for a stunt; 1017:

plan – was abandoned. This was ostensibly on cost grounds, although Boucher had concerns about the quality of the script. The episodes were re-ordered;

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and was not available. Maloney suggested that Vere Lorrimer, who had directed episodes in all previous series, had the necessary experience to produce

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Michael Keating (Vila); Jan Chappell (Cally); Gareth Thomas (Blake); Sally Knyvette (Jenna); Paul Darrow (Avon) and David Jackson (Gan). Zen is behind.

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sought the real computer control, designated Star One. Travis would be dismissed from the Federation but would continue his vendetta against Blake.

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Writers Allan Prior and Robert Holmes returned for the new series. New to the series were Ben Steed, a short story writer who had also written for

365:. Stevens and Moore speculate that Boucher had a large part in the creation of Cally, whose skin and hair were to be coloured red, while coloured 2024:

Glynis Barber (Soolin); Josette Simon (Dayna); Paul Darrow (Avon); Michael Keating (Vila) and Steven Pacey (Tarrant). Orac is in the foreground.

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Stephen Greif, who had torn an Achilles tendon while playing squash during the filming of the first series, had left to pursue other roles.

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s interior was designed by Roger Cann and director Mary Ridge, who worked to make the new set easier to shoot on and less fragile than the

293:; even after Boucher had rewritten it, director Pennant Roberts was required to lengthen the scenes to fill the fifty-minute running time. 1926:

Recording of Series Three began on Monday 30 July 1979 and continued until March 1980. During filming on location and at Ealing Studios,

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and confirmed the series for full development. Marsh asked Nation to deliver a further five scripts. It was intended that 13 episodes of

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is a corruption of Nation's name that appears frequently in his work. Nation imagined this new, younger Tarrant as "...someone like the

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Ronnie Marsh was too, because of the viewing figures. I think it was felt that they couldn't take it off, so why not be cheeky and do

2122: 1423: 1342:, was intended to be this 'Blake substitute'. The 'Blake substitute' also appears in one of the early drafts of Allan Prior's episode 779:, as production designer. To ensure uniformity of concept, Maloney asked Murray-Leach to design both the interior and exterior of the 1283:

explained that 'four' was the number of lines he had in that week's script. It was originally intended that Gan would be killed by a

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Producing the new series presented significant challenges since several of the cast and crew were engaged in other projects and the

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on Sunday afternoons. Ratings averaged 7 million; although two million lower than the previous series, a third series was assured.

45: 2521:. Pacey did not agree with this idea, and Dudley Simpson created a more lively arrangement of the theme for the closing titles. 2391:

Gareth Thomas agreed to return for a final appearance as Blake on the condition that his character would be irrevocably killed.

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and from new writers Rod Beacham, Bill Lyons, Colin Davis and Simon Masters. Scripts that were commissioned but abandoned were

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Vere Lorrimer, the only returning director, directed four episodes in Series Three. The remaining episodes were directed by

1338:, the third story he was scheduled to write that year. It can be speculated that the character of Del Grant, who appears in 1859:

of Terry Nation's Series One scripts and John Fletcher. Chris Boucher intended to write two scripts, one of which would be

1412:, so David Maloney replaced him but was not credited because of rules forbidding producers to direct their own programmes. 134:

I replied without hesitation." Marsh's notes of the meeting survive and record the pitch Nation made as follows: "cracking

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production office had closed and the cast and crew had dispersed. They were surprised that, during the closing credits of

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was appointed as producer, and oversaw major changes in its format. Following the dramatic finale of the fourth series,

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which had minimal pre-filming, few special effects and a large number of standing sets. However, it was unsuitable for

670:, who was known to David Maloney from Maloney's acting career, was cast as Gan. While watching Jackson on stage at the 2517:, for the series theme music with the notion that Steven Pacey would sing them over a new arrangement of the theme by 2321: 2100:

he showed few reservations about causing the death of a scientist in order to escape Federation pursuit ships; and in

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The first episode of Series Three was transmitted on Monday, 7 January 1980 at 7:15 pm. Competition came from

2422:, describing it as "a fairly small and undistinguished looking cargo ship, moderately scruffy and beaten up". The 1459:

Steven Pacey (Tarrant); Josette Simon (Dayna); Michael Keating (Vila); Jan Chappell (Cally) and Paul Darrow (Avon)

1895: 1304: 851: 775: 202: 2042:. Chris Boucher was available and willing to return as script editor. However, David Maloney was now working on 2453:, Allan Prior and Roger Parkes. Scripts for the second six episodes were commissioned from established writers 904: 802:

would be released in cinemas across the United Kingdom around the same time as the planned television debut of

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Because of the loss of the titular character, Nation considered introducing a 'substitute Blake' character in

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Filming for Series Four commenced on Monday 23 February 1981 on location at Pyrton Hill for the scenes in

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The first six scripts were commissioned from writers familiar with the series – Ben Steed, Robert Holmes,

2050: 1261: 622: 397: 341:. These characters were removed in order to control costs and to give the remaining characters more work. 83: 849:

had inherited its production style – a method called strike filming – from the series it was to replace:

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The only director to return for Series Three was Vere Lorrimer. The other directors appointed were

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onwards was a new character, while "Commander Shervalan" became female and was renamed Servalan.

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had originally been considered for the role of Travis' superior, Servalan, but the role went to

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The strain of writing all thirteen episodes was starting to affect Nation. His tenth script –

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received an average 9.2 million viewers and attaining an average reaction index of 67.

915: 798: 747: 1331:, and sought to leave the show. She did not appear in any further episodes after series 2. 2544: 2518: 2478: 2347: 1974: 864: 723: 697: 653: 98:. The series' budget was severely restricted, which limited the scope for visual effects. 74: 41: 326:

released by the Federation. Travis was later renamed Dev Tarrant in the opening episode

2128: 1963: 1786: 1370: 1324: 1316: 1307:, and sought an exit of the show. He would return twice – once in the series 3 finale, 1295: 976:, leading to rumours that Nation intended them to be encountered by Blake at Star One. 868: 839: 819: 763: 683: 662: 454: 427: 366: 3737: 2371: 1907: 1804: 1397: 1002: 872: 708: 675: 414: 409: 235: 169: 107: 87: 79: 64:

Terran Federation. Four thirteen-episode series were produced between 1978 and 1981.

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This article is specifically about the production history of the television series

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died between the location and studio recordings. Lamont was initially replaced by

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Shortly after recording began, problems with the filming schedule became obvious.

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State" before the appearance of the title caption. The theme music was written by

830:. Filming continued at Ealing and on location, and then moved into the studios at 22: 3385:

Wood, Graeme (February 1992). "Michael Keating. Actor on the Edge of the World".

254:, but he recommended Chris Boucher, who had previously written three scripts for 2343: 2059: 1998: 1944: 1847: 1799: 1762: 1566: 1269: 1103: 1075: 1042: 985: 712: 645: 628: 266:

never spoke a line that I hadn't written or altered to make the lines sharper."

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opted out of transmission, broadcast regional programming instead and showed

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model was designed by Jim Francis and constructed by Ron Thornton, later of

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Nazzaro, Joe (July 1992). "David Jackson. The Gentle Giant of Blake's 7".

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to replace the original sequence that features Gareth Thomas prominently.

806:, Scoones spent the budget he had been allocated for the entire series on 1948: 174: 2613:

Pixley, Andrew (October 2002). "Blake's 7. 'The Dirty Dozen in Space'".

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and the opening story of Series Three. Travis was killed at the end of

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while Jenna was captured by primitives living on a planet ravaged by a

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It was decided that the series would conclude with the destruction of

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Nazzaro, Joe (September 1992). "Terry Nation's Blake's 7. Part Two".

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Nazzaro, Joe (May 1991). "Chris Boucher: Writing for the Rebellion".

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The order in which the episodes were broadcast was rather different.

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and finished on Thursday 8 March 1979. The recording of the episode

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by Paul Darrow, about an attempt by Servalan to regain power using

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The general plans for the series was outlined in a document titled

648:, who had been considered for the part of Blake, was cast as Avon. 2800:

Nazzaro, Joe (August 1992). "Terry Nation's Blake's 7. Part One".

2012: 1447: 965: 217: 26:: for a more general overview of this series, please see the main 2942:

Pixley, Andrew (April 2005). "Flashback. Blake's 7 – Star One".

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Pixley, Andrew (June 2003). "Memory Alpha – Blake's Invasion!".

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was chosen to play Dayna; Simon had recently graduated from the

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awkward to mount and film for the scenes of the ship in flight.

250:, as a script editor. Holmes declined, as he was script editing 3637: 2970:

Pixley, Andrew (August 2004). "Flashback. Blake's 7 – Shadow".

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began transmission on Monday 28 September 1981, competing with

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Servalan being considered dead by the Federation's new regime.

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would be shown the following year. The Head of BBC Television,

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Liberation. The Unofficial and Unauthorised Guide to Blake's 7

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Liberation. The Unofficial and Unauthorised Guide to Blake's 7

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Liberation. The Unofficial and Unauthorised Guide to Blake's 7

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Liberation. The Unofficial and Unauthorised Guide to Blake's 7

1426:

Awards. Competition on ITV came from the popular US programme

1354:, having no Blake upon whom to focus his vendetta against the 753:

Maloney assembled the rest of his production team and engaged

180:

Marsh asked Nation for a draft script for a second episode of

1845:, who had written science fiction serials for radio, notably 1315:, when his character was killed off. Knyvette, encouraged by 1033:, Terry Nation's Storm Mountain script, became the fifth and 644:

was chosen to play Blake at the suggestion of Terry Nation.

3194:

Nazzaro, Joe; Wells, Sheelagh (1997). "The Cast. Part 2.".

2759:

Hearn, Marcus (11 October 2006). "David Maloney Obituary".

1789:, a skilled combat expert partly based on the character of 3612:

Nazzaro, Joe; Wells, Sheelagh (1997). "Special Effects.".

159:

Nation's pilot script broadly resembled what would become

144:

sci-fi. A space Western adventure. A modern swashbuckler.

3433:

Nazzaro, Joe; Wells, Sheelagh (1997). "Location Tales.".

3275:

Nazzaro, Joe; Wells, Sheelagh (1997). "Studio Stories.".

1993:, the continuity announcer declared that a new series of 1422:

was broadcast at 8:10 pm because of coverage of the

3518:

Nazzaro, Joe; Wells, Sheelagh (1997). "Episode Guide.".

2489:

as it was felt to be too strong for a family programme.

2378:, was cast as Soolin. Barber would later attain fame in 2111:

From an early stage, Lorrimer and Boucher doubted that

1512:, who were young and didn't know the meaning of fear". 1045:

was commissioned to write episode twelve, which became

997:

Storm Mountain storyline. Pip and Jane Baker's script,

150:

Blake's 7 – A Television Series created by Terry Nation

2868:

Nazzaro, Joe; Wells, Sheelagh (1997). "Starting Out".

2481:

created by the scientist Algor on the planet Epsilon.

2374:, who had played a Mutoid in the first series episode 1951:, an extra, needed treatment for a broken collarbone. 1782:

and can we cut it really short, and what can we do?".

1381:

Filming on Series Two began on Monday 31 July 1978 at

1037:, the Travis court-martial story, was moved to sixth. 3556:

Pixley, Andrew (1994). "Season D / The Lost Lyrics".

1408:. Vere Lorrimer was unavailable for the recording of 1311:, and once more in the final episode of the series, 318:. The last of these centred on Travis attacking the 106:

was unexpectedly commissioned for a further series.

3713: 3694: 3673: 3461:Nazzaro, Joe; Wells, Sheelagh (1997). "Season 4.". 1532:and three Federation pursuit ships, was created by 192:was introduced. On 12 November, Marsh commissioned 3584:Nazzaro, Joe; Wells, Sheelagh (1997). ""Blake".". 3353: 2643: 1887:, while Boucher replaced the Fletcher script with 636:In June 1977 the BBC announced to the press that 184:in June 1976. Two months later, Nation delivered 114:was not re-commissioned and the programme ended. 3607: 3605: 3579: 3577: 3575: 3493:Stevens, Alan; Moore, Fiona (2003). "Season D". 3456: 3454: 3408:Stevens, Alan; Moore, Fiona (2003). "Season C". 3189: 3187: 3185: 3183: 3038:Stevens, Alan; Moore, Fiona (2003). "Season B". 2734:Stevens, Alan; Moore, Fiona (2003). "Season A". 2642:(1982). "Introduction". In Attwood, Tony (ed.). 2038:sets had been destroyed during the recording of 277:– was abandoned and replaced by a script titled 152:", in April 1976, sub-titling the draft episode 3488: 3486: 3484: 3482: 3033: 3031: 3029: 3027: 3025: 3023: 2863: 2861: 2859: 2857: 2855: 2853: 2851: 2729: 2727: 2725: 2723: 2721: 2719: 2717: 2414:. Chris Boucher, writing the opening episode, 1879:was commissioned to write the replacement for 968:, a race of alien villains he had created for 357:– created by Boucher, who was inspired by the 200:would be produced to replace the police drama 44:television programme that was produced by the 3649: 8: 1005:and Prior would write a script centred on a 2634: 2632: 979:To assist the new writers, Boucher wrote a 940:choosing the writers or approving scripts. 842:who composed much of the incidental music. 285:) which partially re-used some elements of 3656: 3642: 3634: 3324: 3322: 3320: 3318: 3316: 2965: 2963: 2961: 2937: 2935: 2933: 2931: 2929: 2927: 2608: 2505:. Location filming for the final episode, 1021:, Allan Prior's 'Ugandan' script replaced 953:Blake's Seven – Series Two – General Notes 814:on 15 August 1977. Live action filming of 3551: 3549: 3547: 3545: 3543: 3541: 3539: 3314: 3312: 3310: 3308: 3306: 3304: 3302: 3300: 3298: 3296: 3247: 3245: 3243: 3241: 3217: 3215: 3159: 3157: 3155: 3153: 3151: 3149: 3147: 3145: 3143: 3141: 3088: 3086: 3084: 3082: 2999: 2997: 2995: 2993: 2991: 2989: 2693: 2691: 2606: 2604: 2602: 2600: 2598: 2596: 2594: 2592: 2590: 2588: 2104:he threatened to do the same to Vila. In 3360:. London: W.H. Allen & Co. pp. 2827: 2825: 2823: 2821: 2819: 2795: 2793: 2689: 2687: 2685: 2683: 2681: 2679: 2677: 2675: 2673: 2671: 2650:. London: W.H. Allen & Co. pp. 2584: 1875:in space. Both scripts were abandoned. 879:. The recording of the first series of 711:, was cast as Blake's nemesis, Travis. 686:, who had been recommended by director 82:was assigned to produce the series and 2139: 1550: 1055: 875:for the studio scenes for the episode 656:; the pair had worked together on the 652:was suggested for the role of Vila by 376: 3352:Attwood, Tony (1982). "The Writers". 981:General Notes and Baffle Gab Glossary 7: 3588:. London: Virgin. pp. 108–119. 3497:. England: Telos. pp. 149–193. 3412:. England: Telos. pp. 103–148. 730:and Lennie Mayne – who had directed 306:would later be used in the episodes 3329:Pixley, Andrew (1995). "Season D". 3252:Pixley, Andrew (1994). "Season C". 3164:Pixley, Andrew (1995). "Season C". 3093:Pixley, Andrew (1994). "Season B". 3042:. England: Telos. pp. 59–102. 3004:Pixley, Andrew (1995). "Season B". 2698:Pixley, Andrew (1995). "Season A". 818:began on 26 September that year at 210:now officially entered production. 56:follows the fortunes of a group of 3616:. London: Virgin. pp. 48–57. 3437:. London: Virgin. pp. 30–47. 3279:. London: Virgin. pp. 76–87. 3198:. London: Virgin. pp. 88–96. 2738:. England: Telos. pp. 13–58. 2525:the recording of his final scene. 2123:Butch Cassidy and the Sundance Kid 1985:, was shown on 31 March 1980, the 1871:, and John Fletcher's story about 1323:, wished to study full-time for a 822:with scenes set on the spacecraft 14: 2872:. London: Virgin. pp. 8–19. 1785:To replace Jenna, Nation created 1396:was complicated when guest actor 1053:using Nation's original outline. 757:, with whom he had worked on the 690:following her work on the serial 2974:. No. 179. pp. 60–64. 2946:. No. 187. pp. 50–54. 2897:. No. 163. pp. 18–19. 2763:. No. 374. pp. 58–59. 2617:. No. 156. pp. 48–56. 1881:Sweetly Dreaming... Slowly Dying 1869:Sweetly Dreaming... Slowly Dying 935:Planning for a second series of 330:; the Travis that appeared from 301:One script was abandoned early; 297:Script and character alterations 46:British Broadcasting Corporation 3522:. London: Virgin. p. 127. 3389:. No. 27. pp. 16–19. 3226:. No. 34. pp. 28–30. 3067:. No. 32. pp. 28–30. 2836:. No. 18. pp. 20–23. 2804:. No. 33. pp. 28–30. 1041:episodes were re-commissioned. 704:, who was appearing in the BBC 242:because of his experience with 3465:. London: Virgin. p. 97. 3356:Blake's 7. The Programme Guide 2646:Blake's 7. The Programme Guide 2143:Series 4 Production Personnel 1554:Series 3 Production Personnel 1059:Series 2 Production Personnel 1029:, became the seventh episode. 682:, who would be cast as Cally. 434:Series 1 Production Personnel 1: 1861:City on the Edge of the World 1809:Royal Academy of Dramatic Art 871:and had to be replaced by an 72:, who later described it as " 1457:cast in Series Three (1980): 734:episodes – were assigned to 373:Casting and production staff 3614:Blake's 7: The Inside Story 3586:Blake's 7: The Inside Story 3520:Blake's 7: The Inside Story 3463:Blake's 7: The Inside Story 3435:Blake's 7: The Inside Story 3277:Blake's 7: The Inside Story 3196:Blake's 7: The Inside Story 3118:Blake's 7: The Inside Story 2870:Blake's 7: The Inside Story 2022:cast in Series Four (1981): 883:was completed on 15 March. 60:in their fight against the 3765: 2573:List of Blake's 7 episodes 1291:crew as a Federation spy. 742:, was directed by another 227:cast in Series One (1978): 188:, in which the spacecraft 94:was cast as the eponymous 2302:Visual Effects Designers 1939:was intended to conclude 1914:. David Maloney directed 1723:Visual Effects Designers 1305:Royal Shakespeare Company 1204:Visual Effects Designers 852:Softly, Softly: Taskforce 776:The Talons of Weng-Chiang 581:Visual Effects Designers 203:Softly, Softly: Taskforce 52:. Set in the far future, 3558:Blake's 7 Winter Special 3331:Blake's 7 Summer Special 3254:Blake's 7 Winter Special 3166:Blake's 7 Summer Special 3095:Blake's 7 Winter Special 3006:Blake's 7 Summer Special 2700:Blake's 7 Summer Special 2548:(replaced mid-series by 2058:. Lorrimer travelled to 1935:was unaffected. Because 1855:, who had published two 1585:Production Unit Manager 1444:Series Three (1979–1980) 1287:who would then join the 1088:Production Unit Manager 1025:, while Holmes' script, 905:A Sharp Intake of Breath 461:Production Unit Manager 126:attended a meeting with 2045:The Day of the Triffids 2009:Series Four (1980–1981) 1977:meant that the episode 163:, the first episode of 3256:: 21–25 & p34–37. 3122:Virgin Publishing Ltd. 2051:When the Boat Comes In 2026: 1461: 1367:Jonathan Wright Miller 1049:, while Boucher wrote 926:Series Two (1978–1979) 693:Who Pays the Ferryman? 231: 214:Series One (1977–1978) 48:(BBC) for its station 3116:Nazarro, Joe (1997). 2493:Filming and broadcast 2381:Dempsey and Makepeace 2016: 1970:Keep it in the Family 1922:Filming and broadcast 1819:Writers and directors 1451: 1386:nuclear power station 1377:Filming and broadcast 1363:George Spenton-Foster 1278:Cast and crew changes 886:The first episode of 832:BBC Television Centre 792:Filming and broadcast 696:, was cast as Jenna. 246:. Maloney approached 221: 86:was appointed as the 2528:The final series of 2338:Stunt Co-Ordinators 2193:Sheila S. Tomlinson 1811:and did not have an 1757:Stunt Co-Ordinators 1624:Sheila S. Tomlinson 1256:Stunt Co-Ordinators 1236:Richard Yeoman-Clark 1129:Sheila S. Tomlinson 617:Stunt Co-Ordinators 601:Richard Yeoman-Clark 2761:Doctor Who Magazine 2001:, was impressed by 1780:straighten his hair 1747:Electronic Effects 1500:younger character. 1319:, a guest actor on 1246:Electronic Effects 820:Ealing film studios 770:The Deadly Assassin 672:Royal Court Theatre 607:Electronic Effects 332:Seek-Locate-Destroy 118:Origins (1975–1976) 2501:set on the planet 2428:Foundation Imaging 2288:Graphic Designers 2269:Richard Partridge 2205:Malcolm Banthorpe 2198:Videotape Editors 2027: 1973:. Coverage of the 1867:' story, entitled 1694:Richard Partridge 1636:Malcolm Banthorpe 1629:Videotape Editors 1595:Costume Designers 1462: 1141:Malcolm Banthorpe 1134:Videotape Editors 1098:Costume Designers 994:Pip and Jane Baker 972:, would appear in 911:Miss Jones and Son 755:Roger Murray-Leach 722:Three directors – 569:Graphic Designers 516:Malcolm Banthorpe 509:Videotape Editors 471:Costume Designers 447:Roger Murray-Leach 380:Series Created by 312:Mission to Destiny 303:Locate and Destroy 232: 3731: 3730: 3674:Television series 3623:978-0-7535-0044-6 3595:978-0-7535-0044-6 3529:978-0-7535-0044-6 3504:978-1-903889-54-1 3472:978-0-7535-0044-6 3444:978-0-7535-0044-6 3419:978-1-903889-54-1 3371:978-0-426-19449-1 3286:978-0-7535-0044-6 3205:978-0-7535-0044-6 3124:pp. 82, 89. 3049:978-1-903889-54-1 2879:978-0-7535-0044-6 2745:978-1-903889-54-1 2661:978-0-426-19449-1 2534:Coronation Street 2362:Cally's death in 2359: 2358: 2255:Warwick Fielding 2240:Senior Cameraman 2168:Costume Designer 2136:Character changes 1979:Children of Auron 1956:Coronation Street 1928:industrial action 1825:Coronation Street 1772: 1771: 1713:Graphic Designer 1665:Senior Cameramen 1660:Stan Nightingale 1474:without Blake?". 1383:Oldbury-on-Severn 1327:degree, studying 1275: 1274: 1194:Graphic Designer 896:Coronation Street 728:Michael E. Briant 717:Jacqueline Pearce 700:was cast as Zen. 634: 633: 324:biological weapon 3756: 3658: 3651: 3644: 3635: 3628: 3627: 3609: 3600: 3599: 3581: 3570: 3569: 3553: 3534: 3533: 3515: 3509: 3508: 3490: 3477: 3476: 3458: 3449: 3448: 3430: 3424: 3423: 3405: 3399: 3398: 3382: 3376: 3375: 3359: 3349: 3343: 3342: 3326: 3291: 3290: 3272: 3266: 3265: 3249: 3236: 3235: 3219: 3210: 3209: 3191: 3178: 3177: 3161: 3136: 3135: 3113: 3107: 3106: 3090: 3077: 3076: 3060: 3054: 3053: 3035: 3018: 3017: 3001: 2984: 2983: 2967: 2956: 2955: 2939: 2922: 2913: 2907: 2906: 2890: 2884: 2883: 2865: 2846: 2845: 2829: 2814: 2813: 2797: 2788: 2779: 2773: 2772: 2756: 2750: 2749: 2731: 2712: 2711: 2695: 2666: 2665: 2649: 2636: 2627: 2626: 2610: 2556:Father Christmas 2436: 2322:Elizabeth Parker 2267:Malcolm Johnson 2250:Studio Lighting 2222:Film Recordists 2173:Nicholas Rocker 2140: 2085: 2030:Production staff 1896:Desmond McCarthy 1741:Elizabeth Parker 1692:Malcolm Johnson 1677:Studio Lighting 1653:Film Recordists 1604:Nicholas Rocker 1551: 1526:Rumours of Death 1429:Charlie's Angels 1267:Leslie Crawford 1240:Elizabeth Parker 1225:Paul V. Wheeler 1220:Model Sequences 1189:Malcolm Johnson 1172:Studio Lighting 1160:Film Recordists 1112:Make-up Artists 1056: 826:for the episode 748:Douglas Camfield 549:Studio Lighting 531:Film Recordists 483:Make-up Artists 377: 3764: 3763: 3759: 3758: 3757: 3755: 3754: 3753: 3734: 3733: 3732: 3727: 3709: 3690: 3669: 3662: 3632: 3631: 3624: 3611: 3610: 3603: 3596: 3583: 3582: 3573: 3555: 3554: 3537: 3530: 3517: 3516: 3512: 3505: 3492: 3491: 3480: 3473: 3460: 3459: 3452: 3445: 3432: 3431: 3427: 3420: 3407: 3406: 3402: 3384: 3383: 3379: 3372: 3351: 3350: 3346: 3328: 3327: 3294: 3287: 3274: 3273: 3269: 3251: 3250: 3239: 3221: 3220: 3213: 3206: 3193: 3192: 3181: 3163: 3162: 3139: 3132: 3115: 3114: 3110: 3092: 3091: 3080: 3062: 3061: 3057: 3050: 3037: 3036: 3021: 3003: 3002: 2987: 2969: 2968: 2959: 2941: 2940: 2925: 2914: 2910: 2892: 2891: 2887: 2880: 2867: 2866: 2849: 2831: 2830: 2817: 2799: 2798: 2791: 2780: 2776: 2758: 2757: 2753: 2746: 2733: 2732: 2715: 2697: 2696: 2669: 2662: 2638: 2637: 2630: 2612: 2611: 2586: 2581: 2564: 2545:Never the Twain 2519:Norrie Paramour 2495: 2471:Graham Williams 2447: 2441:sets had been. 2434: 2397: 2395:Sets and models 2354: 2350: 2348:Terry Forrestal 2346: 2310: 2308: 2296: 2294: 2282: 2271:Trevor Webster 2270: 2268: 2256: 2235:Dennis Panchen 2234: 2232: 2230: 2228: 2217:Fintan Sheehan 2212:Film Cameraman 2206: 2204: 2183:Suzanne Jansen 2178:Make-up Artist 2162: 2160: 2158: 2156: 2154: 2138: 2083: 2077: 2032: 2025: 2023: 2011: 1975:Winter Olympics 1924: 1837:, a successful 1821: 1767: 1765: 1729: 1708:Paul del Bravo 1707: 1706:Shirley Coward 1705: 1693: 1671: 1659: 1647: 1641:Film Cameramen 1635: 1614:Sheelagh Wells 1609:Make-up Artist 1603: 1579: 1578:Jan Spoczynski 1577: 1575: 1573: 1571: 1570:Steve Brownsey 1569: 1565: 1549: 1480: 1478:Storyline ideas 1467: 1460: 1458: 1446: 1379: 1280: 1268: 1266: 1264: 1238: 1214: 1212: 1188: 1166: 1154: 1152: 1146:Film Cameramen 1140: 1118: 1106: 1082: 1080: 1079:Steve Brownsey 1078: 1074: 1072: 1070: 961: 933: 928: 865:Achilles tendon 794: 724:Pennant Roberts 698:Peter Tuddenham 654:Pennant Roberts 650:Michael Keating 627: 625: 587: 575: 543: 541: 540:Andrew Boulton 539: 538:John K. Murphy 537: 526:Ken Willacombe 521:Film Cameraman 515: 503: 501: 489: 477: 453: 451: 449: 445: 444:Martin Collins 413: 375: 299: 281:(later renamed 230: 228: 216: 120: 75:The Dirty Dozen 68:was created by 42:science fiction 12: 11: 5: 3762: 3760: 3752: 3751: 3746: 3736: 3735: 3729: 3728: 3726: 3725: 3719: 3717: 3711: 3710: 3708: 3707: 3698: 3696: 3692: 3691: 3689: 3688: 3683: 3677: 3675: 3671: 3670: 3663: 3661: 3660: 3653: 3646: 3638: 3630: 3629: 3622: 3601: 3594: 3571: 3535: 3528: 3510: 3503: 3478: 3471: 3450: 3443: 3425: 3418: 3400: 3377: 3370: 3344: 3292: 3285: 3267: 3237: 3211: 3204: 3179: 3137: 3130: 3108: 3078: 3055: 3048: 3019: 2985: 2957: 2923: 2916:Dudley Simpson 2908: 2885: 2878: 2847: 2815: 2789: 2774: 2751: 2744: 2713: 2667: 2660: 2628: 2583: 2582: 2580: 2577: 2576: 2575: 2570: 2563: 2560: 2494: 2491: 2446: 2443: 2418:, created the 2404:from the film 2396: 2393: 2376:Project Avalon 2357: 2356: 2341: 2339: 2335: 2334: 2331: 2329: 2328:Video Effects 2325: 2324: 2319: 2317: 2316:Special Sound 2313: 2312: 2309:Andrew Lazell 2305: 2303: 2299: 2298: 2297:Iain Greenway 2291: 2289: 2285: 2284: 2283:Mary Kellehar 2279: 2277: 2276:Vision Mixers 2273: 2272: 2265: 2263: 2259: 2258: 2257:Brian Clemett 2253: 2251: 2247: 2246: 2243: 2241: 2237: 2236: 2225: 2223: 2219: 2218: 2215: 2213: 2209: 2208: 2201: 2199: 2195: 2194: 2191: 2189: 2185: 2184: 2181: 2179: 2175: 2174: 2171: 2169: 2165: 2164: 2159:Eric Walmsley 2151: 2149: 2145: 2144: 2137: 2134: 2129:The Wild Bunch 2076: 2073: 2031: 2028: 2017: 2010: 2007: 1964:Give Us a Clue 1923: 1920: 1820: 1817: 1787:Dayna Mellanby 1770: 1769: 1760: 1758: 1754: 1753: 1752:A.J. Mitchell 1750: 1748: 1744: 1743: 1738: 1736: 1735:Special Sound 1732: 1731: 1728:Steve Drewett 1726: 1724: 1720: 1719: 1716: 1714: 1710: 1709: 1702: 1700: 1699:Vision Mixers 1696: 1695: 1690: 1688: 1684: 1683: 1682:Brian Clemett 1680: 1678: 1674: 1673: 1668: 1666: 1662: 1661: 1656: 1654: 1650: 1649: 1648:Anthony Mayne 1646:Peter Chapman 1644: 1642: 1638: 1637: 1632: 1630: 1626: 1625: 1622: 1620: 1616: 1615: 1612: 1610: 1606: 1605: 1598: 1596: 1592: 1591: 1590:Sheelagh Rees 1588: 1586: 1582: 1581: 1562: 1560: 1556: 1555: 1548: 1547:New characters 1545: 1479: 1476: 1466: 1463: 1452: 1445: 1442: 1420:Pressure Point 1378: 1375: 1371:Derek Martinus 1325:Master of Arts 1317:Bruce Purchase 1296:Brian Croucher 1279: 1276: 1273: 1272: 1265:Peter Brayham 1259: 1257: 1253: 1252: 1251:A.J. Mitchell 1249: 1247: 1243: 1242: 1233: 1231: 1230:Special Sound 1227: 1226: 1223: 1221: 1217: 1216: 1215:Andrew Lazell 1207: 1205: 1201: 1200: 1197: 1195: 1191: 1190: 1187:Clive Gifford 1185: 1183: 1179: 1178: 1177:Brian Clemett 1175: 1173: 1169: 1168: 1163: 1161: 1157: 1156: 1151:Peter Chapman 1149: 1147: 1143: 1142: 1137: 1135: 1131: 1130: 1127: 1125: 1121: 1120: 1117:Marianne Ford 1115: 1113: 1109: 1108: 1101: 1099: 1095: 1094: 1093:Sheelagh Rees 1091: 1089: 1085: 1084: 1067: 1065: 1061: 1060: 1031:Pressure Point 960: 957: 932: 929: 927: 924: 857:Softly, Softly 840:Dudley Simpson 793: 790: 764:Planet of Evil 684:Sally Knyvette 674:, Maloney and 663:The Sun Makers 632: 631: 626:Peter Brayham 620: 618: 614: 613: 612:A.J. Mitchell 610: 608: 604: 603: 598: 596: 595:Special Sound 592: 591: 584: 582: 578: 577: 572: 570: 566: 565: 564:Clive Gifford 562: 560: 556: 555: 554:Brian Clemett 552: 550: 546: 545: 534: 532: 528: 527: 524: 522: 518: 517: 512: 510: 506: 505: 504:John S. Smith 502:Martin Sharpe 498: 496: 492: 491: 488:Marianne Ford 486: 484: 480: 479: 478:Rupert Jarvis 474: 472: 468: 467: 466:Sheelagh Rees 464: 462: 458: 457: 455:Peter Brachaki 442: 440: 436: 435: 431: 430: 428:Dudley Simpson 425: 423: 419: 418: 407: 405: 401: 400: 395: 393: 392:Script Editor 389: 388: 383: 381: 374: 371: 367:contact lenses 298: 295: 234:The BBC chose 222: 215: 212: 119: 116: 33: 32: 13: 10: 9: 6: 4: 3: 2: 3761: 3750: 3747: 3745: 3742: 3741: 3739: 3724: 3721: 3720: 3718: 3716: 3712: 3706: 3704: 3700: 3699: 3697: 3693: 3687: 3684: 3682: 3679: 3678: 3676: 3672: 3668: 3667: 3659: 3654: 3652: 3647: 3645: 3640: 3639: 3636: 3625: 3619: 3615: 3608: 3606: 3602: 3597: 3591: 3587: 3580: 3578: 3576: 3572: 3567: 3563: 3559: 3552: 3550: 3548: 3546: 3544: 3542: 3540: 3536: 3531: 3525: 3521: 3514: 3511: 3506: 3500: 3496: 3489: 3487: 3485: 3483: 3479: 3474: 3468: 3464: 3457: 3455: 3451: 3446: 3440: 3436: 3429: 3426: 3421: 3415: 3411: 3404: 3401: 3396: 3392: 3388: 3381: 3378: 3373: 3367: 3363: 3358: 3357: 3348: 3345: 3340: 3336: 3332: 3325: 3323: 3321: 3319: 3317: 3315: 3313: 3311: 3309: 3307: 3305: 3303: 3301: 3299: 3297: 3293: 3288: 3282: 3278: 3271: 3268: 3263: 3259: 3255: 3248: 3246: 3244: 3242: 3238: 3233: 3229: 3225: 3218: 3216: 3212: 3207: 3201: 3197: 3190: 3188: 3186: 3184: 3180: 3175: 3171: 3167: 3160: 3158: 3156: 3154: 3152: 3150: 3148: 3146: 3144: 3142: 3138: 3133: 3131:0-7535-0044-2 3127: 3123: 3119: 3112: 3109: 3104: 3100: 3096: 3089: 3087: 3085: 3083: 3079: 3074: 3070: 3066: 3059: 3056: 3051: 3045: 3041: 3034: 3032: 3030: 3028: 3026: 3024: 3020: 3015: 3011: 3007: 3000: 2998: 2996: 2994: 2992: 2990: 2986: 2981: 2977: 2973: 2966: 2964: 2962: 2958: 2953: 2949: 2945: 2938: 2936: 2934: 2932: 2930: 2928: 2924: 2921: 2917: 2912: 2909: 2904: 2900: 2896: 2889: 2886: 2881: 2875: 2871: 2864: 2862: 2860: 2858: 2856: 2854: 2852: 2848: 2843: 2839: 2835: 2828: 2826: 2824: 2822: 2820: 2816: 2811: 2807: 2803: 2796: 2794: 2790: 2787: 2783: 2782:Chris Boucher 2778: 2775: 2770: 2766: 2762: 2755: 2752: 2747: 2741: 2737: 2730: 2728: 2726: 2724: 2722: 2720: 2718: 2714: 2709: 2705: 2701: 2694: 2692: 2690: 2688: 2686: 2684: 2682: 2680: 2678: 2676: 2674: 2672: 2668: 2663: 2657: 2653: 2648: 2647: 2641: 2640:Nation, Terry 2635: 2633: 2629: 2624: 2620: 2616: 2609: 2607: 2605: 2603: 2601: 2599: 2597: 2595: 2593: 2591: 2589: 2585: 2578: 2574: 2571: 2569: 2566: 2565: 2561: 2559: 2557: 2553: 2552: 2547: 2546: 2541: 2540: 2535: 2531: 2526: 2522: 2520: 2516: 2512: 2508: 2504: 2500: 2492: 2490: 2488: 2482: 2480: 2476: 2472: 2468: 2464: 2460: 2456: 2455:Robert Holmes 2452: 2444: 2442: 2440: 2433: 2429: 2425: 2421: 2417: 2413: 2409: 2408: 2403: 2394: 2392: 2389: 2385: 2383: 2382: 2377: 2373: 2372:Glynis Barber 2367: 2365: 2353: 2349: 2345: 2342: 2340: 2337: 2336: 2332: 2330: 2327: 2326: 2323: 2320: 2318: 2315: 2314: 2306: 2304: 2301: 2300: 2293:Douglas Burd 2292: 2290: 2287: 2286: 2281:Nigel Finnis 2280: 2278: 2275: 2274: 2266: 2264: 2262:Studio Sound 2261: 2260: 2254: 2252: 2249: 2248: 2244: 2242: 2239: 2238: 2231:Stuart Moser 2227:John Tellick 2226: 2224: 2221: 2220: 2216: 2214: 2211: 2210: 2207:Ian Williams 2202: 2200: 2197: 2196: 2192: 2190: 2187: 2186: 2182: 2180: 2177: 2176: 2172: 2170: 2167: 2166: 2157:Graham Lough 2155:Nigel Curzon 2152: 2150: 2147: 2146: 2142: 2141: 2135: 2133: 2131: 2130: 2125: 2124: 2119: 2114: 2109: 2107: 2103: 2099: 2093: 2090: 2082: 2074: 2072: 2070: 2066: 2061: 2057: 2053: 2052: 2047: 2046: 2041: 2037: 2029: 2021: 2015: 2008: 2006: 2004: 2000: 1996: 1992: 1988: 1984: 1980: 1976: 1972: 1971: 1966: 1965: 1961: 1957: 1952: 1950: 1946: 1942: 1938: 1934: 1929: 1921: 1919: 1917: 1913: 1909: 1908:Fiona Cumming 1905: 1904:Andrew Morgan 1901: 1897: 1892: 1890: 1886: 1883:which became 1882: 1878: 1874: 1873:Hell's Angels 1870: 1866: 1865:Robert Holmes 1862: 1858: 1857:novelisations 1854: 1850: 1849: 1844: 1840: 1836: 1832: 1831: 1826: 1818: 1816: 1814: 1810: 1806: 1805:Josette Simon 1802: 1801: 1796: 1795:Shakespeare's 1792: 1788: 1783: 1781: 1776: 1766:Max Faulkner 1764: 1761: 1759: 1756: 1755: 1751: 1749: 1746: 1745: 1742: 1739: 1737: 1734: 1733: 1727: 1725: 1722: 1721: 1718:Douglas Burd 1717: 1715: 1712: 1711: 1704:Nigel Finnis 1703: 1701: 1698: 1697: 1691: 1689: 1687:Studio Sound 1686: 1685: 1681: 1679: 1676: 1675: 1669: 1667: 1664: 1663: 1657: 1655: 1652: 1651: 1645: 1643: 1640: 1639: 1633: 1631: 1628: 1627: 1623: 1621: 1618: 1617: 1613: 1611: 1608: 1607: 1602: 1599: 1597: 1594: 1593: 1589: 1587: 1584: 1583: 1576:Paul Munting 1568: 1563: 1561: 1558: 1557: 1553: 1552: 1546: 1544: 1542: 1537: 1535: 1531: 1527: 1523: 1519: 1513: 1511: 1507: 1503: 1498: 1492: 1490: 1485: 1477: 1475: 1473: 1464: 1456: 1450: 1443: 1441: 1439: 1435: 1431: 1430: 1425: 1421: 1417: 1413: 1411: 1407: 1403: 1399: 1398:Duncan Lamont 1395: 1391: 1387: 1384: 1376: 1374: 1372: 1368: 1364: 1359: 1357: 1353: 1349: 1345: 1341: 1337: 1332: 1330: 1326: 1322: 1318: 1314: 1310: 1306: 1300: 1297: 1292: 1290: 1286: 1277: 1271: 1263: 1260: 1258: 1255: 1254: 1250: 1248: 1245: 1244: 1241: 1237: 1234: 1232: 1229: 1228: 1224: 1222: 1219: 1218: 1213:Peter Pegrum 1211: 1208: 1206: 1203: 1202: 1198: 1196: 1193: 1192: 1186: 1184: 1182:Studio Sound 1181: 1180: 1176: 1174: 1171: 1170: 1167:John Gatland 1164: 1162: 1159: 1158: 1155:Paul Godfrey 1150: 1148: 1145: 1144: 1138: 1136: 1133: 1132: 1128: 1126: 1123: 1122: 1116: 1114: 1111: 1110: 1107:Barbara Kidd 1105: 1102: 1100: 1097: 1096: 1092: 1090: 1087: 1086: 1077: 1068: 1066: 1063: 1062: 1058: 1057: 1054: 1052: 1048: 1044: 1038: 1036: 1032: 1028: 1024: 1020: 1015: 1010: 1008: 1004: 1003:court-martial 1000: 995: 991: 987: 982: 977: 975: 971: 967: 958: 956: 954: 949: 946: 941: 938: 930: 925: 923: 921: 917: 914:on the rival 913: 912: 907: 906: 902: 898: 897: 893: 889: 884: 882: 878: 874: 870: 866: 862: 858: 854: 853: 848: 843: 841: 835: 834:in November. 833: 829: 825: 821: 817: 813: 809: 805: 801: 800: 791: 789: 787: 782: 778: 777: 772: 771: 766: 765: 760: 756: 751: 749: 745: 741: 737: 733: 729: 725: 720: 718: 714: 710: 709:Citizen Smith 707: 703: 702:Stephen Greif 699: 695: 694: 689: 685: 681: 677: 676:Vere Lorrimer 673: 669: 668:David Jackson 665: 664: 659: 655: 651: 647: 643: 642:Gareth Thomas 639: 630: 624: 621: 619: 616: 615: 611: 609: 606: 605: 602: 599: 597: 594: 593: 590: 585: 583: 580: 579: 576:Ron Platford 573: 571: 568: 567: 563: 561: 559:Studio Sound 558: 557: 553: 551: 548: 547: 544:John Gatland 536:Bill Meekums 535: 533: 530: 529: 525: 523: 520: 519: 513: 511: 508: 507: 500:M.A.C. Adams 499: 497: 495:Film Editors 494: 493: 487: 485: 482: 481: 476:Barbara Lane 475: 473: 470: 469: 465: 463: 460: 459: 456: 452:Chris Pemsel 448: 443: 441: 438: 437: 433: 432: 429: 426: 424: 421: 420: 416: 415:Vere Lorrimer 412:(Series 1–3) 411: 410:David Maloney 408: 406: 403: 402: 399: 398:Chris Boucher 396: 394: 391: 390: 387: 384: 382: 379: 378: 372: 370: 368: 364: 360: 356: 352: 348: 344: 340: 335: 333: 329: 325: 321: 317: 313: 309: 304: 296: 294: 292: 288: 284: 280: 276: 272: 267: 265: 259: 257: 253: 249: 248:Robert Holmes 245: 241: 237: 236:David Maloney 226: 220: 213: 211: 209: 205: 204: 199: 195: 191: 187: 183: 178: 176: 171: 170:Simon Templar 166: 162: 157: 155: 151: 147: 146:Blake's Seven 143: 139: 138: 133: 129: 125: 117: 115: 113: 109: 108:Vere Lorrimer 105: 99: 97: 93: 92:Gareth Thomas 89: 88:script editor 85: 84:Chris Boucher 81: 80:David Maloney 77: 76: 71: 67: 63: 59: 55: 51: 47: 43: 40:is a British 39: 38: 31: 27: 24: 21: 18: 17: 16: 3702: 3680: 3664: 3613: 3585: 3557: 3519: 3513: 3494: 3462: 3434: 3428: 3409: 3403: 3386: 3380: 3355: 3347: 3330: 3276: 3270: 3253: 3223: 3195: 3165: 3117: 3111: 3094: 3064: 3058: 3039: 3005: 2971: 2943: 2911: 2894: 2888: 2869: 2833: 2801: 2777: 2760: 2754: 2735: 2699: 2645: 2614: 2549: 2543: 2537: 2536:, game show 2533: 2529: 2527: 2523: 2515:Distant Star 2514: 2510: 2506: 2498: 2496: 2486: 2483: 2474: 2466: 2462: 2451:James Follet 2448: 2438: 2431: 2423: 2419: 2415: 2411: 2405: 2401: 2398: 2390: 2386: 2379: 2375: 2368: 2363: 2360: 2355:Mike Potter 2352:Neil Dickson 2307:Jim Francis 2295:Dick Bailey 2233:Dick Manton 2229:Mike Savage 2188:Film Editor 2161:Ken Ledsham 2127: 2121: 2117: 2112: 2110: 2105: 2101: 2097: 2094: 2080: 2078: 2068: 2064: 2055: 2049: 2043: 2039: 2035: 2033: 2019: 2002: 1994: 1990: 1986: 1982: 1978: 1968: 1962: 1955: 1953: 1940: 1936: 1932: 1925: 1915: 1900:Gerald Blake 1893: 1888: 1884: 1880: 1868: 1860: 1853:Trevor Hoyle 1846: 1843:James Follet 1828: 1824: 1822: 1798: 1784: 1775:Steven Pacey 1773: 1730:Jim Francis 1619:Film Editor 1572:Ken Ledsham 1540: 1538: 1529: 1525: 1521: 1514: 1510:World War II 1501: 1496: 1493: 1488: 1483: 1481: 1471: 1468: 1454: 1437: 1427: 1424:Variety Club 1419: 1415: 1414: 1409: 1406:John Abineri 1402:Ronald Lewis 1393: 1380: 1360: 1355: 1351: 1347: 1343: 1339: 1335: 1333: 1320: 1312: 1308: 1301: 1293: 1288: 1285:double agent 1281: 1199:Bob Blagden 1124:Film Editor 1081:Ken Ledsham 1073:Mike Porter 1069:Sally Hulke 1050: 1046: 1039: 1034: 1030: 1026: 1022: 1018: 1013: 1011: 998: 990:Roger Parkes 980: 978: 973: 969: 962: 952: 950: 942: 936: 934: 919: 909: 903: 894: 887: 885: 880: 876: 860: 856: 850: 846: 844: 836: 827: 823: 815: 812:Bray Studios 807: 803: 797: 795: 785: 780: 774: 768: 762: 758: 752: 743: 739: 735: 731: 721: 691: 688:Bill Sellars 680:Jan Chappell 661: 657: 637: 635: 586:Ian Scoones 574:Bob Blagden 542:Graham Hare 490:Eileen Mair 450:Robert Berk 422:Theme music 386:Terry Nation 363:Leila Khaled 350: 346: 342: 339:Cygnus Alpha 338: 336: 331: 328:The Way Back 327: 319: 315: 311: 307: 302: 300: 290: 287:The Invaders 286: 282: 278: 274: 271:The Invaders 270: 268: 260: 255: 251: 243: 239: 233: 224: 207: 201: 197: 193: 189: 185: 181: 179: 164: 161:The Way Back 160: 158: 154:Cygnus Alpha 153: 149: 145: 135: 131: 128:Ronnie Marsh 124:Terry Nation 121: 111: 103: 100: 73: 70:Terry Nation 65: 53: 36: 35: 34: 29: 25: 19: 15: 3749:BBC history 3705:audio drama 2542:and sitcom 2475:Man of Iron 2410:, than the 2344:Stuart Fell 2333:Robin Lobb 2245:Dave White 2163:Paul Allen 2153:Roger Cann 2075:Story ideas 2060:Los Angeles 1999:Bill Cotton 1967:and sitcom 1945:Oxfordshire 1889:Death-Watch 1848:Earthsearch 1830:Crown Court 1800:The Tempest 1768:Tex Fuller 1763:Stuart Fell 1672:Dave White 1670:Bob Baxter 1658:Ian Sansom 1574:Ray London 1567:Gerry Scott 1564:Don Taylor 1518:anti-heroic 1270:Stuart Fell 1262:Frank Maher 1165:Ian Sansom 1153:Max Samett 1104:June Hudson 1083:Ray London 1076:Gerry Scott 1071:Paul Allen 1043:Allan Prior 1023:Death Squad 1014:Death Squad 999:Death Squad 986:Allan Prior 796:Aware that 713:Ingrid Pitt 646:Paul Darrow 629:Stuart Fell 623:Frank Maher 417:(Series 4) 359:Palestinian 316:Deliverance 279:Brain Drain 264:Paul Darrow 238:to produce 78:in space". 62:dictatorial 3738:Categories 3715:Characters 2579:References 2551:Astronauts 2467:Doctor Who 2465:by former 2459:Tanith Lee 2311:Mike Kelt 2203:Sam Upton 2148:Designers 1912:Mary Ridge 1841:novelist; 1835:Tanith Lee 1634:Sam Upton 1601:Dee Robson 1559:Designers 1508:pilots of 1416:Redemption 1321:The Keeper 1210:Mat Irvine 1139:Sam Upton 1119:Ann Ailes 1064:Designers 1047:The Keeper 970:Doctor Who 892:soap opera 828:Space Fall 808:Space Fall 759:Doctor Who 744:Doctor Who 732:Doctor Who 658:Doctor Who 589:Mat Irvine 514:Sam Upton 439:Designers 404:Producers 353:companion 351:Doctor Who 256:Doctor Who 252:Doctor Who 244:Doctor Who 194:Space Fall 186:Space Fall 3744:Blake's 7 3703:Blake's 7 3666:Blake's 7 3566:1353-761X 3560:: 38–50. 3395:0957-3844 3339:1353-761X 3333:: 40–51. 3262:1353-761X 3232:0957-3844 3174:1353-761X 3168:: 28–39. 3103:1353-761X 3097:: 13–21. 3073:0957-3844 3014:1353-761X 3008:: 16–27. 2980:0957-3844 2952:0957-3844 2903:0957-3844 2842:0957-3844 2810:0957-3844 2769:0957-9818 2708:1353-761X 2623:0957-3844 2568:Blake's 7 2530:Blake's 7 2511:Blake's 7 2469:producer 2439:Liberator 2412:Liberator 2113:Blake's 7 2098:Stardrive 2089:story arc 2081:Liberator 2056:Blake's 7 2036:Liberator 2020:Blake's 7 1995:Blake's 7 1987:Blake's 7 1960:game show 1941:Blake's 7 1933:Blake's 7 1916:Powerplay 1877:Ben Steed 1580:Jim Clay 1541:Liberator 1534:Doug Burd 1530:Liberator 1522:Liberator 1497:Liberator 1489:Blake's 7 1484:Liberator 1472:Blake's 7 1455:Blake's 7 1438:Blake's 7 1434:BBC Wales 1356:Liberator 1340:Countdown 1336:Countdown 1289:Liberator 974:Blake's 7 945:story arc 937:Blake's 7 920:Blake's 7 918:network. 888:Blake's 7 881:Blake's 7 861:Blake's 7 847:Blake's 7 816:Blake's 7 804:Blake's 7 799:Star Wars 786:Liberator 781:Liberator 746:veteran, 736:Blake's 7 638:Blake's 7 361:hijacker 347:Liberator 343:Blake's 7 320:Liberator 283:Breakdown 275:Liberator 240:Blake's 7 225:Blake's 7 208:Blake's 7 198:Blake's 7 190:Liberator 182:Blake's 7 165:Blake's 7 137:Boy's Own 132:Blake's 7 122:In 1975, 112:Blake's 7 104:Blake's 7 66:Blake's 7 54:Blake's 7 37:Blake's 7 28:Blake's 7 23:Blake's 7 3686:Episodes 2702:: 4–15. 2562:See also 2539:Bullseye 2503:Terminal 2479:androids 2463:Ragnarok 2402:Nostromo 2069:Assassin 2065:Terminal 2063:episode 2040:Terminal 2003:Terminal 1991:Terminal 1983:Terminal 1949:Deep Roy 1937:Terminal 1506:Spitfire 1465:Planning 1410:Star One 1352:Star One 1348:Star One 1309:Terminal 1051:Star One 931:Planning 867:playing 761:serials 175:sidekick 30:article. 3681:History 3387:TV Zone 3224:TV Zone 3065:TV Zone 2972:TV Zone 2944:TV Zone 2895:TV Zone 2834:TV Zone 2802:TV Zone 2615:TV Zone 2445:Writing 2432:Scorpio 2424:Scorpio 2420:Scorpio 1839:fantasy 1791:Miranda 1502:Tarrant 1394:Hostage 1390:Bristol 1344:Hostage 1329:Chaucer 1019:Horizon 1007:Ugandan 959:Writing 901:sitcoms 660:serial 3620: 3592: 3564: 3526: 3501: 3469: 3441: 3416: 3393: 3368: 3337: 3283: 3260: 3230: 3202: 3172: 3128: 3101: 3071: 3046: 3012: 2978: 2950: 2901: 2876: 2840: 2808: 2767: 2742: 2706: 2658: 2621: 2499:Rescue 2430:. The 2416:Rescue 2364:Rescue 2118:Attack 1885:Moloch 1827:, and 1815:card. 1813:Equity 1358:crew. 1027:Killer 966:Daleks 869:squash 824:London 706:sitcom 678:noted 291:Bounty 142:kidult 58:rebels 3723:Cally 3695:Radio 3362:24–28 2507:Blake 2487:Orbit 2435:' 2407:Alien 2106:Blake 2102:Orbit 2084:' 1797:play 1793:from 1388:near 1313:Blake 1035:Trial 873:extra 355:Leela 96:Blake 3618:ISBN 3590:ISBN 3562:ISSN 3524:ISBN 3499:ISBN 3467:ISBN 3439:ISBN 3414:ISBN 3391:ISSN 3366:ISBN 3335:ISSN 3281:ISBN 3258:ISSN 3228:ISSN 3200:ISBN 3170:ISSN 3126:ISBN 3099:ISSN 3069:ISSN 3044:ISBN 3010:ISSN 2976:ISSN 2948:ISSN 2920:IMDb 2899:ISSN 2874:ISBN 2838:ISSN 2806:ISSN 2786:IMDb 2765:ISSN 2740:ISBN 2704:ISSN 2656:ISBN 2619:ISSN 2473:and 2457:and 2126:and 2079:The 2048:and 2018:The 1910:and 1453:The 1369:and 992:and 908:and 899:and 877:Orac 773:and 740:Duel 314:and 308:Duel 223:The 50:BBC1 2918:at 2784:at 2652:7–8 2558:". 916:ITV 3740:: 3604:^ 3574:^ 3538:^ 3481:^ 3453:^ 3364:. 3295:^ 3240:^ 3214:^ 3182:^ 3140:^ 3120:. 3081:^ 3022:^ 2988:^ 2960:^ 2926:^ 2850:^ 2818:^ 2792:^ 2716:^ 2670:^ 2654:. 2631:^ 2587:^ 2384:. 2366:. 1958:, 1906:, 1902:, 1898:, 1891:. 1851:; 1833:; 1491:. 1432:. 1365:, 988:, 943:A 767:, 750:. 726:, 719:. 666:. 310:, 258:. 156:. 140:/ 90:. 3657:e 3650:t 3643:v 3626:. 3598:. 3568:. 3532:. 3507:. 3475:. 3447:. 3422:. 3397:. 3374:. 3341:. 3289:. 3264:. 3234:. 3208:. 3176:. 3134:. 3105:. 3075:. 3052:. 3016:. 2982:. 2954:. 2905:. 2882:. 2844:. 2812:. 2771:. 2748:. 2710:. 2664:. 2625:.

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Knowledge

History of Blake's 7

Index