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or hearing that it is beautiful. Socrates throws himself into a series of considerations: taking into account pairs of objects, in the
Majority of cases the term which they apply to both objects (A and B are beautiful, A and B are just) can apply also to an object taken separately (A is beautiful and B is beautiful). But in some rare cases it can happen that it this is not the case, notably when the sum of A and B forms an even number and A and B, taken in isolation, are two odd numbers.
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who reproached him for not really knowing the definition of beauty. Thus embarrassed by this exposure, Socrates claims to be delighted that finally one as competent as
Hippias will be able to provide his opinion on the nature of beauty. The great Sophist, flattered, does not object; and is goaded on by Socrates, who offers to reprise the discussion, playing the part of the harasser. This role-play on the part of Socrates adds to the comic nature of dialogue.
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On the other hand, it seems striking that only the senses of sight and hearing are taken into account. Is this a way to submit to common opinion, which is that touch, taste and smell are somehow more shameful and base than the other senses? Finally, it is not simply because pleasure comes from seeing
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is mostly made of ivory and precious stones, and not of gold. Yet the statue is magnificent. Besides, gold or any other precious metal only gives rise to beauty if it is properly used. In the case of the pot, for instance, who is to say whether a wooden spoon or a golden spoon would be better to stir
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In the case of beauty, it is the first category that is appropriate, because if a pair of two objects is beautiful, it stands to reason that each of them is. But a new paradox appears, since the beautiful, in discreet definition, must belong to both pleasures of sight and hearing, taken jointly, and
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brings out a final definition; at first glance quite amazing: " if we were to say that that is beautiful which makes us feel joy ; I do not mean all pleasures, but that which makes us feel joy through hearing and sight?" This hypothesis, while appealing, contains according to
Socrates himself a
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offers a definition in his turn, which he holds came from his famous harasser: the beautiful is simply that which is appropriate. This response pleases
Hippias. But further examination is needed: first of all, is it the appropriateness which makes things beautiful, or does it simply make them appear
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The second response offered by
Hippias is: "This that you ask about, the beautiful, is nothing else but gold... For we all know, I fancy, that wherever this is added, even what before appears ugly will appear beautiful when adorned with gold." No doubt, replies Socrates, but what to make then of the
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proposes a second solution: if it is beautiful, is it useful? But here again problems surface: it is through power that men make things useful. Nevertheless, as is well known, power can as much serve evil as it serves good. And there is difficulty in qualifying actions as bad or good. Which in turn
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set out to find a definition for "beauty", but are destined to fail due to their inability to formulate an answer which encompasses the entire concept. The actual Greek term that is used in the dialogue is καλόν, which as an adjective often means fine or noble as well as beautiful. For this reason,
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This time
Hippias thinks that he understands: Socrates wants to know what no man will ever find ugly: "I say, then, that for every man and everywhere it is most beautiful to be rich and healthy, and honoured by the Greeks, to reach old age, and, after providing a beautiful funeral for his deceased
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Socrates is happy that
Hippias came to reminisce on beautiful things, because this is a subject that interests Socrates greatly and with good reason. Recently, according to the latter, while criticising the beauty or ugliness of part of speeches, he claims to have been harassed by an acquaintance,
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Identifying the beautiful and the favourable leads to a paradox: the favourable procreates the beautiful, as a father procreates a son. Since the favourable and the beautiful are thus considered to be one and the same, they arrive at the finding that beauty is the reason of goodness. In logic, a
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However, Socrates emphasized, the law is precisely made for use and happiness of the citizens, two things to which
Hippias would have been greatly able to contribute. By being too attached to the law and refusing the services of Hippias, the Spartans contradict the aim of their own laws and thus
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has been disputed. Although some works previously attributed to Plato have been determined to be inauthentic, this is one where authorship has still not been firmly established, though academic consensus tends toward its authenticity. The argument is summarized in (Sider 1977):
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Hippias suggests that appropriateness provides at the same time the reality and the appearance of beauty. But then, nothing could be less sure; if everything was that simple, citizens and politicians would no longer have to quarrel to decide which action was the nicer.
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1108:" Socrates, taking his leave, pretends to feel bad about the situation, cornered between the attacks of Hippias and those of his mysterious opponent. His only certainty, he concludes with a sense of humour, is that from now on he better understands the
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is the fact that it is never mentioned in any of the ancient sources. In summary then, although early 20th century scholarship argued that it was spurious, latest research indicates that on the balance it is more likely authentic than not.
71:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge (XXG).
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parents, to be beautifully and splendidly buried by his own offspring." A scene follows, where
Socrates shows his fear of the beating with a stick he would receive from his harasser if he had given that answer. What then of
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to be beautiful? The second hypothesis is tempting: even a ridiculous man, dressed in nice clothing, will appear more beautiful. But inside he would still be ridiculous; thus appropriate and beautiful are not the same.
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Socrates ironically assures him that this is all admirable. And if
Hippias has spent such a large part of his time in Sparta, he asks, this must be where he earned the most? But Hippias demurs: he did not touch an
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cause and an effect are two different things, as a father is different from the son. And thus they must conclude that Beauty is not good, and good is not beauty; an assertion which pleases neither Socrates nor
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there. It was not because the Spartans did not wish the best possible education for their children, and not because they did not comprehend the true value of Hippias. The only reason was that
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has an "anatreptic" purpose, that is, the result of the dialogue is to defeat commonly held opinions, without necessarily offering a resolution. The concept of something
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the ability to produce a discourse well and beautifully in a court of law or a council-house or before any other public body before which the discourse may be delivered.
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Hippias first response is: "For be assured, Socrates, if I must speak the truth, a beautiful maiden is beautiful". Socrates estimates this to be, with his usual
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therefore could be considered as being unlawful. Hippias agrees. Socrates then asks him then how he nevertheless had so much success in this severe city of
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cannot belong to only one of them. The definition as a result proves to be flawed. Exhausted by the many questions they have considered,
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fundamental flaw; that it ignores the beauty of the more noble pleasures, drawn from the studious occupations or the study of laws.
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was so in need of his services, and entrusted him with several important diplomatic missions to different cities; notably in
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requires that the definition be refocused; beauty is only usefulness applied to good ends, or those that are "favourable".
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Content in this edit is translated from the existing German Knowledge (XXG) article at ]; see its history for attribution.
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Greek with translation by Harold N. Fowler. Loeb Classical Library 167. Harvard Univ. Press (originally published 1926).
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for a long time, arrives in the city to give a lecture at Phidostratus' schoolroom in the next few days. He meets
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continues occasionally to be listed as inauthentic. The strongest evidence against the authenticity of the
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to change their laws or to educate their children differently from what is customary."
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A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful
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states "Of those we listed as authentic, above (in the early group), only the
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by Ernst Heitsch. Platon: Werke, vol. VII,1. Vandenhoeck & Ruprecht, 2011
1153:(Oxford 1989) carried out a computer text analysis and though not conclusive "
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Fourth definition: beauty is the pleasure that comes from seeing and hearing
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is the foremost advocate for the cause of spuriousness: cf. her edition of
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to the source of your translation. A model attribution edit summary is
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public domain audiobook version of George Burges translation.
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Sider, David. Plato's Early Aesthetics: 'The Hippias Major'.
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Plato: Cratylus, Parmenides, Greater Hippias, Lesser Hippias.
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On the Concept of Irony with Continual Reference to Socrates
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On balance the evidence for genuineness is fairly convincing
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Could excessive application of the law lead to lawlessness?
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to this template: there are already 1,867 articles in the
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David Sider, Fordham University, reviewing Ivor Ludlam,
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of his presence for so long. It is, explains the great
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The Work of Art in the Age of Mechanical Reproduction
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Dictionary of Greek and Roman Biography and Mythology
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First definition: beauty is that which is appropriate
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Third definition: beauty is that which is favourable
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Third definition: beauty is to be rich and respected
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a machine-translated version of the German article.
1054:Second definition: beauty is that which is useful
1380:(University of Tennessee); accessed 29 June 2006
106:accompanying your translation by providing an
51:Click for important translation instructions.
38:expand this article with text translated from
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1175:C. H. Kahn, "The Beautiful and the Genuine,"
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3759:The Literary Mind and the Carving of Dragons
1395:« Socrates Talks to Himself in Plato’s
903:. He made use of his travels throughout the
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1324:Journal of Aesthetics & Art Criticism
973:First definition: beauty is a pretty girl
2929:List of manuscripts of Plato's dialogues
1007:with, or which would be more beautiful?
879:, whose business had kept him away from
852:without preparation. He is presented by
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1377:The Internet Encyclopedia of Philosophy
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2908:List of speakers in Plato's dialogues
1235:and D. S. Hutchinson, Hackett, 1997.
1135:The Hippias Major Attributed to Plato
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627:Allegorical interpretations of Plato
1284:); far too late to be contemporary.
1181:Internet Encyclopedia of Philosophy
1876:Serenade after Plato's "Symposium"
1755:Double Herm of Socrates and Seneca
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1341:Bryn Mawr Classical Review 3.5.11
1337:Hippias Major: An Interpretation.
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1114:beautiful things are difficult
774:typically translate the term (
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116:You may also add the template
1:
1359:Paul A. Vander Waerdt (ed.),
1147:A History of Greek Philosophy
3889:Aestheticization of politics
2947:Platonism in the Renaissance
2799:Plato's political philosophy
1469:, Ellipses Marketing, 1998,
1405:, 20, 2000, pp. 265–287
959:Socrates reveals his problem
2942:Neoplatonism and Gnosticism
1518:public domain audiobook at
1418:, Champs-Flammarion, 2005,
1280:in 238 BC (see the list of
1102:with mere talk and nonsense
632:Plato's unwritten doctrines
243:Analogy of the divided line
129:Knowledge (XXG):Translation
88:will aid in categorization.
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1670:I know that I know nothing
1435:, Folio, Gallimard, 1989,
1270:; no reference in Smith's
1028:Socrates' four definitions
968:Hippias' three definitions
63:Machine translation, like
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1857:The Plot to Save Socrates
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1266:This name occurs only in
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1633:Socratic intellectualism
1467:Le vocabulaire de Platon
1465:Pradeau, Jean-François,
1448:Pradeau, Jean-François,
1037:Tiring of the errors of
3909:Evolutionary aesthetics
3859:The Aesthetic Dimension
1758:(3rd-century sculpture)
1452:, GF-Flammarion, 2004,
1350:; accessed 29 June 2006
127:For more guidance, see
3839:Avant-Garde and Kitsch
3789:Lectures on Aesthetics
1798:Der geduldige Socrates
1196:Texts and translations
1002:? This masterpiece of
872:Hippias meets Socrates
4010:Aesthetics literature
3984:Philosophy portal
2898:The Academy in Athens
2754:Platonic epistemology
1763:The Death of Socrates
1362:The Socratic Movement
1104:" to seek beauty in "
895:, because his native
805:good in and of itself
677:Philosophy portal
612:The Academy in Athens
100:copyright attribution
3929:Philosophy of design
3809:In Praise of Shadows
3799:The Critic as Artist
2297:Religious skepticism
1653:Socratic questioning
1526:, translator (1855).
1450:Les mythes de Platon
1431:Châtelet, François,
1163:Plato: Hippias Major
770:translators such as
233:Allegory of the cave
198:Political philosophy
3939:Philosophy of music
3914:Mathematical beauty
3007:Poitier Meets Plato
2924:Unwritten doctrines
1844:(1st-century essay)
1577:Cultural depictions
832:. Known throughout
4005:Dialogues of Plato
3934:Philosophy of film
3924:Patterns in nature
3894:Applied aesthetics
3869:Why Beauty Matters
3655:Life imitating art
3516:Art for art's sake
2974:Oxyrhynchus Papyri
1884:Barefoot in Athens
1403:Ancient Philosophy
1346:2005-12-27 at the
1124:The authorship of
828:, originally from
645:Related categories
272:The works of Plato
238:Analogy of the Sun
108:interlanguage link
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3944:Psychology of art
3819:Art as Experience
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2684:Second Alcibiades
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2144:Second Alcibiades
1841:De genio Socratis
1822:Socrates on Trial
1628:Socratic dialogue
1593:Trial of Socrates
1491:Works related to
1282:eponymous archons
1151:Re-counting Plato
811:Dramatis personae
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373:Second Alcibiades
203:Euthyphro dilemma
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2424:First Alcibiades
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2004:First Alcibiades
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1774:(1950 sculpture)
1744:
1648:Socratic paradox
1610:
1598:Socratic problem
1554:
1547:
1540:
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1511:
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1393:Olsen, Halsten,
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1333:
1327:
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1285:
1264:
1143:W. K. C. Guthrie
994:great statue of
867:Dialogue summary
739:
705:
698:
691:
675:
674:
673:
656:
637:Pseudo-Platonica
617:Middle Platonism
599:Related articles
366:First Alcibiades
248:Philosopher king
183:Form of the Good
165:
142:
119:
113:
87:
86:|topic=
84:, and specifying
69:Google Translate
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3849:Critical Essays
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3792:
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3413:Ortega y Gasset
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3017:
3012:
2912:
2884:
2841:
2834:
2782:Theory of Forms
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2703:
2575:
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2355:
2350:
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2301:
2260:
2237:
2198:
1898:
1879:(1954 serenade)
1863:
1828:
1817:(1919 oratorio)
1777:
1766:(1787 painting)
1739:
1737:
1735:
1729:
1682:
1657:
1643:Socratic method
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1581:
1563:
1558:
1509:
1494:Greater Hippias
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1388:Further reading
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1348:Wayback Machine
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1229:Complete Works.
1198:
1131:Dorothy Tarrant
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991:
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824:, a well known
813:
729:Greater Hippias
723:What is Beauty?
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671:
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178:Theory of forms
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3899:Arts criticism
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3769:On the Sublime
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3633:Interpretation
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3526:Artistic merit
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3175:Psychoanalysis
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2811:Platonic solid
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2794:Theory of soul
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2626:Seventh Letter
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1638:Socratic irony
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1481:External links
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1241:978-0872203495
1233:John M. Cooper
1231:translated by
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1139:G. M. A. Grube
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932:Lacedaemonians
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834:Ancient Greece
819:
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742:Hippías meízōn
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188:Theory of soul
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77:adding a topic
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47:(October 2023)
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3949:Theory of art
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3739:Hippias Major
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3598:Entertainment
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3521:Art manifesto
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3511:Appropriation
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3403:Merleau-Ponty
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3218:Abhinavagupta
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3170:Postmodernism
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3001:Plato's Dream
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2875:Ship of State
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2855:Ring of Gyges
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2842:and metaphors
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2735:Platonic love
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2445:Hippias Minor
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2438:Hippias Major
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2167:
2166:
2162:
2160:
2159:
2155:
2153:
2152:
2148:
2146:
2145:
2141:
2139:
2138:
2134:
2132:
2131:
2127:
2125:
2124:
2120:
2118:
2117:
2113:
2111:
2110:
2106:
2104:
2103:
2099:
2097:
2096:
2092:
2090:
2089:
2085:
2083:
2082:
2078:
2076:
2075:
2071:
2069:
2068:
2064:
2062:
2061:
2057:
2055:
2054:
2050:
2048:
2047:
2043:
2041:
2040:
2036:
2034:
2033:
2032:Hippias Minor
2029:
2027:
2026:
2025:Hippias Major
2022:
2020:
2019:
2015:
2013:
2012:
2008:
2006:
2005:
2001:
1999:
1998:
1994:
1992:
1991:
1987:
1985:
1984:
1980:
1978:
1977:
1973:
1971:
1970:
1966:
1964:
1963:
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1956:
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1950:
1949:
1945:
1943:
1942:
1938:
1936:
1935:
1931:
1929:
1928:
1924:
1922:
1921:
1917:
1916:
1914:
1910:
1907:
1905:
1901:
1894:
1893:
1889:
1886:
1885:
1881:
1878:
1877:
1873:
1872:
1870:
1866:
1859:
1858:
1854:
1852:(1841 thesis)
1851:
1850:
1846:
1843:
1842:
1838:
1837:
1835:
1831:
1824:
1823:
1819:
1816:
1815:
1811:
1808:
1807:
1803:
1800:
1799:
1795:
1793:(423 BC play)
1792:
1791:
1787:
1786:
1784:
1780:
1773:
1772:
1768:
1765:
1764:
1760:
1757:
1756:
1752:
1751:
1749:
1745:
1742:
1732:
1725:
1722:
1719:
1716:
1713:
1710:
1707:
1704:
1701:
1698:
1695:
1692:
1691:
1689:
1685:
1678:
1674:
1671:
1667:
1666:
1664:
1660:
1654:
1651:
1649:
1646:
1644:
1641:
1639:
1636:
1634:
1631:
1629:
1626:
1624:
1623:Social gadfly
1621:
1620:
1618:
1614:
1609:
1599:
1596:
1594:
1591:
1590:
1588:
1584:
1578:
1575:
1573:
1570:
1569:
1566:
1562:
1555:
1550:
1548:
1543:
1541:
1536:
1535:
1532:
1525:
1524:George Burges
1521:
1517:
1516:
1507:
1504:
1503:
1502:Hippias Major
1499:
1497:at Wikisource
1496:
1495:
1489:
1485:
1484:
1480:
1476:
1475:2-7298-5809-1
1472:
1468:
1461:
1459:
1458:2-08-071185-7
1455:
1451:
1444:
1442:
1441:2-07-032506-7
1438:
1434:
1427:
1425:
1424:2-08-080134-1
1421:
1417:
1413:
1407:
1404:
1400:
1398:
1397:Hippias Major
1392:
1391:
1387:
1379:
1378:
1371:
1368:
1364:
1363:
1356:
1353:
1349:
1345:
1342:
1338:
1332:
1329:
1325:
1319:
1316:
1312:
1311:Hippias Major
1307:
1305:
1303:
1301:
1299:
1297:
1295:
1293:
1291:
1287:
1283:
1279:
1275:
1274:
1269:
1268:Hippias Major
1263:
1260:
1253:
1248:
1244:
1242:
1238:
1234:
1230:
1226:
1224:
1220:
1219:Hippias Major
1216:
1214:
1211:
1210:9780674991859
1207:
1203:
1200:
1199:
1195:
1193:
1190:
1189:Hippias Major
1186:
1185:Hippias Major
1182:
1178:
1173:
1171:
1168:
1164:
1160:
1156:
1152:
1148:
1144:
1140:
1136:
1132:
1127:
1126:Hippias Major
1119:
1117:
1115:
1111:
1107:
1103:
1099:
1093:
1089:
1086:
1083:To conclude,
1078:
1076:
1074:
1065:
1063:
1060:
1053:
1051:
1047:
1044:
1040:
1032:
1025:
1023:
1019:
1010:
1008:
1005:
1001:
997:
988:
986:
984:
980:
972:
965:
958:
956:
954:
951:, but rather
950:
946:
942:
936:
935:
933:
927:
918:
916:
914:
910:
906:
902:
898:
894:
890:
886:
882:
878:
871:
866:
861:
860:
859:Hippias Minor
855:
851:
847:
843:
839:
835:
831:
827:
823:
820:
818:
815:
814:
810:
808:
806:
802:
801:Hippias Major
798:
797:
792:
791:
786:
785:
779:
777:
773:
772:Paul Woodruff
768:
764:
760:
759:Hippias Major
755:
753:
749:
748:
747:Hippias Minor
743:
738:Ἱππίας μείζων
735:
731:
730:
725:
724:
719:
718:
717:Hippias Major
706:
701:
699:
694:
692:
687:
686:
684:
683:
678:
668:
667:
666:
665:
659:
655:
649:
648:
643:
638:
635:
633:
630:
628:
625:
623:
620:
618:
615:
613:
610:
608:
605:
604:
603:
602:
597:
592:
591:
587:
585:
584:
580:
578:
577:
573:
571:
570:
566:
564:
563:
559:
557:
556:
552:
550:
549:
545:
543:
542:
538:
536:
535:
531:
529:
528:
524:
522:
521:
517:
515:
514:
510:
508:
507:
503:
501:
500:
496:
494:
493:
489:
487:
486:
482:
480:
479:
475:
473:
472:
468:
466:
465:
461:
459:
458:
457:Hippias Minor
454:
452:
451:
450:Hippias Major
447:
445:
444:
440:
438:
437:
433:
431:
430:
426:
424:
423:
419:
417:
416:
412:
410:
409:
405:
403:
402:
398:
396:
395:
391:
389:
388:
384:
382:
381:
377:
375:
374:
370:
368:
367:
363:
361:
360:
356:
354:
353:
349:
347:
346:
342:
340:
339:
335:
333:
332:
328:
326:
325:
321:
319:
318:
314:
312:
311:
307:
305:
304:
300:
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297:
293:
291:
290:
286:
284:
283:
279:
278:
277:
276:
273:
269:
264:
261:
259:
258:Ring of Gyges
256:
254:
253:Ship of State
251:
249:
246:
244:
241:
239:
236:
234:
231:
230:
229:
228:
225:
224:
219:
214:
211:
209:
206:
204:
201:
199:
196:
194:
191:
189:
186:
184:
181:
179:
176:
174:
171:
170:
169:
168:
164:
160:
159:
156:
152:
148:
144:
143:
130:
126:
123:
115:
109:
105:
101:
97:
93:
90:
83:
82:main category
79:
78:
73:
70:
66:
62:
59:
56:
55:
49:
43:
41:
36:You can help
32:
23:
22:
19:
3867:
3857:
3847:
3817:
3807:
3787:
3777:
3767:
3757:
3747:
3738:
3737:
3684:
3660:Magnificence
3642:
3492:
3458:Schopenhauer
3293:Coomaraswamy
3211:Philosophers
3199:
3130:Aestheticism
3005:
2962:Neoplatonism
2957:Commentaries
2935:
2829:Hyperuranion
2827:
2815:
2772:
2765:
2758:
2744:
2696:
2689:
2682:
2677:Rival Lovers
2675:
2668:
2661:
2654:
2647:
2640:
2633:
2624:
2617:
2610:
2603:
2596:
2589:
2582:
2576:authenticity
2562:
2555:
2548:
2541:
2534:
2527:
2520:
2513:
2506:
2499:
2492:
2485:
2478:
2471:
2464:
2457:
2450:
2443:
2437:
2436:
2429:
2422:
2415:
2408:
2401:
2394:
2387:
2380:
2373:
2366:
2289:
2248:
2230:
2223:
2216:
2209:
2191:
2184:
2177:
2170:
2163:
2156:
2149:
2142:
2137:Rival Lovers
2135:
2128:
2121:
2114:
2107:
2100:
2093:
2086:
2079:
2072:
2065:
2058:
2051:
2044:
2037:
2030:
2024:
2023:
2016:
2009:
2002:
1995:
1988:
1981:
1974:
1967:
1960:
1953:
1946:
1939:
1932:
1925:
1918:
1890:
1882:
1874:
1860:(2006 novel)
1855:
1847:
1839:
1820:
1812:
1804:
1801:(1721 opera)
1796:
1788:
1769:
1761:
1753:
1694:Sophroniscus
1572:Bibliography
1514:
1501:
1493:
1466:
1449:
1432:
1415:
1402:
1396:
1375:
1370:
1361:
1355:
1336:
1331:
1323:
1318:
1310:
1271:
1267:
1262:
1246:
1228:
1218:
1201:
1188:
1184:
1176:
1174:
1167:"around 390"
1166:
1162:
1154:
1150:
1146:
1134:
1125:
1123:
1120:Authenticity
1113:
1105:
1101:
1094:
1090:
1082:
1069:
1057:
1048:
1036:
1014:
992:
976:
962:
952:
937:
929:
922:
875:
857:
800:
794:
788:
782:
780:
758:
756:
745:
741:
728:
727:
722:
721:
716:
715:
714:
622:Neoplatonism
607:Commentaries
588:
581:
574:
567:
560:
553:
546:
539:
532:
525:
518:
511:
504:
497:
490:
483:
476:
469:
462:
455:
449:
448:
441:
434:
427:
420:
413:
406:
399:
392:
387:Rival Lovers
385:
378:
371:
364:
357:
350:
343:
336:
329:
322:
315:
308:
301:
294:
287:
280:
223:The Republic
221:
193:Epistemology
104:edit summary
95:
75:
45:
37:
18:
3753:(c. 335 BC)
3743:(c. 390 BC)
3722:Work of art
3675:Picturesque
3531:Avant-garde
3488:Winckelmann
3363:Kierkegaard
3288:Collingwood
3258:Baudrillard
3185:Romanticism
3155:Historicism
3089:Mathematics
2817:Anima mundi
2774:Theia mania
2591:Definitions
2574:Of doubtful
2225:Oeconomicus
2218:Memorabilia
1895:(1971 film)
1887:(1966 film)
1825:(2007 play)
1809:(1759 play)
1463:(in French)
1446:(in French)
1429:(in French)
1409:(in French)
1213:HUP listing
1159:P. Woodruff
905:Greek world
838:mathematics
534:Definitions
3999:Categories
3692:Recreation
3670:Perception
3563:Creativity
3263:Baumgarten
3253:Baudelaire
3135:Classicism
3050:Aesthetics
2880:Myth of Er
2840:Allegories
2746:Sophrosyne
2722:Philosophy
2663:On Justice
2649:Hipparchus
2557:Theaetetus
2522:Protagoras
2494:Parmenides
2410:Euthydemus
2179:Theaetetus
2123:Protagoras
2095:Parmenides
2081:On Justice
2018:Hipparchus
1990:Euthydemus
1833:Literature
1790:The Clouds
1712:Lamprocles
1700:Phaenarete
945:arithmetic
541:On Justice
429:Protagoras
422:Euthydemus
380:Hipparchus
338:Parmenides
317:Theaetetus
263:Myth of Er
3697:Reverence
3603:Eroticism
3573:Depiction
3546:Masculine
3448:Santayana
3408:Nietzsche
3353:Hutcheson
3343:Heidegger
3328:Greenberg
3283:Coleridge
3248:Balthasar
3233:Aristotle
3195:Theosophy
3190:Symbolism
3165:Modernism
3150:Formalism
2767:Peritrope
2670:On Virtue
2598:Demodocus
2550:Symposium
2543:Statesman
2480:Menexenus
2417:Euthyphro
2382:Clitophon
2375:Charmides
2291:Peritrope
2232:Symposium
2172:Symposium
2165:Statesman
2088:On Virtue
2060:Menexenus
1997:Euthyphro
1969:Demodocus
1941:Clitophon
1934:Charmides
1904:Dialogues
1718:Menexenus
1706:Xanthippe
1515:Apocrypha
1112:proverb "
1000:Parthenon
949:astronomy
889:Athenians
842:astronomy
796:Euthyphro
784:Charmides
555:Demodocus
548:On Virtue
478:Clitophon
471:Menexenus
401:Charmides
352:Symposium
331:Statesman
282:Euthyphro
155:Platonism
122:talk page
74:Consider
42:in German
3972:Category
3904:Axiology
3773:(c. 500)
3763:(c. 100)
3638:Judgment
3593:Emotions
3588:Elegance
3568:Cuteness
3541:Feminine
3504:Concepts
3473:Tanizaki
3453:Schiller
3438:Richards
3428:Rancière
3398:Maritain
3333:Hanslick
3273:Benjamin
3145:Feminism
3114:Theology
3094:Medieval
3084:Japanese
3079:Internet
2936:Republic
2860:The Cave
2850:Atlantis
2823:Demiurge
2760:Amanesis
2691:Sisyphus
2619:Epistles
2612:Epinomis
2605:Epigrams
2584:Axiochus
2529:Republic
2515:Philebus
2508:Phaedrus
2389:Cratylus
2313:Category
2203:Xenophon
2151:Sisyphus
2130:Republic
2116:Philebus
2109:Phaedrus
1976:Epinomis
1948:Cratylus
1927:Axiochus
1892:Socrates
1806:Socrates
1771:Socrates
1740:Socrates
1702:(mother)
1696:(father)
1616:Concepts
1561:Socrates
1520:LibriVox
1344:Archived
1339:in the
1245:Platon.
1085:Socrates
1059:Socrates
1043:Socrates
1022:Heracles
1018:Achilles
885:Socrates
846:rhetoric
817:Socrates
776:τὸ καλόν
763:Socrates
590:Epigrams
583:Axiochus
562:Sisyphus
527:Epistles
520:Epinomis
485:Republic
359:Phaedrus
345:Philebus
310:Cratylus
213:Atlantis
208:Demiurge
147:a series
145:Part of
98:provide
3967:Outline
3882:Related
3749:Poetics
3717:Tragedy
3707:Sublime
3680:Quality
3665:Mimesis
3623:Harmony
3608:Fashion
3583:Ecstasy
3578:Disgust
3494:more...
3463:Scruton
3388:Lyotard
3323:Goodman
3303:Deleuze
3238:Aquinas
3228:Alberti
3201:more...
3180:Realism
3160:Marxism
3140:Fascism
3123:Schools
3109:Science
3064:Ancient
2870:The Sun
2698:Theages
2642:Halcyon
2635:Eryxias
2564:Timaeus
2536:Sophist
2431:Gorgias
2396:Critias
2368:Apology
2273:Related
2250:Halcyon
2211:Apology
2193:Timaeus
2186:Theages
2158:Sophist
2011:Gorgias
1983:Eryxias
1955:Critias
1920:Apology
1814:Socrate
1738:include
1662:Phrases
1399: »
1227:Plato.
1223:Perseus
1217:Plato.
1098:Hippias
1073:Hippias
1039:Hippias
1004:Phidias
998:at the
983:goddess
941:Laconia
893:Sophist
877:Hippias
850:Olympia
826:sophist
822:Hippias
767:Hippias
757:In the
576:Eryxias
569:Halcyon
499:Critias
492:Timaeus
436:Gorgias
394:Theages
324:Sophist
289:Apology
120:to the
102:in the
44:.
3873:(2009)
3863:(1977)
3853:(1946)
3843:(1939)
3833:(1935)
3823:(1934)
3813:(1933)
3803:(1891)
3793:(1835)
3783:(1757)
3650:Kitsch
3628:Humour
3558:Comedy
3536:Beauty
3478:Vasari
3468:Tagore
3443:Ruskin
3383:Lukács
3373:Langer
3318:Goethe
3243:Balázs
3223:Adorno
3104:Nature
3069:Africa
2917:Legacy
2501:Phaedo
2459:Laches
2102:Phaedo
2046:Laches
1726:(wife)
1708:(wife)
1687:Family
1473:
1456:
1439:
1433:Platon
1422:
1416:Platon
1278:Archon
1239:
1208:
996:Athena
926:obolus
913:Sicily
909:Inycus
901:Sparta
881:Athens
781:As in
408:Laches
303:Phaedo
3962:Index
3731:Works
3712:Taste
3702:Style
3483:Wilde
3423:Plato
3418:Pater
3378:Lipps
3338:Hegel
3308:Dewey
3298:Danto
3278:Burke
3099:Music
3074:India
3057:Areas
2656:Minos
2473:Lysis
2403:Crito
2360:Works
2353:Plato
2242:Other
2074:Minos
2053:Lysis
1962:Crito
1912:Plato
1868:Other
1782:Stage
1734:Works
1724:Myrto
1720:(son)
1714:(son)
1412:Alain
1254:Notes
1145:, in
1110:Greek
979:irony
911:, in
854:Plato
790:Lysis
752:Plato
734:Greek
658:Plato
506:Minos
415:Lysis
296:Crito
65:DeepL
3686:Rasa
3644:Kama
3618:Gaze
3553:Camp
3433:Rand
3368:Klee
3358:Kant
3348:Hume
3268:Bell
2890:Life
2487:Meno
2466:Laws
2067:Meno
1736:that
1586:Life
1471:ISBN
1454:ISBN
1437:ISBN
1420:ISBN
1313:285e
1237:ISBN
1206:ISBN
1177:OSAP
897:Elis
844:and
830:Elis
793:and
765:and
720:(or
513:Laws
443:Meno
173:Life
96:must
94:You
58:View
3613:Fun
3393:Man
3313:Fry
2994:229
2989:228
2452:Ion
2039:Ion
1747:Art
1116:".
1020:or
947:or
726:or
464:Ion
67:or
4001::
3841:"
3831:"
3801:"
2984:24
2979:23
1522:.
1414:,
1401:,
1289:^
1172:.
1170:BC
1161:,
1075:.
1041:,
955:.
840:,
799:,
787:,
761:,
740:,
736::
149:on
3837:"
3827:"
3797:"
3042:e
3035:t
3028:v
2345:e
2338:t
2331:v
1679:"
1675:"
1672:"
1668:"
1553:e
1546:t
1539:v
1129:"
862:.
732:(
704:e
697:t
690:v
131:.
124:.
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