397:) were intended to complement each other and were referred to as the "T-H-T" package. These programs helped to establish the practice of selling advertising rights to several temporary sponsors. The usual practice at the time involved a single sponsor being responsible for an entire television series.
308:
s producers made it obvious that it was taking place in a modern television studio. The $ 200,000 revolving set had a kitchen, a workshop, and an area to demonstrate the effects of weather on the sponsors' products. A garden area contained soil samples from each of the 48 U.S. states; an additional
300:
but may also include civic, cultural, and social issues and interviews with newsmakers. Twelve minutes of each broadcast are devoted to the promotion of consumer goods from the show's sponsors; these commercials often take place within the informational segments of the show itself.
42:
295:
Each hour-long show is presented in a series of short segments which discuss topics in a depth typical of a magazine article. A segment may be either entertaining or informational. Topics typically relate to
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in late 1951, intending to attract an audience of upper middle class women. Its content and segmented format were inspired by the success of women's magazines, local cooking shows, and the NBC network's
419:
for Best
Contribution to Daytime Programming, it continued to have low ratings. That same year it was moved from 11:00 a.m. to 10:00 a.m., a timeslot with less competition. In that season
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serving as her announcer and assistant. Music was performed by the Norman Paris Trio and singer Johnny
Johnston. The team of editors presenting segments on particular topics included
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382:, the network hoped to attract sponsors from women's magazines who would not be interested in advertising on a show meant for the masses.
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was broadcast on August 9, 1957. For the following six months
Francis hosted a livelier and "less restrained" talk show called
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s March 1, 1954, premiere. The network responded to these low ratings by adding more entertaining segments.
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530:. Vol. 2. Jefferson, North Carolina: McFarland & Co. p. 693.
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Instead of imitating the look of an actual house as cooking shows did,
287:βare still being produced 60 years later, Home was cancelled in 1957.
732:
Cassidy, Marsha F. (2005). "Domesticity in Doubt: Arlene
Francis and
271:. Intended for an audience of women, it debuted in 1954 as one of
424:
275:'s three major non-primetime shows. While the other two showsβ
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184:
325:
Arlene
Francis hosted the program as editor-in-chief with
830:"Be It Ever So Humble: Costly Gadgets fill NBC 'Home'"
800:. Austin: University of Texas Press. pp. 39β45.
767:: NBC's Search for a Daytime Audience, 1954β1957".
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What Women
Watched: Daytime Television in the 1950s
528:
Encyclopedia of
Television Shows, 1925 through 2007
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763:Stole, Inger L. (1997). "There Is No Place Like
798:Television Talk: A History of the TV Talk Show
744:. Austin: University of Texas Press. pp.
470:. New York: Quigley Publications. p. 589.
455:. New York: Quigley Publications. p. 564.
415:Although the series was nominated for a 1956
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617:. Academy of Television Arts & Sciences
871:American English-language television shows
615:"8th Primetime Emmys Nominees and Winners"
40:
29:
337:(family relations and child psychology),
856:1957 American television series endings
697:. Watson-Guptill Publications. p.
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851:1954 American television series debuts
693:The Encyclopedia of Daytime Television
385:Three talk shows that Weaver created (
468:1957 International Television Almanac
453:1956 International Television Almanac
400:After spending $ 1 million promoting
7:
861:1950s American television talk shows
408:fell to about 3 by the month after
822:First half of March 25, 1957, show
27:1954 American TV series or program
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836:. March 29, 1954. pp. 50β51.
378:show. By aiming for a particular
313:, was provided by Vice President
369:began planning a concept called
866:American live television series
663:Crosby, John (July 26, 1957).
357:(gardening and home repairs).
127:
1:
604:Stole 1997, pp. 148, 150β151.
423:had a rating of 2.5, whereas
788:Timberg, Bernard M. (2002).
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507:Cassidy 2005, pp. 149β150.
781:10.1080/10714429709368554
526:Terrace, Vincent (2009).
220:
39:
876:NBC original programming
769:The Communication Review
644:Timberg 2002, pp. 41β42.
559:Stole 1997, pp. 140β142.
516:Stole 1997, pp. 149β150.
77:Sylvester L. Weaver, Jr.
669:Sarasota Herald-Tribune
433:The Arlene Francis Show
345:(interior decorating),
226:The Arlene Francis Show
689:Hyatt, Wesley (1997).
367:Sylvester "Pat" Weaver
341:(fashion and beauty),
635:Cassidy 2005, p. 154.
586:Cassidy 2005, p. 133.
568:Cassidy 2005, p. 135.
550:Cassidy 2005, p. 137.
489:Cassidy 2005, p. 138.
466:Aaronson, Charles S.
451:Aaronson, Charles S.
106:The Norman Paris Trio
18:Home (1954 TV series)
790:"Arlene Francis and
653:Timberg 2002, p. 43.
480:Timberg 2002, p. 40.
349:(special projects),
309:sample to represent
827:Photos of the set:
595:Stole 1997, p. 145.
577:Stole 1997, p. 135.
498:Stole 1997, p. 145.
160:Production location
380:target demographic
267:program hosted by
265:daytime television
665:"The End of Home"
537:978-0-7864-3305-6
351:Leona Baumgartner
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111:Country of origin
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794:(1954β1957)"
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712:. Retrieved
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168:Running time
83:Presented by
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229:(1957β1958)
130:of episodes
93:Narrated by
845:Categories
439:References
417:Emmy Award
339:Eve Hunter
327:Hugh Downs
298:homemaking
208:1957-08-09
198:1954-03-01
152:Ted Rogers
138:Production
97:Hugh Downs
73:Created by
143:Producers
714:22 March
674:June 11,
621:June 10,
371:Shopping
333:(food),
103:Composer
64:Magazine
395:Tonight
361:History
284:Tonight
244:Tonight
216:Related
206: (
202: β
196: (
191:Release
181:Network
122:English
804:
752:
748:β156.
705:
534:
406:rating
393:, and
291:Format
171:1 hour
410:Home'
387:Today
376:Today
306:Home'
278:Today
237:Today
49:Genre
834:Life
802:ISBN
792:Home
765:Home
750:ISBN
734:Home
716:2020
703:ISBN
676:2014
623:2014
532:ISBN
429:Home
421:Home
402:Home
391:Home
281:and
260:Home
59:Talk
34:Home
777:doi
746:131
736:".
425:CBS
273:NBC
185:NBC
133:893
128:No.
847::
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.