277:. Scott Kelly explained that the band continued to "overwrite and then start subtracting ...As far back as I can remember, there's always been an initial sort of reflection on where we were with the previous record and what we feel like doing, where we feel like we could be better. We sort of let that settle in and then let the music go as it wishes". Von Till explained that the lengthy songwriting process, which took over 5 years, was important to achieving the end result: "For these songs, we had to kind of let them reconstitute themselves or transform into a new shape over time...It's basically finding the opportunities to surrender ourselves to that kind of tangible spirit that drives everything we do".
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have to go to the control room and see if my tone is right, I've already spent the last twenty-some years making my guitar tone the way I want it. I just need it caught, captured in a pleasing form...and in , I have total trust. I don’t have to go into the control room and check...We record live as a band, dump the vocals on and mix that fucker. There’s no technical bullshit.
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elaborated upon Von Till's perspective, further delineating the story expressed in the artwork: "we started to build this room that was for this isolated person in a possibly post-apocalyptic setting, or after everything has broken down, trying to find his place. And the cover itself is his altar, his place where his spirit lives".
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paradox of...this person is completely isolated, completely obsessing and completely dedicated to their own path, they feel the need to communicate it outside of themselves. They feel the need to broadcast it, which also represents what we do. We have this intense personal expression that doesn't
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The cover artwork features a totem with three arrows. This emblem, Von Till suggests, "represents the whole is greater than the individual, the unity within a group creates more stability and more strength, which is definitely true of
Neurosis". The totem itself is based on ancient arrowheads.
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For me personally, I don't see a reason to go to anyone else. He is the best damn engineer in the world, I believe. He's very traditional, there's no tricks, there's no fix it later. There’s only an extremely high fidelity approach towards capturing a natural performance in a room...I don’t want to
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Considering the title of the album, Steve Von Till conceded that the band members cannot agree on its precise meaning, but "one thing that really resonates with me is that decay is the natural state of all things over time...When shit's falling apart, that is when you see the people who have honor
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As Von Till explained, "I always see our evolution as spiralling inward towards a core; we're constantly getting purer and purer; to the essence of what our music is supposed to be." Von Till, noting that
Neurosis' objective is to outdo its past efforts results, describes how this drive affects
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Von Till explained that the artwork, with its "whole vibe of obsession, or meditation, or offerings" intentionally does not tell "an exact story", but rather "just hints at things - I think it’s a perfect visual space for people to trip on while they’re listening to the album." Scott Kelly
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We don't rely solely on our strengths, which is obviously the heavy riff. We know how to bludgeon that to death, so we've spent decades exploring other territories and finding new ways to be heavy and new ways to integrate the things we love about music—harmony, dissonance, and the way they
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praised the album for not "abandon the moody sprawl of the band's last few full-lengths" while "help restore urgency to an aesthetic that seemed in danger of growing soporific. It's become common to refer to
Neurosis as post-metal, as if the band had outgrown the primal allure of the riff.
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was lauded by
Sputnikmusic for being "as challenging and engrossing a record as they have ever produced and an incredible celebration of the band's legendary career". Guitarist and vocalist Steve Von Till cautioned that "if you're going put our record on, it's not going to be a party".
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As Von Till explained, "People think that our music is very dense and complicated and layered, and that may be true in the way it's perceived, but it's just a single take of a band playing". Significantly, even the keyboard parts are played live in the studio, with
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666:: "In less skilful hands, this relentless sonic oppression would be gruelling, but by expressing human frailty with such visceral abandon, Neurosis have once again turned darkness into euphoria." Similarly,
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interplay, and distortion and beauty and how they intertwine. Then we try to weave it all together into some tapestry that becomes bigger than the simple sums of its parts, and becomes transcendent.
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noted that "here more than on any previous
Neurosis LP, he commandeers his bandmates' sustained chords and snail-paced tempos and fills the space with smartly tinted textures," which reference
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require any sort of outside ego strokes...But then there is this strange desire to communicate it, it's not so personal that we leave it in the closet. We feel the need to put it out there.
242:"marks the first time Neurosis have successfully incorporated the songwriterly tendencies of Scott Kelly and Steve Von Till's solo careers. Folksy, but still explosively heavy".
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observed an equilibrium between "emotional complexity" and being "resoundingly heavy, with unguarded truth being just as important as thick atmospherics or colossal riffs."
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Throughout the album's booklet, methods of communication interact with ancient symbols in order to illustrate the
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and will stand by what they said, or those that are self-serving or dishonorable and stab people in the back".
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refutes that idea. It's a record that proves these grizzled artisans still know how to flex their muscles."
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Burton, Brent (January 2013). "Top 40 Extreme Albums of 2012: #6 Neurosis, Honor Found in Decay".
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Elements of the album dated back to the end of the songwriting process for the previous album,
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noting that the "interplay between electronics and amps is comparatively untouchable."
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The interplay between harmony and dissonance was noted by several publications, with
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while furthering the heaviness that was emphasized on
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as focusing upon flow by contrasting harmony and disharmony. Writing for
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930:"NEUROSIS: 'Honor Found In Decay' Artwork, Track Listing Revealed"
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1073:"Bury What's Dead: An Interview with Steve Von Till of Neurosis"
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Noah Landis − synthesizer, organ, piano, samples, backing vocals
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continued the band's working relationship with producer
1456:"Neurosis: Honor Found in Decay | Album Reviews"
1427:"NEUROSIS GO BIG AND GO HOME ON HONOR FOUND IN DECAY"
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1399:"Neurosis: Honor Found in Decay – review"
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1194:"Neurosis, 'Honor Found in Decay'"
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1485:Hayes, Craig (November 6, 2012).
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1397:Lawson, Dom (October 25, 2012).
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1518:Honor Found in Decay - Neurosis
1192:Grow, Kory (November 6, 2012).
1100:Watson, Tom (1 November 2012).
1523:. Retrieved November 11, 2012.
1133:Koczan, JJ (5 November 2012).
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246:Neurosis' more recent albums:
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1045:"Neurosis: New Album Details"
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1820:Neurosis (band) albums
1683:The Eye of Every Storm
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1669:Neurosis & Jarboe
1662:A Sun That Never Sets
851:Josh Graham − artwork
742:"Casting of the Ages"
698:"We All Rage in Gold"
281:Honour Found in Decay
1697:Honor Found in Decay
1340:(October 10, 2012).
1281:Rivadavia, Eduardo.
1262:on November 18, 2012
824:Additional musicians
664:Honor Found in Decay
351:Professional ratings
263:Honor Found in Decay
240:Honor Found in Decay
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209:Honor Found in Decay
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204:Given to the Rising
152:Given to the Rising
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1309:Van Horn Jr, Ray.
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938:. August 27, 2012
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906:Tastemaker Albums
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798:− vocals, guitars
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1774:Tribes of Neurot
1757:Related articles
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709:"At the Well"
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1779:Red Sparowes
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1620:Pain of Mind
1618:
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1582:Jason Roeder
1580:
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1498:February 12,
1496:. Retrieved
1490:
1465:. Retrieved
1459:
1434:. Retrieved
1420:
1408:. Retrieved
1404:The Guardian
1402:
1377:. Retrieved
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1322:December 17,
1320:. Retrieved
1314:
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1266:December 17,
1264:. Retrieved
1260:the original
1245:
1233:. Retrieved
1227:
1205:February 12,
1203:. Retrieved
1197:
1170:. Retrieved
1142:. Retrieved
1139:The Aquarian
1138:
1111:. Retrieved
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1080:. Retrieved
1076:
1066:
1054:. Retrieved
1048:
1043:Cook, Toby.
1027:(99): 60–70.
1022:
989:. Retrieved
986:Sputnikmusic
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846:Steve Albini
814:Jason Roeder
663:
659:The Guardian
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191:studio album
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128:Steve Albini
78:sludge metal
37:Studio album
1815:2012 albums
1764:Discography
1722:Locust Star
1604:Chad Salter
1597:Scott Kelly
1576:Noah Landis
1467:October 29,
1436:October 27,
1410:October 27,
1379:October 30,
1351:October 27,
1346:CraveOnline
1294:October 31,
1107:The Quietus
991:October 30,
848:− recording
796:Scott Kelly
475:CraveOnline
303:The Quietus
261:describing
258:The Quietus
1809:Categories
1492:PopMatters
1431:MetalSucks
1229:Metacritic
917:References
668:Popmatters
639:Metacritic
581:PopMatters
535:MetalSucks
370:Metacritic
199:folk music
141:chronology
74:Post-metal
1729:Sovereign
1521:Billboard
1461:Pitchfork
1256:About.com
966:(99): 58.
903:Billboard
889:Billboard
875:Billboard
868:position
785:Personnel
646:Pitchfork
571:Pitchfork
393:About.com
346:Reception
1789:Nailbomb
1560:Neurosis
1373:Exclaim!
1288:AllMusic
1235:14 April
1172:15 April
1056:15 April
790:Neurosis
486:Exclaim!
429:AllMusic
216:Overview
195:Neurosis
139:Neurosis
132:Neurosis
123:Producer
116:(vinyl)
57:Recorded
49:Released
42:Neurosis
39: by
1050:Quietus
816:− drums
327:Artwork
174:(2016)
165:(2012)
156:(2007)
1675:Jarboe
1673:(with
1144:10 May
1113:26 May
1082:10 May
863:Chart
856:Charts
690:Length
575:7.9/10
479:9.5/10
387:Rating
384:Source
374:81/100
364:Rating
361:Source
321:Jarboe
319:, and
84:Length
901:U.S.
887:U.S.
873:U.S.
777:60:32
745:10:04
723:11:40
712:10:06
687:Title
652:Honor
101:Label
69:Genre
1500:2013
1469:2012
1438:2012
1412:2012
1381:2012
1353:2012
1324:2012
1296:2012
1268:2012
1237:2013
1207:2013
1199:Spin
1174:2013
1146:2013
1115:2013
1084:2013
1058:2013
993:2012
944:2012
882:10
866:Peak
767:5:56
756:8:50
734:7:20
701:6:36
597:8/10
592:Spin
585:8/10
491:8/10
469:9/10
308:Spin
910:19
896:23
683:No.
228:to
1811::
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