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57:, Finland. She was the granddaughter of goldsmith Samuel Mika Westerlund, her mother was a talented craftswoman, and her father Ossian Hopea was manager of the Westerlund goldsmiths business. She studied from 1943 to 1946 at the Central School of Industrial Design or School of Applied Arts, now part of
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After she married
Untracht the couple moved to New York and she started to work in enamel. "By overfiring transparent enamels on copper, she was able to achieve results that gave the work a spontaneous, painterly look with intense colors and great depth.", and she sold many pieces through exclusive
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where she designed glassware, and her work "epitomized the minimalist ideal of 1950s
Finnish style, which had been influenced by the Bauhaus design philosophy." After her father died in 1948 she began to design silver for his shop in Porvoo.
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in 1997. They returned to Porvoo in 1967, and Hopea's work thereafter included silversmithing, textile design, and enamelling. Her jewellery has been described as "a tranquil contemporary statement of the
Scandinavian esthetic."
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shops. The couple traveled in Nepal and India for four years, studying, photographing and collecting local metalwork and jewellery; Untracht published his
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Hopea worked in furniture design from 1946 to 1948 and then joined metalsmith
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Aalto
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152:(in Swedish). Uppslagsverket Finland
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121:Saara Hopea-Untracht. Life and Work
383:. You can help Knowledge (XXG) by
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251:. New York: Thames & Hudson.
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340:. Werner Sodetsrom Osakeyhitio.
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112:holds 28 of her works, and the
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39:Saara Elisabet Hopea-Untracht
249:Traditional jewelry of India
102:Traditional Jewelry of India
27:Finnish designer (1925–1982)
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45:Personal life and education
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450:20th-century Finnish women
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226:The Enamel Arts Foundation
307:The Museum of Modern Art
336:Untracht, Oppi (1988).
247:Untracht, Oppi (2008).
178:Ramshaw, Wendy (1984).
146:"Hopea-Untracht, Saara"
273:"Saara Hopea-Untracht"
222:"Saara Hopea-Untracht"
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150:www.uppslagsverket.fi
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465:Finnish artist stubs
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460:People from Porvoo
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311:Archived
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