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In 1961, Tapscott formed the Pan
Afrikan Peoples Arkestra, with the aim of preserving, developing and performing African-American music. As his vision grew, this became just one part of a larger organization in 1963, the Underground Musicians Association (UGMA), which later changed name to the
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An engraving in the sidewalk along Degnan
Boulevard in the Leimert Park neighborhood reads: "Horace Tapscott, the local pianist and organizer whose ensemble, the Pan Afrikan Peoples Arkestra, gave many musicians their first gigs and helped heal a community impacted by racism."
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and every bit as distinctive. In contexts ranging from freely improvised duos to highly arranged big bands, Tapscott exhibited a solo and compositional voice that was his own."
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Having been suffering from brain cancer, Tapscott died aged 64 on
February 27, 1999, the day before a planned tribute concert in his honor took place at Los Angeles'
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pianist and composer. He formed the Pan
Afrikan Peoples Arkestra (also known as P.A.P.A., or The Ark) in 1961 and led the ensemble through the 1990s.
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Enthusiasts of his music formed two labels in the 1970s and 1980s, Interplay and Nimbus, for which he recorded.
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all performed in
Tapscott's Arkestra at one time or another. Tapscott and his work are the subjects of the
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The Music Finds a Way: A PAPA/UGMAA Oral
History of Growing Up In Postwar South Central Los Angeles
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893:"Listening In: An Interview with Horace Tapscott", with Bob Rosenbaum, Los Angeles, October 1982
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170:, at the age of nine. By this time he had begun to study piano and trombone. He played with
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Dailey, Raleigh. "The Dark Tree: Jazz and the
Community Arts in Los Angeles" (review).
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397:, 1991) - originally released as two separate volumes and re-released as a 2-CD set
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April 2006. 394p. illus. index. University of
California, $ 34.95 (0-520-24591-1).
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Years given are for the recording(s), not first release, unless stated otherwise.
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His personal archive of manuscripts, arrangements and recordings was donated to
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202:(1959–61). Soon after, though, he quit playing trombone and focused on piano.
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788:"UCLA Library preserves the legacy of jazz pianist, composer Horace Tapscott"
255:"His pianistic technique was hard and percussive, likened by some to that of
198:, he returned to Los Angeles and played trombone with various bands, notably
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767:"Horace Tapscott Was a Force in L.A. Jazz. A New Set May Expand His Reach"
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Songs of the Unsung: The
Musical and Social Journey of Horace Tapscott
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721:"Finding Aid for the Horace Tapscott Jazz Collection 1960-2002"
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The Dark Tree: Jazz and the
Community Arts in Los Angeles.
146:(April 6, 1934 – February 27, 1999) was an American
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Legacies for Our Grandchildren - Live in Hollywood, 1995
628:. University of California, Los Angeles. Archived from
365:(with Roberto Miranda and Sonship) (Nimbus West, 1981)
359:(with Roberto Miranda and Sonship) (Nimbus West, 1981)
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Live at Théâtre Du Chêne Noir - Avignon, France 1989
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818:Volume 63, Number 3, March 2007, pp. 632–634.
899:Interview, Center for Oral History Research, UCLA
655:Isoardi, Steven L. (2001). "Horace Tapscott". In
476:(with the Great Voice of UGMAA) (Dark Tree, 2019)
666:The New Grove Dictionary of Music and Musicians
353:(Nimbus West, 1981) - as Horace Tapscott Sextet
445:(Dark Tree, 2022) - as Horace Tapscott Quintet
208:Union of God's Musicians and Artists Ascension
16:American jazz pianist and composer (1934–1999)
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347:(with Everett Brown, Jr.) (Nimbus West, 1980)
8:
480:Ancestral Echoes: The Covina Sessions, 1976
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539:With Roberto Miranda's Home Music Ensemble
439:(with Michael Session) (The Village, 2020)
401:Horace Tapscott's Arkestra Live in Chicago
29:
18:
474:Why Don't You Listen? Live at LACMA, 1998
385:(Bopland, 1984; reissue: Interplay, 1990)
545:Live at Bing Theatre - Los Angeles, 1985
1042:20th-century African-American musicians
650:
648:
646:
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286:in 2003 by his wife, Cecilia Tapscott.
882:"A Fireside Chat With Horace Tapscott"
744:Stewart, Jocelyn Y. (March 24, 1999).
567:Sonny's Dream (Birth of the New Cool)
486:Live at Century City Playhouse 9/9/79
450:With the Pan-Afrikan Peoples Arkestra
7:
1047:20th-century American male musicians
309:, 1969) - as Horace Tapscott Quintet
413:) (Jazz Friends Productions, 1995 )
765:Moore, Marcus J. (June 15, 2023).
746:"The Last Days of Horace Tapscott"
14:
622:"Horace Tapscott Jazz Collection"
246:Horace Tapscott Jazz Collection.
1082:Experimental big band musicians
1052:20th-century American pianists
832:. Duke University Press, 2001.
786:Marquez, Sally (May 2, 2023).
525:The Complete Imperial Sessions
371:(piano solo) (Art Union, 1983)
1:
725:Online Archive of California
1067:American male jazz pianists
1113:
1087:Jazz musicians from Texas
1077:Avant-garde jazz pianists
1072:Arabesque Records artists
1057:African-American pianists
990:Thoughts of Dar es Salaam
940:
626:Jazz Archival Collections
430:Thoughts of Dar es Salaam
28:
699:. Da Capo. p. 297.
695:Litweiler, John (1984).
669:(2nd ed.). London:
552:As composer and arranger
522:Both titles compiled on
252:From allmusicguide.com:
586:, 1975) - composer only
363:Live At Lobero, Vol. II
86:Los Angeles, California
1092:Musicians from Houston
1062:American jazz pianists
41:Background information
958:The Giant Is Awakened
697:The Freedom Principle
339:Lighthouse 79, Vol. 2
333:Lighthouse 79, Vol. 1
302:The Giant Is Awakened
190:After service in the
186:Later life and career
158:Tapscott was born in
884:, with Fred Jung in
671:Macmillan Publishers
379:(Nimbus West, 1984 )
341:(Nimbus West, 1979 )
335:(Nimbus West, 1979 )
144:Horace Elva Tapscott
51:Horace Elva Tapscott
966:Songs of the Unsung
835:Isoardi, Steven L.
828:Isoardi, Steven L.
821:Isoardi, Steven L.
488:(Nimbus West, 2020)
470:(Nimbus West, 1979)
464:(Nimbus West, 1978)
458:(Nimbus West, 1978)
351:Dial 'B' for Barbra
314:Songs of the Unsung
974:Dissent or Descent
839:. Dark Tree, 2020.
772:The New York Times
376:Dissent or Descent
106:Musician, composer
1097:Post-bop pianists
1019:
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982:Aiee! The Phantom
868:Posi-Tone Records
751:Los Angeles Times
680:978-1-56159-239-5
547:(Dark Tree, 2021)
519:(Imperial, 1963)
482:(Dark Tree, 2020)
433:(Arabesque, 1997)
418:Aiee! The Phantom
345:At the Crossroads
329:(Interplay, 1979)
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79:February 27, 1999
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468:Live at I.U.C.C.
267:Death and legacy
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35:Tapscott in 1986
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864:Horace Tapscott
852:discography at
850:Horace Tapscott
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307:Flying Dutchman
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257:Thelonious Monk
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182:as a teenager.
162:, and moved to
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114:Piano, trombone
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261:Herbie Nichols
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216:Stanley Crouch
200:Lionel Hampton
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160:Houston, Texas
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140:Musical artist
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411:Sonny Simmons
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407:Among Friends
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390:The Dark Tree
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383:Autumn Colors
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369:Little Africa
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111:Instrument(s)
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103:Occupation(s)
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66:April 6, 1934
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809:Bibliography
795:. Retrieved
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728:. Retrieved
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634:. Retrieved
630:the original
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284:UCLA Library
281:
277:
273:Leimart Park
270:
254:
251:
248:
228:David Murray
220:Butch Morris
204:
189:
172:Frank Morgan
157:
143:
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120:Years active
81:(1999-02-27)
1037:1999 deaths
1032:1934 births
1001:Live albums
886:Jazz Weekly
797:January 12,
559:Sonny Criss
326:In New York
290:Discography
236:Nate Morgan
232:Jimmy Woods
164:Los Angeles
124:1950s–1990s
1026:Categories
730:2008-04-13
706:0306803771
636:2008-04-13
591:References
579:Crisscraft
493:As sideman
176:Don Cherry
168:California
154:Early life
62:1934-04-06
47:Birth name
530:Blue Note
462:Flight 17
423:Arabesque
319:Interplay
295:As leader
210:(UGMAA).
192:Air Force
133:Arabesque
663:(eds.).
607:AllMusic
572:Prestige
511:Imperial
456:The Call
854:Discogs
574:, 1968)
532:, 2006)
513:, 1963)
425:, 1996)
321:, 1978)
196:Wyoming
1012:(1989)
993:(1996)
985:(1995)
977:(1984)
969:(1978)
961:(1969)
703:
677:
409:(with
403:(1993)
395:HatArt
178:, and
129:Labels
93:Genres
88:, U.S.
71:, U.S.
816:Notes
557:With
498:With
877:IMDb
799:2024
701:ISBN
675:ISBN
584:Muse
259:and
244:UCLA
238:and
148:jazz
97:Jazz
76:Died
56:Born
875:at
866:at
605:at
194:in
1028::
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673:.
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