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expression on his face, no matter how funny his lines may be; for let the actor realize that his lines are funny and laugh at them, ever so little, himself, and his audience immediately will freeze up. Consequently, in my impersonations, for example, I seriously study the person I wish to imitate and rehearse the impersonation many times in the serious vein, before I even attempt to give it a humorous twist. Then I try to insert the humor while still in the character of the person I am portraying. Thus, the basis of actuality is given to the impersonation.
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sketch that they wrote was called "The
Messenger Boy and the Thespian"; even after Dunne left the act, Willie and Eugene continued to perform this routine. Eugene and Willie built their reputation in vaudeville over the next decade, often billed as the Howard Brothers. They wrote a sketch that they toured widely, early on, called "The Porter and the Salesman". After a few years together, the brothers were earning high fees on the Orpheum circuit, and young Willie became the acknowledged leader of the act.
173:, who taught his sons to sing, hoping that they would follow his profession. However, both boys became intrigued by performing. The brothers, especially Willie, performed at amateur night shows at local burlesque houses. Their father was disappointed with their performing activity. He wanted Eugene to be a doctor and worried about Willie because he misbehaved in school. Their father changed his attitude when he saw them achieve success and even asked them for advice on how to get into show business.
241:), and rapid-fire comedy crosstalk. Diminutive, wild-haired, slumping Willie often portrayed a troublesome servant, such as a waiter or a bellhop, while well-fed, well-dressed Eugene, the straight man, played a self-satisfied authority figure, such as a manager, businessman or a customer. Willie assayed foreign accents, such as Spanish, Scottish, French, Russian, and Chinese, but always laced with his Yiddish dialect, and also did impressions of popular vocalists, such as
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209:(1901), but he was dismissed after the opening night, as his voice had begun to change. To compensate for the temporary loss of his singing voice, he began doing impersonations and started using the stage name Willie Howard. At one point in that formative year of 1901, he considered taking up boxing and appeared briefly as "Kid Lefko." He attended
257:. Their most famous comic routines "included 'French Taught in a Hurry' in which did rapid doubletalk; 'Quartets from Rigoletto' , which would perform with large, buxom ladies ( stealing glances at their breasts the whole time); and 'Comes the Revolution', in which would play a radical agitator" on a soapbox and Eugene would play a heckler.
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declined to relocate from the west coast, leaving
Educational without a name comedian for the new season. The New York-based Willie Howard was signed, and he made several short comedies in which he appeared as the hapless Frenchman Pierre Ginsbairge, complete with beret, mustache, and goatee. This
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ll fun-making must be well grounded and serious in its conception, and it is this basic seriousness of fun that leads to the best laugh production, which, after all, is the final test of all humor, on stage or off. In proof of this, you will notice that any good comedian always maintains a serious
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Eugene and Willie then performed briefly with their middle brother, later known as Sam Howard, as Harry Lee (Eugene) and the Lee
Brothers, playing in restaurants and museums. Eugene and Willie, in 1902, along with a friend, Thomas Potter Dunne, formed an act called "The Messenger Boys Trio". One
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After performing in amateur night competitions, the brothers began separate professional theatre careers. Soon they were appearing together in burlesque and vaudeville, where, over the course of a decade, they established their reputation. The brothers were hired by the
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interview that, as a young actor in New York, he used to go see Willie and laugh so loudly, Howard began to play to him. According to columnist Bob Thomas, who wrote a biography of Brando, "... always cited the old
Broadway comic to categorize low comedy."
114:. In between these Broadway seasons, the brothers continued to be in great demand on the vaudeville circuit and made a few (mostly short) films. In the 1940s, Willie continued to star in revues and musicals and to perform in vaudeville and night clubs.
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Eugene studied business but decided to go on the stage. In his earliest attempts at performing, he billed himself as "Harry Lee, phenomenal boy tenor". His first professional theatre job, in 1900, was in the chorus of a
Broadway musical,
390:, produced by the Shuberts as a vehicle for Willie. Willie played Sammy, and Eugene was one of the producers. Like all of their early shows for the Shuberts, the piece was a success, running for more than six months.
181:. Upon being hired and hearing his name, the manager suggested that "Eugene Howard" would be a more suitable name, and Isidore adopted it permanently. Later that year, he had a small role in a Broadway play based on
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movie jukeboxes, were three-minute shorts filmed in New York. Most were comic songs (like "Tyrone
Shapiro, the Bronx caballero") but some were spoken-comedy routines including two with Pierre Ginsbairge:
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as he distributed water to customers. He did this while attending school, and had to leave early to make the 3:15 pm show. He soon was engaged to do the same during out-of-town performances of
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ridiculous characterization was received enthusiastically by trade critics and theater owners. The financially troubled studio suspended operations in mid-1938 and closed in early 1939.
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magazine commented: "The
Howards never fail to become a riot at the Garden", and George Jessel later said that Willie was "The best of all the revue comics, bar none." A review in
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Eugene retired in 1940 to manage Willie and write material for him, although he occasionally appeared with him even afterwards. After Eugene's retirement, Willie usually used
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magazine said of their act, "there is never a dull moment" and praised Eugene's "straighting" as well as Willie's gags. Of the brothers' approach to their work, Willie said:
346:(1914 revue) – Willie played his signature character, Sammy Meyers. Eugene played the Steward of the Amber Club and the Captain of "La France", among other characters
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197:. Meanwhile, Willie had his first engagement in 1897 singing in the gallery of Lyon Palace on 110th Street as a boy soprano. He was hired in 1900 as a
666:(1942; includes "French Taught in a Hurry", "Tyrone Shapiro", "the Bronx Caballero", "Moscow Art Players", "Comes the Revolution!", and imitations of
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Beginning in 1912, in between their vaudeville bookings, the brothers performed in
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Sam later set up his own singing trio, "The
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said: "Next to Al Jolson, Willie Howard is now the foremost of the Winter Garden entertainers." Willie appeared opposite the 19-year-old
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Willie had been suffering a liver ailment for six weeks and became ill during a
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419:(1930–1931 musical) – Willie played Gieber Goldfarb in this successful musical, but Eugene did not perform in this.
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The brothers generally played wisecracking caricatures, using Jewish dialect humor, opera parodies (with Eugene as the
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in Philadelphia, Willie had to withdraw due to illness. He died one day after the show opened on Broadway.
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358:(1916–1917 revue)– Willie played Sammy, among other characters. Eugene played Aladdin, among others
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as his sidekick. Willie performed in several more Broadway shows, touring shows for the Shuberts and
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performers of the first half of the 20th century. They were two of the earliest openly
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The Howard Brothers on the cover of sheet music for the song "The Sweetest Melody" by
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Evans Jr., Joseph S. "Willie and Eugene Howard Look Back on Thirty Years in Comedy",
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Glass), two of six children (three boys and three girls). The family immigrated to
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Knapp, Margaret M. (1995) "Willie and Eugene Howard", in Banham, Martin (ed.)
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transferred its activities to its New York studio in 1937, its star comedian
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Vaudeville, Old & New: An Encyclopedia of Variety Performers in America
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The Howard Brothers also made several short films together, including
491:(1941 revue) – Willie co-starred with singers Gracie Barrie and
452:(1937 play) – this play, co-written by Willie, closed in a week.
1061:, "Expect Hammons New Releasing Deal This Week," Jan. 31, 1938, p. 1.
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was a huge fan of Willie Howard. He told Lawrence Grobel in his 1979
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No Applause – Just Throw Money: The Book That Made Vaudeville Famous
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Fisher) of London, whom he had married in 1910, who died in 1964.
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740:, Ancestry.com, accessed October 3, 2013 (subscription required)
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108:. They appeared in a few additional Broadway musicals, notably
999:, Greenwood Press (1994), pp. 253–54, accessed October 2, 2013
425:(musical) – the brothers each played several characters.
779:, Travalanche, November 7, 2009, accessed September 27, 2013
870:"Howard, Willie" in Bordman, Gerald and Hischak, Thomas S.
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was revived, with Al Kelly standing in for Eugene Howard.
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Willie's final film appearances, produced in 1941 for the
523:(1949) – During the try-out of this show at the
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Emigrants from the German Empire to the United States
458:(1937 revue) – this piece was also short-lived.
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Burials at Cedar Park Cemetery (Emerson, New Jersey)
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who are also brothers with a surname of Howard, see
777:"Stars of Vaudeville #75: Willie and Eugene Howard"
315:, in 1930–1931. The brothers' Broadway shows were:
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to Leopold Levkowitz and his second wife, Pauline (
757:, accessed October 3, 2013 (subscription required)
660:"Salty-Saul-Peter" (with Ruby Melnick's Orchestra)
1139:"Eugene Howard, Fed Willie the Straight Lines",
1123:"Willie Howard Dies Day Before His Show Opens,"
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1079:The Soundies Book: A Revised and Expanded Guide
938:"Concerning Willie Howard and the Upward Trail"
824:New York Public Library for the Performing Arts
126:Willie (left) and Eugene (right) Howard in 1907
64:(July 7, 1880 – August 1, 1965), billed as the
697:Miles). They had no children. He is buried in
1049:, "Willie Howard Riot," Feb. 12, 1938, p. 52.
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664:Willie Howard in an Album of Comedy and Songs
640:(with Al Kelly, and Ruby Melnick's Orchestra)
88:in 1912 to perform in a series of successful
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1279:People from Sächsische Schweiz-Osterzgebirge
1199:, pp. 223–24. New York: Facts on File.
806:, July 28, 1918, accessed September 27, 2013
1156:Trav S. D. (Stewart, Donald Travis) (2006)
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638:Willie Howard as Professor Pierre Marquette
1101:Marlon: Portrait of the Artist as a Rebel
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49:Eugene and Willie Howard promoting their
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872:The Oxford Companion to American Theatre
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60:(April 13, 1883 – January 14, 1949) and
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914:, Vol. 1, pp. 535–38, Routledge (2006)
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608:Willie Howard made several recordings:
229:Willie (left) and Eugene Howard in 1926
169:about 1886. Their father was a Jewish
979:, Vol. 106, No. 146, October 24, 1909
798:"The Two Howards – Willie and Eugene"
751:U.S. Passport Applications, 1795–1925
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484:Willie's last Broadway shows were:
429:George White's Music Hall Varieties
1364:20th-century American male singers
80:performers on the American stage.
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1289:20th-century American male actors
1033:"Eugene Howard, Comedian, Dead",
993:"Willie Howard and Eugene Howard"
878:, 2004 (Third Edition), p. 321.
578:How to Go to a French Restaurant
187:. Next, he was in the chorus of
1354:20th-century American comedians
971:"Poetry Mingles with the Dance"
708:Eugene, who had been living in
18:Howard Brothers Discount Stores
1339:American vaudeville performers
1179:The Cambridge Guide to Theatre
997:The Encyclopedia of Vaudeville
652:in a 1948 publicity photo for
221:Vaudeville act and comic style
203:Proctor's 125th Street Theatre
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1359:20th-century American singers
1103:. Random House. p. 228.
538:Between the Acts at the Opera
23:For the unrelated members of
908:"Willie & Eugene Howard"
749:Passport application 27491,
703:Cedar Park Cemetery, Emerson
462:George White's Scandals 1939
444:George White's Scandals 1936
409:George White's Scandals 1929
403:George White's Scandals 1928
201:to sing from the balcony at
96:over the next decade called
1319:Jewish American male actors
1014:bristles with good dancers"
540:(1926, one of the earliest
293:series. An early review in
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1299:American male stage actors
1294:Male actors from Manhattan
1239:Internet Broadway Database
1221:Internet Broadway Database
1183:Cambridge University Press
738:Lawrence Stone family tree
604:Willie Howard's recordings
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574:How to See a French Doctor
51:Follies Bergere of the Air
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1324:Jewish American comedians
1263:Between the Acts of Opera
1344:Comedians from Manhattan
1195:Smith, Ronald L. (1992)
775:Stewart, Donald Travis.
469:Willie Howard on his own
376:The Passing Show of 1922
370:The Passing Show of 1921
363:The Passing Show of 1918
350:The Passing Show of 1915
328:The Passing Show of 1921
273:Broadway and later years
16:Not to be confused with
1141:New York Herald Tribune
1125:New York Herald Tribune
1037:, August 3, 1965, p. 31
959:New York Herald Tribune
876:Oxford University Press
859:New York Herald Tribune
840:New York Herald Tribune
710:Jackson Heights, Queens
395:George White's Scandals
290:George White's Scandals
105:George White's Scandals
53:NBC radio show in 1936.
1008:Staff (March 3, 1925)
976:The San Francisco Call
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481:, and in night clubs.
387:Whirled into Happiness
344:The Whirl of the World
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621:The Barber of Seville
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285:Winter Garden Theatre
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194:The Belle of New York
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118:Early life and career
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1309:American comedy duos
1099:Thomas, Bob (1973).
630:"Let It Rain" (from
582:Comes the Revolution
557:Educational Pictures
1197:Who's Who in Comedy
1081:, iUniverse, 2007.
957:. "Willie Howard",
699:Paramus, New Jersey
544:talking pictures),
489:Crazy with the Heat
356:The Show of Wonders
251:Gallagher and Shean
1369:People from Harlem
1127:, January 13, 1949
1071:Scott MacGillivray
1035:The New York Times
1019:The New York Times
942:The New York Times
843:, December 6, 1931
803:The New York Times
690:Along Fifth Avenue
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654:Along Fifth Avenue
648:Willie Howard and
520:Along Fifth Avenue
499:Priorities of 1942
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299:The New York Times
237:and Willie as the
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1143:, August 3, 1965.
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857:"Willie Howard",
179:A Million Dollars
147:Wilhelm Levkowitz
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1273:Categories
1205:0816023387
1166:0865479585
1110:0394487281
1059:Film Daily
920:0415938538
874:New York:
720:References
588:Reputation
416:Girl Crazy
312:Girl Crazy
111:Girl Crazy
74:vaudeville
29:Moe Howard
1075:Ted Okuda
672:Al Jolson
542:Vitaphone
479:Mike Todd
309:musical,
247:Al Jolson
213:college.
184:Quo Vadis
1012:Sky High
634:) (1925)
632:Sky High
627:) (1925)
625:Sky High
623:" (from
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569:Soundies
552:(1931).
475:Al Kelly
382:Sky High
307:Gershwin
239:baritone
151:Neustadt
94:Broadway
70:Silesian
1259:YouTube
1237:at the
1219:at the
597:Playboy
464:(revue)
446:(revue)
438:of 1934
411:(revue)
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366:(revue)
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338:of 1912
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155:Silesia
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253:, and
171:cantor
167:Harlem
90:revues
78:Jewish
35:, and
725:Notes
701:, in
555:When
512:Sally
235:tenor
1248:IMDb
1230:IMDb
1201:ISBN
1187:ISBN
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