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763:(i.e. the subject of this article), featuring the same house with a pointed roof and distinctive chimney (the leftmost house in F758 is the rightmost house in F780 seen at right angles). However, whereas F759 was painted shortly after van Gogh arrived in Auvers, F780 would seem to have been amongst the last of van Gogh's paintings, as he encloses a sketch of it (right) in his last letter to Theo of 23 July. Both Hulsker and De La Faille date it July 1890. Both Pickvance and Van Der Veen & Knapp note that it is compositionally similar to F420
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French or Dutch cottages. They are part of van Gogh's return to the North he describes in a letter to Theo dated 29 April 1890. The drawing is a study for F750 (below). Close examination shows that there are nevertheless significant differences between the two works; for example, the hills in the painting are trees in the drawing. Van Der Veen & Knapp comment that these liberties van Gogh took with his subject matter demonstrate that his paintings and drawings are not literal depictions of nature but rather interpretations of it.
1069:. It was the first of the double-square canvases and van Gogh described it in a letter to Theo of 24 June. It was the only view he made of the château. The twilight is conveyed by heavy strokes of orange and yellow, but the sun itself is not seen. Nowhere in the Auvers painting did van Gogh directly depict the sun. Van Der Veen and Knapp note that there is a figure under the back pear tree, barely delineated in a few strokes. They describe the painting as a masterpiece of subtlety and form by a painter at the peak of his powers.
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1259:), about 200 yards east of 5 Rue de Gré. However, the correct address is 4 Rue Marceau. There were originally two farms, from the Caffin Family and the Youtte Family. Albert Caffin was the mayor of the town, who also signed Vincent Van Gogh's death certificate. Hulsker includes it amongst his list of cheerful canvases enlivened by colour accents. Van Der Veen and Knapp place the painting as a continuation of van Gogh's early exploration of the village, contrasting it with the Dutch cottage F90
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accents give it a cheerful aspect, to be found repeatedly in other paintings of the same sort at this time. Van Der Veen & Knapp think it was part of a series of views of the village made between the end of May and the beginning of June and that it is unfinished simply because van Gogh abandoned it, dissatisfied with the results he was getting. It has the distinction of being the first van Gogh painting ever to be purchased by a museum, the
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502:(right), as well as a rather larger number of studies of farm animals such as chickens and ponies. His subjects were landscapes, townscapes, portraiture, and still lifes. His paintings at Auvers imply a range of social domains. Thus, his paintings of dwellings range from thatched cottages through to middle-class villas and finally aristocratic châteaus, and these are set within the social spaces of gardens, streets, and the vestiges of
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470:. But not changed in an unpleasant way, there are many villas and various modern and middle-class dwellings, very jolly, sunny and covered with flowers. That is the almost lush countryside, just at this moment of the development of a new society in the old one, has nothing disagreeable about it; there’s a lot of well-being in the air. I see or think I see a calm there à la
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345:: "And while my illness was at its worst, I still painted, among other things a reminiscence of Brabant, cottages with mossy roofs and beech hedges on an autumn evening with a stormy sky, the sun setting red in reddish clouds." This painting is identified by the Van Gogh Museum as either F673, F674, or F675 (right). Hulsker also singles out F695
1357:"The public was given the opportunity to cast their votes on a group of 50 Impressionist and Post-Impressionist masterpieces from the MFA's collection.... With 4,464 votes, van Gogh's Houses at Auvers won the top prize, perhaps indicating the public's shifting allegiance from Monet and the Impressionists towards Post-Impressionism. However,
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Here we're far enough from Paris for it to be the real countryside, but nevertheless, how changed since
Daubigny. But not changed in an unpleasant way, there are many villas and various modern and middle-class dwellings, very jolly, sunny and covered with flowers. That is the almost lush countryside,
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was probably the first landscape van Gogh painted at Auvers. Writing to Theo and Jo around 21 May, Vincent says: "Now I have a study of old thatched roofs with a field of peas in flower and some wheat in the foreground, hilly background.. ", and continues with a remark that it did him good to go into
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Vincent ascribed this latest relapse to the boredom and monotony of life at the asylum. For months, he had been writing to Theo saying he wanted to leave the asylum. He felt sure that if he moved back to Paris he would get well quickly. At the same time
Vincent had become something of a celebrity in
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On Sunday 8 June, Theo and Jo (with their then-infant son, Vincent Willem) visited
Vincent and they all had dinner together at Dr. Gachet's. The following Tuesday, 10 June, van Gogh wrote to say he had since completed two more studies in "the greenery" (i.e. the suburbs). Hulsker thought these were
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I have a larger painting of the village church – an effect in which the building appears purplish against a sky of a deep and simple blue of pure cobalt, the stained-glass windows look like ultramarine blue patches, the roof is violet and in part orange. In the foreground a little flowery greenery
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The picturesque thatched cottages of Auvers appear of necessity in many of van Gogh's views of the town. Only in four paintings are thatched cottages the dominant theme: F758, F780, F792, and F806. In drawings such as F1640r (right), the exaggerated rounded roof lines are not to be found in either
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Auvers farmers worked their own land. Tenant farmers were rare, and most landowners employed day labourers only in the harvest season. The property was parcelled and passed on through inheritance or through private sales ... Steady, landed and industrious, wearing both peasant denim and the latest
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was a medieval town about 15 miles northwest of the centre of Paris. It was only a few roads wide, but extended for miles along the river in both directions, vineyards and market gardens scattered all along its length. Its hamlets were a mix of clusters of thatched houses and farm enclosures. The
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A draft of this letter was found on van Gogh's body, but it did not differ significantly from the one Theo actually received. Nevertheless the 23 July letter was sufficiently out of character for Theo and Jo to correspond about it (Jo was in
Amsterdam at the time). Hulsker says of Vicent's last
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i.e. "Village (last work)". There is no mention of the painting in the letters and presumably its unfinished nature was responsible for calling it van Gogh's last painting. Pickvance notes the energy of the painting, betraying no indication of a tormented mind. Hulsker noted its lively colour
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Vincent suffered his most severe relapse towards the end of
February 1890. The following two months he was unable to paint and scarcely able even to write. He declared himself "totally stupefied" in his single letter of this period to Theo on 17 March . Hulsker called it the saddest period of
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The two years he spent in Paris with his brother are the least documented of
Vincent's career, simply because the main source for Vincent's life are the letters between them and, naturally, they did not correspond when together. Nevertheless, there are abundant sources to show that Vincent
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that "Auvers is really beautiful – among other things many old thatched roofs, which are becoming rare." In his letter the following day he adds, "But I find the modern villas and the middle-class country houses almost as pretty as the old thatched cottages that are falling into ruin."
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in
October 1888. However, Vincent's erratic behaviour and drunkenness alarmed Gauguin, and by December he had resolved to leave. Vincent suffered a severe nervous collapse as a result and was hospitalised. Despite making a speedy recovery, Vincent voluntarily entered an asylum at
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just at this moment of the development of a new society in the old one, has nothing disagreeable about it; there's a lot of well-being in the air. I see or think I see a calm there Ă la Puvis de
Chavannes, no factories, but beautiful greenery in abundance and in good order.
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A sheet of figure studies F1652r (right) has at its upper left a young girl seen from behind very close to the lower rightmost girl in the painting. The profile of a young girl to the right on the sheet is recognizably
Adeline Ravoux, daughter of the innkeeper at the
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there in the 1850s, and later purchased no less than three houses in the village as well as another nearby. With the advent of a railway, the town became a tourist centre, its population swelling from 2,000 to 3,000 in the summer months. It attracted artists such as
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he had considered redoing as one of his "reminisces of the North" in Saint-RĂ©my. They note the use of complementary colours, for example the blue shadow of the foreground cottage cast on the yellow path. The painting was awarded top prize at the
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In his final two months at Saint-RĂ©my, van Gogh painted from memory a number of canvases he called, "reminisces of the North," harking back to his Dutch roots. The influence of this return to the North continued at Auvers, notably in F789,
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is the Rue de la
Sansonne directly opposite the Auberge Ravoux, though the stairs connecting the two streets are no longer there. There is a smaller companion piece F796 showing the same site whose authenticity Van Der Veen and Knapp
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1076:, a size 30 canvas, is described in a letter of 5 June to his sister Wil: "... It's again almost the same thing as the studies I did in Nuenen of the old tower and the cemetery." The study he was referring to was F84:
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letters that they are not exactly cheerful (he was beset with worries about Theo's health and future), but that they were not suicidal. Indeed, the 23 July letter included a request for fresh paints.
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During the months of May, June and July 1890, van Gogh was extremely productive. The letters give accounts of thirty-six paintings that can be dated with certainty to the Auvers period. The 1970
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on 9 May 1889, where he was able to continue painting between relapses of mania (his exact medical condition is not known with certainty). Perhaps his most loved and best known painting, F612
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his paintings to his art dealer brother Theo, because that is what they contracted together in return for Theo supporting him with what was by the standards of the day a comfortable stipend.
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and some sunny pink sand. It's again almost the same thing as the studies I did in Nuenen of the old tower and the cemetery. Only now the colour is probably more expressive, more sumptuous.
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lists another fifty or so, of which some may date before Auvers and others may be inauthentic. Even certain paintings imply a painting executed every other day over the two-month period.
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Vincent's life. Nevertheless, Vincent was able to draw and paint a little as he recovered. He described painting a few canvases from memory, which he had experimented with in F496
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as characteristic of the village views van Gogh made at this time. The colours are subdued and no use of complementary colours is made. The location is quite likely 18 Rue Rajon (
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I'm picking up this letter again to try and write, it will come little by little, it's just that my mind has been so affected – without pain, it's true – but totally stupefied.
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the south, "the better to see the north". Van Der Veen & Knapp point out the serene calm of the painting; not a breath of wind disturbs the smoke rising from the chimney.
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I'm almost sure that I'll soon get better in the north, at least for quite a long time, while still apprehensive of a relapse in a few years' time – but not immediately.
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Finally a night effect – two completely dark pear trees against yellowing sky with wheatfields, and in the violet background the castle encased in the dark greenery.
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Following the death of his father in March 1885 and ensuing difficulties and quarrels with both his family and neighbours in Nuenen, Van Gogh moved first to
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was painted shortly after van Gogh arrived. De La Faille thought it painted a little later at the beginning of June, citing a letter of 10 June 1890.
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In particular any paintings he might have sold in Paris have gone undocumented as a result. Van Der Veen and Knapp point out that in a sense he sold
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But I find the modern villas and the middle-class country houses almost as pretty as the old thatched cottages that are falling into ruin.
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The central house was a townhouse in the hamlet of Chaponval, about a mile west of the Auberge Ravoux. It was situated at 5 Rue de Gré (
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Zemel, Carol. Van Gogh's Progress: Utopia, Modernity and Late-Nineteenth-Century Art. Berkely:University of California Press 1997.
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While I was ill I nevertheless still did a few small canvases from memory which you'll see later, reminiscences of the North ...
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The painting was first shown at the 1905 Amsterdam exhibition and has been since exhibited all over the world, including at the
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Van Gogh was generally meticulous in his depiction of street scenes, a fact that allowed the precise location of the F766
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New York, Metropolitan Museum of Art, Van Gogh in Saint-Remy and Auvers, 1986, no. 63, pp. 234, 235, repr. (col.).
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to be ascertained, an Auvers painting that was once thought lost but re-emerged in 1995 in the collection of the
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2195:"Letter 864:To Anna van Gogh-Carbentus and Willemien van Gogh. Saint-RĂ©my-de-Provence, Tuesday, 29 April 1890"
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Vincent van Gogh spent the early 1881–1885 years of his brief ten-year career as an artist painting in the
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Here we’re far enough from Paris for it to be the real countryside, but nevertheless, how changed since
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is an example, as dating from this time as well. He says these works, almost alone in Vincent's entire
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Van Gogh was alert to the change and the new modernity. Writing to Theo and Jo on 25 May, he remarked:
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in the south of France, where he conceived the project of starting an artists' commune with Gauguin.
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Auvers is really beautiful – among other things many old thatched roofs, which are becoming rare.
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depicts the thatch on a cottage being renewed. The location is the same one in Chaponval as F759
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The village captivated him. On his arrival on 20 May 1890, he wrote to his brother Theo and wife
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2546:. New York, NY: Harrison House/Harry N. Abrams Distributed by Crown Publishers, Random House.
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is probably the only painting that matches it in its intensity of colour and emotional charge.
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participated fully in the artistic life of the city, although never aligning himself with the
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And while my illness was at its worst, I still painted, among other things a reminiscence of
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His move was prompted by his dissatisfaction with the boredom and monotony of asylum life at
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Naifeh, Steven and Smith, Gregory White. Van Gogh: the Life, New York: Random House, 2011,
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while painting with Gauguin, in a letter to Theo dated 29 April. He called these paintings
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The pursuit of spiritual wisdom: the thought and art of Vincent van Gogh and Paul Gauguin
2138:"Letter 857: To Theo van Gogh. Saint-RĂ©my-de-Provence, on or about Monday, 17 March 1890"
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The two thatched cottages at the left are set at right angles. They reappear in F780
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Carol Zemel, Van Gogh's Progress: Utopia, Modernity, and Late-Nineteenth-Century Art
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151:. His paintings of dwellings at Auvers encompassed a range of social domains.
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Colta Ives; Susan Alyson Stein; Sjraar van Heugten; Marije Vellekoop (2005).
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exhibition in 1891 a year after van Gogh's death. The catalogue entry read
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painted some two years earlier on a day trip from the asylum at Saint-RĂ©my.
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the art world following a very favourable review of his work by the critic
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73 cm Ă— 61 cm (19.7 in Ă— 40.6 in)
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2386:"Letter 891:To Theo van Gogh. Auvers-sur-Oise, Tuesday, 24 June 1890 1890"
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A facsimile is enclosed as a supplement with Van Der Veen and Knapp (2009)
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is a considerable curiosity as it was one of ten paintings exhibited at a
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he had painted a few years before in Nuenen and a companion piece to F83
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Auvers had consequently become a prosperous community. It was a model of
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2361:"Letter 902: To Theo van Gogh. Auvers-sur-Oise, Wednesday, 23 July 1890"
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He is more explicit in a following letter to his mother and sister
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and identifies a series of sketches depicting peasants, of which
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2766:
2090:. Toledo Museum of Art, Provenance Research Project. p. 3
1574:. The Paintings of Paul Cézanne, an online catalogue raisonné.
1178:—where van Gogh lodged. She is the subject of portraits
2650:
Walther, Ingo F.; van Gogh, Vincent; Metzger, Rainer (2010).
1221:, who had organised one of the earliest van Gogh exhibitions.
2485:
At Eternity's Gate: The Spiritual Vision of Vincent van Gogh
2345:
Since Sunday I've done two studies of houses in the greenery
1784:
1782:
1780:
311:, "reminisces of the North." He mentions he might redo F83
1291:
in 1935 with funds from the Libbey Endowment, the gift of
542:
A postcard showing a farmhouse in Chaponval before 1914.
494:
Van Gogh made no paintings of traditional peasant life,
219:. Shortly thereafter, he joined his art dealer brother,
2544:
The Complete Van Gogh: Paintings, Drawings, Sketches
2088:
Ownership History for European Paintings (1933–1945)
4576:
4553:
4507:
4344:
4308:
4249:
4150:
3953:
3773:
3580:
3513:
3481:
3435:
3333:
3317:
Farmhouses in Loosduinen near The Hague at Twilight
3245:
3236:
A Girl in the Street, Two Coaches in the Background
3206:
3199:
2873:
2800:
1544:
1542:
377:and arranged for Vincent to work at the village of
239:movement. In particular, he came into contact with
90:
82:
74:
53:
45:
35:
21:
3564:Agostina Segatori Sitting in the Café du Tambourin
3536:View of Paris from Vincent's Room in the Rue Lepic
3349:Congregation Leaving the Reformed Church in Nuenen
2482:
4615:Paintings of Auvers-sur-Oise by Vincent van Gogh
2578:. New York: Metropolitan Museum of Art, Abrams.
2575:(exhibition catalog, Metropolitan Museum of Art)
1148:Village street and stairs in Auvers with figures
978:Village street and stairs in Auvers with figures
822:(for which F1640r above right is a study), F789
3867:A Meadow in the Mountains: Le Mas de Saint-Paul
3715:Memory of the Garden at Etten (Ladies of Arles)
2373:... I'm adding a croquis of old thatched roofs.
597:
464:
445:
304:Memory of the Garden at Etten (Ladies of Arles)
2355:
2353:
828:(another example of his return to the North),
448:city styles, the Auvers farmers were, to vary
2778:
2629:Maurer, Naomi E.; van Gogh, Vincent (1999) .
2443:Oil paintings by van Gogh in American museums
2327:
2325:
2299:
2297:
2295:
2075:
2073:
443:regarding the modernization of the peasants:
8:
2850:Nazi looting of artworks by Vincent van Gogh
2164:
2162:
2160:
2158:
2058:. Boston, Massachusetts: Museum of Fine Arts
1568:"La Maison du père Lacroix, Auvers-sur-Oise"
452:'s phrase, "peasants become Frenchmen," ...
273:Winter Landscape – Reminiscence of the North
4074:Peasant Woman Against a Background of Wheat
3937:View of the Asylum and Chapel of Saint-RĂ©my
3426:Head of an Old Farmer's Wife in a White Hat
2635:. Cranbury: Associated University Presses.
2593:Van Der Veen, Wouter; Knapp, Peter (2010).
1373:, original model 1878–81, cast after 1921,
816:Other paintings from this period are: F750
4483:"Vincent and the Doctor" (2010 TV episode)
3472:Skull of a Skeleton with Burning Cigarette
3203:
2785:
2771:
2763:
2693:: CS1 maint: location missing publisher (
2489:. William B. Eerdmans Publishing Company.
1278:" exhibition—"Boston Loves Impressionism".
27:
18:
1592:
1590:
1217:purchasing it in 1903 from the estate of
842:is an example of a double-square canvas.
3324:Three Figures near a Canal with Windmill
2527:. New York: Metropolitan Museum of Art.
1295:. The work had previously been owned by
1224:De La Faille gives the location of F805
1108:De La Faille gives the location of F791
381:north of Paris under the supervision of
4167:Meadows near Rijswijk and the Schenkweg
3874:A Road at Saint-Remy with Female Figure
3215:Beach at Scheveningen in Stormy Weather
2508:(3rd ed.). Amsterdam: Meulenhoff.
2129:
1983:
1981:
1394:
1327:
844:
650:
500:Landscape with Peasant Women Harvesting
484:Landscape with Peasant Women Harvesting
3557:Imperial Fritillaries in a Copper Vase
2728:. Toledo Museum of Art. Archived from
2686:
2654:. Vol. II. Köln London: Taschen.
2469:
2459:
2056:Exhibition, Boston Loves Impressionism
1189:. The sheet sold for $ 4,480,000 at a
4625:Paintings in the Toledo Museum of Art
4116:Prisoners' Round (after Gustave Doré)
4018:Landscape with a Carriage and a Train
3782:Valley with Ploughman Seen from Above
1729:Van Der Veen & Knapp pp. 128, 131
772:Van Der Veen and Knapp describe F792
348:Two Peasant Women Digging in the Snow
7:
3687:A Lane in the Public Garden at Arles
2440:Barr, Alfred H. (28 February 1967).
2050:Frascona, Karen (14 February 2014).
3673:The Painter on the Road to Tarascon
3275:Landscape with a Church at Twilight
2446:. Taylor & Francis, Routledge.
2117:Pickvance p. 234, 235, repr. (col.)
1287:The Toledo Museum of Art purchased
1161:Sheet with Many Sketches of Figures
4336:Monastery of Saint-Paul de Mausole
3497:Vase with White and Red Carnations
2504:De La Faille, Jacob Baart (1970).
2481:Erickson, Kathleen Powers (1998).
215:, where he briefly studied at the
14:
3789:View of Arles, Flowering Orchards
3743:Arles: View from the Wheat Fields
3729:Interior of a Restaurant in Arles
3465:Peasant Woman Digging Up Potatoes
2932:Still life paintings, Netherlands
2669:Welsh-Ovcharov, Bogomila (1999).
2597:. New York: The Monacelli Press.
2595:Van Gogh in Auvers: His Last Days
2573:Van Gogh In Saint-RĂ©my and Auvers
1620:from the original on 12 July 2015
1316:List of works by Vincent van Gogh
1187:Two Ladies Walking in a Landscape
766:Row of Cottages at Saintes Maries
733:Farmhouses in Jorgus with figures
662:Farmhouses in Jorgus with figures
4081:Still Life: Vase with Pink Roses
3997:Doctor Gachet's Garden in Auvers
2750:
2652:Van Gogh: The Complete Paintings
1863:Van Der Veen & Knapp p. 190
1606:Laidman, Jenni (23 April 2001).
1026:
1007:
988:
969:
948:
929:
908:
889:
868:
847:
710:
691:
672:
653:
4239:Old Vineyard with Peasant Woman
4159:Boy Cutting Grass with a Sickle
4130:Landscape at Auvers in the Rain
3860:Self-Portrait with Bandaged Ear
3659:Portrait of the Artist's Mother
3617:Still Life: Vase with Oleanders
3072:DĂ©coration for the Yellow House
2829:The Letters of Vincent van Gogh
2671:Van Gogh in Provence and Auvers
1824:Van Der Veen & Knapp p. 106
1797:Vand Der Veen & Knapp p 123
1671:Van Der Veen & Knapp p. 125
1473:Naifeh & Smith, pp. 799-813
1419:Van Der Veen and Knapp pp. 13-4
1371:Little Fourteen-Year-Old Dancer
1206:Salon des Artistes Indépendants
774:Thatched Cottages at Cordeville
719:Thatched Cottages at Cordeville
4290:Torso of Venus and a Landscape
4282:Portrait of a Man in a Top Hat
4175:The 'Laakmolen' near The Hague
4102:Wheatfield Under Thunderclouds
3909:Green Wheat Field with Cypress
3363:Landscape with Pollard Willows
3356:The Parsonage Garden at Nuenen
3186:Lost works by Vincent van Gogh
2524:Vincent Van Gogh: The Drawings
2040:Van Der Veen & Knapp p. 92
1996:Van Der Veen & Knapp p. 91
1917:Van Der Veen & Knapp p. 86
1711:Van der Veen & Knapp p. 77
1482:Naifeh & Smith, pp. 818-22
1437:Naifeh & Smith, pp. 744-71
1428:Naifeh & Smith, pp. 540-63
1410:Naifeh & Smith, pp. 469-92
1401:Naifeh & Smith, pp. 423-51
1079:The Old Church Tower at Nuenen
419:first moored his studio barge
318:The Old Church Tower at Nuenen
1:
4610:Paintings by Vincent van Gogh
4589:Van Gogh immersive experience
4535:Theo van Gogh (film director)
4223:Drawbridge in Nieuw-Amsterdam
3160:Saint-Paul Asylum, Saint-RĂ©my
2506:The works of Vincent van Gogh
2415:Vincent van Gogh: The Letters
2390:Vincent van Gogh: The Letters
2365:Vincent van Gogh: The Letters
2228:Vincent van Gogh: The Letters
2199:Vincent van Gogh: The Letters
2174:Vincent van Gogh: The Letters
2142:Vincent van Gogh: The Letters
1881:Van der Veen & Knapp p.72
1262:Cottage and Woman with a Goat
362:Worn Out – At Eternity's Gate
4361:Portrait of Vincent van Gogh
4067:Blossoming Chestnut Branches
3983:Thatched Cottages and Houses
3923:The Ravine of the Peyroulets
2903:Van Gogh's family in his art
1608:"Wishing on Van Gogh's star"
1557:Naifeh & Smith pp. 850-9
857:Thatched Cottages and Houses
819:Thatched Cottages and Houses
130:'s celebrated January 1890,
115:, a small town northwest of
16:Painting by Vincent van Gogh
4183:Church Pew with Worshippers
3881:Enclosed Field with Peasant
3853:Self-portrait without beard
3652:Starry Night Over the RhĂ´ne
3550:A Woman Walking in a Garden
3419:Avenue of Poplars at Sunset
3412:Avenue of Poplars in Autumn
2972:Still life paintings, Paris
1210:Village (dernière esquisse)
1112:as 18 rue Francois Villon (
1098:Dead End Street with Houses
1048:Thatched Cottage and Houses
1039:Museum of Fine Arts, Boston
757:Thatched Cottages in Auvers
681:Thatched Cottages in Auvers
594:Thatched cottages in Auvers
4646:
4569:(1978, revised 1989; "JH")
4215:Landscape with Wheelbarrow
4088:Portrait of Adeline Ravoux
3969:Road with Cypress and Star
3902:Wheat Field with Cypresses
3589:Madame Roulin and Her Baby
3377:Cart with Red and White Ox
3222:Girl in White in the Woods
3041:Copies by Vincent van Gogh
2940:Old Church Tower at Nuenen
2571:Pickvance, Ronald (1986).
2007:"International collection"
1304:Metropolitan Museum of Art
1272:Boston Museum of Fine Arts
737:Farmhouse with two figures
700:Farmhouse with two figures
282:Gauguin joined Vincent at
49:Auvers-sur-Oise, June 1890
4409:Vincent and Theo van Gogh
4369:The Painter of Sunflowers
3444:Still Life with Straw Hat
3289:Footbridge across a Ditch
2896:Peasant Character Studies
1966:De La Faille pp. 643, 691
1835:"Farms near Auvers, 1890"
1500:Naifeh & Smith p. 826
583:La maison du Père Lacroix
417:Charles-François Daubigny
155:"Reminisces of the North"
26:
4561:Jacob Baart de la Faille
4321:Van Gogh House (Drenthe)
3310:Farm with Stacks of Peat
3048:Langlois Bridge at Arles
2742:– includes bibliography.
2726:Our Collection, E-museum
2713:Sketch, Van Gogh Gallery
1788:Van Der Veen & Knapp
1247:49.0711694°N 2.1497194°E
1131:49.0702833°N 2.1444778°E
795:49.0743889°N 2.1864139°E
565:49.0711167°N 2.1469278°E
406:Art Institute of Chicago
402:Panoramic view of Auvers
4630:Oil on canvas paintings
4525:Johanna van Gogh-Bonger
4266:Marsh with Water Lilies
4060:The Town Hall at Auvers
3571:Red Cabbages and Garlic
3543:Portrait of Père Tanguy
3529:Wheat Field with a Lark
3191:Display at Les XX, 1890
3167:Auvers size 30 canvases
2964:Le Moulin de la Galette
1110:The House of Père Pilon
938:The House of Père Pilon
834:double-square paintings
526:Van Gogh lodged at the
441:Third Republic idealism
3990:Portrait of Dr. Gachet
3796:Portrait of Doctor Rey
3764:Orchard with Cypresses
3391:Water Mill at Opwetten
3261:Farmhouses Among Trees
2757:Houses at Auvers, F759
2746:2011 photo of the site
1167:
1104:
982:Saint Louis Art Museum
751:
644:
543:
491:
476:
460:
408:
338:
289:Saint-RĂ©my-de-Provence
279:
264:
171:
107:is an oil painting by
4416:"Vincent" (1971 song)
4331:Kröller-Müller Museum
4191:Woman on Her Deathbed
4109:Wheatfield with Crows
3944:The Large Plane Trees
3757:Farmhouse in Provence
3694:Falling Autumn Leaves
3645:Café Terrace at Night
3490:Vase with Red Poppies
3458:Peasant Woman Digging
3112:Paintings of Children
3034:Trees and Undergrowth
2865:Lost Arles sketchbook
2542:Hulsker, Jan (1986).
1252:49.0711694; 2.1497194
1158:
1146:The location of F795
1136:49.0702833; 2.1444778
1095:
1056:Landscape at Twilight
898:Landscape at Twilight
800:49.0743889; 2.1864139
746:
638:Landscape with Houses
635:
570:49.0711167; 2.1469278
541:
481:
396:
383:Paul Ferdinand Gachet
336:Kröller-Müller Museum
327:
315:(above left) and F84
270:
253:
162:
4563:(1928 and 1970; "F")
4199:Landscape with Trees
4032:The Church at Auvers
4011:White House at Night
3750:Sunset at Montmajour
3398:Water Mill at Kollen
3282:Landscape with Dunes
2924:Water Mill at Gennep
2759:at Wikimedia Commons
1774:Pickvance pp. 249-50
1648:Toledo Museum of Art
1572:cezannecatalogue.com
1180:F768, F786, and F769
1074:The Church at Auvers
918:The Church at Auvers
878:White House at Night
830:the size 30 canvases
825:The Church at Auvers
617:Toledo Museum of Art
606:White House at Night
262:Museum of Modern Art
144:The Church at Auvers
137:review of his work.
95:Toledo Museum of Art
3596:Landscape with Snow
2860:Cultural depictions
2081:"Provenance Report"
2031:De La Faille p. 306
1908:De La Faille p. 302
1872:De La Faille p. 303
1596:Pickvance pp. 234-5
1243: /
1127: /
791: /
749:Sketch C Letter 902
561: /
4497:At Eternity's Gate
4470:Vincent in Brixton
4430:Vincent & Theo
4207:Peatery in Drenthe
3976:At Eternity's Gate
3370:Cart with Black Ox
3303:A Wind-Beaten Tree
3254:Cows in the Meadow
3096:Flowering Orchards
2994:Outskirts of Paris
2337:vangoghletters.org
2309:vangoghletters.org
2279:vangoghletters.org
2253:vangoghletters.org
1946:"Sale 1831 Lot 28"
1935:De La Faille p.304
1815:De La Faille p 303
1765:De La Faille p.300
1640:"Houses at Auvers"
1584:Hulsker pp. 1988-9
1369:(3,543 votes); 3.
1228:as 2 Rue Marceau (
1168:
1165:Private collection
1105:
942:Private collection
752:
666:Private collection
645:
585:. Hulsker thought
544:
512:catalogue raisonné
492:
472:Puvis de Chavannes
409:
339:
331:At Eternity's Gate
280:
265:
172:
4597:
4596:
4584:The Vincent Award
4545:Johannes Stricker
4146:
4145:
4095:Plain near Auvers
4046:Farms near Auvers
4039:Daubigny's Garden
3736:A Lane near Arles
3451:The Potato Eaters
3405:Village at Sunset
3088:Hospital in Arles
3080:The Roulin Family
2755:Media related to
2710:A House at Auvers
2661:978-3-8365-2299-1
2604:978-1-58093-301-8
2566:978-0-375-50748-9
2534:978-1-58839-165-0
2453:978-0-7146-2039-8
1680:Pickvance, p. 249
1536:Hulsker pp. 454-8
1491:Zemel p. 277 n.15
1390:General citations
1060:château at Auvers
1058:is a view of the
958:Farms near Auvers
839:Farms near Auvers
731:most likely F758
628:Thatched cottages
309:souvenirs du nord
197:The Potato Eaters
133:Mercure de France
100:
99:
4637:
4477:The Yellow House
4353:Vincent van Gogh
4258:87 Hackford Road
4004:Houses at Auvers
3831:The Starry Night
3803:Crab on its Back
3708:The Red Vineyard
3666:Bedroom in Arles
3638:Van Gogh's Chair
3631:The Yellow House
3296:Marshy Landscape
3204:
2818:List of drawings
2794:Vincent van Gogh
2787:
2780:
2773:
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2754:
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2739:
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2720:Houses at Auvers
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2017:. Archived from
2003:
1997:
1994:
1988:
1985:
1976:
1975:Pickvance p. 248
1973:
1967:
1964:
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1957:
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1936:
1933:
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1926:Pickvance p. 227
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1890:Pickvance p. 261
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1689:Pickvance p. 223
1687:
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1659:
1650:. Archived from
1644:toledomuseum.org
1636:
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1603:
1597:
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1548:Pickvance p. 226
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1527:Zemel p 229 n.41
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1289:Houses at Auvers
1258:
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1226:Houses at Auvers
1142:
1141:
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1138:
1137:
1132:
1128:
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1124:
1123:
1120:
1085:The Starry Night
1068:
1035:Houses at Auvers
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997:Houses in Auvers
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787:
784:
761:Houses in Auvers
714:
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685:Kunsthaus ZĂĽrich
676:
657:
611:Hermitage Museum
587:Houses at Auvers
576:
575:
573:
572:
571:
566:
562:
559:
558:
557:
554:
458:
375:Camille Pissarro
294:The Starry Night
284:The Yellow House
257:The Starry Night
109:Vincent van Gogh
104:Houses at Auvers
40:Vincent van Gogh
31:
22:Houses at Auvers
19:
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4572:
4549:
4503:
4371:(1888 painting)
4355:(1886 painting)
4340:
4326:Maison Van Gogh
4316:Van Gogh Museum
4304:
4245:
4142:
3949:
3769:
3576:
3509:
3477:
3431:
3329:
3241:
3195:
3120:The Wheat Field
3104:Almond Blossoms
2875:
2869:
2855:Posthumous fame
2796:
2791:
2735:
2733:
2732:on 2 April 2015
2716:
2705:
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2623:Further reading
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2419:Van Gogh Museum
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2394:Van Gogh Museum
2384:
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2369:Van Gogh Museum
2359:
2358:
2351:
2341:Van Gogh Museum
2331:
2330:
2323:
2313:Van Gogh Museum
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2293:
2283:Van Gogh Museum
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2268:
2257:Van Gogh Museum
2247:
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2232:Van Gogh Museum
2222:
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2203:Van Gogh Museum
2193:
2192:
2188:
2178:Van Gogh Museum
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2146:Van Gogh Museum
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1839:Tate Collection
1833:
1832:
1828:
1823:
1819:
1814:
1810:
1805:
1801:
1796:
1792:
1787:
1778:
1773:
1769:
1764:
1760:
1755:
1751:
1746:
1742:
1737:
1733:
1728:
1724:
1719:
1715:
1710:
1706:
1697:
1693:
1688:
1684:
1679:
1675:
1670:
1666:
1657:
1655:
1638:
1637:
1633:
1623:
1621:
1605:
1604:
1600:
1595:
1588:
1583:
1579:
1566:
1565:
1561:
1556:
1552:
1547:
1540:
1535:
1531:
1526:
1522:
1518:Zemel pp. 214-5
1517:
1513:
1508:
1504:
1499:
1495:
1490:
1486:
1481:
1477:
1472:
1468:
1464:Erickson, p. 77
1463:
1459:
1455:Hulsker, p. 446
1454:
1450:
1446:Hulsker, p. 442
1445:
1441:
1436:
1432:
1427:
1423:
1418:
1414:
1409:
1405:
1400:
1396:
1392:
1387:
1382:
1381:
1356:
1352:
1346:
1342:
1333:
1329:
1324:
1312:
1285:
1251:
1249:
1245:
1242:
1237:
1234:
1232:
1230:
1229:
1219:Julien Leclercq
1135:
1133:
1129:
1126:
1121:
1118:
1116:
1114:
1113:
1102:Van Gogh Museum
1062:
1041:
1031:
1022:
1012:
1003:
1001:Van Gogh Museum
993:
984:
974:
965:
953:
944:
934:
925:
913:
904:
902:Van Gogh Museum
894:
885:
873:
864:
852:
814:
812:Views of Auvers
799:
797:
793:
790:
785:
782:
780:
778:
777:
725:
715:
706:
704:Van Gogh Museum
696:
687:
677:
668:
658:
642:Van Gogh Museum
630:
625:
569:
567:
563:
560:
555:
552:
550:
548:
547:
536:
496:la vie rustique
488:Van Gogh Museum
459:
456:
415:French painter
412:Auvers-sur-Oise
391:
379:Auvers-sur-Oise
277:Van Gogh Museum
169:Van Gogh Museum
157:
113:Auvers-sur-Oise
70:
17:
12:
11:
5:
4643:
4641:
4633:
4632:
4627:
4622:
4620:1890 paintings
4617:
4612:
4602:
4601:
4595:
4594:
4592:
4591:
4586:
4580:
4578:
4574:
4573:
4571:
4570:
4564:
4557:
4555:
4551:
4550:
4548:
4547:
4542:
4537:
4532:
4530:Andries Bonger
4527:
4522:
4517:
4511:
4509:
4505:
4504:
4502:
4501:
4493:
4489:Loving Vincent
4485:
4480:
4474:
4466:
4458:
4450:
4442:
4438:Vincent and Me
4434:
4426:
4418:
4413:
4405:
4397:
4389:
4381:
4373:
4365:
4357:
4348:
4346:
4342:
4341:
4339:
4338:
4333:
4328:
4323:
4318:
4312:
4310:
4306:
4305:
4303:
4302:
4298:Head of a Girl
4294:
4286:
4278:
4270:
4262:
4261:(1873 or 1874)
4253:
4251:
4247:
4246:
4244:
4243:
4235:
4227:
4219:
4211:
4203:
4195:
4187:
4179:
4171:
4163:
4154:
4152:
4148:
4147:
4144:
4143:
4141:
4140:
4133:
4126:
4119:
4112:
4105:
4098:
4091:
4084:
4077:
4070:
4063:
4056:
4049:
4042:
4035:
4028:
4021:
4014:
4007:
4000:
3993:
3986:
3979:
3972:
3965:
3957:
3955:
3951:
3950:
3948:
3947:
3940:
3933:
3926:
3919:
3912:
3905:
3898:
3891:
3884:
3877:
3870:
3863:
3856:
3849:
3841:
3834:
3827:
3820:
3813:
3806:
3799:
3792:
3785:
3777:
3775:
3771:
3770:
3768:
3767:
3760:
3753:
3746:
3739:
3732:
3725:
3718:
3711:
3704:
3697:
3690:
3683:
3676:
3669:
3662:
3655:
3648:
3641:
3634:
3627:
3624:The Night Café
3620:
3613:
3606:
3599:
3592:
3584:
3582:
3578:
3577:
3575:
3574:
3567:
3560:
3553:
3546:
3539:
3532:
3525:
3517:
3515:
3511:
3510:
3508:
3507:
3504:The Kingfisher
3500:
3493:
3485:
3483:
3479:
3478:
3476:
3475:
3468:
3461:
3454:
3447:
3439:
3437:
3433:
3432:
3430:
3429:
3422:
3415:
3408:
3401:
3394:
3387:
3384:Lane in Autumn
3380:
3373:
3366:
3359:
3352:
3345:
3337:
3335:
3331:
3330:
3328:
3327:
3320:
3313:
3306:
3299:
3292:
3285:
3278:
3271:
3264:
3257:
3249:
3247:
3243:
3242:
3240:
3239:
3232:
3225:
3218:
3210:
3208:
3201:
3197:
3196:
3194:
3193:
3188:
3183:
3175:Double-squares
3170:
3164:
3156:
3148:
3140:
3132:
3124:
3116:
3108:
3100:
3092:
3084:
3076:
3068:
3064:Boats du RhĂ´ne
3060:
3056:Saintes-Maries
3052:
3044:
3038:
3030:
3022:
3014:
3006:
2998:
2990:
2987:Self portraits
2984:
2976:
2968:
2960:
2952:
2944:
2936:
2928:
2920:
2912:
2906:
2900:
2892:
2886:
2879:
2877:
2871:
2870:
2868:
2867:
2862:
2857:
2852:
2847:
2842:
2840:Auberge Ravoux
2837:
2832:
2825:
2820:
2815:
2810:
2804:
2802:
2798:
2797:
2792:
2790:
2789:
2782:
2775:
2767:
2761:
2760:
2748:
2743:
2714:
2704:
2703:External links
2701:
2700:
2699:
2679:
2666:
2660:
2647:
2641:
2624:
2621:
2620:
2619:
2609:
2603:
2590:
2584:
2568:
2558:
2552:
2539:
2533:
2518:
2501:
2495:
2478:
2452:
2435:
2432:
2429:
2428:
2402:
2377:
2349:
2321:
2291:
2266:
2240:
2215:
2186:
2154:
2128:
2127:
2125:
2122:
2120:
2119:
2110:
2101:
2069:
2042:
2033:
2024:
2021:on 2014-03-09.
1998:
1989:
1987:Hulsker p. 458
1977:
1968:
1959:
1937:
1928:
1919:
1910:
1901:
1899:Hulsker p. 460
1892:
1883:
1874:
1865:
1856:
1826:
1817:
1808:
1806:Hulsker p. 454
1799:
1790:
1776:
1767:
1758:
1756:Hulsker p. 476
1749:
1747:Hulsker p. 482
1740:
1731:
1722:
1720:Hulsker p. 462
1713:
1704:
1691:
1682:
1673:
1664:
1631:
1598:
1586:
1577:
1559:
1550:
1538:
1529:
1520:
1511:
1502:
1493:
1484:
1475:
1466:
1457:
1448:
1439:
1430:
1421:
1412:
1403:
1393:
1391:
1388:
1386:
1383:
1380:
1379:
1350:
1340:
1326:
1325:
1323:
1320:
1319:
1318:
1311:
1308:
1299:of Amsterdam.
1284:
1281:
1280:
1279:
1222:
1202:Village Street
1197:
1196:
1195:
1194:
1176:Auberge Ravoux
1153:
1152:
1144:
1090:
1089:
1070:
1052:
1043:
1042:
1032:
1025:
1023:
1016:Village Street
1013:
1006:
1004:
994:
987:
985:
975:
968:
966:
954:
947:
945:
935:
928:
926:
914:
907:
905:
895:
888:
886:
874:
867:
865:
853:
846:
813:
810:
809:
808:
770:
741:
740:
727:
726:
716:
709:
707:
697:
690:
688:
678:
671:
669:
659:
652:
629:
626:
624:
621:
535:
532:
528:Auberge Ravoux
506:respectively.
454:
390:
387:
156:
153:
98:
97:
92:
88:
87:
84:
80:
79:
76:
72:
71:
69:
68:
63:
57:
55:
51:
50:
47:
43:
42:
37:
33:
32:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
4642:
4631:
4628:
4626:
4623:
4621:
4618:
4616:
4613:
4611:
4608:
4607:
4605:
4590:
4587:
4585:
4582:
4581:
4579:
4575:
4568:
4565:
4562:
4559:
4558:
4556:
4552:
4546:
4543:
4541:
4538:
4536:
4533:
4531:
4528:
4526:
4523:
4521:
4518:
4516:
4515:Theo van Gogh
4513:
4512:
4510:
4506:
4500:
4498:
4494:
4492:
4490:
4486:
4484:
4481:
4478:
4475:
4473:
4471:
4467:
4465:
4463:
4459:
4457:
4455:
4451:
4449:
4447:
4443:
4441:
4439:
4435:
4433:
4431:
4427:
4425:
4423:
4419:
4417:
4414:
4412:
4411:(1963 statue)
4410:
4406:
4404:
4402:
4398:
4396:
4394:
4393:Lust for Life
4390:
4388:
4386:
4382:
4380:
4378:
4377:Lust for Life
4374:
4372:
4370:
4366:
4364:
4362:
4358:
4356:
4354:
4350:
4349:
4347:
4343:
4337:
4334:
4332:
4329:
4327:
4324:
4322:
4319:
4317:
4314:
4313:
4311:
4307:
4300:
4299:
4295:
4292:
4291:
4287:
4284:
4283:
4279:
4276:
4275:
4271:
4268:
4267:
4263:
4260:
4259:
4255:
4254:
4252:
4248:
4241:
4240:
4236:
4233:
4232:
4228:
4225:
4224:
4220:
4217:
4216:
4212:
4209:
4208:
4204:
4201:
4200:
4196:
4193:
4192:
4188:
4185:
4184:
4180:
4177:
4176:
4172:
4169:
4168:
4164:
4161:
4160:
4156:
4155:
4153:
4149:
4139:
4138:
4134:
4132:
4131:
4127:
4125:
4124:
4120:
4118:
4117:
4113:
4111:
4110:
4106:
4104:
4103:
4099:
4097:
4096:
4092:
4090:
4089:
4085:
4083:
4082:
4078:
4076:
4075:
4071:
4069:
4068:
4064:
4062:
4061:
4057:
4055:
4054:
4050:
4048:
4047:
4043:
4041:
4040:
4036:
4034:
4033:
4029:
4027:
4026:
4025:Girl in White
4022:
4020:
4019:
4015:
4013:
4012:
4008:
4006:
4005:
4001:
3999:
3998:
3994:
3992:
3991:
3987:
3985:
3984:
3980:
3978:
3977:
3973:
3971:
3970:
3966:
3964:
3963:
3959:
3958:
3956:
3952:
3946:
3945:
3941:
3939:
3938:
3934:
3932:
3931:
3927:
3925:
3924:
3920:
3918:
3917:
3913:
3911:
3910:
3906:
3904:
3903:
3899:
3897:
3896:
3892:
3890:
3889:
3885:
3883:
3882:
3878:
3876:
3875:
3871:
3869:
3868:
3864:
3862:
3861:
3857:
3855:
3854:
3850:
3848:
3846:
3845:Self-portrait
3842:
3840:
3839:
3835:
3833:
3832:
3828:
3826:
3825:
3821:
3819:
3818:
3814:
3812:
3811:
3807:
3805:
3804:
3800:
3798:
3797:
3793:
3791:
3790:
3786:
3784:
3783:
3779:
3778:
3776:
3772:
3766:
3765:
3761:
3759:
3758:
3754:
3752:
3751:
3747:
3745:
3744:
3740:
3738:
3737:
3733:
3731:
3730:
3726:
3724:
3723:
3719:
3717:
3716:
3712:
3710:
3709:
3705:
3703:
3702:
3698:
3696:
3695:
3691:
3689:
3688:
3684:
3682:
3681:
3680:Les Alyscamps
3677:
3675:
3674:
3670:
3668:
3667:
3663:
3661:
3660:
3656:
3654:
3653:
3649:
3647:
3646:
3642:
3640:
3639:
3635:
3633:
3632:
3628:
3626:
3625:
3621:
3619:
3618:
3614:
3612:
3611:
3607:
3605:
3604:
3600:
3598:
3597:
3593:
3591:
3590:
3586:
3585:
3583:
3579:
3573:
3572:
3568:
3566:
3565:
3561:
3559:
3558:
3554:
3552:
3551:
3547:
3545:
3544:
3540:
3538:
3537:
3533:
3531:
3530:
3526:
3524:
3523:
3522:Poppy Flowers
3519:
3518:
3516:
3512:
3506:
3505:
3501:
3499:
3498:
3494:
3492:
3491:
3487:
3486:
3484:
3480:
3474:
3473:
3469:
3467:
3466:
3462:
3460:
3459:
3455:
3453:
3452:
3448:
3446:
3445:
3441:
3440:
3438:
3434:
3428:
3427:
3423:
3421:
3420:
3416:
3414:
3413:
3409:
3407:
3406:
3402:
3400:
3399:
3395:
3393:
3392:
3388:
3386:
3385:
3381:
3379:
3378:
3374:
3372:
3371:
3367:
3365:
3364:
3360:
3358:
3357:
3353:
3351:
3350:
3346:
3344:
3343:
3339:
3338:
3336:
3332:
3326:
3325:
3321:
3319:
3318:
3314:
3312:
3311:
3307:
3305:
3304:
3300:
3298:
3297:
3293:
3291:
3290:
3286:
3284:
3283:
3279:
3277:
3276:
3272:
3270:
3269:
3265:
3263:
3262:
3258:
3256:
3255:
3251:
3250:
3248:
3244:
3238:
3237:
3233:
3231:
3230:
3226:
3224:
3223:
3219:
3217:
3216:
3212:
3211:
3209:
3205:
3202:
3200:Oil paintings
3198:
3192:
3189:
3187:
3184:
3181:
3180:
3176:
3171:
3168:
3165:
3162:
3161:
3157:
3154:
3153:
3149:
3146:
3145:
3141:
3138:
3137:
3133:
3130:
3129:
3125:
3122:
3121:
3117:
3114:
3113:
3109:
3106:
3105:
3101:
3098:
3097:
3093:
3090:
3089:
3085:
3082:
3081:
3077:
3074:
3073:
3069:
3066:
3065:
3061:
3058:
3057:
3053:
3050:
3049:
3045:
3042:
3039:
3036:
3035:
3031:
3028:
3027:
3023:
3020:
3019:
3015:
3012:
3011:
3007:
3004:
3003:
2999:
2996:
2995:
2991:
2988:
2985:
2982:
2981:
2977:
2974:
2973:
2969:
2966:
2965:
2961:
2958:
2957:
2953:
2950:
2949:
2945:
2942:
2941:
2937:
2934:
2933:
2929:
2926:
2925:
2921:
2918:
2917:
2913:
2910:
2907:
2904:
2901:
2898:
2897:
2893:
2890:
2887:
2884:
2881:
2880:
2878:
2872:
2866:
2863:
2861:
2858:
2856:
2853:
2851:
2848:
2846:
2843:
2841:
2838:
2836:
2833:
2831:
2830:
2826:
2824:
2821:
2819:
2816:
2814:
2813:List of works
2811:
2809:
2806:
2805:
2803:
2799:
2795:
2788:
2783:
2781:
2776:
2774:
2769:
2768:
2765:
2758:
2753:
2749:
2747:
2744:
2731:
2727:
2723:
2721:
2715:
2712:
2711:
2707:
2706:
2702:
2696:
2690:
2682:
2680:0-88363-341-8
2676:
2672:
2667:
2663:
2657:
2653:
2648:
2644:
2642:0-8386-3749-3
2638:
2634:
2633:
2627:
2626:
2622:
2618:
2614:
2610:
2606:
2600:
2596:
2591:
2587:
2585:0-87099-477-8
2581:
2577:
2574:
2569:
2567:
2563:
2559:
2555:
2553:0-517-44867-X
2549:
2545:
2540:
2536:
2530:
2526:
2525:
2519:
2515:
2511:
2507:
2502:
2498:
2496:0-8028-4978-4
2492:
2487:
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2734:. Retrieved
2730:the original
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2673:. New York.
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2019:the original
2010:
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1652:the original
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1613:Toledo Blade
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1509:Zemel p. 218
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1367:Claude Monet
1363:Water Lilies
1353:
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1297:André Bonger
1288:
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1235:49°4′16.21″N
1225:
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786:2°11′11.09″E
783:49°4′27.80″N
773:
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623:Related work
615:
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579:Paul CĂ©zanne
553:49°4′16.02″N
545:
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398:Paul CĂ©zanne
385:, a doctor.
367:
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281:
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241:Paul Gauguin
233:
206:
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173:
164:
142:
139:
131:
121:
103:
102:
101:
4567:Jan Hulsker
4554:Cataloguers
4540:Anton Mauve
4499:(2018 film)
4491:(2017 film)
4479:(2007 film)
4472:(2003 play)
4464:(1991 film)
4448:(1990 film)
4440:(1990 film)
4432:(1990 film)
4424:(1987 film)
4395:(1956 film)
4387:(1948 film)
4137:Poppy Field
3916:The Diggers
3268:Bulb Fields
3152:Butterflies
3136:Olive Trees
3115:(1888–1890)
3107:(1888–1890)
3043:(1887–1890)
3037:(1887–1890)
3029:(1887–1889)
2989:(1886–1889)
2959:(1885–1890)
2919:(1883–1885)
2905:(1881–1888)
2899:(1881–1885)
2891:(1881–1890)
2883:Early works
2470:|work=
1849:16 February
1843:Tate Museum
1375:Edgar Degas
1267:The Cottage
1250: /
1238:2°8′58.99″E
1134: /
1122:2°8′40.12″E
1063: [
798: /
568: /
556:2°8′48.94″E
534:Description
450:Eugen Weber
313:The Cottage
202:The Cottage
176:Netherlands
165:The Cottage
4604:Categories
4345:Portrayals
4123:Tree Roots
3962:The Siesta
3824:Lilac Bush
3722:Les Arènes
3610:The Zouave
3026:Sunflowers
2980:Montmartre
2823:Chronology
2617:0520088492
2011:ateneum.fi
1954:Christie's
1658:2015-03-09
1385:References
1283:Provenance
1191:Christie's
832:, and the
124:Saint-RĂ©my
119:, France.
83:Dimensions
3895:Cypresses
3810:Two Crabs
3603:La Mousmé
3229:Lying Cow
3163:(1889–90)
3155:(1889–90)
3099:(1888–89)
3091:(1888–89)
3083:(1888–89)
2983:(1886–87)
2975:(1886–87)
2948:Amsterdam
2943:(1884–85)
2935:(1884–85)
2911:(1882–83)
2889:Portraits
2885:(1881–82)
2874:Groups of
2808:Biography
2689:cite book
2514:300160639
2472:ignored (
2462:cite book
1274:' first "
1151:question.
735:and F806
598:see below
520:Jo Bonger
343:Willemien
184:The Hague
54:Catalogue
4462:Van Gogh
4401:Van Gogh
4385:Van Gogh
4250:Drawings
4053:The Cows
3342:Two Rats
3002:Asnières
2916:Cottages
2421:. 1v:2.
2396:. 1r:1.
2371:. 1v:2.
2343:. 1r:1.
2234:. 1v:3.
2205:. 1r:1.
2180:. 1v:2.
2148:. 1v:2.
2015:Arteneum
1618:Archived
1365:, 1907,
1310:See also
1159:F1652r:
1096:F1638r:
836:. F793
747:JH2116:
636:F1640r:
482:F1615v:
468:Daubigny
455:—
434:Pissarro
91:Location
4577:Related
4454:Vincent
4422:Vincent
4309:Museums
3179:Squares
3173:Auvers
2801:General
2736:9 March
2434:Sources
2315:. 1r4.
2285:. 1r1.
2259:. 1v2.
2209:Brabant
2124:Letters
2094:8 March
2062:6 March
1624:8 March
1359:CĂ©zanne
1215:Ateneum
1020:Ateneum
581:titled
430:Cezanne
217:Academy
213:Belgium
209:Antwerp
188:Drenthe
4508:Family
4446:Dreams
4363:(1887)
4301:(1888)
4293:(1887)
4285:(1882)
4277:(1882)
4274:Sorrow
4269:(1881)
4242:(1890)
4234:(1888)
4226:(1883)
4218:(1883)
4210:(1883)
4202:(1883)
4194:(1883)
4186:(1882)
4178:(1882)
4170:(1882)
4162:(1881)
3847:(1889)
3817:Irises
3182:(1890)
3169:(1890)
3147:(1889)
3139:(1889)
3131:(1889)
3128:Reaper
3123:(1889)
3075:(1888)
3067:(1888)
3059:(1888)
3051:(1888)
3021:(1887)
3013:(1887)
3005:(1887)
2997:(1887)
2967:(1886)
2951:(1885)
2927:(1884)
2835:Health
2677:
2658:
2639:
2615:
2601:
2582:
2564:
2550:
2531:
2512:
2493:
2450:
1845:Online
1702:p. 334
1700:et al.
1698:Colta
1033:F805:
1014:F802:
995:F799:
976:F795:
955:F793:
936:F791:
915:F789:
896:F770:
875:F766:
854:F750:
717:F792:
698:F806:
679:F780:
660:F758:
389:Auvers
357:oeuvre
353:F1594r
328:F702:
271:F675:
254:F612:
229:France
192:Nuenen
190:, and
75:Medium
66:JH1988
36:Artist
3010:Seine
2876:works
2845:Death
2084:(PDF)
1322:Notes
1200:F802
1072:F789
1067:]
1054:F770
1046:F750
755:F780
426:Corot
421:Botin
245:Arles
225:Paris
223:, in
180:Etten
163:F83:
117:Paris
3954:1890
3888:Rain
3774:1889
3581:1888
3514:1887
3482:1886
3436:1885
3334:1884
3246:1883
3207:1882
3177:and
2909:Sien
2738:2015
2695:link
2675:ISBN
2656:ISBN
2637:ISBN
2613:ISBN
2599:ISBN
2580:ISBN
2562:ISBN
2548:ISBN
2529:ISBN
2510:OCLC
2491:ISBN
2474:help
2448:ISBN
2096:2015
2064:2015
1851:2011
1626:2015
1184:F819
963:Tate
432:and
221:Theo
61:F759
46:Year
3930:Ivy
1336:all
600:).
178:at
4606::
2724:.
2691:}}
2687:{{
2466::
2464:}}
2460:{{
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
