283:, who came to life uncreated and began immediately to poke his nose into everything. In this new world there was a flood, and the three agreed before they took refuge that the one of them who should emerge first after the subsidence of the waters should be their leader and have the title of Elder Brother. It was Earth-maker, the creator, who came forth first, and Iitoi next, but Iitoi insisted on the title and took it. Iitoi "brought the people up like children" and taught them their arts, but in the end he became unkind and they killed him.... But Iitoi, though killed, had so much power that he came to life again. Then he invented war. He decided to sweep the earth of the people he had made. He needed an army and for this purpose he went underground and brought up the Papagos. They live in a land scattered with imposing ruins which belonged... to the Hohokum, "the people who are gone". Iitoi drove them, some to the north and some to the south... "Iitoi had a song for everything". Though his men did the fighting, Iitoi confirmed their efforts by singing the enemy into blindness and helplessness. Iitoi has retired from the world and lives, a little old man, in a mountain cave. Or, perhaps he has gone underground.
258:, on a bracelet belonging to Agent Lee's partner, Robert Danzig. Lee gives it to Agent Dunham as a thankyou for saving his (Lee's) life. In a later episode, forgetting what it means, she returns it to Lee, who reminds her that the image "...is Native American. The maze represents the journey of life, the obstacles, making the right choices, until we find ourselves in the centre....home, a place to belong...(Danzig) gave me this as a reminder that I'd always have a home with him and his family"
124:
27:
305:
the maze ... you go on and on and on ... so many places in there you might ... maybe your child died ... or maybe somebody died, or you stop, you fall and you feel bad ... you get up, turn around and go again ... when you reach that middle of the maze ... that's when you see the Sun God and the Sun God blesses you and say you have made it ... that's where you die.
278:
The world was made by Earth-maker out of the dirt and sweat which he scraped from his skin... the flat earth met the sky with a crash like that of falling rocks, and from the two was born Iitoi, the protector of
Papagos. He had light hair and a beard. Iitoi and Earth-maker shaped and peopled the new
304:
But in real life ... when you look at the maze you start from the top and go into the maze ... your life, you go down and then you reach a place where you have to turn around ... maybe in your own life you fall, something happens in your home, you are sad, you pick yourself up and you go on through
292:
According to O'odham oral history, the labyrinth design depicts experiences and choices individuals make in the journey through life. In the middle of the "maze", a person finds their dreams and goals. When one reaches the center, the individual has a final opportunity (the last turn in the design)
231:
The Man in the Maze motif appears frequently in contemporary crafts and art of the
Southwest of the United States, most prominently by Tohono O'odham silversmiths rings and other jewelry and Akimel O'odham artisans in baskets. Among these groups, the pattern has been very popular since the 1900s.
300:
Elder
Brother lived in the maze ... and the reason why he lived in the maze was because ... I think how I'm gonna say this ... magician or oh, medicine man that can disappear, and that can do things, heal people and things like that ... that was Elder Brother ... Se:he ... they called him ... he
308:
The maze is a symbol of life ... happiness, sadness ... and you reach your goal ... there's a dream there, and you reach that dream when you get to the middle of the maze ... that's how I was told, my grandparents told me that's how the maze
249:, accompanied by a legend described as an "old native myth," in which the image of the maze is explained in part as representing, "the sum of a man's life. The choices he makes, the dreams he hangs onto."
425:
223:. This labyrinth is believed by the Akimel O'odham and Tohono O'odham to be the maze of life, where a person travels through life and encounters the different moments that impact them.
301:
lived in there ... but he had a lot of enemies so he made that, and to live in there people would go in there but they couldn't find him ... they would turn around and go back.
328:
430:
375:
110:
293:
to look back upon choices made and the path taken, before the Sun God greets us, blesses us and passes us into the next world.
48:
91:
150:
63:
44:
177:, a series of commandments guiding people to remain in balance with the world and interact with it as intended.
70:
236:("door"), which is intentionally integrated into its design so that the spirit of the basket can be released.
154:
201:
37:
77:
420:
339:
267:
245:
59:
280:
254:
371:
170:
166:
365:
180:
Visitors to the cave are asked to bring a gift to ensure their safe return from the depths.
123:
84:
414:
158:
26:
266:
Tohono O'odham storytellers shared the following story in the late 1930s with
216:
142:
220:
165:
people to this earth from the underworld. Hohokam are ancestors of both the
367:
The Salt River Pima-Maricopa
Indians: Legends, Reflections, History, Future
212:
162:
146:
122:
240:
149:, the creator and God who resides in a cave below the peak of
20:
252:
It is also referenced in the fourth season of the TV series
173:(River People). He is also responsible for the gift of the
239:
A similar symbol appears as a key plot point in the
51:. Unsourced material may be challenged and removed.
426:Gods of the indigenous peoples of North America
407:Berkeley: University of California Press, 1938.
232:Every basket pattern has a "mistake", called a
364:Gryder, Robert; Myers, John L., eds. (1988).
153:, a sacred place within the territory of the
16:Creator god of the O'odham peoples of Arizona
8:
279:world, and they were followed everywhere by
111:Learn how and when to remove this message
319:
219:. This positions him at the entry to a
7:
398:The Salt River Pima-Maricopa Indians
49:adding citations to reliable sources
200:is a dialectal variant used by the
370:. Life's Reflections. p. 29.
270:, which she recorded in her book,
14:
207:He is most often depicted as the
188:The Pima also refer to I'itoi as
329:"I Found the Cave of a Pima God"
25:
400:Life's Reflections, Inc., 1988.
396:Myers, John and Robert Gryder.
36:needs additional citations for
211:a design appearing on O'odham
1:
296:As told by Alfretta Antone:
141:is, in the cosmology of the
447:
161:describes I'itoi bringing
327:Woods, Clee (July 1945).
403:Underhill, Ruth Murray.
169:(Desert People) and the
431:Tohono O'odham culture
338:: 8–10. Archived from
311:
285:
192:"Elder Brother", also
131:
298:
276:
268:Ruth Murray Underhill
155:Tohono O'odham Nation
130:, the Man in the Maze
126:
151:Baboquivari Mountain
45:improve this article
345:on December 2, 2011
405:Singing For Power.
243:television series
132:
272:Singing For Power
227:Modern appearance
121:
120:
113:
95:
438:
389:
388:
386:
384:
361:
355:
354:
352:
350:
344:
333:
324:
209:Man in the Maze,
202:Hia C-eḍ O'odham
116:
109:
105:
102:
96:
94:
53:
29:
21:
446:
445:
441:
440:
439:
437:
436:
435:
411:
410:
393:
392:
382:
380:
378:
363:
362:
358:
348:
346:
342:
336:Desert Magazine
331:
326:
325:
321:
316:
290:
264:
229:
186:
117:
106:
100:
97:
54:
52:
42:
30:
17:
12:
11:
5:
444:
442:
434:
433:
428:
423:
413:
412:
409:
408:
401:
391:
390:
376:
356:
318:
317:
315:
312:
289:
286:
263:
260:
228:
225:
185:
182:
171:Akimel O'odham
167:Tohono O'odham
119:
118:
33:
31:
24:
15:
13:
10:
9:
6:
4:
3:
2:
443:
432:
429:
427:
424:
422:
419:
418:
416:
406:
402:
399:
395:
394:
379:
377:9780929690001
373:
369:
368:
360:
357:
341:
337:
330:
323:
320:
313:
310:
306:
302:
297:
294:
287:
284:
282:
275:
273:
269:
261:
259:
257:
256:
250:
248:
247:
242:
237:
235:
226:
224:
222:
218:
214:
210:
205:
203:
199:
195:
191:
183:
181:
178:
176:
172:
168:
164:
160:
156:
152:
148:
144:
140:
136:
129:
125:
115:
112:
104:
101:December 2007
93:
90:
86:
83:
79:
76:
72:
69:
65:
62: –
61:
57:
56:Find sources:
50:
46:
40:
39:
34:This article
32:
28:
23:
22:
19:
421:Creator gods
404:
397:
381:. Retrieved
366:
359:
347:. Retrieved
340:the original
335:
322:
307:
303:
299:
295:
291:
288:Oral history
277:
271:
265:
253:
251:
244:
238:
233:
230:
208:
206:
197:
193:
189:
187:
179:
174:
159:oral history
138:
134:
133:
127:
107:
98:
88:
81:
74:
67:
55:
43:Please help
38:verification
35:
18:
217:petroglyphs
145:peoples of
415:Categories
314:References
194:See-a-huh.
157:. O'odham
71:newspapers
383:March 15,
246:Westworld
221:labyrinth
196:The term
349:July 20,
213:basketry
60:"I'itoi"
163:Hohokam
147:Arizona
143:O'odham
85:scholar
374:
281:Coyote
262:Legend
255:Fringe
198:I'ithi
175:Himdag
139:I'ithi
135:I'itoi
128:I'itoi
87:
80:
73:
66:
58:
343:(PDF)
332:(PDF)
190:Se:he
92:JSTOR
78:books
385:2020
372:ISBN
351:2014
215:and
184:Name
64:news
309:is.
241:HBO
234:dau
137:or
47:by
417::
334:.
274::
204:.
387:.
353:.
114:)
108:(
103:)
99:(
89:·
82:·
75:·
68:·
41:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
