33:
735:, was enthusiastic about the Vissarion contributions, calling them "convincing documents regarding the sufferings of peasant slaves". He was less impressed by the real-life Vissarion, whom he met at Sotir Hall: "dressed as neither a plowman nor a townsfolk", he seemed dazzled and always searching for Istrati (whose name he could never remember), to whom he presented his manuscripts, which he measured by the pound; Vissarion did not seem to catch Istrati's drift that the socialists had no financial means to publish all his production. Pas also contends that Vissarion "never quite toiled with the plow", since his past was in the administration, and since he was doing odd jobs as a
1071:
1090:
605:
1280:, Doctor Ygrec suggested that its actual worth was in unwittingly mapping out the "entire subconscious side of Romanian peasant spirituality", for whom "the fantastic characters appearing in dreams provide urges, give commands, and furnish advice that everyone then follows." Vissarion was at the time writing down "notebooks of his own dreams, his family's, his fellow villagers', in what was a sustained attempt to find a link between this world and 'the next'". He had conversations with the occultist C. Nicolau, in which he talked about his belief in the deterministic power of
1600:
1054:, who was "slightly annoyed, replying back that he only wrote because he had too much time on his hands." He also tried to intervene in favor of Galaction, who was being pushed out of his government job upon revelations about his high profile in the Germanophile press. During early 1919, Vissarion used his friendship with Duca (with whom he "travels 3–4 times a month by car") to seek clemency for Galaction, but his efforts were unsuccessful. He was emerging as an associate of Duca's
1662:, and new methods in industrial soapmaking. One count suggests that there were as many as 5,000 pages of "profoundly unequal" handwritten material left in the village home. They were reviewed by Crăciun, who found them to be a "titanic labor" showcasing Vissarion's leading traits: "optimism, love for his country and of his fellow men." Also according to Crăciun, Vissarion was a writer who completed a Muntenian school of folk writing that had begun in the early 19th century with
479:, he was not officially married to Iancu's mother Ilinca, who was herself an ethnic Romanian peasant. Iancu attended primary school in his native village from 1886 to 1891, but resented the experience of formal education since it asked him to memorize things, in particular "ideas disseminated by the so-called savants." Though believed by some biographers to have been abandoned by his mother from birth, he lived in her house until 1891, when she died. He subsequently moved to
1297:. Vissarion was a regular at the eponymous literary circle, "always sweaty and his hair all ruffled up". As recounted by Roman, he made a point of distributing his works to any potential publishers, and pestered Lovinescu, "who had the saintly patience of listening to him reading his works at length, giving him guidance, sometimes with good effects, toward writing objective, observational prose". This influence, Roman argues, made Vissarion a "modest forerunner of
267:
1615:
Vissarion's yet-unpublished manuscripts, preserved in Costeștii din Vale. Cioculescu described
Arghezi's obituary as not doing justice to the recipient: it introduced Vissarion as a "calligrapher" rather than an actual writer, while also mysteriously calling him a "true man of science". Moreover, Arghezi used the occasion to discuss peasant myths about the afterlife and ghosts and mistakenly attributed beliefs found in
1412:
644:, which, though pseudonymous, were easily attributable to him. An account by eyewitness Stan G. Perșinaru suggests that Vissarion was caught while recruiting thousands of peasants for an attack on Titu train station; Perșinaru also claims to have seen Vissarion captured and escorted by a cavalry guard. Investigators alleged that he had used his talents as a chemist to fabricate
1324:. Vissarion did most of the writing, publicizing his pacifism (and his belief that a European war was in the making), his trust in legality, and his plea for morality in science. Stricken by poverty around 1935, Vissarion could not publish most of his literary works, though he continued to write regularly. His contributions were mostly scattered, appearing in
1403:, accusing them of having hidden the best-selling status of his novels and taking steps to reduce his profit margin. One of the letters ended in a curse: "What am I left with other than to address myself to a God I'm sure you don't believe in, and say: may they never again see their children at the table, may their line extinguish itself before they do".
1634:, daughter Cornelia Vissarion-Mănuceanu, who was Arghezi's personal secretary from 1954, and granddaughter Sorina Vissarion, who participated in commemorations of her grandfather beginning while she was still a student. Later in life, she handled many literary works and letters he had left. Iancu Vissarion's unpublished works include, in addition to
1586:
which gave him fainting spells and made him look "skin and bones". He was also troubled by the notion of dying, writing: "I don't quite get this mechanism of life-and-death. How? You live for 60—70—80 years, and then you die! And then be dead, not just for as long as that, but for thousands and billions upon billions of years! Why then this
437:, though allowing criticism of his mystical conceptions and unevenness of talent. He died in 1951, shortly after the communist takeover; his work, comprising thousands of pages of unpublished manuscripts, was still promoted by Arghezi into the 1960s. Though largely unknown to the reading public of later generations, he inspired a cult in
1478:, Vissarion's diaries continued to focus on the antiquity of the Romanian people and its future of prosperity; they also lash out at his contemporaries for having "reduced to nothing", and explain that though once tempted by politics, he had always detested politicians for "living the good life at the masses' expense." In 1942, the
1395:. It was on one of these plots that his sons Grigore and Garibaldi hunted down a rabid wolf in April 1937—an event that made the national news. Vissarion Sr had more free time on his hands—as reported by his youngest son Octav, he "spent most of his time in his room, reading"; often, while "waiting for his muse", he also played the
495:. As a youth, Iancu "read anything I could get my hands on", and was soon prompted to write things of his own, sending poetry and prose fragments to various magazine editors. He recalls that he was largely shunned and derided for his spelling, punctuation, and grammatical errors. He only decided to follow such advice after
395:, adapting it to the format of fairy tales. The latter passion blended with his work as an amateur scientist: having originally fabricated explosives in his home, he turned to fields such as aviation and agricultural mechanics and held several patents—including one for a quasi-helicopter; he was concerned about issues in
1551:. Vissarion spent autumn 1947 burning down some of his books on a large pyre, which resulted in the definitive destruction of "a large portion of his manuscripts". Scholar Florin Manolescu believes that this decision was taken "in a moment of annoyance" when Vissarion felt overcome by a "sense of failure".
1246:. Aesthetically, Rebreanu found the play to be "astonishingly bad" and was therefore persuaded not to approach a project in dramatic form; however, he also described Vissarion as "lovable" for his storytelling. During those years, Vissarion applied himself to mystical investigations. In 1929, he produced
798:, and chanced upon the author while waiting for his train in Costeștii din Vale. Brătescu handled his peasant colleague's promotion for a while, insisting that other Romanian intellectuals also read his manuscripts. Pas also contends that Vissarion happened to fill the intellectuals' longing for a new
1764:
Publishing samples from
Vissarion's diaries on his centennial in 1979, Crăciun referred to his subject as an "entirely unique figure in Romanian literature. His life is a spectacular adventure novel and his work, with its unique flavors, is situated between oral storytelling, the kind one finds among
793:
In the meantime, Vissarion managed to penetrate
Bucharest's literary life, attracting attention from writers and critics who were seeking authentic peasant voices and who viewed him as an "exceptional 'peasant raconteur'"; according to Pas, this was after Brătescu-Voinești had read his memoir of an
1284:, strong wishes, and curses, arguing that these had the power of altering biology and anatomy. Vissarion had rediscovered his monotheistic faith, writing: "In the general plane of my existence there is a primordial idea— from God and myself, first and foremost, and only then help from any others."
1614:
asked editors to reconsider their priorities, noting that a "rather meek" Vissarion had been "persistently" republished; in contrast, more important figures were still waiting for the same treatment. By contrast, Arghezi, as his "lifelong friend", spoke on Radio
Bucharest to raise awareness about
785:
from his rooftop—the local priest had unwittingly saved his life by not allowing him to glide down from the church steeple. In August 1911, Vissarion designed an airplane (or quasi-helicopter), and obtained a patent for it, leading him to claim that he had defeated in this a professional aviator,
1723:
of the
Romanians". Crăciun organized a 1967 commemoration of Vissarion in Costeștii din Vale, where actors read out fragments from the works to the locals, including some who had been Vissarion's friends, and who were moved to tears. That same year, a Vissarion Literary Circle was functioning in
1585:
be reread, Roman noted: "His writing is a mixture of frowning and humor, of enlightened thought and naivete, of trust in one's intellectual prowess and scandalous mystical kowtowing in front of existential mysteries." By August 1951, the writer had been stricken down with a debilitating disease,
768:
Resuming work in the civil service, Vissarion was a health inspector in 1907–1908, 1913 and 1919, and a school inspector in 1920. For the remainder of his life, he lived in Costeștii din Vale, dedicating himself to works of rural welfare. These often included his inventions as a "self-taught
1490:'s dictatorial regime consulted Arghezi for its project regarding propaganda films; Arghezi recommended that Vissarion, a "folk and folkloristic author in good standing", be used as a screenwriter. However, this was just a few months before Arghezi's critique of Antonescu's alliance with
1757:'s novels introduced a new and even more realistic take on rural life. One of the authors who did credit Vissarion as an influence on their work is Marin Ioniță, himself a native of Dâmbovița. In 1978, Ioniță was inspired by Vissarion's experience of 1907 to write his children's novel
578:, which he washed down in a regular sieve and which resulted in his building up a stock of explosives. The Vissarion home was heavily damaged by an explosion, after which Gheorghița made him swear to focus his attention on less risky pursuits. Vissarion's first book was the collection
1360:. As he confessed in an autobiographical piece published by the former that same year, he now preferred provincial journals, as these were not read by "moneyed magnates". As such, he was free to elaborate on his economic and scientific views, expressing his concern about
570:. Gheorghița's "continuous bearing of children" pushed him to work as a farmer throughout the day, only able to read and write at nighttime. Despite settling down, he still focused on his research, which at the time was mainly in chemistry and in the search for obtaining
534:. He memorized their content and understood their meaning much later in life. He then applied himself to learning French, which allowed him to expand his familiarity with scientific literature. Vissarion studied to become a courthouse clerk in Titu and was qualified as a
376:
loyalists. His fame peaked in the 1920s, when he published steadily, with volumes of prose that earned critical accolades but also with poetry that critics regarded as "tasteless". During the interwar, Vissarion slowly adapted his narrative style to the objectivity of
1139:. Ethnographer Pompiliu Pîrvescu gave the work a mixed review—he disliked the "deluge of gibberish" in parts of the novel, and criticized Vissarion for making his characters speak "like today's lawyers." He encouraged Vissarion to continue writing in the genre.
1034:. Its distinctive note depicted the distant future cityscapes with "the amusing approximations of an archaic, almost folkloric, language." According to Vissarion himself, he had been pushed to write "all-new fairy tales" by a chance remark from sociologist
1777:; she debuted as a poet in 1986, thereafter acquiring fame as the author of anti-communist essays, in which she inserted recollections about her father and peasant life in general. Though still represented in 4th-year literature textbooks with the story
462:
Vissarion was born in Costeștii din Vale on 2 February 1879. The actual date was only settled in the 1960s when literary scholar Victor Crăciun exposed the various accounts that report dates between 1880 and 1883 as false. The novelist's father was of
538:. Despite never graduating primary school, he entered the civil service and briefly worked as a clerk at the sub-prefectural office, also located in Titu. By some accounts, he also clerked at the Tobacco Monopoly and kept the books for a local mill.
32:
1572:
informed the public that
Vissarion was working on novellas which integrated within a communist-led "struggle against superstitions". Vissarion himself was primarily dedicated to new projects in science, visualizing a "floating palace" made from
541:
In 1898, Vissarion married
Gheorghița; the couple would have thirteen children, of whom ten survived into adulthood. The writer sparked public ridicule when he insisted on baptizing them after scientific pioneers or known leftists—including
1761:("A Drifting Barge"). The main character, schoolteacher "Iancu Visalom", is subjected by the authorities to a psychological experiment, which verifies whether peasants are naturally treasonous; it fails when Visalom chooses self-sacrifice.
490:
Iancu's family name was originally spelled "Visarion", but he later added another "s". This was either because he intended to separate himself from his half-siblings or because he wanted to honor a church he once visited during a trip to
1623:. The same erroneous claim appears in Pas' recollections. Cioculescu also provided notes on his casual meetings with Vissarion during a period when both were living in Dâmbovița, but later acknowledged that some of these were samples of
1192:("A Legend of Two Crosses"), and appeared that November, with Vissarion as "The Narrator". Directed by Eftimie Vasilescu and with Tuchi Eremia in the lead role, it retold a legend from Costeștii din Vale, localized during the era of
1590:
of life I was given". According to Crăciun, when he did die on 5 November, it was "with a firm conviction in the extraordinary powers of science , reassured that the things written down in his fairy tales would one day come true."
3597:
743:. According to Istrati, the socialist peers would not have published more of Vissarion's work even if they had the funds. He regarded Vissarion as an infiltrator in line with the right-wing traditionalism espoused by the
1765:
rhapsodes at peasant get-togethers, and a depiction of modern man's life, in the era of space flight." This was followed in 1983 by a collection of
Vissarion's selected works, curated by Crăciun and Viorica Florea for
1049:
for money, noting that, between his delayed pay as a schoolteacher and his on-and-off collaboration on magazines, he was still unable to feed his family. He was also writing about his work in chemistry to the academic
3467:
1352:, claiming to show that the former were a very ancient and naturally defensive people. Fragments of the expanding text, which Vissarion considered as the nucleus of a novel, also appeared in the magazines
1506:, hoping to turn "mechanic energy" as produced by the movement of bathwater into heat and electricity for public consumption. Few copies have survived, largely because the publisher's storage room was
634:
between 1906 and
February 1907, Vissarion "dared to prophesy, and in some ways even stoke", these revolutionary events. He also expressed this radicalism in a poem he sent to the mainstream daily
1719:, censuring his colleagues there for having allowed oblivion to settle on a "talented peasant writer". The following year, he protested that no memorial plaque had been fashioned to honor "this
3352:
930:("The Master Key")—a sample of his "impressive writing", detailing the ethical conundrums faced by a regular soldier in his attempts to respect his captain's whims. Upon its publication,
842:
argues that the socialist episode "brought a diminishing of his raconteur's talent", pushing
Vissarion to attempt an adaptation to modern forms of writing. He was well received by the
675:
and a study of energy procurement, with "giant kites" that were meant to trap energy. Roman notes that Vissarion "amazed—and sometimes annoyed—his fellow villagers with his oddities."
1427:
purchase his entire corpus of works and distribute them as school prizes for gifted students. Vissarion also received much support from Arghezi, who wanted to put out new editions of
1737:
traditionalism by offering a truer image of the Romanian peasant; he notes Vissarion's belonging to an "intermediary generation" of peasant or peasant-focused writers, including
1106:
Writing in October 1919, Galaction declared Vissarion as the "strong peasant artist" Romanians had been looking for—a verdict described as highly exaggerated by literary scholar
1498:("Mechanic Energy for This World We Now Inhabit"), comprising his original designs for motors, pumps, watermills, and boats. At the time, Vissarion was also considering fitting
688:. Depicting the botched execution of two peasant leaders (and making a statement about the brutality of repression), it was part of a planned, but never completed, novel called
522:, Vissarion felt encouraged to continue his self-education. He had befriended a military cadet, Costică Zaharescu, who let him read his schoolbooks, introducing Vissarion to
938:
as a sample of literature by "the most spontaneous, most primitive voice of folk inspiration , even when his writing produces pages of much roughness or prolix sketches."
1169:("Ber-Căciulă as Emperor"). The latter's eponymous hero is a monarch and inventor of social-improvement devices, which allow him to establish a flourishing experiment in
3622:
713:. Theatrical historian Ionuț Niculescu criticizes the contribution for its "linear action", but praises it for being "somber and authentic", in contrast to "idylls" by
3582:
1188:
In July 1925, Vissarion announced that he had turned one of his stories into a screenplay and would star in the leading role in its production. The film was, in fact,
781:, claiming to have discovered a universal law of "maximum movement with minimal matter and minimal effort". He reportedly broke a leg when he tried to fly one of his
1724:
Găești, while the Vissarion family house was rearranged into a local museum. In 1971, it co-hosted the first-ever national poetry festival of high school students.
698:". Aligned with socialism during that stage of his life and possibly witnessing speeches by left-wing agitators at Sotir, Vissarion also published another work, the
68:
1399:. However, he still presented himself to the outside world as a destitute man. By the end of 1939, he was engaged in furious correspondence with his publishers at
1451:("Earth's Agility")—noted for combining the "traditional conflicts of folk fairy tales" into a futuristic setting. It is named after a secondary character, a 200-
3502:
721:. It depicts peasants in a fictional village being pushed into extreme poverty and then violence against the eponymous "wolves" (landowners and notabilities).
1654:, as well as some fairy tales and a corpus of recollections from his life as a writer. Also included are non-patented inventions such as a "cold engine", a
3342:
3592:
663:. He and Duca had met at a public rally. Reportedly, his unexpected survival made him feared and respected by other peasants, who already viewed him as a
3387:
503:, noted his talent but informed him that he still needed to "learn from books". He took pains re-learning the literary idiom from a standard textbook by
926:, but disliked by Papadima, who found it "sugary, when not entirely vulgar". Papadima contrasts this narrative with another one of Vissarion's stories,
286:; 2 February 1879 – 5 November 1951) was a Romanian prose writer, poet, and political agitator, also known as an inventor, esotericist, and promoter of
3602:
3532:
3452:
1291:
as a man of "inexhaustible memory", who "melted into the anonymous mass of the people". He included some works by Vissarion in issues of his review,
3627:
3477:
3367:
1424:
2307:
3437:
3347:
511:
and other authors held in high regard. At some point in his youth, Vissarion met Delavrancea, who reportedly encouraged him to continue writing.
1533:
on his estate; according to Ghilimescu, this visit may have familiarized Petrescu with the landscape, which is depicted in his historical novel
1387:
notes that the "naughty peasant writer" was, in fact, an important landowner and gamekeeper, with estates covering parts of Costeștii din Vale,
3552:
3547:
3382:
1518:
1055:
714:
3427:
2398:
2343:
3522:
3492:
3372:
1507:
487:, where he learned the shoemaker's trade from 1892 to 1895. His father, meanwhile, married another woman, from whom he had nine children.
1630:
By 1971, the Vissarion family numbered 90 "direct and collateral descendants", including Voltaire Vissarion, a Lieutenant Colonel in the
3422:
1201:
3557:
3537:
3417:
3412:
1212:", with "rays seen and unseen by our eyes" connecting devices which "through which we may all see each other." In 1930, he presented
508:
3577:
3447:
3442:
3402:
3362:
2315:
1868:
1070:
2522:
627:
609:
311:
3527:
3397:
1439:. Vissarion visited his new patron on his own and talked to him about his dreams, which included philosophical revelations about
1371:
Describing himself as "thrifty and without a single vice", Vissarion had stored revenue from his literary activity toward buying
3407:
3357:
441:
and was a model for local novelist Marin Ioniță. He had a museum in Costeștii din Vale dedicated to him and a literary club in
3617:
1781:("The Hoary Ones"), by 2008 Vissarion Sr had joined the class of Romanian authors who "are unfortunately rarely read today".
1514:
1089:
604:
3512:
3432:
1453:
1326:
974:
843:
656:
346:
319:
294:
village and was advertised as one of the rare and self-taught "peasant writers"; however, he held a variety of jobs, from
89:
1436:
3612:
3587:
3562:
3462:
3377:
1716:
1555:
807:
496:
3572:
3482:
3457:
3392:
1655:
961:" gazettes—namely, those put out by publicists who believed that the Central Powers would win the war; these included
645:
618:
403:
at a worldwide level. After parting with atheism, he became interested in mystical subjects, offering his musings on
2687:, 15 November 1925, p. 4. See also Olteea Vasilescu, "Film. File din trecutul cinematografului în Oltenia (IV)", in
3607:
3472:
2390:
1554:
A total recovery of Vissarion's work was hampered by its ideological context. He was subjected to criticism by the
1479:
1345:
206:
1568:
had served the "bourgeois-landowning regime" by depicting peasants as "stupid". In late 1949, literary chronicler
1332:
3517:
3487:
1574:
3253:
2468:
2259:
1309:). The novelist resented such claims, assuring his readers that he "never lied, not in any one of my writings."
898:("A Strange Dream"), which he never printed. Instead, Vissarion published his short stories in several volumes:
878:
2683:
2649:
1674:
1526:
1447:, these "truly literary accounts, of an unmatched beauty". He published a new science fantasy work in 1939, as
1205:
945:, Vissarion was employed as a military censor, and then worked as a schoolteacher. He witnessed first-hand the
884:
613:
392:
3201:
2944:
2831:
1955:
2919:
Aureliu Goci, "Patrimoniu documentar. O scrisoare de solicitare a lui O. Goga către generalul Condiescu", in
705:("No Bread"), in a 1912 issue of the same paper. This contribution was followed by a "four-act social play",
3120:
2335:
1599:
1400:
1046:
2870:
2560:"Țara nouă și noua Constituție. Manifestațiuni pentru opera guvernului. Intrunirea publică din Găești", in
1384:
1372:
1026:
946:
504:
365:
3173:
3082:
2731:
2704:
2527:
2412:
2115:
2092:
1860:
1619:
to Vissarion's native Dâmbovița. This was partly because Arghezi believed that Vissarion was a native of
1077:
438:
64:
2809:
1753:. Also, according to George, their contribution was largely discarded and ignored after the 1960s, when
1703:
1535:
1503:
782:
396:
373:
322:. This experience informed several of his works, some of which were taken up by the socialist newspaper
3315:
Sorina Vissarion, "Patrimonium. După 50 de ani, despre o trudă care a durat mai bine de 50 de ani", in
2792:
Doctorul Ygrec, "Caleidoscopul vieții intelectuale: litere, științe, arte. Visele d-lui Vissarion", in
1255:
1185:
appeared as a volume in 1922, with other fragments put out by various magazines over the next decade.
1136:
981:
bi-monthly, which had an agrarianist agenda and "cultivate religious sentiment." Vissarion, Galaction,
823:
684:
640:, which was read by the authorities; Vissarion himself believes that he was detested for his pieces in
445:
named after him. Vissarion's ten children include Cornelia Vissarion-Mănuceanu, a poet, memoirist, and
324:
291:
60:
3168:
1728:
345:. By contrast, he was embraced by the literary mainstream and likewise became an outsider ally of the
3567:
3337:
3332:
3235:
3077:
3064:
3059:
2986:
2939:
2906:
2726:
2110:
2087:
1682:
1611:
1444:
1317:
1132:
1107:
765:; as reported by Pas, his writings there still had to be polished for their many language mistakes.
315:
243:
2466:
Viorica Huber, "Căi noi ale fantasticului. Note despre basmul 'pionieresc' și cel 'științific'", in
1750:
1733:
1177:, comprising erotic verse, was panned by reviewers as "prosaic and tasteless", a prose work, titled
745:
330:
232:
3542:
3497:
2241:
Ionuț Niculescu, "Arhivele teatrului românesc. Un ecou al răscoalelor din 1907 în dramaturgie", in
1738:
1302:
1266:
was essentially an interpretation of "every dream that he ever had", sketching out Vissarion's own
1259:
2966:
2364:
935:
761:, leader of the atheistic undercurrent within Romanian socialism, and began writing for Dicescu's
671:("Child of darkness"). Upon returning home, he embarked on a series of experiments which combined
1631:
1254:("Raiser of the Dead")—the latter was published as part of a special peasants' collection by the
1051:
551:
476:
378:
307:
3507:
2746:
2562:
2427:
2394:
2369:
2339:
2311:
1864:
1774:
1544:
1494:, which resulted in his being interned. Vissarion's final contributions include a 1943 tract,
1200:
1812–1818). Another new medium explored by Vissarion was that of the airwaves. He debuted for
1170:
790:. He held several patents for other inventions, including ventilated shoes and a wheelchair.
589:
563:
559:
492:
464:
446:
426:
303:
1173:. In the book's first print, the cover illustration showed Vissarion's flying machine. While
1742:
1578:
1569:
1467:; the latter have captured portions of humanity, which they keep as prisoners in a state of
1376:
1321:
1001:
986:
830:, he belonged mainly to the former school, helping to prolong its echoes into the interwar.
754:
749:
group and "not at all an author-peasant." Vissarion was also an atheist and self-proclaimed
736:
694:
571:
299:
201:
2664:
1604:
802:, who would embody their vision of peasant literature—Vissarion was discovered right after
769:
scientist", such as several wind- and water-powered engines. He was a dedicated student of
649:
337:
s group ideology, and for this reason, was rejected as inauthentic by left-wingers such as
266:
3302:
2974:
1987:
1766:
1698:
1288:
1220:, inviting him to invest in its commercialization; the response he received was negative.
1017:
867:
839:
758:
718:
547:
472:
382:
186:
1616:
1548:
85:
3118:
Mihail Vlad, "Cronică de cenaclu. Primul festival național de poezie al liceenilor", in
1564:, Al. I. Ștefănescu reported that "Visarion" was a man of "no literary contours", whose
372:" newspapers put out by Arghezi and Galaction but, unlike them, was not marginalized by
368:—events which became the main focus in some of his later accounts. He was close to the "
2540:
1953:
Victor Crăciun, I. C. Vissarion, "100 de ani de la naștere. Foi răzlețe de jurnal", in
1686:
1530:
1499:
1392:
1235:
1035:
982:
950:
923:
863:
859:
799:
732:
555:
434:
350:
342:
226:
1151:, "written in great haste", suggesting that the subject matter was entirely "banal".
922:, was much liked by more cultured authors of the day, including Brătescu-Voinești and
739:
in Titu. Istrati took an even dimmer view of Vissarion, whom he chided in an issue of
302:, and eventually to a wealthy landowner. His literary beginnings were as a student of
3326:
2971:
Teatrul românesc: privire istorică. Vol. VIII: Teatrul românesc în perioada 1940—1950
2764:
2257:
Al. Oprea, "Scriitori și curente. Locul lui Panait Istrati în literatura română", in
2165:
1670:
1646:("The Book of a Misunderstood Man"), a large body of novellas, collectively known as
1560:
1487:
1440:
1420:
1361:
1293:
1042:
847:
815:
575:
543:
387:
354:
287:
249:
196:
2762:
Al. I. Ștefănescu, "Despre o fostă 'Fundație' și o anumită literatură sătească", in
1181:, won Vissarion the Writers' Society award for 1929. Only the first installments of
1770:
1678:
1624:
1491:
1475:
1468:
1193:
1031:
958:
855:
803:
787:
778:
770:
699:
664:
527:
468:
369:
191:
166:
1529:. A local tradition claims that, in early 1948, he welcomed the celebrated author
1525:, helping to set up a literary circle named after Ion Stancu, a local hero of the
1522:
1059:
442:
1769:. In 1982, after decades of working as a clerk, his daughter Cornelia escaped to
1041:
Despite his relative success, Vissarion complained about financial trouble after
1016:, the latter of which established Vissarion's reputation as Romania's first-ever
709:("The Wolves"), completed in 1912 and also featured, with a noticeable delay, in
3006:în țară. Târgoviște. Adunarea generală a regionalei Tineretului progresist", in
2822:
2794:
2382:
2327:
1754:
1746:
1720:
1690:
1639:
1620:
1388:
1298:
1276:
1271:
1021:
942:
774:
750:
682:("An Epilogue to the Revolt"), which appeared in 1910 in a socialist newspaper,
672:
660:
416:
412:
361:
176:
2299:
1712:
1663:
1411:
1365:
1281:
1217:
1213:
1209:
914:, enamored with freedom and beauty, irresistable, libertine, and detestable."
872:
827:
819:
531:
404:
400:
238:
2387:"Germanofilii". Elita intelectuală românească în anii Primului Război Mondial
1543:
was largely ignored by the public upon its release, but was reclaimed by the
806:, whom he came to replace as the elite's favorite peasant. Admitted into the
3008:
1380:
1267:
1148:
1119:
919:
851:
636:
484:
430:
408:
1081:
994:
310:. Vissarion's anti-establishment positioning saw his participation in the
2133:
1458:
1396:
1123:
1115:
957:("Under the Heel"). The late stages of the war saw him writing for some "
911:
910:("The Black Nightingale", also 1916). Dorogan was created as a "people's
593:
567:
523:
3260:
2904:"Documente și mărturii. O scrisoare inedită a lui I. C. Vissarion", in
724:
584:
338:
161:
596:. For a few months in 1901, he served as mayor of Costeștii din Vale.
328:
in the 1910s. Vissarion cultivated traditionalist themes in tune with
2779:
2689:
1992:
1659:
1349:
1128:
535:
295:
211:
156:
1423:, enamored with Vissarion's works, unsuccessfully proposed that the
1305:, primarily saw Vissarion as defined by his continuous "tall tale" (
1122:, it intertwined a romance novel (concluding that men are naturally
630:. As noted by critic Ion Roman, in his series of poems, retaken by
626:
Vissarion's life became more violent with his participation in the
3048:
B.I.R.E. (Bulletin d'Informations pour les Roumains de l'Étranger)
890:
181:
171:
1731:
sees Vissarion's cultural relevance in his ability to break with
989:
were additionally published by the pacifist-Germanophile journal
977:, he was working with Galaction and Arghezi on the two issues of
3277:"Patrimonium. I. C. Vissarion în publicistica dâmbovițeană", in
1885:
George Ioniță, "Document. Am fost acasă la I. C. Vissarion", in
1463:
1204:
on 7 October 1929, with an address to peasant listeners. He was
480:
3598:
People from the United Principalities of Moldavia and Wallachia
2729:, "Analize și sinteze. Drumul creației lui Liviu Rebreanu", in
3247:
3199:
Valentin F. Mihăescu, "Viața cărților. Secvențe din 1907", in
2586:
2580:"Mișacrea Culturală. Oameni, Reviste & Cărți. Cărți nouă.
2744:
N. Mih., "Teatru–Muzică–Litere–Arte. Buletinul cărților", in
1673:
discussed the need of reprinting Vissarion's contribution to
1316:("Little Star") magazine, with contributions from Galaction,
2484:
Mircea Opriță, "Reflexe ale utopiei în science-fiction", in
1517:, Vissarion appeared in public as a backer of the left-wing
1547:
after 1948; a reprint appeared in 1957, with a foreword by
1118:"), appeared in late 1920, but was dated 1921. Set in 1839
1486:, but the play was ultimately not picked up. At the time,
1157:("The Witch"), appearing in 1921, was followed in 1924 by
3186:
Florina Stoica, "Lecturi empatice. O carte-document", in
3171:, "Confruntări. O mistificație și o iluzie politică", in
3024:
Aurel Iordache, "Cenaclul literar 'I. C. Vissarion'", in
1801:
Aurel Iordache, "Măruntă. Simpozion I. C. Vissarion", in
659:, but freed upon the intervention of a political friend,
3468:
Proletarian literature writers in the Kingdom of Romania
2332:
Avangarda românească și complexul periferiei: primul val
652:, where he claims to have been beaten into submission.
499:
and Alexandru Valescu, as editors of the rural magazine
692:("The Rebels"); overall, it had the "authenticity of a
1242:
as part of the documentation for a 1907-themed novel,
16:
Romanian prose writer, poet, and political (1879–1951)
2873:, "Camil Petrescu și pariul ultimului său roman", in
2807:
C. Nicolau, "O știință miraculoasă. Sugestiunea", in
2708:, Issue 43/1978, p. 16. See also S. Vissarion, p. 24.
2543:(contributor: Teodor Vârgolici), "Pagini inedite din
1577:, which could have supported its weight while in the
862:" credentials, in line with the larger phenomenon of
3308:
Andrada Vissarion, "Vissarion despre Vissarion", in
2989:, "Hotare de aer. În 'Regatul lui uite, nu e!'", in
2702:
Ioana Mălin, "Radio Televiziune. Retrospectivă", in
953:, which became the main subject of his quasi-diary,
2159:Ion Roman, "Scriitorii și 1907. I. C. Vissarion și
1461:who assists Prince Floreal in ridding Earth of the
259:
219:
150:
137:
95:
74:
45:
37:Portrait photograph, published alongside his story
23:
3046:"Buletin cultural. Cu ce se ocupă scriitorii", in
2440:Constantin Călin, "Cronica edițiilor. G. Bacovia:
1990:, "Cronica edițiilor. O restituire generoasă", in
1126:) into a historical narrative with appearances by
1045:had flooded his agricultural plots. He asked poet
894:; in 1911, he completed an autobiographical play,
429:lionized Vissarion for his status as a rebel, his
2113:, "Breviar. Lumea nouă a lui Gala Galaction", in
667:. After his release, they also began calling him
648:. He was subsequently sent to a prison center in
415:. In 1925, he contributed the screenplay for the
3353:20th-century Romanian dramatists and playwrights
3080:, "Breviar. Tudor Arghezi — portretist. II", in
3241:Pompiliu Pîrvescu, "Recenzii. I. C. Vissarion,
2777:Victor Crăciun, "A. Jiquidi și scriitorii", in
2758:
2756:
2367:, "Cronica de joi. 'La vitrina librăriei'", in
2221:
2219:
2217:
678:The events of 1907 inspired Vissarion to write
306:and poet-raconteur, with an inclination toward
3257:, Vol. XIII, Issue 3, March 1921, pp. 429–431.
3190:, Vol. XIII, Issue 1, January 2012, pp. 24–26.
1312:From May 1932 to April 1933, Vissarion edited
3020:
3018:
2993:, Vol. XXIII, Issue 24, December 1972, p. 10.
2065:Victor Crăciun, "I. C. Vissarion inedit", in
1344:("Black Eyes"). These were two variants of a
973:. In September–October 1918, just before the
507:, and from closely reading literary works by
8:
3292:, Vol. XI, Issue 1, January 2010, pp. 65–66.
2866:
2864:
2862:
2576:
2574:
2572:
2551:, Vol. XXIV, Issue 7, April 1973, pp. 22–23.
2514:
2512:
2510:
2508:
2263:, Vol. XIII, Issue 9, September 1960, p. 89.
2061:
2059:
2057:
2055:
2053:
2051:
1482:'s production committee heard readings from
1165:("Cheap Commons"), and in 1928 by a sequel,
1095:Cover illustration for the first edition of
1008:, returning in 1920 with two other volumes,
3271:, Vol. XV, Issue 1, January 1962, pp. 6–35.
3114:
3112:
3110:
2498:
2496:
2494:
2480:
2478:
2472:, Vol. XII, Issue 10, October 1959, p. 158.
2195:
2106:
2104:
2102:
2083:
2081:
2079:
2077:
2075:
2049:
2047:
2045:
2043:
2041:
2039:
2037:
2035:
2033:
2031:
1857:Dicționarul biografic al literaturii române
3284:"Dicționar. Cornelia Vissarion-Mănuceanu:
3028:, Vol. III, Issue 1, November 1968, p. 12.
2948:, Vol. XII, Issue 47, November 1969, p. 6.
2245:, Vol. XXXVII, Issue 3, March 1982, p. 11.
2193:
2191:
2189:
2187:
2185:
2183:
2181:
2179:
2177:
2175:
2155:
2153:
2151:
2149:
2147:
2145:
2143:
2090:, "Breviar. Umorul lui Vasile Bogrea", in
1959:, Vol. XXII, Issue 7, February 1979, p. 8.
1889:, Issue 25, November–December 2009, p. 21.
1815:
1813:
1811:
1797:
1795:
1793:
1603:View of Ion C. Vissarion Street, downtown
1496:Energie mecanică în lumea în care ne găsim
1336:. He printed two more volumes in 1937, as
1208:, announcing that the future belonged to "
906:("Florica and other Novellas", 1916), and
422:, where he also appeared as the narrator.
360:Vissarion's literary career was paused by
31:
20:
3317:Curier. Revistă de Cultură și Bibliologie
3310:Curier. Revistă de Cultură și Bibliologie
3279:Curier. Revistă de Cultură și Bibliologie
3068:, Vol. IX, Issue 47, November 1962, p. 6.
3062:, "Probleme ale moștenirii literare", in
2935:
2933:
2931:
2929:
2852:
2850:
2486:Helion. Revistă a Clubului de Anticipație
2237:
2235:
2233:
2231:
2207:
2205:
2127:
2125:
1949:
1947:
1945:
1943:
1941:
1939:
1937:
1935:
1933:
1931:
1929:
1927:
1925:
1923:
1921:
1919:
1917:
1915:
1881:
1879:
1877:
1558:establishment: in an April 1948 issue of
1250:("The Netherworld"), followed in 1935 by
514:His retouched poems finally appearing in
2910:, Vol. I, Issue 36, November 1954, p. 1.
2253:
2251:
1913:
1911:
1909:
1907:
1905:
1903:
1901:
1899:
1897:
1895:
1598:
1410:
1000:Also in 1918, Vissarion was awarded the
858:, both of them appreciated him for his "
603:
3583:Prisoners sentenced to death by Romania
3205:, Vol. XXI, Issue 14, April 1978, p. 2.
2835:, Vol. IX, Issue 3, January 1966, p. 3.
2410:Teodor Vârgolici, "Gala Galaction", in
2012:
2010:
2008:
2006:
2004:
2002:
1851:
1849:
1847:
1845:
1789:
1058:, appearing at its March 1923 rally in
773:, starting with direct observations of
314:, which resulted in his capture by the
3319:, Vol. VIII, Issue 2, 2001, pp. 23–24.
3312:, Vol. VIII, Issue 2, 2001, pp. 24–25.
3281:, Vol. VIII, Issue 2, 2001, pp. 22–23.
2647:"Distribuirea premiilor S. S. R.", in
1983:
1981:
1979:
1977:
1975:
1973:
1971:
1969:
1967:
1965:
1843:
1841:
1839:
1837:
1835:
1833:
1831:
1829:
1827:
1825:
483:and then to his grandfather's home in
3159:, Vol. II, Issue 6, June 1967, p. 18.
2584:Roman de I. C. C. Visariom [
2523:"Între cercetare și istorie literară"
2069:, Vol. II, Issue 6, June 1967, p. 10.
1805:, Vol. II, Issue 6, June 1967, p. 18.
1715:. Also in 1965, Arghezi spoke at the
7:
3503:20th-century Romanian civil servants
3050:, Issue 35, 16 December 1949, p. 10.
2810:Ziarul Științelor și al Călătoriilor
1379:and had used them to set up his own
1348:about battles between Romanians and
826:. According to cultural sociologist
3623:Romanian anti–World War I activists
1581:. In 1957, while recommending that
918:, which elaborates on the topic of
902:("Old Man Dorogan's Wives", 1913),
3343:20th-century Romanian male writers
2942:, "Arhiva Arghezi. Vissarion", in
2308:Editura Fundației Culturale Române
866:. Vissarion's fiction appeared in
588:", 1899), which retold staples of
399:, and proposed systems to harness
14:
3388:Romanian male short story writers
2448:, Issue 136, December 1978, p. 9.
2131:"Impușcarea unui lup turbat", in
1287:Vissarion was welcomed by critic
1020:writer, drawing comparisons with
810:, Vissarion was disputed between
757:. He was therefore well-liked by
154:
99:
3603:Romanian people of Greek descent
3533:Romanian male silent film actors
3453:Romanian science fiction writers
1711:was included in an anthology by
1443:. As recounted by Arghezi's son
1088:
1076:Landscape of Vissarion's native
1069:
715:Ioan Alexandru Brătescu-Voinești
600:Revolutionary and traditionalist
265:
3628:Romanian people of World War II
3478:20th-century Romanian inventors
3368:20th-century Romanian novelists
2638:, Issues 8–9/1924, pp. 349–350.
1080:: sunset over the shrubland in
882:. In 1913, he was an editor at
834:World War I and peak popularity
574:. It included experiments with
518:and in the satirical newspaper
475:. Working as a merchant in the
381:, receiving some guidance from
349:, cultivating friendships with
290:. He lived most of his life in
3348:20th-century Romanian diarists
3299:O istorie a literaturii române
947:occupation of southern Romania
794:encounter with Delavrancea in
628:peasants' revolt of March 1907
608:A prisoners' convoy after the
318:and his narrowly escaping the
312:peasants' revolt of early 1907
1:
3553:20th-century Romanian farmers
3548:19th-century Romanian farmers
3383:Romanian historical novelists
2547:lui Gala Galaction (IV)", in
1677:, alongside similar works by
1364:and his proposals to harness
1340:("Little Soldier Ghiță") and
1197:
846:, and especially so by poets
141:
3593:People from Dâmbovița County
3428:Romanian opinion journalists
1859:, Vol. II, p. 816. Pitești:
1697:was serialized in Romania's
1333:Adevărul Literar și Artistic
509:Barbu Ștefănescu Delavrancea
3523:Mayors of places in Romania
3493:Pseudoscientific physicists
3438:Romanian children's writers
3373:20th-century Romanian poets
2844:Petrescu (2001), pp. 22–23.
2389:, pp. 103, 105. Bucharest:
1656:radio communication station
1435:from his printing press in
1274:. Reviewing the volume for
1012:("Yesteryear's Maria") and
814:traditionalists, including
619:The Illustrated London News
391:circle, but also pioneered
3644:
3423:Romanian magazine founders
3265:Carte despre vremuri multe
2431:, 27 September 1918, p. 2.
1773:, and found employment at
1610:Writing in 1962, a critic
1539:. According to Niculescu,
1480:National Theater Bucharest
1327:Revista Fundațiilor Regale
934:was welcomed by columnist
276:Iancu Constantin Vissarion
90:Romanian People's Republic
3558:Romanian agriculturalists
3538:Romanian radio presenters
3418:Romanian magazine editors
3413:Silent film screenwriters
2594:, 18 November 1920, p. 2.
2488:, Issues 5–6/2018, p. 33.
1717:Writers' Union of Romania
1519:National Democratic Front
1419:In the early 1930s, poet
900:Nevestele lui Moș Dorogan
818:, and the more left-wing
808:Romanian Writers' Society
610:Romanian peasants' revolt
497:Constantin Dobrescu-Argeș
433:, and his cultivation of
264:
30:
3578:Romanian revolutionaries
3448:Romanian science writers
3443:Romanian fantasy writers
3403:Romanian autobiographers
3363:20th-century journalists
3124:, 19 January 1972, p. 3.
3012:, 18 October 1945, p. 4.
2895:S. Vissarion, pp. 23–24.
2813:, Issue 24/1928, p. 382.
2679:Legenda celor două cruci
2425:"Litere Arte Varia", in
2373:, 22 January 1916, p. 1.
2025:A. Vissarion, pp. 24–25.
1675:Romanian science fiction
1527:Romanian Communist Party
1521:. He also made stops in
1515:general election in 1946
1508:destroyed in an air raid
1190:Legenda celor două cruci
614:Hermanus Willem Koekkoek
420:Legenda celor două cruci
393:Romanian science fiction
3528:Romanian schoolteachers
3398:Romanian male essayists
3142:Manolescu, pp. 257–258.
3104:Petrescu (2010), p. 65.
3037:Petrescu (2010), p. 65.
2957:Manolescu, pp. 237–238.
2923:, Issue 11/1984, p. 47.
2877:, Issue 12/2014, p. 20.
2856:Petrescu (2001), p. 22.
2677:Rep., "Film și cinema.
2634:de I. C. Visarion", in
2630:"Cronică. O desiluzie:
2621:Manolescu, pp. 236–237.
2416:, Issue 16/1979, p. 13.
2211:Petrescu (2001), p. 23.
2137:, 10 April 1937, p. 10.
1644:Cartea omului neînțeles
1161:("Songs of Iancu") and
69:Principality of Romania
3408:Romanian screenwriters
3358:20th-century essayists
3301:, Vol. II. Bucharest:
3086:, Issue 15/1983, p. 7.
2798:, 22 March 1929, p. 2.
2783:, Issue 9/1969, p. 20.
2768:, Issue 82/1948, p. 4.
2735:, Issue 16/1986, p. 8.
2693:, Issue 1/1972, p. 21.
2653:, 13 March 1929, p. 4.
2603:Pîrvescu, pp. 430–431.
2566:, 20 March 1923, p. 5.
2169:, Issue 10/1957, p. 3.
2096:, Issue 11/1971, p. 5.
1996:, Issue 9/1984, p. 14.
1607:
1416:
1216:with his design for a
1056:National Liberal Party
1006:Florica și alte nuvele
1004:'s Adamachi Prize for
904:Florica și alte nuvele
854:. Though committed to
623:
505:Heimann Hariton Tiktin
3618:Romanian esotericists
3177:, Issue 42/1991, p. 8
2871:Ștefan Ion Ghilimescu
2750:, 11 July 1935, p. 2.
2717:Roman (1972), p. 605.
2225:Roman (1972), p. 138.
2119:, Issue 3/1971, p. 3.
1650:, a dramatization of
1602:
1429:Privighetoarea neagră
1425:Ministry of Education
1414:
1407:Final years and death
1385:Ștefan Ion Ghilimescu
1383:. Literary historian
932:Privighetoarea neagră
908:Privighetoarea neagră
669:Copilul întunericului
607:
397:environmental science
3513:Romanian accountants
3433:Romanian folklorists
3151:T. Iosif, "Măruntă.
3121:Scînteia Tineretului
2973:, p. 86. Bucharest:
2886:A. Vissarion, p. 25.
2668:, 5 July 1925, p. 2.
2521:Gheorghe Lăzărescu,
2502:S. Vissarion, p. 23.
2334:, p. 17. Bucharest:
2306:, p. 11. Bucharest:
1819:A. Vissarion, p. 24.
1683:Alexandru Macedonski
1638:, a "vast novel" of
1415:Vissarion in old age
1234:In the early 1930s,
84:Costeștii din Vale,
3613:Freethought writers
3588:Free love advocates
3563:Romanian socialists
3378:Romanian male poets
3251:] (roman)", in
2632:Cântecele lui Iancu
1861:Editura Paralela 45
1693:. Two years later,
1566:Învietorul de morți
1301:." Another critic,
1252:Învietorul de morți
1175:Cântecele lui Iancu
1167:Ber-Căciulă Împărat
1159:Cântecele lui Iancu
1027:The Begum's Fortune
655:Vissarion was then
592:from his corner of
282:, also credited as
3573:Romanian pacifists
3483:Aviation inventors
3458:Romanian satirists
3393:Romanian essayists
3230:Florin Manolescu,
3155:la Găești...", in
3133:Manolescu, p. 257.
2457:Manolescu, p. 236.
2199:Manolescu, p. 234.
1855:Aurel Sasu (ed.),
1704:Știință și Tehnică
1695:Agerul Pământului
1642:notations, called
1632:Romanian Air Force
1621:Costeștii de Argeș
1608:
1536:Un om între oameni
1417:
1052:Constantin Istrati
1030:and with tales by
844:Symbolist movement
824:Garabet Ibrăileanu
796:România Muncitoare
741:România Muncitoare
729:România Muncitoare
711:România Muncitoare
685:România Muncitoare
680:Epilogul răscoalei
657:sentenced to death
624:
477:Kingdom of Romania
467:, originally from
379:literary modernism
347:Symbolist movement
325:România Muncitoare
308:agrarian socialism
292:Costeștii din Vale
61:Costeștii din Vale
3608:Romanian atheists
3473:Modernist writers
3286:Întoarcerea acasă
3274:Victor Petrescu,
3267:(fragmente)", in
3214:Petrescu (2010),
3078:Șerban Cioculescu
2987:Baruțu T. Arghezi
2940:Baruțu T. Arghezi
2612:Pîrvescu, p. 431.
2399:978-973-50-2635-6
2344:978-973-23-1911-6
2336:Cartea Românească
2111:Șerban Cioculescu
2088:Șerban Cioculescu
1775:Radio Free Europe
1759:Un șlep în derivă
1556:socialist realist
1504:energy converters
1449:Agerul Pământului
1401:Cartea Românească
1354:Graiul Dâmboviței
1258:, with prints by
1256:Royal Foundations
1206:techno-optimistic
1171:utopian socialism
1143:newspaper called
1108:Șerban Cioculescu
1047:Alexandru Vlahuță
1010:Maria de altădată
876:and Ibrăileanu's
822:, beginning with
590:Romanian folklore
447:Radio Free Europe
366:German occupation
304:Romanian folklore
273:
272:
220:Literary movement
113:amateur scientist
3635:
3518:Romanian censors
3488:Amateur chemists
3463:Adevărul writers
3269:Viața Romînească
3254:Viața Romînească
3243:Petre Părcălabul
3219:
3212:
3206:
3197:
3191:
3184:
3178:
3174:România Literară
3169:Alexandru George
3166:
3160:
3149:
3143:
3140:
3134:
3131:
3125:
3116:
3105:
3102:
3096:
3093:
3087:
3083:România Literară
3075:
3069:
3057:
3051:
3044:
3038:
3035:
3029:
3022:
3013:
3000:
2994:
2984:
2978:
2964:
2958:
2955:
2949:
2937:
2924:
2917:
2911:
2902:
2896:
2893:
2887:
2884:
2878:
2868:
2857:
2854:
2845:
2842:
2836:
2820:
2814:
2805:
2799:
2790:
2784:
2775:
2769:
2760:
2751:
2742:
2736:
2732:România Literară
2724:
2718:
2715:
2709:
2705:România Literară
2700:
2694:
2675:
2669:
2660:
2654:
2645:
2639:
2628:
2622:
2619:
2613:
2610:
2604:
2601:
2595:
2582:Petre Pârcălabul
2578:
2567:
2558:
2552:
2538:
2532:
2531:, Issue 17/2008.
2528:România Literară
2520:
2516:
2503:
2500:
2489:
2482:
2473:
2469:Viața Romînească
2464:
2458:
2455:
2449:
2438:
2432:
2423:
2417:
2413:România Literară
2408:
2402:
2380:
2374:
2362:
2356:
2355:Pîrvescu, p. 430
2353:
2347:
2325:
2319:
2297:
2291:
2288:
2282:
2279:
2273:
2270:
2264:
2260:Viața Romînească
2255:
2246:
2239:
2226:
2223:
2212:
2209:
2200:
2197:
2170:
2157:
2138:
2129:
2120:
2116:România Literară
2108:
2097:
2093:România Literară
2085:
2070:
2063:
2026:
2023:
2017:
2014:
1997:
1985:
1960:
1951:
1890:
1887:Climate Literare
1883:
1872:
1853:
1820:
1817:
1806:
1799:
1743:Nicolae Crevedia
1739:Gheorghe Brăescu
1729:Alexandru George
1669:In 1963, author
1570:Petru Comarnescu
1545:communist regime
1322:Al. T. Stamatiad
1303:George Călinescu
1199:
1145:Petre Pârcălabul
1112:Petre Pârcălabul
1092:
1078:Dâmbovița County
1073:
1002:Romanian Academy
991:Cronica Moldovei
987:Vasile Demetrius
975:German Armistice
969:, and Arghezi's
879:Viața Romînească
755:Francisco Ferrer
632:Gazeta Țăranilor
580:Draci și strigoi
572:perpetual motion
516:Gazeta Țăranilor
501:Gazeta Țăranilor
439:Dâmbovița County
427:communist regime
336:
269:
207:historical drama
202:historical novel
146:
145: 1899–1951
143:
81:
65:Dâmbovița County
57:
55:
35:
21:
3643:
3642:
3638:
3637:
3636:
3634:
3633:
3632:
3323:
3322:
3303:Editura Minerva
3236:Editura Univers
3232:Literatura S.F.
3227:
3222:
3213:
3209:
3198:
3194:
3185:
3181:
3167:
3163:
3150:
3146:
3141:
3137:
3132:
3128:
3117:
3108:
3103:
3099:
3094:
3090:
3076:
3072:
3065:Gazeta Literară
3060:Valeriu Râpeanu
3058:
3054:
3045:
3041:
3036:
3032:
3023:
3016:
3001:
2997:
2985:
2981:
2975:Editura Minerva
2965:
2961:
2956:
2952:
2938:
2927:
2918:
2914:
2907:Gazeta Literară
2903:
2899:
2894:
2890:
2885:
2881:
2869:
2860:
2855:
2848:
2843:
2839:
2821:
2817:
2806:
2802:
2791:
2787:
2776:
2772:
2761:
2754:
2743:
2739:
2727:Valeriu Râpeanu
2725:
2721:
2716:
2712:
2701:
2697:
2676:
2672:
2661:
2657:
2646:
2642:
2629:
2625:
2620:
2616:
2611:
2607:
2602:
2598:
2579:
2570:
2559:
2555:
2539:
2535:
2518:
2517:
2506:
2501:
2492:
2483:
2476:
2465:
2461:
2456:
2452:
2439:
2435:
2424:
2420:
2409:
2405:
2381:
2377:
2363:
2359:
2354:
2350:
2326:
2322:
2298:
2294:
2290:Pas, pp. 33–34.
2289:
2285:
2280:
2276:
2272:Pas, pp. 31–32.
2271:
2267:
2256:
2249:
2243:Revista Teatrul
2240:
2229:
2224:
2215:
2210:
2203:
2198:
2173:
2158:
2141:
2130:
2123:
2109:
2100:
2086:
2073:
2064:
2029:
2024:
2020:
2015:
2000:
1988:Ovidiu Papadima
1986:
1963:
1952:
1893:
1884:
1875:
1854:
1823:
1818:
1809:
1800:
1791:
1787:
1767:Editura Minerva
1699:popular science
1612:Valeriu Râpeanu
1597:
1409:
1346:historical play
1318:Vasile Militaru
1289:Eugen Lovinescu
1232:
1202:Radio Bucharest
1137:Iancu Văcărescu
1135:and court poet
1133:Radu lui Anghel
1110:. The 300-page
1104:
1103:
1102:
1101:
1100:
1093:
1085:
1084:
1074:
1018:science fantasy
868:Constantin Banu
840:Ovidiu Papadima
836:
759:Ion Dic Dicescu
719:I. I. Mironescu
602:
473:Salonica Eyalet
460:
455:
383:Eugen Lovinescu
334:
255:
187:science fantasy
144:
101:Agriculturalist
83:
79:
78:5 November 1951
59:
58:2 February 1879
53:
51:
50:
41:
26:
25:I. C. Vissarion
17:
12:
11:
5:
3641:
3639:
3631:
3630:
3625:
3620:
3615:
3610:
3605:
3600:
3595:
3590:
3585:
3580:
3575:
3570:
3565:
3560:
3555:
3550:
3545:
3540:
3535:
3530:
3525:
3520:
3515:
3510:
3505:
3500:
3495:
3490:
3485:
3480:
3475:
3470:
3465:
3460:
3455:
3450:
3445:
3440:
3435:
3430:
3425:
3420:
3415:
3410:
3405:
3400:
3395:
3390:
3385:
3380:
3375:
3370:
3365:
3360:
3355:
3350:
3345:
3340:
3335:
3325:
3324:
3321:
3320:
3313:
3306:
3295:
3294:
3293:
3282:
3272:
3258:
3239:
3226:
3223:
3221:
3220:
3207:
3192:
3179:
3161:
3144:
3135:
3126:
3106:
3097:
3088:
3070:
3052:
3039:
3030:
3014:
2995:
2979:
2959:
2950:
2925:
2912:
2897:
2888:
2879:
2858:
2846:
2837:
2815:
2800:
2785:
2770:
2752:
2737:
2719:
2710:
2695:
2670:
2655:
2640:
2623:
2614:
2605:
2596:
2568:
2553:
2541:Gala Galaction
2533:
2504:
2490:
2474:
2459:
2450:
2433:
2418:
2403:
2375:
2357:
2348:
2320:
2304:Sămănătorismul
2292:
2283:
2274:
2265:
2247:
2227:
2213:
2201:
2171:
2139:
2121:
2098:
2071:
2027:
2018:
1998:
1961:
1891:
1873:
1821:
1807:
1788:
1786:
1783:
1751:Damian Stănoiu
1687:Cezar Petrescu
1596:
1593:
1531:Camil Petrescu
1408:
1405:
1393:Puțu cu Salcie
1389:Zăvoiu Orbului
1338:Ghiță Cătănuță
1264:Lumea cealaltă
1248:Lumea cealaltă
1236:Liviu Rebreanu
1231:
1222:
1094:
1087:
1086:
1075:
1068:
1067:
1066:
1065:
1064:
1036:Dimitrie Gusti
983:George Bacovia
951:Central Powers
924:Gala Galaction
864:social realism
860:anti-bourgeois
835:
832:
733:Panait Istrati
646:homemade bombs
601:
598:
459:
456:
454:
451:
435:social realism
351:Gala Galaction
343:Panait Istrati
280:Iancu Visarion
271:
270:
262:
261:
257:
256:
254:
253:
246:
241:
236:
229:
227:Social realism
223:
221:
217:
216:
215:
214:
209:
204:
199:
194:
189:
184:
179:
174:
169:
164:
159:
152:
148:
147:
139:
135:
134:
133:
132:
129:
126:
123:
120:
117:
114:
111:
108:
105:
102:
97:
93:
92:
82:(aged 72)
76:
72:
71:
49:Iancu Visarion
47:
43:
42:
36:
28:
27:
24:
15:
13:
10:
9:
6:
4:
3:
2:
3640:
3629:
3626:
3624:
3621:
3619:
3616:
3614:
3611:
3609:
3606:
3604:
3601:
3599:
3596:
3594:
3591:
3589:
3586:
3584:
3581:
3579:
3576:
3574:
3571:
3569:
3566:
3564:
3561:
3559:
3556:
3554:
3551:
3549:
3546:
3544:
3541:
3539:
3536:
3534:
3531:
3529:
3526:
3524:
3521:
3519:
3516:
3514:
3511:
3509:
3506:
3504:
3501:
3499:
3496:
3494:
3491:
3489:
3486:
3484:
3481:
3479:
3476:
3474:
3471:
3469:
3466:
3464:
3461:
3459:
3456:
3454:
3451:
3449:
3446:
3444:
3441:
3439:
3436:
3434:
3431:
3429:
3426:
3424:
3421:
3419:
3416:
3414:
3411:
3409:
3406:
3404:
3401:
3399:
3396:
3394:
3391:
3389:
3386:
3384:
3381:
3379:
3376:
3374:
3371:
3369:
3366:
3364:
3361:
3359:
3356:
3354:
3351:
3349:
3346:
3344:
3341:
3339:
3336:
3334:
3331:
3330:
3328:
3318:
3314:
3311:
3307:
3304:
3300:
3296:
3291:
3287:
3283:
3280:
3276:
3275:
3273:
3270:
3266:
3262:
3259:
3256:
3255:
3250:
3249:
3244:
3240:
3237:
3233:
3229:
3228:
3224:
3217:
3211:
3208:
3204:
3203:
3196:
3193:
3189:
3183:
3180:
3176:
3175:
3170:
3165:
3162:
3158:
3154:
3148:
3145:
3139:
3136:
3130:
3127:
3123:
3122:
3115:
3113:
3111:
3107:
3101:
3098:
3092:
3089:
3085:
3084:
3079:
3074:
3071:
3067:
3066:
3061:
3056:
3053:
3049:
3043:
3040:
3034:
3031:
3027:
3021:
3019:
3015:
3011:
3010:
3005:
2999:
2996:
2992:
2988:
2983:
2980:
2976:
2972:
2968:
2963:
2960:
2954:
2951:
2947:
2946:
2941:
2936:
2934:
2932:
2930:
2926:
2922:
2916:
2913:
2909:
2908:
2901:
2898:
2892:
2889:
2883:
2880:
2876:
2872:
2867:
2865:
2863:
2859:
2853:
2851:
2847:
2841:
2838:
2834:
2833:
2828:
2824:
2819:
2816:
2812:
2811:
2804:
2801:
2797:
2796:
2789:
2786:
2782:
2781:
2774:
2771:
2767:
2766:
2765:Contemporanul
2759:
2757:
2753:
2749:
2748:
2741:
2738:
2734:
2733:
2728:
2723:
2720:
2714:
2711:
2707:
2706:
2699:
2696:
2692:
2691:
2686:
2685:
2680:
2674:
2671:
2667:
2666:
2662:"Notițe", in
2659:
2656:
2652:
2651:
2644:
2641:
2637:
2633:
2627:
2624:
2618:
2615:
2609:
2606:
2600:
2597:
2593:
2589:
2588:
2583:
2577:
2575:
2573:
2569:
2565:
2564:
2557:
2554:
2550:
2546:
2542:
2537:
2534:
2530:
2529:
2524:
2519:(in Romanian)
2515:
2513:
2511:
2509:
2505:
2499:
2497:
2495:
2491:
2487:
2481:
2479:
2475:
2471:
2470:
2463:
2460:
2454:
2451:
2447:
2443:
2437:
2434:
2430:
2429:
2422:
2419:
2415:
2414:
2407:
2404:
2400:
2396:
2392:
2388:
2384:
2379:
2376:
2372:
2371:
2366:
2361:
2358:
2352:
2349:
2345:
2341:
2337:
2333:
2329:
2324:
2321:
2317:
2316:973-577-159-4
2313:
2309:
2305:
2301:
2296:
2293:
2287:
2284:
2278:
2275:
2269:
2266:
2262:
2261:
2254:
2252:
2248:
2244:
2238:
2236:
2234:
2232:
2228:
2222:
2220:
2218:
2214:
2208:
2206:
2202:
2196:
2194:
2192:
2190:
2188:
2186:
2184:
2182:
2180:
2178:
2176:
2172:
2168:
2167:
2166:Contemporanul
2162:
2156:
2154:
2152:
2150:
2148:
2146:
2144:
2140:
2136:
2135:
2128:
2126:
2122:
2118:
2117:
2112:
2107:
2105:
2103:
2099:
2095:
2094:
2089:
2084:
2082:
2080:
2078:
2076:
2072:
2068:
2062:
2060:
2058:
2056:
2054:
2052:
2050:
2048:
2046:
2044:
2042:
2040:
2038:
2036:
2034:
2032:
2028:
2022:
2019:
2013:
2011:
2009:
2007:
2005:
2003:
1999:
1995:
1994:
1989:
1984:
1982:
1980:
1978:
1976:
1974:
1972:
1970:
1968:
1966:
1962:
1958:
1957:
1950:
1948:
1946:
1944:
1942:
1940:
1938:
1936:
1934:
1932:
1930:
1928:
1926:
1924:
1922:
1920:
1918:
1916:
1914:
1912:
1910:
1908:
1906:
1904:
1902:
1900:
1898:
1896:
1892:
1888:
1882:
1880:
1878:
1874:
1870:
1869:973-697-758-7
1866:
1862:
1858:
1852:
1850:
1848:
1846:
1844:
1842:
1840:
1838:
1836:
1834:
1832:
1830:
1828:
1826:
1822:
1816:
1814:
1812:
1808:
1804:
1798:
1796:
1794:
1790:
1784:
1782:
1780:
1776:
1772:
1768:
1762:
1760:
1756:
1752:
1748:
1744:
1740:
1736:
1735:
1730:
1725:
1722:
1718:
1714:
1710:
1706:
1705:
1700:
1696:
1692:
1688:
1684:
1680:
1676:
1672:
1671:Mihu Dragomir
1667:
1665:
1661:
1658:, a rotating
1657:
1653:
1649:
1645:
1641:
1640:autofictional
1637:
1636:Un vis ciudat
1633:
1628:
1626:
1622:
1618:
1613:
1606:
1601:
1594:
1592:
1589:
1584:
1580:
1579:Earth's orbit
1576:
1571:
1567:
1563:
1562:
1561:Contemporanul
1557:
1552:
1550:
1546:
1542:
1538:
1537:
1532:
1528:
1524:
1520:
1516:
1513:Ahead of the
1511:
1509:
1505:
1501:
1497:
1493:
1489:
1488:Ion Antonescu
1485:
1481:
1477:
1472:
1470:
1466:
1465:
1460:
1456:
1455:
1450:
1446:
1442:
1441:reincarnation
1438:
1434:
1430:
1426:
1422:
1421:Octavian Goga
1413:
1406:
1404:
1402:
1398:
1394:
1390:
1386:
1382:
1378:
1374:
1369:
1367:
1363:
1362:oil depletion
1359:
1355:
1351:
1347:
1343:
1339:
1335:
1334:
1329:
1328:
1323:
1319:
1315:
1310:
1308:
1304:
1300:
1296:
1295:
1290:
1285:
1283:
1279:
1278:
1273:
1269:
1265:
1261:
1260:Aurel Jiquidi
1257:
1253:
1249:
1245:
1241:
1238:was studying
1237:
1230:
1226:
1223:
1221:
1219:
1215:
1211:
1207:
1203:
1195:
1191:
1186:
1184:
1180:
1176:
1172:
1168:
1164:
1160:
1156:
1152:
1150:
1146:
1142:
1138:
1134:
1131:
1130:
1125:
1121:
1117:
1113:
1109:
1098:
1091:
1083:
1079:
1072:
1063:
1061:
1057:
1053:
1048:
1044:
1039:
1037:
1033:
1029:
1028:
1023:
1019:
1015:
1011:
1007:
1003:
998:
996:
992:
988:
984:
980:
976:
972:
968:
964:
960:
956:
952:
948:
944:
939:
937:
933:
929:
925:
921:
917:
913:
909:
905:
901:
897:
896:Un vis ciudat
893:
892:
887:
886:
881:
880:
875:
874:
869:
865:
861:
857:
853:
849:
848:Tudor Arghezi
845:
841:
833:
831:
829:
825:
821:
817:
816:Nicolae Iorga
813:
809:
805:
801:
797:
791:
789:
784:
780:
776:
772:
766:
764:
760:
756:
752:
748:
747:
742:
738:
734:
730:
727:, who edited
726:
722:
720:
716:
712:
708:
704:
701:
697:
696:
695:procès-verbal
691:
687:
686:
681:
676:
674:
670:
666:
662:
658:
653:
651:
647:
643:
642:Hazul Satelor
639:
638:
633:
629:
622:, April 1907)
621:
620:
615:
611:
606:
599:
597:
595:
591:
587:
586:
582:("Devils and
581:
577:
576:nitroglycerin
573:
569:
565:
561:
557:
553:
549:
545:
539:
537:
533:
529:
525:
521:
520:Hazul Satelor
517:
512:
510:
506:
502:
498:
494:
488:
486:
482:
478:
474:
470:
466:
457:
452:
450:
449:personality.
448:
444:
440:
436:
432:
428:
423:
421:
418:
414:
410:
406:
402:
398:
394:
390:
389:
384:
380:
375:
371:
367:
363:
358:
356:
355:Tudor Arghezi
352:
348:
344:
340:
333:
332:
327:
326:
321:
320:death penalty
317:
313:
309:
305:
301:
297:
293:
289:
288:pseudoscience
285:
284:Ion Vissarion
281:
277:
268:
263:
258:
252:
251:
247:
245:
242:
240:
237:
235:
234:
230:
228:
225:
224:
222:
218:
213:
210:
208:
205:
203:
200:
198:
197:romance novel
195:
193:
190:
188:
185:
183:
180:
178:
175:
173:
170:
168:
165:
163:
160:
158:
155:
153:
149:
140:
136:
130:
127:
124:
121:
118:
115:
112:
109:
107:civil servant
106:
103:
100:
98:
94:
91:
87:
77:
73:
70:
66:
62:
48:
44:
40:
34:
29:
22:
19:
3316:
3309:
3298:
3289:
3285:
3278:
3268:
3264:
3252:
3246:
3242:
3231:
3215:
3210:
3200:
3195:
3187:
3182:
3172:
3164:
3156:
3152:
3147:
3138:
3129:
3119:
3100:
3091:
3081:
3073:
3063:
3055:
3047:
3042:
3033:
3025:
3007:
3003:
2998:
2990:
2982:
2970:
2967:Ioan Massoff
2962:
2953:
2943:
2921:Transilvania
2920:
2915:
2905:
2900:
2891:
2882:
2874:
2840:
2830:
2826:
2825:, "Cenaclul
2818:
2808:
2803:
2793:
2788:
2778:
2773:
2763:
2745:
2740:
2730:
2722:
2713:
2703:
2698:
2688:
2682:
2678:
2673:
2663:
2658:
2648:
2643:
2636:Transilvania
2635:
2631:
2626:
2617:
2608:
2599:
2591:
2585:
2581:
2561:
2556:
2548:
2544:
2536:
2526:
2485:
2467:
2462:
2453:
2445:
2441:
2436:
2426:
2421:
2411:
2406:
2386:
2378:
2368:
2365:Spiru Hasnaș
2360:
2351:
2331:
2323:
2303:
2295:
2286:
2277:
2268:
2258:
2242:
2164:
2160:
2132:
2114:
2091:
2066:
2021:
1991:
1954:
1886:
1856:
1802:
1778:
1771:West Germany
1763:
1758:
1732:
1726:
1708:
1702:
1694:
1679:Felix Aderca
1668:
1651:
1647:
1643:
1635:
1629:
1625:false memory
1617:Argeș County
1609:
1587:
1582:
1565:
1559:
1553:
1549:Mihai Gafița
1540:
1534:
1512:
1495:
1492:Nazi Germany
1483:
1476:World War II
1473:
1469:cryptobiosis
1462:
1452:
1448:
1432:
1428:
1418:
1370:
1357:
1353:
1341:
1337:
1331:
1325:
1313:
1311:
1306:
1292:
1286:
1275:
1263:
1251:
1247:
1243:
1239:
1233:
1228:
1224:
1194:John Caradja
1189:
1187:
1182:
1178:
1174:
1166:
1163:Islaz ieftin
1162:
1158:
1154:
1153:
1144:
1140:
1127:
1114:("Petre the
1111:
1105:
1096:
1043:the Răstoaca
1040:
1032:Pavel Bazhov
1025:
1013:
1009:
1005:
999:
990:
978:
970:
966:
962:
959:Germanophile
954:
940:
936:Spiru Hasnaș
931:
927:
916:Nevestele...
915:
907:
903:
899:
895:
889:
883:
877:
871:
856:aestheticism
837:
811:
804:I. Dragoslav
795:
792:
788:Aurel Vlaicu
767:
762:
753:inspired by
744:
740:
728:
723:
710:
706:
702:
700:sketch story
693:
689:
683:
679:
677:
668:
665:witch doctor
654:
641:
635:
631:
625:
617:
612:(drawing by
583:
579:
540:
528:trigonometry
519:
515:
513:
500:
489:
469:Thessaloniki
465:Greek origin
461:
424:
419:
386:
370:Germanophile
359:
329:
323:
283:
279:
275:
274:
248:
231:
192:lyric poetry
167:sketch story
122:screenwriter
86:Argeș Region
80:(1951-11-05)
39:Islaz ieftin
38:
18:
3568:Poporanists
3338:1951 deaths
3333:1879 births
3297:Ion Roman,
3263:, "Dintr-o
3234:Bucharest:
3095:Pas, p. 31.
2823:N. Crevedia
2590:]", in
2383:Lucian Boia
2328:Paul Cernat
2281:Pas, p. 33.
2016:Pas, p. 32.
1755:Marin Preda
1747:Ion Iovescu
1734:Sămănătorul
1707:; in 1969,
1691:Henri Stahl
1652:Ber-Căciulă
1433:Ber-Căciulă
1373:gravel bars
1299:Marin Preda
1272:eschatology
1210:radiovision
1155:Vrăjitoarea
1097:Ber-Căciulă
1022:Jules Verne
1014:Ber-Căciulă
943:World War I
820:Poporanists
812:Sămănătorul
800:Ion Creangă
775:bird flight
751:Freethinker
746:Sămănătorul
673:aeronautics
661:Ion G. Duca
458:Early years
417:silent film
413:oneiromancy
362:World War I
331:Sămănătorul
316:Land Forces
233:Sămănătorul
177:autofiction
3543:Shoemakers
3498:Wave power
3327:Categories
3245: [
3225:References
3202:Luceafărul
2945:Luceafărul
2832:Luceafărul
2827:Sburătorul
2300:Zigu Ornea
1956:Luceafărul
1713:Ion Hobana
1701:magazine,
1664:Anton Pann
1605:Târgoviște
1500:bathhouses
1484:Ochi negri
1366:wave power
1358:Țărănismul
1342:Ochi negri
1294:Sburătorul
1282:suggestion
1225:Sburătorul
1218:seed drill
1214:Henry Ford
1183:Sub călcâi
1124:polygamous
963:Libertatea
955:Sub călcâi
828:Zigu Ornea
731:alongside
703:Fără pâine
690:Răsculații
650:Târgoviște
532:ballistics
405:suggestion
401:wave power
388:Sburătorul
250:Sburătorul
239:Poporanism
125:film actor
119:journalist
116:folklorist
110:accountant
104:gamekeeper
96:Occupation
54:1879-02-02
3009:Universul
3004:Universul
2391:Humanitas
2338:, 2007.
1575:Plexiglas
1437:Văcărești
1377:the Argeș
1307:gasconism
1268:ghostlore
1149:reportage
1120:Wallachia
928:Șperaclul
920:free love
852:Ion Vinea
637:Universul
552:Garibaldi
485:Bucharest
453:Biography
431:scientism
409:afterlife
260:Signature
244:Modernism
128:shoemaker
3508:Notaries
2795:Adevărul
2747:Viitorul
2563:Viitorul
2545:Jurnalul
2428:Mișcarea
2393:, 2010.
2370:Viitorul
2310:, 1998.
2134:Curentul
1863:, 2004.
1779:Plăvanii
1727:Scholar
1459:humanoid
1454:stânjeni
1397:jaw harp
1277:Adevărul
1244:Răscoala
1147:a quasi-
1116:Burgrave
912:Don Juan
763:Rațiunea
594:Muntenia
568:Voltaire
560:Franklin
556:Giordano
524:geometry
385:and his
3305:, 1972.
3261:Ion Pas
3238:, 1980.
2977:, 1981.
2875:Acolada
1721:Tolstoy
1588:flicker
1381:coppice
1350:Arnauts
1314:Steluța
1229:Steluța
971:Cronica
949:by the
941:During
873:Flacăra
838:Critic
783:gliders
779:anatomy
725:Ion Pas
585:Strigoi
564:Marconi
548:Galileo
374:Entente
339:Ion Pas
162:novella
3290:Litere
3288:", in
3216:passim
3188:Litere
2991:Steaua
2829:", in
2780:Ramuri
2690:Ramuri
2681:", in
2592:Patria
2549:Steaua
2446:Ateneu
2444:", in
2397:
2342:
2314:
2163:", in
1993:Ramuri
1867:
1749:, and
1709:Agerul
1689:, and
1660:piston
1595:Legacy
1523:Găești
1457:-tall
1445:Baruțu
1391:, and
1320:, and
1179:Corvin
1141:Patria
1129:Hajduk
1099:(1920)
1082:Răcari
1060:Găești
995:Bârlad
979:Spicul
967:Lumina
737:porter
566:, and
544:Edison
536:notary
530:, and
493:Greece
443:Găești
411:, and
407:, the
364:and a
300:porter
296:notary
278:(born
212:satire
157:Memoir
138:Period
131:porter
3157:Argeș
3153:Argeș
3026:Argeș
2684:Rampa
2665:Lupta
2650:Rampa
2525:, in
2442:Opere
2161:Lupii
2067:Argeș
1803:Argeș
1785:Notes
1583:Lupii
1541:Lupii
1502:with
1474:Amid
1240:Lupii
993:, of
891:Facla
885:Rampa
707:Lupii
335:'
182:essay
172:diary
151:Genre
2395:ISBN
2340:ISBN
2312:ISBN
1865:ISBN
1648:Nina
1464:Zmei
1431:and
1356:and
1270:and
1227:and
985:and
888:and
850:and
777:and
771:lift
717:and
481:Titu
425:The
353:and
341:and
75:Died
46:Born
3248:sic
2587:sic
1666:.
1510:.
1375:on
1330:or
1024:'s
997:.
870:'s
298:to
3329::
3109:^
3017:^
2969:,
2928:^
2861:^
2849:^
2755:^
2571:^
2507:^
2493:^
2477:^
2385:,
2330:,
2302:,
2250:^
2230:^
2216:^
2204:^
2174:^
2142:^
2124:^
2101:^
2074:^
2030:^
2001:^
1964:^
1894:^
1876:^
1824:^
1810:^
1792:^
1745:,
1741:,
1685:,
1681:,
1627:.
1471:.
1368:.
1262:.
1198:c.
1062:.
1038:.
965:,
616:,
562:,
558:,
554:,
550:,
546:,
526:,
471:,
357:.
142:c.
88:,
67:,
63:,
3218:.
3002:"
2401:.
2346:.
2318:.
1871:.
1196:(
56:)
52:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
